Electronic & Dance Vinyl 1243 Items

LP | 1970 | EU | Reissue (Wah Wah)

Release: 1985 / BE – Original

Genre: Rock & Indie, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG

Damaged label (plain, no text)

Go to Item

107-34-8933

Numbers

20,99 €*

12" | 1988 | UK | Original (London)

Release: 1970 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

If you check the credits of The Rolling Stones' Goats Head Soup LP from 1973 you'll find a certain "Pascal" listed on the percussion section. That is none other than Los Angeles based artist Nicolas Pascal Raicevik (1933-1994), aka 107-34-8933, aka Head, aka Nik Pascal, aka Nik Raicevic. Besides his hitting the bongoes on the Stones album, Nik was a great artist on his own, both as a painter and as a musician. As a musician, he was a pioneer in the use of synthesizers, preceeding the Berlin school by some years when his Head LP was released on on Buddah in 1970. Buddah probably saw in Head the opportunity to cash in some money from the remains of the psychedelic scene - the three tracks on the LP are named after drugs used in the late sixties. The sounds, however, are accomplished works that show Raicevic as one of the most interesting pioneers in the use of synths. The album probably didn't do too well, since Buddah didn't renew the contract with Raicevic, who instead took his own way releasing his works on his very own Narco Records and Tapes label. Between 1968 and 1975 Narco would issue 4 LPs credited either to Nik Raicevic (Beyond The End... Eternity) or Nik Pascal (The Sixth Ear, Magnetic Web and Zero Gravity) plus one credited to 107-34-8933 (Numbers, which is in fact the same LP as Buddah's Head, albeit with different cover art). Copies of these LPs came with an ironic sticker over the shrinkwrap that read "Do not listen to this LP if you are stoned".

Numbers was the first reference in the Narco catalogue (NR101), each of the three tracks it contains is named after a drug: Cannabis Sativa, Methedrine and Lysergic Acid Diethylamide. The album was credited to 107-34-8933, there is no date of release on the disc, some sources take it as back as 1968 - in any case, this is the same record that was issued on Buddah in 1970 credited to Head and eponymously-titled. The Wah Wah reissue features the original cover artwork from the Narco edition.

Go to Item

2 Brave

Stop That Girl (Remix)

Release: 1988 / UK – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG

2 Men A Drum Machine And A Trumpet

I'm Tired Of Getting Pushed Around (Remix)

12" | 1988 | EU | Original (Metronome)

Release: 1988 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG

LP | 1980 | DE | Original (Autobahn)

2 plus 1

Easy Come, Easy Go

12" | 1987 | UK | Original (10)

Release: 1980 / DE – Original

Genre: Organic Grooves, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG

Writing on cover

Go to Item

52nd Street

I'll Return

Release: 1987 / UK – Original

Genre: Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG

Against The Dark Trees Beyond

A Blaze Colour

LP | 1982 | EU | Reissue (Onderstroom)

24,99 €*

12" | 1988 | US | Original (Sheik)

Release: 1982 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Sought-after Belgian minimal synth finally reissued.

They were interesting times, the early eighties. Against a backdrop of cold war and economic crises, the DIY attitude of the earlier punk movement had spawned near countless new genres where artists and bands broke the three-chord guitar mould and experimented with new content matter, singular song structures and – in many cases – new instruments. Synthesizers became affordable and were no longer the sole privilege of rock millionaires. All around the globe, musical creativity boomed as never before, and Belgium was no exception: Digital Dance, Snowy Red, The Names, Pseudocode, Marine, 1000 Ohm, De Kommeniste, M.Bryo & D.M.T., De Brassers, Struggler, Siglo XX are but a few legendary names of bands and artists who started making a name for themselves.

In Leuven, things were happening as well. Until then, the music scene in this rather provincial town had been dominated by straightforward rock and blues acts. Not for much longer, though: in places like Arno'z and (later) The Gladhouse, where young budding artists met with kindred spirits, bands were often formed on the spot and, more importantly, started to make ripples.

Ludo Camberlin and Karel 'Bam' Saelemaekers already had a certain track record in Leuven's burgeoning music microcosm. But what they shared would become the cornerstone of A Blaze Colour (Against The Dark Trees Beyond): a fascination for new forms and instruments, a penchant for sonic adventure and a profound love for gripping songs. The full band name, by the way, was inspired by a phrase from the Irish-American novelist J.P. Donleavy, a writer who belongs in the definitely-worth-checking-out section.

Go to Item

Abbe Kanter

Matter Of Time

Release: 1988 / US – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG

LP | 1982 | JP | Original (Mercury)

ABC

The Lexicon Of Love

Release: 1982 / JP – Original

Genre: Rock & Indie, Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG

The Look Of Love (Parts One And Two)

ABC

7" | 1982 | JP | Original (Mercury)

12" | 1987 | UK | Original (Neutron)

Release: 1982 / JP – Original

Genre: Rock & Indie, Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

close to NM

Go to Item

ABC

When Smokey Sings

7,99 €*

Release: 1987 / UK – Original

Genre: Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: Near Mint, Cover: VG+

12" | 1988 | NL | Original (Hip Hop)

Access Denied

Run From The Shot

Release: 1988 / NL – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG

LP | 1988 | DE | Original (BCM)

Adams & Fleisner

Space Effects Vol. 3

Release: 1988 / DE – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG

12" | 1988 | UK | Original (MCA)

Adrenalin M.O.D.

