Electronic & Dance Vinyl 1649 Items

Release: 1983 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

12" | 1986 | UK | Original (Space Station)

Covergirl

Stay With Me

Release: 1986 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

John Cage White Vinyl Edition

John Cage

LP | 1974 | EU | Reissue (Cramps)

28,99 €*

Release: 1974 / EU – Reissue

Genre: Electronic & Dance, Classical Music

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Pictures At An Exhibition

Tomita

LP | 1982 | GDR | Reissue (AMIGA)

Release: 1982 / GDR – Reissue

Genre: Electronic & Dance, Classical Music

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1975 | EU | Reissue (Holy Basil)

Ennio Morricone

Controfase

26,99 €*

Pizzazz Definitive Reissue

Release: 1975 / EU – Reissue

Genre: Electronic & Dance

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Composed by Ennio Morricone alongside friend and frequent collaborator Bruno Nicolai, "Controfase" is one of the most overlooked and lesser known chapters in the maestro's extensive catalog. Various experimental elements perfectly intertwine in these skilful compositions, Vcs3 blend with hair-raising violin notes on a pattern of ominous percussions by Egisto Macchi. With the precious help of Gruppo di Improvvisazione Nuova Consonanza as well as Edda Dell'Orso angelic voice, the two masterminds have crafted a true hidden gem.

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Patrice Rushen

2LP | 1979 | EU | Reissue (Strut)

31,99 €*

LP | 1982 | EU | Reissue (WRWTFWW)

Release: 1979 / EU – Reissue

Genre: Electronic & Dance

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Expanded reissue of Patrice Rushen’s seminal album for Elektra in 1979 Includes the 12” versions of ‘Haven’t You Heard’ and ‘Let The Music Take Me’ and a previously unreleased instrumental take of ‘Givin’ It Up Is Givin’ Up’ Official release featuring full interview with Patrice Rushen about the making of the album & rare photos from photographer Bobby Holland Fully remastered from the original ¼” tapes

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Interior

24,99 €*

LP | 1987 | EU | Original (CBS)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Wrwtfww Records is very happy to announce the official vinyl reissue of the highly sought-after Haruomi Hosono-produced Interior self-titled debut, originally released in 1982 on legendary label Yen Records. The LP comes in a heavy 350gsm sleeve. Interior is Daisuke Hinata, Eiki Nonaka, Mitsuru Sawamura, and Tsukasa Betto. Their classic 1982 debut, produced by Yellow Magic Orchestra's Haruomi Hosono, is one of a kind - a very rare breed of feel-good ambient music blending instrumental synth-pop, soft electronic minimalism, and cozy sound design in the most heartwarming ways. It evokes the intimate pleasures of daydreaming in a hotel lobby, holding hands in a museum, or napping by the pool. It depicts the urban landscape as a caring environment, where simplicity and repetition is mind soothing and smile inducing. Interior takes you into an alternate reality, where nostalgic modernism makes the present time feel like the fondest memories. The unique sound of Interior caught the attention of William Ackerman and Anne Robinson who re-released the album in 1985 on their famed label Windham Hill Records (with a slightly different tracklisting) and then proceeded to put out their follow-up, Design, in 1987. After that, members of the group continued their careers separately, Daisuke Hinata notably recording an overlooked but absolutely amazing solo album, Tarzanland, in 1988.

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Earth, Wind & Fire

Touch The World

11,99 €*

LP | 1977 | DE | Reissue (Polydor)

Release: 1987 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

EU pressing. Original inner sleeve. Vinyl is close to NM.

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Brian Eno

Before And After Science

LP | 1985 | HU | Original (Bravo)

Release: 1977 / DE – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Early Repress. Small sticker tear on front cover. Cover and vinyl are close to NM!

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Balázs Ferenc

LP | 1975 | EU | Reissue (Wah Wah)

Release: 1985 / HU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Waterdamagestain and hype sticker.

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Nik Pascal

Zero Gravity

20,99 €*

Voyage Aux Fonds De La Mer

Release: 1975 / EU – Reissue

Genre: Electronic & Dance

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Nik's last album, Zero Gravity (Narco NR123) came under the Nik Pascal name and had a fantastic side long piece on the title track which reminisces of the works of Cluster. B side features four tracks that also bear some Conrad Schnitzler reminiscences. This was to be Nik's last LP before he would sell all his synths to ex car racer and future electronic/ambient music star Steve Roach.

Besides his musical explorations, Nik was also an interesting painter. His paintings are auctioned from time to time, and are consciousness expanding works influenced by abstract cubism and surrealism, some kind of Salvador Dalí on drugs exploring the outter and inner space. All the artwork on the sleeves of his LPs is done by himself. Spacey landscapes and psychedelic colours that fit perfectly to the music they contain.

Never reissued before on vinyl format, the Wah Wah reissue features original sleeve artwork made of paintings and drawings by Nik himself, and reproduction of the famous ironic "Do not listen if you are stoned" sticker. Limited edition, 500 copies only.

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Alain Meunier

LP | 1979 | EU | Reissue (Wah Wah)

20,99 €*

LP | 1977 | DE | Reissue (Polydor)

Release: 1979 / EU – Reissue

Genre: Electronic & Dance

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Issued on le Kiosque d'Orphée in 1979, Voyage aux fonds de la Mer is the only LP by Alain Meunier (not to be confused with French classical music cellist of the same name), and is one of the most elusive collector pieces of the 1970s electronic experimental French scene.

This rare sought after album starts with an instrumental guitar introduction but from the second track onwards it becomes a totally electronic experimental psychedelic trip that can be aligned with the most kosmische side of kraut rock, and of course also with other works by French experimentalists of the era like Pascal Comelade's Fluence or Richard Pinhas' production (including Heldon). Guitar comes in now and then showing also a certain Robert Fripp influence.

Instruments used according to the insert sheet that came with the LP are a Korg 800 DV synthesizer, a K.O. Welson Clavinet, effects like a Fender Echo or a Electroharmonix Small Stone phaser and a fuzz pedal, plus Meunier also used a Gibson Les Paul Custom Guitar, a 12 string acoustic Eko guitar and a 6 string Morris guitar.

