Electronic & Dance Vinyl 1261 Items

12" | 1982 | DE | Original (Metronome)

Release: 1982 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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Zru Vogue is a two man post punk avant-pop group from Palo Alto, California, combining the talents of Andrew Finkle and Rick Cuevas. The band began in 1980 as a four member group: Rick, Andy, Tom Sanders and Nancy Miller. Tom and Nancy left the group shortly after the first single, "Nakweda Dream", was released by independent San Francisco label Adolescent Records in February 1981. Inspired by rave reviews and heavy airplay on alternative radio stations, Andy and Rick went back into the studio, now as a duo, to record some new ZRU tracks. The self-tilted LP was released on the band's Zero Risk Records in 1982. It contains eight compositions blending African tribal and Middle Eastern rhythms, avant-garde rock, minimal electronics, and funk-rock guitars. The duo's sound is inspired by the art and anti-art movements of Dada and Surrealism. All songs have been remastered by George Horn at Fantasy Studios. Each copy is housed in a replica of the original jacket, which features artwork by the group members, and includes the original 2-sided lyric sheet.

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Zinthetyzër

Green Onions

Release: 1982 / DE – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

Oh Nandu, What We've Done! Black Vinyl Edition

Zenamon

12" | 1984 | EU | Reissue (Private)

LP | 1983 | EU | Original (Ondes)

Release: 1984 / EU – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Blue vinyl.

Cult vintage electronic/balearic 12“ Maxi Single by Jaime M. Zenamon from 1984. Featurng „Udo Hanten“ from the cult Krautrock band „YOU“. Dubbed from the original analog tapes (thanks to Udo Hanten!) 24 bit remastered audiophile pressing!

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Zanov

In Course Of Time

20,99 €*

12" | 1984 | UK | Original (Electricity)

Release: 1983 / EU – Original

Genre: Electronic & Dance

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Under the alias of Zanov we find the works of French electronic pioneer Pierre Salkazanov, who had started playing guitar in the 1960s in a Shadows styled band, Les Ambassadors. Instrumental rock was not enough for Salkazanov, he was always looking for evolution, so when a meeting with French synth player Serge Ramses (of "Secret" fame) got him into the world of synthesizers he just dived deep into the bourgeoning world of electronic music. He got himself a VCS3 and started producing works into a 4-track Teac tape machine. French music was at its best, it was the time of Jean Michel Jarre, Didier Bocquet, Richard Pinhas and Heldon, Alain Meunier... Even Gong's Tim Blake was living in France at that time. And so Zanov soon caught the attention of Polydor, who released his first two LPs Green Ray in 1976 and Moebius 256 301 in 1977. In Course Of Time, his third LP was originally issued in Canada in 1982 and in France in 1983, although it contains works that he had began working in 1979. The material was originally shelved due to legal matters, although he continued to add some changes even after that. The Canadian edition came out in Les Disques Solaris, a recently created label that wanted to specialise in "cosmic" music. Zanov used the same equipment he had used on Moebius 256 301, albeit this time he gave more use to the RMI Harmonic Synthesizer.

Zanov's three albums met with unanimous critical acclaim for the sound quality as well as for the originality of this very personal universe.

Zanov's third LP was released in 1982 in Canada on Les disques Solaris and in 1983 in France on Ondes.

This is not a reissue, it is the original 1983 French edition on Ondes. Please note that these are mint unplayed vinyl copies, but they have been laying around in warehouses for long time so sleeves show the pass of time (some yellowing mainly, not bigger problems).

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Yvonne Gidden

In Orbit

Release: 1984 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1983 | EU | Reissue (Bureau B)

You

Time Code

27,99 €*

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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LP | 1983 | DE | Original (Rock City)

You

Time Code

29,99 €*

Release: 1983 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1983 | EU | Reissue (Music On Vinyl)

Yellow Magic Orchestra

Service

20,99 €*

LP | 1981 | EU | Reissue (Music On Vinyl)

Release: 1983 / EU – Reissue

Genre: Electronic & Dance, Pop, Comics

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Used Vinyl

Medium: VG+, Cover: Near Mint

Clear vinyl is close to NM. PVC sleeve. with booklet. Limited edition numbered. 2016 reissue.

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Yellow Magic Orchestra

BGM

60,99 €*

Release: 1981 / EU – Reissue

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

2016 reissue on clear vinyl. with booklet. PVC sleeve. tiny wear. Numbered Limited edition.

