Electronic & Dance 1289 Items

Release: 2019 / UK – Original

Genre: Electronic & Dance

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12" | 2019 | UK | Original (Warp)

LFO

Peel Session

Release: 2019 / UK – Original

Genre: Electronic & Dance

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LP | 2019 | UK | Original (Counter)

Frenship

Vacation

Release: 2019 / UK – Original

Genre: Electronic & Dance

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2LP | 2001 | EU | Original (Polydor)

Björk

Medulla

Super Deluxe Splatter Vinyl Edition

Release: 2001 / EU – Original

Genre: Electronic & Dance, Pop

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limited edition

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John Mint

LP | 2024 | US | Original (Stratford Ct.)

Release: 2024 / US – Original

Genre: Electronic & Dance

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LP | 2023 | EU | Original (One Little Independent)

Laura Misch

Sample The Sky

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Sun Arcs Yellow Vinyl Edition

Blue Lake

LP | 2023 | UK | Original (Tonal Union)

LP | 2023 | EU | Original (American Dreams)

Release: 2023 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Blue Lake is the musical moniker of American born, Copenhagen based multidisciplinary artist and musician Jason Dungan, who signs to the Tonal Union imprint for the release of his new longform album ‘Sun Arcs’. It follows 2022’s release ‘Stikling’, earning a nomination for ‘Album of the Year’ at the Danish Music Awards plus warm praise from The Hum blog and musicians and DJs alike including Jack Rollo (Time is Away/NTS) and Carla dal Forno. A self taught player, Dungan began freely experimenting with self-built multi-string instruments, preferring to build his own hybrid 48-string zither and working in the realms of left-field ambient music, off kilter folk and improvised acoustic minimalism.

The starting point of ‘Sun Arcs’ saw Jason travel for a week alone to Andersabo, a cabin set in the idyllic Swedish woods just outside of Unnaryd, known also as the music project, festival and residency space which has been run by Dungan since 2016, hosting artists like Sofie Birch, Johan Carøe and Ellen Arkbro. Whilst writing 1-2 pieces per day, a conscious decision was made to leave behind everyday distractions and shut out the outside world to instead focus on the natural passage of time as Dungan recalls: “My only sense of time came from these daily walks out in the woods with my dog, and an awareness of the sun’s path as it moved across the sky each day.”

The album’s immersive world unfolds with the opener ‘Dallas’, an ode to his home state and a musical synthesis of these two disparate spaces (Texas and Denmark), the touchstones of Dungan’s life. A folk-esque single acoustic builds to a flowing arrangement of clarinets, organ and cello drones coupled with percussion. ‘Green-Yellow Field’ chimes in as the first of two solo oriented zither recordings twinned with the dreamlike title track ‘Sun Arcs’, both densely rich as cascading and overlapping harmonic tones resound. ‘Bloom’ emerges with a krautrock psyche before an eruption of cello drones, slide guitar and free-ranging zither playing, ushering in the anticipation of spring. With half of the recordings conceived in Andersabo, Jason returned to Copenhagen to form the album's centre piece ‘Rain Cycle’ which features a tempered Roland drum machine alongside shifting zither improvisations. ‘Writing’ explores the shimmering harp-like qualities of sweeping playing figurations with Dungan mapping out adjusted tuning “zones” on the zither for unconventional but creatively liberating effects. ‘Fur’ captures the feeling of openness and the momentum of time, seeing Dungan perform waves of solo clarinet, often in one takes and embellished with textural drones, a zither solo, and layers of guitar. ‘Wavelength’ the album's closer is fondly inspired by the film works of Michael Snow and Don Cherry’s seminal live album ‘Blue Lake’ (1974), as it builds out from a drone-generated zither chord and features an alto recorder solo. Dungan found a deep connection to Cherry’s stripped back performance ethos, focusing on the core beauty of minimal instrumentation creating a genre-less meeting between folk and jazz. A dialogue is formed between the solo and the bandlike performances, interlinked in a geographical duality with all finding a sense of commonplace as musical sketches of visited landscapes. The bountiful instrumentation ebbs and flows as further layers emerge with Dungan constructing his material much like an artist would, recording and reviewing, adding and subtracting.

Musically it portrays a form of double life led by an American-identifying person living in Scandinavia, and a new found presence in Denmark, seeking out underdeveloped marshlands and barren stretches of beach adrift from other rhythms and distractions. Highlighting their individual and potent importance Dungan concludes: “Both places feel like “me”, I think on some level the music is always some kind of self-portrait.” ‘Sun Arcs’ depicts the intricate balance of nature’s cycles and the paths outlined by the seasons, from a winter dormancy to a warm sun drenched scene. The album scales new glorying heights and further defines Dungan’s musical narrative, inhabiting a unique space in left-field, improvised and experimental music, borning his most accomplished compositions to date. A singular and visionary expression, drawing on an array of instruments and sound worlds with a renewed sense of joy and discovery.

The album's rich tapestry was mixed by Jeff Zeigler (Laraaji, Mary Lattimore, Kurt Vile /Steve Gunn) and mastered by Stephan Mathieu (Kali Malone, Kmru, Félicia Atkinson).

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Natalie Rose Lebrecht

Holy Prana Open Game

Release: 2023 / EU – Original

Genre: Electronic & Dance

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LP | UK | Reissue (One Little Independent)

Björk

Homogenic

Release: UK – Reissue

Genre: Electronic & Dance

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LP | 2024 | EU | Original (Shelter Press)

Felicia Atkinson

Space As An Instrument

Collection Red Opaque Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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One of the universal experiences of life on Earth is staring, neck craned, at the cosmos. The vastness of one's internal life meets the vastness of space, and in that moment those perspectives fuse in a state of wonder and curiosity. Space As An Instrument, the new album by French artist and musician Félicia Atkinson, invites listeners to explore the phantasmic landscapes created in such transformative encounters, when the mind is open and receptive to its environment. Like being absorbed by the immensity of the night sky, this music dilates the imagination and helps us to sit comfortably in the mystery of the ineffable.We are guided through Space As An Instrument by the piano, its alinear story told through restrained, iterative melodies that become entwined with the sounds at the music's margins - a wisp of electronics, a pinprick of an enunciated consonant. They were recorded on Atkinson's phone, which was placed next to the keys, or behind her, with the sound of the room bleeding through to give a sense of the place and time of the encounter. She describes these sessions as meetings where she and the piano commune to co-create these spiraling phrases and vaporous dissonances moment by moment. Complicating this dynamic is the presence of digital pianos, which exist in the surreal space of diodes and LED displays. They act as avatars of their three-dimensional counterparts: nowhere and everywhere simultaneously.Still, the inhabited world of people, water, and wind can be heard throughout Space As An Instrument. Often these recordings are integrated into the backdrop of electronics, or reduced to the sound of movements whose physical forms are obscured: the microphone straining against a forceful gust on "Sorry," arhythmic footsteps traversing an invisible terrain on "Pensées Magiques." These field recordings take us to the brink of synesthetic experience, allowing us to glimpse with our ear the topography of the imagination. But Atkinson's music resists any kind of singular perspective on the scene, or a...

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Kaito

LP | 2024 | EU | Original (Infine)

12" | 2024 | EU | Original (HNNY)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Hiroshi Watanabe, a musician, photographer, and DJ from the Japanese electronic scene, based in Saitama near Tokyo, has been a prolific figure for twenty-five years. He has explored most major genres of electronic music through more than twenty albums. He proudly becomes the very first Japanese artist of InFiné. After Ryuichi Sakamoto, he is one of the very few Japanese artists who have gained the favor of Western audiences, alongside notable names such as Cornelius, Towa Tei, DJ Krush, Ken Ishii, Susumu Yokota, and more recently Hiroshi Yoshimura. In Europe, he is best known for his project Kaito, which began in 2001 under the prestigious Kompakt label. The name Kaito, in addition to being the name of his son born the same year, carries a double meaning in Japanese, signifying both "universe" and "secret." These references hint at a spirituality visible in his photographic work and contribute to the elements that make Japanese artists masters of the ambient genre. The collaboration between Kaito and the InFiné label began with his participation in the compilation "Music Activists 2020 (From Home)," which supported artists affected by the Covid crisis, followed by a remix for the single "Motion" by Rone and Vanessa Wagner in 2023. These initial contributions led to a new album featuring nine tracks of ambient music. Kaito's new album ‘Collection’ comprises nine ambient and melodic tracks composed during the Covid-19 pandemic. These compositions present a majestic minimal and harmonious therapy in response to the world’s adversities, showcasing the producer’s return to the peak of his art. ‘Collection’ was remastered by another genre legend, the German Rashad Becker, and released on vinyl and CD by InFiné in 2024.

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HNNY

Light Shines Through

LP | 2024 | UK | Original (Fine Line)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-08

Nearly a decade after the release of his breakthrough debut album 'Sunday', Swedish producer HNNY (aka Johan Cederberg) returns with the album Light Shines Through, released independently via HNNY's own imprint.

For his first album in almost a decade, HNNY has returned to the electronic soundscapes that inspired his earliest releases. It's made for the quiet, brain-tingling moments of solitude at home and contains a consistent thread throughout, not just in the ambient sounds used, but also more conceptually with what the songs evoke and what they are about: the album lands at a particularly pivotal moment of HNNY's life after the birth of his two daughters which have given him a new perspective on life.

HNNY's melodies are a gentle alternative to the more complicated corners of dance music. Debuting on Studio Barnhus in 2011, HNNY aka Johan Cederberg quickly became one of house music's most talked about artists with a signature sample driven style. He has won a Swedish Grammy in the electronic music category, toured the world globally and created a following both in and outside of the dance music community for his bittersweet strain of dance music.
Shortly after the release of his critically acclaimed debut album Sunday, the producer stopped touring solely focusing on production. Since then, HNNY has racked up hundreds of millions of streams, released a number of singles and EPs on the likes of Let's Play House, Puss and Omena and he is now finally ready to return to the LP format for the first time in nearly a decade with the album Light Shines Through.

