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All Items / HHV Records / Vinyl, CD & Tape / Electronic & Dance

Electronic & Dance 47573 Items

Hip Hop 11964 Organic Grooves 29980 Rock & Indie 56390 Electronic & Dance 47573 Drum & Bass | Jungle 2556 Electro 4847 Techno | Minimal | Tech-House 14762 House | Deep House 13882 Nu Disco | Disco Edits | Cosmic 2935 Downbeat | Electronica | Leftfield 10128 Nu-Jazz | Broken Beat 534 Dubstep 637 Grime 77 Garage | 2Step | UK Funky | Bassline 858 Breaks | Breakbeat 696 Bmore | Baile Funk 21 Mash-Ups 38 Trance 1273 Reggae & Dancehall 7128 Pop 13907 Classical Music 1531 Soundtracks 3388 Childrens 184 Christmas 349 Halloween 30
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Yes - Close To The Edge Atlantic 75 Series Sacd
Yes
Close To The Edge Atlantic 75 Series Sacd
CD | 1972 | US | Reissue (Analogue Productions Atlantic 75 Series)
50,99 €*
Incl. VAT plus Shipping Costs
Release: 1972 / US – Reissue
Genre: Electronic & Dance
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Preorder shipping from 2024-11-15
Analogue Productions (Atlantic 75 Series)

Celebrating the 75th Anniversary of Atlantic Records!

Yes' 1972 Atlantic Records masterpiece!

Hybrid Stereo SACD

Yes's 1972 3-track recording masterpiece, Close to the Edge, presents a snapshot of an adventurous rock band at the peak of its powers, daring to push itself musically, both as individuals and as a unit.

The first half of the 1970s was an especially fertile period for British progressive rock, laying claim to classics such as Tarkus, Selling England by the Pound, Larks' Tongues in Aspic, The Dark Side of the Moon, and Thick as a Brick. Collectively these and other works represent the best British progressive rock had to offer. Yet, many reviewers cite Close to the Edge as the ultimate prog rock album.

Author and music journalist Will Romano writes: "Yes had previously penned epic tracks for The Yes Album and Fragile, but nothing on the magnitude of the musical gems appearing on Close to the Edge. It's something of a small miracle — perhaps even magic — that the virtuoso quintet crafted such a cohesive and compelling album during an often-hectic recording process that very nearly relegated this monumental work to the dustbin of history."

The album's centrepiece is the 18-minute title track, with themes and lyrics inspired by the Herman Hesse novel Siddhartha. Side two contains two non-conceptual tracks, the folk-inspired "And You and I" and the comparatively straightforward rocker "Siberian Khatru." Original drummer Bill Bruford found the album particularly laborious to make, which culminated in his decision to quit the band after it was recorded, to join King Crimson.

Close to the Edge became the band's greatest commercial success at the time of release. It peaked at No. 4 on the U.K. Albums Chart and No. 3 on the Billboard 200 in the United States, the highest position Yes has reached on the latter chart.

In 2020, Close to the Edge was ranked at No. 445 on Rolling Stone's list of the 500 Greatest Albums of All Time.
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Ash Ra Tempel - Schwingungen (Remastered By Manuel Göttsching)
Ash Ra Tempel
Schwingungen (Remastered By Manuel Göttsching)
CD | 1972 | EU | Reissue (MG.Art)
19,19 €* 23,99 € -20%
Incl. VAT plus Shipping Costs
Release: 1972 / EU – Reissue
Genre: Electronic & Dance
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We proudly announce the CD REmaster Editionof the 1972 Original release , one of the most important German
Krautrock albums - Remastered by Manuel Göttsching himself.
As for the info we refer to Julian Cope´s review in his “Krautrocksampler” Book,
Publisher : Head Heritage (1 Oct. 1995) :
“Beware of Schwingungen!” That should be the large sticker on the front of all copies of this record. For it is dangerous to be casually
introduced to something that is life-changing, as I found out to my cost when first listening to this record.
It all starts fairly simply and without any cause for alarm - “Look at Your Sun” begins with a Doorsy lone groover guitar begins a pedestrian
blues, beautiful. Then the most crushed voice, a cross between Johnny Rotten and Tiny Tim, preaches its way into the proceeds. God, it
is beautiful - John L. repeats over and over, “We are all one, we are all one”, until a howling fuzztone solo guitar blows the whole onechord “Signed D.C.” ringing-cymbals torture to an end. And then the most far out track of all begins. This is called “Flower Must Die” and
it is a free-rock giant that transcends everything else in its field (there are no contenders.) As I've written before, PIL sounds like this. John
L. was John Lydon in a previous incarnation. After a slow weird build, a frantic streamlined one-chord mantra kicks in and it’s like the
Stooges’ Funhouse period but in a Righteous Vision Zone that fucks them right off. Phasing tears at the whole tracks as this Holy Racket
crosses into Hyper-space and everything gets all hyphenated just-for-the-sake-of-it. “Flowers Must Die”, man, it’s fucked up. Over on Side
2, the title-track (“Vibrations”) begins poetically enough with Wolfgang Muller’s epic and hugely reverbed vibraphone. Organ fades in and
FX guitars, and time passes by. Finally, tom-toms roll and the developing pace is built upon until that great eternal chord sequence finally
materialises — this is the one that Göttsching and Enke believed was the sound of heaven.
They may have been right. And Schwingungen was a gift from the Gods.“
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Third Ear Band - Music From Macbeth
Third Ear Band
Music From Macbeth
LP | 1972 | ES | Reissue (Munster)
23,99 €*
Incl. VAT plus Shipping Costs
Release: 1972 / ES – Reissue
Genre: Rock & Indie, Electronic & Dance, Soundtracks
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Used Vinyl
Medium: VG+, Cover: Near Mint
Vinyl is close to NM. Tiny wear. With insert. 2020 reissue.
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Brainticket - Psychonaut
Brainticket
Psychonaut
LP | 1972 | DE | Original (Bellaphon)
36,99 €*
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Release: 1972 / DE – Original
Genre: Rock & Indie, Electronic & Dance
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Used Vinyl
Medium: VG, Cover: G+
Tear in front cover, besides that VG. Hype sticker on front.
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Short Cross - Arising Black Vinyl Edition
Short Cross
Arising Black Vinyl Edition
LP | 1972 | EU | Reissue (Out-Sider Music)
26,99 €*
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Release: 1972 / EU – Reissue
Genre: Electronic & Dance
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Edward Artemiev - OST Solaris
Edward Artemiev
OST Solaris
LP | 1972 | US | Reissue (Superior Viaduct)
19,99 €*
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Release: 1972 / US – Reissue
Genre: Electronic & Dance, Soundtracks
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Used Vinyl
Medium: VG, Cover: VG+
Record with just a few paper scuffs.
Includes booklet.
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Can - Future Days
Can
Future Days
LP | 1973 | UK | Reissue (Spoon)
27,99 €*
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Release: 1973 / UK – Reissue
Genre: Rock & Indie, Electronic & Dance
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Remastered from the original tapes, 180g vinyl!
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Deuter - OST Princess Of Dawn
Deuter
OST Princess Of Dawn
LP | 1973 | EU | Reissue (Black Sweat)
18,99 €*
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Release: 1973 / EU – Reissue
Genre: Electronic & Dance
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New Lp-edition of an obscure un-released library of the early ‘70s.
Together with Florian Fricke, Peter Michael Hamel and Stephan Micus, Deuter is certainly the main responsible of a fruitful encounter between European sensibility and Eastern aesthetics in the German music of the 1970s. Soundtrack was originally produced by Kuckuck in 1973 not for an official and public release, but as a “library” to be used for films, TV and radio. As a library it respects the canonical and typological structure of the genre with 26 short sonic fragments, sequences imagined and conceived like fulminating illuminations. There's still a solid electronic vocation that, however, has put aside the most disruptive effluvia of D (1971) of pure “kraut” ancestry. In fact, the album is more like an ideal passing bridge between some ritual instances of the previous Aum (1972) and the following successful phase of Deuter during the period when he stays in the Bhagwan Shree Rajneesh's ashram in Poona realizing, in parallel to a renewed inner life, masterpieces like Celebration, Haleakala, Ecstasy and Silence is the Answer. Musically speaking, Soundtrack presents itself as a heterogeneous work with nocturnal, cinematic, galactic and atmospheric-environmental implications. Electronics remains the predominant factor but can vary from mantra drones of more ceremonial and meditative “space-relax” tones of some tracks (Triad, Deep Sea, Gothic Velvet or Evening) to the most amused formulations of pulsating analog synths that in the hands of Deuter become “toy-equipement” to modulate and explore (Desert Rock, Synth Effect, Flea Dance or Laser). There is no lack of acoustic moments more ethnically inspired with Arabian and Indian (Reed, Arabia) or devotionally solar themes (Tom Bombaddils Dance), so evoking an air of diffuse peace then completely conquered in the beloved India.
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Mike Oldfield - Tubular Bells
Mike Oldfield
Tubular Bells
LP | 1973 | EU | Reissue (Mercury)
22,99 €*
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Release: 1973 / EU – Reissue
Genre: Electronic & Dance
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Remastered and pressed on 180g virgin vinyl!
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Eddie Hazel - Game, Dames And Guitar Thangs
Eddie Hazel
Game, Dames And Guitar Thangs
LP | 1973 | US | Reissue (Real Gone Music)
32,99 €*
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Release: 1973 / US – Reissue
Genre: Electronic & Dance
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Ash Ra Tempel - Join Inn 50th Anniversary Edition
Ash Ra Tempel
Join Inn 50th Anniversary Edition
LP | 1973 | EU | Reissue (MG.Art)
26,99 €*
Incl. VAT plus Shipping Costs
Release: 1973 / EU – Reissue
Genre: Rock & Indie, Electronic & Dance
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After the 2021 Re-Release of “Schwingungen” (MG.ART612) and together with “Seven Up” (MG.ART613) we proudly announce “JOIN INN” as Part3 of the authorised 50th Anniversary “A.R.T.” Re-Edition Series. “JOIN INN” is the fourth album by Ash Ra Tempel. It was recorded at Studio Dierks and originally released on LP by Ohr Musik-Produktion, catalogue number OMM 556032. Each side of the LP comprises one long track.

In 1972 ASH RA TEMPEL teamed up again with Klaus Schulze during the recording of Walter Wegmüller's Tarot album, and after one of the recording sessions, ASH RA TEMPEL members: Enke, Göttsching and Rosi, together with Klaus decided to "play it again" in a late night session. This recording led to the birth of the “JOIN INN” album, as well as two legendary last concerts in February 1973 in Paris and Cologne.

Manuel Göttsching recalls Hartmut Enke on bass and Klaus Schulze on drums being a dream-team rhythm section for him to play his guitar, especially here to hear on “Freak'n' Roll”, that was ingenious and not to replace ever since. It was the last recording ever where Klaus Schulze (who sadly passed away this Year) played the Drums and also Hartmut (the Hawk) Enke soon after quit the Bass and music forever. Join Inn marks the end of the collaboration with Klaus Schulze. However, together with Ash Ra Tempel, their eponymous first album, which will be released in 2023 as the final edition of our Series, it is considered a highlight of the Krautrock movement. As for the music itself we again refer to Julian Cope´s review from his book “Krautrocksampler” (published by Head Heritage, 1st ed. 1995):
""Freak’n’roll” fades in like it never started - just was always there from the beginning of time, a dry wah-guitar freerock riff-out unlike any of the other Ash Ra Tempel LPs, and not much like any other music. Yes, there are bluesy riff but none of them have a blues context. Manuel Gottsching’s guitar is so confident that he sometimes drops down to a simple major chord groove, whilst the Hawk pushes that round woody bass into strange overlapping rumbling melody. And ... it’s the return of Klaus Schulze on drums which propels “Freak’n’roll” to its height. No-one but Klaus has the ability to transcend rock’n’roll in such an on-the-beat non-groove-y way and still send sparks of light into the cosmos as he does it. "Freak’n’roll” is so egoless that it even works at a quiet volume as meditational music. Themes rise from the high tempo pulse beat, then are carried along the muscles of the song into the main area where the riff actually becomes real and expressionist for just long enough before slipping back into the musical fabric of the song. As usual with Ash Ra Tempel, the other side is an enormous drift piece called “Jenseits (The Next World)”, a beautiful Klaus Schultze meditation of haunting synthesizer chords over which Rosi Muller tells the story of the Cosmic Couriers’ meeting with Timothy Leary. Gradually, the pulsing guitar becomes increasingly intense and turbulent, but Rosi never sounds less than freaked out. Essentially, “Jenseits” is a precursor to Klaus Schulze’s later spacey minor-key grooves. Unfortunately, this was the last Ash Ra Tempel album in its particular ‘series. After “JOIN INN”, Manuel Gottsching took over the Ash Ra Tempel mantle alone.”

