Electronic & Dance 1836 Items

LP | 2011 | EU | Reissue (Kompakt)

Release: 2017 / EU – Reissue

Genre: Electronic & Dance

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Emotional Response celebrates it's 10th Anniversary in repressing a label's long held favourite - Jefre Cantu-Ledesma and Alexis Georgopoulos wonderful Fragments Of A Season - coming together perfectly for an album of laconic story-telling and atmospherics.

Over the past decade, Cantu-Ledesma and Georgopoulos have been frequent collaborators. With one another - Jefre's recent ""On The Echoing Green' Mexican Summer), Arp's "The Soft Wave" Smalltown Supersound) and The Alps "Le Voyage" Type) - and with others. Jefre has worked with Grouper aka Liz Harris), filmmaker Paul Clipson and has released music by Harold Budd, Oneohtrix Point Never and Keith Fullerton Whitman on his Root Strata imprint, while Alexis has worked with visual artists Tauba Auerbach and Doug Aitken, scored dance for Merce Cunningham, choreographer Jonah Bokaer and made liminal classical music with Canterbury composer Anthony Moore Frkwys 3 / Rvng Intl.).(Emotional) Especial

In all of their projects, the two have always been masters of atmosphere. Veering between romantic abstraction, filmic ambiguity and suggested narrative, their music draws on personal and collective memory, letting things surface. Fragments Of A Season represents a new and distinct chapter in their ongoing work together, continuing this lineage of understated but resonant work.

Arising from conversations wherein each revealed that they'd been working on tracks with a similar feel in mind, the two quickly realized their songs fit together quite effortlessly. The goal was to do something immediate and spare - most songs simply use an old drum machine and a few chorused guitars, featuring live performances with minimal editing. The result, and indeed the goal of the project, was not to make an album that would simply sounds like what one would expect of the two - there are no modular synths or sequenced basslines, no motorik rhythms or overdriven distortions. Rather, to pursue a tangent of simplicity and clarity.

The result is an album of warmth and cool, sparse but evocative, earthy and luminous, narrative and abstract, taking influence from Les Disques Crepescule and early Cherry Red artists i the duo also cite Eric Rohmer's "A Summer's Tale" and the photography of Luigi Ghirri, whose image graces the cover.

Song titles provide narrative hints. As does New York-based writer Leigh Gallagher's short story enclosed within. Each song finds the story advancing - on the beach ""Marine""); at a discotheque ""Madagascar""); sleeping in the afternoon "Mirror The Sky"). Memory of cobblestone streets and a recent relationship ""Cleo"", "The Streets Are Filled With Rain"). A sense that this temporary idyll will end casts a shadow. Ultimately, for reasons unclear, it does ""Lost Summer"").

There is the sense that a distinct arc has taken place. On some faraway beach, the buildings are white, the skies and sea turquoise. Waves rise and crest. A shaft of light crosses an empty room. A discotheque can be heard in the distance. A mist burns off. Over the course of the ensuing astral summer weeks, an encounter sets the world known previously in relief. Days stretch out and the nights hum.

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WhoMadeWho

Knee Deep

LP | 2011 | EU | Original (Feeding Tube)

Release: 2011 / EU – Reissue

Genre: Electronic & Dance

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A download code is included.

Tomas Barfod, Tomas Hoffding and Jeppe Kjellberg aka WhoMadeWho have paved an illustrious career spanning numerous singles and two acclaimed full length albums. They have certainly been one of the few acts in the past decade to successfully redefine the term “crossover” in music thanks to their genre hopping creative tact. Now, WhoMadeWho team up with Kompakt to bring you this very special release. Following a long tour and still riding on success of their last full length "The Plot"(2009), in early 2010 the Copenhagen trio isolated themselves in several rooms of an semi-built hotel near the harbour of their hometown. The days at the hotel quickly evolved into a musical pendant of a tour-de-chambre, with ideas being kicked back and forth between the band members working in separate rooms. During the writing process, two musical directions occurred and instead of trying to merge the two, the band decided to record two albums. First up is what we have here - the mini album "Knee Deep”, while the full length is set for release later this year. This eight track mini album clearly shows the band's love for electronic music in conjunction with 60’s inspired psychedelic vocal productions. The band has deliberately chosen to save the more melodic and radio friendly songs for "the second album" though it’s obvious that the single “Every Minute Alone” is one of the most brooding and greatest songs we’ve heard from them. As drummer and electronic handyman Tomas Barfod puts it, the mini album came from the desire to create "a focused listening album that draws on a more abstract musical starting point.” Even from the very first minute of the opening track, “There's An Answer", it becomes obvious that WhoMadeWho are painting with a darker pallet than on previous records. With an intense use of bass clarinet and a forward driving beat, the song reflects certainty and insecurity in search of answers: "There's an answer to it / There must be an answer to it." These themes of turmoil and searching are also present on the first single, "Every Minute Alone": "Every hour of doubt / Trying to figure it out / Should I call you up?"

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Tellavision

Music On Canvas

Release: 2011 / EU – Original

Genre: Electronic & Dance

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One Hunned White Vinyl Edition

Lunice

12" | 2011 | UK | Reissue (LuckyMe)

Release: 2011 / UK – Reissue

Genre: Hip Hop, Electronic & Dance

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Following on from his last EP, 'Stacker Upper', Lunice returns to his spiritual home, LuckyMe, looking more confident than ever with his next release, 'One Hunned'. Much like his fellow LuckyMe cohorts, Hudson Mohawke and Rustie, Lunice takes ample inspiration from 80s/90s r'n'b, but still manages to be part of a small contingency of producers who are completely carving out a whole new path. Expect big neon-clad synths, soul laden vocal snippets and slick as hell drum-programming, with remixes from The Blessings and Girl Unit to boot.

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12" | 2011 | DE | Original (ava.)

Untitled

Release: 2011 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

A World Of Moving And Connected Parts

Automatic Tasty

12" | 2017 | DE | Original (Sleepers)

LP | 2017 | UK | Original (Domino)

Release: 2017 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Cover and vinyl are close to NM. Limited edition.

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Xenoula

Release: 2017 / UK – Original

Genre: Electronic & Dance

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2LP | 2017 | EU | Original (Materia)

Marco Bailey

Temper

Release: 2017 / EU – Original

Genre: Electronic & Dance

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2LP | 2017 | EU | Original (Dekmantel)

Juju & Jordash

Sis-Boom-Bah

2LP | 2017 | EU | Original (Live At Robert Johnson)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Gal (Juju) and Jordan (Jordash) return home to the Dekmantel stable for their fourth LP. It’s their most complete record to date. A series of purpose-written compositions, that highlight their maturity as musicians, and adept dexterity in the studio.

Without the pairing of Juju & Jordash, there would be no Dekmantel. The duo are an integral part of the label’s history, dating back to 2009 when they where they were the first act to release on the imprint. The two vagabonds can often be found performing live at various outdoor festivals and renowned clubs around the globe, jamming away behind a tabletop of buttons, knobs, synths, and drum machines - like a retro, control-station from Star Trek - albeit one that hums along with the jazz-centric, discordant house, and techno whirrings played by the musicians.

Nowadays Juju & Jordash have evolved far beyond their ’oddball house’ moniker. Their freestyle approach to performance, and immaculate refined sounds have became somewhat more defined, in a style that’s unique, yet elaborate, with a sense of otherworldliness, not only befit for the dancefloor, but otherwise transcendental moments. Following on from their previous LP, 2014’s Clean-Cut, a record of primal, forward thinking, variations from the studio, Sis-boom-bah is an album steeped in studio traditionalism, with a direction towards composition. “We wanted the focus of this album to be the music and not necessarily the process, so we made sure to perfect the performances before shifting the focus on to the production,” states Jordash about the record. Recorded over the space of a few, intense weeks, and built upon years of improvised live shows in front of thousands of listeners, Sis-boom-bah was written around grooves written by Juju on the guitar, and Jordash on the Rhodes. It was the first album the duo have written using such an approach, and solely produced and mixed by Jordash in Amsterdam over the course of a year, making it their most authentic record to date.

