Electronic & Dance Vinyl 1304 Items

12" | 1988 | UK | Original (London)

Release: 1970 / EU – Reissue

Genre: Electronic & Dance

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If you check the credits of The Rolling Stones' Goats Head Soup LP from 1973 you'll find a certain "Pascal" listed on the percussion section. That is none other than Los Angeles based artist Nicolas Pascal Raicevik (1933-1994), aka 107-34-8933, aka Head, aka Nik Pascal, aka Nik Raicevic. Besides his hitting the bongoes on the Stones album, Nik was a great artist on his own, both as a painter and as a musician. As a musician, he was a pioneer in the use of synthesizers, preceeding the Berlin school by some years when his Head LP was released on on Buddah in 1970. Buddah probably saw in Head the opportunity to cash in some money from the remains of the psychedelic scene - the three tracks on the LP are named after drugs used in the late sixties. The sounds, however, are accomplished works that show Raicevic as one of the most interesting pioneers in the use of synths. The album probably didn't do too well, since Buddah didn't renew the contract with Raicevic, who instead took his own way releasing his works on his very own Narco Records and Tapes label. Between 1968 and 1975 Narco would issue 4 LPs credited either to Nik Raicevic (Beyond The End... Eternity) or Nik Pascal (The Sixth Ear, Magnetic Web and Zero Gravity) plus one credited to 107-34-8933 (Numbers, which is in fact the same LP as Buddah's Head, albeit with different cover art). Copies of these LPs came with an ironic sticker over the shrinkwrap that read "Do not listen to this LP if you are stoned".

Numbers was the first reference in the Narco catalogue (NR101), each of the three tracks it contains is named after a drug: Cannabis Sativa, Methedrine and Lysergic Acid Diethylamide. The album was credited to 107-34-8933, there is no date of release on the disc, some sources take it as back as 1968 - in any case, this is the same record that was issued on Buddah in 1970 credited to Head and eponymously-titled. The Wah Wah reissue features the original cover artwork from the Narco edition.

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2 Brave

Stop That Girl (Remix)

Release: 1988 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

2 Men A Drum Machine And A Trumpet

I'm Tired Of Getting Pushed Around (Remix)

12" | 1988 | EU | Original (Metronome)

Release: 1988 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1980 | DE | Original (Autobahn)

2 plus 1

Easy Come, Easy Go

12" | 1983 | EU | Original (A&M)

Release: 1980 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Writing on cover

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52nd Street

Cool As Ice

10,99 €*

Release: 1983 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

12" | 1987 | UK | Original (10)

52nd Street

I'll Return

Release: 1987 / UK – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

12" | 1988 | US | Original (Sheik)

Abbe Kanter

Matter Of Time

Release: 1988 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

12" | 1988 | NL | Original (Hip Hop)

Access Denied

Run From The Shot

Release: 1988 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1988 | DE | Original (BCM)

Adams & Fleisner

Space Effects Vol. 3

Release: 1988 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1988 | UK | Original (MCA)

Adrenalin M.O.D.

O-O-O

Release: 1988 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Who's Afraid Of The Big Bad Noise? (Dance Power Mix)

Age Of Chance

12" | 1987 | UK | Original (Virgin)

3,19 €* 3,99 € -20%

Release: 1987 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1984 | FR | Original (RCA)

Agents Aren't Aeroplanes

The Upstroke

Release: 1984 / FR – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

12" | 1984 | UK | Original (Proto)

Agents Aren't Aeroplanes

The Upstroke

LP | 1978 | EU | Reissue (Tokuma)

Release: 1984 / UK – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

Price tag.

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Akio Niitsu

I/O(I･O)

36,99 €*

LP | 1986 | Reissue (Glossy Mistakes)

Release: 1978 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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(Japanese pressing, Official reissue) Brilliant synth prog weirdness from the late 1970s Tokyo. Recorded by the guitarist Akio Niitsu who was compared, not without reason, to Manuel Göttsching. Niitsu has a fairly small discography of only three full-length albums, but his second one - “Pet Step” - was on Tomita’s label and supposedly with the involvement of Haruomi Hosono (this is according to Chee Shimizu who lists it in his “Obscure Music”).

Akio Niitsu's first album, "i/o(i･o)" released in 1978, was produced in a homemade studio that had been converted from a storeroom in his home, and he spent three years doing everything from composition to engineering by himself, using overdubbed guitar recordings. 's first analog re-release has been decided.As a guitar multi-recording album, the idea was realized six years earlier than the album "e2-e4" released in 1984 by Manuel Göttsching, the central figure of "Ash La Tempel", but it was too early. A hidden experimental/ambient gem!The paradoxical sound that makes you feel as if you are lost deep in a labyrinthine forest, combined with Tadanori Yokoo's artwork, is a piece that allows you to enjoy Akio Niitsu's worldview with your ears and eyes.

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Akira Ito

Marine Flowers

29,99 €*

7" | 1974 | US | Reissue (Motown)

Release: 1986 / Reissue

Genre: Electronic & Dance

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Some artists have gained huge recognition, some records have been idealized to the point of becoming cult albums… and that’s exactly the case of Marine Flowers, by Japanese multi artist Akira Ito. An album that is unique, delicate, exploratory… a true one-of-a-kind sonic adventure that 35 years after its first release comes back in the form of a reissue via Glossy Mistakes.