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Richard Spaven

Sole Subject

In Electric Time Black Vinyl Ediiton

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Forging his own path into the future... With roots in the U.K. club and hip-hop scenes, drummer Richard Spaven brings a fresh approach to the instrument that's at once modern and traditional. Combining machine-like accuracy with jazz-influenced improvisational sensibilities, Spaven's drumming has landed him gigs with vastly varied artists such as UK rapper Loyle Carner, Guru of hip-hop duo Gang Starr, producer Flying Lotus, vocalist José James and Brainfeeder artist Jameszoo. Spaven's brilliance is evident beyond his world-class performance abilities; he's equally impressive in production and compositional territories.

Sole Subject, a captivating crossover of electronica, hip hop, and jazz, explores the nuanced relationship between live drumming and electronic elements, a theme intricately woven throughout Spaven's sixth solo record. Originating from deep, rhythmic ideas, each track is a testament to intense experimentation and precision. At the core of the album are the drums, captured as full live takes which often blur the lines, appearing as if they were programmed or sampled. Dive into Sole Subject and experience a musical journey where innovation meets tradition, and where each beat tells a story of relentless creativity and dedication. The release of the record will be celebrated with a headline show at Jazz Café October 30th.

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Jeremiah Chiu

LP | 2024 | US | Original (International Anthem)

Waiting For The Dawn Colored Vinyl Edition

Release: 2024 / US – Original

Genre: Organic Grooves, Electronic & Dance

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On June 29th 2023, Jeremiah Chiu walked into the Vintage Synthesizer Museum (vsm) in Highland Park, Los Angeles, with no plan more specific than "let"s fire this stuff up and see what happens." Exploring the VSM"s vast collection of classic, rare and staple synthesizers, he would sequence, trigger, and layer the machines together with help from VSM founder/curator Lance Hill. The resulting album - In Electric Time - was recorded in just two days, and edited to completion in the two days following. It was captured fully analog by engineer Ben Lumsdaine, who contributes performances on a few tracks himself. Cooper Crain (of Bitchin Bajas) makes an appearance as well; but ultimately the collection is an intuitive expression of organic electronic conceptualized and created in-context by Chiu alone, as he calls on a lifetime of work in sound synthesis to pain a fulgent, refreshingly undercut sequence of cinematic sketches and in-process themes. In some ways, In Electric Time reflects the directness of Raymond Scott"s electronic studio recordings - with sharp cuts and room chatter - and, in others, it conjures the in-the moment- magic of Harmonia.

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Viq

Release: 2022 / US – Original

Genre: Electronic & Dance

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LP | 2023 | EU | Original (Music On Vinyl)

Joey Beltram

Live Mix

Release: 2023 / EU – Original

Genre: Electronic & Dance

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DJ Kicks Black Vinyl Edition

Peggy Gou

2LP | 2019 | EU | Original (!K7)

Fragments Colored Vinyl Edition

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Unmixed versions of 8 choice tracks from the comp!

When Peggy Gou released her debut EP ‘Art of War’ in
2016, she made a list of career goals. One of them was to
become the first South Korean DJ to play Berlin’s techno
institution Berghain, an objective she achieved only a few
months later. Another item on that list was to record an
instalment of !K7’s DJ-Kicks series. “It’s the premier
class of DJ mixes,” she says. “Some of my favourite
selectors have contributed to it.” Now Peggy Gou can
tick that off her list too as she proudly presents the 69th
edition of the mix series.
The Berliner-by-choice started working on the mix last year. It was a
busy time for the 28-year-old: she’d just scored her first Mixmag cover
and her single ‘It Makes You Forget (Itgehane)’ was receiving awards
and critical acclaim. Each month she would DJ in 20 nightclubs all over
the world. And yet, the goal for her mix was ambitious: instead of trying
to capture the energy of her DJ sets, she aimed to create a portrayal of
her own musical journey. An 18-track listening session that takes you
straight into Peggy Gou’s living room where she plays you the formative
tunes from her collection. No genre boundaries – she moves across
disco, house, techno and electro. No tempo limits – the mix ranges from
90 to 150 BPM. And no age restriction – the earliest tunes on the mix
are from 1983.

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Forhill

Release: 2023 / US – Original

Genre: Electronic & Dance

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Basictonalvocabulary 2023 Reissue

Surgeon

2LP | 1997 | Reissue (Tresor)

Deer's Breathe In Every Color

Release: 1997 / Reissue

Genre: Electronic & Dance

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Tresor Records is fortunate enough to be sitting on a catalogue of past releases that no other label in electronic
music would turn down. Three of the finest in this collection were contributed by Surgeon;
“Basictonalvocabulary”, “Balance” and “Force + Form”, which all came out between 1997 and 1999.
Surgeon’s inimitable combination of Detroit techno and post-industrial sounds emanating from his British
homeland found its fullest expression in these masterful trio of releases.
Following the release of Surgeon's first album in 5 years "Crash Recoil" earlier in 2023, Tresor Records have decided
that its high time to give these seminal albums another airing.

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Lake Mary & Daniel Wyche

LP | 2024 | EU | Original (Laaps)

Nothing Here Now But The Recordings Clear Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Lake Mary is the moniker of Chaz Prymek, a guitarist, composer, free improvisor and painter currently based in the US. Through spacious personal hymns exploring the wilderness of deep emotional narrative, Prymek’s long-form compositions and improvisations are boundless meditations on the landscapes, river ways, and wildlife, both external and personal. Perhaps most widely known as a founding member of the group Fuubutsushi, Prymek's work as Lake Mary leans sometimes more slow, open and pastoral, sometimes more visceral with prepared guitar and synthesizers, but can always be characterized by patience. A board member of Dismal Niche Arts, and founder of Yardwork Presents, Prymek's focus on curation and community for exploratory and expansive music and arts spills over into all his sonic works.

Daniel Wyche is a Chicago-based guitarist, composer, and improviser. Working with a wide range of physical preparations, extended techniques, and pedal instruments, his solo recordings and live performances are characterized by long-form structured improvisations and multichannel guitar. He has been a curator with the Elastic Arts Foundation in Chicago since 2013, where is work has been described as “crucial” by Dusted and “vital” by the Chicago Reader. In March of 2020, Daniel co-founded The Quarantine Concerts in collaboration with Chicago’s Experimental Sound Studio. The series has been widely praised as a model for online/streaming live music. Along with his solo guitar work, Daniel is involved in several ongoing collaborations, most notably the trio of Wyche, Mark Shippy (US Maple), and Ben Baker Billington, as well as new work with longtime collaborators like Patrick Shiroishi, Lake Mary, and many others.

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William S. Burroughs

LP | 1981 | US | Reissue (Dais)

Crystal Shores Colored Vinyl Edition

Release: 1981 / US – Reissue

Genre: Electronic & Dance

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In 1980, Genesis P-Orridgeand Peter "Sleazy" Christopherson of(then-)Throbbing Gristle travelled to New York City to meet up at thefortified apartment, known as The Bunker, of famed beat writer andcultural pioneerWilliam S. Burroughsand his executor JamesGrauerholz. Genesisand Sleazy started the daunting task of compilingthe experimental sound works of Burroughs, which, up until that point,had never been widely heard.During those visits, Burroughs would play back his tape recorderexperiments featuring his spoken word "cut-ups", collaged fieldrecordings from his travels and his flirtations with EVP recordingtechniques, pioneered by Latvian intellectual Konstantins Raudive. Overthe following year, P-Orridge, Christopherson and Grauerholz spentcountless hours compilingvarious edits, each collection showcasingBurroughs sensitive ear and experimental prowess for audio anomalywithin technical limitations. In early 1981, Burroughs had relocated toLawrence, KS to escape the violence and manias of New York City life.There, P-Orridge and Christopherson put the finishing touches on therecord that would be known asNothing Here Now but the Recordings.Released in Spring 1981, the album would end up as the final release onIndustrial Records, brought about by the dissolution of Throbbing Gristle.It was quietly out of print until 1998, when John Giorno and the GiornoPoetry Systems included the album on a retrospective CD box set, whichcompiled the majority of Burroughs's seminal recordings. In 2015, DaisRecords worked closely with the Estate of William S. Burroughs to finallyre-release, for the first time in 36 years, a proper vinyl reissue of WilliamS. BurroughsNothing Here Now but the Recordingsto celebrate thecentennial anniversary of William S. Burroughs. For the2023 edition, Daishas remastered the audio with renowned engineer Josh Bonati, andrestored the original artwork with a new dedication to Genesis Breyer P-Orridge and Peter Christopherson.

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Viq

LP | 2021 | US | Original (Stratford Ct.)

Release: 2021 / US – Original

Genre: Electronic & Dance

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Horizon Colored Vinyl Edition

Unfound

LP | 2021 | US | Original (Stratford Ct.)

Release: 2021 / US – Original

Genre: Electronic & Dance

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Infinity Colored Vinyl Edition

Euan Ellis

Release: 2022 / US – Original

Genre: Electronic & Dance

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3CD | 2023 | DE | Original (Cocoon)

Sven Väth

What I Used To Play

Valentina Magaletti & Yves Chaudouet

Release: 2023 / DE – Original

Genre: Electronic & Dance

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For this uniquely personal retrospective spread over twelve vinyl discs, Sven Väth takes us back to the early days of his DJ career. On What I Used To Play we meet great pioneers of electronic music, gifted percussionists, obscure wave bands, and innovative producers of a bygone 'new electronic' era. Rough beats and irresistible grooves from the identification stage of house, techno, and acid remind us not just how far electronic music has evolved over the past four decades, but how great it was to dance to EBM, techno, and house for the very first time.