Sis-boom-bah’s diverse, spiritual nature is built around Juju & Jordash's use of polyrhythms. The percussive sequenced grooves, and rhythmic backbone was generated using the Yamaha DX7, along with the Roland TR606 drum machine. This approach to rhythm can be heard from the outset within the very first track ‘Herkie’, an ephemeral, yet tribal approach to minimalist funk. The spirituality flows throughout the record, where it sounds like the duo have brought along the nature with them from the foresty raves. In actually fact, the background noise comes courtesy of “noise generators from two separate synthesizers, each with its own filter slowly opening and closing so it kinda sounds like waves or wind.” There are also nods towards their acid influences, with some surefire slices of house music too. Sis-boom-bah is still very much a Juju & Jordash record, yet it's one with a greater depth, musically and stylistically. As electronic music albums go, you'll be hard pushed to find one more complete. "People should listen to this on a loud and clear sound-system," explains Jordash, "high on life, in their own special safe place."

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Orson Wells

Pneumatics

Craig Armstrong & Scott Fraser

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Alvin Toffler was overwhelmed. When in the morning of October 4th, 1988–it was his 60th birthday–he was starring with a still somewhat absent look into a bowl of cornflakes, he thought that in the surface structure of the yellowish shimmering milk which was making an emulsion with the maple syrup and slowly but irreversibly corroding the crunchy crystals on the flakes, he could see through a window into a timeless dimension. Toffler, who at that time had reached the peak of his fames as a future scientist, was sustainably disturbed from his peek into this extra temporary peephole. In none of his books–“Future Shock” had just been released with yet another edition featuring a proud printed note on the book cover stating “more than 5 million copies in print”–did he ever mention this occurrence. Even after his death in June 2016, no note on this incident could ever be found in his estate. The “flake dimension” as Toffler called it in notes which were later shredded remains a secret of opaque, hard-to-grasp radiant power.

Maybe it’s too simple to describe “Pneumatics“ as a creation coming from this cornflake world? Without doubt. Are there any more precise terms or instruments to determine the multifacetedness and beyond-timeliness of the “Pneumatics” soundscape? There are still unknown. “Pneumatics” is, after releases at Innervisions, Die Orakel und his own label Sound Mirror, the debut album of Orson Wells (as long as you don’t count in “Jupiter” – Wells’s first LP which was released in 2014 with 48 copies on cassette–have fun digging for rarities and bargains!).
Perhaps Wells, known in Frankfurt under his real name Lennard Poschmann and as an employee at the record store Tactile, is only a messenger. Or a psychic. The sound manifesto that he apparently transmits from Toffler’s secret dimension tells of a city of upside down pyramids (“Tianon”), of passes into the land of the five elements (“Multipass”) and dead straight four-to-the-floor lines which appear bended within the spherical dimension (“”Geodesic”). These beats are right on the heels of the ones of Intersteller Fugitives; the strings sound like that at any moment a vocal sample edited by Moodyman could warp over through the Cornflake wormhole. Pneumatics is the science of all technological applications powered by condensed and often by quite heated air. It is a matter of mechanics, compression, jackhammer, ramblings, high pressure levels, valves for blowing of steam. On “Pneumatics” it’s all about this. And more. Orson Wells’s album gets to the point of the post-retro futuristic state of the dancefloors of the house and techno clubs of this planet. It is like a peek into another dimension, right on the golden cut of spacetime geometry.

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Rosa Morta

LP | 2017 | EU | Original (CMA)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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2LP | 2017 | EU | Original (Mule Musiq)

Petre Inspirescu

Vintul Prin Salcii

2LP | 2017 | EU | Original (Apollo)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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With his third album “vin ploile” the bucharest, romania based producer, musician and dj petre in-spirescu captured a whole new audience in 2015 and reached out with minimal leftfield ambient sounds to music loving folks, that are not part of the world-wide dance music universe.

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Mr. YT

Brand New Day

Dysphoria I Euphoria Chapter 2

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Apollo / R&S are proud to present a compilation album of a series of classic EPs of timeless vibes and lush percussive excursions from overlooked Japanese innovator Mr YT AKA Yuji Takenouchi.

The 'Brand New Day’, ‘Southern Paradise’ and ‘Parfum’ Eps were originally release between 1997 - 1998 on Apollo Records and R&S sub-labels Generations and Global Cuts.

Over the intervening years, the EPs' heady blend of atmospheric pressure, balmy pads and deep grooves has percolated, gathering fans across the globe, to the point where original copies are in high demand on the secondhand market.

Created in the late 90s on a hardware set up of Roland Super Jupiter, Roland JV1080, Roland D550, Yamaha TX81Z and Akai S1100, Takenouchi was burning with inspiration from the sounds of Ron Trent and Chez Damier, Basic Channel, House of 909, Ian Pooley and Carl Craig.

A video game musician by profession, Takenouchi was used to producing music for specific scenes / sequences - starting from scratch had him baffled. Deciding to set a theme or concept for each EP proved to be the breakthrough he needed, a day of new environment for 'Brand New Day’, yin and yang for 'Southern Paradise’ and imaginary fragrances for ‘Parfum'. Looking at pictures related to each of these themes helped to fuel his creativity while producing.

From the sun dappled balearic haze of opener ‘Morning’ to the blissed out bump of ‘Afternoon’, the gauzy euphoria of ‘Ocean In Heaven’ to the cosmic funk pulse of ‘Regard’, the music contained in the 'Brand New Day’ compilation remains as timely and relevant as the day it was released and should see Mr. YT appreciated alongside the likes of the US and European producers who first inspired him.

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Kas:st

2LP | 2017 | EU | Original (Flyance)

LP | 2011 | EU | Reissue (Erased Tapes)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Dysphoria I Euphoria" project, French duo Kas:st is back with Chapter 2 of this two double EPs, signed on their label Flyance records : four original tracks coming with four remixes from artists such as Detroit DJ and producer Luke Hess, Setaoc Mass, signed on Work Them and Figure to name a few, Anetha, Blocaus' resident, and AWB, one of Taapion label's owner. In addition to this release, three digital tracks will be available in free download

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Nils Frahm & Anne Müller

7 Fingers

Release: 2011 / EU – Reissue

Genre: Electronic & Dance

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LP | 2017 | EU | Original (Mute)

Goldfrapp

Silver Eye

Release: 2017 / EU – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

3LP | 2011 | EU | Original (Traveller)

Rhythm Kings Volume 1

ZERkleinerungsMAschine / Feindehnungsmeßgerät

Release: 2011 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: VG+

Still sealed.
Cover with faint ring wear.

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Planet Underground

12" | 2011 | DE | Original (Elektrokühlung)

Release: 2011 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

12" | 2017 | IT | Reissue (Flash Forward)

Don Carlos

Mediterraneo

LP | 2011 | US | Reissue (4AD)

Release: 2017 / IT – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Sticker residue on back cover and slightly bumped corners. Vinyl close to NM

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Tune-Yards

w h o k i l l

2x10" | 2017 | Original (Hospital)

Release: 2011 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

White splattered vinyl seems unplayed. Still in shrink but opened with hype sticker. Tiny wear. Record Store Day edition Limited edition 2021 reissue.