Ashra Tempel – Join Inn
HARTMUT ENKE - Gibson bass
MANUEL GÖTTSCHING -guitar
KLAUS SCHULZE-drums, synthesizers & electronics
ROSI MÜLLER-voice
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Ash Ra Tempel - Seven Up 50th Anniversary Edition
Ash Ra Tempel
Seven Up 50th Anniversary Edition
LP | 1973 | EU | Reissue (MG.Art)
26,99 €*
Incl. VAT plus Shipping Costs
Release: 1973 / EU – Reissue
Genre: Rock & Indie, Electronic & Dance
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After the 2021 Re-Release of “Schwingungen” (MG.ART612) we proudly announce “Seven Up” as Part 2 of the authorised 50th Anniversary “A.R.T.” Re-Edition Series. “Seven Up” is the third studio album by Ash Ra Tempel and their only album recorded in collaboration with American Ph.D. in psychology, Dr. Timothy Leary. The Coverart for “Seven Up” was designed by famous Swiss Artist Walter Wegmüller. Recorded in August 1972 at Sinus Studio in Berne, Switzerland, remixed September 1972 at Dierks Studios in Stommeln, Germany.

First release in spring 1973 by OHR Musik - the first release on the new sub-label "Kosmische Kuriere", Kat-Nr. KK 58001. We release “Seven Up” in a Re-Cut carefully overseen by Manuel Göttsching himself, on September 9th 2022, also being Manuel Göttsching´s 70th Birthday. Our Edition features the full original text for the “7 levels of consciousness” by Timothy Leary in English, i.e. “Instruction Manual for Pleasure Panel” plus a previously unreleased glimpse view of the original scripts incl. notes and mark ups as well as partly unreleased photos from the recording session.

As for the music itself we again refer to Julian Cope´s review and remarks from his book “Krautrocksampler” (published by Head Heritage, 1st ed. 1995): “When the Leary Mob met the Kaiser Gang, the sparks flew ever Up-wards. 7up is a stone classic in every way. Yes, it is unlikely to find Timothy Leary singing lead vocal in a cosmic group, but even weirder that he chose to sing a wild yelping freaked out blues ! Manuel Göttsching and Hartmut Enke had begun their careers in The Steeple Chase Blues Band back in the mid-'60ies, and they quickly felt their way through what Barritt and Leary were aiming for. They reconciled it all as a kind of West Coast chordless psychedelia, where blues riffs sparkle out of nowhere and the sheer weight of synthesizers renders everything with an unreal Pere Ubu/early Roxy Music quality. The greatness of Ash Ra Tempel burned so brightly on 7Up that there is really nothing else like it.

Hartmut Enke and Manuel Gottsching here returned to their riffy roots. It can hardly be called a retro act, though, as the context of music is everything. And with Dierks at the controls, even the New Kids on the Block would have sounded psychedelic. 7Up is like a late night radio show glimpsed through a shattered tuner where all but the most truly dangerous sounds have been allowed to stay, to drift and to dance around the performers. The result is an extreme gem, a flash of hysterical white lightning, and a pre-punk Technicolour yawn in the grandest of traditions. In typical Ash Ra Tempel style, the record is divided into two pieces, “Space” and "Time”. Within this, though, Timothy Leary’s ideas are allowed to free-flow and the two sides are therefore divided into mini-songs all segued together. The highlight of Side 1 is “Power Drive”, a West Coast burn-up that transcends any W. Coast music I ever did hear. Leary and Barritt present the greatest twin-vocal of all time, coming on like Jagger and Morrison but too caught up in their own maelstrom to be anything less than Heralds of the Punkfuture still five years away. In chaos it was conceived and in chaos it was recorded. Yet Dieter Dierks, the great Aural Architect of the Cosmic Couriers, turned 7Up into a personal triumph and a Kosmische dream.”

Ash Ra Tempel – “Seven Up”
TIMOTHY LEARY - voice
BRIAN BARRITT - voice
MICKY DUWE - voice & flute
LIZ ELLIOTT - voice
BETTINA HOHLS - voice
PORTIA NKOMO - voice
HARTMUT "HAWK" ENKE - bass, guitar & electronics
MANUEL GÖTTSCHING - guitar & electronics
STEVE A. - organ & electronics
DIETMAR BURMEISTER - drums
TOMMY ENGEL - drums
DIETER DIERKS - synthesizer & Radio Downtown
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Steve Birchall - Reality Gates Record Store Day 2023 Edition
Steve Birchall
Reality Gates Record Store Day 2023 Edition
LP | 1973 | EU | Reissue (Soave)
19,79 €* 32,99 € -40%
Incl. VAT plus Shipping Costs
Release: 1973 / EU – Reissue
Genre: Electronic & Dance
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Soave Records dusts off in limited edition the psych/synth album by Doctor Steven T. Birchall recorded in 1973 in Indiana, U.S.A. with the following equipment: Vcs-3 (The Putney) by EMS, Ampex Mm-1000 16 trk, dbx noise reduction, SpectrasSonics Console, Studer A80 Recorder, Eventide Clockworks, Instant Phaser, Cooper Time Cube, EMT Reverb. The absolutely penetrating high tones of the opening track 'Music Of The Spheres' announce us that we are on board, passengers in the hands, or perhaps better to say in the mind, of Birchall who aims to go beyond those "normal" boundaries that we call reality. It is a new world of music that still amazes after half a century. A higher stage of truth projected into the cosmos.
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Conrad Schnitzler - Rot 50th Anniversary Edition
Conrad Schnitzler
Rot 50th Anniversary Edition
LP | 1973 | EU | Reissue (Bureau B)
29,99 €*
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Release: 1973 / EU – Reissue
Genre: Electronic & Dance
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Conrad Schnitzler (1937-2011), composer and concept artist, is one of the most important representatives of Germany"s electronic music avant-garde. A student of Beuys, he founded Berlin"s legendary Zodiak Free Arts Lab, a subculture club, in 1967/68, was a member of Tangerine Dream (together with Klaus Schulze and Edgar Froese) and Kluster (with Dieter Moebius and Hans-Joachim Roedelius) and also released countless solo albums. The red album ("Rot") from 1973 was Schnitzler"s first solo LP.
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Ash Ra Tempel - Starring Rosi(Remastered By Manuel Göttsching)
Ash Ra Tempel
Starring Rosi(Remastered By Manuel Göttsching)
CD | 1973 | EU | Reissue (MG.Art)
23,99 €*
Incl. VAT plus Shipping Costs
Release: 1973 / EU – Reissue
Genre: Electronic & Dance
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"Starring Rosi“ is the 5th Album by Ash Ra Tempel. Released 1973 in the same Year as "Join Inn".
The CD Version is remastered by Manuel Göttsching himself.
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Ash Ra Tempel - Join Inn (Remastered By Manuel Göttsching)
Ash Ra Tempel
Join Inn (Remastered By Manuel Göttsching)
CD | 1973 | EU | Reissue (MG.Art)
23,99 €*
Incl. VAT plus Shipping Costs
Release: 1973 / EU – Reissue
Genre: Electronic & Dance
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
“JOIN INN” is the fourth album by Ash Ra Tempel. It was recorded at Studio Dierks and originally released on LP by Ohr
Musik-Produktion, catalogue number OMM 556032. Each side of the LP comprises one long track.
In 1972 ASH RA TEMPEL teamed up again with Klaus Schulze during the recording of Walter Wegmüller's Tarot album,
and after one of the recording sessions, ASH RA TEMPEL members: Enke, Göttsching and Rosi, together with Klaus
decided to "play it again" in a late night session. This recording led to the birth of the “JOIN INN” album, as well as two
legendary last concerts in February 1973 in Paris and Cologne.
Manuel Göttsching recalls Hartmut Enke on bass and Klaus Schulze on drums being a dream-team rhythm section for
him to play his guitar, especially here to hear on “Freak'n' Roll”, that was ingenious and not to replace ever since.
It was the last recording ever where Klaus Schulze (who sadly passed away this Year) played the Drums and also
Hartmut (the Hawk) Enke soon after quit the Bass and music forever.
Join Inn marks the end of the collaboration with Klaus Schulze.
However, together with Ash Ra Tempel, their eponymous first album, which will be released in 2023 as the final edition of
our Series, it is considered a highlight of the Krautrock movement.
As for the music itself we again refer to Julian Cope´s review from his book “Krautrocksampler” (published by Head
Heritage, 1st ed. 1995):
""Freak’n’roll” fades in like it never started - just was always there from the beginning of time, a dry wah-guitar freerock
riff-out unlike any of the other Ash Ra Tempel LPs, and not much like any other music. Yes, there are bluesy riff but none
of them have a blues context. Manuel Gottsching’s guitar is so confident that he sometimes drops down to a simple
major chord groove, whilst the Hawk pushes that round woody bass into strange overlapping rumbling melody. And ... it’s
the return of Klaus Schulze on drums which propels “Freak’n’roll” to its height. No-one but Klaus has the ability to
transcend rock’n’roll in such an on-the-beat non-groove-y way and still send sparks of light into the cosmos as he does it.
-> continued on page 2“Freak’n’roll” is so egoless that it even works at a quiet volume as meditational music. Themes rise from the high tempo
pulse beat, then are carried along the muscles of the song into the main area where the riff actually becomes real and
expressionist for just long enough before slipping back into the musical fabric of the song.
As usual with Ash Ra Tempel, the other side is an enormous drift piece called “Jenseits (The Next World)”, a beautiful
Klaus Schultze meditation of haunting synthesizer chords over which Rosi Muller tells the story of the Cosmic Couriers’
meeting with Timothy Leary. Gradually, the pulsing guitar becomes increasingly intense and turbulent, but Rosi never
sounds less than freaked out. Essentially, “Jenseits” is a precursor to Klaus Schulze’s later spacey minor-key grooves.
Unfortunately, this was the last Ash Ra Tempel album in its particular ‘series.
(…) After “JOIN INN”, Manuel Gottsching took over the Ash Ra Tempel mantle alone.”
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Ash Ra Tempel - Seven Up (Remastered By Manuel Göttsching)
Ash Ra Tempel
Seven Up (Remastered By Manuel Göttsching)
CD | 1973 | EU | Reissue (MG.Art)
23,99 €*
Incl. VAT plus Shipping Costs
Release: 1973 / EU – Reissue
Genre: Electronic & Dance
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
“Seven Up” is the third studio album by Ash Ra Tempel and their only album recorded in collaboration with
American Ph.D. in psychology, Dr. Timothy Leary. The Coverart for “Seven Up” was designed by famous
Swiss Artist Walter Wegmüller. Recorded in August 1972 at Sinus Studio in Berne, Switzerland, remixed
September 1972 at Dierks Studios in Stommeln, Germany. First release in spring 1973 by OHR Musik - the
first release on the new sub-label "Kosmische Kuriere", Kat-Nr. KK 58001.
We release “Seven Up” in a Re-Cut carefully overseen by Manuel Göttsching himself, on September 9th
2022, also being Manuel Göttsching´s 70th Birthday. Our Edition features the full original text for the “7 levels
of consciousness” by Timothy Leary in English, i.e. “Instruction Manual for Pleasure Panel” plus a previously
unreleased glimpse view of the original scripts incl. notes and mark ups as well as partly unreleased photos
from the recording session. ->continued on page 2->continued on page 2
As for the music itself we again refer to Julian Cope´s review and remarks from his book “Krautrocksampler”
(published by Head Heritage, 1st ed. 1995):
“When the Leary Mob met the Kaiser Gang, the sparks flew ever Up-wards...
7up is a stone classic in every way. Yes, it is unlikely to find Timothy Leary singing lead vocal in a cosmic
group, but even weirder that he chose to sing a wild yelping freaked out blues !
Manuel Göttsching and Hartmut Enke had begun their careers in The Steeple Chase Blues Band back in the
mid-'60ies, and they quickly felt their way through what Barritt and Leary were aiming for. They reconciled it
all as a kind of West Coast chordless psychedelia, where blues riffs sparkle out of nowhere and the sheer
weight of synthesizers renders everything with an unreal Pere Ubu/early Roxy Music quality.
The greatness of Ash Ra Tempel burned so brightly on 7Up that there is really nothing else like it. Hartmut
Enke and Manuel Gottsching here returned to their riffy roots. It can hardly be called a retro act, though, as
the context of music is everything. And with Dierks at the controls, even the New Kids on the Block would
have sounded psychedelic.
7Up is like a late night radio show glimpsed through a shattered tuner where all but the most truly dangerous
sounds have been allowed to stay, to drift and to dance around the performers.
The result is an extreme gem, a flash of hysterical white lightning, and a pre-punk Technicolour yawn in the
grandest of traditions.
In typical Ash Ra Tempel style, the record is divided into two pieces, “Space” and "Time”. Within this, though,
Timothy Leary’s ideas are allowed to free-flow and the two sides are therefore divided into mini-songs all
segued together. The highlight of Side 1 is “Power Drive”, a West Coast burn-up that transcends any W.
Coast music I ever did hear. Leary and Barritt present the greatest twin-vocal of all time, coming on like
Jagger and Morrison but too caught up in their own maelstrom to be anything less than Heralds of the Punkfuture still five years away.
In chaos it was conceived and in chaos it was recorded. Yet Dieter Dierks, the great Aural Architect of the
Cosmic Couriers, turned 7Up into a personal triumph and a Kosmische dream.”

