Electronic & Dance Vinyl 1596 Items

Release: 1978 / DE – Reissue

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Early repress on green Vinyl!

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The Original '89 Dancefloor Hits Vol. 1

LP | 1989 | DE | Original (Virgin)

Monkey Cry / Love For Sale

Release: 1989 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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Fairies Welcome

12" | 1988 | DE | Original (MMT)

Release: 1988 / DE – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1978 | EU | Reissue (Dialogo/Cramps)

David Tudor

Microphone

25,99 €*

LP | 1975 | EU | Reissue (Dialogo/Cramps)

Release: 1978 / EU – Reissue

Genre: Electronic & Dance

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David Eugene Tudor (1926 – 1996) was an American pianist and composer of experimental music. He eventually became one of the leading performers of avant-garde piano music, giving first or early performances of works by Pierre Boulez, Morton Feldman, Karlheinz Stockhausen, Christian Wolff, La Monte Young and many others. Tudor is particularly associated with John Cage, who wrote a number of compositions for him. His solo record “Microphone” was originally released on the Italian Cramps Records label as the 16th volume of the Nova Musicha series dedicated to contemporary avant-garde composers, “Microphone” is now made available again on Dialogo in a faithful reproduction of the original gatefold cover artwork, including also an inner sleeve with the English translation of the liner notes. From the original liner notes of “Microphone”: David Tudor was born in Philadelphia in 1926.He studied organ and theory with H. William Hawke, piano with Irma Wolpe Rademacher, analysis and composition with Stefan Wolpe. He began his concert activity as an organist. He has been known as the most important avant-garde pianist since the day he performed, to great acclaim, the American debut of Pierre Boulez’s Deuxieme Sonate pour Piano (1950), and subsequently introduced the works of Earle Brown, Sylvano Bussotti, John Cage, Morton Feldman, Karlheinz Stockhausen and Christian Wolff to a larger audience. At the beginning of the 1960s, he and Cage switched to live electronic music as opposed to music performed in the studio. As a composer, Tudor relies on technological tools that are both flexible and complex: he uses mostly modular electronic devices, many of which he built himself. His method requires the choice of specific electronic components and transducers, whose interconnections define both composition and performance. The sound materials he employs unfold through broad movements in time and space, with many of his compositions associated with visual sources: light systems, dance, television, theatre, film or 4-colour laser projections. The only source of Microphone’s sound is the modulation of a microphone feedback produced in a distant echo chamber. The incidence and duration of the sounds are produced by the action of extremely close (narrow band) peak/notch filters (used in both modes), inserted into the lead signal. Each of the 9 versions is performed by the composer and simultaneously recorded on four tracks. Then the four tracks are spliced onto two, using a pan-matrix. The final product is a library of 9 stereo tapes, each about 32 min. long, which can be used in any combination, for live performances or for electronic installations. In these performances the tapes are played and stopped at any point, rewound and played again, altered in amplitude and/or equalisation, rotated on any given channel, etc., at will, for any period of time. A live performance of Microphone (for instance without tapes) can be achieved by employing (a minimum of 4) performers using duplication systems, each one with 2 speakers. This 1973 instantiation of Microphone covers a work originally conceived for the Pepsi Pavilion of Expo ‘70, in Osaka, Japan. Conceptually, the original work derives from discoveries made through the composer’s collaboration in the design of the Pavilion’s acoustic system. Sound diffusion was achieved through the use of 37 loudspeakers placed in a rhomboid grid system covering 3/4 of the sphere. The original tapes for Microphone were recorded in May 1973, at the Mills College Centre

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Costin Miereanu

Luna Cinese

25,99 €*

12" | 1982 | EU | Reissue (Groovin)

