Electronic & Dance Vinyl 45767 Items

The Opening Of The Cerebral Gate

Release: 2024 / UK – Original

Genre: Electronic & Dance

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More than two years after the release of 'Impressões de Outra Ilha', Discrepant's head honcho returns home under his birth name with the appropriately titled 'Exotic Immensity'. Conjured from the seeds of an exhibition of dioramas at Le Bon Accueil in Rennes, this double LP feels quietly epic in scope, a sprawling travelogue through imagined scenarios and what if possibilities. Discarding the more rough around the edges collages of previous works under a myriad of aliases - Discogs it, if you will -, Cardoso's approach here is more meticulously composed, with seamless transitions within his own personal soundworld giving way to this hallucinated landscape of field recordings, subtle electronic tweaks, cascading patterns, queasy ambiences and kösmiche-like synth harmonies.

Perfectly embodied in Evan Crankshaw's cut up poem, filled with occult and sci-fi references such as Agrippa's Book of the Occult, William Blake's Book of Urizen, Dr. Moreau or 50's pop-science books, the music on 'Exotic Immensity' transverses time and cartography in a deeply personal matter, from the cricket-like textures and reverse loops of 'Réplica(s)' until the closing moments with the touching chord progression and mangled voices of 'Pó Nuno'. In-between, the foghorn meets bass clarinet melody of 'Ossos' recalls the unassuming but essential harmonic patterns of Laurence Crane, surrounded by an almost percussive sheet of field recordings that drift into the gliding synth tones of 'Desumanização (I & Ii)' until tape orchestral swells carry us into the aether. 'Aquário Novo Mundo' brims in an undisplaced cartography, from electronic marimba stabs to synth choirs, the call of the loom to labyrinthine keyboard harmonies and underwater radiance. Are we still here? Somewhere? The muffled looped rhythmic sequence of 'Imagem/Miragem', cut by the glow of cascading synths doesn't offer a reply. Nor does it need to.

'Exotic Immensity' exists on the perpetual outside. Blessed be Cardoso for showing us a way in.

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Transllusion

3LP | 2001 | DE | Reissue (Tresor)

LP | 2024 | WW | Original (EMI)

Release: 2001 / DE – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: VG+

Sealed copy with slightly dented cover corners.

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Gorgon City

Reverie

Release: 2024 / WW – Original

Genre: Electronic & Dance

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12" | 2014 | SE | Original (G.A.M.M.)

El Barrio Djs

El Barrio DJs

2x12" | 1994 | US | Original (Dance Mania)

Release: 2014 / SE – Original

Genre: Hip Hop, Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Record is close to VG+

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Parris Mitchell

Life In The Underground

Warten Borgmann Edits III

Release: 1994 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Close to NM!

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Warten Borgmann

12" | 2015 | DE | Original (Eclipser Chaser)

Release: 2015 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

12" | 1999 | US | Original (KDJ)

Andrés

Material World

2x12" | 1997 | CA | Original (Stickman)

Release: 1999 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl with many scuffs and hairlines

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The Stickmen

Afterhours

Dreamer's Blue's / Lost Angel

Release: 1997 / CA – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines. Cover with creasing and small stickers.

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Theo Parrish

12" | 2001 | UK | Original (Music Is...)

LP | 1978 | DE | Reissue (Asylum)

Release: 2001 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: G+, Cover: Generic

Vinyl with many scuffs and hairlines, close to VG

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Michael Bundt

Just Landed Cosmic Kid

Release: 1978 / DE – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

The NID Tapes: Music From India 1969-1972

2LP | 2023 | UK | Reissue (The state51 Conspiracy)

LP | 2019 | UK | Original (Whities)

Release: 2023 / UK – Reissue

Genre: Electronic & Dance

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The NID Tapes’ presents a collection of early Indian electronic music uncovered at the archives of the National Institute of Design in Ahmedabad. Recorded between 1969-1972 the compilation chronicles electronic works from the previously unknown Indian composers Gita Sarabhai, I.S. Mathur, Atul Desai, S.C. Shama and Jinraj Joshipura who worked at the nation’s first electronic music studio founded at the NID during the utopian years following India’s independence - a radical period of visionary experimentation and artistic freethought.

The studio was founded with support from the New York composer David Tudor who personally set up a Moog modular system and tape machine in the autumn of 1969, and The NID Tapes also includes an excerpt from Tudor’s work discovered amongst the collection of tapes. The release developed from a long-term research project by the British artist and electronic musician Paul Purgas who travelled to Ahmedabad over many years to explore the origins of electronic music in India. This resulted in the discovery of the electronic music archive at the NID and its eventual restoration and digitising, which featured in the acclaimed BBC radio documentary Electronic India.

The compilation presents excerpts from the 27 reels of archive tape spanning the three years of the studio's operational history, showcasing work from the pioneering electronic composers which included the musician and poet Atul Desai, NID teachers and technicians I.S. Mathur and S.C. Shama, Gita Sarabhai who had previously studied with John Cage in New York in the 1940's and the young architecture student Jinraj Joshipura who was just 19 years old at the time of first composing with the Moog synthesiser. The audio showcases their various visions for electronic music production, exploring analogue synthesis, tape collages, voice experiments and field recordings revealing a meeting point of Western and Indian avant-garde traditions, and offering a unique insight into South Asia’s post-colonial sonic imaginary. The vinyl and digital is a collaborative release by Strange Attractor Press and The state51 Conspiracy and has been mastered by Hari Shankar Kishore (hvad) with design for the release and a vinyl etching created by Shreya Aurora a recent graduate from the National Institute of Design.

Launching at the same time through Strange Attractor Press will be a book titled ‘Suncontentinental Synthesis: Electronic Music at the National Institute of Design, India 1969–1972’. Edited by Paul Purgas this collection of critical essays will reflect on the larger cultural and political dialogues surrounding the studio as well as written contributions by Geeta Dayal, You Nakai, Rahila Haque and Jinraj Joshipura the last surviving composer from the NID.

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Leif

Loom Dream

2LP | 2014 | WW | Reissue (Trad Vibe)

Release: 2019 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl close to NM

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Imhotep

Kheper Wax

3LP | 2024 | DE | Original (ZYX Music)

Release: 2014 / WW – Reissue

Genre: Electronic & Dance, Reggae & Dancehall

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Kheper Wax is the second solo album of Imhotep, artist known for have being the sound architecht of IAM, a very popular hip hop group from Marseille (South of France) in the 90’s and the early 00’s.

The 100% instrumental album is a blend of Dub and Trip-Hop, infused with oriental music samples.

It was self-released by the artist in 2013 and since, the album price has increased a lot on Internet.

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Gigi D Agostino

L'amour Toujours II

Release: 2024 / DE – Original

Genre: Electronic & Dance

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Acid House & Medusas: Chicago 1987-1992

Scrappy

2xLP | 2024 | EU | Original (Still Music)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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| 2014 | UK | Original (Death Waltz Originals)

Antoni Maiovvi & Umberto

The Hook & Pull Gang

2LP | 2024 | US | Original (Vhf)

Release: 2014 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Colored vinyl.

