Electronic & Dance 1797 Items

7" | 1986 | Original (Parlophone)

Goodbye Is Forever

14,99 €*

Release: 1986 / Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

7" | 1986 | JP | Original (EMI)

Goodbye Is Forever

Release: 1986 / JP – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese promo has small punch hole.

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Say The Word (Theme From "Playing For Keeps")

7" | 1986 | US | Original (Atlantic)

Election Day / Life's What You Make It

Release: 1986 / US – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Record is close to NM.

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Arcadia / Talk Talk

7" | 1985 | IT | Original (EMI)

8,99 €*

Release: 1985 / IT – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

7" | 1986 | UK | Original (Parlophone Odeon Series)

The Flame (Remix)

Release: 1986 / UK – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

7" | 1986 | US | Original (Capitol)

The Flame (Remix)

Release: 1986 / US – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

7" | 1985 | DE | Original (Parlophone Odeon Series)

The Promise

Release: 1985 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

Overall close to VG+

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7" | 1985 | NL | Original (Parlophone Odeon Series)

The Promise

Release: 1985 / NL – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

The Promise (Extended Remix)

12" | 1985 | EU | Original (Parlophone Odeon Series)

8,99 €*

Release: 1985 / EU – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

The Promise (Extended Remix)

12" | 1986 | UK | Original (Parlophone Odeon Series)

8,99 €*

Release: 1986 / UK – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

The Promise (Extended Remix)

12" | 1986 | JP | Original (EMI)

56,99 €*

12" | 1988 | UK | Original (MCA)

Release: 1986 / JP – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Japanese pressing. With OBI and insert. Tiny wear. few scuffs.

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Areeba - Reeba

Peanut Vendor

Release: 1988 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Another Night (Zoomin' To The Freeway 12" Mega-Mix)

Aretha Franklin

12" | 1986 | UK | Original (Arista)

Release: 1986 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Aretha Franklin & Elton John

Through The Storm

12" | 1989 | UK | Original (Arista)

Release: 1989 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1975 | EU | Reissue (Wah Wah)

Ariel Kalma

Le Temps Des Moissons

29,99 €*

LP | 1978 | EU | Reissue (Black Sweat)

Release: 1975 / EU – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Record shows scuffs and slight scratches! Cove with some wear and a bent corner!

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Ariel Kalma

Osmose

Release: 1978 / EU – Reissue

Genre: Electronic & Dance

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This single LP reissue of the 1978 double album is a limited edition of 400!

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Art Of Noise

Lovebeat

12" | 1985 | US (ZTT)

13,99 €*

Release: 1985 / US

Genre: Electronic & Dance

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No Message Blue Vinyl Edtion

Art P

LP | 1985 | EU | Reissue (The Outer Edge)

21,59 €* 23,99 € -10%

2LP | 1986 | US | Reissue (Audika)

Release: 1985 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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We are proud to present the first ever vinyl release of “No Message” by Art P, a still lesser known and lost masterpiece from the P.A.P. archives. Art P (initially Art Programming) was an electronic music duo consisting of Jens-Markus Wegener and Frank Grotelüschen. On “No Message”, originally released in 1985, we hear the band’s most profound work, a detailed and unique mixture in between of Electro and the synth-laden edge of New Wave.

The two artists from Bremen, the second largest city in Northern Germany after Hamburg, initially met in early 1982 due to a small add in a local newspaper when Grotelüschen was selling his Roland 101 synthesizer. Wegener became the new owner of the machine, the two kept in touch and soon became friends. When Grotelüschen was on holiday for a while he was nice enough to borrow his TR 808 drum machine as well as his Jupiter 4 synth to Wegener. During those six weeks he composed about 6 to 7 tunes that amazed his newly found partner, so that they decided to work together. Art Programming was born and from then on the two electronic music enthusiasts combined forces and released music on various projects. On their first album, the self titled “Art Programming” (1983), they worked with instruments like the Korg Mono/Poly which they mainly used for their bass sounds, a Roland Tb-303 as well as a Fricke sequencer. Later, newer synths like the Yamaha Dx-9 came into play.

We initially discovered Art P on the tape compilation “berlincassette 2-85” a couple of years ago. Their contribution, the title track from their second and last album “No Message”, blew us right away: punchy drum machines, heavy synths and cool female vocals delivering a serious, yet slightly ironic view on the meaninglessness in pop music having “no message”. A couple of months later, when we finally were lucky to get hold of an original full length tape (which is pretty hard to come by!), we couldn’t ask for more: powerful apocalyptic Synth Wave on “A Place To Fear”, thrilling vocoder Electro Funk on “Polaroid”, uptempo New Wave Synth Pop on “Sounds of the City”, dreamy and melodic Electro on “Without Jackets”, and other well produced tracks. It was an absolute necessity for us to get in touch with Art P and ask for permission to re-release their music on vinyl.

“No Message” was remastered from the absolute best original tape source and sounds incredibly well. The release is limited to 300 copies and will be pressed on blue vinyl. It contains an insert with lyrics and additional art. We think it is save to say, that this should not be missed!

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Arthur Russell

World Of Echo

48,99 €*

12" | 1988 | US | Original (Profile)

Release: 1986 / US – Reissue

Genre: Electronic & Dance

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A remastered and revised artwork edition of the extraordinary World Of Echo album from New York avant-garde cellist, songwriter, composer, and disco visionary Arthur Russell. Originally released in 1986, the album is a deeply meditative and seductive work of awe-inspiring beauty, grace, and passion, performed with just cello, voice, and echoes. Eighteen tracks remastered from Russell’s original 1/4-inch sequenced masters, including drumless versions of his disco classics “Let’s Go Swimming,” “Tree House,” and “Wax The Van,” along with four previously unreleased songs from Sketches From World Of Echo. Edition of 1,000 copies.

