Electronic & Dance Vinyl 1167 Items

Release: 2003 / Reissue

Genre: Electronic & Dance

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2LP | 2001 | EU | Reissue (Believe Digital)

Gotan Project

La Revancha Del Tango

Release: 2001 / EU – Reissue

Genre: Electronic & Dance

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2LP | 2006 | EU | Original (BPitch)

Paul Kalkbrenner

Self

Release: 2006 / EU – Original

Genre: Electronic & Dance

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2x12" | 2009 | US | Reissue (Mathematics)

Hieroglyphic Being

So Much Noise 2 Be Heard

LP | 1991 | EU | Reissue (Bureau B)

Release: 2009 / US – Reissue

Genre: Electronic & Dance

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Coming soon! Double pack album from JAMAL MOSS, MATHEMATICS label boss, featuring a mix of tribal and live electronics, field
recordings, house and techno. Released in early 2009 and out of stock since mid-2012. Now finally repressed and available again.
Limited colored vinyl pressing with a brand new pic sleeve (artwork TBA).

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Martin Rev

Cheyenne

Release: 1991 / EU – Reissue

Genre: Electronic & Dance

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2x12" | 1996 | EU | Reissue (Suction)

Lowfish

Test(E)

Eulogy For Evolution 2017

Release: 1996 / EU – Reissue

Genre: Electronic & Dance

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Originally self-released as a tape under the artist name Pest(e), this 1996 collection of IDM and analog electronics is in fact the debut Lowfish album. Intended as a demo, it caught the attention of infamous UK label Skam —but after months of fruitless phone tag with the label, it was time for Gregory De Rocher to strike out on his own. Dropping his Pest(e) moniker in favour of Lowfish, in 1997 De Rocher co-founded Suction Records with like-minded producer Jason Amm, aka Solvent. While that Test(e) tape wasn’t technically a Suction Records release, it served as the impetus for starting the label, and we’ve always referred to it as catalog # suction000.
Fans of mid/late-90s Artificial Intelligence classics from Autechre, Locust, Aphex Twin, u-Ziq, and Bola will recognize those hallmark sounds here, alongside traces of formative influence from Skinny Puppy, OMD, and Tangerine Dream. Recorded live to DAT with a bedroom full of analog classics (Roland Jupiter 6, TR-808, TR-606, Arp Odyssey, Korg MS-20), a sampler, and an arsenal of cheap FX units, the melodies here are lush and addictive, with layers of warm, lo-fi-ish (get it?) grit - often intentional, sometimes just a product of the process. Although largely on the armchair techno tip, the dense drum programming also nods to the burgeoning drum and bass movement, which De Rocher was firmly (but only briefly) obsessed with.
For the first time on vinyl and rightfully re-branded as a Lowfish release, we’re thrilled to have Test(e) officially join the Suction Records catalog

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Ólafur Arnalds

LP | 2007 | EU | Reissue (Erased Tapes)

Release: 2007 / EU – Reissue

Genre: Electronic & Dance

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2LP | 2001 | UK | Reissue (XL)

The Avalanches

Since I left You

2LP | 2006 | UK | Reissue (Ninja Tune)

Release: 2001 / UK – Reissue

Genre: Hip Hop, Electronic & Dance

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The Avalanches' Downbeat milestone back in print!

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Bonobo

Days To Come

2LP | 2009 | UK | Original (Honest Jon's)

Release: 2006 / UK – Reissue

Genre: Electronic & Dance

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Bonobo's epic "Days To Come" finally gets the reissue treatment, great!

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Moritz Von Oswald Trio

Vertical Ascent

Sähkömies Black Vinyl Edition

Release: 2009 / UK – Original

Genre: Electronic & Dance, Reggae & Dancehall

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At the heart of Vertical Ascent is a dream crossing of Basic Channel, Larry Heard and Can, as at home with calypso as it is Stravinsky. Dig?

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Jimi Tenor

LP | 1994 | EU | Reissue (Bureau B)

Release: 1994 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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100% Columbian White Vinyl Edition

Fun Lovin' Criminals

LP | 1998 | UK | Reissue (Chrysalis)

Release: 1998 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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2LP | 2003 | EU | Reissue (WeMe)

Ceephax Acid Crew

Exidy Tours

2x12" | 1996 | EU | Reissue (Lirica Archives)

Release: 2003 / EU – Reissue

Genre: Electronic & Dance

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Originally released on Firstcask Records in 2003. A selection of my styles and ideas at the time, ranging from drum n bass, ambient, acid etc etc

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Relative Progress

Illustrated Primer E.P

Digeridoo (Expanded Edition)

Release: 1996 / EU – Reissue

Genre: Electronic & Dance

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Celebrating 1 year of Lirica with a special reissue of this heavily sought after album from UK duo Relative Progress, remastered with a fresh design, still paying homage to the original asthetics

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Aphex Twin

2x12" | 1992 | UK | Reissue (R&S)

LP | 2001 | EU | Reissue (Be With)

Release: 1992 / UK – Reissue

Genre: Electronic & Dance

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“It’s just too easy to make a standard dance track,” Aphex Twin said of his mindset back in 1992. “You’ve got to put a bit of thought into it to get something a bit different.”

‘Digeridoo’ was released on the Belgian R&S Records label in 1992, and originally peaked at #55 in the UK singles chart in May of that year. Over the last 32 years the track has become one of the essential Aphex Twin tracks in a gargantuan catalogue that continues to amaze and inspire.

“I wanted to have some tracks to play to finish the raves I used to play in Cornwall, to really kill everybody off so they couldn’t dance,” Richard D James, AKA Aphex, told Select magazine back in the 90s. “Digeridoo came out of that.”

Released as a 4 track EP that also included early Aphex productions (now classics) including the industrial, acidic clang of ‘Flap Head’ and hyperbolic futurism of ‘Isopropanol’, the release cemented a relationship with the R&S label that went on to release the ‘Xylem Tube’ EP and the pivotal album ‘Selected Ambient Works 85-92’ in the same year. The label’s owner & A&R Renaat Vandepapeliere reflected “When I first heard Aphex Twin’s music I said, ‘This is it!’, and everybody else said, ‘You’re crazy!’ …a lot of the hardcore R&S fans dropped us. To them it wasn’t music.”

‘Didgeridoo’ (Expanded Edition) is the first time the EP has been re-issued with extra material. Whilst digging in his DAT archive (allegedly stored in an airtight military ammo box), Richard James revisited the recordings, encoding them through a Nakamichi CR7e cassette deck, using the customised deck with vari-speed to encode at speeds “felt right at the time”. Alongside these CR7e versions, the original mixes have been remastered by Beau Thomas at Ten Eight Seven Mastering, offering a dilated insight into one of electronic music’s most endearing releases.

‘Didgeridoo’ (Expanded Edition) by Aphex Twin is available on R&S Records from 31st May 2024.

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Wally Badarou

Colors Of Silence

2LP | 2005 | UK | Reissue (XL)

Release: 2001 / EU – Reissue

Genre: Electronic & Dance

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Synth pioneer and musical polymath, Wally Badarou is a genius. But you know that already. A vinyl version of his majestic Colors Of Silence has been craved by the Balearic cognoscenti ever since its low-key 2001 release. Indeed, when we first started work on Be With, we asked some pals with exquisite taste what their dream release would be. We asked Balearic legend Moonboots and, without hesitation, he said Colors Of Silence by Wally Badarou. We didn't know Wally had made this album. And most still don't. But that's about to change.