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Mahti

Konsertti I

12" | 1998 | BE | Original (Heaven Beats Rec.)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Third album from Finnish group Mahti, a collaboration between three members of stalwart avant-rock legends Circle and Hannu Saha. Saha plays the Kantele, a traditional Finnish acoustic instrument which can have five, ten, fifteen, or thirty-six strings, and which is plucked like a zither or harp, producing a delicate string sound. Following their two very limited studio albums on UK label Riot Season, Konsertti I is an excellent recording of the group in live performance, capturing their understated and beautiful mix of ambient, electronic, and string music. Saha’s Kantele centers the music, sometimes plucking out melodic arpeggios, at others blending in with the burbling-but-subtle electronic and electric guitar backdrop. Doesn’t really sound like anything else, but recommended to fans of AR & Machines, Ash Ra Temple, Richter Band, Durutti Column, etc. “These ancient musicians played their ‘mahti’…and the sound they produced was called ‘musiikki’.”

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Virtual Zone

Change U Mind

Release: 1998 / BE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: G+, Cover: VG

LP | 2021 | EU | Reissue (Spoon)

Can

Future Days

2LP | 2024 | EU | Original (Rotorelief)

Release: 2021 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: VG

Sealed copy with a bent corner! Limited edition on Golden vinyl.

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Urbain Autopsy

Inonu

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-09-27

2LP | 1985 | EU | Reissue (Rotorelief)

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Alesia Cosmos

Aeroproducts

Release: 1985 / EU – Reissue

Genre: Electronic & Dance

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Preorder shipping from 2024-09-27

2LP | 2024 | EU | Original (Kontakt Audio)

Muslimgauze

Citadel

Release: 2024 / EU – Original

Genre: Electronic & Dance

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LP | 2020 | UK | Original (Injazero)

C. Diab

White Whale

12" | 2002 | US | Original (7th City)

Release: 2020 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

Sealed copy!

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S-Max / Fym

Seismic-Stealth-Smurfz

Release: 2002 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

3x12" | 2011 | DE | Original (Mojuba)

Stereociti

Kawasaki

2LP | 2019 | HK | Original (Nls)

Release: 2011 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Original cover is missing!

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Paul Prudence

Ficciones

Release: 2019 / HK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

Perception And Association

Christoph Heemann

LP | 2020 | US | Original (Robot)

New Erotica Collection HHV Exclusive Red Vinyl Edition

Release: 2020 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Green vinyl version!

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System Olympia

LP | 2023 | UK | Reissue (Okay Nature)

2LP | 2019 | DE | Original (Tochnit Aleph)

Release: 2023 / UK – Reissue

Genre: Electronic & Dance

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HHV exclusive vinyl edition on opaque red vinyl including 30cm artwork poster, limited to 200 copies.

All your favourite System Olympia songs in one vinyl record.

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Hermann Nitsch

Traubenfleisch

Release: 2019 / DE – Original

Genre: Electronic & Dance, Classical Music

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

2LP | 2020 | EE | Original (Hidden Harmony)

C.R. Gillespie

Concentration Patterns

2LP | 2019 | US | Reissue (Audika)

Release: 2020 / EE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

Ships in a brand new plain sleeve.

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Arthur Russell

Calling Out Of Context

Release: 2019 / US – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

4LP | 2024 | US | Original (Michigander)

Brian Kage

Timeless Times

LP | 1982 | JP | Original (RAK)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Michigander is a techno, house, and dance label created by Detroit DJ & Producer Brian Kage. It was initially established to showcase how faces and places in Michigan have played a role in influencing Brian's music. Well into double digits now, the label bossman steps up to the plate with a project of a lifetime; four slabs of vinyl filled to the outer grooves with authentic D Town techno and deep house that will floor you. Brian Kage is a staple on the Detroit techno and house scene and has consistently pushed the boundaries of electronic music. With a career marked by acclaimed releases and collaborations, Kage's sound is a testament to the rich musical heritage of Detroit. He’s released on Planet-E, Craigie Knowes, We Play House, Fxhe, Berettamusic, and of course his own label Michigander. His productions are known for their depth, soul, and technical prowess, making him a respected figure in the global electronic community. ‘Timeless Times’, is a masterful blend of classic house rhythms with the distinct edge of Detroit techno. Through this ambitious 19-track collection, Kage weaves a sonic tapestry through emotional landscapes, marked by ambient, and personal nostalgic vignettes that evoke a sense of timeless musical exploration. Although this is his first solo album, he was not alone on this sonic adventure. You will hear exciting collaborations between Kage and Mr. V, Milton Jackson, Jon Dixon, OB Ignitt, Luke Hess, Taho, Mesha Monique, RBJ, plus more surprises. ‘Timeless Times’ is not just an album, it's an auditory experience that encapsulates the very spirit of Detroit's electronic music scene and the beautiful state of Michigan.

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Kim Wilde

Select

Later That Day / The Day Before / Or The Day Before That Stormcloud Vinyl Edition

Release: 1982 / JP – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

OBI is missing

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Casey MQ

LP | 2024 | US | Original (Ghostly International)

Release: 2024 / US – Original

Genre: Electronic & Dance

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12" | 1991 | NL | Original (Lower East Side)

Pallas

A Taste Of Ulysses

Release: 1991 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with a couple of light scuffs, closer to VG+. Cover with light ring wear on the back.

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12" | 2012 | FR | Original (My Love Is Underground)

Mliu09

Release: 2012 / FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Vinyl with a couple of light scuffs

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Aufschwung Ost - Heile Welt - Die Kompilation

2LP | 1997 | DE | Original (Hörspielmusik)

12" | 1995 | US | Original (Bass Force)

Release: 1997 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Cover with faint ring wear.

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Big Daddy Rick

Angry Electro

Release: 1995 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

LP | 2023 | DE | Reissue (Private)

Methusalem

Journey Into The Unknown

Rodriguez Jr. / Niklas Paschburg / Anja Schneider

Release: 2023 / DE – Reissue

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Random color vinyl.

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Fragments Ii - Lili Boulanger

2LP | 2024 | Original (Deutsche Grammophon)

Release: 2024 / Original

Genre: Electronic & Dance

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2LP | 2024 | UK | Original (NTS)

Funk.Br - Sao Paulo

LP | 2024 | Original (Peer-Southern Productions)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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NTS presents funk.BR - São Paulo, an exploration into the magical and menacing world of the Brazilian city’s current baile funk sounds.

São Paulo has built up a reputation for its confrontational funk output over the past decade, and the emergence of the mandelão sound has underlined this. This riotous strain of baile funk has been tailor made for the favela parties (so-called bailes or fluxos) of the Brazilian megalopolis. Played across the bailes do Helipa, Bega, Marcone and Casinhas, mandelão now spans a wide range of sub-genres; from hypnotic ritmado to brutal bruxaria.

This 22-track collection of previously unreleased songs finds starlet producers like Blakes, Arana, and Bonekinha Iraquiana sat alongside scene stalwarts and national icons like Deekapz, Mu540, and the inimitable MC GW. It all serves to make funk.BR - São Paulo a vital snapshot of this sensational city’s musical magic.

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Pino D'Angiò

...Balla!

Release: 2024 / Original

Genre: Electronic & Dance

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LP | 2017 | Reissue (Stil Vor Talent)

Oliver Koletzki

Grossstadtmaerchen

Release: 2017 / Reissue

Genre: Electronic & Dance

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Barbra Streisand 3" Limited Edition Box Set

Stokyo x Duck Sauce

3" | 2023 | Original (Stokyo)

Release: 2023 / Original

Genre: Electronic & Dance

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12" | 2024 | UK | Original (Hot Biscuit)

Rahaan

Versions

LP | 2002 | JP | Original (Crown)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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2x12” Black Vinyl 140g

Full Colour Outer Sleeve - NO Holes

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Serani Poji

One-Room Survival

LP | 2012 | UK | Reissue (Hospital Productions)

Release: 2002 / JP – Original

Genre: Electronic & Dance

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Serani Poji's second album, produced by Yukihiro Fukutomi, is a colorful and cute piece featuring various sound coatings such as lounge, house, bossa, and techno.