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Artz & Kraftz

Burnin' Love

7,99 €*

Release: 1988 / US – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Ash Ra Tempel Black Vinyl Edition

LP | 1971 | Reissue (MG.Art)

33,99 €*

Release: 1971 / Reissue

Genre: Electronic & Dance

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Black Vinyl, Sticker, 50th Anniversary RE-Edition, first-ever official reissue on vinyl since 1975,
Re-Cut carefully overseen by Manuel Göttsching.

TRACKLIST:

A. "Amboss" 19:40
B. "Traummaschine" 25:24

Ash Ra Tempel is the eponymous debut studio album by the Krautrock band Ash Ra Tempel.
It features guitarist Manuel Göttsching with drummer Klaus Schulze and bassist Hartmut Enke.
Engineered by Conny Plank it was recorded in March 1971 and released in June 1971 on Ohr Records.
This 50Th Anniversary Album will be Released in Memoriam of all the Musical Contributors to this Release and on Manuel Göttsching´s MG.ART label.
It´s the fourth and headlining edition in this series and was finalised, carefully overseen by Manuel Göttsching himself in the late Autumn of 2022.

Much has been written about the record and band.

Having finished a first musical chapter with their Steeple Chase Bluesband and still at very young age of only 17 and 18 years old Manuel Göttsching and Hartmut Enke met Klaus Schulze. Together they started to write and and compose what, to many,
became one the holy grails of Psychedelic Rock and early Electronic Music -
the German variant which was later also named "Krautrock":

Ash Ra Tempel´s self-titled first album "Ash Ra Tempel".

"The trio of Klaus Schulze, Manuel Göttsching and Hartmut Enke decided to abandon conventional composition and song writing, in favour of free-form improvising and developing a new musical language. As such, they became notorious for jams that could exceed 30 minutes." Says Discogs. "Some of these recordings can be found on Manuel Göttsching´s "The Private Tapes" releases", which will be re-released on MG.ART as well, following this edition.

"Krautrocksampler" author Julian Cope mentioned it to be "… one of the greatest rock 'n' roll LPs ever made." (Julian Cope Presents Head Heritage | Unsung | Reviews | Ash Ra Tempel - Ash Ra Tempel". 15 March 2000.)

AllMusic called the album "both astonishingly prescient and just flat out good, a logical extension of the space-jam-freakout ethos into rarified realms."

Here we would like the Band to be heard, for what can easily be said as the first time in 50+ years, with the exception of some early Journalists for whom the young Manuel Göttsching wrote a statement of intent (the original text can be found inside this edition) as following:

"Our musical concept is based on a combination of blues rock and delicate collages of electronic sound. These two elements should remain inseparable. And in their complex unity, the different musical philosophies of each musician find a common sweet spot. Our music is a permanently impulsive experience left to develop as it will, starting from a common fixed point of departure. This is where the difficulty of the music begins: No standardized formulation of our music can and should be possible. Only the constant reaction within the band can determine the musical result. And this requires constant listening with full concentration on the part of the creators. The idea of a particular musician will be - if flexible enough - absorbed by the others, transposed to their own instrument, and reflected back into the music as an individual contribution. This reciprocity within the band is then transferred over to the audience. And this process means that their reaction is not only a contribution to the end result; it actually makes them jointly responsible for the creation of the final musical product.
…
On our album, the track "Amboss" represents the first layer. Conventional instruments communicate familiar music which is in part expanded through electronic means. In the second track of the album - "Traummaschine" - the actual basic sound approach is dissolved into an electronic Nirvana which no longer allows the concrete identification of actual instruments. Innocent, virgin listening, free from any and every association, can finally begin - and the music can be absorbed and processed free from the limitations of categorization. That is the purpose of our music: To convey freedom without any predetermined criteria or traditions.

Thank you for your attention."
(Taken from the original A-R-T Bio 1970)

Hartmut Enke, Manuel Göttsching and Klaus Schulze aka. Ash Ra Tempel travelled to Hamburg in March 1971 to record their debut, with assistance of another Icon, legendary engineer Conny Plank.
The rest is history.

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Ash Ra Tempel Remastered By Manuel Göttsching

CD | 1971 | EU | Reissue (MG.Art)

21,59 €* 23,99 € -10%

Release: 1971 / EU – Reissue

Genre: Electronic & Dance

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Ash Ra Tempel is the eponymous debut studio album by the Krautrock band Ash Ra Tempel.
It features guitarist Manuel Göttsching with drummer Klaus Schulze and bassist Hartmut Enke.
Engineered by Conny Plank it was recorded in March 1971 and released in June 1971 on Ohr Records.

Much has been written about the record and band.

Having finished a first musical chapter with their Steeple Chase Bluesband and still at very young age of only 17 and 18 years old Manuel Göttsching and Hartmut Enke met Klaus Schulze. Together they started to write and and compose what, to many,
became one the holy grails of Psychedelic Rock and early Electronic Music -
the German variant which was later also named "Krautrock":

Ash Ra Tempel´s self-titled first album "Ash Ra Tempel".

