Electronic & Dance 19135 Items

Release: DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

12" | DE | Original (Construct Rhythm)

Andreas Krämer

Totgesagte Leben Länger

12" | DE | Original (Decktronics)

Release: DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Promo.
Record has some hairlines and a few superficial scratches.
Sticker on label.

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Pimpie Jackson

Homecoming Queen

Release: DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Record is close to VG+.

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Live At The Knitting Factory · Volume Two

CD | DE | Original (Enemy)

Release: DE – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Leash Called Love

12" | US (Not On Label)

Release: US

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

2x12" | IT | Original (Nite Stuff)

Jovonn

Stump It

12,99 €*

LP | IT | Original (Base)

Release: IT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Vinyl 2 ONLY (Side C/D). Writing on labels.

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New Order

Low-life

27,99 €*

12" | Original (U3R Music)

Release: IT – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Copy close to VG+

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Rawhill Cru

Helpless

Serious Intent / Certain Criteria

Release: Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Promo copy with white labels

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Straight Talk / D.E.F.

12" | UK | Original (Formula Music)

12" | Original (Not On Label)

Release: UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Promo copy with white labels

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Congo Natty

Binghi Man

17,99 €*

Yellow Magic Orchestra / Weeks & Co.

Release: Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

White labels, with writing

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Computer Games (Theme From The Invaders) / Knock, Knock

12" | UK (K. M. A.)

Release: UK

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Auah - I Want Extra Ecstasy

The Adam & Eve Project

12" | DE | Original (Hansa)

Release: DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | DE | Original (Bazookah Records)

Obsessive

The Locator Rmx

Release: DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Open Your Heart To The Virgin / Battle Raps / Here Comes The Rain

12" | NL (Special Sound)

Release: NL

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | DE | Original (KBC)

Liquorice Allsorts

V.I.P. Disco Party

Release: DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Sealed With A Mix / Discoclassix

Seal / Various

12" | UK (Black Wax)

Release: UK

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Superstition Allstars Vol. 1

12" | DE | Original (Superstition)

Release: DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | UK | Reissue (Young Turks)

FKA Twigs

EP2

Release: UK – Reissue

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

Conquering Lion Featuring Beenie Man

Rastaman

12" | UK | Original (Not On Label)

29,99 €*

Release: UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

housed in a fresh set of inner and outer sleeves.

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12" | UK (Jungle Warfare)

Jungle Warfare 2

Release: UK

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Italo By Numbers Green Vinyl Edition

Gazebo

LP | 1962 | EU | Reissue (Softworks)

33,99 €*

Release: 1962 / EU – Reissue

Genre: Electronic & Dance

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LP | 1966 | Reissue (Demon)

Jackie Wilson

Whispers

16,99 €*

Release: 1966 / Reissue

Genre: Electronic & Dance

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We're Only In It For The Money

The Mothers

LP | 1968 | UK | Reissue (Zappa)

36,99 €*

LP | 1969 | UK | Reissue (Trunk)

Release: 1968 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Picture disc. Limited edition. 2018 Record Store Day reissue.

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David Cain

The Seasons

18,99 €*

Poe Through The Glass Prism

Release: 1969 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

clear vinyl. 2012 reissue. With insert

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The Glass Prism

LP | 1969 | EU | Reissue (Guerssen)

26,99 €*

Release: 1969 / EU – Reissue

Genre: Electronic & Dance

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LP | 1970 | DE | Original (Fa, Henkel-Khasana Düsseldorf)

Unknown Artist

Exotic Sounds

28,99 €*

Release: 1970 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl is Close to VG+.

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Ash Ra Tempel Black Vinyl Edition

LP | 1971 | Reissue (MG.Art)

33,99 €*

Release: 1971 / Reissue

Genre: Electronic & Dance

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Black Vinyl, Sticker, 50th Anniversary RE-Edition, first-ever official reissue on vinyl since 1975,
Re-Cut carefully overseen by Manuel Göttsching.

TRACKLIST:

A. "Amboss" 19:40
B. "Traummaschine" 25:24

Ash Ra Tempel is the eponymous debut studio album by the Krautrock band Ash Ra Tempel.
It features guitarist Manuel Göttsching with drummer Klaus Schulze and bassist Hartmut Enke.
Engineered by Conny Plank it was recorded in March 1971 and released in June 1971 on Ohr Records.
This 50Th Anniversary Album will be Released in Memoriam of all the Musical Contributors to this Release and on Manuel Göttsching´s MG.ART label.
It´s the fourth and headlining edition in this series and was finalised, carefully overseen by Manuel Göttsching himself in the late Autumn of 2022.

Much has been written about the record and band.

Having finished a first musical chapter with their Steeple Chase Bluesband and still at very young age of only 17 and 18 years old Manuel Göttsching and Hartmut Enke met Klaus Schulze. Together they started to write and and compose what, to many,
became one the holy grails of Psychedelic Rock and early Electronic Music -
the German variant which was later also named "Krautrock":

Ash Ra Tempel´s self-titled first album "Ash Ra Tempel".