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Vatican Shadow

Ghost Of Chechnya

Atta's Apartment Slated For Demolition Remastered Editoin

Release: 2012 / UK – Reissue

Genre: Electronic & Dance

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What the artist may consider the most formative years for the project and what clubbers may have heard in numerous live sets with the ‘encryption nets’ classic dub track. Despite being created over a decade ago for limited double cassette and then compiled on ‘it stands to conceal’ this is widescreen esoteric cold industrial perfectly suitable for our collapsing world.

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Vatican Shadow

LP | 2012 | UK | Reissue (Hospital Productions)

LP | 2024 | JP | Original (Sad Disco)

Release: 2012 / UK – Reissue

Genre: Electronic & Dance

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Despite being created over a decade ago for a controversial limited double cassette and then compiled on ‘It stands to conceal’ this is patient, esoteric, cold, industrial perfectly suitable for our end times.

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Hiroki Ishiguro

Koh Maiton

Al Karpenter & Cia Debutante

Release: 2024 / JP – Original

Genre: Electronic & Dance

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The first vinyl reissue of Hiroki Ishiguro's masterpiece "koh Maiton", which has been gaining attention from diggers and collectors in recent years after being featured on the groundbreaking compilation album "Heisei no Oto: Japanese Left-Field Pop From the CD Age (1989-1996)" from one of the most renowned label "Music From Memory". Hiroki Ishiguro is a Tokyo-based pianist, synthesizer player, and composer born in Chigasaki City, Kanagawa Prefecture, who has composed and produced numerous studio and support musicians, videos, and event music. This is the first ever analog release of his second solo album, "koh Maiton", released in 1993, while the song "Unity" was also picked up for the aforementioned "Heisei No Oto" and was highly sought after in the context of the New Age revival and beyond. The album was created during a stay on Ko Mai Thon, a small island near Phuket, Thailand, and includes a total of 10 melodic and poetic songs, including "eternal", reminiscent of nostalgic video game music from the early 2000s, "Unity", a gem of city jazz that reflects a sophisticated urban nightscape, and "epilogue", a new age fusion number with an ethereal and transparent feel that echoes the world of Ken Muramatsu's "+blue". This is a must-listen album recommended to a wide range of listeners, from city pop to fusion to new age / ambient fans!!

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LP | 2023 | EU | Original (Ever/Never)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Accidental Music 1987-1991

Charles Esposito

LP | 2023 | UK | Original (Mid-Air Museum / chOOn!!)

LP | 1978 | DE | Original (Warner Bros.)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Ultravillage is a collective and burgeoning community of new age music devotees, private press fanatics and underground ambient, minimal and progressive electronic aficionados. Their website at ultravillage.com is fast becoming the go to guide for the most obscure entries in the American new age and minimal music canon – a crucial hub for diggers, archivists and label runners recovering lost sounds from by-gone eras.

Mark Griffey, the man behind Ultravillage, has recently made the venture into releasing albums, with the intention of reissuing forgotten personal masterpieces of 1980s and 90s private press synth culture on new label Mid-Air Museum. MM’s first vinyl record release is a collaboration with Scottish reissue label chOOn!!.

Together, they present Accidental Music 1987-1991 by Charles Esposito, a career retrospective of the experimental composer from Martha’s Vineyard, Massachusetts. The cinematic and the sacred swirl around on Accidental Music, which gives new life to intriguing self-released tapes that Esposito put out in the 1980s and 90s. Heard by few on its original release, the music featured on this compilation ranges from Palace of Lights percussive sonics to an almost minimal techno palette, a meeting of pop and twisted electronics with the hypnotic immediacy of ancient ritual.

Accidental Music 1987-1991 develops a series of resonant harmonic spaces, by adding layers of instruments and played objects. Rather than work as acoustic maps of specific locations, these pieces eddy and gather into positive physical presences. But Esposito’s real strength lies in creating depth of field. The foreground might be dominated by glassy chimes or resonant prayer bowl-like timbres, but beyond it a series of sonic veils seems to recede towards murky imperceptibility. There’s also a kind of surreal decorum at play, passages that sound like an immaculately laid dinner table being shaken by an earth tremor while the tinkling complaints of the silver, glass and muffling linen are scrupulously recorded.

Available for the first time on vinyl, Accidental Music 1987-1991 by Charles Esposito is an exploration into
many inner worlds and dreamscapes, an analogue mirage of avant-garde gems. Produced in cooperation with the artist for Mid-Air Museum and chOOn!!.

Mastered for vinyl and digital and featuring liner notes from Mark Griffey.

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Richard Schönherz

What A Night

Release: 1978 / DE – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Taisha Records Sales Pack 001 [Incl. Tai001 / Tai002 / Tai003]

Avilynn

12" | 2023 | EU | Original (Taisha)

Ravine Of Spears Clear Vinyl Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Taisha Records Sales Pack 001 - includes TAI001, TAI002 & TAI003.

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Final / Richard Ramirez

LP | 2023 | UK | Original (Hospital Productions)

3LP | 2023 | Original (Stil Vor Talent)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Two of the most legendary industrial noise artists break down and grind into dust with mortar and pestle each other's sounds, thoughts, and silence into a textural collapse that could very well be the discovery of new kinds of static, new kinds of fuzz and new kinds of words that might never be spoken but fall into the ravine of spears.

Presented in grim recycled board with spot gloss jacket and inner print on clear vinyl.

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Oliver Koletzki

Trip To Sanity

Release: 2023 / Original

Genre: Electronic & Dance

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2LP | 2023 | UK | Original (Droeloe)

Droeloe

The Art Of Change

2LP | 1995 | EU | Reissue (Sticky Buttons)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Dutch producer, composer, and multi-instrumentalist Droeloe (1.2M ML) releases the first single from his debut album as a solo artist, coming in September 2023. Extensive 5-single campaign over 5 months, 1k bespoke vinyl run, US and EU touring in Q3-4 2023 (us), as well as Q1-2 2024 (us/eu). $50k total budget for the album inc. $8k ad spend, media partners in key territories, 360 artwork/animations designed in Virtual Reality by concept artist Funi. Previous (A Matter of Perspective) sold out 1k run of 3xLP vinyls @ 70eur/ unit. This double LP is a bespoke design of 1 x yellow + 1 x black LPs, with lyric/liner pull out. Unique artwork per track on the digital format is brought together into a composite piece of artwork on the gatefold sleeve - the only place fans can view this image.