O-O-O

Release: 1988 / UK – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: Generic

Burkina Faso (Wagadugu Blues)

Adu

12" | 1982 | UK | Reissue (Emotional Rescue)

15,99 €*

Watching The Dance Silver Colored Vinyl Edition

Release: 1982 / UK – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Emotional Rescue can be relied on to dig up obscure, left of centre dance gems and serve them up to newer, wider audiences. Adu's reggae-pop cut 'Burkina Faso' is a great example, re-purposed for the dancefloor without any of its original flavour lost in the overhaul. A South Saharan/West African emigre to Brixton, Rauf Adu would go on to fairly sizeable European fame with the Eddy Grant-esque 'Human To Human'. This, however, is his 1982 debut for Copasetic Records, another reggae-pop inspired, ludicrously catchy effort with scorched electric guitar and a Compass Point-style drum/bassline providing rhythmic rocksteadiness. As well as the buffed up original, there's a dub mix, which gives his beautiful guitar plenty of room to breathe, and an appearance from the Isle of Jura Sound System boss Kevin Griffiths , whose remix completes the trio of mixes.

Go to Item

Aerial Fx

LP | 1982 | EU (Radiation Reissues)

22,99 €*

LP | 1982 | EU | Original (CBS)

Release: 1982 / EU

Genre: Rock & Indie, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Moody Oxford post-punk quintet Exit 13 became Aerial FX at the dawning of the 1980s, the promise of their minimal sound, with its prominent synthesizers, yielding a publishing deal with Island Records and an early single released by the label. Debut album Watching The Dance has shades of dark synth pop and Goth, with future Radiohead manager/producer Chris Hufford firmly in the spotlight throughout. The influence of acts like Van Der Graaf Generator, Modern Eon and others lurk beneath this hidden Cold Wave gem.

Go to Item

After The Fire

Der Kommissar

5,99 €*

Release: 1982 / EU – Original

Genre: Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG

Who's Afraid Of The Big Bad Noise? (Dance Power Mix)

Age Of Chance

12" | 1987 | UK | Original (Virgin)

2,99 €* 3,99 € -25%

Release: 1987 / UK – Original

Genre: Rock & Indie, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

LP | 1985 | DE | Original (Polydor)

Agnetha Fältskog

Eyes Of A Woman

Release: 1985 / DE – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG

LP | 1978 | EU | Reissue (Tokuma)

Akio Niitsu

I/O(I･O)

36,99 €*

LP | 1986 | Reissue (Glossy Mistakes)

Release: 1978 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

(Japanese pressing, Official reissue) Brilliant synth prog weirdness from the late 1970s Tokyo. Recorded by the guitarist Akio Niitsu who was compared, not without reason, to Manuel Göttsching. Niitsu has a fairly small discography of only three full-length albums, but his second one - “Pet Step” - was on Tomita’s label and supposedly with the involvement of Haruomi Hosono (this is according to Chee Shimizu who lists it in his “Obscure Music”).

Akio Niitsu's first album, "i/o(i･o)" released in 1978, was produced in a homemade studio that had been converted from a storeroom in his home, and he spent three years doing everything from composition to engineering by himself, using overdubbed guitar recordings. 's first analog re-release has been decided.As a guitar multi-recording album, the idea was realized six years earlier than the album "e2-e4" released in 1984 by Manuel Göttsching, the central figure of "Ash La Tempel", but it was too early. A hidden experimental/ambient gem!The paradoxical sound that makes you feel as if you are lost deep in a labyrinthine forest, combined with Tadanori Yokoo's artwork, is a piece that allows you to enjoy Akio Niitsu's worldview with your ears and eyes.

Go to Item

Akira Ito

Marine Flowers

29,99 €*

7" | 1974 | US | Reissue (Motown)

Release: 1986 / Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Some artists have gained huge recognition, some records have been idealized to the point of becoming cult albums… and that’s exactly the case of Marine Flowers, by Japanese multi artist Akira Ito. An album that is unique, delicate, exploratory… a true one-of-a-kind sonic adventure that 35 years after its first release comes back in the form of a reissue via Glossy Mistakes.

Looking back, Akira Ito’s artistic career began not in music but in acting. Born in Japan in 1945, he developed a prodigious ability to perform and a childhood acting career blossomed. However, as acting gigs dried up, actor/director Shintaro Katsu encouraged him to follow his steps into the music industry. With the rise of Western rock and soul music lighting up Japanese radio, Akira Ito stood to capitalize in the localized mid-60s “Group Sounds” craze by becoming a performing musician, joining touring bands across Japan fusing western and Shōwa-era pop styles.

But Akira’s musical interests changed throughout his life experiences and travels, up to the point when he knew exactly what he wanted to do (without knowing how to do it): healing music. Akira understood that once he set up shop at Hitokuchizaka Studios in Tokyo the work of translating these ideas began in earnest. First, he started his own record label, dubbing it “Green & Water’’ to promote a series of releases that would strike a more organic tone, envisioning a series of Japanese Environmental Music records. Marine Flowers would be one of four self-penned albums on the label dedicated to esoteric symbolism like “Hopi Prophecies”, “Prayers”, and the “Four Corners Of Water”. Originally released in 1986 and on its 35th anniversary, Marine Flowers deserves this fresh reissue, making this masterpiece available for everyone.

Liner notes are written by Diego Olivas, author of the blog Fond/Sond, from an interview with the artist coordinated by Ken Hidaka.

Go to Item

Al Green

Take Me To The River

11,99 €*

Release: 1974 / US – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1985 | YU | Original (Suzy)

Al Jarreau

In London

Release: 1985 / YU – Original

Genre: Organic Grooves, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: G+

LP | 1982 | EU | Reissue (Libreville)

Albert Alan Owen

Following The Light

Rockmantico Red Vinyl Edtion

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Lovely crafted tip-on sleeve. Remastered from the master tapes. 600 copies.

