Electronic & Dance Vinyl 1507 Items

LP | 1982 | JP | Original (Woorell)

Release: 1975 / EU – Reissue

Genre: Electronic & Dance

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At the end of the '60s in Italy - but also abroad, especially in France and England - a very particular trend began to spread, that one known as 'Library music' or 'sonorization': as suggested by its name, those were real music libraries intended for the accompaniment of audiovisual productions such as television programs, advertisements, documentaries and films. Since they were created in total artistic freedom condition, they are often difficult if not impossible to catalog, as they're not anchored to a specific musical genre; this freedom also allowed the authors to compose, sometimes in the most complete anonymity, experimental and avant-garde music, capable of anticipating the sounds that only many years later would have been widespread on a larger scale. Daniela Casa (1944 - 1986) was a singer and composer, wife of another library music artist, Remigio Ducros, who wrote "America Giovane" (Young America), an LP that ideally precedes this second chapter. Originally released in 1975, "America Giovane N. 2" is today - like almost the entire Edizioni Leonardi catalog - extremely rare and among the most sought-after by collectors. Musically, it shares with the aforementioned "America Giovane" a remarkable stylistic variety: from folk to psychedelia, from funk to rhythm 'n blues but, unlike the first volume, on this record there's a more or less evident jazz aura ("Fix" and "Soft Bird" are practically two short free-jazz excursions!) that makes it even more interesting and unique. "America Giovane N. 2" is part of a reissues series, made in collaboration with Edizioni Leonardi (Milan, Italy), of extremely rare library music LP's published between late '60s and early '70s, most of which have never been released again until today, and that are finally made available again for collectors and sonorization music lovers. First official reissue ever on black vinyl.

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Daniel Sahuleka

Sunbeam

7" | 1986 | EU | Original (Amber)

Release: 1982 / JP – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

No obi.

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Dance Speak

Release: 1986 / EU – Original

Genre: Electronic & Dance

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Another Time, Another Place

Dan Siegel Project

LP | 1984 | JP | Original (Elektra)

19,99 €*

Violent Cop (Original Soundtrack)

Release: 1984 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI!

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Daisaku Kume

LP | 1989 | EU | Reissue (WRWTFWW)

History Of Prelude: DJ's Mastermixes Vol. 2: D-Train Megamix

Release: 1989 / EU – Reissue

Genre: Electronic & Dance

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Wrwtfww Records is thrilled to announce the official reissue of Daisaku Kume's original soundtrack for the highly acclaimed 1989 Japanese crime/drama movie Violent Cop. Available for the first time outside of Japan, the album comes in a limited edition of 500 copies worldwide with a 45 rpm cut providing full audio pleasure and an iconic record sleeve featuring the movie director and star: the one and only "Beat" Takeshi Kitano!

Violent Cop marks Kitano's directorial debut - a gritty neo-noir in which he stars as a rogue detective fighting a sadistic crime syndicate, only to discover widespread internal corruption in the police force. Poetic, minimalistic, with a superb balance between small soothing moments of beauty and vertiginous sudden violence, the film spearheaded a superb international career for the multi-talented filmmaker, actor, and comedian, which includes works such as Sonatine, Hana-Bi, and Battle Royale. The release of the soundtrack on vinyl presents an excellent opportunity for fans to explore the musical underpinnings of one of Kitano's earliest creations. Daisaku Kume, known for his work as the keyboardist for late 70s fusion bands T-Square and Prism, showcases versatile musical prowess on the soundtrack, taking listeners on a sonic journey through a blend of genres including magnificent Erik Satie re-interpretations, melancholic smooth jazz sometimes reminiscent of Taxi Driver, ambient-classical, and modern Western atmospherics. It's the perfect setting for Kitano's stoic but tormented lonesome urban cowboy character. Raw power mixed with timeless elegance.

Violent Cop (Original Soundtrack) by Daisaku Kume follows the recent release of the soundtrack from another groundbreaking Japanese movie, Shin'ya Tsukamoto's Tokyo Fist (1995), with music by industrial visionaries Chu Ishikawa & Der Eisenrost, also currently available on Wrwtfww Records.

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D-Train

12" | 1989 | FR | Original (Prelude)

5,99 €*

Release: 1989 / FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

D Mob Featuring Gary Haisman

We Call It Acieed (Remix)

12" | 1988 | EU | Original (FFRR)

Release: 1988 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1988 | DE | Original (Quazar)

D.J. Jack

Hot House

12" | 1989 | DE | Original (ZYX)

Release: 1988 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Clear Vinyl.