"The trio of Klaus Schulze, Manuel Göttsching and Hartmut Enke decided to abandon conventional composition and song writing, in favour of free-form improvising and developing a new musical language. As such, they became notorious for jams that could exceed 30 minutes." Says Discogs. "Some of these recordings can be found on Manuel Göttsching´s "The Private Tapes" releases", which will be re-released on MG.ART as well, following this edition.

"Krautrocksampler" author Julian Cope mentioned it to be "… one of the greatest rock 'n' roll LPs ever made." (Julian Cope Presents Head Heritage | Unsung | Reviews | Ash Ra Tempel - Ash Ra Tempel". 15 March 2000.)

AllMusic called the album "both astonishingly prescient and just flat out good, a logical extension of the space-jam-freakout ethos into rarified realms."

Here we would like the Band to be heard, for what can easily be said as the first time in 50+ years, with the exception of some early Journalists for whom the young Manuel Göttsching wrote a statement of intent (the original text can be found inside this edition) as following:

"Our musical concept is based on a combination of blues rock and delicate collages of electronic sound. These two elements should remain inseparable. And in their complex unity, the different musical philosophies of each musician find a common sweet spot. Our music is a permanently impulsive experience left to develop as it will, starting from a common fixed point of departure. This is where the difficulty of the music begins: No standardized formulation of our music can and should be possible. Only the constant reaction within the band can determine the musical result. And this requires constant listening with full concentration on the part of the creators. The idea of a particular musician will be - if flexible enough - absorbed by the others, transposed to their own instrument, and reflected back into the music as an individual contribution. This reciprocity within the band is then transferred over to the audience. And this process means that their reaction is not only a contribution to the end result; it actually makes them jointly responsible for the creation of the final musical product.
…
On our album, the track "Amboss" represents the first layer. Conventional instruments communicate familiar music which is in part expanded through electronic means. In the second track of the album - "Traummaschine" - the actual basic sound approach is dissolved into an electronic Nirvana which no longer allows the concrete identification of actual instruments. Innocent, virgin listening, free from any and every association, can finally begin - and the music can be absorbed and processed free from the limitations of categorization. That is the purpose of our music: To convey freedom without any predetermined criteria or traditions.

Thank you for your attention."
(Taken from the original A-R-T Bio 1970)

Hartmut Enke, Manuel Göttsching and Klaus Schulze aka. Ash Ra Tempel travelled to Hamburg in March 1971 to record their debut, with assistance of another Icon, legendary engineer Conny Plank.
The rest is history.

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Join Inn 50th Anniversary Edition

LP | 1973 | EU | Reissue (MG.Art)

Release: 1973 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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After the 2021 Re-Release of “Schwingungen” (MG.ART612) and together with “Seven Up” (MG.ART613) we proudly announce “JOIN INN” as Part3 of the authorised 50th Anniversary “A.R.T.” Re-Edition Series. “JOIN INN” is the fourth album by Ash Ra Tempel. It was recorded at Studio Dierks and originally released on LP by Ohr Musik-Produktion, catalogue number OMM 556032. Each side of the LP comprises one long track.

In 1972 ASH RA TEMPEL teamed up again with Klaus Schulze during the recording of Walter Wegmüller's Tarot album, and after one of the recording sessions, ASH RA TEMPEL members: Enke, Göttsching and Rosi, together with Klaus decided to "play it again" in a late night session. This recording led to the birth of the “JOIN INN” album, as well as two legendary last concerts in February 1973 in Paris and Cologne.

Manuel Göttsching recalls Hartmut Enke on bass and Klaus Schulze on drums being a dream-team rhythm section for him to play his guitar, especially here to hear on “Freak'n' Roll”, that was ingenious and not to replace ever since. It was the last recording ever where Klaus Schulze (who sadly passed away this Year) played the Drums and also Hartmut (the Hawk) Enke soon after quit the Bass and music forever. Join Inn marks the end of the collaboration with Klaus Schulze. However, together with Ash Ra Tempel, their eponymous first album, which will be released in 2023 as the final edition of our Series, it is considered a highlight of the Krautrock movement. As for the music itself we again refer to Julian Cope´s review from his book “Krautrocksampler” (published by Head Heritage, 1st ed. 1995):
""Freak’n’roll” fades in like it never started - just was always there from the beginning of time, a dry wah-guitar freerock riff-out unlike any of the other Ash Ra Tempel LPs, and not much like any other music. Yes, there are bluesy riff but none of them have a blues context. Manuel Gottsching’s guitar is so confident that he sometimes drops down to a simple major chord groove, whilst the Hawk pushes that round woody bass into strange overlapping rumbling melody. And ... it’s the return of Klaus Schulze on drums which propels “Freak’n’roll” to its height. No-one but Klaus has the ability to transcend rock’n’roll in such an on-the-beat non-groove-y way and still send sparks of light into the cosmos as he does it. "Freak’n’roll” is so egoless that it even works at a quiet volume as meditational music. Themes rise from the high tempo pulse beat, then are carried along the muscles of the song into the main area where the riff actually becomes real and expressionist for just long enough before slipping back into the musical fabric of the song. As usual with Ash Ra Tempel, the other side is an enormous drift piece called “Jenseits (The Next World)”, a beautiful Klaus Schultze meditation of haunting synthesizer chords over which Rosi Muller tells the story of the Cosmic Couriers’ meeting with Timothy Leary. Gradually, the pulsing guitar becomes increasingly intense and turbulent, but Rosi never sounds less than freaked out. Essentially, “Jenseits” is a precursor to Klaus Schulze’s later spacey minor-key grooves. Unfortunately, this was the last Ash Ra Tempel album in its particular ‘series. After “JOIN INN”, Manuel Gottsching took over the Ash Ra Tempel mantle alone.”

