Electronic & Dance Vinyl 4428 Items

Warrington-Runcorn New Town Development Plan'

Release: 2024 / EU – Original

Genre: Electronic & Dance

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The long running vessel for Cameron Stallones' psychedelic excursions, Sun Araw, returns to Discrepant after last year's split with Tarzana via Keroxen sister label (krxn033). Without much precedent in his own - already wide-ranging - back-catalog, 'Cetacean Sensation' discards the dubby vibes, psych-rock sunburnt jams, tropical visions, or stalking sensibilities of such classic efforts as 'On Patrol' or 'Ancient Romans' towards a deeply focused and vivid solitary approach, while still retaining this Sun Araw blissed out escapist feeling. Composed of hydrophone recordings of whales and dolphins sourced during a summer in Galicia, 'Cetacean Sensation' paints an impressionistic and sensory floating canvas that expertly escapes both academic-like documentarian purposes and any new-age spa vibrations one could associate with such subject matter. Processing those raw recordings into alluring collages that flow gracefully between moments of clear eco-location and submerged impressions of wildlife social dynamics. By the third track - Dance of the Minke - we're introduced to this ringing Midi tone that evokes a Cd-rom era of mystic educational programs and click-and-deploy strategies that still feel very much like an unfulfilled future, conjured again by 'Spider Crab Elegy's sparse keyboard pads and sound effects that give way to this properly elegiac tentative melody. 'The Spider Crab Point' ends the album on a more uneasy vibe, with synth tones pointing towards no particular direction, confounding and strangely inviting at the same time. As sensations often do. Music written and produced by Cameron Stallones using hydrophones and digital synthesis. Recorded in 2019 in Galicia, ES. Mastering by Rashad Becker.

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A Shared Sense Of Purpose

12" | 2024 | UK | Original (Castles In Space)

LP | 2024 | UK | Original (SaS Recordings)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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The first track on the album, A Shared Sense Of Purpose, reflects this optimism, and is the lead single from the album. This will be released in 7” and 12” vinyl versions. Both versions will be accompanied by an exclusive remix from the Godfather of New Town Synthology, Vince Clarke. To say that we’re excited about this, would be an understatement!

The 12" edition is out now, with the 7" following up in the next few weeks. The truth being that we overwhelmed the pressing plant ever so slightly. The 7" is the only place that you will find the radio edit.

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Becker & Mukai

Spirit Only

Forever Friends Black Vinyl

Release: 2024 / UK – Original

Genre: Electronic & Dance

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The mighty Becker & Mukai return with a tidal wave of sonic highways with new album Spirit Only, this time travelling outside of their East London studio bunker to Japanese mountains, with pit stops in Mali and Trinidad & Tobago.

Experimenting between balearic, indie dance, psychedelic, folk and electronica, Spirit Only is a complete body of work, confident and unashamed.

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NTO & Sofiane Pamart

LP | 2024 | EU | Original (Believe Digital)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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2x12" | 2024 | EU | Original (Domesticated / Open Space)

DJ Fitness

The DJ Fitness Programme

LP | 1987 | EU | Reissue (Lantern)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Domesticated and Open Space collaborate to release DJ Fitness - The DJ Fitness Programme.

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Frank Chickens

Get Chickenized!

12" | 2024 | EU | Original (Prison Brain)

Release: 1987 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Fully licensed, ltd to 500 copies. What if Japanese city pop met no wave? Neither in your wildest dream such occurrence could be real, but let’s make things clear. Frank Chickens could have been possibly forerunners for several famous alternative band, Cibo Matto on top of all, but sure had a development on their own. Our history began in London, early eighties, art duo Frank Chickens is the original creation of Japanese performers Kazuko Hohki and Kazumi Taguchi. All of a sudden the band debuts with a pair of singles and a full length on Kaz Records, it’s 1984, but could have been easily 1994, or even 2004. Backed by the likes of Steve Beresford (Alterations, The Slits, General Strike, London Improvisers Orchestra), Annie Whitehead (Penguin Cafe Orchestra, Robert Wyatt), Lol Coxhill, Tony Coe and Clive Bell (the top of the cream of the English avantgarde) the band soon became a case in history. Now we have the pleasure – 37 years after its original release – to reissue their second album: Get Chickenized! The record came out in 1987 on the british label Flying Lecords and showed a different side of the project, with a major focus on the so-called synth wave counterculture, still maintaining a certain avant feel. With original conspirator Steve Beresford still on board, the band was propelled in the studio by another key figure of the London underground: journalist, composer and producer David Toop. Being John Peel’s favorite for a while, the band built a cult following retaining some absurd live performances, well known for their idiosyncratic choreography. Later revamped in the year 2000 - thanks to cult label Ninja Tune – the band enjoyed a second wave of success, with a remix album featuring the likes of Pizzicato 5, Fink and Neotropic. With a cover embellished by the labor of Pere Ubu David Thomas, this second influential album is finally available for your listening pleasure. Here’s your chance to dive deep into this exotic pop extravaganza.

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Solidwood

The Surprising Secret

LP | 2023 | US | Original (Music Website)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Introducing the new Prison Brain imprint for downtempo and ambient lovers. Solidwood's first solo release “The Surprising Secret" offers a wider explorationinto the the world of the Italian producer. All six tracks were composed in southern Italy during the pandemic's rolling stay at home. Music is his language and his communication tool

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Couch Prints

Waterfall: Rebirth

LP | 2024 | EU | Original (Ll Edizioni)

Release: 2023 / US – Original

Genre: Electronic & Dance

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“It’s difficult to distill the record down to a cohesive idea, because it’s served as a journal for the last 3 years of our lives, but it’s generally an exploration of the different worlds within America. I (Brandon) write most of the lyrics, and as a military kid I moved around a ton. I grew up mostly in a deeply suburban town called Lakewood in Colorado, and eventually moved to the greatest city on earth (New York) where we currently live.

About 50% of the record is an ode to (American) suburban malaise, the pure boredom and sheer sense that life is absolutely pointless and generally grueling. The sports games, the binge drinking, the standardization of everything, the long drives, the fabricated dramas. There’s a sort of simmering to life there, punctuated by the occasional horrifically violent event via overdoses, car crashes, or shootings, and many of the songs are written about those punctuations.

Another 25% is about love, we’ve felt it, you’ve felt it, it’s fun to write about. Generally our songs take a melancholic/fatalistic view of love: the inevitability of its fading, the fear of giving yourself up, the twin shadow of pain within every moment of pleasure.

The rest of it is about life in New York, a city of dreams, propped up by its own legend and its inhabitants desire to transcend beyond themselves and their hometowns. This part is about obsession with success and accumulation, obsession with the unhindered Ego, and its parallels to a broader American capitalism. Like America itself, it is a place with breathtaking highs and humiliating lows; endlessly stimulating yet empty of principle."

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Nicola Ratti

Automatic Popular Music

LP | 2023 | EU | Original (Aufnahme + Wiedergabe)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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»Automatic Popular Music« was recorded and mixed by Nicola Ratti between July and December 2023. The tracks consist almost entirely of sounds generated by automatisms programmed on modular synthesisers. These are combined with tape loops on which fragments of both acoustic and digital pianos are engraved, generating tracks that are structured on repetitiveness in both their rhythmic and harmonic components. The adjective ›popular‹ is in this case the result of the other adjective ›automatic‹ since the machine has been entrusted with the task of generating the melodic patterns and harmonic structures of the tracks on the disc.

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Tropenkoller

Tropenkoller 86-88

Release: 2023 / EU – Original

Genre: Electronic & Dance

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LP | 2023 | EU | Original (Aufnahme + Wiedergabe)

Corp Cruid

Corp Cruid I

Release: 2023 / EU – Original

Genre: Electronic & Dance

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LP | 2022 | EU | Original (Aufnahme + Wiedergabe)

Neuntage

Soldier

Release: 2022 / EU – Original

Genre: Electronic & Dance

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We Are Not Alone - Part 3

LP | 2021 | EU | Original (BPitch)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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We Are Not Alone - Part 2

2LP | 2021 | EU | Original (BPitch)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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2LP | 2022 | EU | Original (Compost)

Ströme

Nr. 2

Release: 2022 / EU – Original

Genre: Electronic & Dance

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2LP | 2024 | EU | Original (Deep Shopping)

Mister Bellini

Cheugy

Solo Ansamblis & Roe Deers

Release: 2024 / EU – Original

Genre: Electronic & Dance

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"Cheugy" is a slang term used to describe someone who is out of style or trying too hard to be trendy (or both). Often associated with millennial culture, it refers to fashion, trends, or behaviors that were once popular but now seem outdated or overly mainstream. According to Rolling Stone magazine it is commonly used by Gen Z to roast Millennials. Essentially, it's the opposite of being effortlessly cool.

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Saord | Sarmxrd

2LP | 2024 | EU | Original (Damn Good)

LP | 2024 | Original (Kordhell)

Release: 2024 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Solo Ansamblis combines dance and emotion shattering moods, electronic sounds with live instruments, analog synthesizers and digitally processed sound. It invites for a trip within yourself, your mind and heart. The ever-growing audience named their style as ‘sad dance’.

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Kordhell

A Million Ways To Murder

Release: 2024 / Original

Genre: Electronic & Dance

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LP | 2024 | US | Original (Sound As Language)

Natural Palace

Reeling

Release: 2024 / US – Original

Genre: Electronic & Dance

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Super Deluxe Splatter Vinyl Edition

John Mint

LP | 2024 | US | Original (Stratford Ct.)

Release: 2024 / US – Original

Genre: Electronic & Dance

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En El Fin Del Mundo, Hasta El Fin De Mundo Vol. 1

LP | 2024 | EU | Original (EMA Records)

2LP | 2024 | EU | Original (Limousine Dream)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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The year is 2020, in the middle of the pandemic outbreak, »En el fin del mundo, hasta el fin del mundo« is the first production of the Chilean label EMA Records, a 21-track compilation covering improv, post rock, electronica, ambient, etc. It will now will be released on three separate vinyl albums. The first volume features tracks by Pita, Abul Mogard, Pan American and others.