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Release: 1981 / US

Genre: Electronic & Dance

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LP | 1986 | EU | Reissue (Studio Mule)

Yas-Kaz

Virgo Indigo

22,99 €*

LP | 1987 | EU | Reissue (P-Vine)

Release: 1986 / EU – Reissue

Genre: Electronic & Dance

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Studio mule is back with another amazement, opening the roster towards sophisticated spiritual sounds on the crossroads of electrified jazz, oriental fourth-world spheres and deeply composed experimental sounds. this time the label welcomes japanese artist ya-sukazu sato aka yas-kaz, a university-trained percussionist, that gained global success as a composer for the internationally known butoh dance troupe sankai juku, that tours around the world since 1975. his infrequent musical amalgamation of ancient eastern genres, airy soundscapes, and ritualistic dance percussions perfectly accompanied the modern dance movements of an avantgarde dance group that is known for slow, mesmerizing dance passages, whose repetitive body movements sometimes focusing only on the feet or fingers. besides his theatre work, yas-kaz composed scores for japanese movies, performed live along stars like us-american jazz saxophonist wayne shorter or legendary japanese new-age musical group himekami and recorded a number of collabo-rative and solo albums.

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Yapoos

Yapoos Keikaku

31,99 €*

Release: 1987 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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LP | 1983 | EU | Reissue (Les Giants)

Y Create

The Blue Tape

21,99 €*

12" | 1983 | DE | Original (Polydor)

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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In the early 1980’s Hessel Veldman and Herman te Loo assembled at Hessel’s apartment, which served both as a living room and as a home studio, every Thursday night. After the necessary social exchange over coffee, the guys started improvising, sometimes with a small preconceived musical cell or idea to work from. With a skeleton crew of just two (give or take the occasional overdub) the music that came out was usually simple in its form, sometimes stark, but always adventurous in its scope. And most of all: they approached the music with a sense of wonderment. Hessel had a great preference for repetitive patterns, executed on guitar, bass guitar or the synths of the era: a Korg MS 20 and a Roland Juno. Herman provided melodic lines with his soprano sax and occasional vocals and lyrics. A Drumatix drum machine provided the rhythms. Given these premises the duo sometimes sounded like Tuxedomoon or Wire, bands they both admired. But they never had the intention to imitate or copy anyone. Hence the occasional outing on a corny sounding ancient electronic organ (Philicorda) with pre-programmed analog rhythm box (eko). It provided the necessary humour in the sometimes gloomy 80’s period sound. They recorded everything, and Hessel would work on the result during the week that followed. The twosome would then discuss the mix prior to a new Thursday session. After a while there was enough material to compile a tape for Hessel’s independent Exart cassette label. It became one the volumes of a trilogy, entitled Y Create, the Y referring to Ymuiden, Herman and Hessel’s home town. In contrast to the other volumes of the series, the grey and green tape, the blue cassette (which is the one remixed and reissued on vinyl here) contained relatively short pieces – songs almost. The rest of the series delved more into long, hypnotic soundscapes, which later became an important ingredient for the music of Gorgonzola Legs, the band which Hessel and Herman started in 1984 with drummer/electronics wizard Gert Jan Prins and guitarist Jos van Duijne.

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X-Ray Connection

Replay

Release: 1983 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1986 | EU | Original (Virgin)

Working Week

Compañeros

7" | 1979 | DE | Original (Ariola)

Release: 1986 / EU – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Original inner sleeve. Small saw cut.

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Wonder

I Man

12,99 €*

LP | 1982 | EU | Reissue (Soave)

Release: 1979 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Small sticker on cover.

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Wolf Vostell

De-Coll/Age Musik

23,99 €*

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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A seminal figure in the history of 20th century avant-garde, yet sinfully overlooked, Wolf Vostell unleashed ideas - those running wild through his debut LP "Dé-coll/age Musik", which remain a slap to the face, more than half a century after they were set into play. A founding member of Fluxus, an early instigator of Happenings, an innovator of video art, Vostell was equally one of the most radical and irreverent practitioners in sound that the world has ever known.

First released in 1982, "Dé-coll/age Musik" draws from material dating between the late 1950’s and early 80’s - the results of Vostell’s application of décollage, the near perfect inversion of collage. Rather than gathered and assembled sounds - as with Musique Concrète, these are the result of subtractions from a former whole - the death of one, giving life to the next.

Swelling from the past, Vostell’s efforts pull the rug from beneath the common history of structured sound. A singular body with no loyalty, producing shocking results. A grinding confrontation - an intoxicating immersion in sound - as brutal as it is ecstatic - an exercise in joy. "Dé-coll/age Musik" assembles the essence of a creative spirit which is rarely known. Each work as radical and fresh today as the moment it was made.