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D.F.X., Dr. Felix

Relax Your Body

Release: 1989 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1986 | BR | Reissue (Discos Nada)

D-Day

Grape Iris

LP | 1983 | US | Original (Portrait)

Release: 1986 / BR – Reissue

Genre: Electronic & Dance

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Originally released as a picture disc in 1986, this is D-Day’s first LP, presenting a beautiful mix of Minimal Synth, New Wave, and Bossa Nova. The band was formed in October 1982 and became well-known in the Japanese indie scene. They spent over 200 hours in the studio for recording. At that time, even for major label bands, it didn't take that much time to record an album. However, as D-day was not a major label band, they were free to craft their own narrative. Thus, they had a lot of time to experiment with their dreamy melodies, whisper-like vocals, programmed beats, swirling guitars. First-ever vinyl reissue of this Japanese masterpiece. Remastered from the original tapes, it includes a replica of the original insert, and a poster with a beautiful photo and in the other side translated lyrics and an extensive text by Chihiro Yoshikawa.

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Cyndi Lauper

She's So Unusual

Release: 1983 / US – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG+

12" | 1983 | US (Fantasy)

Cybotron

Clear

12" | 1983 | US (Fantasy)

Release: 1983 / US

Genre: Hip Hop, Electronic & Dance

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/ industrial lies

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Cybotron

Clear

Release: 1983 / US

Genre: Hip Hop, Electronic & Dance

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/ industrial lies

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LP | 1983 | JP | Original (Yupiteru)

Virgin Islands

Release: 1983 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1984 | JP | Original (Yupiteru)

Island Cruise

Release: 1984 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1981 | JP | Original (Yupiteru)

Cusco 2

Release: 1981 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1982 | JP | Original (Yupiteru)

Cool Island

Release: 1982 / JP – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Swastikas For Noddy Picture Disc Editoin

Current 93

LP | 1988 | US | Reissue (Cashens Gap)

36,99 €*

Release: 1988 / US – Reissue

Genre: Electronic & Dance

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Nature Unveiled Picture Disc Edition

Current 93

LP | 1984 | US | Reissue (Cashens Gap)

36,99 €*

Release: 1984 / US – Reissue

Genre: Electronic & Dance

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Dogs Blood Rising Picture Disc Edition

Current 93

LP | 1984 | US | Reissue (Cashens Gap)

36,99 €*

Release: 1984 / US – Reissue

Genre: Electronic & Dance

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Waking Up With The House On Fire

LP | 1984 | EU | Original (Virgin)

Release: 1984 / EU – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG+

Original inner sleeve included.

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Waking Up With The House On Fire = ハウス・オン・ファイヤー

LP | 1984 | JP | Original (Virgin)

Release: 1984 / JP – Original

Genre: Electronic & Dance, Reggae & Dancehall, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI.

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Waking Up With The House On Fire = ハウス・オン・ファイヤー

LP | 1984 | JP | Original (Virgin)

Release: 1984 / JP – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

verall close to NM

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LP | 1983 | EU | Reissue (Virgin)

Kissing To Be Clever

Release: 1983 / EU – Reissue

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

It's A Miracle / Miss Me Blind

12" | 1984 | JP | Original (Virgin)

5,99 €*

Release: 1984 / JP – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing with obi.

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It's A Miracle / Miss Me Blind

12" | 1984 | JP | Original (Virgin)

18,99 €*

Release: 1984 / JP – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Original Japanese pressing. With OBI. Tiny wear, few paper scuffs.

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LP | 1986 | JP | Original (Virgin)

From Luxury To Heartache

Release: 1986 / JP – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Includes OBI and insert.
Small sticker stain on front cover.

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LP | 1983 | JP | Original (Virgin)

Colour By Numbers

LP | 1980 | EU | Reissue (Wah Wah)

Release: 1983 / JP – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing, comes with Obi and inserts.

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Cultural Noise

Aphorisms Insane

20,99 €*

12" | 1988 | IT | Original (Cruisin')

Release: 1980 / EU – Reissue

Genre: Electronic & Dance

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The only album by Austrian trio Cultural Noise is a an electronic marvel. Band members were Gerhard Lisy, Walter Heinisch and Karl Kronfeld, and instruments used included an ARP Sequencer, an ARP 2600, a VCS 3, an EMS Digital Sequencer, a Mellotron M400, a Micro Moog, a Roland Studiosystem 700, a Roland Analogue Sequenzer and an electric guitar. With these weapons and a strong influence from the Berlin school Cultural Noise created a rich electronic tapestry which expanded through the two pieces of this record, one per side, being compared by reviewers to works by Zanov or Anna Själv Tredge. Mentions of Tangerine Dream are also present on reviews, although Cultural Noise have a pretty unique personality on their own and besides sharing the use of Mellotron, sequencers and analog synths we have a totally personal concept here which sets them aside from all TD impersonators of the era.