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Dennis Mpale

Paying My Bills

2LP | 2023 | EU | Original (Ofnot)

Release: 1995 / EU – Reissue

Genre: Electronic & Dance

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Label Text "When one of South Africa’s most sought after trumpet players steps forward after a career alongside the very best in the International jazz scene, you know it’s going to be a special record. Dennis Mpale was one of South Africa's heavyweights. You’ll find his name springing up on every important South African jazz record and billing since the 1960’s. Chris McGregor’s iconic Jazz/The African Sound LP, Abdullah Ibrahim’s Dollar Brand, Barney Rachabane in the highly influential ensemble Roots, and early work in house bands appearing alongside Nick Moyake in The Soul jazz Men to name just a few. His trumpet playing had character, an extension of the body and amplifier of that great South African sound. Leaving South Africa during Apartheid as a strong supporter and member of the ANC, Dennis made London his home, joining the newly established SA Jazz scene and standing in solidarity against the oppressions back in Africa. Moving between London and South Africa during the 70’s and 80’s It wasn’t till the early 1990’s when Dennis finally settled again to make his biggest transition to solo artist, redefining his Jazz past and putting a heavy kwaito infused house slammer on the agenda. 1994s ‘Paying My Bills’ (a title maybe more appropriate now than it ever has been) is a mighty jazz kwaito house effort: From the heavy synth beat and

Gorgeous floating solo opener of ‘Paying My Bills’, to the highly infectious vocal phrasing on thumping house anthem ‘Take My Time’. Paying My Bills takes the sensibilities of a jazz maestro and pairs it with one of South Africa’s biggest producers Peter ‘Hitman’ Moticoe, creating the perfect recipe for a certified summer slammer.

Having previously only ever been released on CD, this is the first ever vinyl pressing of the album (hazy early test pressings lurk on a small number of lucky shelves). Vinyl mastering is handled by The Carvery’s very own Frank Merritt here in London, with the resulting tracks generously split over 2 discs to fully appreciate the swampy heavy dub bass drolls for full dancefloor effect. It’s loud and punchy and makes space for those glorious trumpet improvisations while keeping the synth refrains and heavy bass thumping. Early plays include resident NTS DJ’s and a feature on Palms Trax Radio 1 residency with surely more support to follow. "

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KMRU

Dissolution Grip

Ash Ra Tempel Transparent vinyl Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

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The 1st release on Kmru's own Ofnot imprint is a project that emerged from his studies at Berlin's UDK. The Kenyan composer and sound artist is best known for his field recording work, and as he traveled, he made a point to snapshot each city. But the more he studied and the more he examined his practice, the more Kmru began to wonder what the purpose of these recordings were, and what bearing they might actually have on his self-expression. Simultaneously, he'd begun to dive more wholeheartedly into the world of synthesis. In a way, synthesis is the most basic form of sound, and Kmru started to wonder not just how he could harness these sounds but how he might be able to more dynamically combine them with field recordings.

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Ash Ra Tempel

LP | 2023 | Original (MG.Art)

LP | 2023 | JP | Original (Urban Discos)

Release: 2023 / Original

Genre: Electronic & Dance

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Transparent Vinyl, Sticker, 50th Anniversary RE-Edition, first-ever official reissue on vinyl since 1975,
Re-Cut carefully overseen by Manuel Göttsching.

TRACKLIST:

A. "Amboss" 19:40
B. "Traummaschine" 25:24

Ash Ra Tempel is the eponymous debut studio album by the Krautrock band Ash Ra Tempel.
It features guitarist Manuel Göttsching with drummer Klaus Schulze and bassist Hartmut Enke.
Engineered by Conny Plank it was recorded in March 1971 and released in June 1971 on Ohr Records.
This 50Th Anniversary Album will be Released in Memoriam of all the Musical Contributors to this Release and on Manuel Göttsching´s MG.ART label.
It´s the fourth and headlining edition in this series and was finalised, carefully overseen by Manuel Göttsching himself in the late Autumn of 2022.

Much has been written about the record and band.

Having finished a first musical chapter with their Steeple Chase Bluesband and still at very young age of only 17 and 18 years old Manuel Göttsching and Hartmut Enke met Klaus Schulze. Together they started to write and and compose what, to many,
became one the holy grails of Psychedelic Rock and early Electronic Music -
the German variant which was later also named "Krautrock":

Ash Ra Tempel´s self-titled first album "Ash Ra Tempel".

"The trio of Klaus Schulze, Manuel Göttsching and Hartmut Enke decided to abandon conventional composition and song writing, in favour of free-form improvising and developing a new musical language. As such, they became notorious for jams that could exceed 30 minutes." Says Discogs. "Some of these recordings can be found on Manuel Göttsching´s "The Private Tapes" releases", which will be re-released on MG.ART as well, following this edition.

"Krautrocksampler" author Julian Cope mentioned it to be "… one of the greatest rock 'n' roll LPs ever made." (Julian Cope Presents Head Heritage | Unsung | Reviews | Ash Ra Tempel - Ash Ra Tempel". 15 March 2000.)

AllMusic called the album "both astonishingly prescient and just flat out good, a logical extension of the space-jam-freakout ethos into rarified realms."

Here we would like the Band to be heard, for what can easily be said as the first time in 50+ years, with the exception of some early Journalists for whom the young Manuel Göttsching wrote a statement of intent (the original text can be found inside this edition) as following:

"Our musical concept is based on a combination of blues rock and delicate collages of electronic sound. These two elements should remain inseparable. And in their complex unity, the different musical philosophies of each musician find a common sweet spot. Our music is a permanently impulsive experience left to develop as it will, starting from a common fixed point of departure. This is where the difficulty of the music begins: No standardized formulation of our music can and should be possible. Only the constant reaction within the band can determine the musical result. And this requires constant listening with full concentration on the part of the creators. The idea of a particular musician will be - if flexible enough - absorbed by the others, transposed to their own instrument, and reflected back into the music as an individual contribution. This reciprocity within the band is then transferred over to the audience. And this process means that their reaction is not only a contribution to the end result; it actually makes them jointly responsible for the creation of the final musical product.
…
On our album, the track "Amboss" represents the first layer. Conventional instruments communicate familiar music which is in part expanded through electronic means. In the second track of the album - "Traummaschine" - the actual basic sound approach is dissolved into an electronic Nirvana which no longer allows the concrete identification of actual instruments. Innocent, virgin listening, free from any and every association, can finally begin - and the music can be absorbed and processed free from the limitations of categorization. That is the purpose of our music: To convey freedom without any predetermined criteria or traditions.

Thank you for your attention."
(Taken from the original A-R-T Bio 1970)

Hartmut Enke, Manuel Göttsching and Klaus Schulze aka. Ash Ra Tempel travelled to Hamburg in March 1971 to record their debut, with assistance of another Icon, legendary engineer Conny Plank.
The rest is history.

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Akira Mizumoto

A.M.

LP | 2023 | JP | Original (Urban Discos)

Release: 2023 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Akira Mizumoto is a DJ, editor, and writer. His full album "A.M.", originally released in 2002, will finally be released as an LP on Record Day 2023!! Guest vocalists include Tomomi Sano, Yasuyuki Horigome (ex:Kirinji), and Rie Aoki (flex life). In addition to the remastering of all songs, the artwork will be updated to LP-only version by Keiji Ito, who also worked on the artwork of the original CD. The sound of bossa, jazz, and electronics intersecting with a beat based on 4x4 should be reevaluated today. The music is a collection of gems that color the floor, and we hope that you will experience the reincarnation of club music that transcends the ages and continues to spin.

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Kenichiro Nishihara

Elastic Afterwords

2LP | 1999 | EU | Reissue (Solid Brass)

Release: 2023 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Kenichiro Nishihara is a highly acclaimed musician who has gained support from many in the dance music scene. His long-awaited 6th album "Elastic Afterwords", released in 2019 to celebrate 10 years of his career, is now available on LP!! Guest vocalists include Michael Kaneko, Sirup, Marter, and Pismo. The album also features Finland's national jazz player, Jukka Eskola (Flugelhorn), Daisuke (Sax) of "jabberloop", one of the leading instrumental jazz bands in Japan, and Akihiko Ogi (Gt) of Zainichi Funk, and many other live musicians. The album is a milestone work that bridges the club jazz scene of the 2010s and 2020s.