First ever vinyl reissue. Limited edition to 500 copies only. Remastered sound.

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Brian Eno

Another Green World

LP | 1977 | EU | Reissue (Wah Wah)

Release: 1977 / DE – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover is close to NM. German reissue form 1977. Few paper scuffs.

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Franco Leprino

Integrati … Disintegrati

12" | 1987 | EU | Reissue (DJ International)

Release: 1977 / EU – Reissue

Genre: Electronic & Dance

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It was 1977, the year when punk rock exploded in the face of disco-music, but some thinking heads in Italy managed to escape the set trends of the year and walk a totally different path. Pioneers like Franco Battiato had already been experimenting with a crash of rock and electroacoustic music since the beginning of the decade, and others like Roberto Cacciapaglia or Riccardo Zappa would explore farther in those lands, mixing acoustic instruments with the bourgeoning synth technology. Among all these artists, an obscure little gem missed the attention it deserved: Integrati… Disintegrati, by Francesco Leprino, is undoubtedly one of the best albums of the genre. More freely unchained from the prog rock links that albums like Battiato's celebrated Fetus and Pollution LPs or Zappa's Celestion still retain, Leprino merges a very pure classical instrumentation of Spanish guitar, piano and flute with more modern electric guitar sounds, 12 string guitar and -of course- a V.C.S. 3 and Moog synths background that creates highly avantgarde atmospheres. Binson tape echoes, Hammond and Thomas organs, oboes, vibraphone and other additional instruments add texture richness to the final mix.

An outstanding opus split through both sides of an LP in two 20 minutes long pieces that has become a much sought after album among collectors. It will appeal those interested in the development of synth music, beautiful athmosferic landscapes and electronic-acoustic orchestrated sounds.

Reissued under license from Francesco Leprino in a 500 copies limited edition that respects the original artwork, comes with remastered sound and includes an insert with liner notes and photos.

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Endless Poker's (Adonis)

The Poke

LP | 1988 | DE | Original (Kuckuck)

Release: 1987 / EU – Reissue

Genre: Electronic & Dance

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Adonis' comically named "Endless Pokers" project is no joke, in fact, this is some serious Chicago ACID House! Originally released in 1987 and featuring Adonis' trademark staccato drum machine rhythms, creeping acid lines and cowbells "The Poke" is a classic (Watch out for those vocal stabs too!). All 3 mixes featured on this 12" bring something new to the table, twisting and turning that acid line into a frenzied buzz. This is pure old school business, Chicago style! Raw, simple box jams of the highest order! A definite essential, a record like this in the right hands can produce some devastating effects and still sounds incredibly fresh today. Re-mastered, re-pressed and brought to you in conjunction with DJ International Records.

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Deuter

Land Of Enchantment

9,99 €*

Release: 1988 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1981 | NL | Original (Dance)

Stone

Time

Release: 1981 / NL – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: G+, Cover: Generic

Jack Trax - The Second Album

V.A.

LP | 1987 | UK | Original (Jack Trax)

4,99 €*

Release: 1987 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: G+, Cover: G+

Marshall Jefferson Presents Truth

Open Our Eyes

12" | 1988 | EU | Original (FFRR)

7,99 €*

Release: 1988 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Illusion Black Vinyl Edtion

Illusion

12" | 1984 | EU | Reissue (I.D. Limited)

Release: 1984 / EU – Reissue

Genre: Electronic & Dance

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Illusion Purple Vinyl Edtion

Illusion

12" | 1984 | EU | Reissue (I.D. Limited)

Release: 1984 / EU – Reissue

Genre: Electronic & Dance

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All The Night Black Vinyl Edition

Riky Maltese

12" | 1985 | EU | Reissue (I.D. Limited)

Release: 1985 / EU – Reissue

Genre: Electronic & Dance

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All The Night Green Transparent Vinyl Edition

Riky Maltese

12" | 1985 | EU | Reissue (I.D. Limited)

Release: 1985 / EU – Reissue

Genre: Electronic & Dance

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Nature Unveiled Picture Disc Edition

Current 93

LP | 1984 | US | Reissue (Cashens Gap)

Release: 1984 / US – Reissue

Genre: Electronic & Dance

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Swastikas For Noddy Picture Disc Editoin

Current 93

LP | 1988 | US | Reissue (Cashens Gap)

Release: 1988 / US – Reissue

Genre: Electronic & Dance

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Dogs Blood Rising Picture Disc Edition

Current 93

LP | 1984 | US | Reissue (Cashens Gap)

Release: 1984 / US – Reissue

Genre: Electronic & Dance

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12" | 1988 | US | Original (D.J. International)

"Fast" Eddie Smith

Yo Yo Get Funky

8,99 €*

Release: 1988 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Gift Silver Vinyl Edition

The Sisterhood

LP | 1986 | EU | Reissue (Cadiz - Merciful Release)

Release: 1986 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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12" | 1988 | UK | Original (4th & Broadway)

Gwen Guthrie

Family Affair

Release: 1988 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1984 | EU | Reissue (Materiali Sonori / Spittle)

Alexander Robotnick

Ce N'est Q'un Debut

22,99 €*

Release: 1984 / EU – Reissue

Genre: Electronic & Dance, Pop

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Raised from the ashes of eighties new wave (when Materiali Sonori debuted the Fuzz Dance series), Problemes D’Amour soon began a disco and electro classic all over the place. Florence born producer and musician Maurizio Dami - with co-conspirators Giampiero Bigazzi, Arlo Bigazzi and Marzio Benelli – created a mysterious character, a so called “modular structure born out a soviet calculator and promptly runaway". He was singing in french and was supported by primordial digital machine, using at the same time the more classical electric guitars, sax and sensual female voices. A handful of evergreen are still played all over the world by many international deejays, while “Problemes d’Amour” was even featured on influential Strut compilation Disco Not Disco 2. American label Sire (home of Talking Heads and a young Madonna) published a Fuzz Dance Ep in 1985 with the Robotnick masterpiece and several contribution from Mya & The Mirror, Gina & The Flexix and Naïf Orchestra. Maurizio Dami is still performing worldwide as a dj and is still composing new music. After 40 years Spittle Records in joint venture with Materiali Sonori re-issues the mini album and the 12” with its original artwork. "Once I was in Chicago, it was around 2010, I was just finishing my set and went outside the club to light a cigarette. Suddenly a police car stops nearby. I thought the policeman was here to fine me (I was more than 20 meters outside the venue), but he just lifted a poster of mine and asked to sign it. Then I realized that "Problèmes d’Amour" has been for a longtime the opening theme for a popular radio broadcast well-known between the black community (hence the policeman was black)”. Maurizio Dami