The album was originally released in 1980 on CBS and later repressed in 1981 which came in a B&W version of the sleeve that some sources list as a self release private pressing done by the band themselves - this has been denied by members of Cultural Noise.

We are proud to offer a 500 copies only reissue, housed in its original full colour version artwork.

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Cruisin' Gang

Dance To The Top

Release: 1988 / IT – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

12" | 1986 | UK | Original (Space Station)

Covergirl

Stay With Me

12,34 €* 12,99 € -5%

Release: 1986 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1986 | DE | Original (Future Dance)

Couleur Trois

Dreams Of Leaving

7,99 €*

Release: 1986 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1975 | EU | Reissue (Dialogo/Cramps)

Costin Miereanu

Luna Cinese

25,99 €*

12" | 1988 | EU | Reissue (Boy Records)

Release: 1975 / EU – Reissue

Genre: Electronic & Dance

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At long last, after decades out of print, the Milan based imprint, Dialogo, dives into the legendary catalog of Cramps, bringing forth the first ever vinyl reissue of Costin Miereanu's "Luna Cinese", part of an ongoing initiative dedicated to bring the imprint’s seminal output back into the light. Easily one of the most singular and important experimental albums of the 1970s that remains as engrossing, creatively riveting, and as ahead of its time today as it was in 1975, this is as exciting as reissues come. Complete with new English translation of their original liner notes, it can’t be missed! Edition of 500 LP on black vinyl. Audiophile pressing. Gatefold cover, including printed inner. Perfect replica of the original packaging (with additional translated liner notes) and newly remastered for optimal sound.** Of all the historic labels associated with experimental music, few have garnered as much affection, or as devoted a following, as the Italian imprint Cramps. Its catalog reads like a who's who of the 1970s musical avant-garde, housing seminal albums by John Cage, Gruppo di Improvvisazione Nuova Consonanza, Giusto Pio, Demetrio Stratos, Juan Hidalgo, Robert Ashley, Walter Marchetti, Cornelius Cardew, Raul Lovisoni / Francesco Messina, Alvin Lucier, Derek Bailey, and so many more, the vast majority of which have remained largely out of print and nearly impossible to obtain for decades. Now, at long last, the Milan based imprint, Dialogo, has begun a stunning series of vinyl reissues from Cramps' Nova Musicha series - dedicated to contemporary avant-garde composers - beginning with Costin Miereanu’s Luna Cinese, originally released in 1975. Fully remastered and housed in a sleeve that beautifully reproduces the album’s signature design, complete with brand a new English translation of the original liner notes, this is a truly historic event. For its impact, Cramps was a relatively short-lived endeavor, running for roughly seven years between 1973 and 1980. Founded in Milan by the producer, publisher, and graphic designer, Gianni Sassi - publisher of counter-cultural magazines like Bit and Frankenstein, and the designer behind numerous covers for Bla Bla, including Franco Battiato's Fetus and Pollution - Cramps was the pitch perfect emblem of revolutionary Italian temperaments of its era; creatively radical, globally minded, without profit motive, and bridging numerous musical idioms, from progressive rock and jazz, to some of the most forward thinking and singular expression of sonic experimentalism the world has ever seen. Of all the seminal figures that recorded for Cramps, the Romanian / French composer, Costin Miereanu, remains among the most distinct and under-appreciated. The reemergence of his debut LP, Luna Cinese, issued by the label in 1975, will likely change that. Over the last decade or so, Miereanu has developed something of a cult following among experimental fans because of his stunning series of albums issued during the 1980s on his own Poly-Art imprint, skirting the border of ambient music and minimalism in highly individual ways. Luna Cinese, which dives into far more explicitly experimental territory, will undoubtedly be a revelation and expose the true underpinnings of the work that would begin to emerge of the next decade and a half. During his early years, Costin Miereanu was something of a wunderkind of avant-garde and experimental music. Born in Bucharest, between 1960 to 1966 he was a student of Alfred Mendelsohn, Dan Constantinescu, and Lazar Octavian Cosma, before moving to Paris where he earned a Doctor of Letters and a Doctor of Musical Semiotics, winning numerous prizes in writing, analysis, music history, esthetics, orchestration, and composition. Between 1967 and 1969 he was a student of Karlheinz Stockhausen, György Ligeti, and Ehrhard Karkoschka at the Internationale Ferienkurse für neue Musik in Darmstadt, laying the final groundwork for a stunning career as both a composer and noted academic over the years since, often combining techniques drawn from Satie with the abstraction of Romanian traditional music into a sonic fabric that is guided by systems associated with Musique concrète. Luna Cinese, issued as the composer's debut LP by Cramps in 1975, is a stunning combination of all these elements. The work - stretching across the album's two sides, consists of continuous low-density repetitions, build from what the composer describes as “the kind of 'woven' silence you find on mountains – occasionally disturbed by irregular and very dense insertions – the kind of intense noise you find in the city.” The result, combining a vast range of environmental sound, voices chattering in various languages, fragments of acoustic instrumentation, and the pulsing and ambiences of synths and electronics, is about as singular and beautiful as experimental works from the 1970s come, while never for a moment sacrificing rigour or tension. A truly stunning, interwoven sonic expanse that lays pregnant with multiple meaning and interpretations - conceived by the composer to illuminate the complex ways in which meaning and narrative are constructed across time - and imbued with surrealism and the 'schizoid', Luna Cinese stands as an entirely distinct and original gesture within the canon of experimental music, displaying a remarkable density, while open, airy, and encouraging the subjectivity of the listener to play an active part. Easily among the best and important works from the original Cramps catalog, but sinfully overlook over the years since its release, Luna Cinese is as good as they come and an absolutely riveting and immersive listen. Issued by Dialogo in this newly remastered vinyl edition - the first since 1975 - with its original liner notes by Miereanu in a brand-new English translation, this one is impossible to recommend enough and will leave the composer ringing in your mind for a long time to come.