Ashra Tempel – Join Inn
HARTMUT ENKE - Gibson bass
MANUEL GÖTTSCHING -guitar
KLAUS SCHULZE-drums, synthesizers & electronics
ROSI MÜLLER-voice

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Join Inn (Remastered By Manuel Göttsching)

CD | 1973 | EU | Reissue (MG.Art)

Release: 1973 / EU – Reissue

Genre: Electronic & Dance

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“JOIN INN” is the fourth album by Ash Ra Tempel. It was recorded at Studio Dierks and originally released on LP by Ohr
Musik-Produktion, catalogue number OMM 556032. Each side of the LP comprises one long track.
In 1972 ASH RA TEMPEL teamed up again with Klaus Schulze during the recording of Walter Wegmüller's Tarot album,
and after one of the recording sessions, ASH RA TEMPEL members: Enke, Göttsching and Rosi, together with Klaus
decided to "play it again" in a late night session. This recording led to the birth of the “JOIN INN” album, as well as two
legendary last concerts in February 1973 in Paris and Cologne.
Manuel Göttsching recalls Hartmut Enke on bass and Klaus Schulze on drums being a dream-team rhythm section for
him to play his guitar, especially here to hear on “Freak'n' Roll”, that was ingenious and not to replace ever since.
It was the last recording ever where Klaus Schulze (who sadly passed away this Year) played the Drums and also
Hartmut (the Hawk) Enke soon after quit the Bass and music forever.
Join Inn marks the end of the collaboration with Klaus Schulze.
However, together with Ash Ra Tempel, their eponymous first album, which will be released in 2023 as the final edition of
our Series, it is considered a highlight of the Krautrock movement.
As for the music itself we again refer to Julian Cope´s review from his book “Krautrocksampler” (published by Head
Heritage, 1st ed. 1995):
""Freak’n’roll” fades in like it never started - just was always there from the beginning of time, a dry wah-guitar freerock
riff-out unlike any of the other Ash Ra Tempel LPs, and not much like any other music. Yes, there are bluesy riff but none
of them have a blues context. Manuel Gottsching’s guitar is so confident that he sometimes drops down to a simple
major chord groove, whilst the Hawk pushes that round woody bass into strange overlapping rumbling melody. And ... it’s
the return of Klaus Schulze on drums which propels “Freak’n’roll” to its height. No-one but Klaus has the ability to
transcend rock’n’roll in such an on-the-beat non-groove-y way and still send sparks of light into the cosmos as he does it.
-> continued on page 2“Freak’n’roll” is so egoless that it even works at a quiet volume as meditational music. Themes rise from the high tempo
pulse beat, then are carried along the muscles of the song into the main area where the riff actually becomes real and
expressionist for just long enough before slipping back into the musical fabric of the song.
As usual with Ash Ra Tempel, the other side is an enormous drift piece called “Jenseits (The Next World)”, a beautiful
Klaus Schultze meditation of haunting synthesizer chords over which Rosi Muller tells the story of the Cosmic Couriers’
meeting with Timothy Leary. Gradually, the pulsing guitar becomes increasingly intense and turbulent, but Rosi never
sounds less than freaked out. Essentially, “Jenseits” is a precursor to Klaus Schulze’s later spacey minor-key grooves.
Unfortunately, this was the last Ash Ra Tempel album in its particular ‘series.
(…) After “JOIN INN”, Manuel Gottsching took over the Ash Ra Tempel mantle alone.”

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Schwingungen (Remastered By Manuel Göttsching)

CD | 1972 | EU | Reissue (MG.Art)

Release: 1972 / EU – Reissue

Genre: Electronic & Dance

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We proudly announce the CD REmaster Editionof the 1972 Original release , one of the most important German
Krautrock albums - Remastered by Manuel Göttsching himself.
As for the info we refer to Julian Cope´s review in his “Krautrocksampler” Book,
Publisher : Head Heritage (1 Oct. 1995) :
“Beware of Schwingungen!” That should be the large sticker on the front of all copies of this record. For it is dangerous to be casually
introduced to something that is life-changing, as I found out to my cost when first listening to this record.
It all starts fairly simply and without any cause for alarm - “Look at Your Sun” begins with a Doorsy lone groover guitar begins a pedestrian
blues, beautiful. Then the most crushed voice, a cross between Johnny Rotten and Tiny Tim, preaches its way into the proceeds. God, it
is beautiful - John L. repeats over and over, “We are all one, we are all one”, until a howling fuzztone solo guitar blows the whole onechord “Signed D.C.” ringing-cymbals torture to an end. And then the most far out track of all begins. This is called “Flower Must Die” and
it is a free-rock giant that transcends everything else in its field (there are no contenders.) As I've written before, PIL sounds like this. John
L. was John Lydon in a previous incarnation. After a slow weird build, a frantic streamlined one-chord mantra kicks in and it’s like the
Stooges’ Funhouse period but in a Righteous Vision Zone that fucks them right off. Phasing tears at the whole tracks as this Holy Racket
crosses into Hyper-space and everything gets all hyphenated just-for-the-sake-of-it. “Flowers Must Die”, man, it’s fucked up. Over on Side
2, the title-track (“Vibrations”) begins poetically enough with Wolfgang Muller’s epic and hugely reverbed vibraphone. Organ fades in and
FX guitars, and time passes by. Finally, tom-toms roll and the developing pace is built upon until that great eternal chord sequence finally
materialises — this is the one that Göttsching and Enke believed was the sound of heaven.
They may have been right. And Schwingungen was a gift from the Gods.“

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Seven Up 50th Anniversary Edition

LP | 1973 | EU | Reissue (MG.Art)

Release: 1973 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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After the 2021 Re-Release of “Schwingungen” (MG.ART612) we proudly announce “Seven Up” as Part 2 of the authorised 50th Anniversary “A.R.T.” Re-Edition Series. “Seven Up” is the third studio album by Ash Ra Tempel and their only album recorded in collaboration with American Ph.D. in psychology, Dr. Timothy Leary. The Coverart for “Seven Up” was designed by famous Swiss Artist Walter Wegmüller. Recorded in August 1972 at Sinus Studio in Berne, Switzerland, remixed September 1972 at Dierks Studios in Stommeln, Germany.