"The trio of Klaus Schulze, Manuel Göttsching and Hartmut Enke decided to abandon conventional composition and song writing, in favour of free-form improvising and developing a new musical language. As such, they became notorious for jams that could exceed 30 minutes." Says Discogs. "Some of these recordings can be found on Manuel Göttsching´s "The Private Tapes" releases", which will be re-released on MG.ART as well, following this edition.

"Krautrocksampler" author Julian Cope mentioned it to be "… one of the greatest rock 'n' roll LPs ever made." (Julian Cope Presents Head Heritage | Unsung | Reviews | Ash Ra Tempel - Ash Ra Tempel". 15 March 2000.)

AllMusic called the album "both astonishingly prescient and just flat out good, a logical extension of the space-jam-freakout ethos into rarified realms."

Here we would like the Band to be heard, for what can easily be said as the first time in 50+ years, with the exception of some early Journalists for whom the young Manuel Göttsching wrote a statement of intent (the original text can be found inside this edition) as following:

"Our musical concept is based on a combination of blues rock and delicate collages of electronic sound. These two elements should remain inseparable. And in their complex unity, the different musical philosophies of each musician find a common sweet spot. Our music is a permanently impulsive experience left to develop as it will, starting from a common fixed point of departure. This is where the difficulty of the music begins: No standardized formulation of our music can and should be possible. Only the constant reaction within the band can determine the musical result. And this requires constant listening with full concentration on the part of the creators. The idea of a particular musician will be - if flexible enough - absorbed by the others, transposed to their own instrument, and reflected back into the music as an individual contribution. This reciprocity within the band is then transferred over to the audience. And this process means that their reaction is not only a contribution to the end result; it actually makes them jointly responsible for the creation of the final musical product.
…
On our album, the track "Amboss" represents the first layer. Conventional instruments communicate familiar music which is in part expanded through electronic means. In the second track of the album - "Traummaschine" - the actual basic sound approach is dissolved into an electronic Nirvana which no longer allows the concrete identification of actual instruments. Innocent, virgin listening, free from any and every association, can finally begin - and the music can be absorbed and processed free from the limitations of categorization. That is the purpose of our music: To convey freedom without any predetermined criteria or traditions.

Thank you for your attention."
(Taken from the original A-R-T Bio 1970)

Hartmut Enke, Manuel Göttsching and Klaus Schulze aka. Ash Ra Tempel travelled to Hamburg in March 1971 to record their debut, with assistance of another Icon, legendary engineer Conny Plank.
The rest is history.

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Ash Ra Tempel Remastered By Manuel Göttsching

CD | 1971 | EU | Reissue (MG.Art)

21,59 €* 23,99 € -10%

LP | 1972 | DE | Original (Ariola)

Release: 1971 / EU – Reissue

Genre: Electronic & Dance

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Ash Ra Tempel is the eponymous debut studio album by the Krautrock band Ash Ra Tempel.
It features guitarist Manuel Göttsching with drummer Klaus Schulze and bassist Hartmut Enke.
Engineered by Conny Plank it was recorded in March 1971 and released in June 1971 on Ohr Records.

Much has been written about the record and band.

Having finished a first musical chapter with their Steeple Chase Bluesband and still at very young age of only 17 and 18 years old Manuel Göttsching and Hartmut Enke met Klaus Schulze. Together they started to write and and compose what, to many,
became one the holy grails of Psychedelic Rock and early Electronic Music -
the German variant which was later also named "Krautrock":

Ash Ra Tempel´s self-titled first album "Ash Ra Tempel".

"The trio of Klaus Schulze, Manuel Göttsching and Hartmut Enke decided to abandon conventional composition and song writing, in favour of free-form improvising and developing a new musical language. As such, they became notorious for jams that could exceed 30 minutes." Says Discogs. "Some of these recordings can be found on Manuel Göttsching´s "The Private Tapes" releases", which will be re-released on MG.ART as well, following this edition.

"Krautrocksampler" author Julian Cope mentioned it to be "… one of the greatest rock 'n' roll LPs ever made." (Julian Cope Presents Head Heritage | Unsung | Reviews | Ash Ra Tempel - Ash Ra Tempel". 15 March 2000.)

AllMusic called the album "both astonishingly prescient and just flat out good, a logical extension of the space-jam-freakout ethos into rarified realms."

Here we would like the Band to be heard, for what can easily be said as the first time in 50+ years, with the exception of some early Journalists for whom the young Manuel Göttsching wrote a statement of intent (the original text can be found inside this edition) as following:

"Our musical concept is based on a combination of blues rock and delicate collages of electronic sound. These two elements should remain inseparable. And in their complex unity, the different musical philosophies of each musician find a common sweet spot. Our music is a permanently impulsive experience left to develop as it will, starting from a common fixed point of departure. This is where the difficulty of the music begins: No standardized formulation of our music can and should be possible. Only the constant reaction within the band can determine the musical result. And this requires constant listening with full concentration on the part of the creators. The idea of a particular musician will be - if flexible enough - absorbed by the others, transposed to their own instrument, and reflected back into the music as an individual contribution. This reciprocity within the band is then transferred over to the audience. And this process means that their reaction is not only a contribution to the end result; it actually makes them jointly responsible for the creation of the final musical product.
…
On our album, the track "Amboss" represents the first layer. Conventional instruments communicate familiar music which is in part expanded through electronic means. In the second track of the album - "Traummaschine" - the actual basic sound approach is dissolved into an electronic Nirvana which no longer allows the concrete identification of actual instruments. Innocent, virgin listening, free from any and every association, can finally begin - and the music can be absorbed and processed free from the limitations of categorization. That is the purpose of our music: To convey freedom without any predetermined criteria or traditions.