Recorded in 1982, Following The Light is the third album british composer Albert Alan Owen recorded for the Apollo Sound Label.
Originally a Library oriented Music label, Apollo Sound by the mid 70s commissioned contemporary musical pieces from new composers, aiming presumably to provide atmospheric backgrounds for film, television and advertising, and to feed the burgeoning demand for ‘New Age’ music. Therefore comes Following The Light.
While certainly melodic, Owen’s music makes no concessions to mid-afternoon mindfulness or commercial use and reuse. Instead, Following The Light - whose title is taken from the Tao. Number 27 - is a deep and immersive listening experience, clearly the work of a singular musical imagination following its own rules in its own way.
With the help of Katherine Sweeney on violin and Milada Polasek on electric piano and organ, Albert Alan Owen recorded Following The Light in “live” conditions, taking profit of a strong use of the digital effects which were in its infancy at this time; the music was written to make the most of what technology was available, resulting a singular piece of music of sheer beauty
The record demands to be considered as a stand-alone unit, its three sections unfolding elegant and propulsive by turns, as reoccurring themes answer each other through the layers. There are echoes of Reich and Riley in the use of delay, that warm rolling repetition and those bass pulses. But this is not in the service of a system. There is something more lyrical, more humane at work in the music.
With Following the Light, Albert Alan Owen has given us a record that stands outside of time and place, it’s familiar elements made strange and new, all bathed in magic hour light.

Go to Item

Alberto Camerini

LP | 1982 | EU | Reissue (Catalog)

24,99 €*

Release: 1982 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1978 | US | Original (Casablanca)

Alec R. Costandinos

Trocadero Lemon Blue

10,99 €*

Aleem Featuring Leroy Burgess

Release: 1978 / US – Original

Genre: Organic Grooves, Electronic & Dance, Soundtracks

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG

Cover with promo stamp on the back. Vinyl close to VG+

Go to Item

Casually Formal

LP | 1986 | US | Original (Atlantic)

Release: 1986 / US – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: G+

2LP | 1985 | EU | Reissue (Rotorelief)

Picture
Coming Soon

Alesia Cosmos

Aeroproducts

39,99 €*

Release: 1985 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-08-02

12" | 1986 | EU | Reissue (ZYX)

Alex Chroma Band

A New Day

Computer Sourire Clear Vinyl Edtion

Release: 1986 / EU – Reissue

Genre: Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Reissue of this italo disco rarity from 1986 with remixes by Flemming Dalum and Rey David Diaz.

Go to Item

Alexander Robotnick

LP | 1985 | EU | Reissue (Lantern)

12" | 1986 | JP | Original (Vanguard)

Release: 1985 / EU – Reissue

Genre: Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Fully remastered and licensed, ltd to 500 copies on clear vinyl Yet another chapter in the ongoing Alexander Robotnick saga. Electronic wizard Maurizio Dami licensed his second single in 1983 on Materiali Sonori ‘club series’ Fuzz Dance. After the surprising and astonishing success of the debut - Problèmes D'Amour – Robotnick became a sort of cult figure even in the United States and soon was labeled as a forerunner of the electro movement.

Go to Item

Alisha = Alisha

Baby Talk = ベイビー・トーク

28,99 €*

12" | 1985 | DE | Original (Vanguard)

Release: 1986 / JP – Original

Genre: Organic Grooves, Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: Near Mint, Cover: Near Mint

Cover with OBI has tiny wear.

Go to Item

Alisha

Boys Will Be Boys

Release: 1985 / DE – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

For You Only (Extended New Version)

Alison Moyet

12" | 1985 | EU | Original (CBS)

Dance With Me (Empire Remix)

Release: 1985 / EU – Original

Genre: Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: Near Mint, Cover: VG+

Small sticker on cover.

Go to Item

Alphaville

12" | 1986 | EU | Original (WEA)

Release: 1986 / EU – Original

Genre: Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG

7" | 1985 | EU | Original (WEA)

Alphaville

Jet Set

Release: 1985 / EU – Original

Genre: Electronic & Dance, Pop, Soundtracks

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG

LP | 1980 | EU | Reissue (Our Swimmer)

Alvin Curran

The Works

29,99 €*

LP | 1976 | EU | Reissue (Dialogo)

Release: 1980 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Works - one of the most famous pieces by brilliant American composer Alvin Curran - was not created by will and direct purpose but, as the composer himself states, as a “providential accident” which is to say quite organically. Combining piano and voice with found sound and a custom-built Serge modular synthesizer, “The Works” is a slowly developing piece where space and ambient tape are eventually overtaken by raga-esque chanting and frenetic piano playing, where synthesizer washes become full-on workouts all leading to a coda where the listener is “finally carried off on the wheels of the Berlin U-Bahn.” Curran - whose initial training and musical education was as a pianist - had been living in Roma, Italy, in the mid-‘70s returning to his roots and performing regularly in cocktail lounges on Via Veneto. It was this return to piano and vocals that became the genesis for The Works. In relearning the piano, a five-note “motive” took hold. Added to this was “a recording I had made of our 14 year old dachshund Caspar just before he died. It was, in fact, a love song which he persisted in singing all day after meeting a lovely bitch in heat in Piazza Navona. This I knew would be the beginning of the piece.” As the piece expands further the listener will hear “cows munching grass, the Rome-Florence express train, a horse-fly caught against a window pane, my footsteps approaching a Roman fountain and later going up the steps of my old studio, cicadas, an Amsterdam calliope, a tin can being kicked, and a series of sounds from La Serra di Lerici.” Though “The Works” has been performed in many incarnations over the years, it’s this performance - captured on February 24, 1980, and originally released that same year by the short-lived Italian avant-garde label Fore - that is the definitive version, and one of the finest recordings ever made by the celebrated composer.