Colors Of Silence is ostensibly a new age album. As ever though, Wally's sophisticated synth textures and expressive keyboard runs are so full of character, so full of life, that this work of art transcends any easy genre categorisation. It's simply stunning, throughout. It sounds like A.r.t. Wilson or Suzanne Kraft, with traces of Cfcf and Jonny Nash. But it was made a good decade earlier than the work of these modern giants. Sometimes, it doesn't seem far from some Larry Heard albums.

Island Records founder Chris Blackwell's friend Nathalie Delon asked Wally to provide music for the yoga DVD she was to release. Lack of time on both sides made them agree on using "quality demos" Wally had in his ideas bank. It's understandable why Colors Of Silence remains somewhat of a lost gem. As Wally explains: "Total lack of promotion made it an 'intimate' release, which was exactly what I was looking for: just a buzz-maker and time-buyer that would allow me to concentrate on the real thing as soon as I'd have time, which could also turn into a rare collecting item later, once the final versions made their way to success. You never know."

Over the years, Colors Of Silence has become a true cult record for the ambient/Balearic heads.

The beguiling but brief "Dance In The Dust" is the shuffling, hyper-percussive, hypnotic opener. It gives way to the deep serenity of "Amber Whispers". It's a gliding, divine, mini melodic masterpiece. It'll make you swoon in its extreme beauty. The bright and breezy "Where Were We" follows, a tropical, reggae-tinged bounce through the islands.

The uptempo groove is maintained on the keys-drizzled soca-funk of "The Lights Of Kinshasa" before Side A is rounded out with "Pictures Of You". It starts with stately, melancholic, unadorned piano and this alone would make for a beautiful song. But Wally always gives us that bit extra and he effortlessly introduces warm, dreamy pads and minimal, slo-mo percussion to augment a frankly stunning piece of work.

Ushering in Side B, Wally's mesmeric piano playing is to the fore again, in the intro to uber-chilled "Serendipity For Two". The playing becomes more mellifluous as the track progresses and adds warmth through exotic percussion, woodwind, sweeping synths and digi-drums. It has echoes of, er, Echoes. It segues seamlessly into the more propulsive, wavy "Smiles By The Millions". If you're not nodding and grinning along widely to the gently throbbing bassline underpinning this, we can't help you. The meditative "Higher Still" follows, cinematic in feel and ever so slightly sinister with the strings. It sounds particularly Badalamenti-esque, if you ask us.

That unmistakable, almost peculiar Badarou funk - so lyrical, so texturally rich and so rhythmically spacious - is all over "Oriental". Next up, "Days To Wonder" brings the serenity back, insistent yet melodic keys, as if played in a place of worship, coupled with birdsong, conjure a kind of instant nostalgia for halcyon days of youth. The contemplative "Dawn Of Europa" is a sombre, beatless, ambient journey whilst the glorious, too-brief "Crystal Falls" features soft percussion and sparkle before fully glistening with some gentle head-nod beats. Wally brings this incredible collection to a mellow, tender close with the graceful "Purple Lines".

There can be few artists more under-appreciated given their vast influence than Wally Badarou. His solo work practically defined the sound of the Balearic DJs of the 1980s, and thus the more sophisticated sound of dance culture thereafter. A synth specialist, Badarou was the long-time associate of Level 42. He was one of the Compass Point All Stars (with Sly and Robbie, Barry Reynolds, Mikey Chung and Uziah "Sticky" Thompson), the in-house recording team of Compass Point Studios responsible for a series of albums in the 1980s recorded by Grace Jones, Tom Tom Club, Mick Jagger, Black Uhuru, Gwen Guthrie, Jimmy Cliff and Gregory Isaacs. Badarou's keyboard playing could also be heard on albums by Robert Palmer, Marianne Faithfull, Herbie Hancock, M (Pop Muzik), Talking Heads, Manu Dibango and Miriam Makeba. He also produced Fela Kuti. Phew!

Meticulously remastered and cut by both Simon Francis and Cicely Balston respectively, it has been pressed to the highest possibly quality at Record Industry in Holland. Special thanks must go to Apiento from Test Pressing who first introduced us to Wally and facilitated all those early zoom meetings. It couldn't have happened without his help. Not least on pulling the art together, too, which features striking original photography by Mads Perch. Benji Roebuck of Roebuck Press did his thing brilliantly in art working the whole package to completion. All in all: essential.

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M.I.A.

Arular

Release: 2005 / UK – Reissue

Genre: Electronic & Dance

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Freundlichbaracudamelodieliedgut

Schlammpeitziger

LP | 1996 | EU | Reissue (Imara)

Birds In The Ground White Vinyl Edition

Release: 1996 / EU – Reissue

Genre: Electronic & Dance

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Michael Mayer’s Imara imprint is proud to announce a reissue of German electronica maestro Schlammpeitziger’s second album, Freundlichbaracudamelodieliedgut. Originally released in 1996 by Köln’s A-Musik label, it was the first Schlammpeitziger release to signal to a much wider audience that there was something very special going on in the music of Jo Zimmermann, the mastermind behind Schlammpeitziger. And while he’s subsequently gone on to release a further eight albums for labels like Sonig, Pingipung, and Bureau B, Freundlichbaracudamelodieliedgut is where it really all started for this most singular musician, illustrator and performance artist. Named after the ‘Schlammpeitzger’ or Weather Loach, a fish that breathes through its intestines, moves through substrate, and is surprisingly sensitive to changes in barometric pressure – hence its name – Schlammpeitziger is a similarly remarkable, singular creature.

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Eiafuawn

LP | 2006 | US | Reissue (Numero Group)

LP+7" | 2001 | EU | Reissue (Staalplaat)

Release: 2006 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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While Duster went into hibernation in the year 2000, Clay Parton's four-track never stopped rolling. Recorded alone at home over several years, Birds In The Ground is an album of 30-something, post-9/11 malaise. Under his Eiafuawn (Everything Is All Fucked Up And What Not) acronym, Parton hides beneath layers of fuzzy and clean guitars, his hesitant, cottony vocal disappear into noise. This deluxe pressing is packaged in a gorgeous tip on sleeve and includes the complete lyrics for this cryptic entry of the Dusterverse.

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Muslimgauze

Eye For An Eye

2LP | 1995 | EU | Reissue (Musique Pour La Danse)

Release: 2001 / EU – Reissue

Genre: Electronic & Dance

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The first complete version of »Eye For An Eye« including the two unreleased tracks »Sub Cahra« pt1 & pt2 that were not on the first vinyl release. »Eye For An Eye« sounds very much like Muslimgauze material from 1993 (»Salaam Alekum Bastard«, »Veiled Sisters«). Much more laid back than their later output. Sometimes the distorted glitches and rapid stop - start cuts of later releases gets on my nerves. This one, like most of their others sounds dark, dirty and hot.

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A3000

Magnetic Gliding

27,54 €* 28,99 € -5%

LP | 2004 | EU | Reissue (Keplar)

Release: 1995 / EU – Reissue

Genre: Electronic & Dance

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8 tracks of genuine mid-90s acid, techno, and ambient for fans of AGE, Spacetime Continuum, Caustic Window & Air Liquide.

Reissue of A3000 "Magnetic Gliding" album, produced by Swiss musicians Marco Repetto and Stefan Riesen, also known as Synectics on Rephlex and founders of Axodya Records. Originally released in 1995 on the Italian Disturbance label, it has now been remastered and proudly reissued for 2023 in a limited edition of 500 copies by Musique Pour La Danse. Enjoy this trip.

Marco Repetto was a member of the world-famous wave/punk band Grauzone. In the late '80s, he delved into techno, ambient, and psychedelic music, drawing inspiration from nature and shamanic knowledge. His performances are described as colorful, playful, and mind-opening experiences. His main project now is "Bigeneric," which he releases on his label, Inzec Records.