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Cosmic Jam

Girl Don't Cry

Release: 1988 / EU – Reissue

Genre: Electronic & Dance

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The Real Life / So Where Are You

Corporation Of One

12" | 1988 | EU | Reissue (Smokin)

LP | 1986 | JP | Original (EMI America)

Release: 1988 / EU – Reissue

Genre: Electronic & Dance

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Re-release of the ‘88 rave house classic 'The Real Life' sampling Queen, Simple Minds, Prince and Scarface here perfectly formed Oppy Mix. Used copies still sell up to £50 with very few cropping up on the market so this official remastered reissue will be a welcome sight to many.

Flipped with the collectable housey / garage crossover gem 'So Where Are You' harnessing the raw vocal power of Kevin Williams over a tough house rhythm. Both the Hashish Dub and Vocal Mix are included on this release.

Repressed on Blue 12 inch vinyl with replica Smokin’ artwork.

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Corey Hart

Fields Of Fire

Release: 1986 / JP – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG

Rot 50th Anniversary Edition

Conrad Schnitzler

LP | 1973 | EU | Reissue (Bureau B)

Confusional Quartet Colored Vinyl Edition

Release: 1973 / EU – Reissue

Genre: Electronic & Dance

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Conrad Schnitzler (1937-2011), composer and concept artist, is one of the most important representatives of Germany"s electronic music avant-garde. A student of Beuys, he founded Berlin"s legendary Zodiak Free Arts Lab, a subculture club, in 1967/68, was a member of Tangerine Dream (together with Klaus Schulze and Edgar Froese) and Kluster (with Dieter Moebius and Hans-Joachim Roedelius) and also released countless solo albums. The red album ("Rot") from 1973 was Schnitzler"s first solo LP.

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Confusional Quartet

LP | 1980 | EU | Reissue (Italian / Disordine)

10" | 1981 | EU | Reissue (Italian / Disordine)

Release: 1980 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Out of any classification of musical genre, “Confusional Quartet” is a distillation of the creativity and freedom of expression that in 1977 put Bologna at the center of the international cultural scene. This record places the Confusional Quartet in the history of Italian alternative music.

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Confusional Quartet

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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The Sound Of C... (Remix By Peter Slaghuis)

Confetti's

12" | 1988 | BE | Original (USA Import Music)

Release: 1988 / BE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1989 | FR | Original (Disques Déesse)

Confetti's

Confetti's Megamix

Release: 1989 / FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1988 | DE | Original (ZYX)

Company B

The Miami Megamix

Release: 1988 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1981 | FR | Original (Call Me)

Comateens

Release: 1981 / FR – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1981 | EU | Reissue (Rush Hour)

Colored Music

Heart Beat

12" | 1986 | UK | Original (MCA)

Release: 1981 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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12inch release of highly sought after Colored Music edits by Tokyo's, Chee Chimizu (Organic Music). The two cuts originally featured on the the bands seminal self titled album (from 1981) that remained a cult DJ secret weapon, for many years, all over the world. This heavy EP includes an alternative version of 'Heartbeat' that featured on the Japan only "Individual Beauty" LP of 2018 (also compiled by Chimizu)

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Colonel Abrams

I'm Not Gonna Let You

LP | 1986 | US | Reissue (Musique Plastique)

Release: 1986 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Record is close to VG+.