Thank you for your attention."
(Taken from the original A-R-T Bio 1970)

Hartmut Enke, Manuel Göttsching and Klaus Schulze aka. Ash Ra Tempel travelled to Hamburg in March 1971 to record their debut, with assistance of another Icon, legendary engineer Conny Plank.
The rest is history.

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Veit Marvos

Nice To See You

39,99 €*

Release: 1972 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Schwingungen (Remastered By Manuel Göttsching)

CD | 1972 | EU | Reissue (MG.Art)

LP | 1972 | ES | Reissue (Munster)

Release: 1972 / EU – Reissue

Genre: Electronic & Dance

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We proudly announce the CD REmaster Editionof the 1972 Original release , one of the most important German
Krautrock albums - Remastered by Manuel Göttsching himself.
As for the info we refer to Julian Cope´s review in his “Krautrocksampler” Book,
Publisher : Head Heritage (1 Oct. 1995) :
“Beware of Schwingungen!” That should be the large sticker on the front of all copies of this record. For it is dangerous to be casually
introduced to something that is life-changing, as I found out to my cost when first listening to this record.
It all starts fairly simply and without any cause for alarm - “Look at Your Sun” begins with a Doorsy lone groover guitar begins a pedestrian
blues, beautiful. Then the most crushed voice, a cross between Johnny Rotten and Tiny Tim, preaches its way into the proceeds. God, it
is beautiful - John L. repeats over and over, “We are all one, we are all one”, until a howling fuzztone solo guitar blows the whole onechord “Signed D.C.” ringing-cymbals torture to an end. And then the most far out track of all begins. This is called “Flower Must Die” and
it is a free-rock giant that transcends everything else in its field (there are no contenders.) As I've written before, PIL sounds like this. John
L. was John Lydon in a previous incarnation. After a slow weird build, a frantic streamlined one-chord mantra kicks in and it’s like the
Stooges’ Funhouse period but in a Righteous Vision Zone that fucks them right off. Phasing tears at the whole tracks as this Holy Racket
crosses into Hyper-space and everything gets all hyphenated just-for-the-sake-of-it. “Flowers Must Die”, man, it’s fucked up. Over on Side
2, the title-track (“Vibrations”) begins poetically enough with Wolfgang Muller’s epic and hugely reverbed vibraphone. Organ fades in and
FX guitars, and time passes by. Finally, tom-toms roll and the developing pace is built upon until that great eternal chord sequence finally
materialises — this is the one that Göttsching and Enke believed was the sound of heaven.
They may have been right. And Schwingungen was a gift from the Gods.“

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Third Ear Band

Music From Macbeth

LP | 1972 | DE | Original (Bellaphon)

Release: 1972 / ES – Reissue

Genre: Rock & Indie, Electronic & Dance, Soundtracks

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl is close to NM. Tiny wear. With insert. 2020 reissue.

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Brainticket

Psychonaut

36,99 €*

Release: 1972 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: G+

Tear in front cover, besides that VG. Hype sticker on front.

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Starring Rosi(Remastered By Manuel Göttsching)

CD | 1973 | EU | Reissue (MG.Art)

Release: 1973 / EU – Reissue

Genre: Electronic & Dance

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"Starring Rosi“ is the 5th Album by Ash Ra Tempel. Released 1973 in the same Year as "Join Inn".
The CD Version is remastered by Manuel Göttsching himself.

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Join Inn (Remastered By Manuel Göttsching)

CD | 1973 | EU | Reissue (MG.Art)