Stefan Riesen has been a prominent figure in the Swiss techno scene since 1995. He is the founder-manager of Phont Music, SuperBra, Morris/Audio, Floppy Funk, and Speaker Attack. He has (co-)produced numerous tracks under various aliases on different labels, including Box Blaze, Flaptrack, Hooper, Nylon, Sonic Tourism, Spin, A3000, Box Blaze & Deetron, Dialogue, Lausen, R.B.R., Sidestepper, Silver Zone, Skank Burner, Synectics, and more.

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Arovane

Lilies

Queens Of The Circulating Library Clear Vinyl Edition

Release: 2004 / EU – Reissue

Genre: Electronic & Dance

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Arovane's acclaimed 2004 album »Lilies« has been out of print on vinyl for nearly 2 decades now. It finally gets a well-deserved reissue through the Berlin based Keplar label. The new version has been remastered by Kassian Troyer at Dubplates & Mastering and comes with a brand new cover artwork. »Lilies« was a follow-up to »Tides« in every sense, exploring a trip to Japan and drawing on shimmering textures and the sort of melodies that you might need some time to recover from. There's a hugely evocative sense to these tracks, emotionally driven, free of complexity or conceit, piano melodies providing the central focus for a twilight cascade of light that seems perfect for the Tokyo skyline - just as the sun sets. It's an album that radiates warmth and vulnerability, fusing the technological might at the heart of each track (and at the heart of the city) with an age-old understanding that certain echoes of sound, small melodic changes and cushioned lullabies can imprint sounds on your mind like childhood memories - remembered forever. Like a dreamlike score, or maybe even an alternate soundtrack to »Lost in Translation« - the sort of music that intertwines with images and stays in your mind indefinately. After coming back from Tokyo and completing the production of »Lilies«, Uwe Zahn disassembled his studio in the big flat in an old building in Berlin's Prenzlauerberg district and stored it away in boxes. He needed a break from making music. »Lilies« was the last album prior to a nine-year hiatus for Arovane, ending in 2013 with the release of »Ve Palor«.

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Coil

LP | 2000 | US | Reissue (Dais)

2LP | 2003 | EU | Reissue (Clone Aqualung Series)

Release: 2000 / US – Reissue

Genre: Electronic & Dance

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Queens Of The Circulating Library stands alongside Time Machines and Nurse With Wound's Soliloquy For Lilith as a post-industrial pinnacle of sensory-warping long-form drone. Crafted by the distilled duo of Thighpaulsandra and John Balance, the 49-minute piece unfurls in swirling, cyclical waves, tidal as much as textural, channeling the spirit of levitational minimalism pioneered by La Monte Young. Touted as the first part in "a continually mutating series of circulating musickal compositions" upon its initial release in 2000, the album remains a compelling case study in Coil's exceptional capacity for mutation and extremes.

The theatrical introductory monologue delivered by Thighpaulsandra's mother - a career opera singer, in her 80's at the time of recording - sets the stage for a grandiose ascension. Written by Balance, the text is declamatory but dreamlike, refracted through megaphone echo: "Return the book of knowledge / Return the marble index / File under "Paradox" / The forest is a college, each tree a university." As her voice fades, the lulling synthetic infinity deepens, congealing into transient crests of volume and haze, like slow-motion surf misting in moonlight. Thighpaulsandra describes their aesthetic intention as a "bliss out," static but shape-shifting, an amniotic drift towards an eternal vanishing point. A supreme sonic embodiment of the slogan on the sleeve of Time Machines, two years prior: "Persistence is all."

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Abstract Thought

Hypothetical Situations

26,99 €* 29,99 € -10%

2x12" | 1996 | EU | Reissue (Running Back Double Copy)

Release: 2003 / EU – Reissue

Genre: Electronic & Dance

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Re-issue of Drexciya's 4th storm! Another seminal work of 6 Futuristic deep & Drexciyan Electro/Techno tracks. Hypothetical questions translated into music by one of the visionaries of contemporary electronic music. ''Music beamed through Dimensional Waves by Abstract Thought...'' Remastered from the original session tapes.

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Losoul

Open Door

LP | 1999 | EU | Reissue (WRWTFWW)

Release: 1996 / EU – Reissue

Genre: Electronic & Dance

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In certain circles, this is a record that would easily be called „eternal“. Back in 1996, when it was originally released, it sounded like nothing else - and still does. The sixth record of Frankfurt’s soon to be imperial Playhouse label and Losoul’s first outing on the label, it hot-wired many things at once: house and techno, US roots and European fruits, grittiness and wittiness, high tech funk, the expansion pf playtimes and the concept of minimalism in dance music. Elegance met effectiveness. A composition that hooked you and also caused a stir elsewhere. Daniel Bell licensed it to his Elevate label and commissioned a very young Theo Parrish to remix it, Michel De Hey did the same with his EC Records and treatments by Gerd among others. Here you finally get both of those carefully restored, remastered and reissued next to the originals. Amply placed on a double 12“, it also features the previously unreleased D1. Stemming from the same time and era as Open Door it rings and feels like a compact lost brother. Addictive as on the very first day and here to stay.

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Midori Takada

Tree Of Life

LP | 2001 | EU | Reissue (Indies Scope)

Release: 1999 / EU – Reissue

Genre: Electronic & Dance, Classical Music

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Wrwtfww Records is proud to announce the worldwide reissue of Midori Takada’s solo album from 1999, Tree of Life, available on vinyl for the first time ever in a new audiophile mix by the Japanese percussionist herself, and in full half-speed-mastered glory. The 180g LP comes in a heavy sleeve with a beautiful design by Kohei Sugiura. Tree of Life is also available in CD (digipack) and digital formats.

Originally recorded in September 1998 at legendary Ginza (Tokyo) studio Onkio Haus (founded in 1974 and where Ryuichi Sakamoto’s "Merry Christmas Mr. Lawrence" and many more were recorded) and released on CD only for the Japan market in 1999, Tree of Life is Midori Takada’s best kept secret, a lost gem of minimalism and percussive ambient. The album is separated in two parts, the first one finds Takada exploring her trademark environmental soundscapes with precise mastery of marimba, drums, and bells, notably on the magnificent fan-favorite "Love Song Of Urfa". The second half is a collaboration with Chinese virtuoso Erhu player Jiang Jian Hua, allowing Midori Takada to unveil new layers of her artistic mind with a slightly more theatrical approach and a beautiful crystallization of complex simplicity.

The entire album was given a fresh new audiophile mix by Midori Takada herself and was mastered at Emil Berliner Studios, with half speed cutting for the vinyl version, to ensure an audio presentation aligned with the Japanese pioneer’s vision.

This Tree of Life reissue follows two newly recorded Midori Takada albums, Cutting Branches For A Temporary Shelter and You Who Are Leaving To Nirvana, both available on Wrwtfww Records, along with her 1983 masterpiece, Through The Looking Glass.

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Iva Bittova

Cikori

Release: 2001 / EU – Reissue

Genre: Electronic & Dance

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The Future Sound Of London

Accelerator - 30th Anniversary Edition

LP | 1991 | UK | Reissue (Jumpin & Pumpin)

Release: 1991 / UK – Reissue

Genre: Electronic & Dance

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2LP | 2007 | EU | Reissue (Daft Life Ltd.)

Alive 2007

Dub Narcotic Sound System

Release: 2007 / EU – Reissue

Genre: Electronic & Dance

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Reissue on Daft Punks own imprint.