Looking back, Akira Ito’s artistic career began not in music but in acting. Born in Japan in 1945, he developed a prodigious ability to perform and a childhood acting career blossomed. However, as acting gigs dried up, actor/director Shintaro Katsu encouraged him to follow his steps into the music industry. With the rise of Western rock and soul music lighting up Japanese radio, Akira Ito stood to capitalize in the localized mid-60s “Group Sounds” craze by becoming a performing musician, joining touring bands across Japan fusing western and Shōwa-era pop styles.

But Akira’s musical interests changed throughout his life experiences and travels, up to the point when he knew exactly what he wanted to do (without knowing how to do it): healing music. Akira understood that once he set up shop at Hitokuchizaka Studios in Tokyo the work of translating these ideas began in earnest. First, he started his own record label, dubbing it “Green & Water’’ to promote a series of releases that would strike a more organic tone, envisioning a series of Japanese Environmental Music records. Marine Flowers would be one of four self-penned albums on the label dedicated to esoteric symbolism like “Hopi Prophecies”, “Prayers”, and the “Four Corners Of Water”. Originally released in 1986 and on its 35th anniversary, Marine Flowers deserves this fresh reissue, making this masterpiece available for everyone.

Liner notes are written by Diego Olivas, author of the blog Fond/Sond, from an interview with the artist coordinated by Ken Hidaka.

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Al Green

Take Me To The River

11,99 €*

Release: 1974 / US – Reissue

Genre: Electronic & Dance

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LP | 1978 | US | Original (Casablanca)

Alec R. Costandinos

Trocadero Lemon Blue

10,99 €*

Aleem Featuring Leroy Burgess

Release: 1978 / US – Original

Genre: Organic Grooves, Electronic & Dance, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG

Cover with promo stamp on the back. Vinyl close to VG+

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Casually Formal

LP | 1986 | US | Original (Atlantic)

Release: 1986 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: G+

LP | 1983 | US | Reissue (Dark Entries)

Alesia Cosmos

Exclusivo!

21,99 €*

12" | 1986 | EU | Reissue (ZYX)

Release: 1983 / US – Reissue

Genre: Electronic & Dance

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Alésia Cosmos was a collective of musicians led by Bruno de Chénerilles formed in the early 1980s in Strasbourg, France. The group consisted of Pascal Holtzer (guitar, synthesizer, tapes, drum machine, vocals), Pierre Clavreux (vocals, gong), Marie-Berthe Servier (vocals), Bruno (guitar, tapes, synthesizer, drum machine, vocals) and Tunisian percussionist Lotfi Ben Ayed (darbukas, bendir). In 1981 Bruno composed and wrote some sci-fi radio plays for French state radio channel France Culture. Under the influences of William Burroughs, John Cage, Pierre Henry and others, he developed tape music studio work. By 1982 he appeared for the first time under the name Alésia Cosmos Furi Show. It was a solo performance on guitar, voice, analog synth and tapes. This experimental show lead to a music project based on Bruno and Pascal's compositions to be performed and recorded with other musicians in the beginning of 1983.

Exclusivo! was the group’s debut album recorded and self-released in 1983 on Planetarium. Pascal and Bruno would compose tunes in their personal home studios. Then they would bring the tapes, electronics, guitar lines and lyrics to experiment and rehearse with the other members of the group. Improvisations and adaptations brought more ideas and the album was recorded in a few days. The result was a musical mixing of electronic music, field recordings, North African and Asian percussion, electric guitars and voices, compositions and free improvisations. All four musicians take turns singing onomatopoeic phrases and backing vocals, even sometimes in an unknown language, a sort of mixed bag between Breton and Japanese. All songs have been remastered cut by George Horn at Fantasy Studios in Berkeley. Each LP is housed in a replica of the 1983 cover and includes a 6-page insert with photos, lyrics, reviews and liner notes by Bruno de Chénerilles.

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Alex Chroma Band

A New Day

14,99 €*

12" | 1986 | JP | Original (Vanguard)

Release: 1986 / EU – Reissue

Genre: Electronic & Dance, Pop

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Reissue of this italo disco rarity from 1986 with remixes by Flemming Dalum and Rey David Diaz.

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Alisha = Alisha

Baby Talk = ベイビー・トーク

28,99 €*

Dance With Me (Empire Remix)

Release: 1986 / JP – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Cover with OBI has tiny wear.

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Alphaville

12" | 1986 | EU | Original (WEA)

9,99 €*

Release: 1986 / EU – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1980 | EU | Reissue (Our Swimmer)

Alvin Curran

The Works

29,99 €*

LP | 1976 | EU | Reissue (Dialogo)

Release: 1980 / EU – Reissue

Genre: Electronic & Dance

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The Works - one of the most famous pieces by brilliant American composer Alvin Curran - was not created by will and direct purpose but, as the composer himself states, as a “providential accident” which is to say quite organically. Combining piano and voice with found sound and a custom-built Serge modular synthesizer, “The Works” is a slowly developing piece where space and ambient tape are eventually overtaken by raga-esque chanting and frenetic piano playing, where synthesizer washes become full-on workouts all leading to a coda where the listener is “finally carried off on the wheels of the Berlin U-Bahn.” Curran - whose initial training and musical education was as a pianist - had been living in Roma, Italy, in the mid-‘70s returning to his roots and performing regularly in cocktail lounges on Via Veneto. It was this return to piano and vocals that became the genesis for The Works. In relearning the piano, a five-note “motive” took hold. Added to this was “a recording I had made of our 14 year old dachshund Caspar just before he died. It was, in fact, a love song which he persisted in singing all day after meeting a lovely bitch in heat in Piazza Navona. This I knew would be the beginning of the piece.” As the piece expands further the listener will hear “cows munching grass, the Rome-Florence express train, a horse-fly caught against a window pane, my footsteps approaching a Roman fountain and later going up the steps of my old studio, cicadas, an Amsterdam calliope, a tin can being kicked, and a series of sounds from La Serra di Lerici.” Though “The Works” has been performed in many incarnations over the years, it’s this performance - captured on February 24, 1980, and originally released that same year by the short-lived Italian avant-garde label Fore - that is the definitive version, and one of the finest recordings ever made by the celebrated composer.