Release: 1973 / EU – Reissue

Genre: Electronic & Dance

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“JOIN INN” is the fourth album by Ash Ra Tempel. It was recorded at Studio Dierks and originally released on LP by Ohr
Musik-Produktion, catalogue number OMM 556032. Each side of the LP comprises one long track.
In 1972 ASH RA TEMPEL teamed up again with Klaus Schulze during the recording of Walter Wegmüller's Tarot album,
and after one of the recording sessions, ASH RA TEMPEL members: Enke, Göttsching and Rosi, together with Klaus
decided to "play it again" in a late night session. This recording led to the birth of the “JOIN INN” album, as well as two
legendary last concerts in February 1973 in Paris and Cologne.
Manuel Göttsching recalls Hartmut Enke on bass and Klaus Schulze on drums being a dream-team rhythm section for
him to play his guitar, especially here to hear on “Freak'n' Roll”, that was ingenious and not to replace ever since.
It was the last recording ever where Klaus Schulze (who sadly passed away this Year) played the Drums and also
Hartmut (the Hawk) Enke soon after quit the Bass and music forever.
Join Inn marks the end of the collaboration with Klaus Schulze.
However, together with Ash Ra Tempel, their eponymous first album, which will be released in 2023 as the final edition of
our Series, it is considered a highlight of the Krautrock movement.
As for the music itself we again refer to Julian Cope´s review from his book “Krautrocksampler” (published by Head
Heritage, 1st ed. 1995):
""Freak’n’roll” fades in like it never started - just was always there from the beginning of time, a dry wah-guitar freerock
riff-out unlike any of the other Ash Ra Tempel LPs, and not much like any other music. Yes, there are bluesy riff but none
of them have a blues context. Manuel Gottsching’s guitar is so confident that he sometimes drops down to a simple
major chord groove, whilst the Hawk pushes that round woody bass into strange overlapping rumbling melody. And ... it’s
the return of Klaus Schulze on drums which propels “Freak’n’roll” to its height. No-one but Klaus has the ability to
transcend rock’n’roll in such an on-the-beat non-groove-y way and still send sparks of light into the cosmos as he does it.
-> continued on page 2“Freak’n’roll” is so egoless that it even works at a quiet volume as meditational music. Themes rise from the high tempo
pulse beat, then are carried along the muscles of the song into the main area where the riff actually becomes real and
expressionist for just long enough before slipping back into the musical fabric of the song.
As usual with Ash Ra Tempel, the other side is an enormous drift piece called “Jenseits (The Next World)”, a beautiful
Klaus Schultze meditation of haunting synthesizer chords over which Rosi Muller tells the story of the Cosmic Couriers’
meeting with Timothy Leary. Gradually, the pulsing guitar becomes increasingly intense and turbulent, but Rosi never
sounds less than freaked out. Essentially, “Jenseits” is a precursor to Klaus Schulze’s later spacey minor-key grooves.
Unfortunately, this was the last Ash Ra Tempel album in its particular ‘series.
(…) After “JOIN INN”, Manuel Gottsching took over the Ash Ra Tempel mantle alone.”

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Seven Up (Remastered By Manuel Göttsching)

CD | 1973 | EU | Reissue (MG.Art)

LP | 1973 | US | Original (Philadelphia International)

Release: 1973 / EU – Reissue

Genre: Electronic & Dance

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“Seven Up” is the third studio album by Ash Ra Tempel and their only album recorded in collaboration with
American Ph.D. in psychology, Dr. Timothy Leary. The Coverart for “Seven Up” was designed by famous
Swiss Artist Walter Wegmüller. Recorded in August 1972 at Sinus Studio in Berne, Switzerland, remixed
September 1972 at Dierks Studios in Stommeln, Germany. First release in spring 1973 by OHR Musik - the
first release on the new sub-label "Kosmische Kuriere", Kat-Nr. KK 58001.
We release “Seven Up” in a Re-Cut carefully overseen by Manuel Göttsching himself, on September 9th
2022, also being Manuel Göttsching´s 70th Birthday. Our Edition features the full original text for the “7 levels
of consciousness” by Timothy Leary in English, i.e. “Instruction Manual for Pleasure Panel” plus a previously
unreleased glimpse view of the original scripts incl. notes and mark ups as well as partly unreleased photos
from the recording session. ->continued on page 2->continued on page 2
As for the music itself we again refer to Julian Cope´s review and remarks from his book “Krautrocksampler”
(published by Head Heritage, 1st ed. 1995):
“When the Leary Mob met the Kaiser Gang, the sparks flew ever Up-wards...
7up is a stone classic in every way. Yes, it is unlikely to find Timothy Leary singing lead vocal in a cosmic
group, but even weirder that he chose to sing a wild yelping freaked out blues !
Manuel Göttsching and Hartmut Enke had begun their careers in The Steeple Chase Blues Band back in the
mid-'60ies, and they quickly felt their way through what Barritt and Leary were aiming for. They reconciled it
all as a kind of West Coast chordless psychedelia, where blues riffs sparkle out of nowhere and the sheer
weight of synthesizers renders everything with an unreal Pere Ubu/early Roxy Music quality.
The greatness of Ash Ra Tempel burned so brightly on 7Up that there is really nothing else like it. Hartmut
Enke and Manuel Gottsching here returned to their riffy roots. It can hardly be called a retro act, though, as
the context of music is everything. And with Dierks at the controls, even the New Kids on the Block would
have sounded psychedelic.
7Up is like a late night radio show glimpsed through a shattered tuner where all but the most truly dangerous
sounds have been allowed to stay, to drift and to dance around the performers.
The result is an extreme gem, a flash of hysterical white lightning, and a pre-punk Technicolour yawn in the
grandest of traditions.
In typical Ash Ra Tempel style, the record is divided into two pieces, “Space” and "Time”. Within this, though,
Timothy Leary’s ideas are allowed to free-flow and the two sides are therefore divided into mini-songs all
segued together. The highlight of Side 1 is “Power Drive”, a West Coast burn-up that transcends any W.
Coast music I ever did hear. Leary and Barritt present the greatest twin-vocal of all time, coming on like
Jagger and Morrison but too caught up in their own maelstrom to be anything less than Heralds of the Punkfuture still five years away.
In chaos it was conceived and in chaos it was recorded. Yet Dieter Dierks, the great Aural Architect of the
Cosmic Couriers, turned 7Up into a personal triumph and a Kosmische dream.”