If there is one protagonist of the electronic music scene who has remained curious, innovative and at the very cutting edge of music for over four decades, it's Sven Väth. His multi-layered artist albums and Sound of the Season mix compilations have been defining the genre for over two decades, and even today, he is constantly on the lookout for the next top tune to add to the highlights of his next set. At least, that's the case when he's not producing them himself as an artist or remixer. "Actually, it's always been part of my DNA to think ahead," and nothing had been further from his mind than looking back at his past, but when in spring of 2020 the international DJ circuit had to be scaled down to virtually zero, the 'restless traveler' suddenly had time. Time to stop and reflect on "how it actually was back then, at the very beginning of my career..."

"It was a great trip and with every track, beautiful memories came flooding back".
In the London apartment, he had just moved into, Sven has set up a "little music room", where he cocooned himself for several days, "to look way back for the first time and review my musical journey through the eighties, so to speak."

The interim result was six thematically oriented playlists with a grand total of 120 tracks from 'early 80s' to 'Balearic late 80s', together with excursions into afrobeat, European new wave, and EBM sounds and a few epochal techno/house tracks from the USA in between. From these 'Best of Sven Väth's favorites', the project What I Used To Play crystallized. Sven remembers how the Cocoon team reacted to his proposal: "They found the idea of making a compilation out of it MEGA from the beginning and everyone said 'Sven, go for it', but then, of course, the work really started, namely, to clear the rights and to get clean sounding masters of the up to 40-year-old tracks. There was also disappointment, of course. We couldn't clear certain titles because the rights holders in the USA had fallen out with each other or simply disappeared from the scene. In short, it wasn't easy, but now I can safely say we got the most important tracks."

Finally, after two years of research, curation, design, and administrative fine-tuning, the "little retrospective" from 1981 to 1990 is available. The exquisitely packaged, and three-kilo heavy box set is not only physically impressive, WIUTP is also the definitive record of Sven Väth's musical development. On each of the twenty-four sides of vinyl, you can trace track by track, what influenced him during which phase, and how he took off as a DJ from his parents' Queen's Pub straight into the spotlight at Dorian Gray. There and at Vogue (later OMEN), Sven became the style-defining player in the DJ booth that he still is today.

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Batterie Fragile

LP | 2022 | EU | Original (Un Je-Ne-Sais-Quoi)

2x12" | 2021 | EU | Original (Ampoule)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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London based Valentina Magaletti, is a composer, producer and percussionist experimenting with new materials and sounds. She is one of the most prominent musicians of the wide experimental world. The prolific drummer collaborates with many musicians and releases albums in all musical directions (from noise to jazz by way of dub...). She was part of the acclaimed duo Tomaga until the tragic passing of Tom Relleen in 2020. Lately Valentina Magaletti collaborates with Joao Pais Filipe, Lafawndah, Marlene Ribeiro, Julian Sartorius among many others and she is part of bands like Vanishing Twin, Better Corners, Holy Tongue, Uuuu, Avvitagalli, Moin... She released 3 solo albums, La Tempesta Colorata (A Colourful Storm, 2022), A Queer Anthology Of Drums (Takuroku/Cafe Oto, 2020) and Valentina Plays The Batterie Fragile (Un je-ne-sais-quoi, 2017).

The Batterie fragile is a sculpture conceived by artist Yves Chaudouët. A drum-kit made out of porcelain.

Yves Chaudouët is a French visual artist. His first interest was painting. From the 1990s, he began to experiment with other art forms such as filmmaking, installation, theater and novels.

This is the second installment of recording on that amazing drum kit. The first recording (2017) was a testimony of the 1st meeting between Valentina and the drumkit during a live experience in Tours (Fr) at le Musée des Beaux-Arts during the Super Flux Festival. It was a raw recording (fragile itself) picking up a very quick meeting and two magical improvisations. It naturally led Yves Chaudouët to build another Batterie fragile with few improvements (as if the 1st one were a prototype) and quickly to plan to record another album.

Recorded in 2021 at Impersonal studio in Rennes (fr) with Thomas Poli on a magnificent analog console Studer 928, edited and mixed in 2022 at Abbey Road studio (uk) by Valentina Magaletti and Leon Marks, this outstanding recording, composed and performed by Valentina Magaletti on an unlikely sounding instrument is a poetic and unique experience. Valentina took time to explore all the sounding possibilities of the drums, using different kinds of sticks, wire brushes and rubber beaters. The recordings have been assembled in a collage-style approach dear to her and result in two otherworldly tracks that reveal a few secrets of the mysterious drum kit through Valentina Magaletti’s fantastic play and delicate versatility.

To create this new album, Magaletti says, “I applied wood and metal and rubber to the porcelain. My starting point is always textural, and I’m very interested and enchanted by friction.”

An important work in the career of one of the best drummers and composers of her time, which Un je-ne-sais-quoi is proud to share with you.

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Pub

Single

LP | 2021 | US | Original (Western Vinyl)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Dense and beautiful electronic music that falls somewhere between T++ / Various Artists, early Boards of Canada, Basic Channel and Carl Craigs most epic works. This record contains rare & long out of print classic tracks from the three Pub EP's that were released on Ampoule in 1999, 2001and 2003 respectively. There are also two 2 exclusive cuts which have been never released on vinyl before. Remastered by Dubplates & Mastering and new artwork by Pub.

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Hollie Kenniff

The Quiet Drift

2x12" | 2021 | UK | Original (Tokzen)

Release: 2021 / US – Original

Genre: Rock & Indie, Electronic & Dance

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Director David Lynch once said "I long for a kind of quiet where I can just drift and dream. I always say getting inspiration is like fishing. If you're quiet and sitting there and you have the right bait, you're going to catch a fish eventually. Ideas are sort of like that. You never know when they're going to hit you." Inspired by this quote in both name and spirit, Hollie Kenniff's The Quiet Drift is an ambient gallery of cloudlike synths, seraphic strings, echoing guitars, and other celestial textures guided to cohesion by Hollie's own wordless singing. Though the album certainly creates (and originates from) the kind of space where Lynch's proverbial "fish" can be caught, The Quiet Drift is a fitting title for Hollie's own history, both recent and distant. During the course of the album's creation, Hollie and her family moved cross-country from an island in Washington state, to an island in Maine before ultimately relocating to Canada. "As a child I visited Ontario year-round," she explains in her own words. She continues "More than any other landscape, I think the lake, rivers, and woods there left the most enduring impression on me. The landscape and pace of life of these places will always stay with me." But the reverberant spaces Hollie crafts need no physical headquarters. Instead of conjuring views of nature at the ground level, her sound more readily evokes a top-down perspective, with the distinct features of the land shrinking underfoot as the listener becomes untethered from geography altogether. The Quiet Drift belongs more to the liminal spaces between life and afterlife, memory and fantasy, landscape and dreamscape, than any mappable locale. Describing her formative years, Hollie says "As a dual US/Canadian citizen who spent my childhood in a rural town-- one that I haven't returned to in many years - I have a sense of not entirely belonging anywhere. When I was a teenager my close friends were male musicians, so I was also an outsider to the degree that they were wild and anarchic in a way that I wasn't. I was a quiet book reader and avid music listener who enjoyed being around a creative group. I was also a radio DJ for alternative and punk music throughout high school." In this light, The Quiet Drift attests that creativity is placeless, and calls into question the stereotype of artists as scene-centric city dwellers. Having come of age in the absence of metropolitan sensory overload, Hollie learned to spot the muse in nature, and within herself, instead of the echo chamber of a frenzied peer group. On The Quiet Drift Hollie Kenniff wholly escapes from such pop-culture feedback loops into transcendent, shimmering realms, and she brings the listener along with her. In this age in which we have all been called to reevaluate our relationship to indoor spaces, and seek refuge in the great outdoors, The Quiet Drift provides an apt soundtrack for such rebalancing.

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Sculptured Music

Tell The Grooves

2LP | 2021 | EU | Original (Sonar Kollektiv)

Release: 2021 / UK – Original

Genre: Electronic & Dance

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Willy Lubisi better known by his stage name "SculpturedMusic" is a DJ & Producer who hails from Spruitview, situated in the east of Gauteng. He has 3 Albums. 2018 Saw SculpturedMusic evolve with times with his Smash Hits "OverFlow. Sing My Blues and who can forget "SadToThink" rumbled the house music dance floor across SA, which saw him take "Best Producer of 2019 at Dance Music South Afrika". Tokzen Records is going to release two projects on vinyl from SculpturedMusic thus far, and the projects are : East Blues E.P, Tell The Grooves while we at Tokzen Records are planning on release more projects from this outstanding artist.

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Feiertag

Time To Recover

LP | 2019 | CZ | Original (Dais)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Now it‘s finally here: The debut album «Time To Recover» by Feiertag. The Multi-faceted artist & producer has established himself as a leading name within the electronic music sphere since making his debut in 2015. He defies convention in ways many cannot, from his immersive productions on Last Night On Earth, Boogie Angst, Majestic Casual and Kitsuné.

After two successful EPs and even more singles, Feiertag took his time for this debut album. This can be heard on each of the sixteen tracks: Extraordinary attention to detail, sophisticated arrangements and a sound aesthetic that couldn‘t sound more modern are probably the first impressions you take away from «Time To Recover». On second or third listen through, however, you realize that almost every one of these songs has hit potential somehow.