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Boot Party Deep Red Vinyl Edition

LP | 1996 | EU | Reissue (Glass Modern)

Release: 1996 / EU – Reissue

Genre: Electronic & Dance, Reggae & Dancehall

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The classic debut LP by Dub Narcotic Sound System, originally released on K Records and unavailable on vinyl for 25 years. The oddball indie-funk collective Dub Narcotic Sound System was spearheaded by vocalist Calvin Johnson, the former frontman of the legendary Beat Happening as well as the founder of the famed K Records label. Named in honor of Johnson's own Olympia, WA-based basement studio Dub Narcotic, the project was begun in 1994 with a rapid-fire series of funk-, rap-, and reggae-influenced singles including "Bite," "Fuck Shit Up," "Booty Run," and "Shake-a-Puddin'"; from the outset Johnson was the group's sole constant member, although over the course of subsequent releases, including the EPs Industrial Breakdown, Ridin' Shotgun, and Ship to Shore, the revolving lineup grew to include Olympia scenesters like Lois Maffeo as well as Larry Butler, Todd Ranslow, and Brian Weber, all three members of the hip-hop unit Dead Presidents. The first Dub Narcotic Sound System full-length, Rhythm Record, Vol. One: Echoes From the Scene Control Room, appeared in 1995; later efforts included 1996's Boot Party and 1998's Out of Your Mind. Sideways Soul, a collaboration with Jon Spencer Blues Explosion, followed in 1999. Trouser Press wrote that "when not delving deep into the usual sorts of ambient studio trickery, the songs hit a '60s R&B stride, bathing in the stoned soul picnic ambience with uplifting spirit."

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LP | 1993 | EU | Reissue (One Little Independent)

Debut

Release: 1993 / EU – Reissue

Genre: Electronic & Dance

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Edition on 180g.

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LP | 1995 | UK | Reissue (Caroline)

Post

Mysteerien Maailma Black Vinyl Edition

Release: 1995 / UK – Reissue

Genre: Electronic & Dance

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Repress 2020 on 140g

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Suuri Shamaani

2LP | 1999 | EU | Reissue (Svart)

LP | 1992 | EU | Reissue (Boy Records)

Release: 1999 / EU – Reissue

Genre: Electronic & Dance

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Limited deluxe reissue on black vinyl Beherit’s first masterpiece, hypnotic “Drawing Down The Moon”, was unleashed in late 1993. However, by the release of this black metal classic, Laiho had drawn colossal interest in electronic music, and Beherit was soon turned into Laiho’s solo project. During the years 1994-1995, two characteristic studio recordings, namely “H418ov21.C” and “Electric Doom Synthesis”, were published under Beherit’s name. Experimental guitar-driven metallic assault was gone for good, as these records contained designated doses of ritualistic electronic music. Enter 1999. Helsinki-based Spinefarm Records, established in 1990 and mainly responsible for building up the international Finnish music scene during the last decade of the millennium, announced the signing of a new artist by the name of Suuri Shamaani – The Great Shaman in English. Behind Suuri Shamaani’s minimalistic musical landscape was – who else? – Marko Laiho. – Beherit’s widespread discography travels from relentless black metal to dark ambient and beyond. So, in some other time and space, Suuri Shamaani’s record “Mysteerien maailma” – “The World Of Mysteries” in English – could have been released under Beherit’s wings.

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Time Modem

Transforming Tune

2LP | 1999 | EU | Reissue (Buzzin Fly)

Release: 1992 / EU – Reissue

Genre: Electronic & Dance

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We are happy and honored to present you very soon some the labels best releases back on vinyl/cd! Starting with "Time Modem - Transforming Tune". A modern classic from 1992!

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Everything But The Girl

Temperamental

Release: 1999 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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2LP | 1994 | EU | Reissue (Tresor)

Robert Hood

Internal Empire

Waveform Transmission Volume 3

Release: 1994 / EU – Reissue

Genre: Electronic & Dance

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Originally released in 1994, ‘Internal Empire’ marks a point of transition for Robert Hood moving on from his previous collaborations within Underground Resistance. Robert Hood advanced uncovering the power of true minimalism. Deep soul through a simplicity that showed how much could be done with so little. The devastating rhythms of this album forge the unmatched spirit of this sound, influencing generations to come.

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Jeff Mills

2LP | 1994 | EU | Reissue (Tresor)

2LP | 1996 | EU | Reissue (RCA)

Release: 1994 / EU – Reissue

Genre: Electronic & Dance

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2022 repress

The eight titles on the album marked a turning point for Jeff Mills. It indicates a transition from the straightforward sound he had created through the early 1990’s, into the different facets and sound pallet he will develop through the remainder of the decade. It is a significant piece within Jeff Mills’ masterwork.

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Faithless

Reverence

Release: 1996 / EU – Reissue

Genre: Electronic & Dance

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2LP | 2001 | EU | Reissue (Just Music)

Jon Hopkins

Opalescent

2LP+CD | 2006 | EU | Reissue (Because)

Release: 2001 / EU – Reissue

Genre: Electronic & Dance

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This extraordinary debut uniquely combines the light with the dark, the beautiful with the mysterious, in a glorious atmosphere where the worlds of trip hop beats and chill out are made Jon's own personal domain. Sometimes eerie, sometimes majestic, but always profoundly musical.

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Cassius

15 Again

2LP | 2003 | UK | Reissue (Ninja Tune)

Release: 2006 / EU – Reissue

Genre: Electronic & Dance

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What if we took you back to your untroubled teenage days, when all seemed complicated and easy to reach at the same time? That is exactly what Cassius managed to transpose in 15 Again: a carefree music, coloured by some deep songs; like an emancipated soul, but always tormented. The hit “Toop Toop", sampled by Madonna or David Guetta, among others, and the intense “La Notte” illustrate perfectly this state of mind of the youth. Pharrell Williams is present on the song “Eye Water", a beautiful ode to our planet and its natural resources, and Cassius has got further exciting surprises for you. We’re releasing their third album once again for this summer, a real shot of freshness to relieve you from the heat!

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Skalpel

12" | 1991 | UK | Reissue (Jumpin' & Pumpin')

Release: 2003 / UK – Reissue

Genre: Electronic & Dance

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Back in print after 10 years! Repressed on 180 gram vinyl incl. Download code!

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V.A.

The Pulse Ep Volume 3

Lost Recordings #1 - Why? And For Whom?

Release: 1991 / UK – Reissue

Genre: Electronic & Dance

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Preorder shipping from 2024-09-27

First released over 30 years ago, this EP, as with Volumes 1 & 2, is where The Future Sound Of London started in 1991, these tracks under their pseudonyms. All four tracks were instrumental in establishing a new genre of electronica within dance music. They were ahead of their time and extremely progressive, and here three decades later they are making an impression. “Calcium” transcendental and otherworldly, “Owl” described as ‘one of the greatest breakbeat hardcore tracks ever created’. This edition of The Pulse EP is the first reissue in this original vinyl form since 1991, those initial pressings now expensive on Discogs. Genuine underground hardcore/rave history on vinyl to obtain one more time.

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Steve Bicknell

2LP | 1996 | EU | Reissue (System Revival)

2LP | 1996 | EU | Reissue (RCA)

Release: 1996 / EU – Reissue

Genre: Electronic & Dance

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Steve Bicknell - Lost Recordings 1 This is a seminal double LP consisting of 8 tracks by Steve Bicknell (originally released in 1996) from one of UK's most influential techno / electronic labels Cosmic Records - to introduce the incredible series Lost Recordings Rich, raw and unpredictable - every single one of these tracks sounds Fresh as ever! In the 90/00's in London, Steve Bicknell was at the forefront of techno as a producer and DJ but also as a promoter (of the event series Lost)

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Faithless

Reverence

Release: 1996 / EU – Reissue

Genre: Electronic & Dance

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2LP | 2008 | Reissue (Mau5trap Limited)

Deadmau5

Random Album Title

Tribulations Extra Sensorielles

Release: 2008 / Reissue

Genre: Electronic & Dance

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On vinyl for the first time, ‘Random Album Title’ is a seminal body of work in electronic music from Canadian producer deadmau5. The vinyl includes “Not Exactly,” “I Remember,” “Arguru,” and more. This award-winning, chart-topping album is arguably the most sought-after physical piece of work from deadmau5’s impressive catalogue - this is ‘Random Album Title’.