Ash Ra Tempel – “Seven Up”
TIMOTHY LEARY - voice
BRIAN BARRITT - voice
MICKY DUWE - voice & flute
LIZ ELLIOTT - voice
BETTINA HOHLS - voice
PORTIA NKOMO - voice
HARTMUT "HAWK" ENKE - bass, guitar & electronics
MANUEL GÖTTSCHING - guitar & electronics
STEVE A. - organ & electronics
DIETMAR BURMEISTER - drums
TOMMY ENGEL - drums
DIETER DIERKS - synthesizer & Radio Downtown

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MFSB

22,99 €*

Electronic Concept Orchestra

Release: 1973 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: G+

Torn spines, stickers on front cover.

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Electric Love

LP | 1973 | UK | Original (Mercury)

13,99 €*

Release: 1973 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

2LP | 1974 | EU | Reissue (Week-End)

Fred Frith

Guitar Solos / Fifty

42,99 €*

7" | 1974 | US | Reissue (Motown)

Release: 1974 / EU – Reissue

Genre: Electronic & Dance

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Guitar Solos is the debut solo album of British guitarist, composer, and improviser Fred Frith. It was recorded while Frith was still a member of the English experimental rock group Henry Cow and was released originally in October 1974. Voted one of the best albums of 1974 by NME critics it also attracted the attention of Brian Eno, resulting in Frith playing guitar on two of Eno‘s albums. Frith‘s never tiring spirit in creating and performing music has made him one of the most notable and creative guitar players and musicians in the scene of improvised and composed music. For the anniversary of this release we have encouraged Frith to arrange a set up similar to what he used 50 years ago to record an album of new compositions which will accompany the original record.

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Al Green

Take Me To The River

11,99 €*

Release: 1974 / US – Reissue

Genre: Electronic & Dance

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To Anyone Who's Ever Laughed...

Randy Rice

2LP | 1974 | Reissue (Wah Wah - Supersonic Sounds)

48,99 €*

LP | 1974 | US | Reissue (Fat Possum)

Release: 1974 / Reissue

Genre: Electronic & Dance

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I was between the ages of 18 and 20 when I wrote the 22 songs found on To Anyone Who Ever Laughed at Someone Else. They express the thoughts and frustrations, hopes and fears of a young man coming of age in a world that was full of upheaval and transformation. I was a product of that period in America we call the sixties—those years between the assassination of President John F. Kennedy in November 1963 and the resignation of President Richard Nixon in August 1974. In fact, this record was released that same month Nixon resigned. Over the next five years, I toured the country as an acoustic artist performing at clubs, coffeehouses and colleges. During that time, I watched the idealism and social consciousness of the sixties slowly fade away. In its place emerged a cynicism and materialism that still seems to be with us so many years later. More than anything else, I think To Anyone Who Ever Laughed at Someone Else is a time capsule that speaks to us from a past era. A period when, above all other things, we asked questions. We questioned our country, we questioned our faith, we questioned the very purpose of life itself. I am very excited to bring those questions and these songs to a new generation on a new continent. Special thanks to my friends Jordi Segura of Wah Wah Records who took the initiative to release this 50th Anniversary Re-issue of To Anyone Who Ever Laughed at Someone Else and Michel Veenstra Klinkhamer, who introduced us.

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Ann Peebles

I Can't Stand The Rain

30,99 €*

Release: 1974 / US – Reissue

Genre: Electronic & Dance

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LP | 1974 | US | Reissue (Superior Viaduct)

La Monte Young

Dream House 78'17"

29,99 €*

LP | 1975 | JP | Original (Victor)

Release: 1974 / US – Reissue

Genre: Electronic & Dance, Classical Music

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Originally released in 1974 on Shandar, Dream House 78'17" is the second full-length album by La Monte Young and Marian Zazeela. This first-time US edition reproduces the original gatefold sleeve with beautiful calligraphy by Zazeela and liner notes by Young and French musicologist Daniel Caux.

Side one was recorded at a private concert (on the date and time indicated by the title) and features Young and Zazeela's voices against a sine wave drone with Jon Hassell on trumpet and Garrett List on trombone. This work is a section of the longer composition Map of 49's Dream the Two Systems of Eleven Sets of Galactic Intervals Ornamental Lightyears Tracery (begun in 1966 as a sub-section of The Tortoise, His Dreams and Journeys, which was begun in 1964 with Young's group The Theatre of Eternal Music). The piece evolves with the oscillator changing pitch and dictating an ornate pattern over the course of the performance.

Side two is an example of one of the sets of frequencies sustained in the Dream House, the composite sound environments conceived by Young and Zazeela. The composer suggests listening while seated – to experience how the sound interacts with the room and other perceptions of its arrangement – as well as while walking. As Young states, "The frequency ratios are monitored continuously as lissajous patterns on the oscilloscopes and, in spite of the great stability of the oscillators, the phase relationships of the sine waves gradually drift which causes their amplitudes to add and subtract algebraically. Not only does the sound become a bit louder and softer, but at very loud levels, one actually begins to have a sensation that parts of the body are somehow locked in sync with the sine waves and slowly drifting with them in space and time."