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Nothing Here Now But The Recordings Clear Vinyl Edition

LP | 1981 | US | Reissue (Dais)

Release: 1981 / US – Reissue

Genre: Electronic & Dance

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In 1980, Genesis P-Orridgeand Peter "Sleazy" Christopherson of(then-)Throbbing Gristle travelled to New York City to meet up at thefortified apartment, known as The Bunker, of famed beat writer andcultural pioneerWilliam S. Burroughsand his executor JamesGrauerholz. Genesisand Sleazy started the daunting task of compilingthe experimental sound works of Burroughs, which, up until that point,had never been widely heard.During those visits, Burroughs would play back his tape recorderexperiments featuring his spoken word "cut-ups", collaged fieldrecordings from his travels and his flirtations with EVP recordingtechniques, pioneered by Latvian intellectual Konstantins Raudive. Overthe following year, P-Orridge, Christopherson and Grauerholz spentcountless hours compilingvarious edits, each collection showcasingBurroughs sensitive ear and experimental prowess for audio anomalywithin technical limitations. In early 1981, Burroughs had relocated toLawrence, KS to escape the violence and manias of New York City life.There, P-Orridge and Christopherson put the finishing touches on therecord that would be known asNothing Here Now but the Recordings.Released in Spring 1981, the album would end up as the final release onIndustrial Records, brought about by the dissolution of Throbbing Gristle.It was quietly out of print until 1998, when John Giorno and the GiornoPoetry Systems included the album on a retrospective CD box set, whichcompiled the majority of Burroughs's seminal recordings. In 2015, DaisRecords worked closely with the Estate of William S. Burroughs to finallyre-release, for the first time in 36 years, a proper vinyl reissue of WilliamS. BurroughsNothing Here Now but the Recordingsto celebrate thecentennial anniversary of William S. Burroughs. For the2023 edition, Daishas remastered the audio with renowned engineer Josh Bonati, andrestored the original artwork with a new dedication to Genesis Breyer P-Orridge and Peter Christopherson.

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Nothing Here Now But The Recordings Black Vinyl Edition

LP | 1981 | US | Reissue (Dais)

Release: 1981 / US – Reissue

Genre: Electronic & Dance

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Break Through In Grey Room Clear Vinyl Edition

LP | 1986 | US | Reissue (Dais)

Release: 1986 / US – Reissue

Genre: Electronic & Dance

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Inspired by the original Industrial Records release of William S. Burroughs's Nothing Here Now but the Recordings Belgian record label Sub Rosa worked with Burroughs to release another album: Break Through In Grey Room. Originally compiled in 1986 by producer Bill Rich, the album features Burroughs's experimental recordings from 1961 to 1976, featuring field recordings by Burroughs of the Master Musicians of Jajouka, experimental collaborations with mathematician Ian Sommerville and painter/cut-up originator Brion Gysin. Break Through In Grey Room documents William S. Burroughs during his time in Europe and England, working with Ian Sommerville on recording with the 'cut -up' technique. Sommerville's technical background enabled him to contribute to the early development of sound - and - light shows in London, leading to work with gear provided by Paul McCartney in an apartment owned by Ringo Starr. Experimental in nature, the record is as much an exhibition of studio and composition technique as it is a document of underground culture at that time. For the 2023 reissue, Dais Records has collaborated with the Estate of William S. Burroughs on reissuing the album on vinyl and compact disc, fully remastered by mastering engineer Josh Bonati.

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Break Through In Grey Room Black Vinyl Edition

LP | 1986 | US | Reissue (Dais)

Be Thankful For What You Got

Release: 1986 / US – Reissue

Genre: Electronic & Dance

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William DeVaughn

12" | 1974 | UK | Reissue (Demon)

28,99 €*

Release: 1974 / UK – Reissue

Genre: Electronic & Dance

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LP | 1987 | EU | Reissue (Music On Vinyl)

Whodini

Open Sesame

30,99 €*

Release: 1987 / EU – Reissue

Genre: Electronic & Dance

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ラスト・クリスマス = Last Christmas

Wham! = Wham!

12" | 1984 | JP | Original (Epic)

29,99 €*

Release: 1984 / JP – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

LP | 1983 | JP | Original (Epic)

Wham!

Fantastic

12" | 1987 | DE | Original (Virgin)

Release: 1983 / JP – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

no Obi. Cover has slight ring wear.

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Well Red

Honey

12" | 1987 | EU | Original (RCA)

Release: 1987 / DE – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

seam splits. Price tag.

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Wax

Bridge To Your Heart

7" | 1982 | DE | Original (Rhein Main Records)

Release: 1987 / EU – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Excellent condition !