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Alvin Lucier

Bird And Person Dyning

25,99 €*

12" | 1988 | DE | Original (Memory)

Release: 1976 / EU – Reissue

Genre: Electronic & Dance

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Alvin Lucier (born May 14, 1931) is an American composer of experimental music and sound installations that explore acoustic phenomena and auditory perception. Much of his work is influenced by science and explores the physical properties of sound itself: resonance of spaces, phase interference between closely tuned pitches, and the transmission of sound through physical media. Bird and Person Dyning is his first solo recorded work; originally released on the Italian Cramps Records label as the 11th volume of the Nova Musicha series dedicated to contemporary avant-garde composers, Bird and Person Dyning is now made available again on Dialogo in a faithful reproduction of the original gatefold cover artwork, including also an inner sleeve with the English translation of the liner notes. From the original liner notes of “Bird and Person Dyning”: The Duke of York (1972) “A long time ago I wanted to build a grotesque jukebox. I thought of merging three or four old jukeboxes and then recording sounds on 45s, so that you could mix the sounds together. [...] The original idea of this work was about the power of singers and vedettes in our society and the hypothesis that their vocal personalities are present in our memory at different levels and, in addition, that all of us, living or dead, might somehow be part of a huge composite identity that is constantly changing with the birth and arrival of new people. The Duke of York is an attempt to elaborate these ideas. A single performer chooses and determines the order of an indefinite number of whole songs, speeches, arias, selected excerpts from books, letters, poems, films, plays, TV series or any other vocal sounds, including non-human ones. The actual duration of these sounds is altered by one or more people using synthesisers or other electronic tools, basing their choices on memories or similar experiences. Once altered, for example through a filter, the example can no longer be undone, and other changes must be made to the previous examples. The effect is that of a vocal identity made of layers of separate and partial iden tities. [...] The Duke of York was composed in 1971 and was performed in its current version on 19 February 1972 at the Metropolitan Museum of Modern Art in New York. Bird and Person Dyning (1975) for performers with microphones, amplifiers, speakers and a sound object. One day I got an electronic bird in the mail. It was a silver ball with an electrical cord that, when connected, made a sound similar to that of a chirping bird [...]. A few months later I read an article in «Scientific American» about how certain birds that fly at night, particularly the bunting, cross long distances by partly orienting themselves looking at the position of the stars in relation to the rotation of Earth [...]. I owned a Sennheiser binaural microphone consisting of two mini microphones which, when introduced into the ears of a dummy or a person, faithfully reproduced the sounds as heard when they were bouncing inside the head and in the ear canals. I began experimenting by moving the sounds of the bird between two speakers, listening to them through the two mini microphones inserted in my ears, as I walked slowly through the space between the two speakers. The amplified chirps moved left and right according to my movements, creating small time delays and phase-shifts in relation to the position of the motionless bird. Sometimes the microphones would resonate with the loudspeakers, thus generating a Larsen feedback, and I could control the timbre and volume with small head movements [...]. A performance of Bird and Person Dyning is a live exploration of these phenomena. The title is meant as an exact description of the activity.

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Amadhouse

Shock Me Amadhouse

Release: 1988 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

12" | 1986 | EU | Original (Island)

Amazulu

Too Good To Be Forgotten

Release: 1986 / EU – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1987 | CH | Original (Le Club)

Amii & Claude

Young Boy

Release: 1987 / CH – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1977 | EU | Reissue (Music On Vinyl)

Andre Hazes

Eenzame Kerst

12,14 €* 26,99 € -55%

Release: 1977 / EU – Reissue

Genre: Electronic & Dance

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LP | 1983 | DE | Original (Leo Musik)

André Szigethy

299,99 €*

12" | 1983 | DE | Original (Leo Musik)

Release: 1983 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: Generic

Test Pressing.
Small audible scuff on B1, other wise VG+.
Includes poster and booklet.

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André Szigethy

Geisterfahr'n

Release: 1983 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

Feuer Auf Dem Dach Der Welt

Andreas Hofer

LP | 1987 | CH | Reissue (Second Thoughts / Platform 23)

25,99 €*

Release: 1987 / CH – Reissue

Genre: Electronic & Dance

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Andreas Hofer's first album finally available again. Second Thoughts Records teamed up with Platform 23 Records from London to bring you this beautiful Swiss minimal no wave album.
Contains one unreleased bonus track (only available on vinyl) from the original recording session plus a booklet with pictures of Andreas Hofer's work by Thomas Burla from 1987.
Attentively remastered by Wouter Brandenburg. Designed by Andreas Hofer.

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... Behind The Gardens - Behind The Wall - Under The Tree ...

LP | 1981 | US | Original (CBS)

Release: 1981 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

...Behind The Gardens - Behind The Wall - Under The Tree...