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La Funk Mob

LP | 1996 | EU | Reissue (Love Supreme)

Release: 1996 / EU – Reissue

Genre: Electronic & Dance

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12" | 1999 | EU | Reissue (Blanco Y Negro)

Eiffel 65

Blue (Da Ba Dee)

Last Light Transparent Purple Vinyl Edition

Release: 1999 / EU – Reissue

Genre: Electronic & Dance

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There’s no much to say about this track you haven’t heard before. Originally released in 1999 on Skooby Records and produced by Massimo Gabutti, legendary italo disco producer behind Phaeax (among others) and Maurizio Lobina, probably Blue is one of the most sampled tracks on crossover hits over the last years. Limited re-issue, of course, on blue vinyl including Ice Pop Mix, Hannover Remix, TJm Bluemax 04 Remix and Paris Casino House Mix.

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Tor Lundvall

LP | 2004 | US | Reissue (Dais)

2LP | 1998 | Reissue (Tresor)

Release: 2004 / US – Reissue

Genre: Electronic & Dance

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Originally released as a hand-numbered CD on New Year's Eve of2004, Last Light captures Tor Lundvall's hushed songcraft at its mostghostly and grayscale, stripped bare like branches bracing for winter.Initially conceived of as "a piano album with sparse electronics" (with theworking title November), Lundvall's palette steadily expanded,incorporating synthesizer, samples, bass, metronomes, and his signaturespectral vocals. A journal entry from the spring of 2002 proved formativeto his evolving vision: "I remember watching the blueish-grey lightshimmering outside and hearing distant sounds echoing far away,eventually sinking into silence and stillness."The album's 12 tracks are steeped in this sense of autumnal transience,of bearing witness to what fades. The music moves in whispered swells,between dirge, drift, and devotional. Synths chime like slow-tolling bells;percussion shuffles and shivers, icy and isolated; bass traces a lowliddedplod - it's a mode both austere and seductive, lulling the listenerinto its landscapes of deepening dusk. Lyrically, Lundvall's languageskews observational and depressive ("through lace curtains / grey lightfalls / dark clouds gather / in my soul"), with each song like a gauzyglimpse into a different tableau framing winter's descent: rust-coloredleaves, frozen ponds, cold crescent moons.Lundvall has long considered Last Light a "personal favorite" in hisdiscography, and it's easy to hear why. In texture, finesse, and pacing, itvividly evokes the rare mood of fragile, frosty pastoral noir depicted in hisiconic oil paintings. His is an art of the half-seen and half-remembered, offleeting figures, shapes and shadows, and gathering darkness. Of all thatdisappears, and the ghosts that never leave: "So I wait / as the years /slowly drain the magic and the light / and the girl / I never loved / hauntsme through the dark roads of my life."

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Surgeon

Balance 2023 Reissue

LP | 2003 | Reissue (Turbo)

Release: 1998 / Reissue

Genre: Electronic & Dance

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Tresor Records is fortunate enough to be sitting on a catalogue of past releases that no other label in electronic
music would turn down. Three of the finest in this collection were contributed by Surgeon;
“Basictonalvocabulary”, “Balance” and “Force + Form”, which all came out between 1997 and 1999.
Surgeon’s inimitable combination of Detroit techno and post-industrial sounds emanating from his British
homeland found its fullest expression in these masterful trio of releases.
Following the release of Surgeon's first album in 5 years "Crash Recoil" earlier in 2023, Tresor Records have decided
that its high time to give these seminal albums another airing.

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David Michael Cross

Cold War

Release: 2003 / Reissue

Genre: Electronic & Dance

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Birds In The Ground Black Vinyl Edition

Eiafuawn

LP | 2006 | US | Reissue (Numero Group)

Santa Maria Del Buen Ayre Record Store Day 2024 Edition

Release: 2006 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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Gotan Project

10" | 2001 | EU | Reissue (Diggers Factory/Iya Basta!)

26,59 €* 27,99 € -5%

Release: 2001 / EU – Reissue

Genre: Electronic & Dance

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LP | 1992 | UK | Reissue (Warp)

V.A.

Artificial Intelligence

The Music Scene Opaque Teal Vinyl Edition

Release: 1992 / UK – Reissue

Genre: Electronic & Dance

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Are you sitting comfortably? Artificial Intelligence is for long journeys, quiet nights and club drowsy dawns. Listen with an open mind.

Back in 1992 when Warp released the Artificial Intelligence compilation it almost instantly changed both the course of Warp as a label and arguably what many would consider club music as an entity to be. Artificial Intelligence came housed inside a prog rock styled gatefold sleeve depicting a cover image of a robot blowing smoke rings whilst reclining on an armchair. Its extra long rolling papers and tin of tobacco just out of reach, whilst a high-end stereo plays out the sounds of Kraftwerk's Autobahn and Pink Floyd's Dark Side Of The Moon, their LP sleeves lay strewn across the floor. This image along with the above text that as printed on the sleeve acted as a guide for the listener on how to best experience this new mode of techno music, one that was designed for those nights when your body stays in but your mind steps out.

Having been in operation for three years by the time they compiled and released the Artificial Intelligence compilation, Warp had already proved itself as a worthy force within the world of quickfire 12 singles of acid house and the emerging hardcore scene. Starting as a predominant pusher of the new bleep 'n' bass sounds of their hometown Sheffield, Warp had enjoyed success with early anthemic singles from artists such as Nightmares on Wax, LFO & Richard H. Kirk's Sweet Exorcist project. These building blocks laid the foundations for what many would go on to define as the Warp sound but it was 1992's Artificial Intelligence compilation that cemented their place in music history.

Artificial Intelligence was notable for early appearances by people who went on to become pioneers of the hypnotic groove for both Warp and electronic music in its entirety. Artists such as The Black Dog/Plaid whose melancholic contribution The Clan (produced under the alias I.A.O.) bears long drawn out strings combine perfectly with the tear-drenched techno of Carl Craig with the trend for looped breakbeats to create a track that still resonates deeply every time it is played. Looking further out than most, B12's Telefone 529 with its recording of an automated incorrect phone number message carries an air of nostalgic puzzlement, while Preminition transports a diva vocal and hardcore piano roll into a zero-gravity soundtrack of space. Autechre's Crystel and The Egg offers the first steps towards the path of abstract oblivion that they would go on to travel throughout the post-AI years. Both pieces focus an acidic gurgle around some cut up vocals, its timeframe existing perfectly within a distinct hip-hop cylinder that brilliantly displays their roots within b-boy culture.

Aphex Twin appears under his alias The Dice Man, opening up the operation with a track that would become an alias in itself, Polygon Window in many ways formed the core sound of the Artificial Intelligence compilation and subsequent album series that followed it. Rolling post-acid dynamics, a strong knowledge of breakbeat techno and some serious subs keep the track in a full forward motion, Polygon Window still stands out as one of the most unbeatable techno tracks within Warp's discography. Elsewhere, chief ambient technologist Dr Alex Paterson put forward a four-minute cosmic ambient piece akin to his work as the central figure of which The Orb revolves around. Whilst Richie Hawtin made an appearance with his euphoric almost gabba track Spiritual High, produced under the name Up! his fellow Plus 8 producer Speedy J stepped in with De-Orbit, a track that you could say on reflection, almost helped shape the early steps towards what would turn into the deeper recesses of liquid drum & bass.