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Wave Control

America

Release: 1982 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1982 | DE | Original (Vertigo)

Warning

Why Can The Bodies Fly

Release: 1982 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1979 | DE | Original (Polydor)

Wardell Piper

Captain Boogie

Release: 1979 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1986 | EU | Reissue (La Casa Tropical)

Vumani

Isiqedakoma

21,99 €*

Release: 1986 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

Diva (Bande Originale Du Film)

Vladimir Cosma

LP | 1981 | EU | Original (Milan)

Release: 1981 / EU – Original

Genre: Rock & Indie, Electronic & Dance, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG

7" | 1986 | FR | Original (Evi Music)

Vision

Charlotte Parfois

Release: 1986 / FR – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Cover with faint ring wear and small writing.

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12" | 1981 | UK | Original (Polydor)

Release: 1981 / UK – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1982 | DE | Original (Polydor)

The Damned Don't Cry

12,99 €*

Release: 1982 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1984 | DE | Original (Polydor)

Love Glove

Release: 1984 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Writing on cover. Sticker on cover.

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12" | 1984 | DE | Original (Polydor)

Love Glove

7,99 €*

Release: 1984 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

7" | 1981 | JP | Original (Casablanca)

Village People

Fireman

7,99 €*

Release: 1981 / JP – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Musiques Pour Garcons Et Filles + Inedits

Video-Aventures

2LP | 1981 | EU | Reissue (Souffle Continu)

34,99 €*

12" | 1987 | US | Original (Bright Star)

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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After the experience of Camizole, Dominique Grimaud began a new adventure in 1979 with Monique Alba. Alongside Gilbert Artman (Urban Sax), Guigou Chenevier (Etron Fou Leloublan), Jean-Pierre Grasset (Verto) and Cyril Lefebvre (Maajun), Vthis LP is composed of instrumentals capable of reconciliating Captain Beefheart, Henry Cow, Suicide and John Barry.

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Victor Romeo

You Can't Fight My Love

Release: 1987 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

LP | 1977 | IT | Original (Derby)

Venus Rising

Live On Venus

Platonic Love & Other Stories

Release: 1977 / IT – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Cover with faint ring wear and small sticker.

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Venus In Furs

LP | 1984 | UK | Original (Movement)

20,99 €*

Release: 1984 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | 1986 | NL | Original (Rams Horn)

Venus

Hot Sun On Video (Remix)

LP | 1972 | DE | Original (Ariola)

Release: 1986 / NL – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG+

Record has some hairlines and a few superficial scratches.
Small sticker on cover.

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Veit Marvos

Nice To See You

39,99 €*

Release: 1972 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1975 | US | Reissue (Speakers Corner)

Vangelis

Heaven And Hell

33,99 €*

Release: 1975 / US – Reissue

Genre: Electronic & Dance

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Technical innovations in musical instruments and the development of tonal language have been continual subjects for deliberation from the 19th century onwards at the latest. Additional brain power is necessary to conciliate the two elements with the endless possibilities of electronic sound. In the end, the two factions cannot resolve on a conclusive opinion and the question remains as to whether art always results from skill.
Evángelos Odysséas Papathanassíou, or Vangelis for short, always worked with the newest synthesizer equipment and pushed his cascades of sound to the very edge, right up to the point of electronic overkill. In contrast to many other electronics experimentalists of his time, Vangelis likes to »create important melodies and to develop them further, without going under in the technical equipment« (Stereo Review). Distant human voices, siren-like lost calls lead into oriental dance. A song – far removed from its era – somewhere between Gregorian music and antiphony – a will-o‘-the-wisp, shimmering sound. Polyphonic playing on the Bösendorfer reminds one that every form of musical expression from over the sands of time is welcome. Each listener must discover for himself what sounds heavenly or hellish. But let it be said: musically speaking, the one cannot be imagined without the other.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.
All royalties and mechanical rights have been paid.

Recording: September 1975 at Nemo Studios, London, by Alan Lucas
Production: Vangelis

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LP | 1986 | DE | Original (ZYX)

ZYX Disco Club Volume 2

Release: 1986 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Record is close to VG+.

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Two Of A Kind - Music From The Original Motion Picture Soundtrack

LP | 1983 | JP | Original (EMI)

9,99 €*

Release: 1983 / JP – Original

Genre: Rock & Indie, Electronic & Dance, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing with obi.