LP | 1981 | DE | Original (CBS)

Release: 1981 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Caverna Magica (...Under The Tree - In The Cave...)

LP | 1983 | EU | Original (CBS)

8,99 €*

Release: 1983 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Caverna Magica (...Under The Tree - In The Cave...)

LP | 1983 | EU | Original (CBS)

Release: 1983 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Cover with sticker

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LP | 1986 | CA | Original (FM)

Down To The Moon

Release: 1986 / CA – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Andrzej Marko / Andre Mikola

Fly Me To The Sun (Coloursound)

LP | 1983 | EU | Reissue (Be With)

27,99 €*

LP | 1978 | DE | Original (Well Known Records)

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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Fly Me To The Sun is a breathtaking German library gem from the hallowed Coloursound label. Originally out in 1983 it features two Polish composers, Andrzej Marko and André Mikola. If outré synth-funk is your thing, you need this record.

Almost blindingly luminous with positive vibes and radiant optimism, Fly Me to the Sun is a collection of funky, sun-dappled compositions for synthesizer and live instruments like drums, bass and guitar. A dope blend of beatbox driven future jazz and electro pop.

The wonderfully sleaze-adjacent opener "Dhamma" includes some grandiose piano chords amid floating ambient sounds a la Steve Hillage with slick drums entering the fray at a languid pace. "Circulation" sounds like Bowie ran into Chaz Jankel during an extended stay in Los Angeles, the Thin White Duke emerging out of a studio at 6am, bleary-eyed and clutching this filthy, bleepy instrumental of sonic smut. "Magic Scenery" is as delicate and astounding as the title suggests, a deep ambient movement conjuring halcyon images of rolling fields with abundant fauna and flora; acid-tinged visions of intense colour and natural beauty. Cool, slo-mo breaks adorn the strutting melancholy of “Longing for Tomorrow” and “Nocturnal Flowers” to close out Side A.

Skip the title track, which opens up Side B, and head straight to “Birth of a Butterfly” for a slice of creeping digi-dub-soul niceness. This should've been front and centre of that Personal Space compilation a decade ago. Raising both the tempo and the temperature, “Riding on a Sunbeam” continues in the mesmerising cosmic funk style before "Osmosis", one of the clear stand-outs, presents a fine vintage synth solo over a mellow funky rubberband beat. The closing track, "Solar Heating", warms things up with slapped bass and bold drum machine beats and the synth lends Sci-Fi vibes to the dark dub-funk-reggae rhythm.

As David Hollander, in Unusual Sounds: The Hidden History of Library Music, states, Coloursound was "founded in 1979 by composer, music lawyer, and vibraphonist Gunter Greffenius. A Munich-based library with a reputation for releasing innovative and ambitious music, it catered largely to the market for experimental sounds, its first release was 1980’s Biomechanoid, an abstract synthesizer excursion by Joel Vandroogenbroeck, of the pioneering kosmische band Brainticket. The record — complete with imposing, anonymous title and unearthly H.R. Giger cover art — set the tone for the label’s progressive leanings. The label’s catalogue stands as a tribute to the unfettered creative license that libraries were able to provide to forward-thinking musicians who, frustrated by the whims and constraints of the commercial scene, found complete freedom in the world of production music."

As with all our library music re-issues, the audio for Fly Me To The Sun comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. Richard Robinson has brought the original Coloursound sleeve back to life in all its metallic silver glory.

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Andy Goldner

∞

Release: 1978 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Small sticker on back cover.

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7" | 1987 | DE | Original (MCA)

Don't Let Me Die Young

Release: 1987 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

7" | 1987 | EU | Original (MCA)

Life Goes On

Release: 1987 / EU – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

7" | 1986 | JP | Original (Atlantic)

Take It Easy

Release: 1986 / JP – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

7" | 1986 | EU | Original (Atlantic)

Take It Easy

Release: 1986 / EU – Original

Genre: Electronic & Dance, Pop, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG

7" | 1986 | JP | Original (MCA)

When The Rain Comes Down

8,99 €*

Release: 1986 / JP – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

7" | 1981 | DE | Original (Hansa)

Aneka

Little Lady

Release: 1981 / DE – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1984 | US | Original (Arista)

Angela Bofill

Let Me Be The One

Release: 1984 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1984 | DE | Original (Mercury)

Animotion

Obsession (Dance Mix)

Release: 1984 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

LP | 1974 | US | Reissue (Fat Possum)

Ann Peebles

I Can't Stand The Rain

30,99 €*

Release: 1974 / US – Reissue

Genre: Electronic & Dance

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LP | 1984 | UK | Reissue (Les Disques Du Crepuscule)

Anna Domino

East & West + Singles

30,99 €*

12" | 1987 | NL | Original (Taurus)

Release: 1984 / UK – Reissue

Genre: Electronic & Dance

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Les Disques du Crepuscule present a new, remastered vinyl edition of East & West, the bittersweet debut album by American singer-songwriter Anna Domino, originally released by the label in 1984.

East & West was recorded in Brussels in 1983 with guest contributions from Virginia Astley, Blaine L. Reininger (of Tuxedomoon) and alt-pop polymath Luc Van Acker. The five tracks on the original mini-album format include her first single Trust, In Love (an NME single of the week), and an exquisite cover of Land Of My Dreams, originally a hit for Aretha Franklin in 1965. Rare b-side track Repeating (from the same sessions) is also now added to the album.