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Fred V & Grafix

Cinematic Party Music

Release: 2017 / Original

Genre: Electronic & Dance

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2LP | 2017 | UK | Reissue (Invisible Hands)

Tangerine Dream

Particles

Release: 2017 / UK – Reissue

Genre: Electronic & Dance

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LP | 2017 | EU | Original (Blanco Y Negro)

Raul Mix

22,94 €* 26,99 € -15%

Release: 2017 / EU – Original

Genre: Electronic & Dance

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LP | 2017 | US | Original (NON Worldwide)

Angel-Ho

Red Devil

22,19 €* 36,99 € -40%

Release: 2017 / US – Original

Genre: Electronic & Dance

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Angel-Ho proclaimed virtuoso, also known as Angelo Valerio/Deep In The Pussy/Ruffle Queen, and a co-founder of NON Worldwide, is in celebration of what makes them uniquely queer. With a limited run of their vinyl titled Red Devil, Angel-Ho presents an array of classical electronic inspired cacophony. This is a chance for the symphony to be contextualized, since its release not having any word spoken by the artist a Beyoncé moment if you will. Red Devil is an autobiographical mix where by Angel presents the realities of the mind, ones ability to shift their perspectives of the world, through applying the principles of balance in their music. All which is deeply connected to the experiences queer and trans people encounter daily, be it personal demons to greeting violence in public to the reasoning of joy among the chaos, Angel describes it as transformation. So many people live in fear of transformation and I am not necessarily making it a point to gender, sexuality, but not limited to recent political or social acts in 2017. I enjoy transformation like many of my fellow artists around the globe. Everyone forgets that I studied art and have done performances prior to the release of Ascension. Being able to see beyond my mind and make things tangible is a mirror of how I move through space, time, and transformation, wasting no time in doing so I want to be the best I can be because in doing so I see the cause and effect of being true to ones nature, to do what makes you happy with what youve got. Red Devil is led by a fierce orchestra and choir, of which Angel-Ho visualises animates in their dreamscape, not being reduced to its potential as a digital sound file. It is inspired greatly by the collision of music styles and genres and true to the proceeding agency of Angels own envisioning of a, moffie only, klopse troupe roaming through the neighbourhood at 2am in the Summer with their sharpened instruments ghostly parading the echo of their afternoon rehersals. Red Devil becomes a celebration of all that is denied by ourselves and others. The self-saboteur, as RuPaul Andre Charles heralds, is what is vanquished through ones ability to name it and deconstruct the information as to why one would perceive a dismal perception of reality what halts ones ability to achieve and excel. It is through this action we can equip ourselves with the tools we need to perceiver in a world where we living queer, breathing trans, bodies have to everyday prepare ourselves for the worst when leaving the solitude of our homes and safety of our family.

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Vinyl Extraction - Live At Robert Johnson Volume 7

12" | 2011 | DE | Original (Live At Robert Johnson)

22,09 €* 33,99 € -35%

Release: 2011 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Thee Physical Grape Splattered Vinyl Edition

Pictureplane

LP | 2011 | US | Reissue (100% Electronica)

22,04 €* 48,99 € -55%

2LP | 2017 | EU | Original (Raster)

Release: 2011 / US – Reissue

Genre: Electronic & Dance

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Pictureplane has made his name circling the outer limits of pop culture in several mediums. The Brooklyn-based artist's gallery works, shown both in the U.S. and abroad, collide familiar with fringe and hard lines with visceral spatter. His Alien Body clothing line serves up a stylized study of symbology, the occult, and societal decay. And his music—beautiful yet heavy, swirling wild strains of industrial dance, gothic hip-hop, and emotive New Age—treats electronics not as artificial, but as extensions of our analog selves. After a decade thrashing the status quo, Egedy is not only kin to makers of lovely dark music everywhere, but a vital player in the global DIY community. He is a proud outsider, yes, but his tribe is legion and ever-growing.

In 2011, Pictureplane's Thee Physical arrived, marking a major leap forward. Egedy's voice was suddenly dripping sex at the forefront of a lush synthscape, while cuts like "Trancegender" and "Breath Work" explored the human body with gender-dissolving aplomb. He moved to Brooklyn in 2012 in order to stoke alt-rave culture from a more powerful vantage before teaming up with fabled indie-rap imprint Anticon for Technomancer (2015), an LP about the blurring line between ourselves and our machines. Along the way, Egedy's toured with everyone from Crystal Castles and Major Lazer to the Faint and Gang of Four. He has remixed Lil B; been remixed by Grimes; collaborated with bands (Prayers) and SoundCloud stars (Goth Boi Clique)

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Belief Defect

Decadent Yet Depraved

LP | 2017 | UK | Original (Hallow Ground)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Decadent Yet Depraved, the debut album by Belief Defect, finds shelter and complicity in Raster as home and label. Familiar with the underground music scene and how its skeptical nature can also be an obstacle to overcome, Belief Defect abandon any claim or credit in an attempt to transcend the limits authorship imposes, avoid the boundaries or expectations earned or self imposed and find the clearest, most direct path to their music for themselves and the listener. At the core of the album is the music that inspired them, the conclusion of countless recordings listened to in their formative years that ultimately result in a life-long devotion to electronic music: from dance floor to primal anger and self-annihilating noise, to transcendental, ambient escapism and intense self-reflexive sonic layering. The result is a soundtrack for this apocalyptic time, an uncompromising reflection on the state of mankind and its uncertain future, underscored by a sense of religious and secular demise referenced in track titles, samples, and soundscapes scattered throughout the album. Yet, more than a political statement Decadent Yet Depraved is an introspective journey, turning each listener into a spiritual soul-seeker staring into the abyss, reaching for some kind of cathartic truthfulness.

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Dedekind Cut

Expanding Domain

2LP | 2017 | EU | Original (Infine)

Release: 2017 / UK – Original

Genre: Electronic & Dance

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Trance-derived melodies, murky industrial grooves and all-consuming harsh noise attacks, created and recorded in transit between New York, Seoul and Berlin between the fall of 2016 and the winter of 2017. Over 23 minutes, the EP shifts from densely layered textures to subtle piano notes and hard-hammering beats, seemingly mirroring the drastic changes of the times in which they were conceived.

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Carl Craig

Versus

LP | 2011 | EU | Original (Rotorelief)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Carl Craig will present an album adaptation of his widely acclaimed "Versus" live performance.

"Versus" originally premiered in 2008, with a live debut at La Cité de La Musique, Paris, where Carl Craig was joined by Les Siècles orchestra conducted by François-Xavier Roth, Moritz von Oswald, and Francesco Tristano, who arranged and orchestrated all the tracks. The performance, one of the first of its kind to combine electronic and classical composition, received five standing ovations and had over one million views online of the original filmed recording. Produced by Carl Craig, the Versus album mixes both orchestral and electronically enhanced versions of Carl Craig’s music in a techno collection of eight tracks adapted for orchestra.

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Sand

Desert Navigation

LP | 2017 | EU | Original (Ninja Tune)

Release: 2011 / EU – Original

Genre: Electronic & Dance

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limited to 500 copies

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Forest Swords

Compassion

التسجيلات الإلكترونية = The Electronic Tapes

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG

Cover with beginning of seam split on top spine and creasing on corner, close to VG+

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Ahmed Malek & Flako

LP | 2017 | DE | Original (Habibi Funk)

Release: 2017 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

LP | 2011 | EU | Reissue (Faitiche)

Ursula Bogner

Sonne = Blackbox

2LP | 2017 | DE | Original (Pingipung)

Release: 2011 / EU – Reissue

Genre: Electronic & Dance

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Three years have passed since the world first learned of Ursula Bogner's work. Since then, her identity has been surrounded by rumours, her graphic work have been exhibited (ceacc, Strasbourg, France, 2011 and elsewhere) and her compositional instructions have been performed (by Mo Loschelder, Andrew Pekler, Kassian Troyer, Jan Jelinek among others). The release of Sonne = Blackbox brings together all of these aspects in one CD and book: compiled by Andrew Pekler, the album presents Bogner's early experiments with voice and tape music – a previously unknown emotional side of her music is revealed here through her singing.