After the dubby head-nodding opener «Stranger To One» follows «Yearn» with Oli Hannaford from London and Tessa Rose Jackson from Amsterdam, revealing a melancholic and shimmering musical soundscape. Majestic vocals combine with lush percussive elements and smooth drums, whilst rich chords work atop of resonant strings. A song destined for eternity!

Tessa is also featured on «Follow» and «Riptide». Then there‘s the collaboration with Gosto, «Stronger,» a song that gains in punch and impact with each successive listen. And with every rewind, you turn up the volume a little more. As loud as enough that you can also enjoy «It‘s Alright» with James Alexander Bright in its full glory and exuberant optimism. Similarly good-humored is the instrumental «Saccharine» tasting full of sweet summer, unbridled exuberance and outdoor parties. With «Panorama» Feiertag shows his calmer, more ambient side towards the end of the album to finally set an absolutely dignified closing point together with Pete Josef on «Where Are We Now».

«Time To Recover» is an almost furious ride through current musical styles and genres - all from the artful and almost grandiose orchestrated point of view of Feiertag. credits

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Pink Turns Blue

Meta Black Vinyl Edition

Tom Rogerson with Brian Eno

Release: 2019 / CZ – Original

Genre: Electronic & Dance

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Recorded on the heels of their debut album If Two World Kiss (Also reissued by Dais on August 9th) and informed by the band's oscillating live synergy and bolstered by a boon of new equipment and texture, Pink Turns Blue's sophomore album Meta (1988) was a conceptual leap predicated by the study of sound and exploration of its edges. With the same fervor that Joy Division mined deeper, darker, and less linear on Closer, Meta is a cohesive meditation on atmosphere and how every note and passage can traverse space individually and as part of a larger narrative. Singles "Touch the Skies" and "Your Master Is Calling" are the albums cornerstones; airy, steady, and driving tracks with a depth of melody and orchestration that sparked a shimmering new example of dark pop. The instrumental balance throughout the album creates a strobe light journey later echoed throughout gothic compatriots exploring minor keys and nocturnal themes.

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Finding Shore Black Vinyl Edition

LP | 2017 | US | Original (Dead Oceans)

Release: 2017 / US – Original

Genre: Electronic & Dance

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Members Only (Jamal Moss)

Editions Disco Volume 1

2LP | 2014 | US | Original (Members Only)

2LP | 2003 | UK | Reissue (Ninja Tune)

Release: 2014 / US – Original

Genre: Electronic & Dance

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Limited edition 8 track double 12" featuring some of the best tracks from now out of print Members Only 12" singles plus some tracks never released on vinyl previously. Compiled from cassettes and overdubbed. Tracks by Anne Clark, Fgth, Bananarama, Last Poets and more.

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Skalpel

LP | 2023 | US | Original (Ubiquity)

Release: 2003 / UK – Reissue

Genre: Electronic & Dance

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Back in print after 10 years! Repressed on 180 gram vinyl incl. Download code!

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Reuben Vaun Smith

Da Cuckoo Yaya

City Collection Colored Vinyl Edition

Release: 2023 / US – Original

Genre: Electronic & Dance

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Since he made his debut three years ago with sun-soaked first album Warm Nights, Reuben Vaun Smith has grown and evolved as an artist. His aims, objectives and musical output have changed, too – something that’s evident from the opening bars of his third full-length, Da Cuckoo Ya Ya, which also marks his first appearance on Californian institution Ubiquity Records. Whereas the summery and colourful Warm Nights was the result of time spent teaching himself music and production, not to mention over a year of daily recording, Da Cuckoo Ya Ya was recorded in less than two months. It not only showcases Smith’s sharpened musicianship and his growing love of Eastern exoticism and wide-eyed psychedelia, but also features guest spots from friends (and fellow Leeds locals) Sakura Murakami (a guitarist who also featured on 2021’s Sounds From The Workshop album), bassist Nial Deravairere (on deliciously dubbed-out and hazy closing cut ‘Beams’) and vocalist Lucy Saddler. While it shares some sonic similarities with its predecessors – not least a greater reliance on live instrumentation and plenty of audible nods towards Malian musical culture – Smith’s new set is his most confident and dynamic yet, with the Leeds-based producer consciously moving closer to the dancefloor whilst polishing his productions further and showcasing all he’s learned to date.

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Circadian Impulse

Release: 2023 / US – Original

Genre: Electronic & Dance

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Journey To The Moon And Beyond Black Vinyl Edition

Mort Garson

LP | 2023 | US | Original (Sacred Bones)

Rone With Orchestre National De Lyon

Release: 2023 / US – Original

Genre: Electronic & Dance

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When Sacred Bones first began their Mort Garson reissue project in 2019 with a proper reissue of Plantasia, the Garson-naissance began in earnest. Soon after, you could hear Mort Garson and his Moogs bubbling up on TV shows, documentaries, podcasts, hip-hop tracks, or anywhere else, the man a cultural phenomenon once more. Like a perennial that returns with each new spring, the Mort Garson archives have brought to bear yet another awe-inspiring bloom. Journey to the Moon and Beyond finds even more new facets to the man's sound. There's the soundtrack to the 1974 blaxploitation film Black Eye (starring Fred Williamson) alongside some newly unearthed music for advertising. Just as regal is "Zoos of the World," where Garson soundtracks the wild, preening, slumbering animals from a 1970 National Geographic special of the same name. The mind reels at just what project would have yielded a scintillating title like "Western Dragon," but these three selections were found on tapes in the archive with no further information. The crown jewel of the set is no doubt Garson's soundtrack to the live broadcast of the 1969 Apollo 11 moon landing, as first heard on CBS News. That's one small step for man, one giant leap for Moogkind. But for decades, this audio was presumed lost, the only trace of it appearing to be from an old YouTube clip. Thankfully, diligent audio archivist Andy Zax came across a copy of the master tape while going through the massive Rod McKuen archive. So now we get to hear it in all its glory. Across six minutes, Garson conjures broad fantasias, whirring mooncraft sounds, zero-gravity squelches, and twinkling études. It showcases Mort's many moods: sweet, exploratory, whimsical, a little bit corny, weaving it all together in a glorious whole. Maybe at the time it scanned as crass and opportunistic for Garson to apply his keyboards to subjects like astrological signs, the occult, hippiedom, houseplants, or the moon landing. But more than most other electronic music pioneers of his ilk, Garson foresaw the integration of such electronics into our daily lives, how they would allow us to engage with the world.

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L(Oo)Ping

LP | 2023 | Original (Infine)

Release: 2023 / Original

Genre: Electronic & Dance

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Maybe Tomorrow La Bush Team Remix

2 Flying Stones

12" | 2024 | Original (2 Flying Stones)

2LP | 2023 | UK | Original (All Day I Dream)

Release: 2024 / Original

Genre: Electronic & Dance

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Another banger from the golden era of 2 FLYING STONES.
"MAYBE TOMORROW", is 2 FLYING STONES’ signature track. It was remixed by NICO PARISI earlier this year and now has been remodelled by one of the biggest names from the North-of-France-Scene from the same era: LA BUSH TEAM.
Original vinyls from LA BUSH TEAM are for sale on 2nd hand-sites for over 200€, and they are rare, that combined with the hype surrounding 2 FLYING STONES, makes this release a no-brainer….

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Tim Green

Eastbound Silhouette

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Vector Feels Marbled Vinyl Edition

Pastel Graphics

Release: 2022 / US – Original

Genre: Electronic & Dance

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Business Logic Colored Vinyl Edition

John Mint

LP | 2021 | US | Original (Stratford Ct.)

Release: 2021 / US – Original

Genre: Electronic & Dance

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Polarity Colored Vinyl Edition

Decisive Koala

Release: 2022 / US – Original

Genre: Electronic & Dance

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Vista Colored Vinyl Edition

Auragraph

Release: 2022 / US – Original

Genre: Electronic & Dance

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Kaitlyn Aurelia Smith & Suzanne Ciani

Frkwys Vol. 13 - Sunergy Expanded Blue Vinyl Edition

LP | 2023 | US | Original (Rvng Intl.)

2LP | 1997 | EU | Reissue (One Little Independent)

Release: 2023 / US – Original

Genre: Electronic & Dance

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Sunergy brings together synthesists Suzanne Ciani and Kaitlyn Aurelia Smith for the thirteenth installment of FRKWYS, RVNG Intl.'s intergenerational collaboration series. For this expanded edition, a panorama of the Pacific Coast provides the place and head space for exploratory Buchla synthesizer passages that meditate on a life-giving form vast and volatile with change. This Pacific Blue color edition includes bonus track "Retrograde" and a printed insert with photographs and artist essays.

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Björk

Joga

LP | 2022 | EU | Original (Sound Pollution / Nordvis)

Release: 1997 / EU – Reissue

Genre: Electronic & Dance, Pop

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Repress von 2020

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Lustre

A Thirst For Summer Rain

2LP | 2021 | EU | Original (Fait Maison - Grand Musique Management)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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"A Thirst for Summer Rain" is the eighth full-length album of Lustre - the Swedish apotheosis of ambient black metal.

As the initial waves of soothing keyboards come rolling in, it is immediately clear that Lustre still adheres to its musical tradition of dreamlike minimalism. However, when the remaining instruments enter the picture, the soundscape in which they are framed is likely to come as quite the surprise for long-time followers of the band. "A Thirst for Summer Rain" is the first of Nachtzeit's releases to have been recorded, mixed, and mastered in a professional studio - a move which grants the album a depth previously unseen in Lustre. Yet make no mistake, all the elements that brought the project to widespread prominence are firmly in place. "A Thirst for Summer Rain" has a core of warm, ethereal ambience, but is coated in the eerie and harrowing darkness of 90s black metal.