First release in spring 1973 by OHR Musik - the first release on the new sub-label "Kosmische Kuriere", Kat-Nr. KK 58001. We release “Seven Up” in a Re-Cut carefully overseen by Manuel Göttsching himself, on September 9th 2022, also being Manuel Göttsching´s 70th Birthday. Our Edition features the full original text for the “7 levels of consciousness” by Timothy Leary in English, i.e. “Instruction Manual for Pleasure Panel” plus a previously unreleased glimpse view of the original scripts incl. notes and mark ups as well as partly unreleased photos from the recording session.

As for the music itself we again refer to Julian Cope´s review and remarks from his book “Krautrocksampler” (published by Head Heritage, 1st ed. 1995): “When the Leary Mob met the Kaiser Gang, the sparks flew ever Up-wards. 7up is a stone classic in every way. Yes, it is unlikely to find Timothy Leary singing lead vocal in a cosmic group, but even weirder that he chose to sing a wild yelping freaked out blues ! Manuel Göttsching and Hartmut Enke had begun their careers in The Steeple Chase Blues Band back in the mid-'60ies, and they quickly felt their way through what Barritt and Leary were aiming for. They reconciled it all as a kind of West Coast chordless psychedelia, where blues riffs sparkle out of nowhere and the sheer weight of synthesizers renders everything with an unreal Pere Ubu/early Roxy Music quality. The greatness of Ash Ra Tempel burned so brightly on 7Up that there is really nothing else like it.

Hartmut Enke and Manuel Gottsching here returned to their riffy roots. It can hardly be called a retro act, though, as the context of music is everything. And with Dierks at the controls, even the New Kids on the Block would have sounded psychedelic. 7Up is like a late night radio show glimpsed through a shattered tuner where all but the most truly dangerous sounds have been allowed to stay, to drift and to dance around the performers. The result is an extreme gem, a flash of hysterical white lightning, and a pre-punk Technicolour yawn in the grandest of traditions. In typical Ash Ra Tempel style, the record is divided into two pieces, “Space” and "Time”. Within this, though, Timothy Leary’s ideas are allowed to free-flow and the two sides are therefore divided into mini-songs all segued together. The highlight of Side 1 is “Power Drive”, a West Coast burn-up that transcends any W. Coast music I ever did hear. Leary and Barritt present the greatest twin-vocal of all time, coming on like Jagger and Morrison but too caught up in their own maelstrom to be anything less than Heralds of the Punkfuture still five years away. In chaos it was conceived and in chaos it was recorded. Yet Dieter Dierks, the great Aural Architect of the Cosmic Couriers, turned 7Up into a personal triumph and a Kosmische dream.”

Ash Ra Tempel – “Seven Up”
TIMOTHY LEARY - voice
BRIAN BARRITT - voice
MICKY DUWE - voice & flute
LIZ ELLIOTT - voice
BETTINA HOHLS - voice
PORTIA NKOMO - voice
HARTMUT "HAWK" ENKE - bass, guitar & electronics
MANUEL GÖTTSCHING - guitar & electronics
STEVE A. - organ & electronics
DIETMAR BURMEISTER - drums
TOMMY ENGEL - drums
DIETER DIERKS - synthesizer & Radio Downtown

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Seven Up (Remastered By Manuel Göttsching)

CD | 1973 | EU | Reissue (MG.Art)