Ash Ra Tempel – “Seven Up”
TIMOTHY LEARY - voice
BRIAN BARRITT - voice
MICKY DUWE - voice & flute
LIZ ELLIOTT - voice
BETTINA HOHLS - voice
PORTIA NKOMO - voice
HARTMUT "HAWK" ENKE - bass, guitar & electronics
MANUEL GÖTTSCHING - guitar & electronics
STEVE A. - organ & electronics
DIETMAR BURMEISTER - drums
TOMMY ENGEL - drums
DIETER DIERKS - synthesizer & Radio Downtown
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Neu! - Neu! 2
Neu!
Neu! 2
LP | 1973 | EU | Reissue (Grönland)
22,99 €*
Incl. VAT plus Shipping Costs
Release: 1973 / EU – Reissue
Genre: Rock & Indie, Electronic & Dance
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: Near Mint, Cover: Near Mint
White vinyl. EU reissue from 2010.
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Neu! - Neu! 2
Neu!
Neu! 2
LP | 1973 | EU | Reissue (Grönland)
19,99 €*
Incl. VAT plus Shipping Costs
Release: 1973 / EU – Reissue
Genre: Rock & Indie, Electronic & Dance
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: Near Mint, Cover: VG+
White vinyl. EU reissue from 2010.
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Steve Birchall - Reality Gates Record Store Day 2023 Edition
Steve Birchall
Reality Gates Record Store Day 2023 Edition
LP | 1973 | EU | Reissue (Soave)
21,99 €*
Incl. VAT plus Shipping Costs
Release: 1973 / EU – Reissue
Genre: Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: Near Mint
Limited Edition. Record Store Day.

Record is close to NM.
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Mike Oldfield - Tubular Bells
Mike Oldfield
Tubular Bells
Tape | 1973 | HU | Reissue (Ring)
12,99 €*
Incl. VAT plus Shipping Costs
Release: 1973 / HU – Reissue
Genre: Rock & Indie, Electronic & Dance
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG+, Cover: VG+
1995 reissue
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Electronic Concept Orchestra - Electric Love
Electronic Concept Orchestra
Electric Love
LP | 1973 | UK | Original (Mercury)
13,99 €*
Incl. VAT plus Shipping Costs
Release: 1973 / UK – Original
Genre: Organic Grooves, Electronic & Dance
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG, Cover: VG+
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Ash Ra Tempel - Starring Rosi Pearl Sunrise Colour Vinyl Edition
Ash Ra Tempel
Starring Rosi Pearl Sunrise Colour Vinyl Edition
LP | 1973 | EU | Reissue (MG.Art)
30,99 €*
Incl. VAT plus Shipping Costs
Release: 1973 / EU – Reissue
Genre: Electronic & Dance
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Preorder shipping from 2024-12-13
180G "Pearl / Sunrise" Colour Vinyl

We are thrilled to announce the highly anticipated re-issue of Ash Ra Tempel's legendary 5th Studio Album "Starring Rosi" in our "50th Anniversary Edition". Originally released in 1973, this seminal work remains a cornerstone of the Krautrock and "Kosmische" movement, blending psychedelic rock, ambient soundscapes, and early electronics into a transcendent auditory experience.
The Album has been recorded by Manuel Göttsching in it´s entity, with additional help to come from Producer Dieter Diercks playing bass, percussion, Drummer Harald Grosskopf and of course Rosemarie "Rosi" Müller.
"Starring Rosi" is an essential piece of their continuation of blending cosmic psychedelia, ambient textures, and avant-garde electronic experimentation. Originally released in 1973, this album marked a significant departure for the band, featuring Rosi Müller, who added a lyrical and vocal dimension to the band's typically instrumental soundscapes & Manuel Göttsching background singing.
To many technically Ash Ra Tempel last, yet most accessible, release, although there was the soundtrack to Philippe Garrel´s movie "Le Berceau de Cristal" and there might be some further previously unreleased, music to come out later.

Album Background:
*Starring Rosi* stands out in Ash Ra Tempel's discography for its lighter, more accessible sound, balancing the band's signature cosmic explorations with melodic structures and poetic lyrics.
It marks an unique chapter in Ash Ra Tempel's discography, featuring the ethereal vocals of Rosi Müller alongside Manuel Göttsching's visionary guitar work. The album is a sonic journey that takes listeners through seven distinct tracks, each showcasing Manuel Göttschings pioneering approach to music.
From the dreamy opening track "Laughter Loving" to the meditative "Day-Dream" and the atmospheric "Interplay of Forces," songs that illustrate the band's evolution from their earlier, more intense and improvisational albums, showcasing a more reflective and introspective side .
"The Fairy Dance" is delving into the mystical and meditative, transporting listeners to a dreamlike state.
While "Schizo" sounds like a continuation of the best moments of the previous Ash Ra Tempel records, is the last track "Bring Me Up" an Up-tempo Song that features Manuel as well on vocals.
"Starring Rosi" captivates with its blend of cosmic improvisation and melodic beauty.

Reissue Details:
This reissue of *Starring Rosi* has been introduced and overseen by Manuel Göttsching still, and finalised by his Family exactly to his standards, in which the meticulous approach to his work lives on.
An updated 2024 recut carefully commissioned by Schnittselle in Berlin (who also signs responsible for the previous ART Reissues, likewise, the 2016 E2 E4 Anniversary Edition ensure the warm depth sound while bringing out the rich textures and nuances, all of the original recordings. The reissue is available on 180-gram Black vinyl and a Limited Edition in transparent Pearl Sunrise Vinyl.
Both vinyl editions comes with a replica of the original Vinyl Artwork including it´s original Backside.
The Limited Edition also includes a Poster of the alternate Backside, used later on the CD Editions showing Rosi and Manuel improvising during studio sessions. Also included are prints of previously unreleased Original "The Fairy Dance" Music and "Schizo" Composition Sheets handwritten by Manuel
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Ash Ra Tempel - Starring Rosi Black Vinyl Edition
Ash Ra Tempel
Starring Rosi Black Vinyl Edition
LP | 1973 | EU | Reissue (MG.Art)
26,99 €*
Incl. VAT plus Shipping Costs
Release: 1973 / EU – Reissue
Genre: Electronic & Dance
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Preorder shipping from 2024-12-13
We are thrilled to announce the highly anticipated re-issue of Ash Ra Tempel's legendary 5th Studio Album "Starring Rosi" in our "50th Anniversary Edition". Originally released in 1973, this seminal work remains a cornerstone of the Krautrock and "Kosmische" movement, blending psychedelic rock, ambient soundscapes, and early electronics into a transcendent auditory experience.
The Album has been recorded by Manuel Göttsching in it´s entity, with additional help to come from Producer Dieter Diercks playing bass, percussion, Drummer Harald Grosskopf and of course Rosemarie "Rosi" Müller.
"Starring Rosi" is an essential piece of their continuation of blending cosmic psychedelia, ambient textures, and avant-garde electronic experimentation. Originally released in 1973, this album marked a significant departure for the band, featuring Rosi Müller, who added a lyrical and vocal dimension to the band's typically instrumental soundscapes & Manuel Göttsching background singing.
To many technically Ash Ra Tempel last, yet most accessible, release, although there was the soundtrack to Philippe Garrel´s movie "Le Berceau de Cristal" and there might be some further previously unreleased, music to come out later.

Album Background:
*Starring Rosi* stands out in Ash Ra Tempel's discography for its lighter, more accessible sound, balancing the band's signature cosmic explorations with melodic structures and poetic lyrics.
It marks an unique chapter in Ash Ra Tempel's discography, featuring the ethereal vocals of Rosi Müller alongside Manuel Göttsching's visionary guitar work. The album is a sonic journey that takes listeners through seven distinct tracks, each showcasing Manuel Göttschings pioneering approach to music.
From the dreamy opening track "Laughter Loving" to the meditative "Day-Dream" and the atmospheric "Interplay of Forces," songs that illustrate the band's evolution from their earlier, more intense and improvisational albums, showcasing a more reflective and introspective side .
"The Fairy Dance" is delving into the mystical and meditative, transporting listeners to a dreamlike state.
While "Schizo" sounds like a continuation of the best moments of the previous Ash Ra Tempel records, is the last track "Bring Me Up" an Up-tempo Song that features Manuel as well on vocals.
"Starring Rosi" captivates with its blend of cosmic improvisation and melodic beauty.

Reissue Details:
This reissue of *Starring Rosi* has been introduced and overseen by Manuel Göttsching still, and finalised by his Family exactly to his standards, in which the meticulous approach to his work lives on.
An updated 2024 recut carefully commissioned by Schnittselle in Berlin (who also signs responsible for the previous ART Reissues, likewise, the 2016 E2 E4 Anniversary Edition ensure the warm depth sound while bringing out the rich textures and nuances, all of the original recordings. The reissue is available on 180-gram Black vinyl and a Limited Edition in transparent Pearl Sunrise Vinyl.
Both vinyl editions comes with a replica of the original Vinyl Artwork including it´s original Backside.
The Limited Edition also includes a Poster of the alternate Backside, used later on the CD Editions showing Rosi and Manuel improvising during studio sessions. Also included are prints of previously unreleased Original "The Fairy Dance" Music and "Schizo" Composition Sheets handwritten by Manuel

Tracklisting:
1. Laughter Loving
2. Day-Dream
3. Schizo
4. Cosmic Tango
5. Interplay of Forces
6. The Fairy Dance
7. Bring Me Up