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Autobahn Translucent Blue Vinyl Edition

LP | 1974 | UK | Reissue (Parlophone)

Release: 1974 / UK – Reissue

Genre: Electronic & Dance

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LP | 1983 | EU | Reissue (Best Record Italy)

Francesco Messina

Medio Occidente

17,99 €*

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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Remastered reissue of Francesco Messina's seminal LP from 1983 produced by electronic Italian pioneer Franco Battiato.
Messina and Battiato are considered central figures within the Italian avant-garde. Part of a generation of artists who contributed to a radical rethinking of musical practices and composition, they reveal Minimalism as it's rarely known: delicate melodies, subtle harmonic interplay, incorporating diverse creative traditions and slowly giving way to an ever-expanding open space. This album was recorded at the legendary Polygram Studios in Milan and using the most powerful electronic music synthesizers for that times like the CMI Fairlight and the EMU Emulator.

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Autobahn 2009 Remastered Edition

LP | 1974 | EU | Reissue (Parlophone)

12" | 1979 | EU | Reissue (Best Record Italy)

Release: 1974 / EU – Reissue

Genre: Electronic & Dance

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includes 12 page booklet

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Adolf Stern

More... I Like It

12" | 1984 | EU | Reissue (Planet Records Classics)

Release: 1979 / EU – Reissue

Genre: Electronic & Dance

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The most obscure and sought after italian electronic release, but also another extraordinary 70s output from the legendary Regson Studio of Milan remembering in 1976 "Funky Bump" and a year later "Disco Shitan", both produced by Pino Presti. The eclectic brother of Vangelis chit> he was playing keyboards like him, helped by Yorgos Pentzikis for the "vocoder" vocals, reached the right sound for one of the craziest electronic disco song now available for for the first time on 12, containing also the unreleased instrumental version. Nikos Papathanassiou in 1976 achieving success with the disco-hit "U" by Chrisma, but Maurizio Arcieri cousin of Pino Presti and Chrisma's leader, moved towards new-wave and punk. So for the orchestral conducting of a new cosmic-disco project titled MoreI Like It he involved Rodolfo Grieco who later produced in the emerging genre of Italo-Disco great classics like "Going Crazy" by Lily Ann."

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Clio

Eyes Black Vinyl Edition

17,99 €*

Release: 1984 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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12" | 1988 | EU | Reissue (Tempo Dischi)

Raduan

Taki-Naki-Naki

LP | 1982 | EU | Reissue (Allchival)

Release: 1988 / EU – Reissue

Genre: Electronic & Dance

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The sixth release on Italian imprint Tempo Dischi comes from Alessandro Bernabeo, aka Raduan, the Italian DJ and producer behind 'Taki-Naki-Naki', one of the most eclectic and unconventional electronic records made in Italy in the late 1980s.

"At the age of 7, I started attending a music school learning to play the piano. At 11 I began working as a speaker in various radio stations, and at 14, I joined Punto Radio where I grew up professionally and launched my own radio show, Play Music, under the name Alessandro Giordani. The success was impressive, and thanks to my friend Gianfranco di Lizio, I also started my DJ career by playing in some of the best dance clubs under the artist name Raduan or Rad-one. Mixing funk, soul, afro and cosmic disco in my music gave me a chance to meet and establish relationships with many of the protagonists of this new musical scene, like l’Ebreo, Fari, Maselli, Claudio Mozart Rispoli, Pery, Rubens. In 1988 I was a resident DJ in a well-known club at the time, the 'rio Club', and together with my keyboardist and percussionist, I had the idea to produce a maxi single. The song was recorded in about 40 hours without sleep at the Cicero Bros studio in Cassino in April 1988, with the support of Lino Rufo, a great artist from Molise, as well as his dear friend and old producer Toni Ochiello. The initial project was completely reworked. The original sampled drums were coupled with an acoustic one, and new melodies and fantastic spacey new sounds and effects were created by keyboardist Bengha. The hypnotic and repetitive voice of Cristina, Claudio Baglioni's background vocalist at the time, and that of Jamaica, originally from Mauritius, made the project even more interesting. 'Taki Naki Naki' is an Italo song, with Cosmic disco and Afro influences, and it's the title track of the EP originally released in June 1988 on Bmg Ariola, ex RCA. The EP includes two other songs 'Nightflight' and 'Hiroshima'. The record was a big hit in all the Italian Disco clubs and launched me into the international dance music scene. It was a fantastic time, with different styles of music and House Music was also on the way. There was a lot of research spirit and the people of the club were ready for various types of change. This record has left a mark, international DJs and shops from all over the world still contact me to ask if I have a vinyl copy left in my archive."