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Colman

Daedalus

21,99 €*

LP | 1976 | EU | Reissue (Music On Vinyl)

Release: 1986 / US – Reissue

Genre: Organic Grooves, Electronic & Dance, Classical Music

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Musique Plastique (Visible Cloaks, Pedro) rescue a nearly lost soundtrack to a Belgian avant-theatrical work from the 80s. For fans of Nuno Canavarro, Roberto Musci and Vito Ricci.
Like the wings Daedalus crafted for his son Icarus, John Gilbert Colman’s score for sampler, voice and chamber orchestra almost melted away completely, disappearing into the tides of time.
The album originally served as the score to an avant-garde production of the Greek myth that toured the Belgian theatre circuit in 1986. Director Guy Cassiers cast the play with 45 developmentally disabled actors enrolled at the Krauwelenhof school in Antwerp, working for six months with the young actors (aged 12-17) to discover and develop their talents, creating (by all accounts) a deeply moving piece of visual theatre. Rather than using dialogue, Cassier used movement, costumes and music tell the fable, words were only present as text fragments within the score, spoken by members of the chorus or sung by Rolande van Der Paal. Colman's compositions elevate the experimental narrative with broad shifts in mood, utilizing a pop-concrète style by incorporating sampled squeaking balloons, environmental recordings, tuned percussion, drum computer, and voice to accompany the traditional small chamber instrumentation. The music is reminiscent of other avant-theatrical pieces from that era by Nuno Canavarro, Milesi & Bacalov, Todd Barton, Vito Ricci and Roberto Musci, while standing on its own as a unique and moving piece of minimal music. Remastered DMM pressing.

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Coke Escovedo

Comin' At Ya!

12" | 1981 | US | Reissue (Dark Entries)

Release: 1976 / EU – Reissue

Genre: Electronic & Dance

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180 gram audiophile black vinyl. Joseph Thomas Escovedo, better known as Coke Escovedo, was an American percussionist who played in several genres, including jazz fusion, R&B, and soul. In 1976 he released his second solo studio album Comin' At Ya!, which counts 11 Latin rooted tracks and was produced by the synthesizer pioneer Patrick Gleeson.

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Codek

Tam Tam / Closer

12" | 1984 | EU | Reissue (Planet Records Classics)

Release: 1981 / US – Reissue

Genre: Electronic & Dance

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Codek is the brainchild of Jean-Marie Salaun who grew up in Paris influenced by the folklore of the inner city. In 1978 he joined art rock group SpionS alongside Gregory Davidow and recorded two singles. Diving into the Paris post punk scene he met Claude Arto and designed the artwork for Claude’s single on Celluloid “Kwai Systeme / Betty Boop.” Robin Scott (M “Pop Music”) had produced the SpionS first single and wanted to collaborate further. With Claude, Jean-Marie wrote “Me Me Me”, intended for a choir, for M. Then SpionS split and Robin was off to Switzerland to record an album to follow-up his hit single. That left Jean-Marie alone in London, where he began working as Codek, a play on the brand name Kodak The “Me Me Me” single was released by MCA Records in 1980. Back in Paris, now with some studio experience, Celluloid Records hired Jean-Marie to produce records for Artefact and Les Orphelins. Over the next 2 years he began working on ideas for the next Codek single “Closer / “Tam Tam”

“Closer” started its life as an electric baseline played by Jean-Marie. Claude Arto sequenced the floating synthesizers. Laurent Grangier and Frédéric Lapierre of reggae band Immigration Act played the horns. The lyrics “Hard to say. Easy to do. We don’t need to say what we do” were a statement on creation as narration expressed Jean-Marie’s ennui, “I’m tired with it.” “Tam Tam” was inspired by Burundi drummers playing on the plaza in front of Beaubourg where the song was recorded. Jean-Marie enlisted one of the drummers from the circle, Georges Atta Dikalo, to lay down percussion for the song. The female singers were from the French Caribbean and added falsetto tribal chants. JM was part of the the African night scene in Paris, remixing Xalam’s “Kanu” and Touré Kunda’s “Salaly Muhamed.” Claude achieved complex rhythmic patterns using a modular synthesizer and heavy processing. Jean-Marie recorded himself beating his chest for the thump noises. The recording of “Tam Tam” and “Closer” spanned over two years. They started on 16-track in Studio d’Auteuil, where JM blew the woofers, before resuming in Studio Centre Georges Pompidou with an added 8-track recorder. Jean-Marie was producing other bands, and a lot of this was recorded on “borrowed” studio time. The single was released in 1981 on West African Music, a tiny label from the Ivory Coast, and was re-released a year later by Island Records in the UK (where the B-side was re-named “Tim Toum”). Both tracks were staples in the DJ sets of Beppe Loda and Daniele Baldelli, finding a spiritual home in the Cosmic scene of Italy.