Release: 1975 / EU – Reissue

Genre: Electronic & Dance

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At long last, after decades out of print, the Milan based imprint, Dialogo, dives into the legendary catalog of Cramps, bringing forth the first ever vinyl reissue of Costin Miereanu's "Luna Cinese", part of an ongoing initiative dedicated to bring the imprint’s seminal output back into the light. Easily one of the most singular and important experimental albums of the 1970s that remains as engrossing, creatively riveting, and as ahead of its time today as it was in 1975, this is as exciting as reissues come. Complete with new English translation of their original liner notes, it can’t be missed! Edition of 500 LP on black vinyl. Audiophile pressing. Gatefold cover, including printed inner. Perfect replica of the original packaging (with additional translated liner notes) and newly remastered for optimal sound.** Of all the historic labels associated with experimental music, few have garnered as much affection, or as devoted a following, as the Italian imprint Cramps. Its catalog reads like a who's who of the 1970s musical avant-garde, housing seminal albums by John Cage, Gruppo di Improvvisazione Nuova Consonanza, Giusto Pio, Demetrio Stratos, Juan Hidalgo, Robert Ashley, Walter Marchetti, Cornelius Cardew, Raul Lovisoni / Francesco Messina, Alvin Lucier, Derek Bailey, and so many more, the vast majority of which have remained largely out of print and nearly impossible to obtain for decades. Now, at long last, the Milan based imprint, Dialogo, has begun a stunning series of vinyl reissues from Cramps' Nova Musicha series - dedicated to contemporary avant-garde composers - beginning with Costin Miereanu’s Luna Cinese, originally released in 1975. Fully remastered and housed in a sleeve that beautifully reproduces the album’s signature design, complete with brand a new English translation of the original liner notes, this is a truly historic event. For its impact, Cramps was a relatively short-lived endeavor, running for roughly seven years between 1973 and 1980. Founded in Milan by the producer, publisher, and graphic designer, Gianni Sassi - publisher of counter-cultural magazines like Bit and Frankenstein, and the designer behind numerous covers for Bla Bla, including Franco Battiato's Fetus and Pollution - Cramps was the pitch perfect emblem of revolutionary Italian temperaments of its era; creatively radical, globally minded, without profit motive, and bridging numerous musical idioms, from progressive rock and jazz, to some of the most forward thinking and singular expression of sonic experimentalism the world has ever seen. Of all the seminal figures that recorded for Cramps, the Romanian / French composer, Costin Miereanu, remains among the most distinct and under-appreciated. The reemergence of his debut LP, Luna Cinese, issued by the label in 1975, will likely change that. Over the last decade or so, Miereanu has developed something of a cult following among experimental fans because of his stunning series of albums issued during the 1980s on his own Poly-Art imprint, skirting the border of ambient music and minimalism in highly individual ways. Luna Cinese, which dives into far more explicitly experimental territory, will undoubtedly be a revelation and expose the true underpinnings of the work that would begin to emerge of the next decade and a half. During his early years, Costin Miereanu was something of a wunderkind of avant-garde and experimental music. Born in Bucharest, between 1960 to 1966 he was a student of Alfred Mendelsohn, Dan Constantinescu, and Lazar Octavian Cosma, before moving to Paris where he earned a Doctor of Letters and a Doctor of Musical Semiotics, winning numerous prizes in writing, analysis, music history, esthetics, orchestration, and composition. Between 1967 and 1969 he was a student of Karlheinz Stockhausen, György Ligeti, and Ehrhard Karkoschka at the Internationale Ferienkurse für neue Musik in Darmstadt, laying the final groundwork for a stunning career as both a composer and noted academic over the years since, often combining techniques drawn from Satie with the abstraction of Romanian traditional music into a sonic fabric that is guided by systems associated with Musique concrète. Luna Cinese, issued as the composer's debut LP by Cramps in 1975, is a stunning combination of all these elements. The work - stretching across the album's two sides, consists of continuous low-density repetitions, build from what the composer describes as “the kind of 'woven' silence you find on mountains – occasionally disturbed by irregular and very dense insertions – the kind of intense noise you find in the city.” The result, combining a vast range of environmental sound, voices chattering in various languages, fragments of acoustic instrumentation, and the pulsing and ambiences of synths and electronics, is about as singular and beautiful as experimental works from the 1970s come, while never for a moment sacrificing rigour or tension. A truly stunning, interwoven sonic expanse that lays pregnant with multiple meaning and interpretations - conceived by the composer to illuminate the complex ways in which meaning and narrative are constructed across time - and imbued with surrealism and the 'schizoid', Luna Cinese stands as an entirely distinct and original gesture within the canon of experimental music, displaying a remarkable density, while open, airy, and encouraging the subjectivity of the listener to play an active part. Easily among the best and important works from the original Cramps catalog, but sinfully overlook over the years since its release, Luna Cinese is as good as they come and an absolutely riveting and immersive listen. Issued by Dialogo in this newly remastered vinyl edition - the first since 1975 - with its original liner notes by Miereanu in a brand-new English translation, this one is impossible to recommend enough and will leave the composer ringing in your mind for a long time to come.

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Shriekback

My Spine Is The Bassline

LP | 1987 | DE | Original (Barclay)

Release: 1982 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Larry and Bell are two musos from the east and west of the Atlantic, who met on a scuba trip in Belize in '99. Larry plays Bongos, Bell is on the organic sampler and echo pedal, and a local cast of musicians backed them up on Guitar, Double Bass, and Kick Drum. After a few Rum Daiquiris and many spliff, these are the sessions whittled down to strictly the best of hits.

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Caroline Loeb

Loeb C.D.

LP | 1984 | EU | Original (Capitol)

Release: 1987 / DE – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Small sticker on cover.
Includes original inner sleeve.

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Lisa Dal Bello

Whōmănfoursāys

LP | 1976 | EU | Reissue (Wah Wah)

Release: 1984 / EU – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

Cover with sticker

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Kennlisch

20,99 €*

LP | 1982 | EU | Reissue (Music On Vinyl)

Release: 1976 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Kënnlisch, one of the rarest haunting psychedelic acid folk LPs from France, was the work of brothers Philippe and Jean-François Macherey.

Originally released in 1976 on the mega collectable label Le Kiosque d'Orphée, it contains some of the most beautiful sounds to come out of the 1970s alternative music scene.

An instrumental album, it opens with a burst of sunshine vibes and takes them into the experimental scene of French alternative folk avantgarde with a strong Cosmische influence. Beauty is the word, grown over acoustic guitar parts harmonised with the most elegant Moog Satellite lines you'll ever hear to create atmospheres of sound that make this is the perfect record for your mind to float away on a peaceful Sunday morning under a clear blue sky - it does have that therapeutic quality that we miss so much in modern music.

Wah Wah presents the very first official reissue of this mega rare LP, housed in it's original minimalist hand made artwork with the little upgrade twist of silk-screen printing and including a 4-page colour booklet with photos and text provided by the Macherey brothers themselves.

500 copies only!

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Andre Hazes

Met Liefde

11,60 €* 26,99 € -57%

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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LP | 1977 | EU | Reissue (Music On Vinyl)

Andre Hazes

Eenzame Kerst

10,79 €* 26,99 € -60%

Release: 1977 / EU – Reissue

Genre: Electronic & Dance

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LP | 1985 | US | Original (RCA)

9.9

LP | 1989 | EU | Original (Mercury)

Release: 1985 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Still shrink wrapped but opened.
Includes original inner sleeve.