"A Thirst for Summer Rain" will see a CD and digital release by Nordvis on August 26, 2022. Vinyl is due for release on October 28. It was recorded, mixed, and mastered at Odeholm Audio, courtesy of Buster Odeholm. Cover artwork by Benjamin König of Sperber Illustrationen.

Lustre was founded in 2008 by Swedish musician Nachtzeit. After garnering increasing underground renown with his first three albums, Nachtzeit signed with Nordvis in 2012 - a collaboration now celebrating its tenth anniversary, making Lustre one of the longest-running partnerships in the label's history.

Nachtzeit has since made a name for himself with his masterful use of musical minimalism: slow, heavily textured, and keyboard-laden dirges driven forward by monotonous percussion, occasionally broken up by swarms of guitar distortion. The doomy and droning riffs are repeated at length, but always embedded in an ever-changing soundscape that never gets dull. The keyboards, guitars, and drums often bleed into each other to the extent where it occasionally sounds more ambient than metal.

These elements have hitherto been embedded in a stripped-down, pale, lo-fi, and reverb-drenched production. And this is where "A Thirst for Summer Rain" - which, coincidentally, is about hope, faith, and inspiration during dark times - deviates from the classic formula, marking what can only be seen as a new chapter of Lustre.

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Jabberwocky

Feeling Dancing Tempo

LP | 2024 | UK | Original (Libary Of The Occult)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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A download code is included. French electronic trio Jabberwocky are back with bangers. After 2 albums released on Polydor/Universal Music, 4 years of touring, and millions of views on streaming platforms and Youtube, the group of long time friends independently released a series of EPs with italodisco and 80’s clubs high energy influences. The producers are now imposing their italo-disco shift by announcing a new album to come in June 2021. “Feeling Dancing Tempo” is saturated with powerful beats and analog sounds inspired by space music and guaranteed to make you dance. Vital Sales Points: Named after a Lewis Carroll poem and consisting of three friends in Camille Camara (piano conservatoire), Emmanuel Bretou (self-taught guitar and bass), and Simon Pasquer (sampling and Mao), there’s a wonderfully organic sense of chemistry between each member. Best known for their hit single “Photomaton", Jabberwocky are now looking to evolve past their previous sounds into wholly new territory. Equally inspired by sci-fi films, Italodisco, and Salvador Dali, there’s multidimensional layers to Jabberwocky’s music that reveals new details with every listen. They’ve also been influenced by the energy accrued from years of touring alongside a recent move to Paris that’s engulfed them in the city’s long-standing culture.

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Men From S.P.E.C.T.R.E.

Magnetic Sunshine

LP | 2023 | Original (Progress Productions)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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"Deadlier than Ernst Stavro Blofeld himself, these Men From S.P.E.C.T.R.E. are on a mission more dangerous than anything imagined by Ian Fleming. Their aim? Destroy dancefloors across the globe with their uncontrollable cinematic grooves. Their weapons? Hulking Hammond organs, scorching bongos and fuzzed-out guitars that could soundtrack either an incense-flamed club scene from an Amicus chiller circa ’69, or an international spy flick replete with monstrous henchmen and venomous femme fatales a-go-go. Their hit rate? Groovily lethal 100% of the time. And your job, dear listener? Submit to their villainous demands and let the instrumental atom bombs of Magnetic Sunshine blow you away."

- Thomas Patterson

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Agent Side Grinder

Jack Vegas

Release: 2023 / Original

Genre: Electronic & Dance

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Data Fire Colored Vinyl Edition

Korizon

Release: 2023 / US – Original

Genre: Electronic & Dance

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Makeup And Vanity Set / Sferro

Wavefinder Colored Vinyl Edition

Release: 2023 / US – Original

Genre: Electronic & Dance

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2x12" | 2005 | EU | Reissue (Los Hermanos)

Los Hermanos

On Another Level

12" | 2024 | Original (Week-End)

Release: 2005 / EU – Reissue

Genre: Electronic & Dance

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A true Detroit Techno masterpiece gets a well overdue re-master and re-press!
Los Hermanos ‘On Another Level’, originally released on Submerge in 2005, is an unmissable collection of the most soulful spiritual techno ever made.
Here with a new tracklisting including anthems like ‘Birth of 3000’, ‘Quetzal’ and ‘Resurrection’!

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Dinosaur

Kiss Me Again

12" | 1999 | UK | Reissue (Warp)

Release: 2024 / Original

Genre: Organic Grooves, Electronic & Dance

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Arthur Russell first visited The Gallery in 1976 with his then boyfriend Louis, who introduced him to Nicky Siano. Arthur became a regular at the space and one night as Siano was playing “Turn the Beat Around”, which had just been released, Arthur waved at him from outside the booth and asked to come in. Nicky opened the door and Arthur suggested they make a record like this together. This ended up being a huge step for Siano as it marked the first ever production by a DJ making a record from scratch.

Arthur had written a song and had an arrangement for it so they assembled a band featuring Wilbur Bascomb who was one of Nicky’s favorite bassists, as well as, Allan Schwartzberg, David Byrne, Miriam Valle, Peter Gordon and Peter Zummo who were all friends of Arthur’s. Russell played the cello and piano – and that was the band. They recorded throughout 1977 and the “Kiss Me Again” 12 inch was finally released in 1978 on Sire Records selling more than 300,000 copies.

Week–End Records is proud to release the first ever reissue by this outstanding disco production. Remastered from the original tapes. With liner notes by David Byrne, Nicky Siano, Peter Gordon and Peter Zummo.

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Aphex Twin

Windowlicker

LP | 2024 | US | Original (100% Silk)

Release: 1999 / UK – Reissue

Genre: Electronic & Dance

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Best coverartwork ever! And the track isn't too bad either.

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Soshi Takeda

Secret Communication

2LP | 1996 | EU | Reissue (RCA)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Tokyo deep house master Soshi Takeda returns with a long-awaited six-song sequel to 2021’s landmark Floating Mountains, surfing deeper into mystery, motion, and liquid dreams: Secret Communication. Recorded across 2022 and 2023 at his home studio with a unique assemblage of 80’s and 90’s hardware, the tracks cruise through a latticework of skyways on lush pads, bubbling bass, and blissed BPMs, dusted in sunrise acid and cosmic piano. His is a dance music of idyllic emotions and inner worlds, yearning for new horizons.

Dramatic events overlapped with the album’s creation: “Wars broke out. On the other hand, my child was born. There were sad and beautiful moments in my life.” Secret Communication contains vistas, valleys, glimpses of lives unled, swirling above the grey noise of the city. From the jazzy daydream of “Can Imagination Transcend Distance?” to the sleek starlight house of “Rainstorm” to the farewell ecstasy of the title track, Takeda’s music touches and transports, a portal to places beyond. Fantasy and feeling, intention and inspiration, all become one: “When I listen to beautiful deep house, I feel a mysterious atmosphere. Dreamy scenes come to mind. I aim to create that sound.”

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Faithless

Reverence

Release: 1996 / EU – Reissue

Genre: Electronic & Dance

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P.T. Adamczyk / Jacek Paciorkowski

OST Cyberpunk 2077: Phantom Liberty

LP | 2024 | Original (Masterworks)

Release: 2024 / Original

Genre: Electronic & Dance

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2LP | 2006 | UK | Reissue (Ninja Tune)

Bonobo

Days To Come

Dat Tapes Volume 02 Black Vinyl Edition

Release: 2006 / UK – Reissue

Genre: Electronic & Dance

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Bonobo's epic "Days To Come" finally gets the reissue treatment, great!

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Nuron

2xLP | 2024 | EU | Original (De:tuned)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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12" | 2023 | EU | Original (Heavenly)

Working Mens Club

Steel City EP

2LP | 2024 | EU | Original (Kma60 Rezpektiva)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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5-track EP featuring remixes of Fear Fear tracks from some of Sheffield’s most innovative producers - Toddla T, Charla Green, Ross Orton, Diessa and Warp originals, Forgemasters.

The EP was previously only available on CD which came exclusively with purchases of the album via the Bear Tree record shop in Sheffield. This will be the first time the remix tracks have been widely available and today the band have also shared the ‘Money Is Mine’ remix which sees Toddla T set the track to a full on klonking two step rhythm.

Toddla T said of the remix: As the original version stank of Sheffield, I wanted to do something that I would be itching to play in a set back home, particularly at Kabal or if I wasn't in attendance something that I know Winnie or Pipes would draw for which was made for the dance-floors of Sheffield.

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Audio Science

Release: 2024 / EU – Original

Genre: Electronic & Dance

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In the mid 90's Audio Science released two CD only albums that have gone on to be well received and lately revered. This LP has been compiled featuring the standout tracks originally released from those recordings on Aural X-Perience and Hypnotic.

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LP | 2023 | EU | Original (Wagram)

French Rare Groove

2LP | 2021 | EU | Original (Awesome Tapes From Africa)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Rare Groove CollectionExplore the fusion of world music with soul, funk and disco through the Rare Groove Collection.With this new volume, discover unique groove tracks straight from Jamaica!Fully remastered original versions French RARE GROOVEThis "French Rare Groove" volume offers us a oneâÇ`way ticket to France from the late 60"s to the early 80"s. From confidential releases to forgotten movie soundtracks, discover the grooviest tracks from the french scene. Have a good trip!