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Silver Convention

Save Me

12,99 €*

Release: 1975 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

LP | 1975 | EU | Reissue (Holy Basil)

Mario Molino

Antico E Moderno

27,54 €* 28,99 € -5%

LP | 1975 | DE | Reissue (Kling Klang)

Release: 1975 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Following our reissue of Silvano Chimenti's classic "Disco Music", we're happy to delve back into the Usignolo catalog with the reissue of C 364, one of the most iconic releases of the series, the incredible "Antico E Moderno" by Mario Molino. Bringing some of the most eccentric, chaotic and spaced out vibes you could hear in the mid 70's, Molino's mind bending arrangements are timeless classics, still standing the test of time and showing how he was way ahead of his time. Literally translating to "Ancient and Modern", showcases Molino's unique blend of traditional and contemporary musical styles, creating a captivating auditory experience for listeners.

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Kraftwerk

Radio-Aktivität

40,99 €*

Electronic Realizations For Rock Orchestra

Release: 1975 / DE – Reissue

Genre: Hip Hop, Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Includes original inner sleeve. Emi / Hör zu Pressing

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Synergy

LP | 1975 | US | Original (Passport)

Ypsilon In Malaysian Pale

Release: 1975 / US – Original

Genre: Electronic & Dance, Classical Music

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Used Vinyl

Medium: VG, Cover: VG+

Clear vinyl is close to VG+.

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Edgar Froese

LP | 1975 | DE | Reissue (Brain)

38,99 €*

Release: 1975 / DE – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

1977 reissue. Slight corner wear.

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LP | 1975 | DE | Original (Polystar)

20 Polystar Hits

Release: 1975 / DE – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1975 | EU | Reissue (Wah Wah)

Ariel Kalma

Le Temps Des Moissons

29,99 €*

2x12" | 1975 | EU | Reissue (Virgin EMI)

Release: 1975 / EU – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Record shows scuffs and slight scratches! Cove with some wear and a bent corner!

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Brian Eno

Discreet Music

40,99 €*

LP | 1975 | EU | Original (Universal)

Release: 1975 / EU – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed. 2018 reissue. Limited edition.

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Tangerine Dream

Rubycon

20,99 €*

Release: 1975 / EU – Original

Genre: Electronic & Dance

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LP | 1976 | Reissue (Be With)

Michel Gonet

Phasing News Volume 1

23,79 €* 27,99 € -15%

LP | 1976 | DE | Reissue (Brain)

Release: 1976 / Reissue

Genre: Electronic & Dance

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European funk fusion of the highest order, Michel Gonet's Phasing News Volume 1 is the essential companion piece to the venerated Volume 2. It's truly a library treasure that every home must own. As Tele Music themselves said, it contains "tense and mysterious underscores in a range of styles"; whilst we don't disagree, we'd add swaggering, orchestral drama-funk-jazz-breaks. Vital.

Opener "Moon To Light (Number II) - A" is a total wonder. It's incredible, and what a way to begin a record. The percussion is electrifying, complimenting the dark, heavy piano, eerie organ work, electric guitar soling and rhythm section brilliance. Part B is virtually identical but without the electric guitar. The slow "Soul Cathedral (Number II) - A" is an ambient spacey synth gem which is both beatless and drenched in phased organ. Pretty captivating. Part B plays it rather straighter, a church organ continuing the same melody and tempo but with less of the swirling synthy effects.

"Light In The Rains (Number II) - A" sounds like something Diamond D would've sampled in the mid-to-late 90s, conjuring as it does that peculiar, creeping Axelrod-funk, all eerie electric guitar and organ, bass and spacey effects. Part B loses the electric guitar and adds brass.

The swirling, dramatic "Mondial Scoop (Number II)" has that urgent News At Ten feel with its prominent timpani drums whilst "Mecanic Bird Song" is a frenetic, abstract track with disorientating keyboard interplay.

*Total highlight* "Mephisto Jet (Number II) - A" rides a slick, proto-hip-hop beat with melodic, warm Rhodes yet, thrillingly, casually ups the drama with strings and timpanis. It then returns to its more mellow state. Ace. Part B adds acidy, phased percussion to create a more hypnotic, tripped out feel to proceedings. Part C is half as long but, pared back to just drums and Rhodes, it's arguably twice-as-nice.

To close, the shuffling, bell-laced urgent jazz of "Phasing News - A" is another highlight, riding a great bassline and augmented by ace drums, organ and electric guitar. Part B is also great, removing the guitar and doubling down on the head-nod funk.

The audio for Phasing News Volume 1 has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic Tele Music house sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.

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Günter Schickert

Samtvogel

89,99 €*

LP | 1976 | DE | Original (Atlantic)

Release: 1976 / DE – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Sleeve has edge wear and light creases.

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Roberta Kelly

The Trouble Maker

LP | 1976 | JP | Original (State)

Release: 1976 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Cover and vinyl are close to NM.

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The Rubettes

The Best Of

31,99 €*

LP | 1976 | US | Original (Virgin)

Release: 1976 / JP – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

OBI is missing. With insert. Cover is close to NM.

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Tangerine Dream

Stratosfear

24,99 €*

Release: 1976 / US – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

LP | 1976 | US | Original (Kudu)

Esther Phillips

Capricorn Princess

LP | 1977 | JP | Original (Jupiter)

Release: 1976 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Punch hole in cover.