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Streetwave - The First Three Years (Vol. 1)

2LP | 1986 | UK | Original (Streetwave)

16,99 €*

Release: 1986 / UK – Original

Genre: Hip Hop, Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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LP | 1981 | UK | Original (Some Bizzare)

Some Bizzare Album

55,99 €*

Release: 1981 / UK – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Original inner sleeve

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Soft Selection 84: A Nippon Diy Wave Compilation

LP | 1984 | EU | Reissue (Glossy Mistakes)

Release: 1984 / EU – Reissue

Genre: Electronic & Dance

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Celebrated new wave compilation from Japan reissued for the first time on Glossy Mistakes.
A much-cherished gem from the 1980s underground Japanese music scene returns as Soft Selection 84 is reissued by Glossy Mistakes for its 40th anniversary. Originally released on DIY label Soft, the compilation sees 13 tracks from nine acts spanning minimal, ambient, zolo and more for a beguiling listen.
The result is a charming time capsule of eclectic creativity in which nothing sounds dated. Take La Sellrose Can Can, whose two party jams predate Kero Kero Bonito's hyperpop by decades. In addition, an impeccable remastering from the original master tapes adds to the "could have been recorded yesterday" feel of the collection.
Soft Selection 84 also includes the eccentric Picky Picnic. One of the few featured artists with recordings beyond the anthology, the trio is an essential act for those curious about Japanese art pop of the era. There is also new wave introspection from Name, whose "Do We All Need Love" plays out as a sensual nod to John Lennon. In a similar vein is Clä-Sick, the recording name of Goro Some, the compilation's original producer and founder of Soft.
The record's rerelease comes with Some's blessing, along with his original artwork and photography. Ultimately, the listener is left tantalised by his selection and its bold excursions into no wave, synth pop, radioplay and bizzaro house. Most of the artists on this release would fade into obscurity, but the transient nature of the potential showcased has helped cement the compilation's reputation over the years.
Soft Selection will be released on vinyl LP by Glossy Mistakes on March 2024, with a remastering from the original master tapes.

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Slow (Motion And Movement)

LP | 1980 | Reissue (Be With)

27,99 €*

Release: 1980 / Reissue

Genre: Electronic & Dance

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Welcome to library breaks *chopped 'n screwed*! Slow (Motion And Movement), originally released on Sonoton in 1980, is super-sought-after and full of crazy dubby, super SLLLLLOOOOWWWWW and super HEAVVVVVY library breaks. It's also home to blinding new age/synthy tracks that are equally great. It's really varied throughout, but all absolutely fantastic.

Slow features KPM/Bruton/Sonoton-legend John Fiddy, the mighty Sonoton founder and composer, arranger and conductor Gerhard Narholz in 2 of his best-loved guises - Sammy Burdson and Norman Candler (get it?) - as well as a couple of fine offerings from Antonio Campo.

Heavy opener "Slow Business 1" is veeeerrrrrrryyyyyy slooooooooow with the phased drums so beloved of Narholz but this time delivered by Campo, with a proud, deliberate piano melody and great bassline adorning the creeping rhythm. "Slow Business 2" is equally as slooooooow but without any melodic decoration. Just pure phased drums, folks! Get sampling. "Moody You" is Narholz's first track on the record and what a beauty it is. A languorous, insouciant, slo-mo guitar soul track with warm synths, electric piano and heavy drums. It sounds a wee bit like an erotic film score, and all the better for it. "Slow Groovement" is Campo's final contribution and it's definitely his best. It's an ace, moody-yet-melodic crime/blaxploitation track with gorgeous percussive elements, mellifluous Rhodes and twinkling piano over a fantastic bassline and drums with some great electric guitar soloing halfway through.

"Slow Reactor 1" is Narholz again, under his Burdson pseudonym, and it's him all the way, now, joined by John Fiddy for half the tracks. This one is a tense, phased, slo-mo thriller with mysterious percussive elements and ominous strings. "Threat To Research" contains mysterious, dramatic sounds and heaps of string-assisted tension whilst "Ion Exchanger" is replete with repetitive, strange accents and sounds; all half-tumbling drums and dead tense, again. Truly, a taut experience and ideal for adventurous sample-based beat-heads. "Wave Motions" is a real highlight and the first to feature John Fiddy. It's a beatless ambient banger with slowly changing sound waves. It sounds like Angelo Badalamenti would if he were crafting strung-out teutonic library madness in 1980. The A-Side closes with "Slow Motion Link" which is over waaaay too soon but just simply needs looping. Trust us. Phenomenally dope!

Flip over for "Scenic Vision 1" for here, ladies and gentlemen, we go sublime. It's an absolutely stunning ambient wonder, with slowly changing textures and colours that create a peaceful, gliding, tranquil atmosphere of sheer bliss. You will not want it to end. Whilst "Scenic Vision 2" adds a bass melody, "Scenic Vision 3" uses the same melody but renders it isolated and lonely in the background. Haunting, hypnotic and hyper-beautiful. "Study In Brown" is s a lengthier number, with room to stretch out, and features Fiddy back in the game. Again, a slow, isolated melody gradually segues - by way of Fiddy's mournful electric guitar solo - into a slow heavy rhythm with rumbling, groovy bass and stratospheric drums.