The 126 page book contains, along with drawings, photos and other curiosities from Bogner’s life, an introduction by Jan Jelinek, texts by Momus, Andrew Pekler, Tim Tetzner, and Bettina Klein as well as interviews with the orgone researcher Jürgen Fischer and the ethnographer Kiwi Menrath. Sonne = Blackbox attempts to locate Ursula Bogner, the sound experimentalist within broader cultural history. A central theme is the phenomenon of fake: how did the erroneous suspicion of fakery come about in the case of Ursula Bogner and what is a post-fake? Answers in this book.

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Andi Otto

VIA

I Think We Agree, The Past Is Over.

Release: 2017 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl is close to NM. Tiny wear.

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Damiano Von Erckert

12" | 2011 | DE | Original (ava.)

Release: 2011 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

12" | 2017 | UK | Original (Social)

East End Dubs

Social 8

LP | 2017 | EU | Original (One Little Indian)

Release: 2017 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

180gr vinyl is close to NM

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Asgeir

Afterglow

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Totally Enormous Extinct Dinosaurs

Household Goods Remixes EP

12" | 2011 | UK | Original (Greco-Roman)

Release: 2011 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

2LP | 2017 | EU | Original (Threnes)

Restive Plaggona

Silently Hopelessly

Robert Rental & Glenn Wallis

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Restive Plaggona recently released a brand new studio effort - a full-length album featuring 10 original tracks and a remix from Ancestral Voices, with a dark and melancholic twist, as the title of the project might imply. Connected by a commonality of despair, nostalgia and desolation, Restive Plaggona elevated these elements into its maturity. At its core, each track has a soul-stirring significance, and is embalmed by titles that fringes on a political dimension.

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Untitled

12" | 2017 | US | Original (Dark Entries)

LP+CD | 2017 | EU | Original (Aufnahme + Wiedergabe)

Release: 2017 / US – Original

Genre: Electronic & Dance

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Robert Rental was the stage name of Rober Donnachie (1952–2000), a British pioneer of post-punk, DIY, and industrial music. Originally from Port Glasgow, Scotland, he moved to the south of England with Thomas Leer in the late 1970s where he met Glenn Michael Wallis. Glenn was recording music with the group Heute and leaving to start his solo projects NKVD and Konstruktivists. Both were heavily involved with Throbbing Gristle and the Industrial Records crew. In the Summer of 1979, Robert invited Glenn to his studio in Battersea to jam. Robert on guitar and Glenn on an EDP Wasp synthesizer. For each session that summer they would play for about 40 minutes, maybe longer, stoned. Robert suggested they record it, many times erasing and over recording one session for the next. The music had no titles, as they were never intended to be released. On these recordings, Robert enjoyed playing like Robert Fripp of King Crimson, while Glenn channeled Wolfgang Flur of Kraftwerk. Influenced by Krautrock bands like Can, Neu!, Cluster/Harmonia, as well as Terry Riley and Brian Eno the duo forged a unqiue brand of Industrial music. Tape loops and synthesizer sounds played backward conjure dark ambient moods. All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The LP is housed in a jacket that features a drawing by Robert Rental from Glenn’s archives as well as a handwritten note from Robert to Glenn. Each copy includes two photo postcards featuring a transcription of Robert’s letter and liner notes from Glenn Wallis.

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The Devil & The Universe

Folk Horror

Release: 2017 / EU – Original

Genre: Electronic & Dance

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LP | 2017 | EU | Original (Lullabies For Insomniacs)

Tarotplane

358 Oblique

12" | 2017 | US | Original (Dark Entries)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Baltimore’s PJ Dorsey has traversed a lifelong journey delving into psychoactive music which can alter one’s cognitive and conscious state. He harnesses his experiences to create music as Tarotplane. Using guitar, effects and processing he produces time suspending soundscapes - immersive music for merging the mind and body.
.
358 Oblique is the follow up to First which was released on Aguirre Records in 2015. Find yourself adrift in the lapping waters of a slow unraveling sea of sound, a spectral vortex of shimmering tones and discrete samples guide the listener into an aural abyss, while plangent six-string melodies offer glimpses into a sanctifying
sensory space. The two exploration provide an evocative journey through a psychedelic continuum and beyond.

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Group Rhoda

Wilderless

ZGTO (Shigeto & ZelooperZ)

Release: 2017 / US – Original

Genre: Electronic & Dance

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Group Rhoda is the solo electronic music project of Mara Barenbaum, based out of Oakland, California. The project started around 2009 with a debut album ‘Out of Time, Out of Touch’ in 2012 on Night School Records and ‘12th House’ in 2013 on Not Not Fun. She is also one half of Max and Mara who released the album ‘Less Ness’ in 2013 on Dark Entries Records. She is committed to live performance, situated within the analog synthesizer and drum machine medium.

‘Wilderless’ is Group Rhoda’s third full length and first for Dark Entries Records. Each of the these 7 songs draw forth tones of tropical darkwave and soft industrial; while negating the sound of conformity and control. The album explore themes of societal and spiritual displacement, contemporary serfdom, the depths of empathy, regeneration through destruction, and the tyranny of claiming recognition and power. Lyrics are poetically expressed through allegory and explore archetypes rooted more in abstract observation rather than hard line experience. Through transgression and imagination, Group Rhoda explores the arc of songwriting interwoven into stark electronic environments; and creates a bridge between the corporeal and the dream worlds.

Each song was mixed by Mark Pistel at Room 5 in San Francisco and mastered by George Horn at Fantasy Studios in Berkeley. Each LP is packaged in a jacket featuring a colorful custom made collage by Hugo Barros and includes a full color sticker and digital download card.

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A Piece Of The Geto

LP | 2017 | US | Original (Third Man)

2LP | 2017 | EU | Original (Film)

Release: 2017 / US – Original

Genre: Hip Hop, Electronic & Dance

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In a city famed for its disparate and varied musical excellence, the Detroit-based alignment of feted electronic artist and producer Shigeto aka Zach Saginaw and rapidly rising Bruiser Brigade member ZelooperZ is an entirely natural thing. Introduced by mutual friends in the city, an instant bond was formed, and ZGTO was born. A Piece Of The Geto is out August 4th on Ghostly International, with a limited edition vinyl pressing by Third Man Records.

For Shigeto, this is the first time he's musically stepped out of the box of a solo artist and worked with a vocalist on a project. There is a ''less is more'' philosophy with the production where the vocals of ZelooperZ are seamlessly interlaced into the fabric of the beats. It's minimal in a sense, but the emotion felt through the words of ZelooperZ makes the songs as a whole intense and heavy with sentiment.

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Brainwaltzera

Poly-Ana

Comic Black Vinyl Edition

Release: 2017 / EU – Original

Genre: Electronic & Dance

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2022 repress.

The release comes in a gatefold cover. Brainwaltzera’s debut LP “Poly-Ana” follows quickly on the heels of the producer’s Aescoba EP - also released this year via Film. Across thirteen tracks of both previously released material and fresh excursions into the artist’s world, Brainwaltzera explores sounds ranging from luscious, downtempo grooves and expertly reduced braindance cuts with nods to early 90’s experimental IDM to harder, more caustic outings - all bound together by a recurring theme of otherworldly ambience.