Release: 1973 / EU – Reissue

Genre: Electronic & Dance

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“Seven Up” is the third studio album by Ash Ra Tempel and their only album recorded in collaboration with
American Ph.D. in psychology, Dr. Timothy Leary. The Coverart for “Seven Up” was designed by famous
Swiss Artist Walter Wegmüller. Recorded in August 1972 at Sinus Studio in Berne, Switzerland, remixed
September 1972 at Dierks Studios in Stommeln, Germany. First release in spring 1973 by OHR Musik - the
first release on the new sub-label "Kosmische Kuriere", Kat-Nr. KK 58001.
We release “Seven Up” in a Re-Cut carefully overseen by Manuel Göttsching himself, on September 9th
2022, also being Manuel Göttsching´s 70th Birthday. Our Edition features the full original text for the “7 levels
of consciousness” by Timothy Leary in English, i.e. “Instruction Manual for Pleasure Panel” plus a previously
unreleased glimpse view of the original scripts incl. notes and mark ups as well as partly unreleased photos
from the recording session. ->continued on page 2->continued on page 2
As for the music itself we again refer to Julian Cope´s review and remarks from his book “Krautrocksampler”
(published by Head Heritage, 1st ed. 1995):
“When the Leary Mob met the Kaiser Gang, the sparks flew ever Up-wards...
7up is a stone classic in every way. Yes, it is unlikely to find Timothy Leary singing lead vocal in a cosmic
group, but even weirder that he chose to sing a wild yelping freaked out blues !
Manuel Göttsching and Hartmut Enke had begun their careers in The Steeple Chase Blues Band back in the
mid-'60ies, and they quickly felt their way through what Barritt and Leary were aiming for. They reconciled it
all as a kind of West Coast chordless psychedelia, where blues riffs sparkle out of nowhere and the sheer
weight of synthesizers renders everything with an unreal Pere Ubu/early Roxy Music quality.
The greatness of Ash Ra Tempel burned so brightly on 7Up that there is really nothing else like it. Hartmut
Enke and Manuel Gottsching here returned to their riffy roots. It can hardly be called a retro act, though, as
the context of music is everything. And with Dierks at the controls, even the New Kids on the Block would
have sounded psychedelic.
7Up is like a late night radio show glimpsed through a shattered tuner where all but the most truly dangerous
sounds have been allowed to stay, to drift and to dance around the performers.
The result is an extreme gem, a flash of hysterical white lightning, and a pre-punk Technicolour yawn in the
grandest of traditions.
In typical Ash Ra Tempel style, the record is divided into two pieces, “Space” and "Time”. Within this, though,
Timothy Leary’s ideas are allowed to free-flow and the two sides are therefore divided into mini-songs all
segued together. The highlight of Side 1 is “Power Drive”, a West Coast burn-up that transcends any W.
Coast music I ever did hear. Leary and Barritt present the greatest twin-vocal of all time, coming on like
Jagger and Morrison but too caught up in their own maelstrom to be anything less than Heralds of the Punkfuture still five years away.
In chaos it was conceived and in chaos it was recorded. Yet Dieter Dierks, the great Aural Architect of the
Cosmic Couriers, turned 7Up into a personal triumph and a Kosmische dream.”

Ash Ra Tempel – “Seven Up”
TIMOTHY LEARY - voice
BRIAN BARRITT - voice
MICKY DUWE - voice & flute
LIZ ELLIOTT - voice
BETTINA HOHLS - voice
PORTIA NKOMO - voice
HARTMUT "HAWK" ENKE - bass, guitar & electronics
MANUEL GÖTTSCHING - guitar & electronics
STEVE A. - organ & electronics
DIETMAR BURMEISTER - drums
TOMMY ENGEL - drums
DIETER DIERKS - synthesizer & Radio Downtown

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Starring Rosi(Remastered By Manuel Göttsching)

CD | 1973 | EU | Reissue (MG.Art)

LP | 1976 | Reissue (Mr Bongo)

Release: 1973 / EU – Reissue

Genre: Electronic & Dance

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"Starring Rosi“ is the 5th Album by Ash Ra Tempel. Released 1973 in the same Year as "Join Inn".
The CD Version is remastered by Manuel Göttsching himself.

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Picture
Coming Soon

Asha Puthli

Devil Is Loose

25,99 €*

Release: 1976 / Reissue

Genre: Electronic & Dance

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Preorder shipping from 2024-09-13

7" | 1985 | JP | Original (Capitol)

Ashford & Simpson

Solid

LP | 1983 | EU | Reissue (Bureau B)

Release: 1985 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

tiny wear

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Asmus Tietchens

Litia

27,99 €*

No Rhyme, No Reason (Dance Mix)

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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180g vinyl!

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Atelier Folie

12" | 1983 | EU | Original (WEA)

19,99 €*

12" | 1989 | EU | Reissue (DBH)

Release: 1983 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Small light scuff on side B.
Record is close to VG+.
Small sticker on cover.

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Axodry

You

13,99 €*

7" | 1978 | DE | Original (EMI)

Release: 1989 / EU – Reissue

Genre: Electronic & Dance

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In 1989 RaHen composed, programmed and mixed the song ‘You’. The song was sung by the great singer Mark Jefferis, who already had a huge success with TXT. Frank Poulton wrote the text. The audio engineer of this song was the incredible Tommy Schmidt / Cream Studios. This production was completely realized in Frankfurt am Main / Germany and is considered another milestone of the Sound Of Frankfurt.

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Ayisha

Space Man

49,99 €*

2LP | 1983 | EU | Reissue (Morning Trip)

Release: 1978 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Cover with faint ring wear and small sticker.

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Aziz & Friends

Waves Of Peace

38,99 €*

LP | 1983 | NL | Original (Mercury)

Release: 1983 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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1983’s Waves of Peace is an album of gentle reflection. The sound of ocean waves permeates every track. Sitar, tambura, synthesizer, and bamboo flute are among the instruments that Aziz & Friends use to conjure their blissful oceanic meditation.

Aziz reminisces: “Waves of Peace was born in the beautiful oceanside town of Santa Cruz, California. Living there in 1982 was the first timeI had ever lived so close to the ocean. I would walk down to the beach on a daily basis. Nature has always been a major source of inspiration in my quest to create beautiful original music. Equally important to me has been recognizing the healing potential of harmonious sound. This potential was made clear to me through my illuminating work with the Sufi order, as well as various modern dance companies. Finally, my music has always been shaped by my lifelong commitment to peace and non-violence. With all of these things in mind, drawing inspiration from the nearby ocean and the growing popularity of New Age music, I produced Waves of Peace.