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Native Soul

Teenage Dreams

Eulogy For Evolution 2017

Release: 2021 / EU – Original

Genre: Electronic & Dance

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In Common Parlance, The Two Producers Who Make Up Native Soul Would Be Considered "Ma2000"-Or, Born After The Onset Of Democracy, Having Never Experienced Apartheid-By Virtue Of Their Age. Kgothatso Tshabalala Is 19 Years Old And Zakhele Mhlanga (DJ Zakes) Is 18. Their 12-Track Debut Electronic Music Album, Teenage Dreams, Is Not Easily Dismissed As A Project That Shows Their Age, Though. Teenage Dreams Presents A Youthful, Experimental Sound, But The Arrangement Of Each Song And How Each Of The Project's Composite Parts Are Put Together Demonstrate An Artistic Maturity Beyond The Two Producers' Respective Ages. A Cousin Of Tshabalala Introduced The Two In 2016. Native Soul Was Formed In 2019. Until Then, Each Of Them Had Been Producing Music In A Variety Of Styles Including Hip-Hop, Different Types Of House As Well As Amapiano. They Decided That With Native Soul, Their Focus Would Be On Amapiano-An Electronic Music Movement Which, By Then, Had Begun To Dominate Both Mainstream And Underground Music Scenes In South Africa. Amapiano Is An Electronic Music Movement First Created And Still Most Popular In The Townships Surrounding The Major Cities Of Gauteng Province In South Africa. The Style Borrows From Various Genres Which Have Been Popular In South African Townships During And After Apartheid, Including Jazz, Folk, Afro, Deep And Tech House, Kwaito, Dibacardi And Others. As Well As Paying Homage To All Its Predecessors, Amapiano Also Has Traits Entirely Of Its Own Making, Which Differentiate It From Its Lineage. The Most Recognisable Of These Being The Drums Made From Basslines Which Stick Out Like A Pocket Turned Outside Of Pants. On Their Debut Album Released By Awesome Tapes From Africa, Native Soul Demonstrate The Depth Of The Musical Well They Draw From. The Drawling Tempo And Synth Chords On "Way To Cairo", The Album's Second Song, Are Reminiscent Of A Certain Type Of Kwaito Popular With Pantsula Culture. The Most Discernible Nod To Afro House On Teenage Dreams Comes In The Form Of "Dead...

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Ólafur Arnalds

LP | 2007 | EU | Reissue (Erased Tapes)

Release: 2007 / EU – Reissue

Genre: Electronic & Dance

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LP | 2017 | EU | Reissue (B.A.A.D.M.)

Blue Chemise

Influence On Dusk

12" | 2024 | UK | Original (Warp)

Release: 2017 / EU – Reissue

Genre: Electronic & Dance

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Rapping at the window / Crying through the lock / Bells and running water / Influence on dusk.

Re-release of Blue Chemise's debut LP, which originally appeared in 2017 as a limited private release of 105 copies. Baadm make this much sought-after record available again on both physical and digital format, with remastered sound by Christophe Albertijn and updated artwork, all true to the original intentions of, and in close collaboration with, the artist.

‘Influence On Dusk’ forms an idiosyncratic cycle of fourteen mysterious, sometimes uncanny electroacoustic compositions, a personal and subdued eruption of 'melancholy of the healthy kind’, suddenly here and suddenly gone…

This is the second release on B.A.A.D.M. by the Australian artist Mark Gomes, following his equally atmospheric but more romantic 'Flower Studies' from 2021.

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Seefeel

Everything Sqared

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Reverberations Of Non-Stop Traffic On Redding Road

Pan American & Kramer

LP | 2024 | EU | Original (Shimmy Disc)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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2LP | 2024 | EU | Original (Kompakt)

Michael Mayer

The Floor Is Lava

LP | 2023 | EU | Original (Reflections)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Michael Mayer albums don’t come round too often, which is one of many reasons why his fourth collection, The Floor Is Lava, is a genuine event. It’s been eight years since his last one, the collaborative & released on !K7; its predecessors, Mantasy (2012) and Touch (2004), took their sweet time, too. It’s no real surprise, given the many hats Mayer wears – globetrotting DJ, revered remixer, inveterate collaborator, and boss of both Kompakt and Imara – that his solo productions are relatively sparing. But this also speaks to their quality: Mayer’s name on a record sleeve is a sign of quality, of music that’s both looking to the future and calling back to the past, that balances the imperatives of the dancefloor and the loungeroom, that’s as exploratory as it is functional.

On The Floor Is Lava, Mayer seems to be taking the temperature of both the music that surrounds him (past and present), and the ideas of the industry he works within. There’s that iconic album title, for a start. “The album’s mindset,” he says, reflecting on those four words together. For Mayer, it’s partly a critique of the way the industry boxes in both producer and listener, focuses them on genre, on market, on the next new thing: “Being a free minded spirit that transcends genres has become an uphill battle.” A battle worth fighting, though, and with The Floor Is Lava, the result is an album that’s varied, quixotic, idiosyncratic, charming, and deeply, addictively listenable.

Throughout, Mayer finds thrills in exploration and juxtaposition, allowing unexpected things to blossom and giving them their life, their platform, throwing the listener exciting curveballs: “It’s a DJ album by a DJ that’s easily bored.” Either easily bored, or endlessly curious, The Floor Is Lava is rich with ideas. It opens with “The Problem”, which looks back to look forward, embracing the rickety way early house productions threw samples together with gleeful abandon. Mayer mentions Pal Joey, and the scene around Rockers Hi-Fi and their Different Drummer imprint, as reference points, and you can hear that freewheeling spirit throughout.

It’s followed by “Vagus”, a slinky, sensual minimal house number that Mayer describes as his “musical catnip”. The flow of these two opening cuts defines the dynamic of The Floor Is Lava, defining the dialectical drive at its core: thesis and antithesis leads to synthesis, but with a welcome prickliness that means you’re always excited, always engaged. It’s also productive in the way it derives energy from rubbing genres and sounds against each other, in unexpected ways, for maximum musical frisson. There’s psychedelic techno on “Feuerstuhl”, more minimal techno with “Ardor” (Mayer mentions ‘Immer 1’ era 90s minimal as inspiration), slippery, Shepard-tone breakbeat through “Sycophant”, a lovely, lush vocal turn on the poppy “The Solution”.

The album closes with the melancholy “Süßer Schlaf”, where Mayer sets a poem by Goethe to one of his most haunted, moving pieces of music yet, in an abstract tribute to a lost friend. It’s one of the most affecting moments on The Floor Is Lava. There’s also an update on 2020’s wild Brainwave Technology EP, with the surrealist glitter-stomp of “Brainwave 2.0” (check out those handclaps!),where Mayer’s thinking about the socio-political precipice of the now: “I’m reading with great interest about this whole complex of how humanity is about to cross so many lines and the implications that the resulting financial and educational inequality will bring.”

That’s The Floor Is Lava: then and now, brainwaves and nerve structures, problems and solutions, genres on fire; the real, the unreal, and the surreal. An album for the easily bored and the endlessly curious. Mayer has the last word, telling us all you need to know about the album’s spirit: “Burning for the cause, being zealous, being addicted to the heat of the night, the exuberant powers of music.”

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Mark Barrott

Johatsu

Release: 2023 / EU – Original

Genre: Electronic & Dance

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2LP | 2023 | EU | Original (Wagram)

Trip Hop Experience 01

Release: 2023 / EU – Original

Genre: Electronic & Dance

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2LP | 2023 | EU | Original (Wagram)

Rex Club House

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Otakar Olšaník / Jan Martiš

Advanced Process (Coloursound)

LP | 1986 | EU | Reissue (Be With)

Release: 1986 / EU – Reissue

Genre: Electronic & Dance

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Heads have been after Otakar Olšaník and Jan Martiš's Advanced Process for a long time. That's because "coincidentally-cosmic disco" packed with spaced-out, smacky-synth dynamite tends to become sought-after. Originally slipping out on the mighty Coloursound in 1986, the label described the sound as "contemporary synthesizer underscores played by computers; depicting future technologies in today's process." If they'd just added "acid-drenched", they'd have been closer to nailing it.

The A-Side is totally beatless. It's also totally perfect. "Atomic Plant 1" is a pulsing synth epic and could've easily soundtracked a stylish 80s thriller such as Thief or To Live And Die In LA. It's a narcotically enhanced meeting between John Carpenter and Steve "Lovelock" Moore. "Atomic Plant 2" adds extra squelch and proper early computer synth squiggles. This stuff is addictive and truly ace. The 3 part "Fusion Point" showcases a dramatic and insistent industrial mood via a gripping sequencer pattern mixed with effects and accents. Menacing and magnificent. The trio of "Nuclear Radiation" tracks veer majestically from a hypnotic sequencer pattern with a heavy dramatic tune to hectic patterns without much of a tune, managing nevertheless to maintain a hold on the listener.

The drums enter proceedings on Side B and they're absolutely outstanding. Coming on like a slicker, heavier Johnny Jewel production, 20 years before Italians Do It Better, "Regulators 1" marries the smoothest head-nod beat you can wish for, with a murky mechanical rhythm and phasing effects. After the stunning beatless version ("Regulators 2") the suuuupppper slo-mo "Data Load" sounds like its wading through the heaviest K-Hole and is all the more thrilling for it. "Modem" is a brief and breezy funky bass and synth squiggle wonder, of the beatless variety. "Robot Masters", would you believe, actually sounds like something those Daft Parisians would've sampled on Discovery, over 15 years later. An uptempo, optimistic track with a real strut; propulsive rhythms with dramatic synths, what can only be described as "very-80s sounds" and digi-handclaps. The breathless "Digiheart" double bill rounds things out, one with a dynamic driving rhythm and more slick-as-hell beats and the other without drums. Mental, brilliant and completely essential.