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ABC

Need It Tom Noble & Fredfades Remix

Release: 1989 / EU – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Original inner sleeve. Tiny sticker tear on front cover.

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Cosmo With Chuy

12" | 1980 | EU | Reissue (Fantasy Love)

LP | 1983 | US | Original (Solar)

Release: 1980 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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This obscure 80s left field disco joint was brought to the table by David Haffner, the tapes were transferred by John Morales & forwarded to friends of the label, Tom Noble & Fredfades, to re-envision the works of 'Cosmo with Chuy', as showcased on this limited 12" release

A few words from Tommy aka 'Cosmo'..

"Cosmo was my nickname. I used to play John Coltrane style on slow ballads etc. Chuy was the singers nickname. Jesus Gomez was his real name I think. I was playing Las Vegas at the time, early 80's, with an Elvis impersonator, Morris Bates, for nearly 4 years. Since Elvis passed in the late 70's the impersonation show was a big success. I played Sax, Flute and sang back up harmonies. We played the Silver Slipper casino, then the Landmark Hotel and casino, 14 shows a week. We toured South Africa and played Morris' home town in Vancouver Canada a lot. The late nite band of Chuy's played at a smaller venue on the strip in Vegas from 12pm to 5am. I sat in and jammed one night, and said I'd like to record a couple tunes with his band. So I coughed up some money and we recorded a few songs"

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Shalamar

The Look

Release: 1983 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

10" | 1981 | EU | Reissue (Italian / Disordine)

Confusional Quartet

26,99 €*

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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LP | 1979 | EU | Reissue (Everland Yu)

Misa Blam

Secanja

Release: 1979 / EU – Reissue

Genre: Electronic & Dance

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LP | 1980 | DE | Original (Stiff)

Rachel Sweet

Protect The Innocent

2LP | 1982 | EU | Reissue (Spittle)

Release: 1980 / DE – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl is close to NM !

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Thomas Leer

Contradictions

18,99 €*

Giovanotti Mondani Meccanici

Release: 1982 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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The scottish musician, born in 1953 in Port Glasgow, is one of the most eclectic artist of the so-called minimal wave scene. Alongside german singer Claudia Brücken (vocalist of the hit-makers Propaganda) he formed Act a short-lived synthpop group signed to ZTT Records in the late eighties. Licensed by Cherry Red in 1982, the double album ‘Contradictions’ is the third effort in Leer high and rising career. After the seminal debut on Industrial Records with Robert Rental – The Bridge (1979) – Leer ventured on a solo career with the brave synth wave of ‘Letter From America’ and his personal masterpiece ‘Contradictions’. The latter is such an enigmatic piece of work, with alien melodies as in the case of the ‘Soul Gypsy’ infectious white funk. The whole album was recorded in his living room at home onto 4-track using borrowed equipment ( Korg synth, Ult-sound drum computer & guitars ) from his friend Morgan Fisher. Featuring Leer’s haunting, uncertain vocal – recorded quietly, so as not to wake his girlfriend in their bedsit! – crooning over a minimal bass pulse and discreet whines and washes of primitive Wasp synthesiser, it retains its peculiar lo-fi magic four decades on.

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Gmm Suite

LP | 1984 | EU | Reissue (Mannequin)

12" | 1988 | EU | Original (Barclay)

Release: 1984 / EU – Reissue

Genre: Electronic & Dance

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Mannequin Records is elated to present for the first time on vinyl the reissue of Giovanotti Mondani Meccanici’s first video soundtrack, originally released in 1984 as an audiotape in less than one hundred copies. Giovanotti Mondani Meccanici (literally Mundane Mechanical Youth) or GMM was one of the most unclassifiable audiovisual experiences to emerge from Italy in the 1980s. Maurizio Dami a.k.a. Alexander Robotnick, a pivotal member of GMM, was responsible for the group’s music output. Founded in 1984 by Antonio Glessi and Andrea Zingoni in Florence, GMM was an art collective whose production represents the quintessential expression of postmodern transmedia hybridity. GMM pioneered the genre of computer comics, created video installations, developed “multiple identity” performances, and was involved in fashion, media, and music productions, and later on produced cyberdelic environments, artificial reality projects, and proto-memes. Alexander Robotnick’s first contribution to GMM was this soundtrack for the group’s eponymous first video, the animated version of a computer comics they coincidentally published on legendary Frigidaire magazine. Restored by Dami and reissued here for the first time by Mannequin Records, the composition was also split into two “suites” and released as an audiotape distributed by Materiali Sonori, also responsible for other releases by both Robotnick and GMM. Determining in this work is Dami’s adoption of the alphaSyntauri, also known as the first affordable digital synth (priced less than $2000 when it was released in 1980), which was playable through its own software, “alphaPlus,” on the Apple II computer. The same computer was used by Glessi to “draw” the 3-bit strips scripted by Zingoni recounting the joyrides of the Giovanotti Mondani Meccanici, three merciless cyborgs in black suit and sunglasses dividing their time between nightclubs, rapes and murders. As Robotnick, Dami developed an innovative formula of Italo disco that was attractive to the dance floor yet at the same time highlighted the expressive properties of the instruments he used, notably Roland drum machines and Korg synthesizers. For the soundtrack of GMM’s videos and installations, he left aside the danceable synth rhythmics in favor of ambient sounds that produced rarefied atmospheres, psychological tensions, and enhanced states of consciousness. Dami’s scores for GMM’s artworks could be associated with Italian avant-garde music of the 1970s and 1980s, ranging from composers who adopted electronics flirting with pop and songwriting to minimalist musicians exploring seriality and drones, including Franco Battiato, Roberto Cacciapaglia, Francesco Messina, and Riccardo Sinigaglia. Analogies could also be traced with the playful and humanizing approach to personal computers that characterizes the music output of Marcello Giombini and Doris Norton. The futuristic escapism of minimal synth and ambient music’s psychological nature is infiltrated by drifting harmonics typical of new age, as if in search of a spiritual dimension of technology. Characteristic of the postmodern ethos of GMM Suite, in line with the humanizing approach to technology that is at the base of GMM’s computer comics, is the melancholic take at speculative dystopias in which human beings would find themselves increasingly trapped into identity crises: a true cyborg’s melodrama. Limited edition of 500 copies, (orange vinyl)