"Deja Vu 1" weaves swirling, disorientating magic. It's described on the original sleeve simply as "indefinite arpeggios inexplicable vision" and we can't put it any better ourselves. "Deja Vu 2" sounds like you've heard it before, it's "as above with melodic line" and really is fun. "Glistening Surface" sounds exactly as you'd expect, all frisson-inducing movements, slow waves and generally peaceful scenic sounds. This remarkable library record closes with "Laser Fight", blasting "utopian percussive sounds" that totally get under your skin like fireworks through your veins. A neat trick!

Established in Munich in 1965 by Gerard and Rotheide Narholz, Sonoton introduced library music to Germany. Initially intended to cater to the country's new TV market, the library also provided an avenue for Gerhard Narholz's astonishing musical prolificacy, and soon became a haven for a wide range of European composers and musicians. In 1969, Sonoton struck a deal with the British label Berry Music for international publishing rights, exposing its catalog to a worldwide audience; when Berry was bought out by EMI in 1973, Sonoton transitioned into a full-fledged international label, with successes in the library and commercial fields and many innovations to its credit. Now a worldwide operation with hundreds of producers and composers under its employ, Sonoton nonetheless remains an independently run business still helmed by its founders - a remarkable achievement in an era when nearly every other major library has been absorbed by a multinational conglomerate.

The audio for Slow (Motion And Movement) has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.

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LP | 1977 | PL | Original (Polskie Nagrania Muza)

Party Dance

Release: 1977 / PL – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1983 | JP | Original (EMI)

OST Two Of A Kind

Release: 1983 / JP – Original

Genre: Rock & Indie, Electronic & Dance, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing without OBI, with insert.

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LP | 1977 | BE | Reissue (Cortizona)

Noises

Release: 1977 / BE – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

With inserts. Limited edition 2019 reissue.

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LP | 1987 | US | Original (TSR)

Music For A Hot Body 3

11,99 €*

Release: 1987 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

WOM Direktimport Sticker on cover. Italo-Disco, Hi NRG
.

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2LP | 1982 | EU | Original (WEA)

Music And Rhythm

11,99 €*

Release: 1982 / EU – Original

Genre: Rock & Indie, Electronic & Dance, Reggae & Dancehall

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1987 | EU | Original (CBS)

Mike's Mixes

Release: 1987 / EU – Original

Genre: Hip Hop, Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

Methods Of Dance Volume 2

LP | 1982 | EU | Original (Virgin)

Release: 1982 / EU – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Methods Of Dance Volume 2

LP | 1982 | UK | Original (Virgin)

8,09 €* 8,99 € -10%

Release: 1982 / UK – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+

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Maxi Power - Hot News From L.A.

2LP | 1987 | DE | Original (Polystar)

Release: 1987 / DE – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance, Pop

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Medium: VG, Cover: VG

LP | 1977 | FR | Original (Barclay)

Le Disco Album

10,99 €*

Release: 1977 / FR – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

7" | 1984 | EU | Original (Herberg Rustiek)

Kumo-Koku-Do

13,99 €*

Release: 1984 / EU – Original

Genre: Electronic & Dance

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A compilation squeezed onto a 7” that brings together some of the finest artists active in the Japanese underground. Featuring the talents of Tenniscoats (featuring Undora), Tori Kudo, Yumbo, Kawate Naoto, & Otani Naoki. Each artist has personally chosen a song from the full length record Kumokokudo by LE TON Mité, and made it their own.

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Kleeblatt Nr. 21 - Hitverdächtig!

LP | 1987 | GDR | Original (AMIGA)

Release: 1987 / GDR – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Medium: VG, Cover: VG

In Fractured Silence Smoke Vinyl Edition

LP | 1984 | EU | Reissue (Souffle Continu)

26,59 €* 27,99 € -5%

Release: 1984 / EU – Reissue

Genre: Electronic & Dance, Classical Music

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Have you heard of the Nurse With Wound List? If you are a fan of creative-experimental-unlikely music, certainly. You would therefore be aware that amongst the recommendations that Steven Stapleton slipped into the first album of his group Nurse With Wound, were to be found a few restless frogs: Jef Gilson, Luc Ferrari, Jacques Thollot, Urban Sax, Horde Catalytique and last but not least Jean-Jacques Birgé and Francis Gorgé. Stapleton admired their album Défense de. The two Frenchmen just had to conceive of a fabulous precursor to the channel tunnel (check out the inside of the record, you’ll see) to enable Stapleton to come to France in 1980. The Englishman was looking for contributions to a compilation to be released on his United Dairies label that he had created with John Fothergill, and he naturally called on Birgé and Gorgé, who were then playing with Bernard Vitet in ‘Un drame musical instantané’.