As David Hollander, in Unusual Sounds: The Hidden History of Library Music, states, Coloursound was "founded in 1979 by composer, music lawyer, and vibraphonist Gunter Greffenius. A Munich-based library with a reputation for releasing innovative and ambitious music, it catered largely to the market for experimental sounds, its first release was 1980’s Biomechanoid, an abstract synthesizer excursion by Joel Vandroogenbroeck, of the pioneering kosmische band Brainticket. The record — complete with imposing, anonymous title and unearthly H.R. Giger cover art — set the tone for the label’s progressive leanings. The label’s catalogue stands as a tribute to the unfettered creative license that libraries were able to provide to forward-thinking musicians who, frustrated by the whims and constraints of the commercial scene, found complete freedom in the world of production music."

As with all our library music re-issues, the audio for Advanced Process comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. Richard Robinson has brought the original Coloursound sleeve back to life in all its metallic silver glory.

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2LP | 2023 | EU | Original (Wagram)

Sampled Disco Funk

Release: 2023 / EU – Original

Genre: Electronic & Dance

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LP | 2022 | UK | Original (Warp)

Bibio

Bib10 Gold Vinyl Edition

2LP | 2022 | EU | Original (AvantRoots)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Bibio is an artist who never likes to stay in one sound for too long. His humble beginnings producing lo-fi folk-tronica transformed dramatically into the hip hop inspired kaleidoscopes of his Warp debut Ambivalence Avenue, launching a series of constant shifts from intricate house beats to dazzling funk through to haunting ambient soundscapes, often all within the space of one album. While the quintessential Bibio sound may be hard to define, the guitar has stuck with him throughout all of his sonic experiments, and it’s what he pays homage to on his milestone tenth album.

“I like contrast between my albums,” says Stephen Wilkinson aka Bibio “When I finish an album, I crave doing something different for the next one.” Bib10 is perhaps the most outwardly pop Bibio has ever leaned into, delving deeper into the funk and disco direction previously hinted at with releases like 2016’s The Serious EP while his natural pastoral folk inflections still shine through. Though the slick riffs of tracks like ‘Off Goes The Light’ are dressed in fuzzy CRT television colours, they never fall into the trap of sounding nostalgic, featuring refreshing songwriting that can only be placed in modern day.

A metropolitan energy flows through many tracks, such as ‘S.O.L.’ with Olivier St. Louis’s silky, infectious vocals, or the sweet rotations of saxophone and guitar on ‘Cinnamon Cinematic’, trading jubilantly extended solos with each other. Elsewhere, Bibio’s hearty folk origins appear on the intimately drifting ‘A Sanctimonious Song’ and the acoustic ode to analogue on ‘Phonograph’. Both of these worlds are glued together in ‘Rain And Shane’, where lilting violin lends simultaneously wistful and soaring melodic refrains to twirling electric guitars.

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Pulshar

Umbra / Lux

2x12" | 2022 | EU | Original (Help)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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“Music that came from some intimate and deeply ethereal place that effortlessly bridged the gap between the dance floor and the home-listening environment. Pulshar is a unique dub-heavy, soulful, psychedelic journey.” Vladimir Ivkovic. “A crossover sound that the deepest electronic heads and mainstream music fans can equally enjoy. The energy in their music is universal, and moves all who are exposed to it. One of my all-time favorites” Rod Modell ( Deepchord / Echospace )

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Central

Up And Down

2LP | 2020 | UK | Original (Mute)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Help020 is the second of two new 8-track albums by Central.

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Pole

Fading

Release: 2020 / UK – Original

Genre: Electronic & Dance

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2LP | 2020 | EU | Original (Bureau B)

Jimi Tenor

NY, Hel, Barca

2LP | 2019 | EU | Original (Pan)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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"NY, Hel, Barca" is a compilation of Jimi Tenor's early works from the legendary Warp and Sähkö days (1994-2001).

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Stine Janvin

Fake Synthetic Music

Emotional Detox Black Edition

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Pan tout a real beauty with Stine Janvin’s scintillating vocal suite ‘Fake Synthetic Music’ - a transfixing and distinguished demonstration of the voice as a hugely flexible instrument, presented in a range of minimalist yet extreme, probing scenarios providing a radical new perspective on familiar sounds. Conceived as a full-body physical and ambient live performance for theatres, clubs and galleries, ‘Fake Synthetic Space’ is an intently focussed and singular follow-up to Stine’s previous solo LP ‘In Labour’ [Pica Disk, 2014] and her input to last year’s Native Instrument release ‘Camo’ for Shelter Press. Where both of those releases found her vocals combined with field recordings in myriad ways, the Norwegian artist’s latest side is stripped right back to vocals and FX, offering a visceral investigation of her full frequency range with results that explore the deeply uncanny auditory phenomena of otoacoustic emissions in melodic, minimal sequences referencing pop, techno, and trance.

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Camera

LP | 2018 | EU | Original (Bureau B)

LP | 2018 | EU | Original (Telephone Explosion)

Release: 2018 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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We also offer the limited yellow colored edition.

Started as the so called “Krautrock Guerrilla” in 2012, six years later the Berlin combo Camera are releasing their fourth full-length album. Customarily associated with the likes of NEU! and La Düsseldorf it is
time to allow Camera to break free of the krautrock tradition and accept that they are very much doing their own thing now. Motto: “It's not repetition, it’s discipline”
For fans of nominative determinism, there can be few more apposite appelations than Michael Drummer. He is the catalyst, the chain mail vapour trail linking everything together as he crosses the soundscape of everything captured on Camera. The band’s moniker Camera, meanwhile, is an altogether more capricious
calling card. Camera obscura. Camera lucida. From daguerrotype to digital, self-induction to selfies. The song title Super 8 offers a potential clue to the
camera in their mind’s eye. When Super 8 was introduced in 1965, it was one of the few film formats to accommodate a sound track, occupying the
space between the edge of the film and the image area. Perhaps this will serve as a nice analogy when pondering where Camera’s music comes
from. Emotional Detox is the fourth full-length album by Camera, now a quintet, following two albums as a trio and one as a duo. The line-up on ED comprises Steffen Kahles, Michael Drummer, Michel Collet, Andreas Miranda and Timm Brockmann, all more or less based in Berlin. Drummer is the only constant through all four phases. Keyboarder Timm
Brockmann, who left the group in 2014, returns to the fold. He and Franz Bargmann, who left Camera the year before him, released a Brockmann //
Bargmann LP entitled Licht on Bureau B in 2017, a celebration of keys, guitars and effects which, at times, emulated the ferocious potential of Camera. By the time Steffen Kahles joined the band, Brockmann had
already departed, so the new ensemble adds another twist in bringing together two keyboard players from different Camera phases for the first time. The Brockmann Drummer reunion, meanwhile, completes a circle tracing back to early Camera experiences shared in 2010/11, playing on the streets of Berlin (literally).
Paradoxically, the new, expanded Camera line-up sharpens the focus of the tracks running through Emotional Detox. With Drummer not so much joining
the dots as hammering them home with a nail gun, the stronger framework allows even greater freedom for the musicians to express and ultimately align their disparate creative interests. Throw a single stone into a pond and concentric circles will ripple outwards into infinity. A swoosh of parallel lines. Boundless symmetry. The soundscape assumes the quality of a cinematic loop, like watching the same film over and over, yet discovering new things each time it plays. As a mythological Mancunian once said before the fall: it’s
not repetition, it’s discipline. Customarily associated with the likes of NEU! and La Düsseldorf perhaps it is time to allow Camera to break free of the krautrock tradition and accept that they are very much doing their own thing now. The “Krautrock Guerrilla” tag was cute and catchy for a while, but the flanged depths of
Himmelhilf sound more Bloody Valentinesque, less like echoes of Cluster or Harmonia. The motorik origins of the band documented on their debut album Radiate! (2012) and the nods to history and William Burroughs on the sophomore Remember I Was Carbon Dioxide (2014) gave way to Commodore 64 playfulness on Phantom of Liberty (2016). A spirit of experimentation still abounds on the new LP, but there’s also evidence that the group have taken a confident step towards something more “pop” – without tearing up the tangled roots beneath the surface of Camera’s studio floor. The reference points are there, but Emotional Detox is not dependent on them. We live in an age when everything happens at the same time – all of your music in one place, instantaneous streams on mobile devices, encyclopaedic references checked in seconds. The
temptation to see connections everywhere can be overwhelming, the speed at which information
travels slows us down. Emotional Detox encourages us to disregard these multiple distractions.
That’s when detoxification kicks in.

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Bruce Haack

Preservation Tapes

Red Goddess (Of This Men Shall Know Nothing)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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In 2016, after reissuing two Bruce Haack albums, Haackula and Electric Lucifer Book II, Telephone Explosion began speaking with Ted Pandel (Bruce’s lifelong friend and business partner) about working on the 1970 masterpiece The Electric Lucifer. It turned out there was another matter that he wanted to discuss: finding a final resting place for the Bruce Haack archive.
We were shown test-pressings of The Electric Lucifer board mixes from his Columbia studio sessions, countless pieces of written music, a large number of personal photos, an invitation from Raymond Scott inviting Bruce to play his newly created Electronium
instrument (now owned by Devo’s Mark Mothersbaugh), poems, press clippings, and, most importantly, a heavyduty shelf containing 213 reel-to-reel tapes. All of the chosen material on The Preservation Tapes is unreleased, has only been heard by a handful of people and showcases a relatively unknown period in Bruce’s
musical career where Bruce was recording for Sparrow Records (who billed themselves as "America's best Christian music record label”). Bruce’s signature Farad vocoder continues to feature prominently, but the lyrical content is decidedly more religious.
The Bruce Haack archive is now resting in the Provincial Archives of Alberta, in Edmonton,
Alberta, Canada.