Go to Item

Alvin Lucier

Bird And Person Dyning

12" | 1988 | DE | Original (Memory)

Release: 1976 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Alvin Lucier (born May 14, 1931) is an American composer of experimental music and sound installations that explore acoustic phenomena and auditory perception. Much of his work is influenced by science and explores the physical properties of sound itself: resonance of spaces, phase interference between closely tuned pitches, and the transmission of sound through physical media. Bird and Person Dyning is his first solo recorded work; originally released on the Italian Cramps Records label as the 11th volume of the Nova Musicha series dedicated to contemporary avant-garde composers, Bird and Person Dyning is now made available again on Dialogo in a faithful reproduction of the original gatefold cover artwork, including also an inner sleeve with the English translation of the liner notes. From the original liner notes of “Bird and Person Dyning”: The Duke of York (1972) “A long time ago I wanted to build a grotesque jukebox. I thought of merging three or four old jukeboxes and then recording sounds on 45s, so that you could mix the sounds together. [...] The original idea of this work was about the power of singers and vedettes in our society and the hypothesis that their vocal personalities are present in our memory at different levels and, in addition, that all of us, living or dead, might somehow be part of a huge composite identity that is constantly changing with the birth and arrival of new people. The Duke of York is an attempt to elaborate these ideas. A single performer chooses and determines the order of an indefinite number of whole songs, speeches, arias, selected excerpts from books, letters, poems, films, plays, TV series or any other vocal sounds, including non-human ones. The actual duration of these sounds is altered by one or more people using synthesisers or other electronic tools, basing their choices on memories or similar experiences. Once altered, for example through a filter, the example can no longer be undone, and other changes must be made to the previous examples. The effect is that of a vocal identity made of layers of separate and partial iden tities. [...] The Duke of York was composed in 1971 and was performed in its current version on 19 February 1972 at the Metropolitan Museum of Modern Art in New York. Bird and Person Dyning (1975) for performers with microphones, amplifiers, speakers and a sound object. One day I got an electronic bird in the mail. It was a silver ball with an electrical cord that, when connected, made a sound similar to that of a chirping bird [...]. A few months later I read an article in «Scientific American» about how certain birds that fly at night, particularly the bunting, cross long distances by partly orienting themselves looking at the position of the stars in relation to the rotation of Earth [...]. I owned a Sennheiser binaural microphone consisting of two mini microphones which, when introduced into the ears of a dummy or a person, faithfully reproduced the sounds as heard when they were bouncing inside the head and in the ear canals. I began experimenting by moving the sounds of the bird between two speakers, listening to them through the two mini microphones inserted in my ears, as I walked slowly through the space between the two speakers. The amplified chirps moved left and right according to my movements, creating small time delays and phase-shifts in relation to the position of the motionless bird. Sometimes the microphones would resonate with the loudspeakers, thus generating a Larsen feedback, and I could control the timbre and volume with small head movements [...]. A performance of Bird and Person Dyning is a live exploration of these phenomena. The title is meant as an exact description of the activity.

Go to Item

Amadhouse

Shock Me Amadhouse

Release: 1988 / DE – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: Generic

12" | 1986 | EU | Original (Island)

Amazulu

Too Good To Be Forgotten

Release: 1986 / EU – Original

Genre: Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

12" | 1987 | CH | Original (Le Club)

Amii & Claude

Young Boy

7,99 €*

Release: 1987 / CH – Original

Genre: Organic Grooves, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG

Amii Stewart And Mike Francis

Together

12" | 1985 | DE | Original (RCA)

LP | 1977 | EU | Reissue (Music On Vinyl)

Release: 1985 / DE – Original

Genre: Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: Near Mint, Cover: VG+

Small sticker on cover.

Go to Item

Andre Hazes

Eenzame Kerst

10,79 €* 26,99 € -60%

Release: 1977 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1982 | EU | Reissue (Music On Vinyl)

Andre Hazes

Met Liefde

11,60 €* 26,99 € -57%

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Feuer Auf Dem Dach Der Welt

Andreas Hofer

LP | 1987 | CH | Reissue (Second Thoughts / Platform 23)

... Behind The Gardens - Behind The Wall - Under The Tree ...

Release: 1987 / CH – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Andreas Hofer's first album finally available again. Second Thoughts Records teamed up with Platform 23 Records from London to bring you this beautiful Swiss minimal no wave album.
Contains one unreleased bonus track (only available on vinyl) from the original recording session plus a booklet with pictures of Andreas Hofer's work by Thomas Burla from 1987.
Attentively remastered by Wouter Brandenburg. Designed by Andreas Hofer.

Go to Item

Andreas Vollenweider

LP | 1981 | US | Original (CBS)

Release: 1981 / US – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG

...Behind The Gardens - Behind The Wall - Under The Tree...

Andreas Vollenweider

LP | 1981 | DE | Original (CBS)

Release: 1981 / DE – Original

Genre: Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

LP | 1986 | CA | Original (FM)

Andreas Vollenweider

Down To The Moon

Release: 1986 / CA – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 1978 | DE | Original (Well Known Records)

Andy Goldner

∞

19,99 €*

Release: 1978 / DE – Original

Genre: Rock & Indie, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: Near Mint, Cover: Near Mint

Small sticker on back cover.