Rediscover the magic of Ash Ra Tempel with this definitive reissue of *Starring Rosi*-a timeless journey through sound that continues to inspire and captivate listeners over five decades later.
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Klaus Schulze - Cyborg
Klaus Schulze
Cyborg
2LP | 1973 | DE | Reissue (Brain)
18,99 €*
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Release: 1973 / DE – Reissue
Genre: Electronic & Dance
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Used Vinyl
Medium: VG, Cover: VG+
Side 3 has a pressing error: label sticker is pressed wrongly over the record!! Other sides are close to NM. German reissue.
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London Philharmonic Orchestra - A Sound Spectacular Stereo Space Odyssey
London Philharmonic Orchestra
A Sound Spectacular Stereo Space Odyssey
LP | 1973 | UK | Original (Stereo Gold Award)
3,99 €*
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Release: 1973 / UK – Original
Genre: Electronic & Dance, Classical Music
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Used Vinyl
Medium: VG+, Cover: VG+
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Tangerine Dream - Atem
Tangerine Dream
Atem
LP | 1973 | DE | Original (Ohr)
34,99 €*
Incl. VAT plus Shipping Costs
Release: 1973 / DE – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG, Cover: VG
MInimal peeling and wear. Small sticker marks. Minor writing on label.
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Klaus Wunderlich - Sound 2000 Moog Organ, Rhythm
Klaus Wunderlich
Sound 2000 Moog Organ, Rhythm
LP | 1973 | DE | Reissue (Telefunken)
5,99 €*
Incl. VAT plus Shipping Costs
Release: 1973 / DE – Reissue
Genre: Organic Grooves, Electronic & Dance, Pop
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Used Vinyl
Medium: VG+, Cover: VG+
1978 reissue
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Can - Soon Over Babaluma
Can
Soon Over Babaluma
LP | 1974 | UK | Reissue (Spoon)
27,99 €*
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Release: 1974 / UK – Reissue
Genre: Rock & Indie, Electronic & Dance
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Remastered from the original tapes, 180g vinyl!
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Can - Unlimited Edition
Can
Unlimited Edition
2LP | 1974 | UK | Reissue (Spoon)
29,99 €*
Incl. VAT plus Shipping Costs
Release: 1974 / UK – Reissue
Genre: Rock & Indie, Electronic & Dance
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Remastered from the original tapes, 180g vinyl!
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Kraftwerk - Autobahn 2009 Remastered Black Vinyl Edition
Kraftwerk
Autobahn 2009 Remastered Black Vinyl Edition
LP | 1974 | EU | Reissue (Parlophone)
29,99 €*
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Release: 1974 / EU – Reissue
Genre: Electronic & Dance
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Kraftwerk - Autobahn Translucent Blue Vinyl Edition
Kraftwerk
Autobahn Translucent Blue Vinyl Edition
LP | 1974 | UK | Reissue (Parlophone)
29,99 €*
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Release: 1974 / UK – Reissue
Genre: Electronic & Dance
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Marcello Giombini - Transvitaexpress
Marcello Giombini
Transvitaexpress
LP | 1974 | EU | Reissue (Soave)
21,99 €*
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Release: 1974 / EU – Reissue
Genre: Electronic & Dance
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Transvitaexpress Psycho-phonic tale of the afterlife One of the weirdest italian album ever released 'Transvitaexpress is the sonorous realization of an idea that had been developing in me for some time and to which the encounter with the poet Barbarino gave the decisive push. I used the "tape-sound" technique, that is the organization and integration of sounds, noises, speech, song and rhythm, of which the resulting sound, being the result of electronic manipulation of the sound events themselves, is audible, therefore repeatable, only by means of magnetic tape. The sound material is, in part, reportage, so the work often takes on the character of a “disc-truth”, in part it is a faithful reconstruction of parapsychological events. We have defined this work "Psycho-phonic tale" in fact it is a sound experience, that is, a journey into the world of sounds of an "afterlife", rooted in us due to childhood, ancestral reminiscences, superstitions, legends, anxieties, utopias and above all fear. Fear of the mystery, fear of the unknown. Transvitaexpress is therefore the sound representation of these cultural and existential limits, and is therefore a critical, liberating, provocative work. I certainly do not expect, and perhaps I do not want someone after having listened to tell me that it is "beautiful". Transvitaexpress is the name of a train full of ... that travels in an afterlife so "beyond" that it coincides with the most central point of my ego. Perhaps the most logical "end-continuation" of life, the least imaginative, the least corrupt. The distortions, things that are too, or too little, defined, realistic situations, clichés, monotheisms and captions are embedded in the most traditional dream fabric, the most suitable in my opinion to promote approaches with the mysterious, with the esoteric, with the magical.' M. Giombini
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Electric Light Orchestra - Eldorado A Symphony By The Electric Light Orchestra Supervinyl Edition
Electric Light Orchestra
Eldorado A Symphony By The Electric Light Orchestra Supervinyl Edition
LP | 1974 | US | Reissue (Mobile Fidelity Sound Lab)
89,99 €*
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Release: 1974 / US – Reissue
Genre: Electronic & Dance
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Kraftwerk - Autobahn 2009 Remastered Edition
Kraftwerk
Autobahn 2009 Remastered Edition
LP | 1974 | EU | Reissue (Parlophone)
29,99 €*
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Release: 1974 / EU – Reissue
Genre: Electronic & Dance
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includes 12 page booklet
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Kyriakos Sfetsas - Smog
Kyriakos Sfetsas
Smog
2LP | 1974 | EU | Reissue (Cat In The Room)
34,99 €*
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Release: 1974 / EU – Reissue
Genre: Electronic & Dance
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The newly established label Cat in the Room, created by Goodheart Productions, re-releases for the first time after almost fifty years the legendary work Smog by Kyriakos Sfetsas, one of the most important Greek contemporary composers. At the same time, in collaboration with the composer and The Hubsters, which is responsible for the digital distribution, it presents for the first time the majority of his discography in digital format.

Smog is an electro-acoustic work in five parts of equal duration (18 minutes) divided into several variable sequences. It was composed as the music score for the ballet Smog commissioned by the choreographer Michel Caserta. The work was premiered on October 18, 1974, by the Ensemble chorégraphique de Vitry at the Théâtre Jean-Vilar in Vitry-sur-Seine (Paris).

As a musical work, it has acquired over the years the scope of a legend in the electro-acoustic & avant-garde scene, for its richness and value as a composition, the composer's ingenious use of the means available at the time regarding the production of electric sounds, and their combination with natural sounds, as well as for the four-channel recording and live performance.

A new sound mastering and artwork was developed for this release in collaboration with the composer, whose liner notes are included on the cover.

Smog will be released on December 9, 2022, on a 180gr. double vinyl edition
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Soul Searchers - Salt Of The Earth
Soul Searchers
Salt Of The Earth
LP | 1974 | EU | Reissue (Real Gone Music)
33,99 €*
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Release: 1974 / EU – Reissue
Genre: Electronic & Dance
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Elkin & Nelson - Jibaro Red Vinyl Edition
Elkin & Nelson
Jibaro Red Vinyl Edition
12" | 1974 | EU | Reissue (CBS)
17,99 €*
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Release: 1974 / EU – Reissue
Genre: Electronic & Dance
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A true Balearic classic. One of a handful of records that can comfortably boast this title, Elkin & Nelson's 1979 classic 'Jibaro' sits in the canon of selections that enlightened the ears of the jet-set and globe trotting music fanatics in the heady and much storied years of the White isle in the 1980's. The Colombian brothers Javier and Leon Marin Velez brought their own rustic brand of folksy-Rock-Psychedelia to the listening public in 1974 with their debut LP 'Angeles Y Demonios' on Columbia records. The brothers had relocated to Spain, snared a major label deal and ran with it. The first of 3 LP's it proved a big hit in later years with adventurous DJ's and selectors. A cult record you might say. Of course, this LP featured 'Jibaro' in all it's forms, but it is this 1986 reissue 12" promo pressing with it's iconic, distinctive jacket that was the coveted slab sonic adventurers were seeking. Fully sanctioned and legitimately remastered from the original sources and packaged in it's original Columbia promo sleeve 'Jibaro' is back on the shelves, still an incredible record that gets pulled by the most discerning selectors across the globe. A true classic, featured here in it's long and short versions as per the '86 release. Absolute top-shelf stuff here, essential, must own and classic.
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John Cage - John Cage White Vinyl Edition
John Cage
John Cage White Vinyl Edition
LP | 1974 | EU | Reissue (Cramps)
28,99 €*
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Release: 1974 / EU – Reissue
Genre: Electronic & Dance, Classical Music
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Swamp Dogg - Have You Heard This Story? Blue Vinyl Edition
Swamp Dogg
Have You Heard This Story? Blue Vinyl Edition
LP | 1974 | EU | Reissue (Alive)
33,99 €*
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Release: 1974 / EU – Reissue
Genre: Electronic & Dance
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William DeVaughn - Be Thankful For What You Got
William DeVaughn
Be Thankful For What You Got
12" | 1974 | UK | Reissue (Demon)
29,99 €*
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Release: 1974 / UK – Reissue
Genre: Electronic & Dance
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Fred Frith - Guitar Solos / Fifty
Fred Frith
Guitar Solos / Fifty
2LP | 1974 | EU | Reissue (Week-End)
42,99 €*
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Release: 1974 / EU – Reissue
Genre: Electronic & Dance
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Guitar Solos is the debut solo album of British guitarist, composer, and improviser Fred Frith. It was recorded while Frith was still a member of the English experimental rock group Henry Cow and was released originally in October 1974. Voted one of the best albums of 1974 by NME critics it also attracted the attention of Brian Eno, resulting in Frith playing guitar on two of Eno‘s albums. Frith‘s never tiring spirit in creating and performing music has made him one of the most notable and creative guitar players and musicians in the scene of improvised and composed music. For the anniversary of this release we have encouraged Frith to arrange a set up similar to what he used 50 years ago to record an album of new compositions which will accompany the original record.
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Al Green - Take Me To The River
Al Green
Take Me To The River
7" | 1974 | US | Reissue (Motown)
11,99 €*
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Release: 1974 / US – Reissue
Genre: Electronic & Dance
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Randy Rice - To Anyone Who's Ever Laughed...
Randy Rice
To Anyone Who's Ever Laughed...
2LP | 1974 | Reissue (Wah Wah - Supersonic Sounds)
48,99 €*
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Release: 1974 / Reissue
Genre: Electronic & Dance
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I was between the ages of 18 and 20 when I wrote the 22 songs found on To Anyone Who Ever Laughed at Someone Else. They express the thoughts and frustrations, hopes and fears of a young man coming of age in a world that was full of upheaval and transformation. I was a product of that period in America we call the sixties—those years between the assassination of President John F. Kennedy in November 1963 and the resignation of President Richard Nixon in August 1974. In fact, this record was released that same month Nixon resigned. Over the next five years, I toured the country as an acoustic artist performing at clubs, coffeehouses and colleges. During that time, I watched the idealism and social consciousness of the sixties slowly fade away. In its place emerged a cynicism and materialism that still seems to be with us so many years later. More than anything else, I think To Anyone Who Ever Laughed at Someone Else is a time capsule that speaks to us from a past era. A period when, above all other things, we asked questions. We questioned our country, we questioned our faith, we questioned the very purpose of life itself. I am very excited to bring those questions and these songs to a new generation on a new continent. Special thanks to my friends Jordi Segura of Wah Wah Records who took the initiative to release this 50th Anniversary Re-issue of To Anyone Who Ever Laughed at Someone Else and Michel Veenstra Klinkhamer, who introduced us.
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Ann Peebles - I Can't Stand The Rain
Ann Peebles
I Can't Stand The Rain
LP | 1974 | US | Reissue (Fat Possum)
30,99 €*
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Release: 1974 / US – Reissue
Genre: Electronic & Dance
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La Monte Young - Dream House 78'17"
La Monte Young
Dream House 78'17"
LP | 1974 | US | Reissue (Superior Viaduct)
29,99 €*
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Release: 1974 / US – Reissue
Genre: Electronic & Dance, Classical Music
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Originally released in 1974 on Shandar, Dream House 78'17" is the second full-length album by La Monte Young and Marian Zazeela. This first-time US edition reproduces the original gatefold sleeve with beautiful calligraphy by Zazeela and liner notes by Young and French musicologist Daniel Caux.

Side one was recorded at a private concert (on the date and time indicated by the title) and features Young and Zazeela's voices against a sine wave drone with Jon Hassell on trumpet and Garrett List on trombone. This work is a section of the longer composition Map of 49's Dream the Two Systems of Eleven Sets of Galactic Intervals Ornamental Lightyears Tracery (begun in 1966 as a sub-section of The Tortoise, His Dreams and Journeys, which was begun in 1964 with Young's group The Theatre of Eternal Music). The piece evolves with the oscillator changing pitch and dictating an ornate pattern over the course of the performance.

Side two is an example of one of the sets of frequencies sustained in the Dream House, the composite sound environments conceived by Young and Zazeela. The composer suggests listening while seated – to experience how the sound interacts with the room and other perceptions of its arrangement – as well as while walking. As Young states, "The frequency ratios are monitored continuously as lissajous patterns on the oscilloscopes and, in spite of the great stability of the oscillators, the phase relationships of the sine waves gradually drift which causes their amplitudes to add and subtract algebraically. Not only does the sound become a bit louder and softer, but at very loud levels, one actually begins to have a sensation that parts of the body are somehow locked in sync with the sine waves and slowly drifting with them in space and time."
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Mike Oldfield - Tubular Bells
Mike Oldfield
Tubular Bells
LP | 1974 | FR | Reissue (Virgin)
9,99 €*
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Release: 1974 / FR – Reissue
Genre: Rock & Indie, Electronic & Dance, Classical Music
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Used Vinyl
Medium: VG+, Cover: VG
French repress from 1974.
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Elton John - Greatest Hits
Elton John
Greatest Hits
LP | 1974 | UK | Original (DJM)
8,99 €*
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Release: 1974 / UK – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG, Cover: Generic
Only record 1 is generic cover. Record 2 and cover are missing.
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Can - Landed
Can
Landed
LP | 1975 | UK | Reissue (Spoon)
27,99 €*
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Release: 1975 / UK – Reissue
Genre: Rock & Indie, Electronic & Dance
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Remastered from the original tapes, 180g vinyl!
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The Nazgul - The Nazgul
The Nazgul
The Nazgul
LP | 1975 | EU | Reissue (Ment016)
21,99 €*
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Release: 1975 / EU – Reissue
Genre: Electronic & Dance
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Lost-in-time Kosmische / Kraut / Avant-Garde artefact, produced by Toby Robinson aka The Mad Twiddler circa 1975 for his private Pyramid label.
Tolkien inspired dark ambient soundscapes with spooky / ritualistic atmosphere, treated percussions, gongs & guitars, trippy Hammond & Mini-Moog, tape loops, weird noises, drones…
File under dark ambient, proto-industrial, kraut, experimental...
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Nik Pascal - Zero Gravity
Nik Pascal
Zero Gravity
LP | 1975 | EU | Reissue (Wah Wah)
20,99 €*
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Release: 1975 / EU – Reissue
Genre: Electronic & Dance
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Nik's last album, Zero Gravity (Narco NR123) came under the Nik Pascal name and had a fantastic side long piece on the title track which reminisces of the works of Cluster. B side features four tracks that also bear some Conrad Schnitzler reminiscences. This was to be Nik's last LP before he would sell all his synths to ex car racer and future electronic/ambient music star Steve Roach.