Waves of Peace was my first album to combine instrumental music with the sounds of nature. Graced by the presence of some truly exceptional local musicians, most of the music was performed and recorded live in the studio. Waves of Peace was created to facilitate relaxation, meditation, healing, and awakening for the body, mind, heart and soul. Let the rhythmic waves of the ocean nourish and inspire you to find your peace within”. - Aziz Paige, 2022

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Azul Y Negro

Digital

12" | 1983 | IT | Original (Zanza)

Release: 1983 / NL – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+

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B.B. & Band

Hold Me Tight

7" | 1981 | US | Reissue (Superior Viaduct)

Release: 1983 / IT – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Italo-Disco

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B.C. Gilbert / G. Lewis

Ends With The Sea

13,99 €*

12" | 1987 | DE | Original (Streetheat Music)

Release: 1981 / US – Reissue

Genre: Electronic & Dance

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Bruce Gilbert and Graham Lewis have always juggled darkness and light in their various collaborations (Dome, Cupol, etc.); Gilbert’s pointillist melodicism counterbalanced by Lewis’s menacing bass and sardonic lyrics. While the duo explores cinematic soundscapes on their album 3R4, here they return to more song-based territory with icy vocals, detached guitar lines and even a faint industrial vibe. Ends With the Sea provides a vital glimpse into the creative forces that even a band as daring and inventive as Wire could not contain. This first-time vinyl reissue is recommended for fans of SPK, Chris Carter, and Einstürzende Neubauten.

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|B|R|O|N|X|

Pumps Up The Volume

Be Gentle (European Club Mix)

Release: 1987 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Sticker on cover.

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B.V.S.M.P.

12" | 1988 | EU | Original (BCM)

Beach Bump (U.S. Bumpy Club Mix)

Release: 1988 / EU – Original

Genre: Hip Hop, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

With poster.

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Baby Ford

12" | 1989 | UK | Original (Rhythm King)

Release: 1989 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

7" | 1986 | GDR | Reissue (AMIGA)

Bad Boys Blue

Release: 1986 / GDR – Reissue

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

12" | 1987 | UK | Original (Big Top)

Badamas

One Man Isn't Enough

9,99 €*

Release: 1987 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1984 | DE | Original (Metronome)

12,99 €*

Release: 1984 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 1984 | DE | Original (Metronome)

12,99 €*

Release: 1984 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Including poster.

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12" | 1987 | DE | Original (Metronome)

I Can't Help It

Release: 1987 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1988 | EU | Original (Metronome)

I Want You Back

Release: 1988 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1987 | DE | Original (Metronome)

Wow!

Do They Know It's Christmas?

Release: 1987 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

Sleeve has water damage

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Band Aid

7" | 1985 | UK | Original (Mercury)

Release: 1985 / UK – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Do They Know It's Christmas?

Band Aid

12" | 1984 | JP | Original (Phonogram)

12" | 1988 | DE | Original (Teldec)

Release: 1984 / JP – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Cover has slight ring wear.

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Bappi Lahiri

Habiba

5,99 €*

Release: 1988 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1987 | CA | Original (Power)

Barbara Doust

If You Love Somebody

Release: 1987 / CA – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1988 | US | Original (Synthicide)

Bardeux

Bleeding Heart

11,99 €*

Release: 1988 / US – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1988 | JP | Original (Synthicide)

Bardeux

Bold As Love

22,99 €*

12" | 1987 | US | Original (Rock Well)

Release: 1988 / JP – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing with OBI and insert. Cover close to NM

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Bassix

The Tears Of A Clown

Release: 1987 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | 1988 | EU | Reissue (I.D. Limited)

Beachfront

Once In A Lifetime

17,99 €*

Release: 1988 / EU – Reissue

Genre: Electronic & Dance

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12" | 1982 | EU | Reissue (Isle Of Jura)

Bella Vista

Mister Wong

16,99 €*

LP | 1979 | EU | Reissue (Sommor)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Bella Vista was a one off project from Michel Esteban, founder of seminal New York Disco/Electro/New Wave imprint ZE Records. Originally released in 1982 ‘Mister Wong’ is a Pop oddity that sits between French Synth Pop and Leftfield Disco. The 12” includes the sought after Disco Dub version that lets the bassline work its magic alongside some heavy dub delays, on the flip Jura Soundsystem provide an extended version with added live percussion.

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Benoit Widemann

Tsunami

21,99 €*

Wrapped Around Your Finger

Release: 1979 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Second album, released in 1979, by French keyboard wizard Benoit Widemann (ex-Magma). “Tsunami” is an incredible mix of electronics and jazz-fusion with prog / avant-garde /minimal elements. Treated Minimoog, Oberheim synths, Rhodes, early computer sequencing plus bass, drums, guitar, sax… Featuring Jean-Pierre Fouquey (ex-Magma), Jean-Pierre Grasset (Verto) and Jean-Paul Ceccarelli among others.
"Digital computer-based sound in 1979! We were the avant-garde!" - Benoit Widemann.

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Bernadette

12" | 1987 | DE | Original (Carrere)

Release: 1987 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1982 | EU | Reissue (Bureau B)

Bernard Xolotl

Last Wave

27,99 €*

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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LP | 1981 | DE | Original (Blubber Lips)

Bernd Scholl

Tales Of Fantasy

15,99 €*

Release: 1981 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1987 | UK | Reissue (Emotional Rescue)

Betty & The Code Red

Wishful Thinking

17,99 €*

Wake Up / Wake Up (Remix)

Release: 1987 / UK – Reissue

Genre: Organic Grooves, Electronic & Dance

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There is always a good backstory to the music that Emotional Rescue releases and this EP is a case in point. It comes from Betty & The Code Red and Betty was the girlfriend of Tunde Obazee, a Nigerian-born artist who used music as a "non-violent tool to express his socio-political opinions on global injustice." The pair would entertain people on campus by playing anything they could get their hands on, informed by the old Edo folk songs they had grown up around. They went on to live in Italy and the US and start a family as well as lay down self-released songs that have become cult classics. A selection of them feature on this, the first of two EPs from the pair.