Go to Item

7" | 1987 | DE | Original (MCA)

Don't Let Me Die Young

Release: 1987 / DE – Original

Genre: Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

7" | 1987 | EU | Original (MCA)

Life Goes On

Release: 1987 / EU – Original

Genre: Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: Near Mint, Cover: VG+

7" | 1986 | JP | Original (Atlantic)

Take It Easy

7,99 €*

Release: 1986 / JP – Original

Genre: Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

7" | 1986 | EU | Original (Atlantic)

Take It Easy

Release: 1986 / EU – Original

Genre: Electronic & Dance, Pop, Soundtracks

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG

7" | 1986 | JP | Original (MCA)

When The Rain Comes Down

Release: 1986 / JP – Original

Genre: Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

7" | 1981 | DE | Original (Hansa)

Aneka

Little Lady

Release: 1981 / DE – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG

12" | 1985 | UK | Original (Passion)

Angie Gold

Timebomb

4,74 €* 4,99 € -5%

Release: 1985 / UK – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG

Love Is Just The Great Pretender

Animal Nightlife

2x12" | 1985 | UK | Original (Island)

Release: 1985 / UK – Original

Genre: Organic Grooves, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG

12" | 1985 | UK | Original (Island)

Animal Nightlife

Preacher, Preacher

Release: 1985 / UK – Original

Genre: Organic Grooves, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG

LP | 1974 | US | Reissue (Fat Possum)

Ann Peebles

I Can't Stand The Rain

30,99 €*

Release: 1974 / US – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Anna Homler And Steve Moshier

Breadwoman & Other Tales

LP | 1985 | US | Reissue (Rvng Intl.)

30,99 €*

12" | 1985 | JP | Original (Epic/Sony)

Release: 1985 / US – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

Cover is close to NM. Original inner sleeve. with booklet. 2016 reissue.

Go to Item

Annie

DJ In My Life

12" | 1987 | NL | Original (Taurus)

Release: 1985 / JP – Original

Genre: Organic Grooves, Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: Near Mint, Cover: VG+

With OBI. Vinyl seems unplayed. Cover is close to NM.

Go to Item

Anthony

Africa

17,99 €*

Release: 1987 / NL – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG

LP | 1972 | JP | Reissue (P-Vine)

Anthony Moore

Reed Whistle & Sticks

39,99 €*

Release: 1972 / JP – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Reed Whistle & Sticks was released in 1972 in a decade of transition for experimental composer Anthony Moore. Two years after the the album, his bands Henry Cow and Slapp Happy would merge briefly for a run of cult-favourite avant-garde records and swiftly detangle. A year after that, in 1976, he released his fourth solo record Out - its pop sensibilities, albeit avant-inclined, a chasm apart from the raw experimentation of Reed Whistle & Sticks. P-vine is proud to be reissuing Moore’s experiment in texture and looping for the first time on vinyl format, and bring new accessibility to an album that has been almost impossible to source on vinyl for 50 years.

Go to Item

LP | 1980 | JP | Original (Victor)

Arabesque IV

21,99 €*

Release: 1980 / JP – Original

Genre: Organic Grooves, Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing. With OBI. Few paper scuffs. close to NM

Go to Item

LP | 1980 | JP | Original (Victor)

Arabesque IV

19,99 €*

Release: 1980 / JP – Original

Genre: Organic Grooves, Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with Obi.

Go to Item

LP | 1981 | JP | Original (Victor)

Greatest Hits

15,99 €*

Release: 1981 / JP – Original

Genre: Organic Grooves, Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

Original japanese pressing without obi.

Go to Item

LP | 1981 | JP | Original (Victor)

Greatest Hits

Arabian Prince And The Sheiks, The

Release: 1981 / JP – Original

Genre: Organic Grooves, Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.

Go to Item

Situation Hot

12" | 1986 | EU | Reissue (Rawax)

12,99 €*

Release: 1986 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Second release on the new Rawax East Coast Edition comes again from The Arabian Prince And The Sheiks! It's the 1986 hit "Situation Hot". The re-mastered black vinyl edition will be out in Novembver 2021. Highly recommemded!

Go to Item

7" | 1985 | UK | Original (Parlophone)

Release: 1985 / UK – Original

Genre: Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG

7" | 1985 | US | Original (Capitol)

Release: 1985 / US – Original

Genre: Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

12" | 1985 | UK | Original (Parlophone Odeon Series)

Release: 1985 / UK – Original

Genre: Rock & Indie, Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG

7" | 1985 | JP | Original (EMI)

11,99 €*

Release: 1985 / JP – Original

Genre: Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

Japanese promo has small punch hole.

Go to Item

7" | 1985 | JP | Original (EMI)

Release: 1985 / JP – Original

Genre: Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: Near Mint, Cover: VG+

7" | 1986 | Original (Parlophone)

Goodbye Is Forever

Release: 1986 / Original

Genre: Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

7" | 1986 | JP | Original (EMI)

Goodbye Is Forever

Release: 1986 / JP – Original

Genre: Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese promo has small punch hole.

Go to Item

Say The Word (Theme From "Playing For Keeps")

7" | 1986 | US | Original (Atlantic)

Election Day / Life's What You Make It

Release: 1986 / US – Original

Genre: Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

Record is close to NM.