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Darren Roach

Low Ranger

Celer + Forest Management

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Darren Roach’s debut album lands on Limo! With its sights set squarely on the dancefloor, ‘Low Ranger’ may seem to have come out of nowhere, but to those who have been paying attention, his music has never stopped making an impact. Roach boasts a catalog of releases that begins in the ‘90s, and a few of these long lost pearls resurface here, freshly mastered and ready to go. The bulk of the album, however, consists of freshly crafted nuggets that will surely stand the test of time just the same. The album is a testament that truly good music doesn’t degrade over time, and the decades of quality behind ‘Low Ranger’ reveal a master of his craft.

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Landmarks

LP | 2024 | US | Original (Constellation Tatsu)

LP | 2024 | EU | Original (Research)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Collaborating for the first time, Will Long and John Daniel combine their methods using tape machines, loops, and computers to score a reimagining of Peter Weir's film and Paul Theroux's novel The Mosquito Coast. Sourcing inspiration from a view of the film and book as a historical pendulum, the musicians found that these reinterpretations left them nostalgic for a different time, something that's only partly imagined, and without the defined predictions about the life cycles of mass culture based on our limited understanding of current events.

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Big Yawn

Ngbe

Remnants Melancholia Black, White & Red Swirl Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Research Records welcomes back Melbourne quartet Big Yawn for their fourth full-length offering, "NGBE."Big Yawn's ability to blend complex rhythm sections with infectious basslines, deep synth work, and tongue-in-cheek sampling remains ever-present, and perhaps is the most advanced we've heard yet.

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Viq

LP | 2024 | US | Original (Stratford Ct.)

Release: 2024 / US – Original

Genre: Electronic & Dance

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LP | 2024 | Original (Analog Language)

Romantic Avenue

Throught The Years

Release: 2024 / Original

Genre: Electronic & Dance

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12" | 2024 | EU | Original (Holoverse Research Labs)

Lost Souls Of Saturn

Reality Hacked Part II

LP | 2024 | US | Original (Wonderwheel)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Reality Hacked Part 2 collects together three more of the heavyweight remixes of key tracks from Lost Souls Of Saturn’s album ‘Reality’.

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Earthtones

We Can Live Together

Release: 2024 / US – Original

Genre: Electronic & Dance

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The Machines Will Know Who You Are

DJ Slip

2LP | 2000 | EU | Original (Kanzleramt)

Release: 2000 / EU – Original

Genre: Electronic & Dance

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What The Darkness Proposes

Goldwave

2LP | 2000 | EU | Original (Kanzleramt)

Release: 2000 / EU – Original

Genre: Electronic & Dance

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12" | 2024 | EU | Original (Sweet Sun)

SLOUCHO

NPC

All The Girls In The Room Say 'Sorry' Mint Green Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Arriving as the third album on Supreems ‘Sweet Sun’ label – an imprint gathering a reputation for future-facing, storytelling electronic music – Sloucho's 'NPC' explores the duality of his main character and non-playable lives. With a strong Irish artistic presence featuring Rory Sweeney, EMBY, Curtisy and more, Sloucho navigates through Cloudcore-inspired broken beats, bass-driven percussion, alternative dreamscapes and wubby fuck-steps on his most complete release to date, laying the foundation for an origin-story in the process.

Garnering support from Surusinghe, Roza Terenzi, Two Shell and more; some of the tracks on NPC have already been heard in clubs around the world - from Antwerp to London and Mumbai to Paris. ‘Mind Traveller’ offers an ambient introduction to ‘Athrú’, Sloucho’s home world, as the artist's pitched vocals act as the listeners guide into the island's core. ‘Mutant’ features experimental electronic artist Rhoshi on a track that follows the kaleidoscopic sonic-themes of Sloucho’s previous Cloudcore releases ‘Slow Feet’ and ‘Silver Veil’, before the Rory Sweeney-featuring ‘Come Around’ ignites the dance with its dutty screw-face two-step, balanced by moments of melodic contemplation before evolving into a techno-dancehall hybrid.

‘Brand New’ stays on the steppy aesthetic, and brings MCs EMBY and Zack Oke into the frame with a 3D Meta-human video created in collaboration with respected, exhibiting digital artist Aisling Phelan. Using a motion capture suit, they captured EMBY and Zack’s performance and imported it into Unreal Engine, using different environments scanned from around the Greek Islands as the backdrop. The result is mind-blowing; a complete digital realm, shot like a real-life rap video as EMBY and Zack spit bars across an elasticated garage riddim. Full video is on YouTube.

‘Super Maramu 2000’ is a cut of alien-club beamed directly from ‘Eile’, the afterlife of Sloucho’s Neolithic ancestors. A waltzer-ride through Latin-bass and techno with an oxymoronic blend of maximalist and minimalist futurism, it’s as silly as it is serious, before the stuttering, juke-influence of ‘Make It Work’ brings the album’s rapid first half (and a bit) to a close.

Sloucho seamlessly weaves from front left of the club to dark, fume-filled rooms on ‘Two Thousands’ (featuring EMBY and Curtisy), ‘Rocks’ (featuring Zack Oke, who sounds remarkably like experimental spoken-word artist Coby Sey here, and Chilean artist Vatican Jail) and ‘Lights On’ (featuring Yamagōchi), Sloucho explores a previously unseen side to his sound, meandering through alternative trap and hip-hop laden beats that are both dreamy and nightmarish, bringing NPC to its starry-skied climax.

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Pride Month Barbie

LP | 2024 | US | Original (Get Better)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Discipline Transparent Orange Vinyl Edition

Petit Biscuit

LP | 2024 | EU | Original (Believe Digital Gmbh)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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LP | 2024 | EU | Original (Knekelhuis)

Michel Banabila

Unspeakable Visions

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Banabila returns with a second LP release on Knekelhuis. The renowned Dutch producer is up there among the stars when it comes to ambient music and the so-called ‘fourth world’ legacy. On this eleven-track album, we witness soul-wrenching, kraut-tinted, and early-yet-modernist electronics.

Coming from his heart, these imaginative recordings center around otherworldly voices – fictional characters chanting in a made-up language, imbued with a captivating spirit, transcending linguistic barriers. Through remarkable complexity and technique, 'Unspeakable Visions' is full of sonic textures, together evoking a layered, emotional arc.

While the track 'Rattles' still references the artist's first album on Knekelhuis, 'Echo Transformations', the style of most other tracks departs towards an intriguing new mix of both pop-infused songs and gloomy abstraction, balancing between a sense of anticipation and desolation.

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12" | 2024 | EU | Original (Funkscapes)

Futur

LP | 2024 | EU | Original (Fabrique)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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12" compilation with new tracks by Eoism, Voertuig, Colkin and a lost gem by Peter Seiler featuring Sheryl Hackett. Picture sleeve with a bold artwork based on a sculpture by Hede Bühl. Limited to 500 copies.

Label text:

"Colkin (Raw Soul, Mauke Club) kicks off the a-side with a spheric acid house meditation. Next is a track by Peter Seiler which could be found on the extended reissue of his 'Flying Frames' debut LP on Innovative Communication in 1989. It features the soulful voice of Sheryl Hackett. An extraordinary groover that is meandering between song and jazz improvisation. Eoism (Pulse Drift, Undersound, Inch By Inch) complete the a-side with some low-swung electro flavors, driving you straight into sunset.

On the b-side Voertuig (Tonal Oceans, Cobra Club) hit us with a serious and raw acid jam - dark and dirty. On the following track they show us their experimental jazzy side and cool things down again. A track the 1990s downbeat era was missing. Eoism close the first volume of Futur with a floating, futuristic banger from their lab.

Benedikt Meger's aspiration for funkscapes was always to feature funk grooves, old and new, fresh and relevant for today. Whether some rare, not so rare or just under the radar recordings from the past or new productions from today's artists across different electronic genres. This idea now culminates into the selection for the compilation Futur.

Enjoy the ride."

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Drum & Lace

Onda Transparent

Release: 2024 / EU – Original

Genre: Electronic & Dance

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LP | 2024 | EU | Original (Chat Chapeau Nouveau)

Deladap

King Of The Swing

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Ukouk. Round Singing Voices Of The Ainu 2012-2024

Marewrew

LP | 2024 | EU | Original (Pingipung)

LP | 2020 | US | Original (Whited Sepulchre)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Marewrew (pronounced: Ma-leoo-leoo / mɑleːul̯ eːu)̯ is a female vocal group that sings traditional Ainu songs. The music of the long-suppressed people from northern Japan has been a particular focus of Pingipung's output in recent years, together with Oki Kano who recorded and produced many Ainu artists. Following various re-releases by Umeko Ando, the late grande dame of traditional Ainu music, the spotlight is now on the a cappella music of Marewrew, which by the way means ‘butterfly’ in Ainu. Attentive listeners will recognise the voices, as some of the band have already performed as backing singers on recordings by Umeko Ando. Their a cappella versions of traditional Ainu music shed a whole new light on the fascinating songs that have been passed down through generations exclusively through song. 'Ukouk' means 'round singing', which refers to the form in which Marewrew perform and record. Many of the songs are set as tightly interwoven canons: one starts, the others join in, but slightly out of phase: Almost like dub echoes, except that they are sung and not created in post-production. The short songs sometimes unfold into a wondrous trance ('Sikata Kuykuy', 'Honkaya') that seems to spin round and round - if singing can actually dance, then this is how. Nature sounds and woodpeckers can be heard ('Hawsa’), and there is a funny miniature in which the ladies imitate birdsong ('Takuro'). Things get hypnotic with an evocative song about stranded whales ('Hunpe Yan Na’) or an ode to the Orca as ‘Little Sea God’ (‘Pon Repun Kamuy’). The album culminates in unexpected pop ('Yaykatekara') or cumbia moments ('Kanerenren') with a band line-up including percussions and Oki Kano on the famous Tonkori harp. Marewrew are Rekpo, Hisae and Mayunkiki. Rim-Rim was a member of the group until 2022. Mayunkiki reflects on the ambivalence of performing traditional music as a contemporary band: "When we first started performing, we all thought we had to perform in an Ainu way. But over time we have become more and more open to new ways of singing. I think if our way of singing is seen as the only, correct way of our tradition, then it won't spread, it's not alive. We like it when it's traditional, but it changes, just like our voices have changed over time.” * 'Ukouk' is a selection of Marewrew's work from the last 13 years, compiled from CD releases by Pingipung's Andi Otto. Oki Kano has contributed unreleased material and added new versions of the songs which had only been released in Japan. The album has been remastered by Kassian Troyer and is now available on LP for the first time.

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Eve Maret

Stars Aligned

Release: 2020 / US – Original

Genre: Electronic & Dance

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LP | 2021 | US | Original (Whited Sepulchre)

Zvrra

Array Of Light

Release: 2021 / US – Original

Genre: Electronic & Dance

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Gremlinz & Jesta White Vinyl Edition

Gremlinz & Jesta

12" | 2024 | UK | Original (Shark With Laser On Head)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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LP | 2024 | Original (Neue Meister)

Trevor Kowalski

The Twilight Glow

Release: 2024 / Original

Genre: Electronic & Dance

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LP | 2024 | UK | Original (Subtext / Unsound)

Bela

Noise And Cries

Release: 2024 / UK – Original

Genre: Electronic & Dance

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LP | 2024 | EU | Original (Krakenduft)

Albinobrothers

Goliath Awakes

Release: 2024 / EU – Original

Genre: Electronic & Dance

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2LP | 2024 | EU | Original (The-Other-Side)

Pheek & Kike Mayor

Marigot Remixes

12" | 2024 | UK | Original (Amen Brother)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Audio Werner, Cabanne, Flabbergast, Lowris Mihigh, Maher Daniel Rmxs! Huge package. With a strong debut on The Other Side, Pheek and Kike Mayors album Marigot gets a full treatment from some underground?s finest. Supported by Arpiar, Ricardo Villalobos , Zip and many more

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From Beyond The Rave EP

25,64 €* 26,99 € -5%

Everything Is Here Black Vinyl Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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EQ is a legend in the game of hardcore and rave. The former in-house engineer for Formation Records and DJ SS and the head honcho at F-Project Records, this guy has been involved in so much of the scene’s history. But around 1994 he stopped producing under the name EQ and moved onto other things. That is until now. He is back once again and reinvigorated by the popularity of the rave repress culture and has started to write new material… but in the style of the early 90’s, using lots of old skool hardware to produce his music to keep that authentic UK sound.

His first EP for nearly 30 years takes us right back to the raves of the Midlands, the music of an era. Creative sample usage, rolling breaks, kick drums… melodies and rave stabs! This EP has something for all. Not only that, he has completed his follow up EP already which is due out in 2023 and is as equally impressive.

Back again, the renegade master!

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Kartell

2LP | 2024 | EU | Original (Roche Musique)

25,59 €* 31,99 € -20%

Release: 2024 / EU – Original

Genre: Electronic & Dance

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LP | 2024 | EU | Original (Icons Creating Evil)

Kuadra

Discoduro

25,59 €* 31,99 € -20%

Release: 2024 / EU – Original

Genre: Electronic & Dance

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LP | 2024 | UK | Original (Alter)

Crypto Order

Skin Bank

25,49 €* 29,99 € -15%

LAWA (Leonard Alain Wank Alex)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Skin Bank is the second full-length vinyl release from Italian techno deviant Crypto Order. Drawing inspiration from conspiracy theories, occultism, transhumanism and the New World Order, the project mixes confrontational themes and recycled propaganda with a haunting blend of dark beats and ominous melodies. Thanks to a prolific body of work amassed over the last few years, savvy listeners who have been paying attention to the right places will know him already as an unorthodox force to be reckoned with in today’s underground music world.

A hallmark of Crypto Order’s work is an enigmatic deployment of both sound and vision. Heavy electro-style breakbeats and extra-terrestrial atmospheres create a warped-yet-familiar sound reminiscent of early techno, whilst a compelling visual aesthetic evoking echoes of the early industrial and power electronics scenes infuses it further with a sense of mystery. Themes of power and control have been par for the course in the music of Crypto Order and Skin Bank is no different, manifesting a world that invites the listener to question the reality around them and dive deep into the shadows of their own repressed and murky consciousness. This is a kind of electronic body music which sends you into a dystopian realm of chaos and intrigue, throwing up uncomfortable questions along the way.

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Manifestation Red / Black Vinyl Edition

LP | 2024 | EU | Original (Cineploit)

25,49 €* 29,99 € -15%

LP | 2024 | UK | Original (Library Of The Occult)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Limited to 200 copies.

In the ‘Covid’ years, Lawa not only composed Manipulation (Cine 27, 2022) and the sister album Instrumentalisation (Cine 28, 2023) - more music was also created for a documentary, which for various reasons has not yet been completed. This music contains one side of the album Manifestation and was completed with further pieces from 2023. In addition to various original compositions, Leonard + Wank also created a version of the title theme from the Italian horror film Nuda PER Satana and made it their own, so to speak - only the basic melody, of which the original song actually consists exclusively, was created into a complete song with a beat. The album in its entirety is once again a soundtrack to your electronic nightmare!

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Modified Magic

25,19 €* 27,99 € -10%

12" | 2024 | UK | Original (Numbers)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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With meticulous craftsmanship, Modified Magic's self-titled debut album presents a spellbinding journey through 14 tracks intricately intertwined with shared motifs, characters, and mysterious threads.Showcasing their eclectic blend of psychedelic rock, Giallo film-inspired mystique, and krautrock experimentation. With a unique approach to sound design and a penchant for storytelling through music. From hypnotic melodies to haunting echoes reminiscent of classic horror soundtracks, and the timeless charm of vintage vinyl records, each track offers a kaleidoscopic glimpse into the band's collective vision.

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Fergus Jones

Ephemera

LP | 2024 | Original (La Belle)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Ephemera is the debut album by Fergus Jones, the artist formerly known as Perko, an Edinburgh-born, Copenhagen-based producer, DJ, and founder of the Felt record label. The nine-track release is out on Numbers on 18 October 2024. Ephemera was developed with collaborative energy as the creative priority, produced by Jones alongside an extensive list of like-minded musicians, lyricists and vocalists including Huerco S, James K, Koreless, Birthmark, Eldon and Withdrawn of Bristol’s Cold Light crew, Laila Sakini and Lia T. The album embodies Jones’ inner journey as he ranges further than ever sonically and emotionally, emphasising instinct, intensity, tactility and rapture. “Heima” was written and produced with Huerco S and James K between Iceland, Copenhagen and the United States’ East Coast. Developed during and named after the same Icelandic artist residency that birthed Perko & Huerco S’ debut collaboration “Prang,” “Heima” is a shimmering piece of fortified trip-pop featuring vocals from James K, appearing here following solo releases for AD 93 and collaborations with Yves Tumor. “Tight Knit” aligns Jones’ graceful production with the raw emotions thundering from the performances of Birthmark, Eldon and Withdrawn of Cold Light, the shadowy Bristolian collective channelling the city’s deep sonic history into an equally rich future. In his own words, Jones says “This album was made over the last five years in various studio and outdoor locations around the world, reflecting my ongoing emphasis on natural collaboration as a creative ideal. It’s my most personal record yet, written with experimentation and an open attitude as guiding lights.” The album makes a distinctive impact that reverberates and glows long after its runtime. Analogue audio sculpting, adaptive processes and imaginative approaches to creating sound are at the forefront – whether resulting from an endless exchange of iterative stems with Huerco S, or hydrophone recordings with Koreless. Evocative vocal performances and songwriting combine with weighty sound design, gliding easily between the organic and synthetic to reflect and expand the thin spaces of transcendence in each.

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Golden Bug

Piscolabis II

LP | 2020 | EU | Reissue (La Scimmia)

Release: 2024 / Original

Genre: Electronic & Dance

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Piscolabis (Part II) is a super sonic fan, featuring the organic yet robotic atmosphere of Piscolabis (Part I) and, of course, Golden Bug's own sonic experimentation.

The 10 new tracks on this follow-up are even wilder and stranger, in the best sense of the word. The rhythms are heavy, the guitars of Lionel from The Limiñanas are razor-sharp and the distorted grooves of the drum machines convey curious electronic impulses!

The introductory track ‘Paradis’, with its choral, fairytale and epic atmosphere, gives way to a series of slow, raw and bewitching tracks, such as ‘Hi No Tori’, with guest appearance by Japan's Vega Voga, and the heady, mechanical ‘Ricochet’, ‘L'E et Domino', driven by the voice of Anna Jean from Juniore, “Boomerang”, which rides the wave of dub with shamarnic tinges, “Poc a Poc”, which plunges us into the world of acid-western, or the retro-futuristic “Autobahn” embodied by the voice of Ruben Kielmannsegge.

Piscolabis II builds its own psychological environment to inhabit. And the deeper you go into it, the more synaesthetic the music becomes, the more the textures swirl together, igniting the senses. We encourage you to press play, sit back and listen to the album unfold in its entirety.

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Fratelli Malibu

Ciro Miami

LP | 2024 | UK | Original (Ghost Box)

Release: 2020 / EU – Reissue

Genre: Electronic & Dance

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Fratelli Malibu is an original idea of Andrea De Fazio with the cooperation of Paolo Petrella, drummer and bassist for the “Nu Guinea” live band. Their love for synthesizers and drum machines brought them together to create the shiny world of Ciro Miami.

We could think of Ciro as a neapolitan expat in the american dream, where he discovers a world of excess, flashy cars, cocktail bars, beautiful women, cocaine, gambling, spaceships and videogames that erodes all of his money forcing him to go back to Napoli completely broke, but with a fistful of wonderful memories.

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Beautify Junkyards

Nova

12" | 2024 | EU | Original (Belgian Bootlegs)

Release: 2024 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Nova is the third album on Ghost Box for Lisbon based band Beautify Junkyards. As ever, the songs have a wide instrumental palette with ethereal vocals from both João Branco Kyron and new singer Martinez. This time around however, there’s a more electronic feel to proceedings and the usual rich and melodic songwriting has a somewhat more experimental and Avant-pop sensibility. Kyron’s synths and electronics are now augmented by the most recent recruit to the band Bernard Loopkin. Together their contemporary sound design combined with meticulous period sampling evoke a world of 60s & 70s movie soundtracks, library music and vintage electronica; the sounds reminiscent of White Noise, Piero Umiliani, Mort Garson and Broadcast.

This is not machine music though; Antonio Watts’ mesmerising drumming and percussion beautifully underpin the songs and the bass and guitars of Sergue and João Moreira intertwine throughout, ensuring that there’s always a sinuous, human feel.

Lyrically the songs explore a surreal and abstract dreamscape, taking stylistic cues from situationism, Dada, cut-up and the wider reaches of the psychedelic imagination. This is reflected in Julian House’s beautiful and carefully researched design work for the album, which draws its inspiration from the situationist and revolutionary underground press of 1960s Europe.

Special Guest Artists:

Beautify Junkyards have always enjoyed working with writing and performing collaborators. Nova is no exception and features some very special guests. Paul Weller sings and plays guitar on the co-written song, “Sister Moon”. Dorothy Moscowitz (of United States of America) co-wrote and sings on “Turn the Tide”. Jesse Chandler (of Pneumatic Tubes, Midlake and Mercury Rev) contributes flute on “Groundstar”

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2 Flying Stones

Remix EP

Release: 2024 / EU – Original

Genre: Electronic & Dance

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2024 is the year that saw iconic trance-act 2 FLYING STONES resurrect.
Early trance with a capital T
Remixed by trance GRANDmasters M.I.K.E. PUSH and NICO PARISI.

This is without a doubt the hottest group of the year in its genre. Every release is sold out in hours.
2 Flying Stones have gained a massive fanbase in the past 30 years thanks to their iconic hits MAYBE TOMORROW, NUCLEAR JESUS IN PARADISE OF LOVE and A GREAT DAY.

2 of these classics have been remixed by none the less than M.I.K.E. PUSH (known from his classics THE LEGACY, TRANZY STATE OF MIND and UNIVERSAL NATION) and NICO PARISI, one of the biggest names in the Benelux underground trance-scene, part of Aqualord and original author of the 2023 monsterhit METRO (covered by Mau P & Kevin De Vries)

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12" | 2024 | EU | Original (Abadi)

Gunaguna

LP | 2024 | UK | Original (Finders Keepers)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Get ready for a fresh approach into Indonesia's mysticism through Gunaguna by Abadi Records. This EP is strongly built on world music rhythms and obscure samples. Enchanting and atmospheric melodies that have 80’s horror movie feel blend with 90’s electronica and vintage Indonesian musical instruments/chants/spoken-words. Each track is designed to deliver a touch of house and is executed in a progressive style.

As a debut, Abadi Records presents LMS, Munir, Haydr, Satta Fire, Herta, and Aldous for the first series of Gunaguna. The record is made via a collaboration with La Munai Records; containing six original tracks which aim to set mood in the club and bring vibes to the digger's living room.

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Beth Anderson

I Can't Stand It

Jerry Ropero, Denis The Menace, Sabor

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Private press sound poet and Text–Sound pillar Beth Anderson brings drummy tant rum raps and yoga punk to the 1970’s New York art/loft scene with a tight-knit ensemble that counts Phill Niblock, John Cage, Sonic Youth, Suzanne Ciani and Ear Magazine among its gallery guestlis The music of Beth Anderson has successfully evaded the pressing plant for most of her creative career and it has taken decades to successfully collect and contextualise these early recordings - expanding her elusive discography beyond the rare and mysterious solo single entry in the process.

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Coracao Black Vinyl Edition

12" | 2024 | Original (Blanco Y Negro)

Release: 2024 / Original

Genre: Electronic & Dance

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LP | 1987 | EU | Reissue (Mannequin)

Caroline K

Now Wait For Last Year

Release: 1987 / EU – Reissue

Genre: Electronic & Dance

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Mannequin Records is proud to present the official reissue of Caroline K's outstanding 1985 album, "Now Wait For Last Year."

This haunting, wistful work of post-industrial synthesizer music sees the late Nocturnal Emissions co-founder only solo record, which has accrued a fervent cult following over the past 40 years, and copies of the original pressing are today extremely rare and sought-after. The music on "Now Wait For Last Year" seems to exist firmly outside of it. Tags like industrial, minimal synth or proto-techno can't really do justice to the richly cinematic sound-world that Caroline K describes: from the sustained ambient tension of sidelong opener "The Happening World" to the future-primitive rhythms and stately piano flourishes "Animal Lattice", and the melancholic, deep-frozen synth sequences of "Cheart".

For fans of Throbbing Gristle, Chris Carter, Nocturnal Emissions and even early Detroit techno lovers should pay special attention to it.

All selections composed, arranged and played by Caroline K Recorded and produced by Caroline K

Photograph by Jake Kirkwood Original design by Nigel Ayers

The first five tracks of Now Wait For Last Year were originally released as a vinyl LP by Earthly Delights in 1987.

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The Sound Of Hardstyle - The Anthems Volume 1

LP | 2024 | EU | Original (Be Yourself)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Inner Space Picture Disc Vinyl Edition

Caspa

12" | 2024 | UK | Original (Deep, Dark & Dangerous)

LP | 2024 | WW | Original (Fabric Originals)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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A momentous signing for DDD, as the label welcomes one of the most influential artists in dubstep’s history: Caspa.

On his Inner Space EP, which drops on September 6th, the producer takes refuge within his introspective sanctuary of ice cold beats, deep pulsating bass and futuristic sound design - presenting a four-track tour de force of 140 that is at once impactful as it is cohesive and holistic.

This one is also available as a limited edition picture disc vinyl.

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Or:La

Trusting Theta

Release: 2024 / WW – Original

Genre: Electronic & Dance

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Die Reise Zur Monsalwäsche

Läuten Der Seele

LP | 2024 | EU | Original (Hands In The Dark)

2LP | 2018 | EU | Reissue (Ternesc)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Christian Schoppik aka Läuten der Seele brings his »Water« trilogy to a close with his new album »Die Reise zur Monsalwäsche« (The Journey to Monsalwäsche) following up »Die Mariengrotte als Trinkwasseraufbereitungsanlage» (2022, Hands in the Dark) and »Ertrunken im seichtesten Gewässer« (2023, World of Echo). While the compositional technique of this opus still relies primarily on samples and altered audio-collages, each chapter of the trilogy was intentionally created from very different sources. The present collection is arguably less ›experimental‹ than some of Läuten der Seele's previous works, as classical music takes center stage this time. However the mastery in crafting such magnificent and intriguing narratives sees the simplicity and emotional depth of these sonic mariages become the beauty of it all.

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Blawan

Wet Will Always Dry

LP | 2024 | EU | Original (Teenage Menopause)

Release: 2018 / EU – Reissue

Genre: Electronic & Dance

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Physically and mentally draining in the best way possible, Wet Will Always Dry is maybe the most complete statement from Blawan to date, and as such should be ignored at your peril. This becomes evident from the album-opening “Klade,” a dizzying, tumbling flight of pure energy over overlapping fields of electrified menace. This sets the stage for “Careless,” which retains the hazardous, crackling atmosphere but dials back the intensity just enough to make room for a new feature, Blawan’s eerie and disembodied vocals.
“Tasser” ratchets up the tempo and the frenetic energy yet more, slinging chunks of audio shrapnel and grinding factory noise over the kick-heavy beat, only letting up the tension every now and then for a convulsive breakdown. By the arrival of “Vented,” a more steady, cycling groove has set in along with the accompaniment of suspenseful melodic swells, but the element of surprise is far from gone: there still seem to be spectral entities lurking around every corner, and there’s no shortage of intriguing tumbril weirdness blowing around the imaginary streets that this track conjures up.
The slamming “North” keeps alive the record’s persistent, darkly humorous feeling that things are about to go off the rails at any moment, using wildly contorted sequences and granular debris to shift between total abandon and regimented strictness. A moment of relative calmness, along with the return of the atmospheric vocals, comes about with “Stell,” a faintly dubby track that leaves an impression like watching streams of traffic progress underneath rolling, deep grey clouds.
“Kalosi” brings back the percussive motif of “Tasser” and “North,” this time partnering it with loops that bring to mind radioactive bass strings. “Nims” then shuts things down with infectious harp-like sequences, fuzz-shrouded percussion and an ‘everything but the kitchen sink’ mentality towards filtering and processes which will get the attention of all but the most jaded soundhead.

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Spill Gold

Zaza

LP | 2016 | UK | Reissue (Finders Keepers)

Release: 2024 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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The duo Spill Gold blends drums, synths and vocals into a sonic journey that invites listeners to explore realms of energy exchange. Nina de Jong on drums and Rosa Ronsdorf on vocals and synths joined forces in a collaboration that transcends genres. The music of Spill Gold serves as a woven tapestry of (unheard) voices, inviting you to lean in. The result is a fusion of psychedelic echoes, danceable rhythms, and intricate percussive layers.
Their newest album is a result of a need for hope that longs for an anti-anthropocentric and non-patriarchal world. The duo’s compositions navigate through cyclical patterns, echoing snakes biting their own skin, volcano’s starting to errupt, witches fingers that crumble towers and birds of steel and feather. They invite you into a world where the concept of ‘the first’ or ‘the best’ fades away and to join them on their musical journey with no clear beginning or end.

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Suzanne Ciani

Buchhla Concerts 1975

Buchla Concert At Galeria Bonino New York 1974

Release: 2016 / UK – Reissue

Genre: Electronic & Dance

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Finders Keepers invite you to witness these incredible earl Buchla synthesiser concerts/demonstrations providing a distinctive feminine alternative to The Silver Apples Of The Moon if they had ever been presented in phonographic form. This is history in the remaking. This spring Finders Keepers Records are proud to release an archival project that not only redefines musical history but boasts genuine claim to the overused buzzwords such as pioneering, maverick, experimental, groundbreaking and esoteric, while questioning social politics and the evolution of music technology as we’ve come to understand it. To describe this records as a game-changer is an understatement. This record represents a musical revolution, a scientific benchmark and a trophy in the cabinet of counter culture creativity. This record is a triumphant yardstick in the synthesiser space race and the untold story of the first woman on the proverbial moon. While pondering the early accolades of this record it’s daunting to learn that this record was in fact not a record at all… It was a manifesto and a gateway to a new world, that somehow never quite opened. If the unfamiliar, modernistic, melodic, pulses, tones and harmonics found on this 1975 live presentation/grant application/educational demonstration had been placed in a phonographic context alongside the promoted work of Morton Subotnick, Walter Carlos or Tomita then the name Suzanne Ciani and her influence would have already radically changed the shape, sound and gender of our record collections. Hopefully there is still chance. In short, Suzanne was a self-imposed twenty-year-old employee of the Buchla modular synthesiser company, San Francisco’s neck and neck contender to New York’s Moog. Buchla was run by a community of festival freaks and academic acid eaters whose roots in new age lifestyles and the reinvention of art and music replaced the business acumen enjoyed by its likeminded East Coasters. In the eyes of the consumer the creative refusal to adopt rudimentary facets like a piano keyboard controller rendered the Buchla synthesiser the more obscure stubborn sister of the synth marathon, steering these incredible units away from the mainstream into the homes and studios of free music aficionados, art house composers and die-hard revolutionaries. Championed and semi-showcased by composer Morton Subotnick on his albums The Bull and Silver Apples Of The Moon, Buchla’s versatility began to open the minds of a new generation, but the high-end design features and no-compromise modus operandi was often confused with incompatibility and, in the pulsating shadow of Moog’s marketing, the revolution would not be televised nor patronised. Suzanne Ciani, as one of the very few female composers on the frontline (and also providing the back line) did not lose faith. These “concerts” are the epitome of rare music technology historic documents, performed by a real musician whose skills and academic education in classical composition already outweighed her male synthesiser contemporaries of twice her age. At the very start of her fragile career these recordings are nothing short of sacrificial ode to her mentor and machine, sonic pickets of the revolution and love letters to an absolutely genuine vision of and ‘alternative’ musical future. In denouncing her own precocious polymathmatic past in a bid to persuade the world to sing from a new hymn sheet, Suzanne Ciani created a bi-product of never before heard music that would render the pigeon holes “ambient” and “futuristic” utterly inadequate. Providing nothing short of an entirely different feminine take on the experimental “records” of Morton Subotnick and proving to a small, judgmental audience and jury the true versatility of one of the most radical and idiosyncratic musical instruments of the 20th century. These recordings have not been heard since then. The importance of these genuinely lost pieces of electronic musics puzzle almost eclipses the glaring detail of Suzanne’s gender as a distinct minority in an almost exclusively male dominated, faceless, coldly scientific landscape. Those familiar with Suzanne’s work, a vast vault of previously unpublished “nonrecords”, will already know how the creative politics in her art of “being” simultaneously reshaped the worlds of synth design, advertising and film composition before anyone had even dropped a stylus in her groove. Needless to say this record, finally commanding the archival format of choice, courtesy of the Ciani and Finders Keepers longstanding unison, was not the last “first” with which this hugely important composer would gift society, and the future of a wide range of exciting evolving creative disciplines. You have found a holy grail of electronic music and a female musical pioneer who was too proactive to take the trophies. With the light of Buchla and Ciani’s initial flame Finders Keepers continues to take a torch through the vaults of this lesser-celebrated music legacy shining a beam on these “non-records” that evaded the limelight for almost half a century. You can’t write history when you are too busy making it. With fresh ink in the bottomless well, let’s start at the beginning. Again. You, are invited!

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Suzanne Ciani

LP | 2024 | UK | Original (Finders Keepers)

You Are My High - 25th Year Anniversary

Release: 2024 / UK – Original

Genre: Electronic & Dance

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The very first Buchla synthesiser performance by revolutionary composer Suzanne Ciani finally makes its fifty year journey from its switch-on New York art gallery to its long deserved and discerning global phonographic audience. With this previously unheard vinyl pressing, Finders Keepers Records are proud to present an archival project of ‘art music’ that not only redefines musical history but lays genuine claim to the overused buzzwords such as pioneering, maverick, experimental, groundbreaking and esoteric, while questioning social politics and the evolution of music technology as we have come to understand it. To describe Italian-American composer Suzanne Ciani’s resurrected Buchla concert records as genuine gamechangers would be a gross understatement. These records represent a musical revolution, an artistic revelation, a scientific benchmark and a trophy in the cabinet of counterculture creativity. This sonic installation album, alongside her recently liberated WBAI/Phill Niblock 1975 sessions (fkr082), are triumphant yardsticks in the synthesiser space race and the untold story of the first woman on the proverbial musical moon. While pondering the early accolades attached to these golden era New York recordings it’s daunting to learn that these records were in fact not even records at all. What exists on this disc now was a manifesto and a one-time gateway to a new world, which somehow was only partially pushed ajar. Captured here is a genuine live act exploring new territories with a fully performable music instrument. If the unfamiliar, modernistic, melodic pulses, tones and harmonics found on these 1970’s artistic gallery collaborations/ live presentations (then soon to be followed by academic grant applications and educational demonstrations) had been placed in a phonographic context alongside the widely marketed work of Morton Subotnick, Walter Carlos or Tomita, then the name Suzanne Ciani and her infectious influence would have already radically changed the shape, sound and gender of our record. With the light of Buchla and Ciani’s initial flame Finders Keepers continues the journey through the vaults of this increasingly celebrated music legacy, illuminating these ‘non-records’ that evaded the limelight for almost half a century. You can’t write history when you are too busy making it. With fresh ink in the bottomless well, let’s start at the beginning. Again.

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Demon

12" | 1999 | EU | Reissue (La Tebwa)

LP | 2024 | EU | Original (Hands In The Dark)

Release: 1999 / EU – Reissue

Genre: Electronic & Dance

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"When Demon released "You Are My High" at the end of 1999, all hell broke loose. Nominated at the Victoires and MTV Awards, the track was on the lips of every Frenchman and the CSA. 25 years later, the "You", inseparable from the French Touch, is more beautiful than ever. This summer, it will celebrate its anniversary on vinyl in a collector's edition.

150M streams, platinum disc, "You Are My High" explodes thanks to its clip, its French kiss in a fixed shot of 3min, which will earn it a brief passage to the CSA, who will try to censor it. before finally running H24 on television. You", as its creator liked to call it, left its mark on his era, inspiring a new generation of artists: Agar Agar, DJ Snake, Central Cee, Disclosure x Flume, Jean Paul Gaultier...

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Andrea Taeggi

Nattdett

LP | 2024 | UK | Original (Rocket)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Berlin-based, Italian-born sound artist Andrea Taeggi introduces his debut release on Hands in the Dark records with 'Nattdett', an album showcasing six mesmerising and rhythmically intricate electronic compositions. Drawing inspiration from previous works such as 'Mama Matrix Most Mysterious' (2015), 'Batch 0006' (2017), and 'Zimní Král' (2018), Taeggi delves further into his exploration of cyclical patterns and tension-filled compositions within his creative process.

The album's tracks focus on unsettling atmospheres, unusual rhythms and percussive tones, using a vast array of rare equipment, including the analog computer from the Willem-Twee synthesis studio in the Netherlands, initially employed for flight simulation in the Cold War-era. 'Nattdett' eloquently showcases Taeggi's talent in transmuting the essence of vintage machinery into a compelling primal language, offering an immersive and mind-expanding listening journey.

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Ex-Easter Island Head

Norther

LP | 2024 | EU | Original (Magnetron Music)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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In meteorology, the word Norther refers to a cold wind that blows down from the north. For Liverpool’s Ex-Easter Island Head, it’s also an apt title for the strange and multi-faceted sound of their new album that now descends upon the world at large: ever shifting, a multiplicity of sounds both acoustic and manipulated, and yet one that still moves as part of a single mighty breeze. At times it might recall the experiments of Rhys Chatham and Glenn Branca, the widescreen beauty of The Necks, the relentless experimentation of Arnold Dreyblatt or the boundary-pushing roster of Kompakt Records, yet ultimately this is music that has no direct compare. Each of its six pieces demonstrates a different creative process. On blossoming opener ‘Weather’, whirring motors dance fairy-like atop strings and drums; on the dizzying ‘Magnetic Language’ voices are played back through phones and amplified through pickups made of magnets wrapped in copper wire; the title of ‘Golden Bridges’ refers to the brass rods the band shift beneath the strings of their guitar. All, however, tap to one degree or another into that abiding theme of the weather. Norther is Ex-Easter Island Head’s first studio album since 2016, a time spent on collaborations and one-off performances with everyone from classical musicians and fellow experimentalists to schoolchildren. “All of the projects we were involved in between 2016 and 2024 have expanded the boundaries of what we do by exposing us to a huge variety of instruments, personalities and ways of working. It's really allowed us to see the purity of making music with a four-piece group,” says the band’s Benjamin D. Duvall. That status as a quartet is a new one, with the addition of longstanding friend and collaborator Andrew PM Hunt. Having a member of the band handling recording and mixing helped them push further and further into sonic territory that until Norther remained entirely unexplored – not just by Ex-Easter Island Head, but by any other band on earth.

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Fatima Yamaha

Sol

LP | 2024 | EU | Original (Ad 93)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Sol' features 10 solid electro-funk tracks, each with the unmistakable Bas Bron sound. From club-ready four to the floor to dreamy melodies, the whole album is another innovative blend of vocoder-electro and machine funk exploration. Following the success of his previous album "Spontaneous Order", the EP "Built Back Bangers" and more recently the OST for the Dutch documentary 'Onzichtbaar'. Fatima Yamaha is back with a new chapter. 'Sol' showcases Fatima Yamaha's evolution, while staying true to his fundamentals. In conjunction with the album release, Fatima Yamaha will embark on an extensive tour this spring, bringing his live performances to audiences in London, Glasgow, Paris, Amsterdam, and more.

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Lanark Artefax

Metallur

LP | 2024 | Original (Akira)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Emerging from a generative paradox of laser precision and fluid dynamism, Metallur fuses percussive, metallic force with warping tempos and a field of ethereal resonance and debris.

The result is an insurgent, elemental, time-smearing of hyperspace, where "tellurian beats merge with alien glossolalia and vocal samples blip tesseracts of human affect into a ghostly, melodic aether". Music for a crushed infinity.

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Henry Green

Familiarity

Release: 2024 / Original

Genre: Electronic & Dance

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Colour Green Transparent Green Vinyl Edition

Sibylle Baier

LP | 2006 | EU (Klimt)

Release: 2006 / EU

Genre: Electronic & Dance

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Atmospherics 30th Anniversary Edition

James Bernard / Bvdub

2CD | 2024 | UK | Original (Past Inside The Present)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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zake's untouchable ambient imprint Past Inside the Present revisits James Bernard's classic 1994 album Atmospherics and has remastered it and paired it with some fresh reinterpretations by bvdub, a longtime friend and collaborator. Since the original release, music and technology have evolved significantly but the timeless craft and rich textures of Bernard's work remain evident. Atmospherics achieved cult status during the ambient music boom after being crafted solely with a keyboard, sequencer, 12-bit sampler, drum machine, and bass guitar, all created in real-time and without edits. Bvdub's reinterpretations honour the originals while adding new dimensions and infusing them with a melancholic air that enhances its emotional depth.

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Rødhåd Presents: Crimson Rubeus

2x12" | 2024 | Original (Wsnwg Back To Zero)

Release: 2024 / Original

Genre: Electronic & Dance

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Rødhåd presents: CRIMSON RUBEUS - the first ever compilation on WSNWG - BACK TO ZERO will be released on April 3rd
Under the leitmotif "WE SEE NEW WORLDS GROWING", the release marks a progression for the imprint to open up for solo releases from new artists and and long term collaboraters.
The compilation features 8 tracks handpicked by Rødhåd, each characterized by a vigorous commitment to the dancefloor while staying true to the label's signature - hard-to-resist sound with a pinch of mystery.
While every contribution has its distinct magnetic pull, marking the way to a nascent world, the crimson red thread running through this compilation is perpetuating, swirling techno with an acute fit for the dancefloor. As with previous releases Rødhåd crafted the artwork for the compilation, this time drenched in crimson hues echoing the energy of the music.

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Cosmic Disco Machine Volume 8

LP | 2024 | EU | Original (Cosmic Disco Machine)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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LP | 2024 | EU | Original (Soda Gong)

Memotone

Fever of the World

Youth Looks So Good On You

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Following releases on Sähkö Recordings and The Trilogy Tapes, "Fever of the World" is the Soda Gong debut by Memotone, the nom de plume of UK-based multi-instrumentalist Will Yates. As a collection, it is both intimate and expansive, like the feeling of gathering one's thoughts before setting off on a long journey or committing to an irrevocable course of action. Throughout, Yates' talents as both player and sound designer are on full display, as are the sonic signatures that have come to characterize the Memotone catalog: low-lit, ECM-inflected noir; evasive and evolving loop-based accretions; and mellifluous mosaics of keys, guitar, reeds, and percussion. It is patient and focused music, built around production techniques and compositional ideas that have been perfected both in studio and in live performance over a period of several years. "Catherine, On Fire" sets the scene, one of two languid, longform selections, and develops slowly from a spare, harmonic-laden guitar loop into a bed of rippling textural ambience and woozy clarinet filigree. Later, "The Bus" and "When the Bakery Has What You Want and It's Cheap" conjure images of rain-streaked windows, fanciful baked confections, and grey skies broken finally by sunlight. Warm, generous, and comfortable in its own skin, this is music that reminds us that when it feels easy to resign ourselves to world weariness, we should pause for a moment and listen to the rustle of the leaves. The wind knows not to linger.

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Naomie Klaus

LP | 2024 | EU | Original (Moli Del Tro)

LP | 2024 | EU | Original (Balmat)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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When forty, I was still wearing miniskirts, extravagant patterns, pink, ﬂuorescent colours, star shaped earrings. I walked around with my leopardskin hat, my fluffy bag, my ﬂoral outfit, until the gaze of others made me feel like it was not age appropriate anymore. Although I am still the same person I was at 16. It's the others I see changing." There's no better way to describe ageing than through the gap that arises and continues to grow between physical reality and the specular image of the self : one deteriorates over time, exposed to the cruel laws of gravity and oxydation, while the other never ages, remaining intact and unaltered… frozen in a moment of blissfulness. The more time goes by the more the gap becomes a separate entity (ou “world” pour etre plus prosaïque). It can become so painful that many try to escape it, using and abusing every trickery. “Youth looks so good on you” is a sonic ballad which bizarrely explores the world that lies between reality and self-fantasy, a world where the aesthetic cult of youth becomes sovereign to the people. This piece was produced in 2022 as part of the Festival « Les Heures Sauvages - Nef des Marges dans l'ombre des certitudes », at the Centre Wallonie-Bruxelles in Paris. After "A Story of a Global Disease" in 2022, "Youth looks so good on you" is the second piece of music by Naomie Klaus released on moli del tro records.

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Luke Sanger

Dew Point Harmonics

X Scroll Area Purple Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Balmat began our journey in 2021 with the release of Luke Sanger's Languid Gongue. Now, three years later, weturn an important corner as the Norfolk musician rejoins us with Dew Point Harmonics, the first repeatappearance on the label. Sanger's new album feels like a natural extension of his inaugural record for Balmat: It's a bewitching collection of esoteric synth sketches that slips unpredictably between consonant repetition, poignant melodies, and gnarled bursts of noise that catch in the ear like burrs in hiking socks. That natural metaphor is perhaps not accidental. Despite having been composed on Sanger's diverse array of hardware and self-written software, many of the tracks were first conceived while Sanger was hiking in a particularly wild and isolated section of the Norfolk coast. The field recording that opens the album, on "6am Beach Walk," was taken on one of his many early-morning walks there, in which he and his dog might go for miles without seeing another soul. The album's title was inspired by the overnight condensation covering the long marram grass in the dunes, glistening in the early light (and drenching everything coming in contact with it) before evaporating in the morning sun. Indeed, the concept of dew point--the temperature at which water vapor condenses into a liquid--feels like the perfect metaphor for Sanger's music, in which foggy ambience is distilled into glistening quicksilver orbs, transient spheres of perfection eventually absorbed back into the atmosphere. A shapeshifting collection of richly detailed and deeply expressive electronic miniatures, Dew Point Harmonics is both a testament to the mysteries of transformation and an invitation to get lost in the wilderness of your own imagination.

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AAAA

LP | 2024 | EU | Original (Umor-Rex)

LP | 2024 | JP | Original (Innocent)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Through X Scroll Era, Gabo Barranco, aka Aaaa, conducts a rigorous overhaul of the aesthetics and statements of low-profile IDM, trance, and progressive-acid music typical of the early 2000’s. In addition to this inherent and undeniable veneration for the era, the pieces on this album — which originated from recordings and experimental exercises with gear and accidentally became an album — serve also as a kind of retrospective inspection of Mexico City's suburbs (Lomas de Sotelo), with landscapes full of indiscriminate concrete, highways of two and three levels, factories, and parking lots that have supplanted nature with their own detached beauty. It is a sound memory, a specific melancholy that praises skate squads of the area, friends from the past, parties, and substances. It reviews the decline of rave culture but also its resilience and capacity for transformation. What Aaaa offers us with X Scroll Era is an almost multigenerational soundtrack, a memory that feels collective and recollects euphoria, ecstasy, and nostalgia.

After several LPs and EPs (Acid Test, Omnidisc, Janushoved) and several years active in the dance and contemplative electronic music circuit (mutek, Berghain, iii Points, Rbma), X Scroll Era is the first album by Gabo Barranco, aka Aaaa, published on the Mexican label Umor Rex.

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Ino Hidefumi

Inocology

7" | 2024 | JP | Original (Cassetron)

Release: 2024 / JP – Original

Genre: Electronic & Dance

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The minimalist sound with an organic texture, combining various electronic sounds and effects such as Fender Rhodes, Moog, EMS, and Yamaha Tenori-on, is very experimental, yet somehow humorous, creating a mysterious soundscape like a soundtrack of the times.

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Oriental Magnetic Yellow

Ryzeen

2LP | 2024 | EU | Original (On Rotation)

Release: 2024 / JP – Original

Genre: Electronic & Dance, Pop

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To celebrate the band's restart, "RYZEEN," one of the most popular of all their songs, is now available for the first time as a 7-inch donut vinyl record! In addition to the original version, a special recording of the version used as BGM for "Super Locomotive" on the reissued game console "Mega Drive Mini 2" released by Sega Corporation in 2022 will be included on the B-side!