Both songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The jacket is an exact replica of the 1981 edition with artwork by Angela Boy, inspired by primitive electronics and African paintings. Each copy includes an doubles-sided insert with photos and liner notes by Jean-Marie Salaun.

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Clio

Eyes Black Vinyl Edition

17,99 €*

Release: 1984 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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12" | 1988 | DE | Original (EMI)

Climie Fisher

Love Like A River

Release: 1988 / DE – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1988 | FR | Original (Barclay)

Claudia Phillips

Quel Souci La Boétie!...

2LP | 1984 | UK | Reissue (Soundway)

Release: 1988 / FR – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines

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Circus Underwater

21,24 €* 24,99 € -15%

LP | 1988 | US | Original (A&M)

Release: 1984 / UK – Reissue

Genre: Organic Grooves, Electronic & Dance

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Soundway presents Circus Underwater’s 1984 self-titled masterpiece. Remastered and extended to a double LP, this deluxe version includes six unreleased tracks unearthed from the original ¼” tapes, and presented with an insert, including never-before-seen photos and the fascinating story behind the music. Featuring artwork from Grateful Dead collaborator, David Lundquist, the album encapsulates a unique moment in time. Echoing the story of a generation that grew up in the 50s and 60s where music was everything, two friends embark on a journey of experimentation which begins in the beatnik suburbs of Washington DC and travels to the heart of hippie San Francisco. The result is an opus that fearlessly blurs the boundaries of genres and embraces diverse influences. Elements of prog, rock, ambient and wave music culminate in an odyssey that seamlessly bridges the gap between the spaced-out creativity of the 70s and electronic music of today.

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Cinema

Wrong House

3,59 €* 3,99 € -10%

LP | 1977 | DE | Reissue (Notes On A Journey)

Release: 1988 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl with a couple of light scuffs, close to VG+

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Chuck Senrick

Dreamin'

30,99 €*

12" | 1982 | DE | Original (HB Highlights)

Release: 1977 / DE – Reissue

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

2017 reissue. Tiny wear. Vinyl is close to NM. Original inner sleeve

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Christian Bruhn

Surf-Fascination

7,99 €*

Release: 1982 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1982 | DE | Original (HB Highlights)

Christian Bruhn

Surf-Fascination

Release: 1982 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1982 | EU | Reissue (Orbeatize)

Chris Neal

Crosstalk

18,99 €*

LP | 1979 | UK | Original (A&M)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Originally released in 1982, including tracks written for Crosstalk (a science fiction thriller film made in Australia) and other electronic themes, it was written, performed and recorded by Chris Neal in his home studio, using Roland System 700 and Roland MC8.
In 1982 there were only a few System 700s ever produced and Roland was more interested in promoting their more commercial System 100M (that's why it was credited on the 1982 original cover to give them a plug). The System 700 was developed by Taro Kakahashi and his team in Japan as a direct challenger to the Moog modular system.
The ORBEATIZE remastered reissue also includes a special bonus track remixed and produced in 2017 by Jolly Mare.

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Chris de Burgh

Crusader

6,99 €*

LP | 1981 | UK | Original (Rough Trade)

Release: 1979 / UK – Original

Genre: Electronic & Dance, Pop

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Medium: VG+, Cover: VG

Cover with sticker

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Chris & Cosey

Heartbeat

86,99 €*

Elemental Seven Green Vinyl Edition

Release: 1981 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Small sticker on cover.
Record is close to NM.

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Chris & Cosey

LP | 1984 | UK | Reissue (Conspiracy International)

24,99 €*

LP | 1978 | PL | Original (Polskie Nagrania Muza)

Release: 1984 / UK – Reissue

Genre: Electronic & Dance

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“Elemental 7 has cast a looming shadow of influence over almost all electronic music since it was made” - Boomkat. Chris & Cosey’s Elemental 7 – available here for the first time in 40 years - is the soundtrack to the film of the same name (on Cabaret Voltaire’s Doublevision video imprint) that saw the duo working once more with John Lacey – Lacey had previously worked with Cosey in Coum Transmissions and introduced Chris Carter to the collective. The album’s highlight and one of their best loved songs, ‘Dancing Ghosts’, sounds as fresh and relevant today as it must have on its original release.