Other bonus tracks include the popular singles Zanna, a 1984 collaboration with Luc Van Acker, and radio hit ‘Rythm’, produced a year later by legendary Telex founder and jazzmeister Marc Moulin. The expanded remaster closes with a previously unreleased demo song called Dream Back, recorded in New York City with her friend Stanton Miranda of Thick Pigeon in 1984.

The album retains the original cover art by Joel Van Audenhaege, and adds new liner notes written by Anna herself.

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Anthony

Africa

17,99 €*

Release: 1987 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1972 | JP | Reissue (P-Vine)

Anthony Moore

Reed Whistle & Sticks

39,99 €*

Release: 1972 / JP – Reissue

Genre: Electronic & Dance

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Reed Whistle & Sticks was released in 1972 in a decade of transition for experimental composer Anthony Moore. Two years after the the album, his bands Henry Cow and Slapp Happy would merge briefly for a run of cult-favourite avant-garde records and swiftly detangle. A year after that, in 1976, he released his fourth solo record Out - its pop sensibilities, albeit avant-inclined, a chasm apart from the raw experimentation of Reed Whistle & Sticks. P-vine is proud to be reissuing Moore’s experiment in texture and looping for the first time on vinyl format, and bring new accessibility to an album that has been almost impossible to source on vinyl for 50 years.

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LP | 1980 | JP | Original (Victor)

Arabesque IV

21,99 €*

Release: 1980 / JP – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing. With OBI. Few paper scuffs. close to NM

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LP | 1980 | JP | Original (Victor)

Arabesque IV

Release: 1980 / JP – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with Obi.

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LP | 1981 | JP | Original (Victor)

Greatest Hits

15,99 €*

Release: 1981 / JP – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Original japanese pressing without obi.

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LP | 1981 | JP | Original (Victor)

Greatest Hits

Release: 1981 / JP – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

with OBI and inserts

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LP | 1981 | JP | Original (Victor)

Greatest Hits

Arabian Prince And The Sheiks, The

Release: 1981 / JP – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.

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Situation Hot

12" | 1986 | EU | Reissue (Rawax)

12,99 €*

Release: 1986 / EU – Reissue

Genre: Electronic & Dance

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Second release on the new Rawax East Coast Edition comes again from The Arabian Prince And The Sheiks! It's the 1986 hit "Situation Hot". The re-mastered black vinyl edition will be out in Novembver 2021. Highly recommemded!

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7" | 1986 | Original (Parlophone)

Goodbye Is Forever

14,99 €*

Release: 1986 / Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

7" | 1986 | JP | Original (EMI)

Goodbye Is Forever

Release: 1986 / JP – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese promo has small punch hole.

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Say The Word (Theme From "Playing For Keeps")

7" | 1986 | US | Original (Atlantic)

Release: 1986 / US – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Record is close to NM.

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7" | 1986 | UK | Original (Parlophone Odeon Series)

The Flame (Remix)

Release: 1986 / UK – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

7" | 1986 | US | Original (Capitol)

The Flame (Remix)

Release: 1986 / US – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

The Promise (Extended Remix)

12" | 1986 | UK | Original (Parlophone Odeon Series)

8,99 €*

Release: 1986 / UK – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

The Promise (Extended Remix)

12" | 1986 | JP | Original (EMI)

56,99 €*

12" | 1988 | UK | Original (MCA)

Release: 1986 / JP – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Japanese pressing. With OBI and insert. Tiny wear. few scuffs.

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Areeba - Reeba

Peanut Vendor

Release: 1988 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Another Night (Zoomin' To The Freeway 12" Mega-Mix)

Aretha Franklin

12" | 1986 | UK | Original (Arista)

Release: 1986 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1975 | EU | Reissue (Wah Wah)

Ariel Kalma

Le Temps Des Moissons

29,99 €*

LP | 1978 | EU | Reissue (Black Sweat)

Release: 1975 / EU – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Record shows scuffs and slight scratches! Cove with some wear and a bent corner!

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Ariel Kalma

Osmose

2LP | 1986 | US | Reissue (Audika)

Release: 1978 / EU – Reissue

Genre: Electronic & Dance

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This single LP reissue of the 1978 double album is a limited edition of 400!

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Arthur Russell

World Of Echo

48,99 €*

12" | 1988 | US | Original (Profile)

Release: 1986 / US – Reissue

Genre: Electronic & Dance

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A remastered and revised artwork edition of the extraordinary World Of Echo album from New York avant-garde cellist, songwriter, composer, and disco visionary Arthur Russell. Originally released in 1986, the album is a deeply meditative and seductive work of awe-inspiring beauty, grace, and passion, performed with just cello, voice, and echoes. Eighteen tracks remastered from Russell’s original 1/4-inch sequenced masters, including drumless versions of his disco classics “Let’s Go Swimming,” “Tree House,” and “Wax The Van,” along with four previously unreleased songs from Sketches From World Of Echo. Edition of 1,000 copies.

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Artz & Kraftz

Burnin' Love

Release: 1988 / US – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Ash Ra Tempel Black Vinyl Edition

Ash Ra Tempel

LP | 1971 | Reissue (MG.Art)

33,99 €*

Join Inn 50th Anniversary Edition

Release: 1971 / Reissue

Genre: Electronic & Dance

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Black Vinyl, Sticker, 50th Anniversary RE-Edition, first-ever official reissue on vinyl since 1975,
Re-Cut carefully overseen by Manuel Göttsching.