Besides his musical explorations, Nik was also an interesting painter. His paintings are auctioned from time to time, and are consciousness expanding works influenced by abstract cubism and surrealism, some kind of Salvador Dalí on drugs exploring the outter and inner space. All the artwork on the sleeves of his LPs is done by himself. Spacey landscapes and psychedelic colours that fit perfectly to the music they contain.

Never reissued before on vinyl format, the Wah Wah reissue features original sleeve artwork made of paintings and drawings by Nik himself, and reproduction of the famous ironic "Do not listen if you are stoned" sticker. Limited edition, 500 copies only.
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Kraftwerk - Radio-Activity Remastered Black Vinyl Edition
Kraftwerk
Radio-Activity Remastered Black Vinyl Edition
LP | 1975 | EU | Reissue (Parlophone)
49,99 €*
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Release: 1975 / EU – Reissue
Genre: Electronic & Dance
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Heldon - Third (It's Always Rock'n'Roll)
Heldon
Third (It's Always Rock'n'Roll)
2LP | 1975 | EU | Reissue (Bureau B)
34,99 €*
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Release: 1975 / EU – Reissue
Genre: Electronic & Dance
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Vangelis - Heaven And Hell
Vangelis
Heaven And Hell
LP | 1975 | US | Reissue (Speakers Corner)
34,99 €*
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Release: 1975 / US – Reissue
Genre: Electronic & Dance
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Technical innovations in musical instruments and the development of tonal language have been continual subjects for deliberation from the 19th century onwards at the latest. Additional brain power is necessary to conciliate the two elements with the endless possibilities of electronic sound. In the end, the two factions cannot resolve on a conclusive opinion and the question remains as to whether art always results from skill.
Evángelos Odysséas Papathanassíou, or Vangelis for short, always worked with the newest synthesizer equipment and pushed his cascades of sound to the very edge, right up to the point of electronic overkill. In contrast to many other electronics experimentalists of his time, Vangelis likes to »create important melodies and to develop them further, without going under in the technical equipment« (Stereo Review). Distant human voices, siren-like lost calls lead into oriental dance. A song – far removed from its era – somewhere between Gregorian music and antiphony – a will-o‘-the-wisp, shimmering sound. Polyphonic playing on the Bösendorfer reminds one that every form of musical expression from over the sands of time is welcome. Each listener must discover for himself what sounds heavenly or hellish. But let it be said: musically speaking, the one cannot be imagined without the other.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.
All royalties and mechanical rights have been paid.

Recording: September 1975 at Nemo Studios, London, by Alan Lucas
Production: Vangelis
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Costin Miereanu - Luna Cinese
Costin Miereanu
Luna Cinese
LP | 1975 | EU | Reissue (Dialogo/Cramps)
25,99 €*
Incl. VAT plus Shipping Costs
Release: 1975 / EU – Reissue
Genre: Electronic & Dance
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At long last, after decades out of print, the Milan based imprint, Dialogo, dives into the legendary catalog of Cramps, bringing forth the first ever vinyl reissue of Costin Miereanu's "Luna Cinese", part of an ongoing initiative dedicated to bring the imprint’s seminal output back into the light. Easily one of the most singular and important experimental albums of the 1970s that remains as engrossing, creatively riveting, and as ahead of its time today as it was in 1975, this is as exciting as reissues come. Complete with new English translation of their original liner notes, it can’t be missed! Edition of 500 LP on black vinyl. Audiophile pressing. Gatefold cover, including printed inner. Perfect replica of the original packaging (with additional translated liner notes) and newly remastered for optimal sound.** Of all the historic labels associated with experimental music, few have garnered as much affection, or as devoted a following, as the Italian imprint Cramps. Its catalog reads like a who's who of the 1970s musical avant-garde, housing seminal albums by John Cage, Gruppo di Improvvisazione Nuova Consonanza, Giusto Pio, Demetrio Stratos, Juan Hidalgo, Robert Ashley, Walter Marchetti, Cornelius Cardew, Raul Lovisoni / Francesco Messina, Alvin Lucier, Derek Bailey, and so many more, the vast majority of which have remained largely out of print and nearly impossible to obtain for decades. Now, at long last, the Milan based imprint, Dialogo, has begun a stunning series of vinyl reissues from Cramps' Nova Musicha series - dedicated to contemporary avant-garde composers - beginning with Costin Miereanu’s Luna Cinese, originally released in 1975. Fully remastered and housed in a sleeve that beautifully reproduces the album’s signature design, complete with brand a new English translation of the original liner notes, this is a truly historic event. For its impact, Cramps was a relatively short-lived endeavor, running for roughly seven years between 1973 and 1980. Founded in Milan by the producer, publisher, and graphic designer, Gianni Sassi - publisher of counter-cultural magazines like Bit and Frankenstein, and the designer behind numerous covers for Bla Bla, including Franco Battiato's Fetus and Pollution - Cramps was the pitch perfect emblem of revolutionary Italian temperaments of its era; creatively radical, globally minded, without profit motive, and bridging numerous musical idioms, from progressive rock and jazz, to some of the most forward thinking and singular expression of sonic experimentalism the world has ever seen. Of all the seminal figures that recorded for Cramps, the Romanian / French composer, Costin Miereanu, remains among the most distinct and under-appreciated. The reemergence of his debut LP, Luna Cinese, issued by the label in 1975, will likely change that. Over the last decade or so, Miereanu has developed something of a cult following among experimental fans because of his stunning series of albums issued during the 1980s on his own Poly-Art imprint, skirting the border of ambient music and minimalism in highly individual ways. Luna Cinese, which dives into far more explicitly experimental territory, will undoubtedly be a revelation and expose the true underpinnings of the work that would begin to emerge of the next decade and a half. During his early years, Costin Miereanu was something of a wunderkind of avant-garde and experimental music. Born in Bucharest, between 1960 to 1966 he was a student of Alfred Mendelsohn, Dan Constantinescu, and Lazar Octavian Cosma, before moving to Paris where he earned a Doctor of Letters and a Doctor of Musical Semiotics, winning numerous prizes in writing, analysis, music history, esthetics, orchestration, and composition. Between 1967 and 1969 he was a student of Karlheinz Stockhausen, György Ligeti, and Ehrhard Karkoschka at the Internationale Ferienkurse für neue Musik in Darmstadt, laying the final groundwork for a stunning career as both a composer and noted academic over the years since, often combining techniques drawn from Satie with the abstraction of Romanian traditional music into a sonic fabric that is guided by systems associated with Musique concrète. Luna Cinese, issued as the composer's debut LP by Cramps in 1975, is a stunning combination of all these elements. The work - stretching across the album's two sides, consists of continuous low-density repetitions, build from what the composer describes as “the kind of 'woven' silence you find on mountains – occasionally disturbed by irregular and very dense insertions – the kind of intense noise you find in the city.” The result, combining a vast range of environmental sound, voices chattering in various languages, fragments of acoustic instrumentation, and the pulsing and ambiences of synths and electronics, is about as singular and beautiful as experimental works from the 1970s come, while never for a moment sacrificing rigour or tension. A truly stunning, interwoven sonic expanse that lays pregnant with multiple meaning and interpretations - conceived by the composer to illuminate the complex ways in which meaning and narrative are constructed across time - and imbued with surrealism and the 'schizoid', Luna Cinese stands as an entirely distinct and original gesture within the canon of experimental music, displaying a remarkable density, while open, airy, and encouraging the subjectivity of the listener to play an active part. Easily among the best and important works from the original Cramps catalog, but sinfully overlook over the years since its release, Luna Cinese is as good as they come and an absolutely riveting and immersive listen. Issued by Dialogo in this newly remastered vinyl edition - the first since 1975 - with its original liner notes by Miereanu in a brand-new English translation, this one is impossible to recommend enough and will leave the composer ringing in your mind for a long time to come.
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Martin Davorin Jagodic - Tempo Furioso (Tolles Wetter)
Martin Davorin Jagodic
Tempo Furioso (Tolles Wetter)
LP | 1975 | EU | Reissue (Dialogo)
25,99 €*
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Release: 1975 / EU – Reissue
Genre: Electronic & Dance
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Martin Davorin Jagodić (1935 – 2020) was a Croatian contemporary music composer and educator. His work includes theatre music, graphic scores, instructions for performances, multimedia installation art, radio art, electroacoustic music on tape as well as experimental film soundtracks. Despite a very long series of performances during the years, only one single LP has officially been released under his name, named Tempo Furioso (Tolles Wetter), a collage of electronic and ‘found sounds’ divided in two long movements (one for each side of the LP). Originally released on the Italian Cramps Records label as the 8th volume of the Nova Musicha series dedicated to contemporary avant-garde composers, Tempo Furioso is now made available again on Dialogo in a faithful reproduction of the original gatefold cover artwork, including also an inner sleeve with the English translation of the liner notes. From the original liner notes of “Tempo Furioso”: My first thought was to state that ‘Tempo Furioso’ is a version of the song entitled ‘Tolles Wetter’. But things are not so straight-forward (after all, what is a version?), so I prefer to talk a bit about ‘Tolles Wetter’. This way, I am sure that I will be able to avoid illustrating the relationships existing between the ‘version’ of ‘Tempo Furioso’ and the ‘original’, namely the music of ‘Tolles Wetter’. Reading the diagram of ‘Tolles Wetter’ will help in listening to the record. It will also explain why I am forced to avoid the terms ‘version’ or ‘variation’. These expressions, for several years now, have become faithful counterparts to certain compositions featuring ‘multiple possible versions’; they make us almost automatically think of any ‘Third Sonata’, ‘Klavierstück XI’ or other open works of this kind. Because all of this is very far from my work, I do not want to use any of these terms. They would inevitably mislead the listener [...]. I’m saying all this in order to reassure the listener, who might otherwise think they are in front of a second-hand work (a minor version) and would therefore feel deprived, almost robbed, of the original. So, what is ‘Tolles Wetter’? The actualisation of a (musical) situation – a place, an action – in which we are at home, well warmed up, in our room, while outside there is a storm. The disturbing elements – atmospheric or otherwise – are already there and will eventually find their way into our space. (Have you ever noticed that there are places, whole cities, that are penetrated by frequencies that create a particular kind of sound – oscillations that are in the air?). They can be fire, or some annoying ‘Tafelmusik’ (“what’s going on under my table?”), wood creaking, wind blowing, as well as lines connecting us with the outside world, far away as it might be (radio stations, for instance). Now, little by little, our situation becomes more complex. It is no longer a question of one story but of several. Bad weather has definitively stabilised (this does not mean that the action always has to be actualised in a violent way; not all possible actualisations are like ‘Tempo Furioso’). Weather and time-duration are confused, we are invaded by memories, by projects... The different situations appear more and more like crystallised and superimposed objects/images, as if one wanted to be everywhere at the same time. Zigzagging through time, stumbling, enlarging the picture... reading makes its way into this picture. Of course, not all actions can be performed at the same time. The overall actualisation/hearing will depend on the organisation of the connections. In sight of a global actualisation/hearing, roles are distributed, and the scripts of the different versions of the same story are written. At this point, we can already better understand the sense in which - regarding the relationship between ‘Tolles Wetter’ and ‘Tempo Furioso’ - the term ‘version’ has little meaning. Let’s say, therefore, that ‘Tempo Furioso’ is a possible actualisation that came to be because of its recording. This also explains why – and perhaps helps instigate – different and diverse possibilities of overlapping sides and records are proposed.
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Sammy Burdson, Klaus Weiss & Larry Robb - Dramatic Tempi / Larry Robbins Background
Sammy Burdson, Klaus Weiss & Larry Robb
Dramatic Tempi / Larry Robbins Background
LP | 1975 | EU | Reissue (Be With)
24,99 €*
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Release: 1975 / EU – Reissue
Genre: Organic Grooves, Electronic & Dance
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C-l-a-s-s-i-c library breaks and beats set of heavy drums and louche funk. One of two Be With forays into the archives of revered British library institution Conroy, we present one of our favourites on the label - the super in-demand Dramatic Tempi / Larry Robbins Background Rhythms, originally released in 1975. Rare and sought-after for many years now, this is one of those cult library LPs that rarely turns up on even the deepest dig. As a single LP, Dramatic Tempi / Larry Robbins Background Rhythms is two distinctly different collections of music. The first side, Dramatic Tempi, is made up of four tracks each from Sammy Burdson and Klaus Weiss. Sammy Burdson was one of the many, many aliases of the mighty Austrian composer, arranger and conductor, Gerhard Narholz. Founder of adored library label Sonoton in 1965, and a classically trained composer, his work runs from easy listening through pop, jazz and electronic, to avant-garde. About as cult as it gets when it comes to library music legends (German or otherwise), he produced essential records on German library labels Coloursound, Selected Sound and Sonoton.
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Sammy Burdson - Background Action
Sammy Burdson
Background Action
LP | 1975 | EU | Reissue (Be With)
24,99 €*
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Release: 1975 / EU – Reissue
Genre: Organic Grooves, Electronic & Dance
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C-l-a-s-s-i-c library breaks and beats set of super-heavyweight espionage-funk. One of two Be With forays into the archives of revered British library institution Conroy, we present one of our favourites on the label - the super in-demand Background Action from Sammy Burdson, originally released in 1975. Rare and sought-after for many years now, this is one of those cult library LPs that rarely turns up on even the deepest dig. Sammy Burdson was one of the many, many aliases of the mighty Austrian composer, arranger and conductor, Gerhard Narholz. Founder of adored library label Sonoton in 1965, and a classically trained composer, his work runs from easy listening through pop, jazz and electronic, to avant-garde. Background Action’s first side is all Blaxploitation wah-wah, funky clav and heavy, heavy drums. It’s top-quality takes on the sort of hard-knocking psychedelic sleuth-funk that the library labels gave us in spades.
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Daniela Casa - America Giovane N. 2
Daniela Casa
America Giovane N. 2
LP | 1975 | EU | Reissue (Vinyl Magic)
28,99 €*
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Release: 1975 / EU – Reissue
Genre: Electronic & Dance
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At the end of the '60s in Italy - but also abroad, especially in France and England - a very particular trend began to spread, that one known as 'Library music' or 'sonorization': as suggested by its name, those were real music libraries intended for the accompaniment of audiovisual productions such as television programs, advertisements, documentaries and films. Since they were created in total artistic freedom condition, they are often difficult if not impossible to catalog, as they're not anchored to a specific musical genre; this freedom also allowed the authors to compose, sometimes in the most complete anonymity, experimental and avant-garde music, capable of anticipating the sounds that only many years later would have been widespread on a larger scale. Daniela Casa (1944 - 1986) was a singer and composer, wife of another library music artist, Remigio Ducros, who wrote "America Giovane" (Young America), an LP that ideally precedes this second chapter. Originally released in 1975, "America Giovane N. 2" is today - like almost the entire Edizioni Leonardi catalog - extremely rare and among the most sought-after by collectors. Musically, it shares with the aforementioned "America Giovane" a remarkable stylistic variety: from folk to psychedelia, from funk to rhythm 'n blues but, unlike the first volume, on this record there's a more or less evident jazz aura ("Fix" and "Soft Bird" are practically two short free-jazz excursions!) that makes it even more interesting and unique. "America Giovane N. 2" is part of a reissues series, made in collaboration with Edizioni Leonardi (Milan, Italy), of extremely rare library music LP's published between late '60s and early '70s, most of which have never been released again until today, and that are finally made available again for collectors and sonorization music lovers. First official reissue ever on black vinyl.
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Kraftwerk - Radio-Activity Japan Import Edition
Kraftwerk
Radio-Activity Japan Import Edition
CD | 1975 | JP | Reissue (Warner)
19,99 €*
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Release: 1975 / JP – Reissue
Genre: Electronic & Dance
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Edgar Froese - Epsilon In Malaysian Pale Record Store Day 2022 Green/Milky Clear Vinyl Edition
Edgar Froese
Epsilon In Malaysian Pale Record Store Day 2022 Green/Milky Clear Vinyl Edition
LP | 1975 | US | Reissue (Culture Factory)
24,99 €*
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Release: 1975 / US – Reissue
Genre: Electronic & Dance
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Limited to 3500 copies.