Warp co-founder Steve Beckett was quoted around the time of the Artificial Intelligence compilations release in 1992 as saying you started to hear tracks by B12 and Plaid and Speedy J that just didn't fit into any category, B-sides and last tracks on EPs. We just realised that they weren't meant for 12-inches, it was just that this was the only outlet for that kind of music. We realised you could make a really good album out of it. You could sit down and listen to it like you would a Kraftwerk or Pink Floyd album. That's why we put those sleeves on the cover of Artificial Intelligence - to get it into people's heads that you weren't supposed to dance to it!. This train of thought led to Warp putting together one of the most forward-thinking compilations to appear within the early 90s post-acid explosion, and many others tried to copy the formula but arguably no imprint ever came close to topping or even releasing anything that stands tall alongside Artificial Intelligence for its undeniably experimental, yet sheer futuristic scope and vision.

Listening back now, 30 years since its original release, it's striking how contemporary and fresh the music of Artificial Intelligence still sounds. While many tracks from those days still and will forever sound brilliant, many AI contemporary compilations have taken on the sheen of a more retro and throwback feel. When digested with a knowledge of what has been made within the last quarter of a century, the tracks that form Artificial Intelligence still carry a strong, almost outside of time feeling that's influence shines as strongly today as it did 30 years ago. A timeless record that will continue to point the way forward for electronic music for many years yet to come.

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Blockhead

LP | 2009 | Reissue (Ninja Tune)

LP | 2000 | EU | Reissue (Music On Vinyl)

Release: 2009 / Reissue

Genre: Hip Hop, Electronic & Dance

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Türkises Standardvinyl (180g) des Blockhead Klassikers ’The Music Scene’ (2009) inklusive Downloadcode.

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Alcazar

Casino

Release: 2000 / EU – Reissue

Genre: Electronic & Dance

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2LP | 2005 | EU | Reissue (Clone Aqualung Series)

Arpanet

Quantum Transposition

A Strangely Isolated Place

Release: 2005 / EU – Reissue

Genre: Electronic & Dance

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Re-issue of Arpanet's second album from 2005. After the criticly acclaimed 'Wireless Internet' album Arpanet goes on a starker and more experimental ambient trip. As with his other pseudonyms Gerald Donald pushes the envelop further on every album with sonic explorations of scientific, technological and social themes. Originally released on Rephlex, now remastered for Clone Aqualung Series with a new exclusive track from the same sessions 'Superposition-Many Worlds'.

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Ulrich Schnauss

2LP | 2003 | EU | Reissue (Scripted Realities)

Release: 2003 / EU – Reissue

Genre: Electronic & Dance

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Boulevard (The Complete Series)

St. Germain

2LP | 1995 | EU | Reissue (F Communications)

Release: 1995 / EU – Reissue

Genre: Electronic & Dance

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LP | 1995 | UK | Reissue (Warp)

Boards Of Canada

Twoism

Release: 1995 / UK – Reissue

Genre: Electronic & Dance

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Responding to popular demand, Warp Records is repressing its seminal Boards of Canada catalogue on vinyl for the first time in over five years. Each Warp reissue comes with a download code and an original BOC sticker design from the era.

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2LP | 2001 | EU | Original (Polydor)

Medulla

12" | 2009 | US | Original (Domino)

Release: 2001 / EU – Original

Genre: Electronic & Dance, Pop

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limited edition

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Animal Collective

Fall Be Kind EP

The House That Dirt Built

Release: 2009 / US – Original

Genre: Rock & Indie, Electronic & Dance

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5 tracks, recorded in Oxford, Missouri in early 2008

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The Heavy

LP | 2009 | UK | Original (Counter)

Moderat (Apparat & Modeselektor)

Release: 2009 / UK – Original

Genre: Electronic & Dance

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Mixed and produced by Jim Abiss!

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Moderat

LP | 2009 | DE | Original (BPitch)

Great Vengeance And Furious Fire

Release: 2009 / DE – Original

Genre: Electronic & Dance

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Modeselektor and Apparat collaborate on this eclectic album. A moody yet bouncing record with some ridiculous Dubstep basslines, 2-Step drums, paranoid Berghain Techno and emotive vocals. A clever and thoroughly entertaining affair. The Special Edition includes awesome visuals courtesy of Die Pfadfinderei and a brilliant Shackleton remix of the Übertrack Rusty Nails.

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The Heavy

LP | 2007 | EU | Reissue (Counter)

Release: 2007 / EU – Reissue

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Lunatico Black Vinyl Edition

Gotan Project

2LP | 2006 | EU | Reissue (Believe Digital)

Release: 2006 / EU – Reissue

Genre: Electronic & Dance

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2LP | 2005 | UK | Reissue (Domino)

Four Tet

Everything Ecstatic

Release: 2005 / UK – Reissue

Genre: Electronic & Dance

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Nintendo Teenage Robots (Alec Empire)

We Punk Einheit

2LP | 1999 | UK | Original (Digital Hardcore)

25,49 €* 29,99 € -15%

Release: 1999 / UK – Original

Genre: Electronic & Dance

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Oppenheimer Analysis 18th Anniversary Edition

Oppenheimer Analysis

LP | 2005 | US | Reissue (Minimal Wave)

25,49 €* 29,99 € -15%

2LP | 2007 | UK | Original (Acp Recordings)

Release: 2005 / US – Reissue

Genre: Electronic & Dance, Pop

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Eighteen years ago, Oppenheimer Analysis made its indelible mark with the iconic track ‘The Devil’s Dancers,’ heralding the birth of the Minimal Wave label. Founded with a singular mission, the label set out to share this musical gem with the world. The inaugural release was the self-titled Oppenheimer Analysis EP, meticulously pressed onto high-quality 180-gram black vinyl, accompanied by a striking 18” x 24” poster adorned with captivating photos and lyrics. This historic release graced the world on December 6th, 2005. Remarkably, this EP has been elusive for a decade now.

In an exciting development, the fifth edition of the Oppenheimer Analysis self-titled EP is set to debut in December, featuring the original remastered version of ‘The Devil’s Dancers.’ This EP is presented as a loving tribute to Martin Lloyd (1950-2013 R.I.P.), one half of Oppenheimer Analysis. The EP showcases select tracks from the 1982 Oppenheimer Analysis cassette titled “New Mexico,” along with two previously unreleased gems. The story behind Oppenheimer Analysis began when Andy Oppenheimer, a nuclear weapons consultant, and Martin Lloyd, also known for his work with the Survival Label and the project “Analysis,” crossed paths at a Science Fiction Convention in London in 1979. They shared the stage with notable bands like Hawkwind and Spizz Energi and garnered attention in the pages of Melody Maker.

This fifth edition release consists of 999 meticulously hand-numbered 180-gram black vinyl copies, each accompanied by the first edition poster insert. Notably, the spot color on the sleeve distinguishes each edition: green for the first, deep blue-green for the second, light powder blue for the third, mint green for the fourth, and a brighter aqua mint for this current fifth edition. Stay tuned for an upcoming interview with Andy Oppenheimer, promising deeper insights into the band’s rich history and music.