TRACKLIST:

A. "Amboss" 19:40
B. "Traummaschine" 25:24

Ash Ra Tempel is the eponymous debut studio album by the Krautrock band Ash Ra Tempel.
It features guitarist Manuel Göttsching with drummer Klaus Schulze and bassist Hartmut Enke.
Engineered by Conny Plank it was recorded in March 1971 and released in June 1971 on Ohr Records.
This 50Th Anniversary Album will be Released in Memoriam of all the Musical Contributors to this Release and on Manuel Göttsching´s MG.ART label.
It´s the fourth and headlining edition in this series and was finalised, carefully overseen by Manuel Göttsching himself in the late Autumn of 2022.

Much has been written about the record and band.

Having finished a first musical chapter with their Steeple Chase Bluesband and still at very young age of only 17 and 18 years old Manuel Göttsching and Hartmut Enke met Klaus Schulze. Together they started to write and and compose what, to many,
became one the holy grails of Psychedelic Rock and early Electronic Music -
the German variant which was later also named "Krautrock":

Ash Ra Tempel´s self-titled first album "Ash Ra Tempel".

"The trio of Klaus Schulze, Manuel Göttsching and Hartmut Enke decided to abandon conventional composition and song writing, in favour of free-form improvising and developing a new musical language. As such, they became notorious for jams that could exceed 30 minutes." Says Discogs. "Some of these recordings can be found on Manuel Göttsching´s "The Private Tapes" releases", which will be re-released on MG.ART as well, following this edition.

"Krautrocksampler" author Julian Cope mentioned it to be "… one of the greatest rock 'n' roll LPs ever made." (Julian Cope Presents Head Heritage | Unsung | Reviews | Ash Ra Tempel - Ash Ra Tempel". 15 March 2000.)

AllMusic called the album "both astonishingly prescient and just flat out good, a logical extension of the space-jam-freakout ethos into rarified realms."

Here we would like the Band to be heard, for what can easily be said as the first time in 50+ years, with the exception of some early Journalists for whom the young Manuel Göttsching wrote a statement of intent (the original text can be found inside this edition) as following:

"Our musical concept is based on a combination of blues rock and delicate collages of electronic sound. These two elements should remain inseparable. And in their complex unity, the different musical philosophies of each musician find a common sweet spot. Our music is a permanently impulsive experience left to develop as it will, starting from a common fixed point of departure. This is where the difficulty of the music begins: No standardized formulation of our music can and should be possible. Only the constant reaction within the band can determine the musical result. And this requires constant listening with full concentration on the part of the creators. The idea of a particular musician will be - if flexible enough - absorbed by the others, transposed to their own instrument, and reflected back into the music as an individual contribution. This reciprocity within the band is then transferred over to the audience. And this process means that their reaction is not only a contribution to the end result; it actually makes them jointly responsible for the creation of the final musical product.
…
On our album, the track "Amboss" represents the first layer. Conventional instruments communicate familiar music which is in part expanded through electronic means. In the second track of the album - "Traummaschine" - the actual basic sound approach is dissolved into an electronic Nirvana which no longer allows the concrete identification of actual instruments. Innocent, virgin listening, free from any and every association, can finally begin - and the music can be absorbed and processed free from the limitations of categorization. That is the purpose of our music: To convey freedom without any predetermined criteria or traditions.

Thank you for your attention."
(Taken from the original A-R-T Bio 1970)

Hartmut Enke, Manuel Göttsching and Klaus Schulze aka. Ash Ra Tempel travelled to Hamburg in March 1971 to record their debut, with assistance of another Icon, legendary engineer Conny Plank.
The rest is history.

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Ash Ra Tempel

LP | 1973 | EU | Reissue (MG.Art)

Seven Up 50th Anniversary Edition

Release: 1973 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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After the 2021 Re-Release of “Schwingungen” (MG.ART612) and together with “Seven Up” (MG.ART613) we proudly announce “JOIN INN” as Part3 of the authorised 50th Anniversary “A.R.T.” Re-Edition Series. “JOIN INN” is the fourth album by Ash Ra Tempel. It was recorded at Studio Dierks and originally released on LP by Ohr Musik-Produktion, catalogue number OMM 556032. Each side of the LP comprises one long track.

In 1972 ASH RA TEMPEL teamed up again with Klaus Schulze during the recording of Walter Wegmüller's Tarot album, and after one of the recording sessions, ASH RA TEMPEL members: Enke, Göttsching and Rosi, together with Klaus decided to "play it again" in a late night session. This recording led to the birth of the “JOIN INN” album, as well as two legendary last concerts in February 1973 in Paris and Cologne.