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Mory Kanté

Tama

Release: 1988 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1985 | EU | Reissue (Morning Trip)

Michael Masley

Cymbalom Solos

Harder They Come Record Store Day 2021 Edition

Release: 1985 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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There are constellations within the grooves of Cymbalom Solos. Innumerable points of light, rendered audible in glowing, radiant sound. There are entire worlds too - undiscovered, yet familiar - both terrestrial and celestial. There are moments of quiet comfort and exultant discovery. And all of it conjured by one man with a handful of ancient and invented instruments, recorded mostly-live, with precious few overdubs. Michael Masley has been a fixture of Berkley, California, since he arrived from Michigan in 1982. Even today, he remains a common sight, working as a street performer - catching the attention of passers-by as he summons otherworldly overtones from a coterie of arcane instruments. This is how he met fellow east-coast transplant and musical voyager, Barry Cleveland, in 1983. Cleveland was enraptured by the sound of Masley’s wildly innovative bowhammer cymbalom. The cymbalom is an ancient instrument, similar to a zither or hammered-dulcimer - originating in Eastern Europe in 1874, but with primitive early examples dating back as early as 3500 BC. Yet Masley’s approach to the instrument was wholly original. Masley replaced the two traditional cymbalom hammers, with bowhammers - an invention wherein he fitted each of his fingers with it’s own combination hammer/bow device, which allowed him to both strike the strings, and bow them like a violin. Outfitted with his bowhammers, Masley was able to wrest startlingly new sounds from a centuries-old instrument. In 1985, after performing together for a couple years, Cleveland produced Masley’s first solo endeavour, Cymbalom Solos. With the help of Cleveland’s timely production, Masley’s technique reached its zenith. His complex and beautiful compositions combined elements of Eastern-European classical, new minimalism, and celtic/folk music, yet the end result falls squarely within the world of new age kosmiche. Music of the spheres, conjured by earthbound strings. Masley estimates that he sold tens-of-thousands of cassette copies of Cymbalom Solos over his years of performing. And now, Morning Trip is distinctly proud to offer it on vinyl for the first time ever - an album of startling, imaginative beauty, by a brilliant American folk artist.

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Masaki Ueda

7" | 1978 | JP | Reissue (Universal Music Japan)

33,99 €*

12" | 1985 | EU | Reissue (Emotional Rescue)

Release: 1978 / JP – Reissue

Genre: Electronic & Dance

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Record Store Day Japan 2021 Drop 2 release. Released in 1978, Masaki Ueda sang the reggae lovers’ masterpiece “Harder They Come” in Japanese, a soulful cover single.

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Sugar Minott

I Remember Mama

12" | 1989 | EU | Reissue (Stroom)

Release: 1985 / EU – Reissue

Genre: Electronic & Dance

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"Emotional Rescue presents the first ever reissue of Sugar Minott’s rare 12” of I Remember Mama. Recorded in Soho in mid-80s London, the Boogie meets Reggae song comes in vocal and instrumental mixes, as well as a wonderfully teasing long Discomix by NAD aka Dan Tyler (Idjut Boys). Having grown up and become a star out of Kingston, JA, with over 50 albums and hundreds of singles for the likes of Studio One and Black Roots labels, the legendary vocalist was a pioneer of the Dancehall and then later Lovers Rock sounds. Based in London for much of the 1980s, a chance meeting in the Wackies offices he met producer Steve Parr, who had recently opened the Sound Design Studio next door. Hatching the idea to create a label to showcase their capabilities, Parr played all the instruments except the distinctive sax by friend Andy MacDonald, while Minott’s delivery is at his prime, storytelling in the Jamaica tradition of hardship and praise. Released on 7” and 12”, they have striking differences. The “Sound Design” instrumental / version sees the studio team craft a disco meets reggae in a cod-style to wonderful, almost Balearic effect. The collaboration with Dan Tyler continues, as he again works his desk dubbing magic. Extending and editing between the two mixes, teasing the instrumental before finally bringing the sax and vocals together for a ‘discodub’ finale. "

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MKS

Musical Keyboard System

7" | 1977 | EU (Belgian Waffles)

Release: 1989 / EU – Reissue

Genre: Electronic & Dance

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"Naive overlooked New Beat / New Age project from 1989"

Sometimes in life, a certain incentive is needed to convert talent into productivity. As for the case of MKS, the enigmatic and musical disguise of Nicolas Aubard, it was a merely coincidental encounter at the end of the 80s that set the stone rolling. For Nico, it all began in his hometown of Saint-Quentin in Northern France. At a young age, he got obsessed with Japanese and American cartoon culture. Being a devoted collector of cartoon-related toys and widgets, he spent hours watching anime series on TV and creating scale models of science fiction and horror-related sceneries. Growing up in a musical household, young Nico took on stringent training in classical and jazz piano. But, frustrated with the fact of not being the technical virtuoso he wanted to be, he turned away from his training at the age of 16. “I had no choice, as I felt as if my creativity got limited by my piano. That’s when I got drawn into the world of synthesizers.” Not long after, Nico put together a home studio and started to experiment with ambience and sound-inserts. Despite years of experimentation and music making, all Nico’s productions stayed between the 4 walls of his modest home studio. Something that would change in 1988, when Nico bumped into Emmanuel “Manu” Prevost.