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Michael O Shea

22,99 €*

12" | 1979 | US (Hithouse)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Having sold his instruments to fund a nomadic 1970s lifestyle, eccentric Irish experimentalist Michael O’Shea was forced to create his own handmade answer to the sitars and zelochords he’d become accustomed to playing on his travels around the globe.
Using an old door, 17 strings, chopsticks and combining them with phasers, echo units and amplification, the new device was to become his signature sound, mixing Irish folk influences with Asian and North African sounds in a mesmerising and soulful new way that brought him to the attention of the leading improvisers of his day - Alice Coltrane, Ravi Shankar, Don Cherry and more.
A logical follow up to AllChival’s recent reissue of Stano's debut LP, Michael O’Shea’s self titled LP was originally released on Wire's Dome Imprint in 1982.
The background to the album is as interesting and inspiring as the artist who created it - born in Northern Ireland but raised in the Republic, O’Shea was keen to travel and escape the troubles of his home.
Wandering throughout Europe and the Middle East, O’Shea found himself living and working as a relief aid in Bangladesh in the mid Seventies where he learned to play sitar while recovering from a bout of hepatitis. A later period spent busking in France accompanied on zelochord by Algerian musician Kris Hosylan Harp led to O’Shea’s idea of combining both instruments as a homebuilt instrument - Mo Chara [Irish for "My Friend"].
He later described the process on the back of the LP himself saying:
"Having sold my sitar in Germany and being desperate for money to travel to Turkey, I conceived of the idea of combining both sitar and zelochord. The first Mo Cara was born, taken from the middle of a door, which was rescued from a skip in Munchen"
A combination of dulcimer, zelochord and sitar, O Shea would play it with a pair of chopsticks, striking the strings softly using Irish folk rhythms mixed with the rich, nostalgic sounds of of the many Asian artists he’d encountered on his travels.
It was a pan cultural sound standing at an unusual crossroads of folk, traditional, rock, progressive, jazz, electronic and post-punk worlds without hesitation.
Perfecting the instrument on the streets, there were further spells spent busking in the underground stations and cafes of London's West End and Covent Garden during the heady days of the 1970s when they were full of eccentric street entertainers, jazz improvisers and musical pioneers.
His work with Rick Wakeman never saw the light of day but O’Shea’s contact with the world of post-punk London ensured his name would live on.
Introduced to Wire's Bruce Gilbert and Graham Lewis via cartoonist Tom Johnston, O’Shea eventually acquiesced to an open invite to record at their studio. Turning up unannounced in the summer of 1981 the LP was recorded in a day in the legendary Blackwing Studios and released on Dome the year after.
The first side features the fifteen minute masterpiece "No Journeys End" with the B side featuring more input from Wire in processing the Mo Chara sound.
Lewis himself said years later of the forgotten masterpiece: “I always said it was the best job we ever did.”
After an aborted LP with The The's Matt Johnson the following year, O’Shea quietly disappeared from the formal recording world and his brief but unique contribution to the music world came to a sad end in 1991 when O’Shea was struck by a post van and died a few days later in hospital in London. This repress on All City’s AllChival imprint has been remastered and reissued with the approval of both Dome and his surviving siblings.

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Hudson People

Trip To Your Mind

14,99 €*

Release: 1979 / US

Genre: Organic Grooves, Electronic & Dance

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Electronic Concept Orchestra

Electric Love

LP | 1973 | UK | Original (Mercury)

Release: 1973 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

12" | 1987 | EU | Reissue (ZYX Music)

Steve Barrow

Look Around Me

12" | 1984 | EU | Reissue (ZYX Music)

Release: 1987 / EU – Reissue

Genre: Electronic & Dance

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Reissue of this italo disco rarity from 1987 with Flemming Dalum & Rey David Diaz remixes.

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Otto Mix

Sahara Sand

Release: 1984 / EU – Reissue

Genre: Electronic & Dance

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12" | 1974 | EU | Reissue (CBS)

Elkin & Nelson

Jibaro Red Vinyl Edition

17,99 €*

LP | 1979 | EU | Reissue (Everland Yu)

Release: 1974 / EU – Reissue

Genre: Electronic & Dance

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A true Balearic classic. One of a handful of records that can comfortably boast this title, Elkin & Nelson's 1979 classic 'Jibaro' sits in the canon of selections that enlightened the ears of the jet-set and globe trotting music fanatics in the heady and much storied years of the White isle in the 1980's. The Colombian brothers Javier and Leon Marin Velez brought their own rustic brand of folksy-Rock-Psychedelia to the listening public in 1974 with their debut LP 'Angeles Y Demonios' on Columbia records. The brothers had relocated to Spain, snared a major label deal and ran with it. The first of 3 LP's it proved a big hit in later years with adventurous DJ's and selectors. A cult record you might say. Of course, this LP featured 'Jibaro' in all it's forms, but it is this 1986 reissue 12" promo pressing with it's iconic, distinctive jacket that was the coveted slab sonic adventurers were seeking. Fully sanctioned and legitimately remastered from the original sources and packaged in it's original Columbia promo sleeve 'Jibaro' is back on the shelves, still an incredible record that gets pulled by the most discerning selectors across the globe. A true classic, featured here in it's long and short versions as per the '86 release. Absolute top-shelf stuff here, essential, must own and classic.

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Misa Blam

Secanja

19,99 €*

Release: 1979 / EU – Reissue

Genre: Electronic & Dance

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Reese (Kevin Saunderson) & Santonio

The Truth Of Self Evidence Clear Vinyl Edition

12" | 1988 | EU | Reissue (KMS)

12,99 €*

Release: 1988 / EU – Reissue

Genre: Electronic & Dance

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Huge repress of 'The Truth Of Self Evidence' on KMS from 1988. Detroit techo gold that samples Martin Luther King. All b sides included and re mastered for 2014.

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Computer World English Version Translucent Yellow Vinyl Edition

LP | 1981 | EU | Reissue (Parlophone)

22,99 €*

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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Iwishcan William Record Store Day 2020 Edition

The 3 Pieces

12" | 1982 | EU | Reissue (Rogue Cat Resounds)

12" | 1988 | EU | Reissue (Pardonnez-Nous)

Release: 1982 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Record Store Day 2020 Release. Full printed sleeve - black 12” vinyl. Washington collective, The 3 Pieces, privately-pressed Iwishcan William on their own DL Records in 1982. Is it soul, rap, jazz, go-go, funk, electro, or educational? By nature of its birthplace and date of birth, it`s all of those. Synths shimmer in harp-like glissando. The bass grumbles, rumbles, machine-made. The beat pops and locks. The whole thing grooving and exuding positivity. One part the cosmic funk of say Cloud One`s Patty Duke. Another, the balearic chug of Will Powers` Adventures In Success. Like Brother D it looks to “agitate, educate, and organize”, and stirs in the sentiments of Razzy`s I Hate Hate. Imagine if the Last Poets jammed with sister Sarah Webster Fabio. Keys parp like car horns, a real trumpet blows a Don Cherry solo, but the track really revolves around its sweet Sesame Street call-and-response chorus: “I wish love. I can love. I will love. I am love.”