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Antarctica

81:03

Release: 1999 / EU – Reissue

Genre: Electronic & Dance

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Xkatedral Anthology Series II Orange Vinyl Edition

Kali Malone presnts

2LP | 2023 | UK | Original (XKatedral)

12" | 2004 | UK | Original (Soul:r)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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“XKatedral Anthology II is the second instalment in a series of archival releases dedicated to presenting music
by composers affiliated with XKatedral working within the realm of slowly evolving harmonic and timbral
music. This double-vinyl set contains an array of pieces dating from 2018 - 2020. This collection of pieces
focuses on the use of synthetic sound and algorithmic composition languages as tools for precise work
within the realm of spectral exploration. In addition to this, the electronic instrumentation in many of the
pieces is augmented by acoustic instruments.
The first piece on side A is Kali Malone’s Music for Low Quartet. This piece is an adaptation of the
composition “Rose Wreath Crown” originally released on The Sacrificial Code in 2019. In this iteration,
the music is scored for two double basses played by Vilhelm Bromander and Zach Rowden, and sine tone
electronics performed by Malone herself. The recording of this piece was made at EMS in 2019. Closing side
A is Jessica Ekomane’s ‘First Light’. This computer music piece focuses exclusively on digital sound, layering
razor sharp synthetic textures into an otherworldly dynamic weave. The music heard here is a reworked
version of a piece originally commissioned by Semibreve in 2020. Side B contains the work ‘Hands Melt
In The Sun’ by Mats Erlandsson. This composition is built from electronically processed tuned zithers and
synthetically generated tones arranged in a series of chordal inversions over a sustained fundamental tone.
This music, written as a love-letter to the localized drone tradition of Stockholm in the years 2008-2012, was
composed and recorded in seven days while in residence at Ställbergs Gruva in Bergslagen, in the summer of
2018.
Opening the second half of the collection is Rough Draft v.7 by Theodor Kentros. Kentros’ compositional
practice usually combines acoustic and electronic source material and in this piece he molds the sound
of the Buchla 200 and a collection of recorded wind instruments into a molten mass of sound. In its
original form, this music was presented as a multichannel immersive work and even in the current stereo
configuration it retains some of that enveloping sense of depth. The second piece on side B, Inertia, is by
Wilma Hultén, who makes her debut on record here. An exclusively synthetic piece, Inertia utilizes internal
digital feedback in a sealed synthetic system to manifest a harmonic field that swells and abates throughout
the length of the piece, interspersed by small gestural element Closing Anthology II is Maria W Horn’s work
‘Dies Irae’ for female vocal quartet, pitched glass and synthesis. ‘Dies Irae’ uses a modified form of traditional
tonal harmonic language to invoke an uncanny and restless middle ground between the classical western
polyphonic vocal tradition and contemporary electronic music. The version heard here is a live recording
from Eric Ericssonhallen in Stockholm on May 30th 2020. Performing the piece here are the vocalists
Katarina Henryson, Lisa Holmgren, Vilma Ogenblad and Paula Wegmann, as well as Maria herself on glass and
electronics.”

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Marcus Intalex

Zumbar / Temperance

Release: 2004 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Abelcain & Alexandra von Bolz'n

Heart Blood Steel

2LP | 2023 | EU | Original (Abundanz)

2LP | 2023 | UK | Original (Weltschmerzen)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Originally produced and self-released by Abelcain in 2015. Vocals by Andrea von Bolz’n. Newly remastered for vinyl in 2022.

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Nina Pixel

Ancestral Archeology

Zeitgeist Blue Vinyl Edition

Release: 2023 / UK – Original

Genre: Electronic & Dance

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In 2020, electronic musician Nina Pixel was offered a track on a compilation album of songs from the Liptov region. What started as a rearrangement of a single folk song eventually grew in scope and size, eventually becoming a series of releases. Titled Ancestral Archaeology, the series counts two self-released EPs, an audiovisual show in co-operation with Adrián Kriška, and now, after two years, a double LP published by Weltschmerzen. In this definitive form of an album, Ancestral Archaeology reveals itself as a musical reimagination of traditional historical Slovak culture at large.

Nina Pixel averts the perils of lapsing into inauthentic fakelore by building her music with, rather than on, the ethnographic riches of Slovakia. With the eagerness of a genuine archeological prospector, Ancestral Archaeology invokes the always present but seldom perceived linchpins of folklore culture: the desperate clinging to the memory of pre-Christian paganism and witchcraft, songs with narratives of beautiful innate wyrdness that is utterly unfit for mass culture, and superstition as the most serious longing for the balance between sense and irrationality.
If we acknowledge the truism of folklore as the shared way of expression in rural society, the techno music on Ancestral Archeology proposes that, in the urban society of ours, this role is served by raves. The argument isn't as much declared as it's implied // in music and in the spoken-word lyrics that are rife with historical and contemporary sources. An 18th-century recipe by the writer and priest Juraj Fándly proposes snorting the grounded flowers of the medicinal weed Valerian as a way of curing bad vision. "It is a proven remedy!" we are repeatedly assured, and it's not hard imagining Fándly and his parishioners, strung out on Valerian, moving almost involuntarily to the rhythms of their era just as we can move to Ancestral Archeology.

Nina Pixel is a Slovak music artist based in Berlin. Lyrics are inspired by Slovak folklore traditions, songs and shared beliefs.

Manifestation tools: cello, overtone flute koncovka, fujara, gong, metal bowls, sheep bell, field recordings of Slovak forests, Andreas's tom and various drum machines.

Voice samples:
Sutartinės (A Goddess comes from within the Earth)
Funeral Lament, recorded in Vernár 1973 (Puhpowee)
Panoráma Ľudovej Kultúry; Liptov (Pohár viny, 13th Month)

Hay-making Songs; Selec, Kysuce, Terchová (It Felt Like I Suppose to Follow It, Zmrzlí,Dialogické vyvolávania)

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Schiller

2LP | 1999 | EU | Reissue (Sleepingroom)

Release: 1999 / EU – Reissue

Genre: Electronic & Dance

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Live Erleben Blue Vinyl Edition

Schiller

2LP | 2023 | EU | Reissue (Sleepingroom)

Release: 2023 / EU – Reissue

Genre: Electronic & Dance

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2x12" | 2010 | US | Original (Ultimix)

Ultimix 157

Release: 2010 / US – Original

Genre: Hip Hop, Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 1993 | EU | Original (Columbia)

Mariah Carey

Music Box

Release: 1993 / EU – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

2x12" | 2023 | EU | Original (Seaweed)

Seaweed Rythm Vol.1

2LP | 2023 | UK | Original (Hold Me)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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A double 12' of creative and sharp tracks for the dance-floor, from the temple of minimal music which includes

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Mgun

From Time To Time

Electropica Yellow Vinyl Edition

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Hold Me Recordings is Manuel Gonzales and Ryan Spencer. Our objective is to maintain a constant flow of releases from local artists here in Detroit

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Richard Bone

LP | 2023 | CA | Original (Tiger Blood Tapes)

Electropica Red Vinyl Edition

Release: 2023 / CA – Original

Genre: Electronic & Dance

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"Rediscover your love of Bossa Nova!"