It was a done deal and the compilation would be named In Fractured Silence. Alongside Nurse With Wound and Un drame musical instantané, could be heard Hélène Sage (whom Birgé introduced to Stapleton) and Sema, a project from the experimental British musician Robert Haigh who had participated in key records in the Nurse With Wound discography, such as Homotopy to Marie and Spiral Insana.

The curtain is raised and it is Un drame musical instantané who start the ball rolling. Mystery abounds; synthesisers lurk, percussion clatters and the sounds (creaks, whistles, vocal insertions...) fire in all directions. For the piano, it’s a debacle, the Drame won, Hélène Sage can take over. Heading up a quintette including Gorgé and Vitet, she creates a cushioned chamber music with strings and many silences.

On the B side, it’s the other side of the channel. Sema’s piano first off, which dares everything, even melody, before spilling out its darkest ideas in a raucous requiem. Finally, Stapleton appears, delving into his collection of female voices to devote himself to an iconoclastic transformation and concoct a song which collapses under the assault like Marianne at Agincourt. After having listened to In Fractured Silence, you will simply have to choose sides.

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In Fractured Silence Black Vinyl Edition

LP | 1984 | EU | Reissue (Souffle Continu)

27,99 €*

Release: 1984 / EU – Reissue

Genre: Electronic & Dance, Classical Music

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LP | 1976 | US | Reissue (Etats-Unis)

I.D. Art #2 L

35,99 €*

Release: 1976 / US – Reissue

Genre: Organic Grooves, Electronic & Dance

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Los Angeles Free Music Society (lafms) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, Lafms incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah Record Shop in old Pasadena. Inspired by The Residents, Lafms self-released records and periodicals, organized performances and connected with fellow outsiders via post in the years before punk. Their uninhibited, egalitarian ideal of music-making and DIY distribution would influence generations of underground musicians. Lafms primarily reached outside Los Angeles via word-of-mouth and the United States Postal Service, foreshadowing the self-publishing and cassette trading networks of post-punk and industrial subcultures. In 1976, Joe Potts solicited recordings from Lafms affiliates and admirers to edit and compile I.D. Art #2, utilizing correspondence art's technique of "assemblings." (The first installment in this series was a magazine, and the third was a coloring book.) Potts received dozens of pieces by members of Le Forte Four, Doo-Dooettes, Smegma and Ace & Duce as well as painters, filmmakers and non-artists with few recording credits to their name, creating a delirious, winking sound-art collage of field recordings, voicemails and improvisations. Participants purchased time on the record and received one copy each of the finished LP, realizing the philosophy contained in Lafms' motto: "The music is free, but you have to pay for the plastic, paper, ink, glue and stamps." This first-time vinyl reissue is limited to 500 numbered copies. Comes with insert.

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Hits On Fire - 20 Scorching Tracks!

LP | 1983 | UK | Original (Ronco)

Release: 1983 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Medium: VG+, Cover: VG+

LP | 1984 | EU | Original (Ariola)

High Energy

Release: 1984 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Red Vinyl.

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LP | 1984 | NL | Original (High Fashion)

Hi-Energy Dance-Music

Release: 1984 / NL – Original

Genre: Electronic & Dance

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Medium: VG+, Cover: VG+

LP | 1984 | DE | Original (Mercury)

Greenpeace

Release: 1984 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Medium: VG+, Cover: VG+

LP | 1980 | GDR | Original (AMIGA)

Gimme, Gimme, Gimme...

Release: 1980 / GDR – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG

Disco Pop Best Selection '86

LP | 1986 | JP | Original (Seven Seas)

Release: 1986 / JP – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

Disco Hits Explosion Vol. 3

LP | 1977 | JP | Original (Overseas)

Release: 1977 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI and insert. Vinyl close to NM

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Disco Hits Explosion Vol. 3

LP | 1977 | JP | Original (Overseas)

Release: 1977 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing with OBI and insert. Vinyl close to NM. Faintest foxing on cover and insert otherwise VG+

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Disco Explosion (Die Absolute Disco Super Scheibe)

LP | 1979 | DE | Original (Arcade)

Release: 1979 / DE – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Medium: VG, Cover: VG

LP | 1979 | DE | Original (Maritim)

Disco Connection Vol. 2

29,99 €*

Release: 1979 / DE – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG

Cover with small sticker rip off .