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Bianca Neve

12" | 1987 | EU | Original (CBS)

12" | 1983 | IT | Original (Zanza)

Release: 1987 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: G+, Cover: VG

Record is warped but still enjoyable!

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Big Ben Tribe

Hot Love

2,99 €* 4,99 € -40%

Release: 1983 / IT – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

12" | 1989 | Original (Jive)

Big Fun

Blame It On The Boogie

Release: 1989 / Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1989 | EU | Original (Jive)

Big Fun

Can't Shake The Feeling

Release: 1989 / EU – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

12" | 1987 | DE | Original (BCM)

Big Tony

Out Of Hand

Bill Summers & Summers Heat

Release: 1987 / DE – Original

Genre: Hip Hop, Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Slight seam wear. Sticker on front and sticker residue on back cover.

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London Style

LP | 1983 | US | Original (MCA)

Release: 1983 / US – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

12" | 1986 | UK | Original (Club)

Billie

Nobody's Business

Release: 1986 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

There'll Be Sad Songs (To Make You Cry)

Billy Ocean

12" | 1986 | DE | Original (Jive)

Release: 1986 / DE – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: G+, Cover: VG

When The Going Gets Tough, The Tough Get Going

Billy Ocean

12" | 1986 | DE | Original (Jive)

Release: 1986 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

12" | 1984 | DE | Original (London)

Blancmange

Don't Tell Me

Release: 1984 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1982 | UK | Original (London)

Blancmange

Happy Families

16,99 €*

12" | 1985 | DE | Original (Ariola)

Release: 1982 / UK – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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Blind Date

How Did You Get To Me

2,95 €*

Release: 1985 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

7" | 1978 | DE | Original (ABC)

Blood, Sweat And Tears

Blue Street

12" | 1984 | DE | Original (EMI Electrola)

Release: 1978 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: G+

Cover with taped edges and small puncture.

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Blue Vision

Visions

16,99 €*

12" | 1982 | BE | Original (BMC)

Release: 1984 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG+

Writing on cover.

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Bobby Orlando

I'm So Hot For You

7,99 €*

Release: 1982 / BE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

12" | 1982 | DE | Original (Vanguard)

Bobby Orlando

She Has A Way

5,99 €*

Release: 1982 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

12" | 1988 | ES | Original (Sanni)

Bomb The Bass

Say A Little Prayer

Release: 1988 / ES – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Clear Memory Black Vinyl Edition

Bomis Prendin

LP | 1984 | EU | Reissue (Mental Experience)

21,99 €*

7" | 1987 | GDR | Original (AMIGA)

Release: 1984 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Formed in 1978, Bomis Prendin is a collective of experimental “noisicians” from Washington DC, pioneers within the DIY, Industrial, cassette culture and experimental electronics scene. Using cassette recorders, mutated musical toys, electric guitars, bass, rewired circuitry, analog pedal effects & cheap keyboards, they recorded and released in the late 70s a couple of astounding flexi-discs (Test and Phantom Limb) which led to them being included on the infamous Nurse With Wound list. “Clear Memory” was originally released in 1984 only on cassette (50 copies) and it’s an incredible example of DIY mutant psychedelic pop and homemade electronic weirdness which sounds years ahead of its time. Here’s the first ever reissue.

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Bonnie Bianco

Release: 1987 / GDR – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1987 | DE | Original (Metronome)

Bonnie Bianco

Just Me

Release: 1987 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

12" | 1982 | US | Original (Wave)

Bonnie Forman

Walk Away

12" | 1987 | DE | Original (Sonet)

Release: 1982 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+. Generic label cover

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Boogie Box High

Jive Talkin'

Release: 1987 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Won't You Dance With Me Tonight

Bop featuring Tia Harris

12" | 1987 | US | Original (Acorn)

5,99 €*

Release: 1987 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1984 | DE | Original (CBS)

Boulevard

Rainy Day In London

3,95 €*

See Jungle! See Jungle! Go Join Your Gang Yeah! City All Over, Go Ape Crazy

Release: 1984 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Writing on cover.

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Bow Wow Wow

LP | 1981 | US | Original (RCA Victor)

17,99 €*

When The Going Gets Tough, The Tough Get Going

Release: 1981 / US – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Record is close to NM!

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Bow Wow Wow

LP | 1983 | EU | Original (RCA Victor)

11,99 €*

Release: 1983 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 1982 | IC | Original (Geimsteinn)

BOX

Skuggahliðin

13,79 €* 22,99 € -40%

Can't Take My Eyes Off You

Release: 1982 / IC – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Big price tag on front cover. Vinyl is close to NM. With insert.

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Boys Town Gang

7" | 1982 | JP | Original (Victor)

12" | 1987 | US | Original (JDC)

Release: 1982 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing.

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Boytronic

You

19,99 €*

Release: 1987 / US – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: Generic

LP | 1972 | DE | Original (Bellaphon)

Brainticket

Psychonaut

36,99 €*

Branislave Zivkovic / Andre Tschaskowski

Release: 1972 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: G+

Tear in front cover, besides that VG. Hype sticker on front.

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Emotionally (Coloursound)

LP | 1986 | EU | Reissue (Be With)

27,99 €*