Tiger Blood Tapes proudly presents for the first time ever on cassette, Richard Bone's 1998 Ambient Electro Jazz album "Electropica". Features an unreleased outtake "Cosa Nova".

"Electropica" is part one in a trilogy of Richard Bone's Ambient Electro Bossa Nova albums.

Originally released in 1998 on CD by Quirkworks Labratories.

Press Release:

"A curious thing happened to me during the summer of 1996. While leaving a favorite music store, I detoured down the jazz isle. Suddenly, one of the discs flung itself out of the bin and landed squarely at my feet. I was immediately drawn to its cover. A giraffe was gliding across cobalt blue sand beneath an emerald green sky. Without a second thought I bought the disc and brought it home. My life was about to change.

The disc was Antonio Carlos Jobim's "wave". Recorded in 1967, it was one of the most sensual works I had ever heard. The gentle rhythms, the haunting melodies were mesmerizing. The stereo imaging of producer Creed Taylor was magical. I must have played it ten times that night. These were beats of another time, another place. Innocent, yet primal, but most of all...romantic. This was Bossa Nova!

I have spent the last year and a half researching this old/new music. I discovered the masters of this genre: Jobim, Luiz Bonfa and Joao Gilberto. During those many months I listened to little else.

Electropica is my homage to these artists. Through the melding of sampled, found and created sounds, I have tried to capture my impression of this music, these rhythms. My work in the past has been described as ambient or electronic. For this release, I set those catagories aside.

I hope you will take a little time and listen to Electropica with unbiased ears. Close your eyes and envision a different world. With giraffes, perhaps, and emerald skies above cobalt sand.

Peace Always," -Richard Bone

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Richard Bone

LP | 2023 | CA | Original (Tiger Blood Tapes)

2LP | 2020 | JP | Reissue (Sparklejon)

Release: 2023 / CA – Original

Genre: Electronic & Dance

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Toyosick

Shushinsei

Colors Of The Dark Clear Vinyl Edtion

Release: 2020 / JP – Reissue

Genre: Electronic & Dance

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toyosick's 2nd Album (Originally released on September 2020) is now available as a double LP 180g-heavy-weightvinyl for the first time! The album is a black-and-white sonic picture scroll created solely by the artist, who handled the lyrics, music, editing, programming, recording, mixing, and artwork. The album has a deep blend of darkness, minimal, psychedelic, breakbeats, classic and ambient.

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Rei Harakami

LP | 2006 | JP | Reissue (Rings)

2LP | 2022 | UK | Original (A Strangely Isolated Place)

Release: 2006 / JP – Reissue

Genre: Electronic & Dance

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The classic album "Colors of the Dark" by rei harakami, which became a big hit among his fans, will be reissued on 180g heavy weight clear vinyl!! Rei Harakami, who passed away in July 2011 at the age of 40, is back with his long-awaited analog vinyl release, "Colors of the Dark"!! This album, which mainly features ambient sounds among Rei Harakami's works, was created as the soundtrack for "Colors of the Dark", a content for Megastar-ii cosmos, "the world's most advanced planetarium projector" at the National Museum of Emerging Science and Innovation, Miraikan, Japan. It also includes "yami wa hikari no haha," a poem by Shuntaro Tanikawa, read by Ikuko Harada (Clammbon). At the time, the record was sold out immediately, and it is known as a rare piece that fetched a high price on the second-hand market.

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Strie & Scanner

Struktura Revisited

Release: 2022 / UK – Original

Genre: Electronic & Dance

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earlytrance Magenta Vinyl Edition

Mindspring Memories

2LP | 2017 | CA | Reissue (Tiger Blood Tapes)

40,79 €* 50,99 € -20%

2LP | 2024 | EU | Original (Black Truffle)

Release: 2017 / CA – Reissue

Genre: Electronic & Dance

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Limited edition double vinyl LP on magenta Colored Vinyl in full colour jackets in protective sleeves. Remastered by Angel Marcloid 2021. Contains new exclusive bonus track.

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David Rosenboom

Future Travel

40,79 €* 47,99 € -15%

2LP | 2023 | US | Original (Kranky)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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THE RECORD INCLUDES A 12-PAGE BOOKLET WITH NOTES ABOUT THE ALBUM

Black Truffle is thrilled to present the first vinyl reissue of David Rosenboom’s unique Future Travel, originally released on the short-lived Detroit label Street Records in 1981 and here presented in an expanded edition with an additional LP of wild, previously unheard live and studio material from the same period.

Future Travel emerged from the confluence of two important streams in Rosenboom’s work at this time. First, his exploration of ‘propositional music’, defined as ‘complete cognitive models of music’ that start from the radical question, ‘What is music?’ In this case, the music belongs to the universe of Rosenboom’s In the Beginning (1978-1981), in which proportional relationships determine the material available to the composer in all musical parameters (harmonic relationships, melodic shapes, rhythmic subdivisions, dynamics, and so on). Second, the work documents a key moment in Rosenboom’s long collaboration with synthesizer pioneer Don Buchla. Having played a role in developing concepts for some of the modules of the Buchla 300 Series Electric Music Box (an innovative analogue modular system controlled by micro-processors), Rosenboom went on to write the software for Buchla’s hybrid analogue-digital keyboard synthesiser, the Touché, the instrument heard most prominently here.

In a way that no purely analogue synthesizer could, the 300 Series and Touché allowed Rosenboom to work with the In the Beginning algorithms in real time, the synthesizers becoming ‘intelligent instruments’ that actively collaborate with the performer. Developing the open structures of the electronic pieces from In the Beginning, Future Travel explored the possibilities of simply ‘playing the system’, recording live at Francis Ford Coppola’s Zoetrope studio in San Francisco. Working from loose sketches, Rosenboom added acoustic instruments to the electronic sounds and, on some pieces, the processed voice of Jacqueline Humbert. Like Rosenboom’s collaboration with Humbert on the abstracted synth-chanson of Daytime Viewing, this music set out deliberately to challenge the ‘stratified and illusorily coagulated identities in the musical culture of the time,’ refusing distinctions between ‘serious’ and popular music. But where Daytime Viewing achieves this in part through genre references, Future Travel is bracingly sui generis, existing in a unique universe where radical formalisation à la Xenakis spontaneously gives rise to expressive jazz harmonies and old-timey folk melodies.

The crystalline quality of many of the Touché sounds gives Future Travel a sparkling, immediately enticing surface, its layers of shifting ostinato patterns pulsating outside conventional meter, rippling like waves on the surface of water. On opener ‘Station Oaxaca’, ping-ponging synth arpeggios and hand percussion accompany a sentimental violin melody, abruptly overtaken by layered keyboard runs, before the entry of tinkling marimba-like sounds reframe the scene as sci-fi Martin Denny exotica. ‘Time Arroyo’ begins as an austere study in staccato synth sounds in multiple overlapping tempi, reminiscent of Ligeti’s famous ‘clock’ rhythmic effects. Before long, it opens up into a melodic passage with the gentle heroism of classic Roedelius, which proves to be only a brief interlude before the layers of rhythmically distinct synthesiser patterns begin to build and accelerate into an increasingly dense cacophony. The wildest twists and turns are saved for the epic closer ‘Nova Wind’, where the arrangement focuses on Rosenboom’s virtuoso piano playing, perfectly embodying the project’s radical disregard of stylistic orthodoxies as he moves from hyperactive pointillistic flurries to a kind of space-age gospel.