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LP | 1983 | DE | Original (Marifon)

Die Aktuellsten TV-Hits

Release: 1983 / DE – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance, Pop

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Medium: VG, Cover: VG

LP | 1982 | DE | Original (Polydor)

Das Pralle Leben

Release: 1982 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Medium: VG, Cover: VG

LP | 1980 | NL | Original (Frizz Bee)

Darker Skratcher

Release: 1980 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: F

Record has scuffs and hairlines.
Front cover is badly torn.

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LP | 1987 | US | Original (Atlantic)

Dance Traxx - Volume Two

Release: 1987 / US – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG+

Small light scuff on side 2.
Cover with cut-out.

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Dance Music Vol. 1 Preludance

LP | 1981 | IT | Original (Derby)

Release: 1981 / IT – Original

Genre: Organic Grooves, Electronic & Dance

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Medium: VG, Cover: VG

12" | 1984 | BE | Original (BMC)

Cocktail N. II - Clubmix

Release: 1984 / BE – Original

Genre: Electronic & Dance

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Medium: VG, Cover: VG

An Evening With Windham Hill Live

LP | 1983 | DE | Original (Windham Hill)

7,99 €*

Release: 1983 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Copy closer to VG+

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LP | 1984 | EU | Reissue (Spittle)

Afterglow

Release: 1984 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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First Time ON Vinyl ! Originally released on cassette in the winter of 1984, together with the 7th issue of Komakino fanzine - included here in its original format. 8 groups and 14 tracks revealing the whole meaning of the Afterglow operation. Bands who already had record deals and enjoyed some popularity, others that will do so shortly, others that will fade in the mists of that decade. “Afterglow” is a document from an era when small gestures and uncomfortable choices were true stances

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9½ Weeks - Original Motion Picture Soundtrack

LP | 1986 | IT | Original (Capitol)

Release: 1986 / IT – Original

Genre: Rock & Indie, Electronic & Dance, Soundtracks

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Medium: VG+, Cover: VG+

LP | 1975 | DE | Original (Polystar)

20 Polystar Hits

Release: 1975 / DE – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

12" | 1983 | NL | Original (Rams Horn)

Uptown

I Know I'm Losing You

Release: 1983 / NL – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1970 | DE | Original (Fa, Henkel-Khasana Düsseldorf)

Unknown Artist

Exotic Sounds

28,99 €*

LP | 1977 | UK | Original (Harvest)

Release: 1970 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl is Close to VG+.

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Universal Energy

12,99 €*

7" | 1977 | UK | Original (Harvest)

Release: 1977 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Record is close to VG+.
Small sticker on cover.

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Universal Energy

Release: 1977 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

7" | 1979 | US | Original

Units

Warm Moving Bodies

45,99 €*

7" | 1979 | US | Original

Release: 1979 / US – Original

Genre: Electronic & Dance

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Original Pressing found in drummer Richard Driskell's archives Units were a synth punk band formed in San Francisco in 1978. This was a private release from 1980. "I hate synthesizers but both sides of this make me eat my words. Listen to "I-Night" and re-evaluate the bloated crap that comes out of most electronic groups. Once the singing starts, though, on "Warm Moving Bodies" I throw in the towel. It's some of the lamest vocal arranging ever to be found anywhere and the words are the standard science-art jokes that've gotten as sickly cute as leopard skin on Saturday Night Live. "I-Night" doesn't fall victim to this syndrome, instead letting loose with one of the wildest riffs this side of Metal Urbain. The words are shuddery and bleak, and the vocals tolerable." Slash Magazine, Vol 3 #3

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Units

High Pressure Days

89,99 €*

Digital Stimulation Blue Vinyl Edition

Release: 1979 / US – Original

Genre: Electronic & Dance

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Original Pressing found in drummer Richard Driskell's archives. Come housed in original unstamped paper sleeve. Units were a synth punk band formed in San Francisco in 1978. This was a private release from 1979. "Synthesizer bands don't normally thrill. Rather, they tend to lull the listener, falsifying and distorting the images and ideas at hand. San Francisco's Units are not that kind of synthesizer band. All four songs on this EP (even the instrumental!) are straightforward, exciting, lyrical experiments in understanding the beast and making it rock. Two machines and a drummer. Not pastoral visions but urban ones. Not peaceful, still angry. Not satisfied, still probing and asking questions. New life brought to old techniques. How surprising. How wonderful." New York Rocker, November 1979

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Units

LP+CD | 1980 | US | Reissue (Futurismo)

41,99 €*