Go to Item

Arcadia / Talk Talk

7" | 1985 | IT | Original (EMI)

Release: 1985 / IT – Original

Genre: Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

7" | 1986 | UK | Original (Parlophone Odeon Series)

The Flame (Remix)

Release: 1986 / UK – Original

Genre: Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

7" | 1986 | US | Original (Capitol)

The Flame (Remix)

Release: 1986 / US – Original

Genre: Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

7" | 1985 | DE | Original (Parlophone Odeon Series)

The Promise

Release: 1985 / DE – Original

Genre: Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG

Overall close to VG+

Go to Item

7" | 1985 | NL | Original (Parlophone Odeon Series)

The Promise

Release: 1985 / NL – Original

Genre: Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

The Promise (Extended Remix)

12" | 1986 | UK | Original (Parlophone Odeon Series)

Release: 1986 / UK – Original

Genre: Rock & Indie, Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG

The Promise (Extended Remix)

12" | 1986 | JP | Original (EMI)

56,99 €*

12" | 1988 | UK | Original (MCA)

Release: 1986 / JP – Original

Genre: Rock & Indie, Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: Near Mint, Cover: Near Mint

Japanese pressing. With OBI and insert. Tiny wear. few scuffs.

Go to Item

Areeba - Reeba

Peanut Vendor

Release: 1988 / UK – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG

Another Night (Zoomin' To The Freeway 12" Mega-Mix)

Aretha Franklin

12" | 1986 | UK | Original (Arista)

Release: 1986 / UK – Original

Genre: Organic Grooves, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG

LP | 1975 | EU | Reissue (Wah Wah)

Ariel Kalma

Le Temps Des Moissons

29,99 €*

LP | 1978 | EU | Reissue (Black Sweat)

Release: 1975 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG

Record shows scuffs and slight scratches! Cove with some wear and a bent corner!

Go to Item

Ariel Kalma

Osmose

Release: 1978 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

This single LP reissue of the 1978 double album is a limited edition of 400!

Go to Item

Art Of Noise

Lovebeat

12" | 1985 | US (ZTT)

13,99 €*

Release: 1985 / US

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

No Message Blue Vinyl Edtion

Art P

LP | 1985 | EU | Reissue (The Outer Edge)

20,39 €* 23,99 € -15%

2LP | 1986 | US | Reissue (Audika)

Release: 1985 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

We are proud to present the first ever vinyl release of “No Message” by Art P, a still lesser known and lost masterpiece from the P.A.P. archives. Art P (initially Art Programming) was an electronic music duo consisting of Jens-Markus Wegener and Frank Grotelüschen. On “No Message”, originally released in 1985, we hear the band’s most profound work, a detailed and unique mixture in between of Electro and the synth-laden edge of New Wave.

The two artists from Bremen, the second largest city in Northern Germany after Hamburg, initially met in early 1982 due to a small add in a local newspaper when Grotelüschen was selling his Roland 101 synthesizer. Wegener became the new owner of the machine, the two kept in touch and soon became friends. When Grotelüschen was on holiday for a while he was nice enough to borrow his TR 808 drum machine as well as his Jupiter 4 synth to Wegener. During those six weeks he composed about 6 to 7 tunes that amazed his newly found partner, so that they decided to work together. Art Programming was born and from then on the two electronic music enthusiasts combined forces and released music on various projects. On their first album, the self titled “Art Programming” (1983), they worked with instruments like the Korg Mono/Poly which they mainly used for their bass sounds, a Roland Tb-303 as well as a Fricke sequencer. Later, newer synths like the Yamaha Dx-9 came into play.

We initially discovered Art P on the tape compilation “berlincassette 2-85” a couple of years ago. Their contribution, the title track from their second and last album “No Message”, blew us right away: punchy drum machines, heavy synths and cool female vocals delivering a serious, yet slightly ironic view on the meaninglessness in pop music having “no message”. A couple of months later, when we finally were lucky to get hold of an original full length tape (which is pretty hard to come by!), we couldn’t ask for more: powerful apocalyptic Synth Wave on “A Place To Fear”, thrilling vocoder Electro Funk on “Polaroid”, uptempo New Wave Synth Pop on “Sounds of the City”, dreamy and melodic Electro on “Without Jackets”, and other well produced tracks. It was an absolute necessity for us to get in touch with Art P and ask for permission to re-release their music on vinyl.

“No Message” was remastered from the absolute best original tape source and sounds incredibly well. The release is limited to 300 copies and will be pressed on blue vinyl. It contains an insert with lyrics and additional art. We think it is save to say, that this should not be missed!

Go to Item

Arthur Russell

World Of Echo

48,99 €*

12" | 1988 | US | Original (Profile)

Release: 1986 / US – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

A remastered and revised artwork edition of the extraordinary World Of Echo album from New York avant-garde cellist, songwriter, composer, and disco visionary Arthur Russell. Originally released in 1986, the album is a deeply meditative and seductive work of awe-inspiring beauty, grace, and passion, performed with just cello, voice, and echoes. Eighteen tracks remastered from Russell’s original 1/4-inch sequenced masters, including drumless versions of his disco classics “Let’s Go Swimming,” “Tree House,” and “Wax The Van,” along with four previously unreleased songs from Sketches From World Of Echo. Edition of 1,000 copies.

Go to Item

Artz & Kraftz

Burnin' Love

7,59 €* 7,99 € -5%

Release: 1988 / US – Original

Genre: Hip Hop, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

Ash Ra Tempel Black Vinyl Edition

Ash Ra Tempel

LP | 1971 | Reissue (MG.Art)

33,99 €*

Join Inn 50th Anniversary Edition

Release: 1971 / Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Black Vinyl, Sticker, 50th Anniversary RE-Edition, first-ever official reissue on vinyl since 1975,
Re-Cut carefully overseen by Manuel Göttsching.