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Chorus & Disco Company

Discoland

Release: 1978 / PL – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Action Speaks Louder Than Words

Chocolate Milk

LP | 1975 | EU | Reissue (Music On Vinyl)

30,99 €*

Release: 1975 / EU – Reissue

Genre: Electronic & Dance

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12" | 1983 | EU | Original (Virgin)

China Crisis

Tragedy & Mystery

Release: 1983 / EU – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

12" | 1983 | US | Original (A&M)

Chilltown

Rock The Beat

Get Up, Get Down, Get Funky, Get Loose

Release: 1983 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl closer to VG+

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Chilla Frauste

12" | 1989 | US | Original (Miami Street)

5,99 €*

12" | 1988 | EU | Original (Jupiter)

Release: 1989 / US – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Generic label cover

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Chico Chico

Bamboleo

Release: 1988 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Medium: VG+, Cover: VG+

LP | 1977 | DE | Original (Atlantic)

Chic

Release: 1977 / DE – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

12" | 1983 | IT | Original (Memory)

Cheaps

Moliendo Café

59,99 €*

Release: 1983 / IT – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

12" | 1988 | DE | Original (ZYX)

Charlotte McKinnon

You Keep Me Comin' Back

Release: 1988 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Spacer Woman Label Cover Black Vinyl Edition

Charlie

12" | 1983 | EU | Reissue (Mr. Disc)

12" | 1988 | DE | Original (GiG)

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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Now numbered from 1001 to 1500 and wrapped in Mr. Disc label covers.

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Charles Augins

Baby I Need Your Loving

Release: 1988 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Gimme The Funk (Dance Mix)

Charades

12" | 1983 | DE | Original (WEA)

13,99 €*

Release: 1983 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Medium: VG+, Cover: VG+

12" | 1986 | US | Reissue (Metroplex)

Channel One

Technicolor

30,99 €*

12" | 1986 | EU | Reissue (Metroplex)

Release: 1986 / US – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Repress.

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Channel One

Technicolor

Cesare Collina Featuring LTJ

Release: 1986 / EU – Reissue

Genre: Electronic & Dance

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Metroplex continues its run of reissues with two more seminal releases from the label's golden back catalog. First off is Catalog number M003, aka late 80's Metroplex electro staple Channel One, a Juan Atkins joint with Doug Craig (Carl Craig's cousin) on vocals. Futuristic and playful techno from the late 80s which soundwise evolves from Cybotron and the obvious Kraftwerk influences. Juan Atkins said about the release in a 2005 interview that "it was more fun than politically driven, just about the colors and combination spread from colors". An important release in the history of Techno from both a cultural and creative perspective. Channel One's technicolor has been carefully remastered from the original tapes. Truly timeless stuff!

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Babe, What's Goin On

12" | 1989 | IT | Original (Irma CasaDiPrimordine)

LP | 1979 | JP | Original (CBS/Sony)

Release: 1989 / IT – Original

Genre: Electronic & Dance

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Medium: VG, Cover: VG

Vinyl close to VG+

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Celi Bee

Blow My Mind

Release: 1979 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Medium: VG+, Cover: VG+

Show Me Where You're Coming From / Still In Love

Carrie Lucas

12" | 1982 | FR | Original (Solar)

15,19 €* 15,99 € -5%

12" | 1984 | UK | Original (A&M)

Release: 1982 / FR – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Medium: VG+, Cover: VG

Cover with sticker

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Carol Kenyon

Dance With Me

Release: 1984 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Medium: VG, Cover: VG

12" | 1988 | UK | Original (Syncopate)

Carol Cayne

What My Love Can Bring

Release: 1988 / UK – Original

Genre: Electronic & Dance

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Medium: VG, Cover: VG

Nothing Is True; Everything Is Permitted

Carlos Peron

LP | 1984 | EU | Reissue (Mecanica)

24,99 €*

2LP | 1981 | EU | Reissue (Mecanica)

Release: 1984 / EU – Reissue

Genre: Electronic & Dance

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40th anniversary edition of this seminal work by the multi-talented musician and producer Carlos Perón. After the release of “Impersonator” and the score of the film “Die Schwarze Spinne”, “Nothing Is True; Everything Is Permitted” is his third album released in the beginning of 1984. While still being an active member of Yello, it was around the start of the recording of “You Gotta Say Yes To Another Excess” that Carlos met the American musician Chris Lunch in Hamburg. He invited Chris to Zurich and together played with projects such as Romantic Rubber, Heavymetallen and recorded some sessions that become the basis of “Nothing Is True; Everything Is Permitted”. After the release of “You Gotta Say Yes To Another Excess”, Carlos decided to leave Yello and focused to finish the recording and mixing of his new solo album.