Epsilon in Malaysian Pale... which could be described as part of the "Phaedra Rubycon Epsilon" trilogy, shows Froese's impressions after the Australian Tangerine Dream concert tour, in relation to the flora and fauna there. Froese creates here a lush sonic atmosphere, the music matches the cover artwork perfectly. The music is harmonic and melodic. A sun-drenched musical landscape that is in no way inferior to the most famous Tangerine Dream albums.

It was not without reason that both David Bowie and Björk named Epsilon in Malaysian Pale as one of their inspirations.
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Ennio Morricone - Controfase
Ennio Morricone
Controfase
LP | 1975 | EU | Reissue (Holy Basil)
26,99 €*
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Release: 1975 / EU – Reissue
Genre: Electronic & Dance
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Composed by Ennio Morricone alongside friend and frequent collaborator Bruno Nicolai, "Controfase" is one of the most overlooked and lesser known chapters in the maestro's extensive catalog. Various experimental elements perfectly intertwine in these skilful compositions, Vcs3 blend with hair-raising violin notes on a pattern of ominous percussions by Egisto Macchi. With the precious help of Gruppo di Improvvisazione Nuova Consonanza as well as Edda Dell'Orso angelic voice, the two masterminds have crafted a true hidden gem.
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Silver Convention - Save Me
Silver Convention
Save Me
LP | 1975 | JP | Original (Victor)
9,74 €* 12,99 € -25%
Incl. VAT plus Shipping Costs
Release: 1975 / JP – Original
Genre: Organic Grooves, Electronic & Dance
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Used Vinyl
Medium: VG, Cover: Generic
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Mario Molino - Antico E Moderno
Mario Molino
Antico E Moderno
LP | 1975 | EU | Reissue (Holy Basil)
27,54 €* 28,99 € -5%
Incl. VAT plus Shipping Costs
Release: 1975 / EU – Reissue
Genre: Organic Grooves, Electronic & Dance
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Following our reissue of Silvano Chimenti's classic "Disco Music", we're happy to delve back into the Usignolo catalog with the reissue of C 364, one of the most iconic releases of the series, the incredible "Antico E Moderno" by Mario Molino. Bringing some of the most eccentric, chaotic and spaced out vibes you could hear in the mid 70's, Molino's mind bending arrangements are timeless classics, still standing the test of time and showing how he was way ahead of his time. Literally translating to "Ancient and Modern", showcases Molino's unique blend of traditional and contemporary musical styles, creating a captivating auditory experience for listeners.
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Synergy - Electronic Realizations For Rock Orchestra
Synergy
Electronic Realizations For Rock Orchestra
LP | 1975 | US | Original (Passport)
7,99 €*
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Release: 1975 / US – Original
Genre: Electronic & Dance, Classical Music
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Used Vinyl
Medium: VG, Cover: VG+
Clear vinyl is close to VG+.
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Edgar Froese - Ypsilon In Malaysian Pale
Edgar Froese
Ypsilon In Malaysian Pale
LP | 1975 | DE | Reissue (Brain)
38,99 €*
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Release: 1975 / DE – Reissue
Genre: Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: VG+
1977 reissue. Slight corner wear.
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Brian Eno - Discreet Music
Brian Eno
Discreet Music
2x12" | 1975 | EU | Reissue (Virgin EMI)
40,99 €*
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Release: 1975 / EU – Reissue
Genre: Electronic & Dance
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Used Vinyl
Medium: Sealed, Cover: Sealed
Still sealed. 2018 reissue. Limited edition.
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Tangerine Dream - Rubycon
Tangerine Dream
Rubycon
LP | 1975 | EU | Original (Universal)
20,99 €*
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Release: 1975 / EU – Original
Genre: Electronic & Dance
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Füsun Önal - Çatla Patla / İnsanciklar
Füsun Önal
Çatla Patla / İnsanciklar
7" | 1975 | TR | Original (CBS)
19,99 €*
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Release: 1975 / TR – Original
Genre: Organic Grooves, Electronic & Dance, Pop
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Used Vinyl
Medium: VG, Cover: Generic
Cover is missing.
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Chocolate Milk - Action Speaks Louder Than Words
Chocolate Milk
Action Speaks Louder Than Words
LP | 1975 | EU | Reissue (Music On Vinyl)
47,99 €*
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Release: 1975 / EU – Reissue
Genre: Electronic & Dance
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Jan Hammer - The First Seven Days
Jan Hammer
The First Seven Days
LP | 1975 | US | Original (Nemperor)
8,99 €*
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Release: 1975 / US – Original
Genre: Organic Grooves, Electronic & Dance
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Used Vinyl
Medium: VG, Cover: G+
Writing on labels.
Writing on cover.
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Modulations - It's Rough Out Here
Modulations
It's Rough Out Here
LP | 1975 | EU | Reissue (Music On Vinyl)
30,99 €*
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Release: 1975 / EU – Reissue
Genre: Electronic & Dance
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V.A. - Vom Kopf - Zum Hörer
V.A.
Vom Kopf - Zum Hörer
LP | 1975 | DE | Original (Deutsches Rundfunk-Museum)
3,99 €*
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Release: 1975 / DE – Original
Genre: Organic Grooves, Rock & Indie, Electronic & Dance, Soundtracks
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Used Vinyl
Medium: VG, Cover: VG
Lamination is coming loose. Slightly warped vinyl, but still enjoyable
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Ananda Shankar - Ananda Shankar And His Music
Ananda Shankar
Ananda Shankar And His Music
LP | 1975 | Reissue (Mr Bongo)
23,99 €*
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Release: 1975 / Reissue
Genre: Electronic & Dance
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Preorder shipping from 2024-11-29
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Roberto Cacciapaglia - Sonanze
Roberto Cacciapaglia
Sonanze
LP | 1975 | US | Reissue (Superior Viaduct)
25,99 €*
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Release: 1975 / US – Reissue
Genre: Electronic & Dance
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Roberto Cacciapaglia is an Italian composer and pianist who started out in the fertile Milan avant-garde scene of the 1970s, which included Franco Battiato, Giusto Pio, Lino Capra Vaccina, Francesco Messina, among others. After studying at the conservatory, he worked at RAI's Studio of Musical Phonology – an electronic music laboratory similar to Ndr/wdr in Germany, Grm/ircam in France or BBC Radiophonic Workshop.

Sonanze (Sonatas) is Cacciapaglia's debut album, a monumental work that was recorded over a two-year period and released in 1975 via seminal German label Die Kosmischen Kuriere (Ohr). While a "sonata" is traditionally performed by easily distinguishable instrumentalists (often soloist and accompaniment) and with repeated structural themes, Cacciapaglia flips this hierarchical form on its head – blending harpsichord, strings, brass and analog synths to create ambient mini-soundtracks.

As the composer writes in the original sleeve notes, "I am aware, unfortunately, that I am a few millennia late in how I would like music to be understood, which today I find diluted in its primary powers, in an era that is destructive of essential values. Precisely for this reason, I want to search for it in depth and not on the surface, perhaps alternating the knob of a synthesizer with a marranzano (mouth harp)."