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Silver Convention

New Excellent

21,99 €*

Release: 1977 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI and insert

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Disco Hits Explosion Vol. 3

LP | 1977 | JP | Original (Overseas)

24,99 €*

The Hiltonaires, Orchester Udo Reichel

Release: 1977 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI and insert. Vinyl close to NM

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Explosion Hits №12

LP | 1977 | DE | Original (Sonic)

Release: 1977 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

Hideki Matsutake, Chojuro Imafuji, Masashi Komatsubara

Edo Black Vinyl Edition

LP | 1977 | EU | Reissue (Soave)

7" | 1977 | UK | Original (Harvest)

Release: 1977 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Edo” is a cosmic ambient experimental masterpiece conceived in 1977 by Masashi Komatsubara and developed alongside with Hideki Matsutake (a.k.a. Logic System and reductively defined by many as the "fourth member of the Yellow Magic Orchestra"). As a true sound scientist, he pours all his efforts into this record, and aimed at the widest possible use of an electronic instrument that was at the forefront at that time — the Moog IIIc. He extends his research by trying to break down the last wall between modernity and the past: the union and eurythmy between artificial sounds and traditional sounds. All this through a perfect three-way collaboration together with the shamisen musician Konae Imato, and the creation of a unique and extraordinary charming work dedicated to the double soul of the capital of Japan: ancient Edo, now the current day city of Tokyo.

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Universal Energy

Release: 1977 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

I'm Just A Lonely Girl / The Groove I'm In

Florence Miller

12" | 1977 | UK | Reissue (P&P)

15,99 €*

LP | 1977 | DE | Reissue (Chrysalis)

Release: 1977 / UK – Reissue

Genre: Electronic & Dance

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Two hidden gems from the P&P vaults courtesy of a scarcely known talent from Georgia, Florence Miller get an official reissue 'I'm Just A Lonely Girl' and 'The Groove I'm In'. With only two releases to her name, both of which came on Peter Brown’s P&P Records, ‘The Groove I'm In’ released around 1975 got the attention of the Northern and Modern Soul scenes in the mid ‘90s becoming a real star of the show. Since then, it’s maintained consistent demand on the second-hand market with originals selling for over £200. As with most of Peter Brown's artists, they briefly emerged on the sparsely distributed P&P label, for a brief stab at stardom only to disappear when Peter's attentions moved on to the next releases. Consequently, very little is known about the multi-talented and sadly ignored Florence Miller following her two releases on the Harlem label. Clearly though, the music speaks for itself with the quality of the P&P catalogue and this Florence Miller slice of magic shining through to this day.

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Blondie

18,99 €*

Release: 1977 / DE – Reissue

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1977 | IT | Original (Derby)

Venus Rising

Live On Venus

24,99 €*

LP | 1977 | UK | Original (Harvest)

Release: 1977 / IT – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Cover with faint ring wear and small sticker.

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Universal Energy

12,99 €*

LP | 1977 | US | Original (Island)

Release: 1977 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Record is close to VG+.
Small sticker on cover.

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Ultravox

Ultravox!

18,99 €*

Santa Esmeralda Starring Leroy Gomez

Release: 1977 / US – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Saw cut. cover is Close to VG+. Vinyl is close to NM.

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Don't Let Me Be Misunderstood

LP | 1977 | DE | Original (Philips)

Release: 1977 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1977 | DE | Reissue (Notes On A Journey)

Chuck Senrick

Dreamin'

30,99 €*

Release: 1977 / DE – Reissue

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

2017 reissue. Tiny wear. Vinyl is close to NM. Original inner sleeve

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LP | 1977 | BE | Reissue (Cortizona)

Noises

19,99 €*

LP | 1977 | WW | Reissue (SN Music Publishing)

Release: 1977 / BE – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

With inserts. Limited edition 2019 reissue.

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Sezen Aksu

Allahaismarladik

Release: 1977 / WW – Reissue

Genre: Electronic & Dance

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»1-2-3-4« (We Ain't Got Much Time)

Mandy B. Jones

7" | 1977 | DE | Original (CBS)

8,99 €*

Release: 1977 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

LP | 1977 | PL | Original (Polskie Nagrania Muza)

Party Dance

Release: 1977 / PL – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

A Real Mother For Ya White Vinyl Edition

Johnny Guitar Watson

LP | 1977 | EU | Reissue (Music On Vinyl)

28,99 €*

LP | 1977 | US | Original (Atlantic)

Release: 1977 / EU – Reissue

Genre: Electronic & Dance

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180 GRAM AUDIOPHILE VINYL
FEATURES THE INTERNATIONAL ORIGINAL HIT VERSION OF “A REAL MOTHER FOR YA”,
“NOTHING LEFT TO BE DESIRED”, AND “TARZAN” A.O.

INCLUDES THE BONUS TRACK “A REAL MOTHER FOR YA (BEN LIEBRAND OLDSKOOL MIX)”,
NOT AVAILABLE ON THE ORIGINAL ALBUM

LIMITED EDITION OF 750 INDIVIDUALLY NUMBERED COPIES ON WHITE COLOURED VINYL

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Jean-Luc Ponty

Enigmatic Ocean

Release: 1977 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG

2x12" | 1977 | EU | Reissue (Virgin EMI)

Brian Eno

Before And After Science

60,99 €*

Release: 1977 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed. With OBI. Limited edition. 2017 reissue.