“We met on a night out in Lille”, Nico recalls. “I usually just stood by the dj booth, as I wasn’t a good dancer. So instead of throwing shapes at the dancefloor, I started a conversation with the dj, who happened to be Manu. By the end of the night, I handed him a demo tape of the album I was wanting to do.” Propelled by good fate, a fruitful collab happened between Nico and this dj. For Manu, everything also fell in place: “At the time, I was looking for a composer to work on producing a new beat record. As a dj, I often crossed the Belgian border for gigs and this new style was in full explosion over there. I heard Nico’s songs and naively told him: “Let’s make an album”, without knowing how.” Despite the high hopes for the new alliance, the project turned out to be a shot in the dark. “I assumed Manu already had some experience, as he proposed to do the mastering himself. But funnily he only told me after the release of the record that it was his first time too. But you know, we managed.” Not willing to release under his own name, Nico came up with Musical Keyboard System, abbreviated as MKS. The alias was born and the journey ready to take off.

The album finally released in September 1989. After the release, Nico went on a low-key promo tour together with Manu in Northern France. “We aired a video clip on FR3 for two songs, together with a short interview. In their studio, we created a scrimpy décor with some green plants to resemble the Vietnam jungle (as for the track Nam Revelation) and we shot the clip. Manu even lay down behind a screen operating the fog machine.” As a live act, Mks’ career was rather short-lived, with a first and final gig in the Theatre of Saint-Quentin a few months after the release. “In France, we would remain illustrious strangers. Yet in the meantime, our music got played on new age radios in the USA.” After the end of MKS, Nico moved to Paris and Manu took on his military duty. In the army, Manu met movie animator Jacques Rouxel (the man behind French cult series Les Shadoks) and got him in touch with Nico. The duo collaborated with Rouxel on some compositions, before they went their separate ways at last. Nico went on to pursue his childhood dream, as a pioneer in France for integrating 3D animations into classical cartoons. Manu in turn became a producer for feature films.

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La Vie En Rose

Shitparade

10,99 €*

LP | 1984 | EU | Reissue (Materiali Sonori / Spittle)

Release: 1977 / EU

Genre: Rock & Indie, Electronic & Dance

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Belgian Waffles Records is happy to announce the new release Bw014. La Vie En Rose « Shitparade » 7’’. Four songs of pure punk nihilism with political lyrics drenched in social criticism. Recorded in 1978 and unreleased to this day. The band formed in Ghent, in the flamish north part of Belgium, from the ashes of Basta who released a single in 1977. They only lasted a few months and played a handful of concert before disbanding. Some members went on to form the well know synth wave outfit Nacht und Nebel.

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Alexander Robotnick

Ce N'est Q'un Debut

22,99 €*

LP | 1974 | EU | Reissue (Soave)

Release: 1984 / EU – Reissue

Genre: Electronic & Dance, Pop

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Raised from the ashes of eighties new wave (when Materiali Sonori debuted the Fuzz Dance series), Problemes D’Amour soon began a disco and electro classic all over the place. Florence born producer and musician Maurizio Dami - with co-conspirators Giampiero Bigazzi, Arlo Bigazzi and Marzio Benelli – created a mysterious character, a so called “modular structure born out a soviet calculator and promptly runaway". He was singing in french and was supported by primordial digital machine, using at the same time the more classical electric guitars, sax and sensual female voices. A handful of evergreen are still played all over the world by many international deejays, while “Problemes d’Amour” was even featured on influential Strut compilation Disco Not Disco 2. American label Sire (home of Talking Heads and a young Madonna) published a Fuzz Dance Ep in 1985 with the Robotnick masterpiece and several contribution from Mya & The Mirror, Gina & The Flexix and Naïf Orchestra. Maurizio Dami is still performing worldwide as a dj and is still composing new music. After 40 years Spittle Records in joint venture with Materiali Sonori re-issues the mini album and the 12” with its original artwork. "Once I was in Chicago, it was around 2010, I was just finishing my set and went outside the club to light a cigarette. Suddenly a police car stops nearby. I thought the policeman was here to fine me (I was more than 20 meters outside the venue), but he just lifted a poster of mine and asked to sign it. Then I realized that "Problèmes d’Amour" has been for a longtime the opening theme for a popular radio broadcast well-known between the black community (hence the policeman was black)”. Maurizio Dami

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Marcello Giombini

Transvitaexpress

21,99 €*

LP | 1978 | FR | Original (President)

Release: 1974 / EU – Reissue

Genre: Electronic & Dance

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Transvitaexpress Psycho-phonic tale of the afterlife One of the weirdest italian album ever released 'Transvitaexpress is the sonorous realization of an idea that had been developing in me for some time and to which the encounter with the poet Barbarino gave the decisive push. I used the "tape-sound" technique, that is the organization and integration of sounds, noises, speech, song and rhythm, of which the resulting sound, being the result of electronic manipulation of the sound events themselves, is audible, therefore repeatable, only by means of magnetic tape. The sound material is, in part, reportage, so the work often takes on the character of a “disc-truth”, in part it is a faithful reconstruction of parapsychological events. We have defined this work "Psycho-phonic tale" in fact it is a sound experience, that is, a journey into the world of sounds of an "afterlife", rooted in us due to childhood, ancestral reminiscences, superstitions, legends, anxieties, utopias and above all fear. Fear of the mystery, fear of the unknown. Transvitaexpress is therefore the sound representation of these cultural and existential limits, and is therefore a critical, liberating, provocative work. I certainly do not expect, and perhaps I do not want someone after having listened to tell me that it is "beautiful". Transvitaexpress is the name of a train full of ... that travels in an afterlife so "beyond" that it coincides with the most central point of my ego. Perhaps the most logical "end-continuation" of life, the least imaginative, the least corrupt. The distortions, things that are too, or too little, defined, realistic situations, clichés, monotheisms and captions are embedded in the most traditional dream fabric, the most suitable in my opinion to promote approaches with the mysterious, with the esoteric, with the magical.' M. Giombini

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The Spotnicks

Never Trust Robots

Release: 1978 / FR – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1986 | EU | Reissue (Allchival)

Nigel Rolfe

Island Stories

12" | 1984 | DE | Original (London)

Release: 1986 / EU – Reissue

Genre: Electronic & Dance

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Nigel Rolfe’s “Island Stories” is a unique record for 80’s Ireland. An unusually experimental electronic and abstract record for the time, it was originally released to little fanfare on Reekus records in 1986. Based around the DX7 synth and key collaborations with studio engineers and vocalists it was created as a soundtrack to a performance work of the same name. Born and raised in the Isle of Wight performance artist Nigel Rolfe has made Ireland his home since he arrived at Dublin Port in 1974. An art school graduate who witnessed the British rock explosion of the late 60s in person and as participant, he had been an organ player in a number of British rock bands of the time and a roadie for a number of the early 60’s UK tours by legendary US blues musicians. As the music world freaked out in the later part of the decade he moved with it, and after completing a fine art degree in the West Coast of England in the early 70s he moved to Ireland despite having no connections with the country – “ Drawn by the archeology” – settling straight into the experimental arts scene which was based around the Project Arts Centre where he worked. Organising exhibitions and teaching, his interest in music was rekindled by the explosion of punk. The key to his music making and this LP here was access to a studio – in this case Windmill Lane. A busy place in the early to mid 80s it had a production and video arm and acted as the centre for U2’s recording operations. Rolfe worked there doing carpentry and building jobs in exchange for off peak studio recording time. Coming in contact with the bands passing through and working closely with the engineers and tape operatives employed by the studio he was also able to take advantage of Brian Eno’s presence (he was there working with U2) and figure out the DX7 which forms the backbone of the LP and which – like most else - on the LP is played by Rolfe. Released by Reekus records in 1986 a year after it was completed, there was little expectation placed on the record and Rolfe had no careerist ambitions. We’ve remastered it and added a bonus track that was featured on the African Flower 12” off the LP “PW Botha’s Funeral March”.

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Blancmange

Don't Tell Me

Release: 1984 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

No Rhyme, No Reason (Dance Mix)

Atelier Folie

12" | 1983 | EU | Original (WEA)

12" | 1984 | DE | Original (CBS)

Release: 1983 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Small light scuff on side B.
Record is close to VG+.
Small sticker on cover.

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Boulevard

Rainy Day In London

3,95 €*

12" | 1984 | DE | Original (Metronome)

Release: 1984 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Writing on cover.

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The Catch

Under The Skin

Release: 1984 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

12" | 1984 | DE | Original (Atlantic)

Jenny Burton

Remember What You Like

Release: 1984 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

12" | 1982 | DE | Original (HB Highlights)

Christian Bruhn

Surf-Fascination

Release: 1982 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1989 | EU | Original (Epic)

Liza Minnelli

Losing My Mind

5,99 €*

Release: 1989 / EU – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Are You On 1 Matey? (The New London Remix)

The Beat Pirate

12" | 1989 | DE | Original (BCM)

2,39 €* 3,99 € -40%

Release: 1989 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Confusional Quartet Colored Vinyl Edition

Confusional Quartet

LP | 1980 | EU | Reissue (Italian / Disordine)

26,99 €*

12" | 1985 | DE | Original (Polydor)

Release: 1980 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Out of any classification of musical genre, “Confusional Quartet” is a distillation of the creativity and freedom of expression that in 1977 put Bologna at the center of the international cultural scene. This record places the Confusional Quartet in the history of Italian alternative music.

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L-Vira

Talkin 'Bout Rambo

Release: 1985 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1983 | DE | Original (Tommy Boy)

The Jonzun Crew

Lost In Space

8,99 €*

Release: 1983 / DE – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1987 | EU | Original (Chrysalis)

Living In A Box

Scales Of Justice

Release: 1987 / EU – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1983 | US | Original (Arista)

Ray Parker Jr.

Woman Out Of Control

Release: 1983 / US – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1987 | EU | Reissue (Growing Bin)

Molto Brutto

Molto Brutto II

23,99 €*

Why Do You Run For President

Release: 1987 / EU – Reissue

Genre: Electronic & Dance

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Growing Bin switches back into reissue mode with an off-kilter obscurity from Austrian eccentrics Molto Brutto. Equal parts amateur funk, indie jangle, art rock and idiot pop, “2″ is a real weird bastard with a whole lot of charm. As the Bin continues to grow in all directions, there’s plenty of space for new sounds to take root. Alongside patches of Ambient, Balearic, Kosmische and Jazz, Hamburg’s audio allotment now stretches to accommodate the strange waves of Molto Brutto. Basso dug their first LP a decade back in Stuttgart’s Second Hand Records, embracing their abrasive style of sandpaper sonics and experimental urges. Interest piqued, he made the journey through their DIY catalogue, capturing excellent collaborations under the Ganslinger alias before bumping into the second of their two LPs. Originally released on their Golfdish imprint in 1988, “2″ walks into the pub with an air of accessibility, but quickly unravels into glorious chaos - pissing in the corner and passing out on the bar. Pop structures are suggested then subverted. Pints of Paisley slosh out of a broken Glass, tape loops spool onto shabby Material, and indie janglers are just a couple of stamps short of a Postcard. Turning you tipsy, this loveable rogue starts to tell you his life story, but you’re going to have to fill in some blanks. They miss ‘Blackie’, but who is he - a dog? What happened on the ‘Deadly Vacation’? Is that song really about a ‘Goldfish’, or did they find out the name of America’s horse? Words repeat until they lose all meaning, awkward poetry masks a lost laureate and a drunken Wurlitzer sends the room into a spin. The pubs are shut, so get happy drunk with Molto Brutto.

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Jo Patrick

12" | 1988 | DE | Original (Titan)

2,39 €* 3,99 € -40%

Release: 1988 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1977 | UK | Reissue (A's And Bees)

Rare Pleasure

Superfine Feeling

12" | 1988 | DE | Original (Metronome)

Release: 1977 / UK – Reissue

Genre: Organic Grooves, Electronic & Dance

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Proudly presenting the inaugural release on A’s and Bees, a new label of heavyweight 12 inch pressings highlighting double sided delights, with 50% of the profits from each release being donated towards the British Beekeepers Association. First up, Rare Pleasure’s ‘Superfine Feeling’. Only ever pressed as an almost unattainable acetate that’s rarely traded hands and when it does we’re talking £400 upwards. A 1977, modern-soul-tinged disco number from the New York troupe with soaring vocal harmonies, jamming guitars and big band section galore. Who better to take on the Bee side than Ashley Beedle himself, offering up a signature NSW rejig - retweaking, dubbing and straight buzzin this cut out across those summer thermals for maximum dancefloor bedlam. Buzz for life!

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Kool & The Gang

Strong

12" | 1987 | DE | Original (Fago)

Release: 1988 / DE – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl with many scuffs and hairlines

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Paul Rein

Sex / Communicate

12" | 1985 | DE | Original (GiG)

Release: 1987 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Price tag.

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Falco

Jeanny (Part 1)

LP | 1980 | EU | Reissue (Our Swimmer)

Release: 1985 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG+

Label sticker side 1 is loose.

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Alvin Curran

The Works

29,99 €*

12" | 1985 | DE | Original (Carrere)

Release: 1980 / EU – Reissue

Genre: Electronic & Dance

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The Works - one of the most famous pieces by brilliant American composer Alvin Curran - was not created by will and direct purpose but, as the composer himself states, as a “providential accident” which is to say quite organically. Combining piano and voice with found sound and a custom-built Serge modular synthesizer, “The Works” is a slowly developing piece where space and ambient tape are eventually overtaken by raga-esque chanting and frenetic piano playing, where synthesizer washes become full-on workouts all leading to a coda where the listener is “finally carried off on the wheels of the Berlin U-Bahn.” Curran - whose initial training and musical education was as a pianist - had been living in Roma, Italy, in the mid-‘70s returning to his roots and performing regularly in cocktail lounges on Via Veneto. It was this return to piano and vocals that became the genesis for The Works. In relearning the piano, a five-note “motive” took hold. Added to this was “a recording I had made of our 14 year old dachshund Caspar just before he died. It was, in fact, a love song which he persisted in singing all day after meeting a lovely bitch in heat in Piazza Navona. This I knew would be the beginning of the piece.” As the piece expands further the listener will hear “cows munching grass, the Rome-Florence express train, a horse-fly caught against a window pane, my footsteps approaching a Roman fountain and later going up the steps of my old studio, cicadas, an Amsterdam calliope, a tin can being kicked, and a series of sounds from La Serra di Lerici.” Though “The Works” has been performed in many incarnations over the years, it’s this performance - captured on February 24, 1980, and originally released that same year by the short-lived Italian avant-garde label Fore - that is the definitive version, and one of the finest recordings ever made by the celebrated composer.

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Gloria Gaynor

My Love Is Music

Release: 1985 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1987 | BE | Original (Hi-Tension)

Samantha Gilles

S.T.O.P.

12" | 1984 | DE | Original (EMI Electrola)

Release: 1987 / BE – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Cover with sticker, otherwise VG+

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Blue Vision

Visions

16,99 €*

12" | 1987 | EU | Original (BCM)

Release: 1984 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG+

Writing on cover.

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Neon

Fade To Grey

Body On Body / One Day In My Life

Release: 1987 / EU – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Sticker on cover.

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J.W.B. Hits The Beat

12" | 1987 | DE | Original (Seven Eleven)

11,99 €*

Release: 1987 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1985 | EU | Reissue (Trueclass)

Vinicio Adames

Al Comienzo Del Camino

28,99 €*

LP | 1982 | JP | Reissue (Universal Music Japan)

Release: 1985 / EU – Reissue

Genre: Electronic & Dance

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Venezuelan Electronic Music Pioneer Vinicio Adames Synth-Pop Masterpiece from 1985. With 23 years of age Vinicio Adames self-produced and self-financed his 1st Album “Al comienzo del camino". Released in its time in Venezuela only, the album has been unavailable for decades. A complete restoration of the masters for this release, makes this album available now for the first time in fine audio quality.