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Siriusmo

LP | 2017 | EU | Original (Monkeytown)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Bruno Spoerri & Reto Weber

The Sound Of The Ufos

LP | 2017 | EU | Original (WRWTFWW)

LP | 2017 | EU | Original (Bronson)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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2017 Remaster from Original Tapes. Bruno Spoerri’s masterpiece VOICE OF TAURUS LP available for the first time on vinyl since 1978 – Beautiful 1 LP - housed in 350g sleeve and contains all new liner notes by Bruno Spoerri himself, printed oin double side poster inlay - Bruno Spoerri who came to recent attention over his sampling dispute with Jay Z and Timbaland (that he won) plays the 1978 cult classic The Sounds Of The UFOs live at the bluedot Festival (in conjuction with Finders Keepers) wich together with the equally cult classic companion Voice Of Taurus are to be reissued here now! - For fans of electronic music, jazz, early techno , movie soundtracks, library music, cosmic oddities, ambient, sci-fi disco, synthesizers, Pierre Schaeffer, Pierre Henry, Wendy Carlos, Nino Nardini, Yello, Encounter of the Third Kind, UFOs, meditation, and unknown galaxies. Tracklisting: A1. First Impression A2. Swiss Encounter A3. Destination Galaxy M81 B1. Strange Visitors B2. Cosmic Samba B3. Sun Spots We Release Whatever The Fuck We Want Records is honored to announce the reissue of extraterrestrial cult classic THE SOUND OF THE UFOs, a collaborative effort between Swiss jazz and electronic music icon Bruno Spoerri and innovative drummer extraordinaire Reto Weber, available on vinyl for the first time since 1978, housed in a 350g jacket and packed with all new liner notes. Recorded live in Zurich in March 1978, THE SOUND OF THE UFOs finds Bruno & Reto improvising with a vast array of classic and customized synths and percussions from all corners of the globe (and the galaxy!). It’s cosmic free jazz in audio gear heaven with a heavy dose of ambient, krautrock, primitive proto-techno vibes, and experimental space disco with a musique concrète mentality - anything’s possible when a jazzman and a percussionist obsessed with finding new sounds collide and explore uncharted sonic territories!

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Confrontational

Kingdom Of Night

Mister Mellow Yellow Vinyl Edition

Release: 2017 / EU – Original

Genre: Electronic & Dance

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The tracks on 'Kingdom Of Night' (the second entry in a trilogy that started with 'A Dance With Shadows') sound darker, deeper and heavier than ever before. There was a deliberate focus on trying to create some classic anthems in the songwriting process - tracks with relentless beats, an emphasis on melody and a really driving chorus.

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Washed Out

LP | 2017 | US | Original (Stones Throw)

LP | 2017 | Original (Asphalt Tango)

Release: 2017 / US – Original

Genre: Electronic & Dance

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Mister Mellow moves further away from the synthesizer-heavy sounds of the recent Washed Out releases and more band-driven sound of his work on iconic labels Sub Pop in America, and Domino in Europe. On Mister Mellow, Greene draws from the experimental collage techniques of musique concrète and plunderphonics artists such as The Residents. Combining styles as diverse as free jazz, house, hip-hop and psych together with interlude-esque voiceover samples, often pulled from anonymous YouTube vlogs, he creates a busy, chaotic, and caricaturish mix that mirrors the claustrophobic, hyper-stimulated psyche so familiar to young adults.

As he continues to carve out his innovative sonic identity, influenced by the world around him but unafraid to buck trends, it’s fitting that Greene has partnered with legendary hip hop label Stones Throw Records, long a home for beat-loving musical rebels. His approach to releasing music is every bit as individual, too: in an environment where compiling singles into an album format or working with a single video director are the norm, Greene has chosen to commission eleven different artists to bring the visual aspect of his fully-realised album project to life.

On Mister Mellow, Washed Out steers clear of emotion to empathise with the minutiae of the world around him. “I’ve been much less interested in sentimentality and emotion for the past couple of years,” says Greene, “In some ways, I think its a reaction against getting older and having more responsibilities. Maybe I’m just nostalgic for a time in my life where I could just relax and block out the world for a moment.” Though Mister Mellow is an intensely personal album, its ideas and observations speak to the lived experience of so many young adults, an experience that we come to see as both funny and sad.

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Ya Tosiba

Love Party

Release: 2017 / Original

Genre: Electronic & Dance

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2LP | 2017 | EU | Original (Get Physical)

Reboot

Alive

2LP | 2017 | DE | Original (Ostgut Ton)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Adding on to his extensive discography, Reboot has curated a fresh journey through his world with the aLIVE LP on Get Physical Music. A diverse selection worthy of the international dancefloor, the LP contains the culmination of the artist’s long career and the many experiences, stories and inspirations that come with that.The LP includes a free download code for the full digital album + remixes from Ricardo Villalobos, Kölsch, ANNA & Nakadia.

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Tobias.

Eyes In The Center

Kwiaty Black Vinyl Edition

Release: 2017 / DE – Original

Genre: Electronic & Dance

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Tobias. returns to Ostgut Ton with his third full length Eyes In The Center and expands the musical narrative laid out by his Helium Sessions EP (O-TON, 2016). The Berghain resident keeps exploring the vast modular synth-driven Techno, Experimental and Ambient territories on a journey in-between genres. Tobias Freund is long established as an influential artist and has – since the early 1990s – been working as a professional producer, sound engineer, label owner and strictly live musician. Besides his early solo projects (such as Pink Elln, Metazone or Phobia) he’s also been collaborating with Dandy Jack (as Sieg Über Die Sonne), Ricardo Villalobos (as Odd Machine), Max Loderbauer (as NSI.), Valentina Berthelon (as Recent Arts) and Atom™ to only name a few. With his vast experience, diverse output and interests, Tobias. doesn’t tire to actively push against existing boundaries and explore new areas of electronic music.

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Jacaszek

LP | 2017 | US | Original (Ghostly International)

Release: 2017 / US – Original

Genre: Electronic & Dance

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2LP | 2017 | US | Original (Inner Muse)

Alton Miller

Lightyears Away

Release: 2017 / US – Original

Genre: Electronic & Dance

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LP | 2017 | EU | Original (City Slang)

Hauschka

What If

2LP | 2017 | EU | Original (Money $ex)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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City Slang presents Hauschka's new album “What If”.

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IMYRMiND

Uniwersum Luxus

LP | 2011 | UK | Original (Heliofon)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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IMYRMIND's debut album UNIWERSUM LUXUS surfaces at record stores worldwide on February 27th, 2017 courtesy of Berlin-based Money $ex Records. Idiosyncrasies of both IMYRMIND himself, and indeed the label as a whole, seep through the fabric of the album; a patchwork of tasteful re-appropriation and sophisticated originality.Covering a broad landscape of raw, gutsy minimalism, mesmeric synthwork and trademark ultra-loose beat-making, IMYRMIND has crafted a record that embodies his rapacious ear and well-groomed production style. In a maturation of techniques explored across earlier releases, borrowed organic textures meet frazzled analogue electronics and clunky, lagging beat iterations in a collection of tracks ranging from the quivering to the aggressive. UNIWERSUM LUXUS is a bright convergence of influence and innovation, all reverberating within the echo chamber of the Money $ex world; self-aware, playful, and at times even ironic.