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LP | 1977 | FR | Original (Barclay)

Le Disco Album

10,99 €*

Release: 1977 / FR – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1977 | DE | Original (Atlantic)

Chic

14,99 €*

Release: 1977 / DE – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

Santa Esmeralda Starring Leroy Gomez

Don't Let Me Be Misunderstood

LP | 1977 | DE | Original (Philips)

LP | 1977 | JP | Original (Charisma)

Release: 1977 / DE – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Cover with light edge wear

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Brand X

Moroccan Roll

LP | 1978 | DE | Original (Well Known Records)

Release: 1977 / JP – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. OBI is missing.

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Andy Goldner

∞

19,99 €*

On The Other Hand There's A Fist

Release: 1978 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Small sticker on back cover.

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Jona Lewie

LP | 1978 | DE | Reissue (Stiff)

7" | 1978 | DE | Original (ABC)

Release: 1978 / DE – Reissue

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Early repress on green Vinyl!

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Blood, Sweat And Tears

Blue Street

LP | 1978 | AU | Reissue (Left Ear)

Release: 1978 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: G+

Cover with taped edges and small puncture.

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Rainbow Generator

Dance Of The Spheres

31,34 €* 32,99 € -5%

LP | 1978 | DE | Original (Warner Bros.)

Release: 1978 / AU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Limited to 500 units, includes a bifold insert with archival images and detailed liner notes.

Rainbow Generator are Australia’s first true experimental electronic music group. Consisting of David Labuschagne AKA Mojo, and Rob Greaves AKA Ras. Starting in the mid-70’s, the pair took it upon themselves to begin exploring the possibilities of the sonic dimension and with an ‘open mind’ began investigating the interface between psyche and sound.

In 1976 David established the ‘Lectric Loo’ studio in Woolloomooloo, Sydney. Known to the ‘heads’ as simply the “Loo”, the 3-story building was owned by the Department of Main Roads, and slated for demolition. So, it was that the entire block became a haven for squatters, and while Mojo had the main 3-story building to himself, the rest of the buildings were taken by a hotch-potch of people that included Anarchists, a Clown School and a collection of other random squatters. Recording in the ‘Lectric Loo’ provided them the ability to record freely. In 1975 they began to experiment, putting Mojo’s Fender Strat through effects pedals, playing with sounds while manipulating shortwave radio stations and also challenging convention by playing the insides of instruments. By 1976 they had built a kit synthesizer and shortly after purchased a full Roland 100 Synthesiser set-up and were on their way.

In 1978, with little resources, or any form of distribution they released their sole LP ‘Dance of the Spheres’. As Mojo puts it, “we were intent on making music with whatever we could beg, borrow, buy, and liberate. Albeit with scant regard for the rules or conventions or niceties of the game. Ultimately, it was all an act of love, of joy. Not just an adventure; it was a musical odyssey”.

This odyssey continued their exploration of the interface between psyche and sound. Fusing genres and boundaries, Dance of the Spheres incorporates elements of 70’s psych and folk with spoken-word and of course the emerging sounds of the synthesizer and drum machines. Furthermore, the addition of traditional instruments such as the didgeridoo and the classical Indian instrumentation technique of a Raga add a timeless layer, all seamlessly complementing the other elements and launching the album to another dimension.

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Richard Schönherz

What A Night

39,99 €*

Release: 1978 / DE – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1978 | DE | Original (Red Star)

Suicide

80,99 €*

LP | 1978 | US | Original (Marlin)

Release: 1978 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl is Close to VG+.

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Voyage

LP | 1978 | US | Original (Casablanca)

Release: 1978 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Original US pressing. Vinyl with scuffs and hairlines.

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Alec R. Costandinos

Trocadero Lemon Blue

10,99 €*

Vincent Montana, Jr. Presents Goody Goody

Release: 1978 / US – Original

Genre: Organic Grooves, Electronic & Dance, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG

Cover with promo stamp on the back. Vinyl close to VG+

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Goody Goody

LP | 1978 | IT | Original (Atlantic)

21,99 €*

LP | 1978 | FR | Original (Musidisc)

Release: 1978 / IT – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Italian pressing. Original Picture Sleeve Missing. Generic sleeve.

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Space Factory

Aux Synthétiseurs

Release: 1978 / FR – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1978 | FR | Original (President)

The Spotnicks

Never Trust Robots

Release: 1978 / FR – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1978 | US | Original (Private Stock)

Samantha Sang

Emotion

7" | 1978 | DE | Original (EMI)

Release: 1978 / US – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Terre Haute pressing. Still in shrink but opened. Cover is so close to NM.

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Ayisha

Space Man

49,99 €*

LP | 1978 | UK | Original (Mercury)

Release: 1978 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Cover with faint ring wear and small sticker.

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Village People

Cruisin'

8,99 €*

Release: 1978 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

7" | 1978 | DE | Original (Metronome)

The Ritchie Family

American Generation

Release: 1978 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG