Electronic & Dance Vinyl 1277 Items

Oh Nandu, What We've Done! Black Vinyl Edition

Release: 1989 / EU – Reissue

Genre: Electronic & Dance

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A much needed release essential to any respectable New Beat record collection. The second and last single for the Zsa Zsa Laboum project, originally released in 1989, shortly after the prolific impact of "Something Scary", although a different formula, "Tu Veux Ou Tu Veux Pas?" is deep in tune with the Belgian Acid aesthetic, but with a more industrial edge to it. Simplistic but effective use of vocals, streamlined to the basics of maximum club efficiency, dark and not trying to make friends - De Smet is here to sell records, and with much success at the time with his honed production experience from years in the studio. Own a very relevant piece of club history from a special time in rave culture. Topped off with a new remix by Anatolian Weapons. Original artwork, new remastered sound by Manmade Mastering in Berlin

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Zenamon

12" | 1984 | EU | Reissue (Private)

LP | 1983 | EU | Original (Ondes)

Release: 1984 / EU – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Blue vinyl.

Cult vintage electronic/balearic 12“ Maxi Single by Jaime M. Zenamon from 1984. Featurng „Udo Hanten“ from the cult Krautrock band „YOU“. Dubbed from the original analog tapes (thanks to Udo Hanten!) 24 bit remastered audiophile pressing!

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Zanov

In Course Of Time

20,99 €*

LP | 1986 | JP | Reissue (Universal Music Japan)

Release: 1983 / EU – Original

Genre: Electronic & Dance

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Under the alias of Zanov we find the works of French electronic pioneer Pierre Salkazanov, who had started playing guitar in the 1960s in a Shadows styled band, Les Ambassadors. Instrumental rock was not enough for Salkazanov, he was always looking for evolution, so when a meeting with French synth player Serge Ramses (of "Secret" fame) got him into the world of synthesizers he just dived deep into the bourgeoning world of electronic music. He got himself a VCS3 and started producing works into a 4-track Teac tape machine. French music was at its best, it was the time of Jean Michel Jarre, Didier Bocquet, Richard Pinhas and Heldon, Alain Meunier... Even Gong's Tim Blake was living in France at that time. And so Zanov soon caught the attention of Polydor, who released his first two LPs Green Ray in 1976 and Moebius 256 301 in 1977. In Course Of Time, his third LP was originally issued in Canada in 1982 and in France in 1983, although it contains works that he had began working in 1979. The material was originally shelved due to legal matters, although he continued to add some changes even after that. The Canadian edition came out in Les Disques Solaris, a recently created label that wanted to specialise in "cosmic" music. Zanov used the same equipment he had used on Moebius 256 301, albeit this time he gave more use to the RMI Harmonic Synthesizer.

Zanov's three albums met with unanimous critical acclaim for the sound quality as well as for the originality of this very personal universe.

Zanov's third LP was released in 1982 in Canada on Les disques Solaris and in 1983 in France on Ondes.

This is not a reissue, it is the original 1983 French edition on Ondes. Please note that these are mint unplayed vinyl copies, but they have been laying around in warehouses for long time so sleeves show the pass of time (some yellowing mainly, not bigger problems).

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Yukako Hayase

So Utsu

51,99 €*

LP | 1983 | EU | Reissue (Bureau B)

Release: 1986 / JP – Reissue

Genre: Electronic & Dance

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Preorder shipping from 2024-08-02

Yukako Hayase released her debut album on Sixty Records in 1986. Yasushi Akimoto handled the lyrics and production for all but one of her songs. With her laid-back voice, worldly-wise attitude, and European-inspired sound, this album has gained renewed appreciation in recent years for its ahead-of-its-time vibe.

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You

Time Code

27,99 €*

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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LP | 1983 | DE | Original (Rock City)

You

Time Code

29,99 €*

Release: 1983 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

12" | 1989 | BE | Original (ARS)

Yes We're Tall

Release: 1989 / BE – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1983 | EU | Reissue (Music On Vinyl)

Yellow Magic Orchestra

Service

20,99 €*

Naughty Boys (Instrumental)

Release: 1983 / EU – Reissue

Genre: Electronic & Dance, Pop, Comics

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Used Vinyl

Medium: VG+, Cover: Near Mint

Clear vinyl is close to NM. PVC sleeve. with booklet. Limited edition numbered. 2016 reissue.

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Yellow Magic Orchestra

LP | 1984 | DE | Original (Pick Up)

LP | 1981 | EU | Reissue (Music On Vinyl)

Release: 1984 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Small price tag on cover. Vinyl with a couple of light scuffs

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Yellow Magic Orchestra

BGM

60,99 €*

Release: 1981 / EU – Reissue

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

2016 reissue on clear vinyl. with booklet. PVC sleeve. tiny wear. Numbered Limited edition.

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Release: 1981 / US

Genre: Electronic & Dance

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12" | 1989 | UK | Original (Fanfare)

Yell!

Instant Replay

LP | 1986 | EU | Reissue (Studio Mule)

Release: 1989 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Record is close to NM.
Small sticker on cover.

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Yas-Kaz

Virgo Indigo

22,99 €*

LP | 1987 | EU | Reissue (P-Vine)

Release: 1986 / EU – Reissue

Genre: Electronic & Dance

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Studio mule is back with another amazement, opening the roster towards sophisticated spiritual sounds on the crossroads of electrified jazz, oriental fourth-world spheres and deeply composed experimental sounds. this time the label welcomes japanese artist ya-sukazu sato aka yas-kaz, a university-trained percussionist, that gained global success as a composer for the internationally known butoh dance troupe sankai juku, that tours around the world since 1975. his infrequent musical amalgamation of ancient eastern genres, airy soundscapes, and ritualistic dance percussions perfectly accompanied the modern dance movements of an avantgarde dance group that is known for slow, mesmerizing dance passages, whose repetitive body movements sometimes focusing only on the feet or fingers. besides his theatre work, yas-kaz composed scores for japanese movies, performed live along stars like us-american jazz saxophonist wayne shorter or legendary japanese new-age musical group himekami and recorded a number of collabo-rative and solo albums.

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Yapoos

Yapoos Keikaku

31,99 €*

Release: 1987 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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LP | 1983 | EU | Reissue (Les Giants)

Y Create

The Blue Tape

LP | 1986 | EU | Original (Virgin)

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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In the early 1980’s Hessel Veldman and Herman te Loo assembled at Hessel’s apartment, which served both as a living room and as a home studio, every Thursday night. After the necessary social exchange over coffee, the guys started improvising, sometimes with a small preconceived musical cell or idea to work from. With a skeleton crew of just two (give or take the occasional overdub) the music that came out was usually simple in its form, sometimes stark, but always adventurous in its scope. And most of all: they approached the music with a sense of wonderment. Hessel had a great preference for repetitive patterns, executed on guitar, bass guitar or the synths of the era: a Korg MS 20 and a Roland Juno. Herman provided melodic lines with his soprano sax and occasional vocals and lyrics. A Drumatix drum machine provided the rhythms. Given these premises the duo sometimes sounded like Tuxedomoon or Wire, bands they both admired. But they never had the intention to imitate or copy anyone. Hence the occasional outing on a corny sounding ancient electronic organ (Philicorda) with pre-programmed analog rhythm box (eko). It provided the necessary humour in the sometimes gloomy 80’s period sound. They recorded everything, and Hessel would work on the result during the week that followed. The twosome would then discuss the mix prior to a new Thursday session. After a while there was enough material to compile a tape for Hessel’s independent Exart cassette label. It became one the volumes of a trilogy, entitled Y Create, the Y referring to Ymuiden, Herman and Hessel’s home town. In contrast to the other volumes of the series, the grey and green tape, the blue cassette (which is the one remixed and reissued on vinyl here) contained relatively short pieces – songs almost. The rest of the series delved more into long, hypnotic soundscapes, which later became an important ingredient for the music of Gorgonzola Legs, the band which Hessel and Herman started in 1984 with drummer/electronics wizard Gert Jan Prins and guitarist Jos van Duijne.

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Working Week

Compañeros

7" | 1979 | DE | Original (Ariola)

Release: 1986 / EU – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Original inner sleeve. Small saw cut.

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Wonder

I Man

12,99 €*

Celebrate The World (The People Unite Remix)

Release: 1979 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Small sticker on cover.

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Womack & Womack

12" | 1989 | ES | Original (4th & Broadway)

Release: 1989 / ES – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Celebrate The World (The People Unite Remix)

Womack & Womack

12" | 1989 | EU | Original (Island)

Release: 1989 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Price tag. close to NM

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Nothing Here Now But The Recordings Clear Vinyl Edition

LP | 1981 | US | Reissue (Dais)

Release: 1981 / US – Reissue

Genre: Electronic & Dance

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In 1980, Genesis P-Orridgeand Peter "Sleazy" Christopherson of(then-)Throbbing Gristle travelled to New York City to meet up at thefortified apartment, known as The Bunker, of famed beat writer andcultural pioneerWilliam S. Burroughsand his executor JamesGrauerholz. Genesisand Sleazy started the daunting task of compilingthe experimental sound works of Burroughs, which, up until that point,had never been widely heard.During those visits, Burroughs would play back his tape recorderexperiments featuring his spoken word "cut-ups", collaged fieldrecordings from his travels and his flirtations with EVP recordingtechniques, pioneered by Latvian intellectual Konstantins Raudive. Overthe following year, P-Orridge, Christopherson and Grauerholz spentcountless hours compilingvarious edits, each collection showcasingBurroughs sensitive ear and experimental prowess for audio anomalywithin technical limitations. In early 1981, Burroughs had relocated toLawrence, KS to escape the violence and manias of New York City life.There, P-Orridge and Christopherson put the finishing touches on therecord that would be known asNothing Here Now but the Recordings.Released in Spring 1981, the album would end up as the final release onIndustrial Records, brought about by the dissolution of Throbbing Gristle.It was quietly out of print until 1998, when John Giorno and the GiornoPoetry Systems included the album on a retrospective CD box set, whichcompiled the majority of Burroughs's seminal recordings. In 2015, DaisRecords worked closely with the Estate of William S. Burroughs to finallyre-release, for the first time in 36 years, a proper vinyl reissue of WilliamS. BurroughsNothing Here Now but the Recordingsto celebrate thecentennial anniversary of William S. Burroughs. For the2023 edition, Daishas remastered the audio with renowned engineer Josh Bonati, andrestored the original artwork with a new dedication to Genesis Breyer P-Orridge and Peter Christopherson.

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Nothing Here Now But The Recordings Black Vinyl Edition

LP | 1981 | US | Reissue (Dais)

Release: 1981 / US – Reissue

Genre: Electronic & Dance

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Break Through In Grey Room Clear Vinyl Edition

LP | 1986 | US | Reissue (Dais)

Release: 1986 / US – Reissue

Genre: Electronic & Dance

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Inspired by the original Industrial Records release of William S. Burroughs's Nothing Here Now but the Recordings Belgian record label Sub Rosa worked with Burroughs to release another album: Break Through In Grey Room. Originally compiled in 1986 by producer Bill Rich, the album features Burroughs's experimental recordings from 1961 to 1976, featuring field recordings by Burroughs of the Master Musicians of Jajouka, experimental collaborations with mathematician Ian Sommerville and painter/cut-up originator Brion Gysin. Break Through In Grey Room documents William S. Burroughs during his time in Europe and England, working with Ian Sommerville on recording with the 'cut -up' technique. Sommerville's technical background enabled him to contribute to the early development of sound - and - light shows in London, leading to work with gear provided by Paul McCartney in an apartment owned by Ringo Starr. Experimental in nature, the record is as much an exhibition of studio and composition technique as it is a document of underground culture at that time. For the 2023 reissue, Dais Records has collaborated with the Estate of William S. Burroughs on reissuing the album on vinyl and compact disc, fully remastered by mastering engineer Josh Bonati.

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Break Through In Grey Room Black Vinyl Edition

LP | 1986 | US | Reissue (Dais)

Be Thankful For What You Got

Release: 1986 / US – Reissue

Genre: Electronic & Dance

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William DeVaughn

12" | 1974 | UK | Reissue (Demon)

29,99 €*

Release: 1974 / UK – Reissue

Genre: Electronic & Dance

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LP | 1987 | EU | Reissue (Music On Vinyl)

Whodini

Open Sesame

30,99 €*

Release: 1987 / EU – Reissue

Genre: Electronic & Dance

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LP | 1983 | JP | Original (Epic)

Wham!

Fantastic

14,99 €*

12" | 1987 | DE | Original (Virgin)

Release: 1983 / JP – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

no Obi. Cover has slight ring wear.

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Well Red

Honey

We've Got A Fuzzbox And We're Gonna Use It

Release: 1987 / DE – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

seam splits. Price tag.

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LP | 1986 | US | Original (Geffen)

10,19 €* 11,99 € -15%

We've Got A Fuzzbox And We're Gonna Use It

Release: 1986 / US – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Copy close to VG+. Cover with saw cut

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Walking On Thin Ice

12" | 1989 | UK | Original (WEA)

2,99 €* 3,99 € -25%

Release: 1989 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1987 | EU | Original (RCA)

Wax

Bridge To Your Heart

12" | 1979 | DE | Original (Polydor)

Release: 1987 / EU – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Excellent condition !

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Wardell Piper

Captain Boogie

Release: 1979 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1986 | EU | Reissue (La Casa Tropical)

Vumani

Isiqedakoma

LP | 1986 | EU | Reissue (La Casa Tropical)

Release: 1986 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Not much is known about the mysterious pop sensation Vumani or his short musical career. Originally from KwaZulu Natal he made his way to Johannesburg in the mid 80’s to follow his dream of becoming a recording artist. He was able to make that dream come true when talent scouts from Decibel Music came across the charismatic youngster. At the time Decibel was still a small fish trying to make waves and the label believed in Vumani they had found the star they were looking for. Being a label with mostly groups signed to the catalog they needed a Front Man to push into the growing demand for Solo Artists that were dominating the airwaves and catching the hearts of youngsters.

Up to this point Decibel had one major hit record. In 1986 they released a single by an artist named David Thanzwane. The music was a direct rip off of the first hit Single by Shangaan Disco pioneer Paul Ndlovu. Copying the music of both sides of the original single the “covers” offered different lyrics and hooks also sung in xiTsonga. This was enough to trick the masses and the single led to record sales for the small label. The unintentional outcome of the single was that from then on the producers and label had one sound they wanted to pump out in hopes of recreating that magic. This desire to create another Shangaan Disco hit would be the backbone of the Vumani sound and what makes his music so special and collectable after all these years.

That same year Vumani would release two Singles, Black Mampatile and Guy Fawkes. Musically these playful and fun singles would have great appeal to youngsters as they sung of daily life in the Townships. Black Mampatile being a game of Hide and Seek, Banana Kari referring to the trucks that would go around the Township exchanging chips and snacks for glass bottles and of course every child’s favourite reason the dress up on November 5th, Guy Fawkes Day. Both singles were received well and a few more tracks were later recorded to create the full album Isiqedakoma. Although he would sing in Zulu the music was unmistakable for Shangaan Disco. The synth heavy bass lines and happy melodies along with relatable fun lyrics were a perfect blend for an album that would make people dance if they were out at a Tavern or Shabeen on a weekend or just enjoying at home with family and friends.

Vumani quickly became the Label’s top priority with managers making sure he always had the freshest clothing styles to go along with his persona, and he never missed any performances or opportunities to impress a crowd. His popularity grew in the Township’s but with that came the unfortunate and all too common problems with fame. He started getting mixed with wrong crowds. He would record another album for Miracle Music, the Decibel sub label that had emerged to focus on the more underground sounds of the post synth pop era. Musically things were going well for Vumani but it would be his life off the stage that would catch up with him. Always known for his commitment to his music and fans one day he uncharacteristically failed to show up and was never heard from again. His body would later be found in a burnt car on the outskirts of Soweto. What led to his tragic death was never known but with the company he kept it is not hard to imagine what one of the many situations that led to that horrific ending could be. His funeral was attended by the entire Township it seemed as people packed the service and flowed out onto the streets, a testament to his popularity and the love the people had for one of their own.

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Vumani

Isiqedakoma

Release: 1986 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

LP | 1978 | US | Original (Marlin)

Voyage

9,99 €*

Release: 1978 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1978 | US | Original (Marlin)

Voyage

7,99 €*

LP | 1989 | EU | Reissue (Emotional Rescue)

Release: 1978 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Original US pressing. Vinyl with scuffs and hairlines.

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Vox Populi!

Aither 2022 Repress

23,99 €*

12" | 1988 | UK | Original (S And M)

Release: 1989 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Emotional Rescue celebrates a decade of reissues by again pulling deep from the well with the first of several French avant albums over the coming year. The self-styled "Ethno-Industrial" Vox Populi! present their 1989 Aither album, remastered and repackaged with love nearly 30 years later. Initiated by artist Axel Kyrou in 1982, Vox Populi! was soon joined by long term collaborator Pacific 231 on a series of coldwave/industrial cassette only recordings. Things changed considerably, however, with the meeting of the siblings, Mitra and Arach in 1984. The consequential use of "traditional" instruments and, especially, his wife Mitra's Persian folklore vocals gave a specific tonality, incorporating the band's expanding passion for oriental sounds, electronics and psychedelic music. Involving numerous musicians and friends in often-spontaneous studio sessions, the melting pot of varied cultural backgrounds added ethnic, electronic, concrete music, funk, dub and experimental flavours. This feeling of the subjective absence of the artist was achieved via a communal way for making music, but still with an aim to entertain while leading the listener to experience something unique - mind elevating, non-egotistical, ethereal music - all pushing the intellect towards a more artistic transparency. Welcome to Aither.

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Von Bopp

Shake! Yeah! Uh Huh!

Release: 1988 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Diva (Bande Originale Du Film)

Vladimir Cosma

LP | 1981 | EU | Original (Milan)

Release: 1981 / EU – Original

Genre: Rock & Indie, Electronic & Dance, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG

7" | 1986 | FR | Original (Evi Music)

Vision

Charlotte Parfois

12" | 1984 | DE | Original (Polydor)

Release: 1986 / FR – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Cover with faint ring wear and small writing.

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Visage

Love Glove

Vincent Montana, Jr. Presents Goody Goody

Release: 1984 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Writing on cover. Sticker on cover.

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Goody Goody

LP | 1978 | IT | Original (Atlantic)

7" | 1981 | JP | Original (Casablanca)

Release: 1978 / IT – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Italian pressing. Original Picture Sleeve Missing. Generic sleeve.

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Village People

Fireman

7,99 €*

Release: 1981 / JP – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1978 | UK | Original (Mercury)

Village People

Cruisin'

Release: 1978 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Musiques Pour Garcons Et Filles + Inedits

Video-Aventures

2LP | 1981 | EU | Reissue (Souffle Continu)

34,99 €*

12" | 1987 | US | Original (Bright Star)

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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After the experience of Camizole, Dominique Grimaud began a new adventure in 1979 with Monique Alba. Alongside Gilbert Artman (Urban Sax), Guigou Chenevier (Etron Fou Leloublan), Jean-Pierre Grasset (Verto) and Cyril Lefebvre (Maajun), Vthis LP is composed of instrumentals capable of reconciliating Captain Beefheart, Henry Cow, Suicide and John Barry.

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Victor Romeo

You Can't Fight My Love

Release: 1987 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

LP | 1977 | IT | Original (Derby)

Venus Rising

Live On Venus

Platonic Love & Other Stories

Release: 1977 / IT – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Cover with faint ring wear and small sticker.

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Venus In Furs

LP | 1984 | UK | Original (Movement)

20,99 €*

Release: 1984 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | 1986 | NL | Original (Rams Horn)

Venus

Hot Sun On Video (Remix)

LP | 1972 | DE | Original (Ariola)

Release: 1986 / NL – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG+

Record has some hairlines and a few superficial scratches.
Small sticker on cover.

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Veit Marvos

Nice To See You

39,99 €*

Release: 1972 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1988 | US | Original (V-Men)

V-Men

505

2,59 €* 3,99 € -35%

Release: 1988 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1989 | DE | Original (P1 Records)

Untitled

Release: 1989 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1978 | JP | Original (Philips)

Ultra Disco Dynamite

9,99 €*

Release: 1978 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with Obi.

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Two Of A Kind - Music From The Original Motion Picture Soundtrack

LP | 1983 | JP | Original (EMI)

9,99 €*

Release: 1983 / JP – Original

Genre: Rock & Indie, Electronic & Dance, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing with obi.

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LP | 1989 | DE | Original (Chrysalis)

This Is Garage

Release: 1989 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

The Super Master Mix Vol. 3

12" | 1987 | NL | Original (Rams Horn)

Release: 1987 / NL – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

The Real Club Mix, Vol. 4

12" | 1989 | DE | Original (ZYX)

Release: 1989 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Small sticker on cover.

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The Other Side Of Futurism

LP | 1984 | EU | Reissue (Spittle)

Release: 1984 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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First Time ON Vinyl ! Originally released on cassette in the spring of 1984 together with the 5th issue of Tribal Cabaret fanzine - included here in its original format - this is an invaluable document focusing on the obscure side of the 80’s Italian post- punk scene. A composite picture drawn by a bunch of different and often under recorded groups from various Italian regions and cities. All together they contribute to defining a prominently dark yet vivid soundscape based on different approaches and styles. All these aspects are perfectly translated through the b&w art and graphics of the beautiful Tribal Cabaret fanzine. If you want to dive deep into the fringes of the 80’s this is one of the places to start.

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12" | 1984 | US | Original (JDC)

The JDC Mixer Volume 2

Release: 1984 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Medium: VG, Cover: VG

Streetwave - The First Three Years (Vol. 1)

2LP | 1986 | UK | Original (Streetwave)

16,99 €*

Release: 1986 / UK – Original

Genre: Hip Hop, Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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Soft Selection 84: A Nippon Diy Wave Compilation

LP | 1984 | EU | Reissue (Glossy Mistakes)

Release: 1984 / EU – Reissue

Genre: Electronic & Dance

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Celebrated new wave compilation from Japan reissued for the first time on Glossy Mistakes.
A much-cherished gem from the 1980s underground Japanese music scene returns as Soft Selection 84 is reissued by Glossy Mistakes for its 40th anniversary. Originally released on DIY label Soft, the compilation sees 13 tracks from nine acts spanning minimal, ambient, zolo and more for a beguiling listen.
The result is a charming time capsule of eclectic creativity in which nothing sounds dated. Take La Sellrose Can Can, whose two party jams predate Kero Kero Bonito's hyperpop by decades. In addition, an impeccable remastering from the original master tapes adds to the "could have been recorded yesterday" feel of the collection.
Soft Selection 84 also includes the eccentric Picky Picnic. One of the few featured artists with recordings beyond the anthology, the trio is an essential act for those curious about Japanese art pop of the era. There is also new wave introspection from Name, whose "Do We All Need Love" plays out as a sensual nod to John Lennon. In a similar vein is Clä-Sick, the recording name of Goro Some, the compilation's original producer and founder of Soft.
The record's rerelease comes with Some's blessing, along with his original artwork and photography. Ultimately, the listener is left tantalised by his selection and its bold excursions into no wave, synth pop, radioplay and bizzaro house. Most of the artists on this release would fade into obscurity, but the transient nature of the potential showcased has helped cement the compilation's reputation over the years.
Soft Selection will be released on vinyl LP by Glossy Mistakes on March 2024, with a remastering from the original master tapes.

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Slow (Motion And Movement)

LP | 1980 | Reissue (Be With)

27,99 €*

Release: 1980 / Reissue

Genre: Electronic & Dance

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Welcome to library breaks *chopped 'n screwed*! Slow (Motion And Movement), originally released on Sonoton in 1980, is super-sought-after and full of crazy dubby, super SLLLLLOOOOWWWWW and super HEAVVVVVY library breaks. It's also home to blinding new age/synthy tracks that are equally great. It's really varied throughout, but all absolutely fantastic.

Slow features KPM/Bruton/Sonoton-legend John Fiddy, the mighty Sonoton founder and composer, arranger and conductor Gerhard Narholz in 2 of his best-loved guises - Sammy Burdson and Norman Candler (get it?) - as well as a couple of fine offerings from Antonio Campo.

Heavy opener "Slow Business 1" is veeeerrrrrrryyyyyy slooooooooow with the phased drums so beloved of Narholz but this time delivered by Campo, with a proud, deliberate piano melody and great bassline adorning the creeping rhythm. "Slow Business 2" is equally as slooooooow but without any melodic decoration. Just pure phased drums, folks! Get sampling. "Moody You" is Narholz's first track on the record and what a beauty it is. A languorous, insouciant, slo-mo guitar soul track with warm synths, electric piano and heavy drums. It sounds a wee bit like an erotic film score, and all the better for it. "Slow Groovement" is Campo's final contribution and it's definitely his best. It's an ace, moody-yet-melodic crime/blaxploitation track with gorgeous percussive elements, mellifluous Rhodes and twinkling piano over a fantastic bassline and drums with some great electric guitar soloing halfway through.

"Slow Reactor 1" is Narholz again, under his Burdson pseudonym, and it's him all the way, now, joined by John Fiddy for half the tracks. This one is a tense, phased, slo-mo thriller with mysterious percussive elements and ominous strings. "Threat To Research" contains mysterious, dramatic sounds and heaps of string-assisted tension whilst "Ion Exchanger" is replete with repetitive, strange accents and sounds; all half-tumbling drums and dead tense, again. Truly, a taut experience and ideal for adventurous sample-based beat-heads. "Wave Motions" is a real highlight and the first to feature John Fiddy. It's a beatless ambient banger with slowly changing sound waves. It sounds like Angelo Badalamenti would if he were crafting strung-out teutonic library madness in 1980. The A-Side closes with "Slow Motion Link" which is over waaaay too soon but just simply needs looping. Trust us. Phenomenally dope!

Flip over for "Scenic Vision 1" for here, ladies and gentlemen, we go sublime. It's an absolutely stunning ambient wonder, with slowly changing textures and colours that create a peaceful, gliding, tranquil atmosphere of sheer bliss. You will not want it to end. Whilst "Scenic Vision 2" adds a bass melody, "Scenic Vision 3" uses the same melody but renders it isolated and lonely in the background. Haunting, hypnotic and hyper-beautiful. "Study In Brown" is s a lengthier number, with room to stretch out, and features Fiddy back in the game. Again, a slow, isolated melody gradually segues - by way of Fiddy's mournful electric guitar solo - into a slow heavy rhythm with rumbling, groovy bass and stratospheric drums.

"Deja Vu 1" weaves swirling, disorientating magic. It's described on the original sleeve simply as "indefinite arpeggios inexplicable vision" and we can't put it any better ourselves. "Deja Vu 2" sounds like you've heard it before, it's "as above with melodic line" and really is fun. "Glistening Surface" sounds exactly as you'd expect, all frisson-inducing movements, slow waves and generally peaceful scenic sounds. This remarkable library record closes with "Laser Fight", blasting "utopian percussive sounds" that totally get under your skin like fireworks through your veins. A neat trick!

Established in Munich in 1965 by Gerard and Rotheide Narholz, Sonoton introduced library music to Germany. Initially intended to cater to the country's new TV market, the library also provided an avenue for Gerhard Narholz's astonishing musical prolificacy, and soon became a haven for a wide range of European composers and musicians. In 1969, Sonoton struck a deal with the British label Berry Music for international publishing rights, exposing its catalog to a worldwide audience; when Berry was bought out by EMI in 1973, Sonoton transitioned into a full-fledged international label, with successes in the library and commercial fields and many innovations to its credit. Now a worldwide operation with hundreds of producers and composers under its employ, Sonoton nonetheless remains an independently run business still helmed by its founders - a remarkable achievement in an era when nearly every other major library has been absorbed by a multinational conglomerate.

The audio for Slow (Motion And Movement) has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.

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2LP | 1988 | UK | Original (Low Fat Vinyl)

Serious 1

Release: 1988 / UK – Original

Genre: Hip Hop, Organic Grooves, Electronic & Dance

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Medium: VG+, Cover: VG+

Salvation! (Original Soundtrack)

LP | 1988 | DE | Original (Interphon)

Release: 1988 / DE – Original

Genre: Rock & Indie, Electronic & Dance, Pop, Soundtracks

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Medium: VG+, Cover: VG

Cover close to VG+

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LP | 1989 | EU | Original (Polyphon)

Pump Up The Hits

Release: 1989 / EU – Original

Genre: Hip Hop, Rock & Indie, Electronic & Dance, Pop

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Medium: VG+, Cover: VG+

LP+12" | 1988 | UK | Original (Passion)

Passion Gold

8,54 €* 8,99 € -5%

Release: 1988 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Cover shows ring wear, seam wear and slightly bent corners! Records have some scuffs and hairlines. Includes bonus 12"!

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LP | 1977 | PL | Original (Polskie Nagrania Muza)

Party Dance

Release: 1977 / PL – Original

Genre: Organic Grooves, Electronic & Dance

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Medium: VG, Cover: VG

Paradise Regained: The Garage Sound Of Deepest New York Vol. 2

LP | 1989 | UK | Original (Republic)

Release: 1989 / UK – Original

Genre: Electronic & Dance

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LP | 1983 | JP | Original (EMI)

OST Two Of A Kind

Release: 1983 / JP – Original

Genre: Rock & Indie, Electronic & Dance, Soundtracks

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Medium: VG, Cover: VG+

Japanese pressing without OBI, with insert.

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LP | 1983 | JP | Original (Casablanca)

OST Flashdance

Release: 1983 / JP – Original

Genre: Electronic & Dance, Soundtracks

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Medium: Near Mint, Cover: VG

Japanese pressing, comes with Obi and inserts.

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LP | 1977 | BE | Reissue (Cortizona)

Noises

Release: 1977 / BE – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

With inserts. Limited edition 2019 reissue.

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12" | 1989 | DE | Original (ZYX)

New Beat Megamix Vol. 2

Release: 1989 / DE – Original

Genre: Electronic & Dance

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Medium: VG+, Cover: VG+

12" | 1988 | Original (BCM)

New Beat Megamix

Release: 1988 / Original

Genre: Electronic & Dance

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LP | 1987 | US | Original (TSR)

Music For A Hot Body 3

11,99 €*

Release: 1987 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Medium: VG+, Cover: VG

WOM Direktimport Sticker on cover. Italo-Disco, Hi NRG
.

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12" | 1987 | EU | Original (CBS)

Mike's Mixes

Release: 1987 / EU – Original

Genre: Hip Hop, Organic Grooves, Electronic & Dance, Pop

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Medium: VG, Cover: VG

LP | 1977 | FR | Original (Barclay)

Le Disco Album

10,99 €*

Release: 1977 / FR – Original

Genre: Organic Grooves, Electronic & Dance

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Medium: VG+, Cover: VG

7" | 1984 | EU | Original (Herberg Rustiek)

Kumo-Koku-Do

13,99 €*

Release: 1984 / EU – Original

Genre: Electronic & Dance

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A compilation squeezed onto a 7” that brings together some of the finest artists active in the Japanese underground. Featuring the talents of Tenniscoats (featuring Undora), Tori Kudo, Yumbo, Kawate Naoto, & Otani Naoki. Each artist has personally chosen a song from the full length record Kumokokudo by LE TON Mité, and made it their own.

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Kleeblatt Nr. 21 - Hitverdächtig!

LP | 1987 | GDR | Original (AMIGA)

Release: 1987 / GDR – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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12" | 1988 | DE | Original (ZYX)

Italo Boot Mix Vol. 11

Release: 1988 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Medium: VG, Cover: VG

LP | 1981 | BG | Original (Балкантон)

It's My Discothek

Release: 1981 / BG – Original

Genre: Electronic & Dance, Pop

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Medium: VG+, Cover: VG

LP | 1980 | BG | Original (Балкантон)

It's My Discothek

Release: 1980 / BG – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Medium: VG, Cover: VG

In Fractured Silence Smoke Vinyl Edition

LP | 1984 | EU | Reissue (Souffle Continu)

26,59 €* 27,99 € -5%

Release: 1984 / EU – Reissue

Genre: Electronic & Dance, Classical Music

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Have you heard of the Nurse With Wound List? If you are a fan of creative-experimental-unlikely music, certainly. You would therefore be aware that amongst the recommendations that Steven Stapleton slipped into the first album of his group Nurse With Wound, were to be found a few restless frogs: Jef Gilson, Luc Ferrari, Jacques Thollot, Urban Sax, Horde Catalytique and last but not least Jean-Jacques Birgé and Francis Gorgé. Stapleton admired their album Défense de. The two Frenchmen just had to conceive of a fabulous precursor to the channel tunnel (check out the inside of the record, you’ll see) to enable Stapleton to come to France in 1980. The Englishman was looking for contributions to a compilation to be released on his United Dairies label that he had created with John Fothergill, and he naturally called on Birgé and Gorgé, who were then playing with Bernard Vitet in ‘Un drame musical instantané’.