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8:58 (Paul Hartnoll)

858

Release: 2007 / UK – Original

Genre: Electronic & Dance

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Feral Vapours Of The Silver Ether Yellow Vinyl Edition

Chris & Cosey

LP | 2007 | UK | Reissue (Conspiracy International)

Muzik Fantastique! Pink / Purple Vinyl Edition

Release: 2007 / UK – Reissue

Genre: Electronic & Dance

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“… an album which shows that Carter Tutti are in a state of continuing evolution” – The Wire. 2007’s Feral Vapours of the Silver Ether will be available here for the first time on vinyl, and was the second release under the Carter Tutti name. On it, the electronic and the acoustic are merged in a seamless, crafted album that is awash with echoes of the sea, the moon, the open road, and flatlands.

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Chris & Cosey

LP | 1992 | UK | Reissue (Conspiracy International)

LP | 1998 | EU | Reissue (Keplar)

Release: 1992 / UK – Reissue

Genre: Electronic & Dance

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“Muzik Fantastique! is another example of their hidden talents” – NME. 1993’s Muzik Fantastique! will receive its first ever vinyl issue in March. The album finds Chris & Cosey in one of their most dynamic and melodic periods with an album that slides towards subtler grooves and textures.

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Kiln

Holo

2LP | 2006 | EU | Original (Schema)

Release: 1998 / EU – Reissue

Genre: Electronic & Dance

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»Holo« by the US-American three-piece Kiln, first released in 1998, is one of those rare records that managed to carve out a niche of its own while also building bridges to variety of genres like Chicago-style post-rock, the ambient mysticism of projects like Rapoon or the music made at the intersection of shoegaze, and electronic music in the late 1990s. Lush textures, subtle rhythms, jazzy inflections and electronic experimentation seamlessly blend into each other over the course of the eleven tracks. This reissue through the German label Keplar makes the fully revised version, self-released by the group in 2007 under the name »Holo [re/lux],« available on vinyl for the very first time. »Twenty-five years later this newly mastered vinyl edition is evidence that the sound of ›Holo‹ continues to attract like-minded listeners,« says member Clark Rehberg III. »Which on many levels means that our mission was successful.«

Rehberg had embarked on this mission together with Kevin Hayes and Kirk Marrison in 1993. They had first worked together under the name Fibreforms as a live trio that used treated guitars, kit drums, and tapes of found sound to explore the balance between band composition and recording experiments, while Marrison made heavy use of the Akai S612 sampler as a fabricating strategy with the project Waterwheel. »Kiln seemed to encapsulate the evolution and melding of those previous approaches to one that insisted on the continual opening up of the compositional process, allowing more of the mystery that can be discovered through studio experiments—and accidents—to become important elements of creating our music,« says Rehberg of the trio that is still going strong after three decades. »The word Kiln implies heat and transformation, an attitude that we apply to every sound we use—we begin with notes and performance and then mosaic with shape and colour.«

»Holo« followed up on the trio’s debut self-titled EP that had been recorded in the summer of 1996. »That same year, during a lull in our collabs, Kirk began building pieces on a low-memory Mac using an early 8-channel DAW,« explains Rehberg. Enchanted by the unprecedented fidelity and energy of those recordings, the three reconvened to build upon them and make more music in that manner. »I’d say our intention was no different than any other time: create something immersive and compelling: dense melodic blasts of uniquely constructed but ultimately accessible audio moments.« The group worked individually and in pairs for about 18 months while being spread across the United States. »We poured everything into it that we had at the time, working dead-end jobs by day and on audio in every other open moment. I remember the struggle of that process, but also the pure joy as we pulled down countless moments of magic while the pieces took shape.«

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Soulstance

Lead the way

Mick Harris / Martyn Bates

Release: 2006 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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10 tracks

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Murder Ballads [Drift] Marbled Vinyl Edition

2LP | 1994 | EU | Reissue (Sub Rosa)

2LP | 2001 | EU | Reissue (Keplar)

Release: 1994 / EU – Reissue

Genre: Electronic & Dance

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Rarely do two types of music meet on a level where they threaten to cancel each other out - let alone create something even more meaningful in their mutual vanishing. But the music created within the seminal Murder Ballads (Drift) by Martyn Bates (Eyeless in Gaza, & parallel solo career) and Mick Harris (Napalm Death, Lull, Painkiller, Scorn) creates just such a world. Murder Ballads (Drift) evolves Martyn Bates vocalisations / storytelling song-voices, by turns expressed as labyrinthine layers, calls and responses, muted and distant echoes, sung whispers and counter-melodies, ultimately resulting in a mesmeric conversation of musical inferences and correspondences. Murder Ballads (Drift) created the post-isolationist frame of reference, innovating and extemporising into a truly original dazzlingly unique form.

Mick Harris traffics in the isolationist ambience of Lull, while Martyn Bates is the emotive voice of literate cult-pop duo Eyeless in Gaza. The unlikely pair - one given to terminally frigid drone, the other to impassioned, bittersweet voicings - finds common ground in folk music's most macabre tradition, the murder ballad. These ghoulish parables are awash in blood and tears, the strands of love, hate, birth, death, sin, and salvation entwined within like the roots of an ancient tree. Mothers callously kill their children; suitors slay their maidens without remorse; and fate exacts its cruel price from all.

The archaic murder ballads that leak from Bates' vocal cords are intensely sad and carnal. They tend to leap off cliffs of hollow effects or drone darkly, offering neither a robust delivery nor an element of irony to take the edge off. The archetypal characters that live and die in them give life's full tragedy back to Harris' electronically numbed "post-isolationist" dreaming.

Drift (originally released in 1994) plays out an unbreakable and timeless cycle of bloody folklore (people) and hypnotic soundscapes (the god who watches). The effect is chilling yet engrossing. Where most ambient music has barely enough courage to ring the doorbell and run, Murder Ballads slips through the cracks of the unconscious and does its work with remarkable ease.

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Vladislav Delay

Anima

Release: 2001 / EU – Reissue

Genre: Electronic & Dance

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2001’s »Anima« was the third album released by Sasu Ripatti under his Vladislav Delay moniker and marked a turning point in the stylistic development of the prolific producer. Clocking in at roughly 62 minutes, the single piece draws on dub aesthetics while working with Musique concrète-like methods through the liberal use of samples to create a dreamlike logic. Muffled voices, lush chords, subtle rhythms and indefinable sound events are not so much integrated into a composition with a predetermined outcome but rather engage with each other freely in a constant sonic flow, forming constellations in one moment before moving on to connect with other elements in the next one. »Anima« marked the first time Ripatti was using a DAW in his working process, creating a piece constantly in motion that subtly evolves over time. This vinyl reissue on the German Keplar label follows up on the 20th anniversary edition of 2000’s »Multila« and will be complemented by a ten-minute long version of the original piece, previously only available on the CD version released by the artist on his own Huume label in 2008.

After the release of his »Ele« and »Entain« albums in 1999 and 2000, respectively, Ripatti took the 1998 independent movie »Hurlyburly« as a conceptual starting point to experiment with different gear and production methods. »Until then I had worked with an old Msq-700 Midi sequencer and an Ensonic Eps16 sampler/sequencer that had one or two MB of sampling memory and mixed the music live on a Mackie, which was very limiting arrangement-wise,« says Ripatti. Loading a slightly shortened version of the film into his DAW however allowed him to play along to it with the DrumKAT Midi controller, triggering and playing all the sounds that can be heard on »Anima« while also contributing synths, bass and other sounds during repeated playthroughs before mixing a total of six stereo tracks together. »This way, after I had edited out most of the few parts that had music in them, I was in the movie; almost like an extra character playing music,« explains Ripatti. »This was certainly the most organic way in which I have ever made music, and I have never again approached another record like this.«

While »Anima« sounded like an unusual Vladislav Delay record at the time of its release, it also prefigured many of the developments Ripatti would go through in the course of his long career. Combining visceral immediacy with a sense of abstraction, it is far more than a mere missing link in his discography but rather a conceptually and musically outstanding piece of work that remains as engaging as it was 21 years ago.