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Maureen

Tu Me Tues

Release: 1988 / EU – Reissue

Genre: Electronic & Dance, Pop

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Afrika Bambaataa & James Brown

Unity

7" | 1984 | US | Original (Tommy Boy)

11,99 €*

Release: 1984 / US – Original

Genre: Hip Hop, Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Afrika Bambaataa & Family featuring Slug-Go

Sho Nuff Funky

7" | 1988 | UK | Original (EMI)

7" | 1979 | DE | Original (EMI)

Release: 1988 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

optically VG, but plays VG+

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Bogart

On Broadway

Release: 1979 / DE – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

7" | 1980 | EU | Original (A&M)

Brothers Johnson

Stomp

7,99 €*

Release: 1980 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Neu! Picture Disc Edition

Neu!

LP | 1972 | EU | Reissue (Grönland)

Release: 1972 / EU – Reissue

Genre: Electronic & Dance

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12" | 1981 | EU | Reissue (Fulltime)

Kano

New York Cake

18,99 €*

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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12" | 1988 | EU | Reissue (Boy Records)

Cosmic Jam

Girl Don't Cry

12,99 €*

Release: 1988 / EU – Reissue

Genre: Electronic & Dance

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Spacer Woman Label Cover Black Vinyl Edition

Charlie

12" | 1983 | EU | Reissue (Mr. Disc)

12,99 €*

Inventions For Electric Guitar (Remastered)

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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Now numbered from 1001 to 1500 and wrapped in Mr. Disc label covers.

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Manuel Göttsching

LP | 1975 | EU | Reissue (MG.Art)

23,99 €*

Endless Riddance Clear Vinyl Edition

Release: 1975 / EU – Reissue

Genre: Electronic & Dance

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Remastered by Manuel Göttsching and released on his own label MG ART. Inventions for Electric Guitar is Manuel Göttsching´s first solo album, recorded: July-August 1974.
The album was written and performed entirely by Göttsching on electric guitar, hence the title. Manuel played his guitar and used a 4 track TEAC A3340, Revox A77 for echoes, WahWah pedal, volume pedal, Schaller Rotosound and Hawaiian steel bar.

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Front 242

12" | 1987 | US | Reissue (Wax Trax!)

Endless Riddance Black Vinyl Edition

Release: 1987 / US – Reissue

Genre: Electronic & Dance

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This is the one that started the long relationship between WAX Trax! and Front 242. Endless Riddance was the fourth release from WAX Trax! in 1984 and we are very excited to offer this 12" vinyl reissue on its 40th anniversary!

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Front 242

12" | 1987 | US | Reissue (Wax Trax!)

27,99 €*

LP | 1980 | EU | Reissue (Editions Mego)

Release: 1987 / US – Reissue

Genre: Electronic & Dance

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Dome

23,99 €*

LP | 1986 | EU | Reissue (Full Time)

Release: 1980 / EU – Reissue

Genre: Electronic & Dance

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With the demise of the group Wire in 1980, founder members Bruce Gilbert and Graham Lewis joined forces to create Dome. With the assistance of engineer Eric Radcliffe and his Blackwing Studio Dome took the ethic of »using the studio as a compositional tool« and recorded and released three Dome albums on their own label in the space of 12 months: »Dome« (July 1980), »Dome 2« (October 1980) and »Dome 3« (October 1981). A final fourth album, »Will You Speak this World: Dome 3« was released on the Norwegian Uniton label in May 1983.

These albums represent some of the most beautifuly stark and above all timeless exercises in studio experimentation from early 1980s alternative music scene.

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Tom Hooker

Only One

19,99 €*

12" | 1986 | DE | Original (Metronome)

Release: 1986 / EU – Reissue

Genre: Electronic & Dance

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om Hooker is one of the world’s leading artists of the Italo Disco genre that marked the 1980s.

A talented singer and songwriter, he has performed on television programs and music festivals around the world, and his many productions have topped the charts in the United States and England.

FullTime Production is honored to present the remastered 1986 debut album “Only One” and in addition to the original tracks “Talk With Your Body”, “Come Back Home”, “Love Attack”, “Only One”, “Indian Girl” and it will also contain remixe of “Falling Into Love” by artist Jago already featured other releases on FullTime Production.

Track “Talk With Your Body” is among the most special and important productions of 1982.

The title is the best explanation of the track.

Talking with your body, listening to the vibrations of every muscle that can feel these slow and romantic but with a disco rhythm sounds that we can imagine in a hot summer of 1982 among those lights, colors and fashions.

The song still continues to communicate with the body to all generations today and to make us dance.

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The Catch

Soul Information

Release: 1986 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Atlantis Is Calling (S.O.S. For Love) (Extended Version)

Modern Talking

12" | 1986 | EU | Original (Hansa)

8,99 €*

Release: 1986 / EU – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1983 | UK | Original (Mercury)

Central Line

Nature Boy

Release: 1983 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1978 | DE | Reissue (Kuckuck)

Deuter

Haleakala

Can't Take My Eyes Off You

Release: 1978 / DE – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Price tag. Early reissue.

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Boys Town Gang

12" | 1982 | NL | Original (Rams Horn)

12" | 1987 | EU | Original (CBS)

Release: 1982 / NL – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Generic label cover. Vinyl with a couple of light scuffs

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Lisa Lisa & Cult Jam

Lost In Emotion

Release: 1987 / EU – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Music For Nine Postcards Black Vinyl Edition

Hiroshi Yoshimura

LP | 1982 | US | Reissue (Empire Of Signs)

24,99 €*

Stardom Groove Featuring Tonya Wynne

Release: 1982 / US – Reissue

Genre: Electronic & Dance

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Only one copy per customer!
The late Hiroshi Yoshimura, a pioneer of Japanese ambient music. Yoshimura was involved in a wide range of fields, such as sound design for public installations, graphic design, visual poetry, free improvised performance (using his own body) and inventing his own instruments, right up until he passed away in 2003.
The seven songson this album were created for a fashion exibition held at a warehouse in the Tokyo bay area. He released it on cassete tape on Japanese label ‘Fukusei Gijutsu Kohboh” ran by Yoshio Ojima who produced the album.
Referring to the Loft: "As the time goes by, the Loft that was swept away ( forgotten) from the City but it somewhat has a look of a " City of Ruins" that reminds you of something you have forgotten. Something nostalgic. Sounds from the City and the vast landscape gave me a great opportunity to take a fresh look at Tokyo." says Yoshimura.
Referring To the Pier: His look towards Tokyo bay takes on the shape of sonic particles....tickling down gently while tinged with change. A landscape of Seven Sounds.
This is the first-ever vinyl release, 34 years after it's recording. The sleeve image is the same as on the original cassette release.