Mixed in quadrophonic surround-sound under the auspices of Rolf-Ulrich Kaiser (celebrated producer of Tangerine Dream and Ash Ra Tempel), Sonanze remains on the fringe of Kosmische realms. Each movement explores hypnotic rhythms, intuitive arrangements, musique concrète techniques and a pure psychedelic awakening.
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Silver Convention - Save Me
Silver Convention
Save Me
LP | 1975 | JP | Original (Victor)
18,99 €*
Incl. VAT plus Shipping Costs
Release: 1975 / JP – Original
Genre: Organic Grooves, Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: VG+
Vinyl with a couple of light scuffs. Japanese pressing with OBI and insert.
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Jean-Michel Jarre - Equinoxe
Jean-Michel Jarre
Equinoxe
LP | 1976 | EU | Reissue (Sony)
27,99 €*
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Release: 1976 / EU – Reissue
Genre: Electronic & Dance
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Doc Severinsen - I Wanna Be With You DJ Harvey Edit
Doc Severinsen
I Wanna Be With You DJ Harvey Edit
12" | 1976 | EU | Reissue (Epic)
11,99 €*
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Release: 1976 / EU – Reissue
Genre: Electronic & Dance
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Monstrous mid-tempo Disco groovings on this one, giving the Avergae White Band a run for their money. Doc Severinsen, the renowned Jazz hornsman dropping some tight ass Funk on this rare as hens teeth Epic white label promo. This is a fully legit reissue borne out of an Above Board / Sony music collaboration, repressed from the official sources. The original 1976 promo 12" had the same track on both sides as promos often did back then so we've decided to include a special version on the flip, a lovingly tweaked re-edit from the cult leader himself - DJ Harvey. Harv's edit has been around for a minute, but this version backing the OG 76 Disco mix makes this 12" a bonafide 'must grab' for all Disco enthusiasts
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Heldon - IV (Agneta Nilsson)
Heldon
IV (Agneta Nilsson)
LP | 1976 | EU | Reissue (Bureau B)
27,99 €*
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Release: 1976 / EU – Reissue
Genre: Electronic & Dance
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Thomas Hamilton - Pieces For Kohn
Thomas Hamilton
Pieces For Kohn
LP | 1976 | EU | Reissue (Mental Experience)
21,99 €*
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Release: 1976 / EU – Reissue
Genre: Electronic & Dance
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Spaced out bleeps & bloops and wild ARP synth freakouts from 1976!
“Pieces For Kohn”, as the title suggests, included four electronic pieces composed by Tom Hamilton as musical responses to 3-D geometric paintings by artist Bill Kohn.
A renowned audio producer and electronic composer, among other many things, you’ve probably have seen Tom Hamilton’s name in the credits of many albums by Robert Ashley and on releases from labels like Lovely Music, Pogus Productions, New World Records, etc.
Tom was first introduced to electronic music in 1965, while he was an undergraduate in Milwaukee, thanks to a lecture by Vladimir Ussachevsky illustrated with examples of electronic composers of the day: Bülent Arel, Karlheinz Stockhausen, Pierre Henry, Milton Babbitt…Encouraged by his teacher, Thom David Mason, Tom started to build audio circuits and battery-operated boxes that produced or modified sounds.
In 1969, Tom moved to St. Louis. After graduating at Washington University, he was offered a job to design, purchase, and build an electronic music and recording studio there. He now had continuing access to commercially built synthesizers and by the mid 1970s Tom found that working with electronic music was more satisfying to him than other musical endeavors.
The idea for the “Pieces for Kohn” album came from a studio visit with St. Louis artist Bill Kohn. Tom was an admirer of his work, which combined vibrant color combinations to fulfill 3-D geometric and architectural compositions in paintings, prints, and watercolors.
Bill proposed that Tom composed music for his art exhibition opening at a famous St. Louis gallery and Tom decided to simultaneously release that work on LP. Tom picked four of the paintings that he liked the most and titled his four pieces correspondingly. The recording took place at the Washington University Electronic Music / Recording Studio – the studio that Tom designed and first built in 1971 and then moved and rebuilt in 1974 (where it resides to date).
The original tapes were performed at the opening of Bill Kohn's exhibit at the Terry Moore Gallery in St. Louis, in January, 1976 and then Tom did a limited pressing of the album on his own label, Somnath Records.
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Mesias Maiguashca - Oeldorf 8
Mesias Maiguashca
Oeldorf 8
LP | 1976 | EU | Reissue (Karl)
18,99 €*
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Release: 1976 / EU – Reissue
Genre: Electronic & Dance, Classical Music
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A download code is included. First-ever official re-issue of the Ecuadorian composer’s stunning electroacoustic composition “Oeldorf 8” on vinyl and CD. Remastered by Kassian Troyer at D&M, Berlin. Mesías Maiguashca (b. December 24th, 1938 in Quito / Ecuador) is a composer of Neue Musik, especially electroacoustic music, who studied at the Conservatorio Nacional de Quito, at the Eastman School of Music in Rochester, NY (1958–65), with Alberto Ginastera at the Instituto di Tella in Buenos Aires, at the Hochschule für Musik in Cologne and, after a short return to Ecuador, attended the Internationale Ferienkurse für Neue Musik in Darmstadt and the Fourth Cologne Courses for New Music in 1966–67 where he studied with Karlheinz Stockhausen. From 1968 to 1972, Maiguashca worked closely with Stockhausen in the Electronic Music Studio of the Westdeutscher Rundfunk in Cologne and joined Stockhausen's ensemble for performances at the German Pavilion at the Expo '70 in Osaka. In 1971 he became a founding member of the Oeldorf Group of composers and performers, and began work at the Centre Européen pour la Recherche Musicale in Metz, at Ircam in Paris, and at the ZKM in Karlsruhe. From 1990 – 2004 Maiguashca was Professor of Electronic Music at the Musikhochschule of Freiburg im Breisgau where he still lives today.
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Kennlisch - Kennlisch
Kennlisch
Kennlisch
LP | 1976 | EU | Reissue (Wah Wah)
20,99 €*
Incl. VAT plus Shipping Costs
Release: 1976 / EU – Reissue
Genre: Rock & Indie, Electronic & Dance
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Kënnlisch, one of the rarest haunting psychedelic acid folk LPs from France, was the work of brothers Philippe and Jean-François Macherey.

Originally released in 1976 on the mega collectable label Le Kiosque d'Orphée, it contains some of the most beautiful sounds to come out of the 1970s alternative music scene.

An instrumental album, it opens with a burst of sunshine vibes and takes them into the experimental scene of French alternative folk avantgarde with a strong Cosmische influence. Beauty is the word, grown over acoustic guitar parts harmonised with the most elegant Moog Satellite lines you'll ever hear to create atmospheres of sound that make this is the perfect record for your mind to float away on a peaceful Sunday morning under a clear blue sky - it does have that therapeutic quality that we miss so much in modern music.

Wah Wah presents the very first official reissue of this mega rare LP, housed in it's original minimalist hand made artwork with the little upgrade twist of silk-screen printing and including a 4-page colour booklet with photos and text provided by the Macherey brothers themselves.

500 copies only!
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Alvin Lucier - Bird And Person Dyning
Alvin Lucier
Bird And Person Dyning
LP | 1976 | EU | Reissue (Dialogo)
25,99 €*
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Release: 1976 / EU – Reissue
Genre: Electronic & Dance
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Alvin Lucier (born May 14, 1931) is an American composer of experimental music and sound installations that explore acoustic phenomena and auditory perception. Much of his work is influenced by science and explores the physical properties of sound itself: resonance of spaces, phase interference between closely tuned pitches, and the transmission of sound through physical media. Bird and Person Dyning is his first solo recorded work; originally released on the Italian Cramps Records label as the 11th volume of the Nova Musicha series dedicated to contemporary avant-garde composers, Bird and Person Dyning is now made available again on Dialogo in a faithful reproduction of the original gatefold cover artwork, including also an inner sleeve with the English translation of the liner notes. From the original liner notes of “Bird and Person Dyning”: The Duke of York (1972) “A long time ago I wanted to build a grotesque jukebox. I thought of merging three or four old jukeboxes and then recording sounds on 45s, so that you could mix the sounds together. [...] The original idea of this work was about the power of singers and vedettes in our society and the hypothesis that their vocal personalities are present in our memory at different levels and, in addition, that all of us, living or dead, might somehow be part of a huge composite identity that is constantly changing with the birth and arrival of new people. The Duke of York is an attempt to elaborate these ideas. A single performer chooses and determines the order of an indefinite number of whole songs, speeches, arias, selected excerpts from books, letters, poems, films, plays, TV series or any other vocal sounds, including non-human ones. The actual duration of these sounds is altered by one or more people using synthesisers or other electronic tools, basing their choices on memories or similar experiences. Once altered, for example through a filter, the example can no longer be undone, and other changes must be made to the previous examples. The effect is that of a vocal identity made of layers of separate and partial iden tities. [...] The Duke of York was composed in 1971 and was performed in its current version on 19 February 1972 at the Metropolitan Museum of Modern Art in New York. Bird and Person Dyning (1975) for performers with microphones, amplifiers, speakers and a sound object. One day I got an electronic bird in the mail. It was a silver ball with an electrical cord that, when connected, made a sound similar to that of a chirping bird [...]. A few months later I read an article in «Scientific American» about how certain birds that fly at night, particularly the bunting, cross long distances by partly orienting themselves looking at the position of the stars in relation to the rotation of Earth [...]. I owned a Sennheiser binaural microphone consisting of two mini microphones which, when introduced into the ears of a dummy or a person, faithfully reproduced the sounds as heard when they were bouncing inside the head and in the ear canals. I began experimenting by moving the sounds of the bird between two speakers, listening to them through the two mini microphones inserted in my ears, as I walked slowly through the space between the two speakers. The amplified chirps moved left and right according to my movements, creating small time delays and phase-shifts in relation to the position of the motionless bird. Sometimes the microphones would resonate with the loudspeakers, thus generating a Larsen feedback, and I could control the timbre and volume with small head movements [...]. A performance of Bird and Person Dyning is a live exploration of these phenomena. The title is meant as an exact description of the activity.
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Coke Escovedo - Comin' At Ya!
Coke Escovedo
Comin' At Ya!
LP | 1976 | EU | Reissue (Music On Vinyl)
26,99 €*
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Release: 1976 / EU – Reissue
Genre: Electronic & Dance
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180 gram audiophile black vinyl. Joseph Thomas Escovedo, better known as Coke Escovedo, was an American percussionist who played in several genres, including jazz fusion, R&B, and soul. In 1976 he released his second solo studio album Comin' At Ya!, which counts 11 Latin rooted tracks and was produced by the synthesizer pioneer Patrick Gleeson.
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Mort Garson - Mother Earth's Plantasia Green Vinyl Edition
Mort Garson
Mother Earth's Plantasia Green Vinyl Edition
LP | 1976 | US | Reissue (Sacred Bones)
26,99 €*
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Release: 1976 / US – Reissue
Genre: Electronic & Dance
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If you purchased a snake plant, asparagus fern, peace lily, or what have you from Mother Earth on Melrose Avenue in Los Angeles (or bought a Simmons mattress from Sears), you also took home Plantasia, an album recorded especially for plants. Subtitled “warm earth music for plants…and the people that love them,” it was full of bucolic, charming, stoner-friendly, decidedly unscientific tunes enacted on the new-fangled device called the Moog. Plants date back to the dawn of time, but apparently, they loved the Moog, never mind that the synthesizer had been on the market for just a few years. Most of all, the plants loved the ditties made by composer Mort Garson.
Few characters in early electronic music can be both fearless pioneers and cheesy trend-chasers, but Garson embraced both extremes, and has been unheralded as a result. When one writer rhetorically asked: “How was Garson’s music so ubiquitous while the man remained so under the radar?” the answer was simple. Well before Brian Eno did it, Garson was making discreet music, both the man and his music as inconspicuous as a Chlorophytum comosum. Julliard-educated and active as a session player in the post-war era, Garson wrote lounge hits, scored plush arrangements for Doris Day, and garlanded weeping countrypolitan strings around Glen Campbell’s “By the Time I Get to Phoenix.” He could render the Beatles and Simon & Garfunkel alike into easy listening and also dreamed up his own ditties. “An idear” as Garson himself would drawl it out. “I live with it, I walk it, I sing it.”
But as his daughter Day Darmet recalls: “When my dad found the synthesizer, he realized he didn’t want to do pop music anymore.” Garson encountered Robert Moog and his new device at the Audio Engineering Society’s West Coast convention in 1967 and immediately began tinkering with the device. With the Moog, those idears could be transformed.
“My mom had a lot of plants,” Darmet says. “She didn’t believe in organized religion, she believed the earth was the best thing in the whole world. Whatever created us was incredible.” And she also knew when her husband had a good song, shouting from another room when she heard him humming a good idear. Novel as it might seem, Plantasia is simply full of good tunes.
Hearing Plantasia in the 21st century, it seems less an ode to our photosynthesizing friends by Garson and more an homage to his wife, the one with the green thumb that made everything flower around him. “My dad would be totally pleased to know that people are really interested in this music that had no popularity at the time,” Darmet says of Plantasia's new renaissance. “He would be fascinated by the fact that people are finally understanding and appreciating this part of his musical career that he got no admiration for back then.” Garson seems to be everywhere again, even if he’s not really noticed, just like a houseplant.
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V.A. - I.D. Art #2 L
V.A.
I.D. Art #2 L
LP | 1976 | US | Reissue (Etats-Unis)
35,99 €*
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Release: 1976 / US – Reissue
Genre: Organic Grooves, Electronic & Dance
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Los Angeles Free Music Society (lafms) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, Lafms incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah Record Shop in old Pasadena. Inspired by The Residents, Lafms self-released records and periodicals, organized performances and connected with fellow outsiders via post in the years before punk. Their uninhibited, egalitarian ideal of music-making and DIY distribution would influence generations of underground musicians. Lafms primarily reached outside Los Angeles via word-of-mouth and the United States Postal Service, foreshadowing the self-publishing and cassette trading networks of post-punk and industrial subcultures. In 1976, Joe Potts solicited recordings from Lafms affiliates and admirers to edit and compile I.D. Art #2, utilizing correspondence art's technique of "assemblings." (The first installment in this series was a magazine, and the third was a coloring book.) Potts received dozens of pieces by members of Le Forte Four, Doo-Dooettes, Smegma and Ace & Duce as well as painters, filmmakers and non-artists with few recording credits to their name, creating a delirious, winking sound-art collage of field recordings, voicemails and improvisations. Participants purchased time on the record and received one copy each of the finished LP, realizing the philosophy contained in Lafms' motto: "The music is free, but you have to pay for the plastic, paper, ink, glue and stamps." This first-time vinyl reissue is limited to 500 numbered copies. Comes with insert.
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Le Forte Four / Doo-Dooettes - Lafms Live At The Brand
Le Forte Four / Doo-Dooettes
Lafms Live At The Brand
2LP | 1976 | US | Reissue (Etats-Unis)
40,99 €*
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Release: 1976 / US – Reissue
Genre: Rock & Indie, Electronic & Dance
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Los Angeles Free Music Society (lafms) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, Lafms incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah Record Shop in old Pasadena. Inspired by The Residents, Lafms self-released records and periodicals, organized performances and connected with fellow outsiders via post in the years before punk. Their uninhibited, egalitarian ideal of music-making and DIY distribution would influence generations of underground musicians. Live At The Brand documents the second performance of newly formed Lafms core groups Le Forte Four and Doo-Dooettes on July 8, 1976 at the recital hall of the Brand Library in Glendale. Le Forte Four (now joined by Tom Potts) did not actually perform live, but rather created 44 pyramid-shaped headphone helmets with internal quadraphonic speakers and countless wires in order to share their latest tape assemblages with showgoers deprived of sight. The recordings delivered in this Fluxus-inspired manner feature the Buchla synthesizer at nearby CalArts, radio interpolations, group improvisations, addled outbursts and splices from source material lost to time. Doo-Dooettes – Tom Recchion, Harold Schroeder, Juan Gomez, Dennis Duck and Fredrik Nilsen – performed a series of alternately droning and chaotic duets with guitar, percussion, piano, tape loops and synthesizer, all improvised around loosely structured compositions and culminating in a spontaneous group composition at the end of the program. Originally released in 1976, the double LP would be Lafms' third release. This first-time vinyl reissue is limited to 500 numbered copies. Comes with inserts.
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Stratos Demetrio - Metrodora Red Vinyl Edition
Stratos Demetrio
Metrodora Red Vinyl Edition
LP | 1976 | EU | Reissue (Cramps)
34,99 €*
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Release: 1976 / EU – Reissue
Genre: Electronic & Dance, Classical Music
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David Cunningham - Grey Scale
David Cunningham
Grey Scale
LP | 1976 | US | Reissue (Superior Viaduct)
23,99 €*
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Release: 1976 / US – Reissue
Genre: Electronic & Dance
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David Cunningham was born in Ireland in 1954. His work ranges from pop music to gallery installations including several collaborations with visual artists. His first significant commercial success came with The Flying Lizards' single "Money," an international hit in 1979. Originally released in 1976, Cunningham's first solo album Grey Scale has become a landmark statement of DIY minimalist composition – continuing in the vein of the wild explosion of arthouse experimentation from the early '70s. Cunningham, then a student at the Maidstone College of Art in Kent, drafted fellow student non-musicians and (using whatever instruments available) crafted an endlessly shifting sonic palette with an improvisor's keen sensitivity to space, texture and tone. As Cunningham states in the liner notes, his approach was to "pursue something (which may appear trivial or meaningless) so rigorously or relentlessly to the point that it reveals something new." Cunningham was influenced by live performances he was attending at the time by English composers Cornelius Cardew, Gavin Bryars and Michael Nyman as well as free improvisors Evan Parker, Derek Bailey, David Toop and Paul Burwell. The inaugural release on Cunningham's own Piano label, Grey Scale was indeed "something new" in 1976. The artist quickly integrated his experimental sensibilities to produce art-rock pioneers This Heat, whose debut appeared on Piano in 1979. His popular success performing as The Flying Lizards (with two electro-punk albums on Virgin during the New Wave era) was presaged by this seminal work of fascinating sound collage and tonal freedom. First-time reissue.
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Michel Gonet - Phasing News Volume 1
Michel Gonet
Phasing News Volume 1
LP | 1976 | Reissue (Be With)
27,99 €*
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Release: 1976 / Reissue
Genre: Electronic & Dance
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European funk fusion of the highest order, Michel Gonet's Phasing News Volume 1 is the essential companion piece to the venerated Volume 2. It's truly a library treasure that every home must own. As Tele Music themselves said, it contains "tense and mysterious underscores in a range of styles"; whilst we don't disagree, we'd add swaggering, orchestral drama-funk-jazz-breaks. Vital.