TRACKLIST:

A. "Amboss" 19:40
B. "Traummaschine" 25:24

Ash Ra Tempel is the eponymous debut studio album by the Krautrock band Ash Ra Tempel.
It features guitarist Manuel Göttsching with drummer Klaus Schulze and bassist Hartmut Enke.
Engineered by Conny Plank it was recorded in March 1971 and released in June 1971 on Ohr Records.
This 50Th Anniversary Album will be Released in Memoriam of all the Musical Contributors to this Release and on Manuel Göttsching´s MG.ART label.
It´s the fourth and headlining edition in this series and was finalised, carefully overseen by Manuel Göttsching himself in the late Autumn of 2022.

Much has been written about the record and band.

Having finished a first musical chapter with their Steeple Chase Bluesband and still at very young age of only 17 and 18 years old Manuel Göttsching and Hartmut Enke met Klaus Schulze. Together they started to write and and compose what, to many,
became one the holy grails of Psychedelic Rock and early Electronic Music -
the German variant which was later also named "Krautrock":

Ash Ra Tempel´s self-titled first album "Ash Ra Tempel".

"The trio of Klaus Schulze, Manuel Göttsching and Hartmut Enke decided to abandon conventional composition and song writing, in favour of free-form improvising and developing a new musical language. As such, they became notorious for jams that could exceed 30 minutes." Says Discogs. "Some of these recordings can be found on Manuel Göttsching´s "The Private Tapes" releases", which will be re-released on MG.ART as well, following this edition.

"Krautrocksampler" author Julian Cope mentioned it to be "… one of the greatest rock 'n' roll LPs ever made." (Julian Cope Presents Head Heritage | Unsung | Reviews | Ash Ra Tempel - Ash Ra Tempel". 15 March 2000.)

AllMusic called the album "both astonishingly prescient and just flat out good, a logical extension of the space-jam-freakout ethos into rarified realms."

Here we would like the Band to be heard, for what can easily be said as the first time in 50+ years, with the exception of some early Journalists for whom the young Manuel Göttsching wrote a statement of intent (the original text can be found inside this edition) as following:

"Our musical concept is based on a combination of blues rock and delicate collages of electronic sound. These two elements should remain inseparable. And in their complex unity, the different musical philosophies of each musician find a common sweet spot. Our music is a permanently impulsive experience left to develop as it will, starting from a common fixed point of departure. This is where the difficulty of the music begins: No standardized formulation of our music can and should be possible. Only the constant reaction within the band can determine the musical result. And this requires constant listening with full concentration on the part of the creators. The idea of a particular musician will be - if flexible enough - absorbed by the others, transposed to their own instrument, and reflected back into the music as an individual contribution. This reciprocity within the band is then transferred over to the audience. And this process means that their reaction is not only a contribution to the end result; it actually makes them jointly responsible for the creation of the final musical product.
…
On our album, the track "Amboss" represents the first layer. Conventional instruments communicate familiar music which is in part expanded through electronic means. In the second track of the album - "Traummaschine" - the actual basic sound approach is dissolved into an electronic Nirvana which no longer allows the concrete identification of actual instruments. Innocent, virgin listening, free from any and every association, can finally begin - and the music can be absorbed and processed free from the limitations of categorization. That is the purpose of our music: To convey freedom without any predetermined criteria or traditions.

Thank you for your attention."
(Taken from the original A-R-T Bio 1970)

Hartmut Enke, Manuel Göttsching and Klaus Schulze aka. Ash Ra Tempel travelled to Hamburg in March 1971 to record their debut, with assistance of another Icon, legendary engineer Conny Plank.
The rest is history.

Go to Item

Ash Ra Tempel

LP | 1973 | EU | Reissue (MG.Art)

Seven Up 50th Anniversary Edition

Release: 1973 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

After the 2021 Re-Release of “Schwingungen” (MG.ART612) and together with “Seven Up” (MG.ART613) we proudly announce “JOIN INN” as Part3 of the authorised 50th Anniversary “A.R.T.” Re-Edition Series. “JOIN INN” is the fourth album by Ash Ra Tempel. It was recorded at Studio Dierks and originally released on LP by Ohr Musik-Produktion, catalogue number OMM 556032. Each side of the LP comprises one long track.

In 1972 ASH RA TEMPEL teamed up again with Klaus Schulze during the recording of Walter Wegmüller's Tarot album, and after one of the recording sessions, ASH RA TEMPEL members: Enke, Göttsching and Rosi, together with Klaus decided to "play it again" in a late night session. This recording led to the birth of the “JOIN INN” album, as well as two legendary last concerts in February 1973 in Paris and Cologne.