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It's Too Late (For Love)

12" | 1986 | US | Original (New York Groove)

4,99 €*

Release: 1986 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

LP | 1975 | EU | Reissue (Music On Vinyl)

Modulations

It's Rough Out Here

30,99 €*

Release: 1975 / EU – Reissue

Genre: Electronic & Dance

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Lament For The Rise And Fall Of The Elephantine Crocodile

Yoshi Wada

LP | 1982 | US | Reissue (Etats-Unis)

32,99 €*

LP | 1981 | EU | Reissue (Optimo Music Selva Discos)

Release: 1982 / US – Reissue

Genre: Electronic & Dance

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Yoshi Wada's Lament For The Rise And Fall Of The Elephantine Crocodile, originally released in 1982 on India Navigation, remains one of the most remarkable flowers to grow in the rarefied air of American minimalism – akin to Terry Riley's Reed Streams and Pauline Oliveros' Accordion & Voice, yet with a wild, liberated energy all of its own.

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Fernando Falcao

Memoria Das Aguas

24,99 €*

LP | 1976 | EU | Reissue (Mental Experience)

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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Selva Discos returns to the LP reissue game with a bang – by giving a new life to the stunning and very sought-after Memória das Águas album by Fernando Falcão. Originally recorded in 1979 in Paris but only released independently in Brazil in 1981, the album comes complete with genre-hopping explorations that swirl around ambient soundscapes, lively jazz, experimental-leanings, Afro-rhythms and a unique blend of Latin grooves and French pop with a Brazilian accent, but it also comes with a story as deeply unique as the music. Remastered from the original master tapes, not only the sound but the artwork of Memória das Águas was completely and faithfully restored. Also, the reissue comes with unprecedented liner notes featuring rare photos of the musician and his sound sculptures plus articles that help to explain who Fernando Falcão was and where Memória das Águas sits among other staples of Brazilian music, including one from DJ and selector John Gómez – who helped to connect Selva Discos' Augusto Olivani with Diana Lion, Fernando Falcão's daughter (since the musician died in 2002), for this project. After Memória das Águas, Selva Discos will also reissue another long lost Fernando Falcão LP album – Barracas Barrocas.

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Thomas Hamilton

Pieces For Kohn

LP | 1981 | US | Reissue (Superior Viaduct)

Release: 1976 / EU – Reissue

Genre: Electronic & Dance

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Spaced out bleeps & bloops and wild ARP synth freakouts from 1976!
“Pieces For Kohn”, as the title suggests, included four electronic pieces composed by Tom Hamilton as musical responses to 3-D geometric paintings by artist Bill Kohn.
A renowned audio producer and electronic composer, among other many things, you’ve probably have seen Tom Hamilton’s name in the credits of many albums by Robert Ashley and on releases from labels like Lovely Music, Pogus Productions, New World Records, etc.
Tom was first introduced to electronic music in 1965, while he was an undergraduate in Milwaukee, thanks to a lecture by Vladimir Ussachevsky illustrated with examples of electronic composers of the day: Bülent Arel, Karlheinz Stockhausen, Pierre Henry, Milton Babbitt…Encouraged by his teacher, Thom David Mason, Tom started to build audio circuits and battery-operated boxes that produced or modified sounds.
In 1969, Tom moved to St. Louis. After graduating at Washington University, he was offered a job to design, purchase, and build an electronic music and recording studio there. He now had continuing access to commercially built synthesizers and by the mid 1970s Tom found that working with electronic music was more satisfying to him than other musical endeavors.
The idea for the “Pieces for Kohn” album came from a studio visit with St. Louis artist Bill Kohn. Tom was an admirer of his work, which combined vibrant color combinations to fulfill 3-D geometric and architectural compositions in paintings, prints, and watercolors.
Bill proposed that Tom composed music for his art exhibition opening at a famous St. Louis gallery and Tom decided to simultaneously release that work on LP. Tom picked four of the paintings that he liked the most and titled his four pieces correspondingly. The recording took place at the Washington University Electronic Music / Recording Studio – the studio that Tom designed and first built in 1971 and then moved and rebuilt in 1974 (where it resides to date).
The original tapes were performed at the opening of Bill Kohn's exhibit at the Terry Moore Gallery in St. Louis, in January, 1976 and then Tom did a limited pressing of the album on his own label, Somnath Records.

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Kevin Harrison

Inscrutably Obvious

Raul Lovisoni / Francesco Messina

Release: 1981 / US – Reissue

Genre: Electronic & Dance

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Hailing from Nuneaton, England, Kevin Harrison recorded both solo and collaboratively throughout the late ’70s and early ’80s. While his early recordings would come out in hyper-limited editions or go unreleased for decades, Inscrutably Obvious remains his sole LP—a lost gem of Britian’s ’80s cassette culture and DIY bedroom aesthetics.

Originally released in 1981, Inscrutably Obvious covers a lot of ground on its seventeen inscrutable tracks—from analog synth workouts to mutated disco and shimmering guitar improvisations. The album maintains a late-night vibe, filtered through a post-punk lens.

Harrison clearly wears his influences on his sleeve—major debts are paid to Brian Eno, Robert Fripp and Manuel Gottsching—yet finds his own unique voice, combining quirky instrumentals and surrealist sensibilities.

This first-time reissue is recommended for fans of Chris & Cosey, Cupol and The Normal. Inscrutably Obvious sounds as fresh today as it must have nearly 40 years ago.