At several points throughout the record, the distinctive voice of Jacqueline Humbert is heard reading passages from the text component of In the Beginning, a dialogue between The Double (an embodiment of humanity’s timeless desire to replicate itself in spiritual and technological copies) and two Spirit Characters. Fittingly, as all are conceived as embodiments of a future form of techno-human collective consciousness, distinctions between the three characters are not immediately evident in Humbert’s delivery, just as the music blurs the boundaries between intelligent computing and human spontaneity. Adorned with a striking retro-futurist cover (and here accompanied by extensive new liner notes and archival images), Future Travel is a time capsule of radical imaginings at the birth of our digital age, reminding us of utopian possibilities of which our own present seems so often to fall short.

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Tim Hecker

No Highs

40,84 €* 42,99 € -5%

LP | 2024 | US | Original (Sound Signature)

Release: 2023 / US – Original

Genre: Electronic & Dance

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The latest by Canadian composer Tim Hecker serves as a beacon of unease against the deluge of false positive corporate ambient currently in vogue. Whether taken as warning or promise, No Highs delivers—this is music of austerity and ambiguity, purgatorial and seasick. A jagged anti-relaxant for our medicated age, rough-hewn and undefined. Morse code pulse programming flickers like distress signals while a gathering storm of strings, noise, and low-end looms in the distance. Processed electronics shiver and shudder against pitch-shifting assemblages of crackling voltage, mantric horns (including exquisite modal sax by Colin Stetson), and cathedral keys. Throughout, the pieces both accrue and avoid drama, more attuned to undertow than crescendo. Hecker mentions “negation” as a muse of sorts—the sense of tumult without bombast, tethered ecstasies, an escape from escapism. His is an antagonism both brusque and beguiling, devoid of resolution, beckoning the listener ever deeper into its greyscale alchemies of magisterial disquiet.

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Specter

Brutus

40,84 €* 42,99 € -5%

Release: 2024 / US – Original

Genre: Electronic & Dance

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All music by Andres Specter Ordonez Illustration by Sean Linn Graphics by Thomas Xu 2023 Whobody Publishing BMI

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2 A.M Chill Session Colored Vinyl Edition

2LP | 2023 | EU | Original (Lofi)

40,84 €* 42,99 € -5%

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Step through a portal into a world of utter bliss and creative inspiration with the second synthwave compilation ‘2 A.M Chill Session’, featuring our beloved new character. Euphoric synths, polished drums and reverberations and accompany you through new dimensions, creating electrifying atmospheres and conjuring goosebumps. Suddenly.. You were nostalgic for something you’d never known.

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20 (Hotflush 20th Year Anniversary Compilation)

3LP | 2023 | UK | Original (Hotflush)

Those Who Do Not White Vinyl Edition

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Hotflush Recordings celebrates 20 years in the game this year, with a triple pack vinyl compilation featuring some of the key musical events in the label’s catalogue.

Born in 2003, Hotflush stands as one of electronic music’s most influential labels. A multi-dimensional imprint that helped define the development of bass music throughout the mid-2000s, in the last decade it would evolve towards the liminal spaces between house, techno, and beyond - a journey which has given the dancefloor some of its true underground classics.

This celebratory release covers every era and stylistic area of the Hotflush output. 2005’s proto-dubstep face melter ‘The Knowledge’ by Toasty kicks off Side A, with the key sides of bass music development all covered with tracks from James Blake, Loefah, Sepalcure, and Scuba.

UK techno legend Surgeon appears with his seminal remix of Scuba’s ‘Ruptured’ (2008), while the early Paul Woolford classic ‘mdma’ reminds us of how ended up working with Diplo.

George FitzGerald and Recondite reprise some of their key formative material, while newer names Lawrence Hart, OR:LA and breakout Seoul artist Closet Yi also make appearances.

Canadian mastermind Jacques Greene rounds off the release with his slamming remix of Kiimi’s Breaking My Mind.

This is a compilation 20 years in the making, containing some of the key tracks from the electronic underground - curated and compiled by label boss Scuba.

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Psychic TV

2LP | 1984 | UK | Reissue (Cold Spring)

2LP | 2022 | UK | Original (Nervous)

Release: 1984 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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The sound of the classic period of Psychic TV - featuring Peter Christopherson and Geff Rushton (John Balance) of Coil, this full show is interspersed with recordings of the Pagan marriage between Genesis and Paula P-Orridge conducted by Sveinbjörn Beinteinsson Allsherjargodi.

Psychic TV at their most esoteric, their most ritual, and often most extreme, a perfect accompaniment to the legendary 'Dreams Less Sweet' album of the same year.

"Thee First Will To And Testament Ov Psychick TV. All our works remain interconnected, interfaced, and intentional. Thee Process is thee Product".

These recordings of a live disconcert by Psychic TV in Reykjavik, Iceland that took place November 1983 organised by HÖH and Gramm Records, to whom, eternal and infernal thanks all ways.

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Timmy Regisford

Source Of House

Departing In Descent Colored Vinyl Edition

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Timmy Regisford’s discography reads like a virtual timeline in the evolution of House. He’s been a central force since the genre first began in shaping the sound and helping it to become the worldwide cultural phenomenon it is today. Recently inspired by the afro-centric musical movements that have become increasing popular, he has gone back into the lab and created a collection of songs that are destined to move the genre once again.

Highlights of this essential double pack vinyl collection include “Good Morning,” which is an homage to his legendary Shelter parties that always last deep into the morning hours, “Hamballla” which features an inspired vocal performance from future star Toshi and the memorable “Hotel Cali” amongst many others.

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Bvdub / James Bernard

2LP | 2022 | UK | Original (Past Inside The Present)

Mk 3.5: Die Cuts / City Planning Clear Vinyl Edition

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Anyone who's cast even the most casual eye over their ever expanding catalogue will have realised that one thing Past Inside The Present do best is bring artists together for unexpected and inspired collaborations. Departing in Descent is the first collaboration between James Bernard and Bvdub but their creative conversation effectively started as far back as 1994 when the latter bought Bernard's Atmospherics album in 1994 when it was "mistakenly stocked" in his local house music store. He says it was and remains his favourite ambient album, so when the pair found themselves crossing paths for one night in LA years later, a collaboration was the only logical conclusion. The results are more organic and friendly on the ear than some ambient offerings, with real instrumentation meshed with walls of woozy synths and delays, but no less fantastical and ambitious for it.

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Mount Kimbie

2LP | 2022 | UK | Original (Warp)

Mk 3.5: Die Cuts / City Planning Black Vinyl Edition

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Dom Maker and Kai Campos have always known how to masterfully synthesise their talents into one singular yet ever changing vision. Since beginning in 2009, their work has morphed from their distinctly British sound of dubstep and techno to the boundaryless and densely packed collaborations of Love What Survives. Five years after that scintillating record, the two take their talents as Mount Kimbie to new extremes by splitting them in half entirely.

Having walked separate paths musically and physically in the world over the years since Love What Survives, Dom and Kai took a literal approach to their latest record, separating it into two distinct, independently produced albums - but linked through shared senses of sonic haziness and melody. Die Cuts shows Dom Maker at a collaborative peak, interspersing vocal cuts, samples, and urban sounds in swiftly stitched vignettes with a slowed down, lo-fi flair. Meanwhile, the chugging beats of City Planning mimic train tracks, as Kai Campos’ album contains rhythmic paintings of urbanity with detailed sonic architecture. These two sides of Mount Kimbie are as different as day and night, yet they inform each other greatly, speaking a simultaneous message from separate locations.