Manuel Göttsching recalls Hartmut Enke on bass and Klaus Schulze on drums being a dream-team rhythm section for him to play his guitar, especially here to hear on “Freak'n' Roll”, that was ingenious and not to replace ever since. It was the last recording ever where Klaus Schulze (who sadly passed away this Year) played the Drums and also Hartmut (the Hawk) Enke soon after quit the Bass and music forever. Join Inn marks the end of the collaboration with Klaus Schulze. However, together with Ash Ra Tempel, their eponymous first album, which will be released in 2023 as the final edition of our Series, it is considered a highlight of the Krautrock movement. As for the music itself we again refer to Julian Cope´s review from his book “Krautrocksampler” (published by Head Heritage, 1st ed. 1995):
""Freak’n’roll” fades in like it never started - just was always there from the beginning of time, a dry wah-guitar freerock riff-out unlike any of the other Ash Ra Tempel LPs, and not much like any other music. Yes, there are bluesy riff but none of them have a blues context. Manuel Gottsching’s guitar is so confident that he sometimes drops down to a simple major chord groove, whilst the Hawk pushes that round woody bass into strange overlapping rumbling melody. And ... it’s the return of Klaus Schulze on drums which propels “Freak’n’roll” to its height. No-one but Klaus has the ability to transcend rock’n’roll in such an on-the-beat non-groove-y way and still send sparks of light into the cosmos as he does it. "Freak’n’roll” is so egoless that it even works at a quiet volume as meditational music. Themes rise from the high tempo pulse beat, then are carried along the muscles of the song into the main area where the riff actually becomes real and expressionist for just long enough before slipping back into the musical fabric of the song. As usual with Ash Ra Tempel, the other side is an enormous drift piece called “Jenseits (The Next World)”, a beautiful Klaus Schultze meditation of haunting synthesizer chords over which Rosi Muller tells the story of the Cosmic Couriers’ meeting with Timothy Leary. Gradually, the pulsing guitar becomes increasingly intense and turbulent, but Rosi never sounds less than freaked out. Essentially, “Jenseits” is a precursor to Klaus Schulze’s later spacey minor-key grooves. Unfortunately, this was the last Ash Ra Tempel album in its particular ‘series. After “JOIN INN”, Manuel Gottsching took over the Ash Ra Tempel mantle alone.”

Ashra Tempel – Join Inn
HARTMUT ENKE - Gibson bass
MANUEL GÖTTSCHING -guitar
KLAUS SCHULZE-drums, synthesizers & electronics
ROSI MÜLLER-voice

Go to Item

Ash Ra Tempel

LP | 1973 | EU | Reissue (MG.Art)

LP | 1976 | Reissue (Mr Bongo)

Release: 1973 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

After the 2021 Re-Release of “Schwingungen” (MG.ART612) we proudly announce “Seven Up” as Part 2 of the authorised 50th Anniversary “A.R.T.” Re-Edition Series. “Seven Up” is the third studio album by Ash Ra Tempel and their only album recorded in collaboration with American Ph.D. in psychology, Dr. Timothy Leary. The Coverart for “Seven Up” was designed by famous Swiss Artist Walter Wegmüller. Recorded in August 1972 at Sinus Studio in Berne, Switzerland, remixed September 1972 at Dierks Studios in Stommeln, Germany.

First release in spring 1973 by OHR Musik - the first release on the new sub-label "Kosmische Kuriere", Kat-Nr. KK 58001. We release “Seven Up” in a Re-Cut carefully overseen by Manuel Göttsching himself, on September 9th 2022, also being Manuel Göttsching´s 70th Birthday. Our Edition features the full original text for the “7 levels of consciousness” by Timothy Leary in English, i.e. “Instruction Manual for Pleasure Panel” plus a previously unreleased glimpse view of the original scripts incl. notes and mark ups as well as partly unreleased photos from the recording session.

As for the music itself we again refer to Julian Cope´s review and remarks from his book “Krautrocksampler” (published by Head Heritage, 1st ed. 1995): “When the Leary Mob met the Kaiser Gang, the sparks flew ever Up-wards. 7up is a stone classic in every way. Yes, it is unlikely to find Timothy Leary singing lead vocal in a cosmic group, but even weirder that he chose to sing a wild yelping freaked out blues ! Manuel Göttsching and Hartmut Enke had begun their careers in The Steeple Chase Blues Band back in the mid-'60ies, and they quickly felt their way through what Barritt and Leary were aiming for. They reconciled it all as a kind of West Coast chordless psychedelia, where blues riffs sparkle out of nowhere and the sheer weight of synthesizers renders everything with an unreal Pere Ubu/early Roxy Music quality. The greatness of Ash Ra Tempel burned so brightly on 7Up that there is really nothing else like it.

Hartmut Enke and Manuel Gottsching here returned to their riffy roots. It can hardly be called a retro act, though, as the context of music is everything. And with Dierks at the controls, even the New Kids on the Block would have sounded psychedelic. 7Up is like a late night radio show glimpsed through a shattered tuner where all but the most truly dangerous sounds have been allowed to stay, to drift and to dance around the performers. The result is an extreme gem, a flash of hysterical white lightning, and a pre-punk Technicolour yawn in the grandest of traditions. In typical Ash Ra Tempel style, the record is divided into two pieces, “Space” and "Time”. Within this, though, Timothy Leary’s ideas are allowed to free-flow and the two sides are therefore divided into mini-songs all segued together. The highlight of Side 1 is “Power Drive”, a West Coast burn-up that transcends any W. Coast music I ever did hear. Leary and Barritt present the greatest twin-vocal of all time, coming on like Jagger and Morrison but too caught up in their own maelstrom to be anything less than Heralds of the Punkfuture still five years away. In chaos it was conceived and in chaos it was recorded. Yet Dieter Dierks, the great Aural Architect of the Cosmic Couriers, turned 7Up into a personal triumph and a Kosmische dream.”

Ash Ra Tempel – “Seven Up”
TIMOTHY LEARY - voice
BRIAN BARRITT - voice
MICKY DUWE - voice & flute
LIZ ELLIOTT - voice
BETTINA HOHLS - voice
PORTIA NKOMO - voice
HARTMUT "HAWK" ENKE - bass, guitar & electronics
MANUEL GÖTTSCHING - guitar & electronics
STEVE A. - organ & electronics
DIETMAR BURMEISTER - drums
TOMMY ENGEL - drums
DIETER DIERKS - synthesizer & Radio Downtown

Go to Item

Picture
Coming Soon

Asha Puthli

Devil Is Loose