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Lisene

Science Friction

LP | 2024 | UK | Original (Principe)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Following a string of releases on a who’s who of top labels such as Planet Euphorique, Salt Mines, Haws and Craigie Knowes, prog-trance pioneer Lisene drops a full-length LP on his On Rotation imprint. With 8 hyper-detailed tracks ranging from club-focused techno, progressive and electro to slo-mo downtempo, Lisene brings his A-game to an album sure to cement his place as one of the most exciting producers and DJs in the UK’s underground music scene.

Created over several years with a perfectionist’s attention to detail, “Science Friction” flits between moods and sonic environments with ease while retaining the cohesion of Lisene’s inimitable production style. Despite being an album, this is still very much a record for the DJs, featuring heads-down club tracks and bass-heavy electro crafted with precision and a cinematic sense of scale. For the home listeners, expansive slo-mo soundscapes and cerebral synth odysseys float high above the clouds, with widescreen details revealing themselves ever further with each re-play.

“This album has been 15 years in the making and represents a culmination of everything I’ve worked towards in defining my own sound and style without letting myself be pigeonholed. I’m immensely proud of each track - it really reflects where I was at musically while making this, while giving a glimpse into my future sound. This is a record that deserves to be played on the finest sound systems and hi-fis, and I couldn’t be more happy with how it’s turned out. Dive in and enjoy!”

Combining influences from across the spectrum of dance music with a cinematic sense of psychedelia and his own inimitable production skills, “Science Friction” is sure to see a lot of airtime across the festivals, after-parties and living rooms of the world this summer and beyond.

On Rotation is a Leeds based label, event & mix series run by Chris I’Anson, Lisene & Adam Pits. Artwork illustrated and designed by Patch D Keyes.

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Nuno Beats

Sai Do Coração

Sun People Yellow Vinyl Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Usually spotted peering into dancefloor futures with his Rinchoa crewmates DJ Nulo, DJ Lima, Farucox, MC Pimenta and DJ Narciso, Nuno Beats tailors his own identity on ‘Sai Do Coração’, decelerating the tempo and ramping up the flirtation. His productions already stood out on RS Produções’ brilliant 2LP ‘Sa ú de Em 1º Lugar’, and the Portuguese DJ/producer has developed his signature in the meantime, re-sculpting the bruised batida shakes of tracks like ‘PrinCIPES’ and ‘Tribal’ into muted, voluptuous quivers. Tarraxo rhythms are always sexy, but Nuno Beats plunges deep into the thing, draping his hard-swung woodblock hits with silky amapiano basslines, reverberating vox and stargazing Detroit pads. It’s a bold fusion that shimmies to the far left of the dancefloor, but like we saw with DJ N-Fox’s AOTY-level ‘Chá Preto’, the risk fully pays off. Firstly, ‘Sai Do Coração’ runs like a proper album. Sickly piano phrases wheeze thru euphoric stabs and rubbery fretless bass knocks on ‘7 Apaixonados’, while on the title track, Nuno pipes hushed guitar riffs into Roger Troutman’s talkbox, suspending g-funk synths in icy, granulated minor-key wails. It’s those subtle soft rock and street soul elements that makes the producer’s rhythms pop so effortlessly, before the latent psychedelia of ‘Confusão No Ghetto’ unravels a haunted tangle of half-heard melodies and complex syncopations that sound as if they’re falling on top of each other. Nuno’s control of rhythm is mind-boggling, but it’s on vivid display here, drifting luxuriously off grid before the clattery drums are met with stringy twangs and rolling log hits. Similarly, he tucks the tempo into a tight corner on stand-out winder ‘N-Dengue’, upsetting a 4/4 chug with rattling knocks and a blunted sawtooth bass that’s had all its aggy power swapped out for sweaty carnal impulsiveness. Turn the lights down low and give it some quality time - it’s just too good

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Nickodemus

LP | 2024 | US | Original (Wonderwheel)

Release: 2024 / US – Original

Genre: Electronic & Dance

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LP | 2024 | EU | Original (Lapsus)

Seph

Septimo Sentido

LP | 2024 | UK | Original (Central Processing Unit)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Wonderful and intriguing quality Ambient experiments from Argentina on the Lapsus label! There are albums that tap into the very heartbeats of rhythm, melody and intricate sound design, pulsating with every musical note. This is the case of "Septimo Sentido", the new album by Buenos Aires-based producer Seph. Sebastian Galante aka Seph is no stranger to these realms; with almost two decades of experience under his belt, he has established himself as one of the leading talents in the Argentina techno scene and as one of the most intriguing minds in alternative Latin American electronic music. His productions have found a home in cutting edge labels such as Insurgentes -a platform led by the DJ and producer from Medellin (Colombia) Verraco, and sister label of TraTraTrax, which has reduced gaps between the Latin electronic scene and the rest of the globe- or his own label Aula Magna Records. He has also fostered collaborations, among which stands out his project Oscean alongside Andres Zacco, a project that was recently released on the legendary Berlin label Tresor. In his new album "Septimo Sentido", Seph exhibits superlative production skills and masterfully showcases the widest palette of the braindance sound, that intersection where countless genres and sub-styles can coexist. Here we hear echoes from the mid-90s that revive undeniable references of early IDM; but with a renewed form, under a fiercely contemporary new skin. At the core of this intriguing album, we find an artist whose devotion to experimentation takes his rhythmic and melodic obsessions through vibrant magical-techno-urban landscapes, where radiant colors and mutating forms collide in a bold and imaginative sonic journey. "Septimo Sentido" hails from the prism of perception, beyond the five senses and a step further than instinct, hunting for mysterious resonances with the cosmos; like a space portal inviting us to float a handspan above the ground. Colored Vinyl LP.

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Falty DL

In The Wake Of Wolves

12" | 2024 | US | Original (Unirhythm)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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If you can judge an artist's quality by the company they keep, then FaltyDL is up there with the best of them. The label history of the producer known to his friends as Drew Lustman reads like a "who's who" of 21st century electronic music imprints - Ninja Tune, Unknown to the Unknown, Planet Mu, Studio Barnhus, the list goes on.
WithIn the Wake of Wolves, we can now add Central Processing Unit to this illustrious roster. The Sheffield label joins the party at a notable juncture - while FaltyDL has kept up an impressive clip of releases throughout his career,In the Wake of Wolvesis both the NYC-based producer's first LP for two years and his first full-length release away from his own Blueberry Records for almost a decade.
In the Wake of Wolvesproves to be both a great match for CPU and also further evidence of the label's burgeoning sonic palette. While CPU has built its reputation on top quality electro joints, recent releases have delivered adventurous electronica experiments (Proswell'sPeople Are Giving And Receiving Thanks At Incredible Speeds), hard-wired breakbeat techno (Baby T'sI Against I) and golden-age synth explorations (twenty-fifth anniversary reissues of Bochum Welt'sDesktop RoboticsandFeelings on a Screen, both of which first emerged via the legendary Rephlex Records).In the Wake of Wolvestakes things further still - this is a brilliantly genre-voracious record, one which marries the rhythmic cut-and-thrust that we have long known FaltyDL for with all manner of adventurous stylistic choices.
Those familiar with the FaltyDL experience will recognise the trademark blend of synthetic grit and harmonious softness in album opener 'I Need You'. This could pass for Four Tet or even Hannah Diamond at points, the steady build of pulsing synths and looped vocals recalling a more mysterious version of the PC Music sound. 'I Need You' stands shoulder-to-shoulder with any of FaltyDL's other great atmospheric album openers - no small feat given the competition. 'Further', the following number, is yin to 'I Need You's yang. This is a pulsating track which gleefully skitters between machine-funk, tubing darkside bass and breakcore-adjacent drum programming, all of which is peppered with some genuinely beautiful work in the higher synths.
'Further' sets the scene for several of the more club-facing cuts here. 'Minds Protection' similarly features all manner of strange percussive sounds to surprise the ear, and it also boasts a thrilling mid-section in which the bottom falls out the track to incorporate a short snippet of blown-out junglism. With its tunnelling low-end and clattering drums, 'Full Spectrum' kicks off a delightful run of grime-influenced joints which take cues from Mr. Mitch, Logos and many of those other producers who took the Eski sound to exciting new places in the 2010s. 'Forget Me Not', the album's longest track which is placed three spots from the end, feels like the record's climactic point - a pitter-patter post-house joint that has a hint of Caribou in its DNA, it'll take the clubs by storm.
But as much as FaltyDL may consistently bring the heat in terms of the beat programming, the thing which has long marked Lustman out as a special talent is the musicality of his compositions. No matter how much drums clatter or bass bangs, FaltyDL always hooks the ear back in with a sonorous synth or pleasing nugget of melody. Nowhere is this more apparent than onIn the Wake of Wolves' more weightless numbers, each startling in their prettiness. 'Half Spectrum' is a new-era beat track packed full of ear candy; the keening keys of 'GasGas' are potent with feeling; and on the album's closer, the evocatively-titled 'Mila Stans In A Meadow For The First Time Eating Strawberries', we get a gorgeous synth vignette that joins the dots between the modern mastery of Yung Sherman and the most emotionally affecting moments of Aphex's Twin's catalogue.
At once wistful and hopeful, archival and futuristic, FaltyDL's brilliantly unpredictableIn the Wake of Wolvesis a feather in the cap for both this seasoned producer and the Central Processing Unit label.
Riyl: AFX, Bochum Welt, Mark Fell, Mrs Jynx, Boards of Canada

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Marcellus Pittman

Pick Yourself Up

LP | 2024 | Original (Circus Company)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Underground house heads will very much be familiar with this tune. It has been circulating as a white label owned only by the coolest and most connected cats and now Detroit badman Marcellus Pittman does the right thing and gives it an official pressing on his own Unirhythm label. A-side jam 'Pick Yourself Up' (feat Crystal Procedures) is dusty, loopy, trippy house with swirling vocals adding to the late night feel, then 'Ode 2 Juan' slows things down to smoky basement house vibes with melancholic pads bringing hints of light to the muggy atmosphere.