Opener "Moon To Light (Number II) - A" is a total wonder. It's incredible, and what a way to begin a record. The percussion is electrifying, complimenting the dark, heavy piano, eerie organ work, electric guitar soling and rhythm section brilliance. Part B is virtually identical but without the electric guitar. The slow "Soul Cathedral (Number II) - A" is an ambient spacey synth gem which is both beatless and drenched in phased organ. Pretty captivating. Part B plays it rather straighter, a church organ continuing the same melody and tempo but with less of the swirling synthy effects.

"Light In The Rains (Number II) - A" sounds like something Diamond D would've sampled in the mid-to-late 90s, conjuring as it does that peculiar, creeping Axelrod-funk, all eerie electric guitar and organ, bass and spacey effects. Part B loses the electric guitar and adds brass.

The swirling, dramatic "Mondial Scoop (Number II)" has that urgent News At Ten feel with its prominent timpani drums whilst "Mecanic Bird Song" is a frenetic, abstract track with disorientating keyboard interplay.

*Total highlight* "Mephisto Jet (Number II) - A" rides a slick, proto-hip-hop beat with melodic, warm Rhodes yet, thrillingly, casually ups the drama with strings and timpanis. It then returns to its more mellow state. Ace. Part B adds acidy, phased percussion to create a more hypnotic, tripped out feel to proceedings. Part C is half as long but, pared back to just drums and Rhodes, it's arguably twice-as-nice.

To close, the shuffling, bell-laced urgent jazz of "Phasing News - A" is another highlight, riding a great bassline and augmented by ace drums, organ and electric guitar. Part B is also great, removing the guitar and doubling down on the head-nod funk.

The audio for Phasing News Volume 1 has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic Tele Music house sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.
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The Rubettes - The Best Of
The Rubettes
The Best Of
LP | 1976 | JP | Original (State)
31,99 €*
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Release: 1976 / JP – Original
Genre: Organic Grooves, Rock & Indie, Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: VG+
OBI is missing. With insert. Cover is close to NM.
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Tangerine Dream - Stratosfear
Tangerine Dream
Stratosfear
LP | 1976 | US | Original (Virgin)
24,99 €*
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Release: 1976 / US – Original
Genre: Rock & Indie, Electronic & Dance
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Used Vinyl
Medium: VG, Cover: VG+
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Chocolate Milk - Chocolate Milk Colored Vinyl Edition
Chocolate Milk
Chocolate Milk Colored Vinyl Edition
LP | 1976 | EU | Reissue (Music On Vinyl)
31,99 €*
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Release: 1976 / EU – Reissue
Genre: Electronic & Dance
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V.A. - All The Hits Of Monster Disco Sounds
V.A.
All The Hits Of Monster Disco Sounds
LP | 1976 | JP | Original (Overseas)
39,99 €*
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Release: 1976 / JP – Original
Genre: Organic Grooves, Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: VG+
Japanese pressing without OBI
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Franco Leprino - Integrati … Disintegrati
Franco Leprino
Integrati … Disintegrati
LP | 1977 | EU | Reissue (Wah Wah)
21,99 €*
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Release: 1977 / EU – Reissue
Genre: Electronic & Dance
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It was 1977, the year when punk rock exploded in the face of disco-music, but some thinking heads in Italy managed to escape the set trends of the year and walk a totally different path. Pioneers like Franco Battiato had already been experimenting with a crash of rock and electroacoustic music since the beginning of the decade, and others like Roberto Cacciapaglia or Riccardo Zappa would explore farther in those lands, mixing acoustic instruments with the bourgeoning synth technology. Among all these artists, an obscure little gem missed the attention it deserved: Integrati… Disintegrati, by Francesco Leprino, is undoubtedly one of the best albums of the genre. More freely unchained from the prog rock links that albums like Battiato's celebrated Fetus and Pollution LPs or Zappa's Celestion still retain, Leprino merges a very pure classical instrumentation of Spanish guitar, piano and flute with more modern electric guitar sounds, 12 string guitar and -of course- a V.C.S. 3 and Moog synths background that creates highly avantgarde atmospheres. Binson tape echoes, Hammond and Thomas organs, oboes, vibraphone and other additional instruments add texture richness to the final mix.

An outstanding opus split through both sides of an LP in two 20 minutes long pieces that has become a much sought after album among collectors. It will appeal those interested in the development of synth music, beautiful athmosferic landscapes and electronic-acoustic orchestrated sounds.

Reissued under license from Francesco Leprino in a 500 copies limited edition that respects the original artwork, comes with remastered sound and includes an insert with liner notes and photos.
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Kraftwerk - Trans Europa Express Remastered Black Vinyl Edition
Kraftwerk
Trans Europa Express Remastered Black Vinyl Edition
LP | 1977 | EU | Reissue (Parlophone)
38,99 €*
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Release: 1977 / EU – Reissue
Genre: Electronic & Dance, Pop
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Joe Jones - In Performance
Joe Jones
In Performance
LP | 1977 | US | Reissue (Etats-Unis)
36,99 €*
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Release: 1977 / US – Reissue
Genre: Electronic & Dance
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After studying with composers John Cage and Earle Brown, Joe Jones became a prominent figure in Fluxus, contributing to the movement’s first “yearbox” alongside La Monte Young, György Ligeti and Nam June Paik. Beginning in late 1961, Jones began constructing his own music machines – drawing inspiration from the calliopes, automata and orchestrions of the 19th and early 20th century to create self-playing ensembles of stringed instruments, percussion and woodwinds – “played” through an elaborate (yet decidedly lo-tech) system of rubber bands, balls and tin foil.

Christened the Tone Deaf Music Company, this battery of automated musical instruments generates the sounds on In Performance (originally released in 1977 on the Harlequin Art imprint). With exacting conceptual precision and varied subtleties of natural motion – not unlike Harry Bertoia’s sounding sculptures – Jones’ machines produce richly-textured strata of sound and serve as engines of paradox. While bringing the figure of the artist-composer to the foreground, the machines ultimately dispense with the need for the performer entirely – a cunning subversion of the fetish for virtuosity and individual genius.

Limited edition of 500 numbered copies on clear vinyl.
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Kamel Oil Company Band - Mustapha / Petroleo En Bruto
Kamel Oil Company Band
Mustapha / Petroleo En Bruto
7" | 1977 | EU | Reissue (RCA / Victor)
11,99 €*
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Release: 1977 / EU – Reissue
Genre: Electronic & Dance
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From the darkest corners of the RCA vaults we bring you this super rare and wonderful, tripped out cosmic-psych rarity on 45! From 1977 this double-header is an Eastern themed, moog driven oddity from the mysteriously monikered Kamel Oil Company. Written by the legendary Bob Azzam, Eddie Barclay (founder of Barclay Records) & Greek record company owner Antoine Flamaritis, 'Mustapha' is an exotica soaked orchestral monster with choir vocals and string arrangements that only the big boys could call in. This is a serious left-field nugget from the vaults of one of the biggest majors, one ends up thinking - 'how did this come about?!'. On the flip-side we have 'Petrolo En Bruto', which is the real gem here, undoubtedly this one will appeal to fans of the far flung reaches of world music and psych, even those of you who dig the various flavours of Funk from around the globe. A truly special and unique record here, often sought after by the deepest of the crate diggers and obscure sound searchers on a promo 45, this rare EP now sees a fully legit reissue. Made in conjunction with Above Board distribution and RCA this reissue is sourced from their vaults using original materials and remastered and repressed to the highest standard for 2018 and featuring all original 1977 RCA label artwork.
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Didier Bocquet - Eclipse Splatter Vinyl Edition
Didier Bocquet
Eclipse Splatter Vinyl Edition
LP | 1977 | EU | Reissue (Cameleon)
27,99 €*
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Release: 1977 / EU – Reissue
Genre: Electronic & Dance
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Reissue of extremely rare kosmische/electronic/experimental/ambient album by Didier Bocquet, originally released in 1977 on the Kiosque D'Orphe label. Limited to 300 copies on splatter vinyl.
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Electric Light Orchestra - Out Of The Blue Picture Disc
Electric Light Orchestra
Out Of The Blue Picture Disc
2LP | 1977 | EU | Reissue (Sony)
30,99 €*
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Release: 1977 / EU – Reissue
Genre: Electronic & Dance
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