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Prati Bagnati Del Monte Analogo

LP | 1979 | US | Reissue (Superior Viaduct)

25,99 €*

Canti E Vedute Del Giardino Magnetico

Release: 1979 / US – Reissue

Genre: Electronic & Dance

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Of all the releases on Italy’s legendary Cramps Records, Raul Lovisoni and Francesco Messina’s seminal LP from 1979 has long remained among the most beloved. Prati Bagnati Del Monte Analogo not only introduced the world to the work of two gifted composers, but also is notable for being produced by electronic pioneer Franco Battiato. A sister album to Prati Bagnati would be Giusto Pio’s breathtaking Motore Immobile, likewise graced with the maestro’s gentle hand around the same time.

Lovisoni and Messina are both central figures within the Italian avant-garde. Part of a generation of artists who contributed to a radical rethinking of musical practices and composition, they reveal Minimalism as it’s rarely known: delicate melodies, subtle harmonic interplay, incorporating diverse creative traditions and slowly giving way to an ever-expanding open space.

Prati Bagnati Del Monte Analogo’s meditative title track, inspired by René Daumal’s surrealist novel Le Mont Analogue, features Messina on synthesizer and Michele Fedrigotti’s impressionistic piano, while on Lovisoni’s “Hula Om” and “Amon Ra,” solo harp, crystal glasses and Juri Camisasca’s radiant vocal drones further ascend into the stratosphere. Skirting the outer edges of ambient, new age and experimental music, Prati Bagnati has a transformative beauty unlike anything else.

Superior Viaduct’s edition reproduces the original sleeve design and is recommended for fans of Jon Hassell, Luciano Cilio and Popol Vuh.

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Alvin Curran

LP | 1975 | US | Reissue (Superior Viaduct)

Release: 1975 / US – Reissue

Genre: Electronic & Dance

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American composer and multi-instrumentalist Alvin Curran has remained one of the great emblems of experimental music for the last half-century. In 1966, along with Frederic Rzewski and Richard Teitelbaum, Curran co-founded Musica Elettronica Viva, a seminal gesture in collective free improvisation. In the early ’70s, his solo work would become a crucial bridge between minimalist traditions on both sides of the Atlantic.

Canti E Vedute Del Giardino Magnetico, Curran’s solo debut, was recorded by the artist himself and issued on Ananda, the small Italian imprint started by Curran and fellow composers Giacinto Scelsi and Roberto Laneri. The piece itself was put together in the winter of 1973 and presented for the first time at Teatro Beat 72 (Rome’s The Kitchen).

Encouraged by the work of Terry Riley, La Monte Young, Charlemagne Palestine and Simone Forti, Curran binds the listener to aberrant notions of place and time: blending field recordings (wind, high-tension wires, beach waves, etc.) with simple and often primitive instruments. Across two sidelong tracks, Giardino Magnetico forms a lyrical collage of synthesizer, glass and metal chimes, plastic tubes, brass and the composer’s alluring voice—converging in an immersive realm of Curran’s inner / outer experiences.

This first-time vinyl reissue is recommended for fans of Harry Bertoia, Michel Redolfi and Lino Capra Vaccina.

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Autobahn 2009 Remastered Black Vinyl Edition

LP | 1974 | EU | Reissue (Parlophone)

Release: 1974 / EU – Reissue

Genre: Electronic & Dance

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LP | 1979 | US | Original (Prelude)

Theo Vaness

Bad Bad Boy

Release: 1979 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: G+, Cover: VG

Prince And The Revolution

Parade

LP | 1986 | US | Original (Paisley Park)

9,99 €*

LP | 1983 | US | Original (RCA Victor)

Release: 1986 / US – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

Writings on the cover front! US pressing!

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Marilyn McCoo

Solid Gold

3,95 €*

Release: 1983 / US – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: Sealed, Cover: Sealed

LP | 1975 | US | Original (Nemperor)

Jan Hammer

The First Seven Days

8,99 €*

2LP | 1980 | US | Reissue (Dark Entries)

Release: 1975 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: G+

Writing on labels.
Writing on cover.

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Severed Heads

Ear Bitten

34,99 €*

12" | 1983 | JP | Original (EMI)

Release: 1980 / US – Reissue

Genre: Electronic & Dance, Pop

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Dark Entries picks up Severed Heads yet again for Ear Bitten, a double LP reissue of some of the band’s earliest material. As originary Aussie industrial legends - although founder Tom Ellard would balk at being branded as such - Severed Heads shaped the continental subcultural sound with their kitchen electronics, chaotic tape loops, and quietly infectious nursery-rhyme-esque melodies. In 1979 Ellard, Richard Fielding, and Andrew Wright abandoned the moniker Mr. and Mrs. No Smoking Sign and adopted the edgier name Severed Heads “to pretend to be an industrial band such as Surgical Penis Klinik & Throbbing Gristle.” Noise-rockers Rhythmx Chymx had placed an advertisement in a local shop looking for a band to share the costs of pressing an LP. The Heads set about recording a Dadaist racket on a pair of open reel dictaphones and a cassette deck using a Trs-80 computer, Kawai Synthesizer 100f and Korg Mini Pops drum machine. Ear Bitten was released in 1980; original copies now fetch obscene sums, in part due to most of Severed Heads’ copies perishing in a fire at Richard’s home. The band’s next endeavor was a cassette titled Side 2, a collection of free-form experiments fashioned as Ear Bitten’s second side. For this reissue, Dark Entries has collected both Ear Bitten and Side 2 on the first disc, presenting the album in its full form. Disc two includes the original first version of Ear Bitten, which was only unreleased because it was recorded in a format not suitable for pressing. The album comes in a gatefold sleeve designed by Eloise Leigh and includes photos, liner notes, and reproductions of the original Xerox inserts from the 1980 issue. Ear Bitten delivers 22 tracks of pain you can dance to!

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Duran Duran

Union Of The Snake

18,99 €*

LP | 1986 | UK | Reissue (Mute)

Release: 1983 / JP – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing. Promo copy. With OBI and insert. Few scuffs.

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Throbbing Gristle

TGCD1

28,99 €*

Release: 1986 / UK – Reissue

Genre: Electronic & Dance, Pop

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LP | 1974 | US | Reissue (Superior Viaduct)

La Monte Young

Dream House 78'17"

7" | 1979 | US | Original

Release: 1974 / US – Reissue

Genre: Electronic & Dance, Classical Music

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Originally released in 1974 on Shandar, Dream House 78'17" is the second full-length album by La Monte Young and Marian Zazeela. This first-time US edition reproduces the original gatefold sleeve with beautiful calligraphy by Zazeela and liner notes by Young and French musicologist Daniel Caux.