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Syriana

A Life In Film

Release: 2011 / UK – Original

Genre: Electronic & Dance

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LP | 2017 | UK | Original (Alter)

Love Theme

Release: 2017 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Colleen Et Les Boîtes À Musique

Colleen

LP | 2017 | UK | Reissue (Leaf)

LP | 2011 | EU | Reissue (Erased Tapes)

Release: 2017 / UK – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Silver vinyl

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Nils Frahm

Felt

Release: 2011 / EU – Reissue

Genre: Electronic & Dance

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LP | 2017 | DE | Original (Leisure System)

Dopplereffekt

Cellular Automata

21,84 €* 22,99 € -5%

2LP | 2017 | US | Original (Headphoniq)

Release: 2017 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Still shrink wrapped but opened.
Includes original inner sleeve.
Record is close to NM.

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Ilo

Ilobsession

21,74 €* 28,99 € -25%

2LP | 2017 | DE | Original (Ostgut Ton)

Release: 2017 / US – Original

Genre: Electronic & Dance

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HEADPHONIQ drops an amazing album from the creator of the WARP remix! ILO fuses together a raw mix of deep house, jazz dub, disco & Detroit techno! Imagine DERRICK MAY, MAW, BJORK, KRAFTWERK, CARL CRAIG, PEPE BRADOCK & ROY AYERS make music together & you come close to what the sound of this is.

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Nick Höppner

Work

David Borden, James Ferraro, Sam Godin, Laurel Halo, Daniel Lopatin

Release: 2017 / DE – Original

Genre: Electronic & Dance

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Panorama Bar resident Nick Höppner gets to Work on his second solo album on Ostgut Ton, connecting the territories of House music with the ease of Alt-Pop. Work as in labor. An axiom that fuels the capitalist system just as the Techno/House scene economy says that one needs to keep oneself busy to make a living. As a musician, things are complicated of course. It’s a long way from the romantic idea of creating music simply for the sake of art to becoming a full time musician. Those who have accomplished this feat often find themselves in a professional loop of writing the music, producing it, promoting it (with an info text like this), releasing it and then hopefully selling it. After leaving his full time job as Ostgut Ton’s label manager in 2012, Nick Ho?ppner went fully freelance, focusing on his musically diverse, deep and dynamic DJing in and outside Berghain’s Panorama Bar, but more importantly spending more time in the studio. The result was his critically acclaimed debut album Folk (Ostgut Ton, 2015), various 12“ releases and remixes, and now his sophomore LP, Work, which, more than ever, lays out his refined production skills and his talent to work the machines until they reveal their inner ghosts: nine new songs that now dodge the dance floor, then fully embrace it.

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FRKWYS 7

LP | 2011 | US | Original (Rvng Intl.)

2LP | 2017 | EU | Original (Manhigh)

Release: 2011 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Copy closer to NM

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Henning Baer

Shatterproof

Rhythmic Brutalism Volume 2

Release: 2017 / EU – Original

Genre: Electronic & Dance

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As the head of Grounded Theory and Manhigh, Henning Baer has since 2009 presented his downcast, experimental interpretation of modern electronic music to wide critical acclaim, establishing his forceful presence on Berlin’s scene with immaculate curatorial skills and equally imposing DJ abilities.

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Alexandra Atnif

LP | 2017 | UK | Original (EM)

LP | 2017 | EU | Original (Pan)

Release: 2017 / UK – Original

Genre: Electronic & Dance

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"Rhythmic Brutalism" is the title of this release, available as two CD set or two separate 12 inch vinyl LPs; the title is also a very apt description of the music itself. Romania-born Alexandra Atnif is fascinated by the harsh, grey concrete beauty and minimally repetitive force of the brutalist post-war architecture of her homeland, and this fascination has given rise to the music here.

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M.E.S.H.

Hesaitix

LP | 2017 | EU | Original (Pan)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Further departing from both the cinematic abstraction of ‘Piteous Gate’ and the hectic drums of ‘Damaged Merc’, Berlin producer M.E.S.H.’s new full-length, ‘Hesaitix’, is marked by its hyper-ornamented rhythms and a sense of pensive, moonlit spaces.
The atmosphere has shifted; the radical deconstruction of previous releases has given way to subtler interventions, building new structures in strange territories. Shifting from the meditative to states of manic unease, Hesaitix is an unnerving injection into both the social space of club music and the interior space of digital audio fantasy.
How did I become so stupid?
A sound can be both formless and over-rendered, like a boneless but fleshy hand from a life
drawing class.
What agent could set these broken sounds in motion?
A laugh behind an evil curtain. A drummer that’s cool and grotesque, a detuned siren. A brushfire
under a full moon.
Recorded in Berlin and Umbria, Hesaitix sees Janus resident and PAN staple M.E.S.H. firmlyengaged in a kind of sonic worldbuilding, a place where the unconscious and the alien intersect

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Still

2LP | 2017 | EU | Original (Foom)

Release: 2017 / EU – Original

Genre: Electronic & Dance, Reggae & Dancehall

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Hundebiss bossman Simone Trabucchi - a pivotal figure of the Italian scene - debuts his STILL alias on PAN with a batch of banging, multi-layered dancehall tracks inspired by the complex historical links between his hometown, Vernasca, with Jamaica, and Italy’s colonial past in Ethiopia.Part of a wider visual arts project, Invernomuto, helmed alongside Simone Bertuzzi, and comprising a series of sculptures, installations, a book, and a long-feature experimental documentary under the title ‘Negus’‘, Simone takes cues from a “cleansing counter-ritual performed by Lee ‘Scratch’ Perry in the Vernasca square where 80 years earlier, an effigy of Haile Selassie I was burned” to cook up a madd set of dancehall tracks voiced by six Milan-based, African-Italian vocalists and singers.The results weigh in remarkably close to the colourful, plugged-in dancehall art/science of Equiknoxx, effectively pulling together the diffracted aspects of his project into a direct yet psychedelically-charged set which strongly reverberates with its roots.Keener observers will be quick to identity the amazing Nazenet (Wasp Rhythm) as a vocal version of STILL’s uncredited Untitled riddim from Halcyon veil’s Conspiración Progressocompilation, but unless you’ve been listening to Bill Kouligas DJ sets, the rest is all new and exclusive, taking in the weightless prayer of Haile Selassie Is The Micro-Chip, wobbly acid hall knocks in Bubbling Ambessa, and the meter-messing flux of Rough Rider along with style recalling that Vipra ace on Presto!? in Banzina, plus the warped Bionic Ras bumps of Gozpaal and some seriously salty dubbing in the plasmic squeeze of Mangrovia

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Bruno Pronsato

Us Drag

2LP | 2017 | EU | Original (Gost Zvuk)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Neighbors In The Movies Key Selling Points Bruno Pronsato returns with his first new artist album in 6 years.

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Kuzma Palkin

Audiosapr

LP | 2017 | EU | Original (Wah Wah)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Audiosapr is one of the most consistent albums you re likely to come across in Russia s GOST ZVUK entire back catalogue. Surprisingly, the full-length by Saint Petersburg s scene veteran Kuzma Palkin is a compilation of random jams and studio recordings he made in the period of 2014-2015, carefully pieced together by label s masterminds. SAPR stands for the System of Automatic Projection (a Russian term for Computer-Aided Design, CAD) which defines the album s experimental yet complex and interlocking heart. Based around a central theme of immediacy and spontaneity, Audiosapr builds upon the foundations of early, pre-Detroit era of electro and techno, and then progresses the wispy entrails of analogue gear in a contemporary dancefloor direction. It s clearly music that can be attributed as hybrid, however it s not you re going to think about while listening to Audiosapr , Palkin s definitely most inspiring work to date.