Manuel Göttsching recalls Hartmut Enke on bass and Klaus Schulze on drums being a dream-team rhythm section for him to play his guitar, especially here to hear on “Freak'n' Roll”, that was ingenious and not to replace ever since. It was the last recording ever where Klaus Schulze (who sadly passed away this Year) played the Drums and also Hartmut (the Hawk) Enke soon after quit the Bass and music forever. Join Inn marks the end of the collaboration with Klaus Schulze. However, together with Ash Ra Tempel, their eponymous first album, which will be released in 2023 as the final edition of our Series, it is considered a highlight of the Krautrock movement. As for the music itself we again refer to Julian Cope´s review from his book “Krautrocksampler” (published by Head Heritage, 1st ed. 1995):
""Freak’n’roll” fades in like it never started - just was always there from the beginning of time, a dry wah-guitar freerock riff-out unlike any of the other Ash Ra Tempel LPs, and not much like any other music. Yes, there are bluesy riff but none of them have a blues context. Manuel Gottsching’s guitar is so confident that he sometimes drops down to a simple major chord groove, whilst the Hawk pushes that round woody bass into strange overlapping rumbling melody. And ... it’s the return of Klaus Schulze on drums which propels “Freak’n’roll” to its height. No-one but Klaus has the ability to transcend rock’n’roll in such an on-the-beat non-groove-y way and still send sparks of light into the cosmos as he does it. "Freak’n’roll” is so egoless that it even works at a quiet volume as meditational music. Themes rise from the high tempo pulse beat, then are carried along the muscles of the song into the main area where the riff actually becomes real and expressionist for just long enough before slipping back into the musical fabric of the song. As usual with Ash Ra Tempel, the other side is an enormous drift piece called “Jenseits (The Next World)”, a beautiful Klaus Schultze meditation of haunting synthesizer chords over which Rosi Muller tells the story of the Cosmic Couriers’ meeting with Timothy Leary. Gradually, the pulsing guitar becomes increasingly intense and turbulent, but Rosi never sounds less than freaked out. Essentially, “Jenseits” is a precursor to Klaus Schulze’s later spacey minor-key grooves. Unfortunately, this was the last Ash Ra Tempel album in its particular ‘series. After “JOIN INN”, Manuel Gottsching took over the Ash Ra Tempel mantle alone.”

Ashra Tempel – Join Inn
HARTMUT ENKE - Gibson bass
MANUEL GÖTTSCHING -guitar
KLAUS SCHULZE-drums, synthesizers & electronics
ROSI MÜLLER-voice

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Ash Ra Tempel

LP | 1973 | EU | Reissue (MG.Art)

LP | 1976 | Reissue (Mr Bongo)

Release: 1973 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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After the 2021 Re-Release of “Schwingungen” (MG.ART612) we proudly announce “Seven Up” as Part 2 of the authorised 50th Anniversary “A.R.T.” Re-Edition Series. “Seven Up” is the third studio album by Ash Ra Tempel and their only album recorded in collaboration with American Ph.D. in psychology, Dr. Timothy Leary. The Coverart for “Seven Up” was designed by famous Swiss Artist Walter Wegmüller. Recorded in August 1972 at Sinus Studio in Berne, Switzerland, remixed September 1972 at Dierks Studios in Stommeln, Germany.

First release in spring 1973 by OHR Musik - the first release on the new sub-label "Kosmische Kuriere", Kat-Nr. KK 58001. We release “Seven Up” in a Re-Cut carefully overseen by Manuel Göttsching himself, on September 9th 2022, also being Manuel Göttsching´s 70th Birthday. Our Edition features the full original text for the “7 levels of consciousness” by Timothy Leary in English, i.e. “Instruction Manual for Pleasure Panel” plus a previously unreleased glimpse view of the original scripts incl. notes and mark ups as well as partly unreleased photos from the recording session.

As for the music itself we again refer to Julian Cope´s review and remarks from his book “Krautrocksampler” (published by Head Heritage, 1st ed. 1995): “When the Leary Mob met the Kaiser Gang, the sparks flew ever Up-wards. 7up is a stone classic in every way. Yes, it is unlikely to find Timothy Leary singing lead vocal in a cosmic group, but even weirder that he chose to sing a wild yelping freaked out blues ! Manuel Göttsching and Hartmut Enke had begun their careers in The Steeple Chase Blues Band back in the mid-'60ies, and they quickly felt their way through what Barritt and Leary were aiming for. They reconciled it all as a kind of West Coast chordless psychedelia, where blues riffs sparkle out of nowhere and the sheer weight of synthesizers renders everything with an unreal Pere Ubu/early Roxy Music quality. The greatness of Ash Ra Tempel burned so brightly on 7Up that there is really nothing else like it.

Hartmut Enke and Manuel Gottsching here returned to their riffy roots. It can hardly be called a retro act, though, as the context of music is everything. And with Dierks at the controls, even the New Kids on the Block would have sounded psychedelic. 7Up is like a late night radio show glimpsed through a shattered tuner where all but the most truly dangerous sounds have been allowed to stay, to drift and to dance around the performers. The result is an extreme gem, a flash of hysterical white lightning, and a pre-punk Technicolour yawn in the grandest of traditions. In typical Ash Ra Tempel style, the record is divided into two pieces, “Space” and "Time”. Within this, though, Timothy Leary’s ideas are allowed to free-flow and the two sides are therefore divided into mini-songs all segued together. The highlight of Side 1 is “Power Drive”, a West Coast burn-up that transcends any W. Coast music I ever did hear. Leary and Barritt present the greatest twin-vocal of all time, coming on like Jagger and Morrison but too caught up in their own maelstrom to be anything less than Heralds of the Punkfuture still five years away. In chaos it was conceived and in chaos it was recorded. Yet Dieter Dierks, the great Aural Architect of the Cosmic Couriers, turned 7Up into a personal triumph and a Kosmische dream.”