It was a done deal and the compilation would be named In Fractured Silence. Alongside Nurse With Wound and Un drame musical instantané, could be heard Hélène Sage (whom Birgé introduced to Stapleton) and Sema, a project from the experimental British musician Robert Haigh who had participated in key records in the Nurse With Wound discography, such as Homotopy to Marie and Spiral Insana.

The curtain is raised and it is Un drame musical instantané who start the ball rolling. Mystery abounds; synthesisers lurk, percussion clatters and the sounds (creaks, whistles, vocal insertions...) fire in all directions. For the piano, it’s a debacle, the Drame won, Hélène Sage can take over. Heading up a quintette including Gorgé and Vitet, she creates a cushioned chamber music with strings and many silences.

On the B side, it’s the other side of the channel. Sema’s piano first off, which dares everything, even melody, before spilling out its darkest ideas in a raucous requiem. Finally, Stapleton appears, delving into his collection of female voices to devote himself to an iconoclastic transformation and concoct a song which collapses under the assault like Marianne at Agincourt. After having listened to In Fractured Silence, you will simply have to choose sides.

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In Fractured Silence Black Vinyl Edition

LP | 1984 | EU | Reissue (Souffle Continu)

27,99 €*

Release: 1984 / EU – Reissue

Genre: Electronic & Dance, Classical Music

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LP | 1988 | ES | Original (Grind)

Ibiza Sex And Beats

Release: 1988 / ES – Original

Genre: Electronic & Dance

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Medium: VG+, Cover: VG+

LP | 1976 | US | Reissue (Etats-Unis)

I.D. Art #2 L

35,99 €*

Release: 1976 / US – Reissue

Genre: Organic Grooves, Electronic & Dance

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Los Angeles Free Music Society (lafms) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, Lafms incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah Record Shop in old Pasadena. Inspired by The Residents, Lafms self-released records and periodicals, organized performances and connected with fellow outsiders via post in the years before punk. Their uninhibited, egalitarian ideal of music-making and DIY distribution would influence generations of underground musicians. Lafms primarily reached outside Los Angeles via word-of-mouth and the United States Postal Service, foreshadowing the self-publishing and cassette trading networks of post-punk and industrial subcultures. In 1976, Joe Potts solicited recordings from Lafms affiliates and admirers to edit and compile I.D. Art #2, utilizing correspondence art's technique of "assemblings." (The first installment in this series was a magazine, and the third was a coloring book.) Potts received dozens of pieces by members of Le Forte Four, Doo-Dooettes, Smegma and Ace & Duce as well as painters, filmmakers and non-artists with few recording credits to their name, creating a delirious, winking sound-art collage of field recordings, voicemails and improvisations. Participants purchased time on the record and received one copy each of the finished LP, realizing the philosophy contained in Lafms' motto: "The music is free, but you have to pay for the plastic, paper, ink, glue and stamps." This first-time vinyl reissue is limited to 500 numbered copies. Comes with insert.

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Hits On Fire - 20 Scorching Tracks!

LP | 1983 | UK | Original (Ronco)

Release: 1983 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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LP | 1989 | DE | Original (Teldec)

Hippy House & Happy Hop

7,99 €*

Release: 1989 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Medium: Near Mint, Cover: VG+

LP | 1984 | EU | Original (Ariola)

High Energy

Release: 1984 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Medium: Near Mint, Cover: VG+

Red Vinyl.

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LP | 1984 | NL | Original (High Fashion)

Hi-Energy Dance-Music

Release: 1984 / NL – Original

Genre: Electronic & Dance

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LP | 1984 | DE | Original (Mercury)

Greenpeace

Release: 1984 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Medium: VG+, Cover: VG+

LP | 1980 | GDR | Original (AMIGA)

Gimme, Gimme, Gimme...

Release: 1980 / GDR – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Medium: Near Mint, Cover: VG

LP | 1989 | IT | Original (Flying)

Flying Gang No 1

Release: 1989 / IT – Original

Genre: Hip Hop, Electronic & Dance

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Medium: VG, Cover: VG

Disco Hits Explosion Vol. 3

LP | 1977 | JP | Original (Overseas)

Release: 1977 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI and insert. Vinyl close to NM

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Disco Explosion (Die Absolute Disco Super Scheibe)

LP | 1979 | DE | Original (Arcade)

Release: 1979 / DE – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Medium: VG, Cover: VG

Disco Dance Hits Vol. 4 (Non Stop Remix)

LP | 1987 | NL | Original (Injection Disco Dance Label)

Release: 1987 / NL – Original

Genre: Electronic & Dance, Pop

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Medium: VG, Cover: VG

LP | 1979 | DE | Original (Maritim)

Disco Connection Vol. 2

29,99 €*

Release: 1979 / DE – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Medium: Near Mint, Cover: VG

Cover with small sticker rip off .

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LP | 1983 | DE | Original (Marifon)

Die Aktuellsten TV-Hits

Release: 1983 / DE – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance, Pop

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Medium: VG, Cover: VG