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Didier Bocquet

Voyage Cerebral

12" | 2017 | US | Original (Dark Entries)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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"1979 follow-up to his Eclipse debut, Voyage Cerebral was the second effort by french synthetist Didier Bocquet. Like the first album, it was recorded on his own private studio and self-released, this time via legendary french custom label FVLM ("Faites Le Vous-Même", meaning "Do It Yourself"). Inspired by the first wave of german kosmische sound-travellers (Klaus Schulze and Tangerine Dream and the whole Berlin School spring inmediately to mind) but retaining that typical french urgency that places it close to Heldon / Pinhas, Lard Free or even Besombes / Rizet territory. In-your-face sequenced electronic music that sounds both spacy and violent at the same time whilst keeping a certain lo-fi, self produced vibe. Recommended to fans of all things “kosmische” and synth music in general."

Raül G. Pratginestós (Fauni Gena)

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Greyhouse

New Beats The House

LP | 2011 | US | Original (Rvng Intl.)

Release: 2017 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

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Blues Control & Laraaji

FRKWYS Vol. 8

Release: 2011 / US – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Copy closer to NM

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2x12" | 2017 | IT | Original (M_REC LTD)

EMME

20,89 €* 21,99 € -5%

Release: 2017 / IT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2017 | US | Original (Now-Again)

Rodinia

Ex Anima

20,69 €* 22,99 € -10%

LP | 2011 | EU | Original (Al Dente)

Release: 2017 / US – Original

Genre: Electronic & Dance

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Now-Again Records has enjoyed a long and creative partnership with Munich-based multi-instrumentalist JJ Whitefield, creative force behind the Poets of Rhythm, Whitefield Brothers and Karl Hector & The Malcouns.

Rodinia, his latest project, is quite different than anything that’s come from his oeuvre to date, but follows in the line of the Poets of Rhythm’s great “Discern/Define”, as it reaches back to Krautrock’s experimental heyday but pushes its boundaries with a post-hip-hop approach.

Rodinia’s first album, “Drumside/Dreamside”, featured two, side-long suites, with synthesizers taking the fore on an overarching ambient approach (featuring over-dubbed reeds, drums and guitar, and self-made Moroccan field recordings introducing the project on its Drumside.)

“For Ex Anima”, Rodinia has incorporated more of the mid-70s approach of Krautrock forebears Neu!, Cluster and Harmonia, with shorter, self-contained songs. The result is winsome and exploratory, respectfully distanced from the past’s trappings while celebrating a musical spirit still very much alive and influential. With original artwork by Jason Jagel (DOOM’s Mm Food, Operation DOOMsday).

Electronic Krautrock in line with Cluster, Harmonia, Neu!, Popul Vuh from Jay Whitefield (Poets of Rhythm/Whitefield Brothers/Karl Hector & The Malcouns). The album includes a download card.

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Alex Puddu

Hell Is Other People

20,39 €* 23,99 € -15%

2x12" | 2017 | EU | Original (Arts)

Release: 2011 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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When first I got to know that I was going to create the score for this short, I was pretty excited about the idea behind the film, and especially the story of the character Jens, who suffers from schizophrenia.I started inventing sounds to depict the character’s visions and hallucinations and I knew right away that I was going for a style more experimental than the two previous scores, Eastern Army and Mosaic, both written during the same year. The working process of the soundtrack for Hell is Other People (Helvede er de Andre) has perhaps been the most creative I have ever done. I just started recording sounds, effects and handmade percussion with no idea as to where I was heading, only the sense that I was going somewhere else, somewhere I had never been before. Somewhere where I felt very comfortable. All of the sounds are performed and recorded at night in my home studio Easy Beat Evil Bite and I used everything I could at home, everything I could get my hands on: wine glasses, chimes, shakers, African percussion instruments, angel harp, tambourine, sitar, hand drumming on a paper box or on naked skin, cymbals, synthesizer, effect pedals, the Rhodes, the piano and a lot of reverse recording from my old Revox tape recorder as well as electric and acoustic guitars. The title song “Every Missing Beat of Your Heart” and ”Falling Papers from a Staircase” are both very calm and reflecting tunes, characterized by a dreaming acoustic guitar arpeggio and a persuasive hypnotized tempo from an old metronome. On the track ”Metal Me” is a lot of psycho-blues; the strumming of an acoustic Yamaha is evident on three monotone chords and the 'sloppy' beat makes everything sound so heavy. I love the production of the song ”At the Clinic” where I chose to do a swing beat playing on the glasses to generate a more defined sound, like something you just can’t get rid of; like an annoying sound , and together with electric guitar playing in surf mood I really did something cool and easy there… I pictured the boy Jens walking up and down the corridors at the hospital and having trouble thinking clearly, or maybe seeing what other people couldn’t see. I think that all in all, I was most inspired by the sound of the 50’s in the making of this album; the warmth of the tremolo of in ”My Room” and the dark and psychotic mood of “Perspective” and ”Second Moon”. From time to time there is a touch of emptiness, death, agony and the feeling of loneliness behind those moments in tunes such as ”One of Us”, “No More Dead Flies” and ”She Suicide”. The second part of ”Every Missing Beat of Your Heart” I wrote on an acoustic guitar in Berlin during a short vacation. I remember having written the chords and the lyrics for the melody in half an hour and was very happy with the result. Signe Isager, who recently sang live with the band Alex Puddu and The Butterfly Collectors, sings in this song with me and I thought it would be a good choice to go with the end credits. For the making of the songs on this album I have been searching for the clinical, cold aesthetics of the rooms and corridors of a hospital and the warm sound of the sea from a house on the beach and I do believe this is what inspired me. It has been a great experience working on this album and the production, from the very start to the very end of the process, and being able to give what I felt was right for this picture at this moment.

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Asmar / Geinst

Arts Gallery I

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Arts Gallery was born from the collaboration of two very talented minds. Asmar & Geinst 2x12" Package is unique, each of the two artist present themself in their own space, this space is also shared in another bigger territory, Arts Gallery. Alchemy is a kind of philosophy: a kind of thinking that leads to a way of understanding. This Duchamp quote describe really well this record.

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Stiff Little Spinners Volume 9 & 10

2x12" | 2017 | EU | Original (Hold Your Ground)

LP | 2017 | US (F Communications)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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This is the end, my friend. 10 LPs, 24 different artists, 61 tracks, almost 7 hours of music. With Stiff Little Spinners Vol. 9+10 we will release the last two volumes of the housey techno compilation series as a double 12" vinyl on 24/11/2017 via Hold Your Ground, Audiolith's new sublabel.
The intention of Stiff Little Spinners was always to keep the party going and most of all to keep it interesting. With every new release, we introduce new artists and almost always new genres - shoo-bi-doo house, rumble tec, abrasive electronica, stress ambient, you name it! Stiff Little Spinners Vol. 9+10 showcases new and known talent from Hamburg to Berlin via Warsaw and Texas.

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The KLF

Chill Out

Release: 2017 / US

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG+

Clear vinyl.

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Ce Ce Rogers

Someday

12" | 2011 (Atlantic)

12" | 2011 | DE | Original (Art Of Vengeance)

Release: 2011

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Record has some hairlines.
Ships in a brand new plain sleeve.

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Aril Brikha

Palma

2x12" | 2017 | DE | Original (Code Is Law)

Release: 2011 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Very small tear in opening. Sticker on front cover.

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Moerbeck & WYAD

Dark Stars Rising

LP | 2017 | EU | Reissue (Spectrum Spools)

Release: 2017 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

Sealed copy!

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Second Woman

S/W Clear Vinyl Edition

LP | 2017 | EU | Reissue (Spectrum Spools)

Release: 2017 / EU – Reissue

Genre: Electronic & Dance

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Future music duo Second Woman’s sophomore full-length for Spectrum Spools further hones their distinctive fusion of shapeshifting software sculpture and tessellated footwork. Shivering digital textures oscillate with and against algorithmically mapped percussion samples; smeared synthetic chords levitate in the distance; stabs of digital noise punctuate the mix in twitchy, time-distorting patterns. Their anamorphosis verges on ascetic: stark, splintered waveforms rendered into unique fiber optic hieroglyphs.