“Nothing Is True; Everything Is Permitted” has gone down in music history as a dark soundtrack without a film, influenced many artists and helped to develop diverse genders of electronic experimental and dance music.

Limited edition of 300 copies including all original tracks and new artwork.

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Carlos Peron

Impersonator

Goin' For The Gold (Dance Mix)

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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40th anniversary edition of the debut album by the multi-talented musician Carlos Perón. “Impersonator” was originally released in 1981 when he was still a member of Yello. This first solo work represents a desire to conduct daring electronic experiments, to achieve stylistic variety and musical intensity while at the same time it is an example of Mr. Perón’s bizarre sense of humour. Since the beginning of his career he pushed experimentation beyond limits with noise atmospheres, loops and complex textures which he has long used since before the introduction of sampling technology. With the arrival of sound sampling, he was among the first to experiment with equipment such as the Fairlight, Emulator and Mirage. During his time with Yello, Carlos may well have been one of the world’s first sampling masters. This new re-issue of “Impersonator” includes all original tracks with some bonus including the whole Frigorex EP from 1984 and six previously unreleased cuts recorded between 1982 and 1983. Limited edition of 500 copies with gatefold sleeve and an exclusive postcard.

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Carl Lewis

12" | 1984 | DE | Original (RCA Victor)

Release: 1984 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Medium: VG, Cover: VG

LP | 1983 | EU | Reissue (Mental Experience)

Care Of The Cow

Dogs' Ears Are Stupid

21,99 €*

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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Originally released only on cassette in 1983, “Dogs’ Ears Are Stupid” by Chicago trio Care of the Cow is a fascinating blend of psychedelic folk, minimal electronics and post-punk weirdness. Acid fuzz guitar, incredible vocal harmonies, drum machines, analogue synths…
One of Chicago’s best kept secrets, Care of the Cow’s history goes back to 1974. A trio formed by Victor Sanders, X Baczewska and Sher Doruff, they had a very unique and eclectic sound, experimental yet very melodic, mixing psychedelic folk-rock with art-rock and DIY / post-punk. Their influences were very diverse: Beatles, Fripp, Eno, Joni Mitchell, Carla Bley, Pauline Oliveros, Eric Dolphy…
Care of the Cow debuted in 1975 with a 10” followed by their first LP album in 1981. By 1983, the band was adding drum machines and synths to their sound, highlighted by Victor’s amazing guitar playing and X & Sher’s perfectly blended vocal harmonies, resulting in “Dogs’ Ears Are Stupid”, the second Care of the Cow album, released only as a tiny cassette edition in 1983.
For us, this is a lost gem from the ‘80s underground which really deserved a LP/CD reissue. Here it is, done in collaboration with Steve Krakow of Plastic Crimewave / Galactic Zoo fame.

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2LP | 1974 | UK | Reissue (Spoon)

Unlimited Edition

Release: 1974 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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Remastered from the original tapes, 180g vinyl!

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LP | 1970 | EU | Reissue (Spoon)

Soundtracks

Release: 1970 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Remastered from the original tapes, 180g vinyl!

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LP | 1974 | UK | Reissue (Spoon)

Soon Over Babaluma

Release: 1974 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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Remastered from the original tapes, 180g vinyl!

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LP | 1989 | UK | Reissue (Spoon)

Rite Time

23,99 €*

Release: 1989 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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Remastered from the original tapes, 180g vinyl!

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LP | 1978 | UK | Reissue (Spoon)

Out Of Reach

23,99 €*

Release: 1978 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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Remastered from the original tapes, 180g vinyl!

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LP | 1975 | UK | Reissue (Spoon)

Landed

Release: 1975 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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Remastered from the original tapes, 180g vinyl!

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LP | 1973 | UK | Reissue (Spoon)

Future Days

Release: 1973 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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Remastered from the original tapes, 180g vinyl!

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LP | 1978 | UK | Reissue (Spoon)

23,99 €*

LP | 1982 | US | Original (Chocolate City)

Release: 1978 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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Remastered from the original tapes, 180g vinyl!

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Cameo

Alligator Woman

10,99 €*

Release: 1982 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1982 | BR | Original (Casablanca)

Cameo

Alligator Woman

Release: 1982 / BR – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

The Crackdown Colored Vinyl Edition

Cabaret Voltaire

LP | 1983 | UK | Reissue (Mute)

Release: 1983 / UK – Reissue

Genre: Electronic & Dance

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Micro-Phonies Colored Vinyl Edition

Cabaret Voltaire

LP | 1984 | UK | Reissue (Mute)

Release: 1984 / UK – Reissue

Genre: Electronic & Dance, Pop

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12" | 1986 | US | Original (Mercury)

Ca$hflow

Party Freak