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2LP | 2005 | EU | Reissue (Daft Life Ltd.)

Human After All

Release: 2005 / EU – Reissue

Genre: Electronic & Dance

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Reissue on Daft Punks own imprint.

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2LP | 2003 | EU | Reissue (Daft Life Ltd.)

Daft Club

Release: 2003 / EU – Reissue

Genre: Electronic & Dance

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Reissue on Daft Punks own imprint.

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LP | 2001 | EU | Reissue (Daft Life Ltd.)

Alive 1997

2LP | 2009 | EU | Reissue (Nobody's Bizzness)

Release: 2001 / EU – Reissue

Genre: Electronic & Dance

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Reissue on Daft Punks own imprint.

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Miss Kittin & The Hacker

Two

2LP | 2006 | EU | Reissue (Mr Bongo)

Release: 2009 / EU – Reissue

Genre: Electronic & Dance

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The duo's second album, in full.

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Brazilian Beats

Brooklyn

2LP | 2006 | EU | Original (Schema)

Release: 2006 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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22 tracks feat. Jose Roberto, Rita Lee, Toni Tornado, ...

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Freedom Jazz Dance

Book III

2LP | 2006 | EU | Reissue (Record Makers)

Release: 2006 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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10 tracks, 4 previously unreleased

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Arpanet

Inertial Frame

3MB Feat. Magic Juan Atkins Black Vinyl Edition

Release: 2006 / EU – Reissue

Genre: Electronic & Dance

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2LP vinyl reissue of Arpanet's 2006 electronic masterpiece! Under his real name Gerald Donald, Arpanet is a man-machine from Detroit fond of science with multiple identities:Glass Domain, Heinrich Mueller, also part of Drexciya, and Dopplereffekt. Following Kraftwerk, he became on his turn a real pioneer of an uncluttered and effective industrial electronic music.

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3MB

2LP | 1992 | EU | Reissue (Tresor)

2LP | 2006 | EU | Original (Poker Flat)

Release: 1992 / EU – Reissue

Genre: Electronic & Dance

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A download code is included. Initially released in 1992, Juan Atkins joined forces with Moritz von Oswald and Thomas Fehlmann, for the second iteration of the latter duo’s 3 Men in Berlin project, producing a monumental collaboration between Berlin and Detroit that profoundly affected the path forward for techno music. The impact this album holds is evident in how it elevates beyond a singular or separable representation of its origins. Instead, it resonates through a collaborative nature that reflects its inherent melting pot. Where hints of each member’s sound - Atkins’ mangled and bouncing funk, von Oswald’s purist echoes and foundation rumblings, and Fehlmann’s ambient meshes - may be heard coalescing in a slipstream, and at other times tussling in fervent unfoldings. It may be almost 30 years old, but it remains deeply innovative at its core - folding and warping, unrelenting from its vision.

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The Last Resort

2LP | 2006 | EU | Original (Schema)

Release: 2006 / EU – Original

Genre: Electronic & Dance

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9 tracks

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Gerardo Frisina

Hi note

Sceneries Not Songs Volume 1

Release: 2006 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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8 tracks

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Larry Heard

2LP | 1994 | EU | Reissue (Alleviated)

2LP | 2005 | EU | Original (Schema)

Release: 1994 / EU – Reissue

Genre: Electronic & Dance

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Alleviated Records presents the first-time vinyl reissue of Larry Heard's mid-90's gem ''Sceneries Not Songs, Volume 1''. The album stems from a time when the tempo slowed down and Heard reached a perfect synthesis of jazz influences, deep electronic ambiance and the house sound he was known for. The result is a brilliant album that should cater to both house and R&B heads alike. Now for the first time released as a 2x12'' with an extra track previously only available on cd.

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Gerardo Frisina

The Latin Kick

Release: 2005 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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2LP | 2001 | EU | Original (Schema)

Gerardo Frisina

Ad lib

Release: 2001 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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The Vanguard EP Clear Vinyl Edition

Pod (Kenny Larkin)

2x12" | 1992 | EU | Reissue (Mint Condition)

LP | 1998 | EU | Reissue (Source)

Release: 1992 / EU – Reissue

Genre: Electronic & Dance

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2021 Clear VInyl Repress.

Mint Condition, a reissue label focused on excavating the outer fringes of classic House and Techno. Unreleased mixes, classics and overlooked gems mined from the last 20+ of contemporary dance music are the order of the day. From Chicago, Detroit and New York to London and beyond, Mint Condition have got their expert digging hats on to bring you exclusive heat and those rarer than rare jams that have been on your wants list for years! Detroit bred / LA based producer Kenny Larkin has long been a force to be reckoned with, both in the studio and in the DJ booth. His 'Vanguard EP' from 1992 was released under the name POD, another of his aliases used for the deep sonic exploration of Techno that he undertook, thus changing the face of modern electronic music right up to this day. Featured here is the full '92 EP with the addition of another POD rarity entitled 'Chinese Checkers', lifted from a compilation a number of years later. The music contained within this 2 x 12" reissue should not be understated, this is pure, unadulterated Detroit Techno sounds of the highest order. A truly staggering collection of music that somehow transcends the decades since it's release 20+ years ago and still sounds forward thinking today. Like the majority of Larkin's music, this deserves the highest possible spot on your record shelf, a true classic of the genre and every single home should have one. No snoozing. Reissued for the first time across 2 x 12"s for pure sonic superiority.

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AIR

Moon Safari

Loop-Finding-Jazz-Records Black Vinyl Edition

Release: 1998 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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180g Vinyl including download code.

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Jan Jelinek

2LP | 2001 | EU | Reissue (Faitiche)

2LP | 2009 | EU | Original (Schema)

Release: 2001 / EU – Reissue

Genre: Electronic & Dance

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Faitiche presents a long-lost vinyl album: for the last 14 years, Jan Jelinek's Loop-Finding-Jazz-Records, originally released in 2001 on ~scape, existed only as a download. Now the landmark album is available again on vinyl, as a double LP with two bonus tracks (B-sides from the Tendency EP, 2000).

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S-Tone Inc.

Moon in libra

Release: 2009 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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2LP | 2007 | EU | Original (Audiomatique)

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The chronicles

You Are My High - 25th Year Anniversary

Release: 2007 / EU – Original

Genre: Electronic & Dance

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his best songs and remixes 2003 - 2007 including new and unreleased material

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Demon

12" | 1999 | EU | Reissue (La Tebwa)

Release: 1999 / EU – Reissue

Genre: Electronic & Dance

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"When Demon released "You Are My High" at the end of 1999, all hell broke loose. Nominated at the Victoires and MTV Awards, the track was on the lips of every Frenchman and the CSA. 25 years later, the "You", inseparable from the French Touch, is more beautiful than ever. This summer, it will celebrate its anniversary on vinyl in a collector's edition.

150M streams, platinum disc, "You Are My High" explodes thanks to its clip, its French kiss in a fixed shot of 3min, which will earn it a brief passage to the CSA, who will try to censor it. before finally running H24 on television. You", as its creator liked to call it, left its mark on his era, inspiring a new generation of artists: Agar Agar, DJ Snake, Central Cee, Disclosure x Flume, Jean Paul Gaultier...

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Box Set | 2008 | EU (One Little Indian)

Innocence

Oasis Remastered 2024 Repress Edition

Release: 2008 / EU

Genre: Electronic & Dance

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Box set featuring remixes of the song “Innocence”

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Dettinger

LP | 2000 | EU | Reissue (Kompakt)