Side one was recorded at a private concert (on the date and time indicated by the title) and features Young and Zazeela's voices against a sine wave drone with Jon Hassell on trumpet and Garrett List on trombone. This work is a section of the longer composition Map of 49's Dream the Two Systems of Eleven Sets of Galactic Intervals Ornamental Lightyears Tracery (begun in 1966 as a sub-section of The Tortoise, His Dreams and Journeys, which was begun in 1964 with Young's group The Theatre of Eternal Music). The piece evolves with the oscillator changing pitch and dictating an ornate pattern over the course of the performance.

Side two is an example of one of the sets of frequencies sustained in the Dream House, the composite sound environments conceived by Young and Zazeela. The composer suggests listening while seated – to experience how the sound interacts with the room and other perceptions of its arrangement – as well as while walking. As Young states, "The frequency ratios are monitored continuously as lissajous patterns on the oscilloscopes and, in spite of the great stability of the oscillators, the phase relationships of the sine waves gradually drift which causes their amplitudes to add and subtract algebraically. Not only does the sound become a bit louder and softer, but at very loud levels, one actually begins to have a sensation that parts of the body are somehow locked in sync with the sine waves and slowly drifting with them in space and time."

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Units

Warm Moving Bodies

45,99 €*

12" | 1984 | UK | Original (ZTT)

Release: 1979 / US – Original

Genre: Electronic & Dance

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Original Pressing found in drummer Richard Driskell's archives Units were a synth punk band formed in San Francisco in 1978. This was a private release from 1980. "I hate synthesizers but both sides of this make me eat my words. Listen to "I-Night" and re-evaluate the bloated crap that comes out of most electronic groups. Once the singing starts, though, on "Warm Moving Bodies" I throw in the towel. It's some of the lamest vocal arranging ever to be found anywhere and the words are the standard science-art jokes that've gotten as sickly cute as leopard skin on Saturday Night Live. "I-Night" doesn't fall victim to this syndrome, instead letting loose with one of the wildest riffs this side of Metal Urbain. The words are shuddery and bleak, and the vocals tolerable." Slash Magazine, Vol 3 #3

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The Art Of Noise

Close-Up

6,99 €*

Release: 1984 / UK – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Cants Dels Trobadors: La Douceur D'un Son Nouvel

Regrelh

LP | 1979 | EU | Reissue (Dizonord)

30,99 €*

12" | 1983 | EU | Reissue (ZYX)

Release: 1979 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Be ready for a spaced out trip through French medieval times. Ancient instruments, musique concrete, spoken word, old Occitan dialect minstrel songs, drone, from dark ambient and minimal percussive tracks to Middle Ages fuzz delirium. File under : medieval folk / ambient / experimental.

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Paul Paul

Good Times

14,99 €*

Release: 1983 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance, Pop

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LP | 1978 | EU | Reissue (Time Capsule)

Il Guardiano Del Faro

Oasis

18,99 €*

LP | 1978 | US | Original (Marlin)

Release: 1978 / EU – Reissue

Genre: Electronic & Dance

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Time Capsule is a new reissue label that unites the record collectors and DJs of the brilliant corners and Beauty & The Beat communities in London. For each release, Kay Suzuki works alongside one co-curator to reinstate and repackage the music they hold dear into perfectly restored historic artifacts.
For the first release, brilliant corners regular and Meda Fury signing Ryota OPP curates the reissue of Il Guardiano Del Faro’s 1978 album Oasis.
Born 1940 in Milan, Federico Monti Arduini was a child prodigy who studied piano and was already performing at concerts from the age of eight. He composed pop songs for other artists which sold millions of copies, but his own solo success came after he encountered synthesizers in the early 70s. Viewed as a precursor of New Age sound art, Arduini was one of the first producers in Italy to use the Moog synthesizer and a meeting with Bob Moog in New York only added to this obsession. He was also an early adopter of the tradition among electronic producers to use a moniker to disguise his identity. Il Guardiano Del Faro (translated as “the guardian of lighthouse”) is a nod to the small Italian fishing town Porto Santo Stefano, where Arduini created his studio in the mid-70s.
He produced a number of albums from this seaside idyl of electronic instruments and tape recorders, but Oasis stands out from the pack. Released in 1978, it became a cult classic for its experimental sounds and emotional expressions. Spiritual synth sounds cover the album in a dreamy haze, oscillating between ambient and psychedelic. Sparing deployment of the Roland rhythm box gives dance floor favourites ‘Disco Divina’ and ‘Oasis’ touches of space disco and even teases proto-house elements like the great Sun Palace.
“The passionate and dramatic sound of Il Guardiano Del Faro made me fantasise about so many romantic aspects of Italian culture. Oasis is sonically more interesting than his other albums and these exotic, eccentric rhythms sound quite familiar to the modern music fans.” Ryota

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USA-European Connection

Come Into My Heart

Release: 1978 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1987 | CA | Original (A&M)

Kim Richardson

Peek-A-Boo

4,99 €*

Release: 1987 / CA – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

I Wanna Be With You DJ Harvey Edit

Doc Severinsen

12" | 1976 | EU | Reissue (Epic)

11,99 €*

I'm Just A Lonely Girl / The Groove I'm In

Release: 1976 / EU – Reissue

Genre: Electronic & Dance

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Monstrous mid-tempo Disco groovings on this one, giving the Avergae White Band a run for their money. Doc Severinsen, the renowned Jazz hornsman dropping some tight ass Funk on this rare as hens teeth Epic white label promo. This is a fully legit reissue borne out of an Above Board / Sony music collaboration, repressed from the official sources. The original 1976 promo 12" had the same track on both sides as promos often did back then so we've decided to include a special version on the flip, a lovingly tweaked re-edit from the cult leader himself - DJ Harvey. Harv's edit has been around for a minute, but this version backing the OG 76 Disco mix makes this 12" a bonafide 'must grab' for all Disco enthusiasts

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Florence Miller

12" | 1977 | UK | Reissue (P&P)

15,99 €*