Multi-instrumentalists Josh Eustis and Turk Dietrich share a deep history going back to their days in the New Orleans ambient electronic community, as part of Telefon Tel Aviv and Belong, respectively. Even so, S/W pushes beyond their combined discographies to date, flexing impossibilities, building rhythms from arrhythmia, teasing veiled emotion from bold iterations of cold code.

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Second Woman

S/W Black Vinyl Edition

LP | 2017 | AU | Original (Left Ear)

Release: 2017 / EU – Reissue

Genre: Electronic & Dance

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Workdub

Subterranean (1989-1995)

Release: 2017 / AU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Alternate Probabilities // Alex Tomb Reworks

Alex Tomb

12" | 2017 | UK | Original (Several Reasons)

LP | 2011 | EU | Reissue (Other Voices)

Release: 2017 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Close to NM.
DJ stickers.

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Autopsia

Weltuntergang

LP | 2017 | DE | Original (Monkeytown)

Release: 2011 / EU – Reissue

Genre: Electronic & Dance

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Autopsia is a cult art project dealing with music and visual production. Its art practice began in London in the late 1970s and continued during the 1980s in the art centers of the former Yugoslavia. Since 1990, Autopsia has acted from Prague, Czech Republic. Above all Autopsia is not concerned with music. What is Autopsia? Art? Theory? Framing? Projection? Gaze? Autopsia is language is image is sound. Autopsia is a tombstone on the grave of time. Autopsia is archaeology. The discourse of the beginning and about the beginning. At the beginning is Death and the pity of Death. The music is in the pity. The music of Autopsia oscillates from romanticism to avantgarde, from industrial rhythms and dark ambient drones to relentless choral swells and academic minimalism. Autopsia Archive 1982-1995 Engineered & Mastered at Mustakillah Studio Prague, 2017

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Siriusmo

Comic

Release: 2017 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

2LP | 2017 | UK | Original (Ninja Tune)

Actress

AZD

Release: 2017 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 2017 | UK | Original (Mute)

Liars

TFCF

Tape | 2017 | CA | Original (Inner Ocean)

Release: 2017 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

UK red wax edition.

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Idealism

Rainy Evening

Release: 2017 / CA – Original

Genre: Electronic & Dance

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12" | 2017 | EU | Original (Enfant Terrible)

Staatseinde

Neue Zyklus

LP | 2017 | EU | Original (Ecstatic)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Dutch synth duo Staatseinde finally releases their debut EP on vinyl, after two 7”s on Enfant Terrible they present this 6 track EP, stripped down through the years from a band to a duo the sound also changed, the songs on this EP are more up-tempo, louder, more beat orientated, and also darker as before mostly, and, for sure more dance floor minded, expect some classic minimal synth tunes in line with El Aviador Dro and Welle: Erdball for example but also more punchy tracks with EBM influences, Staatseinde 2.0 has arrived!

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Novo Line

Dyad

12" | 2017 | US | Original (Rvng Intl.)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Novo Line reprises the meter-messing genius of his Movements album with the Dyad mini LP - a brilliantly uncompromising follow-up for Ecstatic. Exclusively using the tools of ’88/’89 professional recording set-ups - namely the Atari ST, but with a slight algorithmic alteration. While it’s increasingly hard to find new tricks in old gear, especially with the resurgence of hardware fetishism and the ubiquity of DAWs, that’s exactly what Nat Fowler has been doing for the best part of a decade as Novo Line. By, in his own words, “misusing one algorithmic composition program (not, by a longshot, a professional music production tool of any epoch) contained in 208kb of data on a 3.5” floppy disk”, He generates and explores new permutations of old music which, ironically enough, sound fresher or at least more innovative than a lot of new music in circulation right now.Inputting ever-changing parameters of melody, and 29 year old algorithms, the machine’s voice is live-mixed and presented un-rendered as maxed-out waveforms via 1MB RAM, resulting in a severely compressed and combusting effect that leave mastering and sound engineers the world over scratching their heads in puzzlement. However, the effect is equally enthralling to anyone whose ears have become overly accustomed to contemporary emulations of ‘space’ in electronic music, and genuinely sound unique in relief of the contemporary field.The release poses a playful question: can a record be ambivalent as to which speed it should be played? Celebrating vinyl and futhermore physical media, the listener is encouraged to find their exact speed of preference with the RPM toggle and pitch slider, that nearly forgotten joy in modifying speed in real time without a CPU mediating between the listener and sound; some tracks stumble heavily at 33rpm like boulders in the tumble dry, while others flash by at 45. In the taut, recoiling thud of Monad, thru the frenetic pop edit of Ennead to the ‘floor-curdling prong of Dyad Marcia on the front, to the forceful New Beat mutation Tetrad, and the mind bending Melpomenean Dyad which closes the LP, its some heavily challenging but deeply satisfying gear that seriously yet playfully messes with convention.Essentially Novo Line is revelling in the pure spirit of computer music and the sonification of dance music as we know it - born in the ’88/’89 phenomenon of techno-house music, including its Industrial/EBM precedents, and its New Beat/Euro House offshoots. And like John McCusker’s delectable artwork of a beige room and monitors interwoven with tubular, computer generated follies, Novo Line provides a captivating perspective that shortcircuits nostalgia’s illness to result in a killer vaccine against/for convention.

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Visible Cloaks

Lex EP

Release: 2017 / US – Original

Genre: Electronic & Dance

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Die Angel (Ilpo of Pan Sonic)

Entropien I

LP | 2017 | EU | Original (Cosmo Rhythmatic)

Homemade Music Volume 2 1983-1999

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Ilpo Väisänen (Pan Sonic) and Dirk Dresselhaus (Schneider TM) retitle themselves die Angel for Entropien 1; their eighth LP of electro-acoustic music together, and the duo’s debut for Shapednoise’s Cosmo Rhythmic label. Accompanied by skilled improvisor Oren Ambarchi on two tracks, die Angel model a complex physicality through raw, elemental inputs, exploring a flux of reactive feedback processes and mutating, unstructured sonic states generated from crackling fusions of electronics, drums, electric guitar and field recordings warped and riddled with FX. Taking its title from both the Finnish word and German plural for entropy - in physics, the measure of thermodynamic disorder within a system - Entropien 1 renders seven examples of their kinetic systems in elusive action, keening from arrhythmic mulch to sloshing brownian motions and a brilliantly towering 15 minute exploration that tips into billowing, white hot feedback with scintillating effect. The amorphous results document and describe a freeness of energy travelling from body to machine and diffused across alternating acoustic environments. Each player works as controlled, external variables which act upon and interact with the different acoustic conditions to tempestuous impact, convulsing between squashed, recursive diffractions in Roha, to the sublimated roil of jazz drums and electric guitar wail in Terminen Kevät, before harnessing sloshing feedback chaos in the combustible, diaphanous two parts of Entropia - both North and South - which bring the LP to its logical, compelling conclusion.With the addition of Wold or KTL-like metal emulsification and lacquer-bubbling grain in Kitka, and Ambarchi’s plasmic overdubbing in the burning plasmic plong of Silvaticum, the overall impression is like auditive DMT, dissolving the senses and the ego - simultaneously theirs and the listeners - to better snag us in the music’s metastable potential and aid our unanchored exploration in those dimensions. Entropien 1 is dedicated to Mika Vainio.

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Enrico Serotti

LP | 2017 | EU | Original (Orbeatize)