Ash Ra Tempel – “Seven Up”
TIMOTHY LEARY - voice
BRIAN BARRITT - voice
MICKY DUWE - voice & flute
LIZ ELLIOTT - voice
BETTINA HOHLS - voice
PORTIA NKOMO - voice
HARTMUT "HAWK" ENKE - bass, guitar & electronics
MANUEL GÖTTSCHING - guitar & electronics
STEVE A. - organ & electronics
DIETMAR BURMEISTER - drums
TOMMY ENGEL - drums
DIETER DIERKS - synthesizer & Radio Downtown

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Picture
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Asha Puthli

Devil Is Loose

25,99 €*

Release: 1976 / Reissue

Genre: Electronic & Dance

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Preorder shipping from 2024-09-13

LP | 1983 | EU | Reissue (Bureau B)

Asmus Tietchens

Litia

27,99 €*

No Rhyme, No Reason (Dance Mix)

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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180g vinyl!

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Atelier Folie

12" | 1983 | EU | Original (WEA)

7" | 1978 | DE | Original (EMI)

Release: 1983 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Small light scuff on side B.
Record is close to VG+.
Small sticker on cover.

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Ayisha

Space Man

49,99 €*

2LP | 1983 | EU | Reissue (Morning Trip)

Release: 1978 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Cover with faint ring wear and small sticker.

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Aziz & Friends

Waves Of Peace

38,99 €*

LP | 1983 | NL | Original (Mercury)

Release: 1983 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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1983’s Waves of Peace is an album of gentle reflection. The sound of ocean waves permeates every track. Sitar, tambura, synthesizer, and bamboo flute are among the instruments that Aziz & Friends use to conjure their blissful oceanic meditation.

Aziz reminisces: “Waves of Peace was born in the beautiful oceanside town of Santa Cruz, California. Living there in 1982 was the first timeI had ever lived so close to the ocean. I would walk down to the beach on a daily basis. Nature has always been a major source of inspiration in my quest to create beautiful original music. Equally important to me has been recognizing the healing potential of harmonious sound. This potential was made clear to me through my illuminating work with the Sufi order, as well as various modern dance companies. Finally, my music has always been shaped by my lifelong commitment to peace and non-violence. With all of these things in mind, drawing inspiration from the nearby ocean and the growing popularity of New Age music, I produced Waves of Peace.

Waves of Peace was my first album to combine instrumental music with the sounds of nature. Graced by the presence of some truly exceptional local musicians, most of the music was performed and recorded live in the studio. Waves of Peace was created to facilitate relaxation, meditation, healing, and awakening for the body, mind, heart and soul. Let the rhythmic waves of the ocean nourish and inspire you to find your peace within”. - Aziz Paige, 2022

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Azul Y Negro

Digital

12" | 1983 | IT | Original (Zanza)

Release: 1983 / NL – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+

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B.B. & Band

Hold Me Tight

7" | 1981 | US | Reissue (Superior Viaduct)

Release: 1983 / IT – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Italo-Disco

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B.C. Gilbert / G. Lewis

Ends With The Sea

13,99 €*

12" | 1987 | DE | Original (Streetheat Music)

Release: 1981 / US – Reissue

Genre: Electronic & Dance

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Bruce Gilbert and Graham Lewis have always juggled darkness and light in their various collaborations (Dome, Cupol, etc.); Gilbert’s pointillist melodicism counterbalanced by Lewis’s menacing bass and sardonic lyrics. While the duo explores cinematic soundscapes on their album 3R4, here they return to more song-based territory with icy vocals, detached guitar lines and even a faint industrial vibe. Ends With the Sea provides a vital glimpse into the creative forces that even a band as daring and inventive as Wire could not contain. This first-time vinyl reissue is recommended for fans of SPK, Chris Carter, and Einstürzende Neubauten.

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|B|R|O|N|X|

Pumps Up The Volume

Be Gentle (European Club Mix)

Release: 1987 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Sticker on cover.

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B.V.S.M.P.

12" | 1988 | EU | Original (BCM)

7" | 1986 | GDR | Reissue (AMIGA)

Release: 1988 / EU – Original

Genre: Hip Hop, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

With poster.

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Bad Boys Blue

Release: 1986 / GDR – Reissue

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

12" | 1987 | UK | Original (Big Top)

Badamas

One Man Isn't Enough

9,99 €*

Release: 1987 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1984 | DE | Original (Metronome)

12,99 €*

Release: 1984 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 1984 | DE | Original (Metronome)

12,99 €*

Release: 1984 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Including poster.

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12" | 1987 | DE | Original (Metronome)

I Can't Help It

Release: 1987 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1988 | EU | Original (Metronome)

I Want You Back

Release: 1988 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1987 | DE | Original (Metronome)

Wow!

Do They Know It's Christmas?

Release: 1987 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

Sleeve has water damage

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Band Aid

12" | 1984 | JP | Original (Phonogram)

12" | 1988 | DE | Original (Teldec)

Release: 1984 / JP – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Cover has slight ring wear.

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Bappi Lahiri

Habiba

5,99 €*

Release: 1988 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1987 | CA | Original (Power)

Barbara Doust

If You Love Somebody

Release: 1987 / CA – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1988 | US | Original (Synthicide)

Bardeux

Bleeding Heart

11,99 €*

Release: 1988 / US – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1988 | JP | Original (Synthicide)

Bardeux

Bold As Love

22,99 €*

12" | 1987 | US | Original (Rock Well)

Release: 1988 / JP – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing with OBI and insert. Cover close to NM

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Bassix

The Tears Of A Clown

Release: 1987 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | 1988 | EU | Reissue (I.D. Limited)

Beachfront

Once In A Lifetime

17,99 €*

Release: 1988 / EU – Reissue

Genre: Electronic & Dance

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