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Hawthonn

LP | 2018 | US | Original (Ba Da Bing)

2LP | 1998 | UK | Reissue (Arista)

Release: 2018 / US – Original

Genre: Electronic & Dance

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The music of Hawthonn is dense and atmospheric, but not inaccessible. Experimental electronic techniques fuse with doom-laden organ riffs, crystalline piano, elemental drones and haunting vocals. Largely guided by their own unconscious muse, the band’s chief inspirations lie outside of music, in Romantic poetry, dreams and reveries, esoteric symbolism, the history of magic and witchcraft, folklore and the English landscape.

Hawthonn is Leeds-based duo Layla Legard and Phil Legard. Having previously collaborated in music, as well as text and photography, they officially formed in 2014 to deepen their uniquely imaginative approach to music-making. Often developing from obsessive explorations of a particular theme, their work precipitates dreams and imaginative journeys, which inform the direction of their music. Their earliest music explored the afterlife mythos of Coil’s Jhonn Balance through the image of the Hawthorn tree and Cumbrian landscape where his ashes were scattered. Their approach draws lyricism from the psychoacoustic phenomena of “phantom words”—sonic textures translated from geographical space into droning sound spectra, and verbalized dream imagery.

The prime symbol of Red Goddess (Of This Men Shall Know Nothing), is mugwort. An herb associated with dreaming, travel and menstruation, mugwort particularly favors edgelands: those abandoned, untended places, part man-made, part rural, where nature begins to reclaim what humanity has left behind. The music here unfolds a mandala of symbolism from these liminal spaces, drawn from a web of fascinations which unfolded during the recording process.

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Faithless

Sunday 8PM

Release: 1998 / UK – Reissue

Genre: Electronic & Dance

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2LP | 2015 | UK | Original (Late Night Tales)

Röyksopp

Late Night Tales

LP | 2014 | EU | Original (Bureau B)

Release: 2015 / UK – Original

Genre: Electronic & Dance, Pop

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The new edition of Late Night Tales journeys to Scandinavia to invite Norwegian duo Röyksopp to delve through their record collection.

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Günter Schickert

Kinder In Der Wildnis

Release: 2014 / EU – Original

Genre: Electronic & Dance

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Moebius, Plank & Neumeier

Zero Set

LP | 1983 | EU | Reissue (Bureau B)

LP | 2024 | US | Original (Not Not Fun)

Release: 1983 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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on 180g vinyl!

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Sip

Leos Ultras

LP | 2023 | EU | Original (Mondoj)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-08

A full four years after Chicago organ maestro Jimmy Lacy’s legendary maiden voyage as SiP, Leos Naturals, he returns with its lush, layered, long-awaited sequel: Leos Ultras. Conceived and recorded in a corner of a large floorplan warehouse-turned-sound lab called Homan Gardens, the album radiates a rare joy and color, projected through a technicolor slideshow of cosmic keys, clarinet, kalimba, sax, melodica, flute, tambourine, and drumbox. The songs feel warm and weathered, like familiar garments treasured through passing seasons.

Many seasons did pass while these songs took shape, spiked with seismic changes – Lacy’s first daughter was born, followed 17 months by a second. Daily routines grew denser, but he never lost faith in the melodies simmering in the periphery of his thoughts: “I knew the music would be there whenever I had the time. It felt good to stay calm about it.” Patience paid off; Leos Ultras is indeed the ultimate SiP statement to date, rich with detail, discovery, beauty, lofted improvisation, and shades of spiritual jazz. It’s music both casual and cosmic, playful and poignant, channeled from long shadows and wordless hours in celebration of life, love, and Leo.

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Piotr Kurek

Peach Blossom

LP | 2022 | EU | Original (Juicebox)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Polish composer Piotr Kurek with »Peach Blossom«, an album centered around sung and synthesised vocal harmonies, showcasing the composer’s gentle, uncanny approach to vocal treatments and arrangements. Pairing the vocals of actors Komi Togbonou and Martin Weigel and spoken words by Chinese performer Xiangjie with Midi and live recordings of various instruments like marimba, flutes, reeds as well as various percussion instruments, the Warsaw-based composer highlights the unique tonal and textural potential of the human voice. read on / listen

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Franc Moody

Into The Ether

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Mono No Aware Orange Vinyl Edition

LP | 2022 | UK | Original (Pan)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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mono no aware is the first compilation released on PAN, collating ambient tracks from both new and existing PAN artists.Featuring Jeff Witscher, Helm, TCF, Yves Tumor, M.E.S.H., Pan Daijing, HVAD, Kareem Lotfy, ADR, Mya Gomez, Sky H1, James K, Oli XL, Bill Kouligas, Flora Yin-Wong, Malibu, and AYYA, the compilation moves through more traditional notions of what is called 'ambient', to incorporating wider variations that fall under the term."Mono no aware", `the pathos of things', also translates as "an empathy toward things", or "a sensitivity to ephemera". A term for the awareness of impermanence, or the transience of things. A meditation on mortality and life's transience, ephemerality heightens the appreciation of beauty and sensitivity to their passing. In investigating the passing of time, the boundaries between memory and hallucination become blurred; between fiction and reality. The movement of time transforms into an eternal present.The album features photography by Molly Matalon and layout by Bill Kouligas.

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La Torre Ibiza: Volumen Quatro

2LP | 2022 | EU | Original (Hostel La Torre)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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This 180g vinyl comes in a gatefold cover.

Mark Barrott and Pete Gooding present the fourth volume in their series of stellar collections, showcasing the sunset sounds spun at Ibiza`s Hostal La Torre. Sets, sequences, of music designed to celebrate the passing of another day and welcome the pleasures of night, as the Sun makes way for Sister Moon.

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Genre: Electronic & Dance

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The Wildlife Of The Quieter Ones

Passarani

2LP | 2022 | EU | Original (Aus Music)

Stadtkind Remastered Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Passarani debuts on Aus with his sixth studio album, The Wildlife Of The Quieter Ones. Marco's discography boasts releases on Libertine, Running Back, Peacefrog and Numbers, the diversity between each label show his versatility as as a producer, he’s seamlessly moved with the times and glides through each era with a zesty take on a timeless sound, his credentials speak for themselves and here you see a well seasoned producer at the top of his game.

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Ellen Allien

2LP | 2001 | EU | Reissue (BPitch)

Release: 2001 / EU – Reissue

Genre: Electronic & Dance

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2LP | 2021 | EU | Original (Xxim)

Stimming X Lambert

Positive

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Ka Baird & Pekka Airaksinen

Frkwys Volume 17: Hungry Shells

LP | 2021 | US | Original (Rvng Intl.)

Before I Die Marble Pink Vinyl Edition

Release: 2021 / US – Original

Genre: Electronic & Dance

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The 17th Frkwys installment celebrates the last performance and recording session of the late Pekka Airaksinen, a Finnish composer renown for his work in seminal 60's experimental avant-punk band The Sperm. The collaboration between Pekka and Ka Baird was commissioned by Le Guess Who? and curated by Rvng Intl for the 2018 edition of LGW? Music & Arts Festival. Ka and Pekka met and wrote the material included on Hungry Shells during the week leading up to their first and last live performance together at LGW?, filmed and recorded in full, for future release. A documentary on this meeting of mind-melters is in post-production with a target release date of Q4 2021 / Q1 2022. Pekka passed away on May 6, 2019, less than a year following this collaboration. Ka drew from their many studio sessions and live recordings to create the music within Hungry Shells. This album is dedicated to his memory. Rvng and Pekka's estate is working on an archival project that will explore Pekka's multitudes - his paintings, as shown on the album art; his poetry and writings, as compiled in ODO, a forthcoming publication from Rvng; and his meditation practices.

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Park Hye Jin

LP | 2021 | UK | Original (Ninja Tune)

Release: 2021 / UK – Original

Genre: Electronic & Dance

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LP | 1985 | EU | Reissue (Morning Trip)

Michael Masley

Cymbalom Solos

Hildegard & Helena Deland & Ouri

Release: 1985 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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There are constellations within the grooves of Cymbalom Solos. Innumerable points of light, rendered audible in glowing, radiant sound. There are entire worlds too - undiscovered, yet familiar - both terrestrial and celestial. There are moments of quiet comfort and exultant discovery. And all of it conjured by one man with a handful of ancient and invented instruments, recorded mostly-live, with precious few overdubs. Michael Masley has been a fixture of Berkley, California, since he arrived from Michigan in 1982. Even today, he remains a common sight, working as a street performer - catching the attention of passers-by as he summons otherworldly overtones from a coterie of arcane instruments. This is how he met fellow east-coast transplant and musical voyager, Barry Cleveland, in 1983. Cleveland was enraptured by the sound of Masley’s wildly innovative bowhammer cymbalom. The cymbalom is an ancient instrument, similar to a zither or hammered-dulcimer - originating in Eastern Europe in 1874, but with primitive early examples dating back as early as 3500 BC. Yet Masley’s approach to the instrument was wholly original. Masley replaced the two traditional cymbalom hammers, with bowhammers - an invention wherein he fitted each of his fingers with it’s own combination hammer/bow device, which allowed him to both strike the strings, and bow them like a violin. Outfitted with his bowhammers, Masley was able to wrest startlingly new sounds from a centuries-old instrument. In 1985, after performing together for a couple years, Cleveland produced Masley’s first solo endeavour, Cymbalom Solos. With the help of Cleveland’s timely production, Masley’s technique reached its zenith. His complex and beautiful compositions combined elements of Eastern-European classical, new minimalism, and celtic/folk music, yet the end result falls squarely within the world of new age kosmiche. Music of the spheres, conjured by earthbound strings. Masley estimates that he sold tens-of-thousands of cassette copies of Cymbalom Solos over his years of performing. And now, Morning Trip is distinctly proud to offer it on vinyl for the first time ever - an album of startling, imaginative beauty, by a brilliant American folk artist.

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Hildegard Colored Vinyl Edition

LP | 2021 | UK | Original (Partisan)