The opening track ‘dvd’ on Die Cuts features a mystical siren song fading in, before slowthai and Danny Brown’s expressive vocals cut through on ‘in your eyes’, trading bittersweet and apoplectic verses. An eerie alarm echoes on ‘heat on, lips on', subsiding with punchy beat and skittering keys, and a scathing, mercurial spoken word spiralling to jazzy loops depicting intimate struggles. City Planning in similar fashion shifts from tense, burrowing bass rumbles to fluttering synth droplets forming rivers of sound. The molten underground beat of ‘Transit Map (Flattened)’ lurches and groans, with piano notes sprawling like the many-coloured intersecting lines of a subway map.

Even when split in two, Mount Kimbie provide yet another total upheaval of their sound, combining their individual strengths for a roaringly creative album on MK 3.5.

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Mount Kimbie

2LP | 2022 | UK | Original (Warp)

2LP | 2008 | EU | Reissue (Kscope)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Tangerine Dream

Views From A Red Train

Release: 2008 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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3x12" | 2022 | EU | Original (Prspct)

Tripped

Unboxed

Here And Now Semi-Clear White Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Tripped has been producing hard Industrial electronic music for over 17 years. Releasing a ton of quality EPs and 12" records ranging from full force terror to slow industrial techno. Always pushing forward perfecting his unique signature sound no matter what style or BPM range. Now after 17 years we are super excited to be able to present his first ever full length album, on Prspct recordings. Unboxed by Tripped is a 3 x 12" vinyl album consisting of 13 tracks that take the listener on one giant musical journey passing all corners of the Tripped galaxy. From experimental noisy industrial tracks like "Pain" & "909". To speeding up the pace on a track like "Fartbox" while throwing in some heavy pounding schranz on "Shinyuku Heat". Bringing back the oldschool vibes on "Misfits" together with ISR legend Lenny Dee and than going full force hardcore/breakcore war mode on "Kapsalon". This album just keeps the listener moving, never a dull moment, pure adrenaline & excitement. Here at Prspct we gave Unboxed by Tripped a 5 star rating on Yelp. It's simply that F-ing good! Now go buy the record or spend the rest of your life full of regret. Trust us. You don't want that.

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Boxplot

2LP | 2022 | EU | Original (Liquicity)

2LP | 2022 | EU | Original (Kscope)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Boxplot's debut album is coming your way! The album comes in a "snowy white" coloured double vinyl and an extra thick gatefold sleeve.

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Tangerine Dream

Mala Kunia

Release: 2022 / EU – Original

Genre: Electronic & Dance

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The Dark Places Of The Earth Colored Vinyl Edition

Lustmord

2LP | 2009 | EU | Reissue (Pelagic)

Le Forte Four / Doo-Dooettes

Release: 2009 / EU – Reissue

Genre: Electronic & Dance

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Electronic music pioneer Lustmord released an album titled [other] in 2008, to date the only Lustmord album with guitars on it, performed by Adam Jones (tool), King Buzzo (melvins) and Aaron Turner (isis). The albums The Dark Places of the Earth and Beyond, both released in 2009, areextensions of the ideas explored in [other] and are taken from the same recording sessions, but with the guitars removed and the essence of [other] distilled and reduced.[other] was a journey with friends, whileThe Dark Places of the Earth and Beyond take the concept and listener further, deeper, in-between and beyond. While is some ways [other] is as close to a "rock" album as Lustmord will ever make, The Dark Places of the Earth and Beyond are pure Lustmord, a sound that many others imitate but can never equal. Lustmord is the artistic moniker of Brian Williams. Born in North Wales, he started his musical career in 1980 and soon became a pioneer in the early industrial music scene in the UK. He was a former member of SPK during arguably their most crucial era, and went on to work with Throbbing Gristle members Chris & Cosey as well as appearing on early albums by Current 93, Nurse With Wound and others. After relocating to Los Angeles in 1993, Williams worked on dozens of motion picture soundtracks including The Crow, Underworld and Paul Schrader's First Reformed. Additionally he created several video game soundtracks, television scores and solo albums, as well as collaborating with artists as varied as THE Melvins, Clock DVA, Jarboe, John Balance of Coil, Paul Haslinger (tangerine Dream), Puscifer, Wes Borland and more, including Grammy Award-winners Tool on their much acclaimed effort Fear Inoculum. To this day, Lustmord is actively recording and releasing music, his latest release being the collaborative album Alter with Karin Park of A°rabrot, and he is considered to be the founding father of the dark ambient music genre.

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Lafms Live At The Brand

2LP | 1976 | US | Reissue (Etats-Unis)

2LP | 2022 | UK | Original (By Norse Music)

Release: 1976 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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Los Angeles Free Music Society (lafms) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, Lafms incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah Record Shop in old Pasadena. Inspired by The Residents, Lafms self-released records and periodicals, organized performances and connected with fellow outsiders via post in the years before punk. Their uninhibited, egalitarian ideal of music-making and DIY distribution would influence generations of underground musicians. Live At The Brand documents the second performance of newly formed Lafms core groups Le Forte Four and Doo-Dooettes on July 8, 1976 at the recital hall of the Brand Library in Glendale. Le Forte Four (now joined by Tom Potts) did not actually perform live, but rather created 44 pyramid-shaped headphone helmets with internal quadraphonic speakers and countless wires in order to share their latest tape assemblages with showgoers deprived of sight. The recordings delivered in this Fluxus-inspired manner feature the Buchla synthesizer at nearby CalArts, radio interpolations, group improvisations, addled outbursts and splices from source material lost to time. Doo-Dooettes – Tom Recchion, Harold Schroeder, Juan Gomez, Dennis Duck and Fredrik Nilsen – performed a series of alternately droning and chaotic duets with guitar, percussion, piano, tape loops and synthesizer, all improvised around loosely structured compositions and culminating in a spontaneous group composition at the end of the program. Originally released in 1976, the double LP would be Lafms' third release. This first-time vinyl reissue is limited to 500 numbered copies. Comes with inserts.

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Jo Quail

The Cartographer

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Jo Quail is an internationally acclaimed composer and virtuoso cellist from London, UK. Equally at home on stage solo, with bands – or in collaboration with choir and orchestra – she combines an eloquent mastery of her instrument with innovative looping techniques, to realise her complex, evocative music for audiences worldwide. Inspired by the visual arts as much as by fellow composers, Jo cites Barbara Hepworth and Georgia O’Keefe as key influences, alongside the diverse music of Debussy, Pärt, Tool, and Cardiacs. As a result, she freely crosses the boundaries between genres, awakening listener emotions, and taking audiences into uncharted territory with each concert. Her exuberant, celebratory performance style has won her a fanbase in the contemporary classical world as well as among enthusiasts of post-rock, metal and electronica. Now at a stage where she is touring throughout Europe and internationally, Jo enters 2022 with composition and performance uniting in her most ambitious project yet: April will see her take on the prestigious Roadburn Festival’s “Commissioned Music” project performing her new work The Cartographer – an honour bestowed only on artists who have the vision to create something truly unique. Jo received the PRS ‘Women Make Music’ award to record this work in Holland with the full ensemble at Groenland Studios, and, following the premiere, will release this in 2022. An incredible landmark, but one from which there is so much more coming into view for the future.

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2LP | 2022 | EU | Original (Präsens Editionen)

The Ring Orchestra