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Ezechiel Pailhes

Ventas Rumba

Inspirex Black Vinyl Edition

Release: 2024 / Original

Genre: Electronic & Dance

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With his new instrumental album Ventas Rumba, the French composer (and singer) returns to his signature instrument, the piano, blending it with warm synth tones. This album represents a "return to his roots ", allowing Ezéchiel Pailhès to reinvent himself in a seamless way while still exploring ballads and ritornellos, halfway between light-heartedness and melancholy. Ezéchiel Pailhès has been meaning to write a solo piano album for as long as he can remember. Hardly surprising, of course, for this academically-trained pianist, brought up on classical music and then studied jazz. Yet, since his 2001 debut with the electro-pop duo Nôze, and his subsequent four albums, the artist had constantly postponed this project that was so close to his heart. Then in 2022, just as he was getting ready to start producing an album of new songs, this long-standing aim finally materialized.
The melodies he wrote seemed to stand on their own naturally, spurring him on to compose this series of fourteen tracks, recorded in sessions split between France and Latvia.
A new piano: the Una Corda
Ezéchiel wanted this project dedicated to the piano to begin a new narrative, to explore new instrumental terrain and new tones, something far removed from the familiar piano he has been playing all his life. He opted for the Una Corda piano, designed by David Klavins, a groundbreaking instrument builder renowned for his distinctive pianos with vertical shapes and frames.

The Una Corda, created in 2014, is an upright piano with a single string per note (unlike three strings on traditional pianos). Enticed by the "crystalline and unique" tones of this instrument, which is hard to find in France, Ezéchiel travelled to Kuldiga, Latvia (where David Klavins set up his workshops and studios), to record the first part of the album. Although the title of the album may initially conjure up images of a distant, sensual dance, the reality is quite different. Ventas Rumba indeed refers to the waterfall and rapids (in Latvian: rumba) of the river Ventas, which runs near this small village in the western part of the country. Ezéchiel chose to blur the lines, as the sound and musicality of the title likely evoke both his short stay in the Baltic country, and also a form of distant exotic imagery perfectly in tune with his own mischievous wit. Tracks as short stories

Back in France, Ezéchiel enhanced the first tracks recorded in Kuldiga with subtle synth tone layers, and added other tracks composed and recorded at his Montreuil studio. The album reflects a deliberate and sensitive orchestration of piano, synth keyboards and digital effects, as he puts it: "playing to erase the differences between the tones of the various instruments", as if each instrument's texture echoed the others. According to Ezéchiel, you can listen to Ventas Rumba as you would leaf through "a collection of short stories", through compositions that rarely exceed three minutes and evoke figures of movement, lightness, curves or modulation, such as "La ligne", "La valse des singes" or "Fly Finger". Others more seriously relate to a kind of spirituality, which quietly infuses such different tracks as "Ferveur", "Éclair" and "Louanges". Ezéchiel adds: “I’m by no means religious, but I like what God has managed to get musicians to achieve (laughs)". "Louanges", for instance, despite its electronic edge, "refers to Olivier Messiaen, a very devout composer who I greatly admire". Other tracks are directly inspired by the classical music he listens to on a daily basis. For example, Chopin's “8th Nocturne” formed the backdrop of “Pianovado”. Likewise, the harmonic structure of Beethoven's “Waldstein Sonata No. 21” inspired “Opus 53”. Aside from these multiple references and inspirations, which quickly recede behind a style that is uniquely his, Ezéchiel Pailhès keeps exploring ideas already found on his first solo albums, this time in an instrumental format, undoubtedly purer, fostering an imaginary world that evokes the shapes and themes of ballads, ritornellos, light-heartedness, passing time, reverie or a universal subdued melancholy.

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Why The Eye

LP | 2024 | EU | Original (Exag)

2LP | 2024 | EU | Original (Shaw Cuts)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Why the Eye is an experimental masked quartet from Brussels that propels bodies into trance during its live performances. All instruments are DIY and played in real time, without loops or sequencers. Fans of The Residents, Société Étrange, Autechre, Boards Of Canada, The Meridian Brothers and Fulu Miziki could easily relate to their sound. Describing their music as "Prehistoric Techno", Why The Eye are set to release their new album ‘Inspirex’ on the 4th October via Exag Records.Opening with the fidgety Jnsp, the vindictive summons La Machine is a brash, abstract experience with a deep yearning to set us free from everyday political confinement while the raw Où cours-je explodes into a wild rage of disorder and mayhem. At the heart of each track are the DIY instruments band member DjP (Jean Paul Domb) has assembled over the years, some of them directly inspired by the African sanzas. With names such as ‘radiocaphone’ and ‘castabignettes’, the instruments are cleverly connected to different effects pedals and are the heartbeat of Why The Eye. Elsewhere, the album title track reveals a snappy rhythmic quality with skittish sounds while Prairies and Animal are tribal-like in delivery with a deep-lying punk ethos.

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Farron

Feal

LP | 2024 | EU | Original (Major Label)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Sometimes, we have the tendency to run away from distress because we do not want to deal with the feeling of pain, but the first step in spiritual healing is overcoming the fears and recognizing the pain. The sooner you address the cause of your difficulty, the sooner you’ll get freedom from the pain. Be aware of your situation. Once you have faced the source of anxiety, you need to acknowledge the pain. Feel your emotions and question what their sources are. Be honest about your feelings. In this stage, it is normal to feel like situations are beyond your control, which can transfer the feeling of hopelessness. However, by allowing yourself to feel rage, it becomes easier for your wounds to heal. Honor your feelings. Honoring your pain will teach you self-forgiveness. You should be able to feel the kindness within you and experience all the love you have for yourself. You will feel a conflict between the instinct to heal on your own, and the desire to accept the situation and seek support to get healed. You prove that you have an unwavering determination to get healed by choosing the latter. When you want spiritual healing, you have to place your faith in the universe, too. Surrendering the pain means releasing the pain and seeking support from the universe. It will help you ease your sufferings. The negative ego vanishes from within you and makes your heart feel lighter once you release your pain. This is a sign of spiritual wellness. You will start to feel a deep openness towards things and think with a peaceful mind. You will become whole again and you will develop the ability to deal with the disruptions of your life with tolerance. The inner peace will be restored. Feal.

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Unicorn Partisans

Release: 2024 / EU – Original

Genre: Electronic & Dance

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LP | 2024 | EU | Original (Vaknar)

Daniel Majer

Time For No Memory

Jamie Reid / Simon Emmerson / Youth

Release: 2024 / EU – Original

Genre: Electronic & Dance

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In an age where the unyielding flow of time often overshadows the deeper resonances of our existence, Daniel Majer’s latest album, »Time for No Memory«, serves as an evocative meditation on the ephemeral nature of experience. Produced throughout 2023 and released in the latter half of 2024, this collection of tracks swerve through what seems like a cacophony of FM radio frequencies while oscillating between the familiar and the uncanny, leaving us with a sonic landscape that feels both timeless and retroactive yet palpably present. In 2019, Daniel Majer released a collaborative album with Jonathan Scherk on Jan Jelinek's Faitiche label.

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Ancestors Yellow Vinyl Edition

LP | 2024 | Original (Creation Youth)

Release: 2024 / Original

Genre: Electronic & Dance

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LP | 2024 | EU | Original (Mappa Editions)

Päfgens

Aspect Of What

LP | 2024 | US | Original (D&E)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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The learning process is just as much an act of healing as betterment. The enabling of solutions through sheer willpower and openness to discovery, or a noble mission, never completed. In that spirit, the latest album by Berlin-based Slovak duo Päfgens – comprising Jana Drábeková Kočišová and Filip Drábek – represents a pensive development for the project.

Drifting from their lo-fi shoegaze beginnings, Päfgens drone-infused soundscapes have become increasingly immersive and expressive “framed improvisations,” where spontaneous passages are captured, then revisited with fresh layers upon layers over the course of months, breathing and evolving naturally, mirroring the unpredictability of nature. Songforms have all but melted away, with ethereal guitars and bass nestling up against field-recorded sounds, synth beds, percussion, and singing bowl tones.

The framed improvisation on ‘Aspect of What’ explores love and loss, relishing both the joy and melancholy of paying tribute to Filip’s late ethnologist grandmother, Božena Filová (1926-2020). Her voice opens track 2, ‘Particles’, speaking of the humble desire to “help the people in the rural environment”, and the goal of “uplifting people to better living through education”. The album’s emotionally charged approach to improvisation is suitably uplifting and seemingly made without ego, the couple melting away into the flitting wall of rustling drones and heavenly fuzz. Even at their most serrated (the groaning guitar amp squall underpinning ‘Journey’) or when surrounded by chiming bells, clocks and bowls (‘Around the Clock’), Päfgens is ready to listen, rest, learn, and improve, extracting and nurturing hidden abstract emotion in every piece, plundering something universal and teachable from very personal depths.

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Dave Maze

Words Of Knowledge

12" | 2024 | EU | Original (Caf?)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Created by the dynamic duo of Dave Maze and Grammy-nominated Spike Rebel, this album is a one-of-a-kind fusion of funk, disco, afro, and soul, all wrapped in the mesmerizing art of spoken word. â€œWORDS OF KNOWLEDGEâ€ is a spoken word tribute album to the talented Jerwayne Balentine, also known as J-epic. Jerwayne, who authored the book "words OF KNOWLEDGE," was a remarkable poet, author, producer, and illustrator. Tragically, he passed away in 2020 at the age of 23 due to Muscular dystrophy. All proceeds from the sales of this album will be directed towards funding music programming for young adults with developmental impairments and supporting Muscular dystrophy research.

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Ok Matthew

Control Voltage EP

LP | 2024 | US | Original (Students Of Decay)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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This concept album, recorded between 2020 and 2023, compiles electronic experiments based on analog synthesizers and hardware sequencers. The focus was made on generative patterns and oscillators wave shaping, resulting in long and repetitive pieces, each being the result of a constrain intrinsic to vintage hardware.

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John Davis

Landlines