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Ryo

Concierto De Aranjuez

39,99 €*

LP | 1980 | EU | Reissue (Glossy Mistakes)

Release: 1982 / JP – Reissue

Genre: Electronic & Dance

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Introduction From "Schelomo"

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Stu Cisco

Amanita

26,99 €*

Release: 1980 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Originally released in 1980, ‘Amanita’ is an early approach of Canadian artist Sherine Cisco, formerly known as Stu Cisco, to the limitless world of synthesizers in music, through ambient, progressive rock and drone noise. A unique combination of ambient, progressive rock and even drone noises and space-age that converged in ‘Amanita’, her first full album and a piece of music history. This LP marks a milestone in the investigation, experimentation and evolution of musical instruments, where the Mini Moog demonstrated its versatility and creative potential, opening Sherine a path of limitless possibilities.

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12" | 1988 | DE | Original (ZYX)

Italo Boot Mix Vol. 11

5,99 €*

Release: 1988 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1985 | EU | Original (Baby)

Den Harrow

Future Brain

Release: 1985 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

12" | 1979 | DE | Original (Polydor)

Gibson Brothers

Better Do It Salsa

Release: 1979 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1987 | EU | Reissue (Orbeatize)

Dana Andrew Rath

Impressions Of The City

17,99 €*

LP | 1982 | EU | Reissue (Orbeatize)

Release: 1987 / EU – Reissue

Genre: Electronic & Dance

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From ("Xisle" member) Rath's private archive. Originally released in 1987 only on tape cassette format, remixed in Oct. 2019 by Mr. Rath and remastered in Jan. 2020 by himself with the collaboration of sound engineer Andreas Merlini.

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Enrico Serotti

Homemade Music

17,99 €*

2LP | 1983 | EU | Reissue (Orbeatize)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Originally distributed by Demo City (a division of Oderso Rubini's Italian Records) in 1981 only on tape cassette format; the Confusional Quartet's guitarist here cooking a weird cover of Kraftwerk's "The Model", the cosmic "Lo Sport" and 26 more homemade delicacies.

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Ricky Starbuster

Protosyn

21,99 €*

The Arabian Prince And The Sheiks

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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Like his previous "Starburst" release, "Protosyn" was privately released in 1983 only on tape cassette format. Restored and remastered from the original tapes by Davide Bassi (Press Rewind Studios, Milan); Mr. Ricky having fun with Prophet 5, Pro 1, Korg Vc-10 Vocoder and Roland Tr-606 Drumatix.

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Take You Home Girl / Innovator

12" | 1985 | UK | Reissue (Rawax West Coast Edition)

The F16 Mix (Check Out The Sound Barrier)

Release: 1985 / UK – Reissue

Genre: Electronic & Dance

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Rawax proudly welcomes Kim Nazel, one of the founders of N.W.A. aka The Arabian Prince to the Family! We are happy to present you in future some classic releases and new productions, including a brand new album on the Rawax West Coast Edition. Starting with "The Arabian Prince And The Sheiks - Take You Home Girl/ Innovator" from 1985, originally released on Rapsur Records. Our release contains for the first time the unreleased extended version of "Take You Home, Girl"!!! Another highlight is " Innovative Life" this track was done by Kim Nazel together with another legend who is Dr. Dre!!! Highly recommended!

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Lex Van Coeverden

12" | 1988 | NL | Original (Rams Horn)

LP | 1984 | DE | Original (Emergency)

Release: 1988 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Sticker on cover.

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Shannon

Let The Music Play

Release: 1984 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

12" | 1988 | NL | Original (EMI)

Selena

So Far Away

12" | 1986 | DE | Original (Metronome)

Release: 1988 / NL – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

Sticker on cover.

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The Communards

Disenchanted

What Shall We Do With The Drunken D.J.

Release: 1986 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Writing on cover.
Record is close to NM.

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The Radio Pirates

12" | 1987 | EU | Original (Hansa)

8,99 €*

Release: 1987 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1984 | DE | Original (Statik)

Gina X

Drive My Car

12" | 1983 | DE | Original (Rush)

Release: 1984 / DE – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Cover has a small cut-out.

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Mito

Droid

12" | 1986 | NL | Original (Rams Horn)

Release: 1983 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+

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Venus

Hot Sun On Video (Remix)

LP | 1980 | JP | Original (Victor)

Release: 1986 / NL – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG+

Record has some hairlines and a few superficial scratches.
Small sticker on cover.

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Arabesque

Arabesque IV

21,99 €*

Waking Up With The House On Fire = ハウス・オン・ファイヤー

Release: 1980 / JP – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing. With OBI. Few paper scuffs. close to NM

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Culture Club

LP | 1984 | JP | Original (Virgin)

LP | 1982 | JP | Original (Woorell)

Release: 1984 / JP – Original

Genre: Electronic & Dance, Reggae & Dancehall, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI.

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Daniel Sahuleka

Sunbeam

LP | 1982 | JP | Original (EMI)

Release: 1982 / JP – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

No obi.

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Sheena Easton

Madness, Money And Music

LP | 1984 | JP | Original (EMI)

Release: 1982 / JP – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

Japanese pressing with obi.

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Sheena Easton

A Private Heaven

LP | 1980 | JP | Original (Victor)

Release: 1984 / JP – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Japanese pressing without OBI!

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Arabesque

Arabesque III

LP | 1975 | JP | Original (Victor)

Release: 1980 / JP – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

Original japanese pressing with obi and insert. close to NM, tiny wear

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Silver Convention

Save Me

Release: 1975 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

The Jacksons = The Jacksons

Victory = ビクトリー

LP | 1984 | JP | Original (Epic)

20,99 €*

LP | 1983 | JP | Original (CBS/Sony)

Release: 1984 / JP – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Without OBI. Cover and vinyl are close to NM.

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Earth, Wind & Fire

Electric Universe

Release: 1983 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1982 | JP | Original (EMI America)

Kim Carnes

Voyeur

LP | 1981 | JP | Original (Victor)

Release: 1982 / JP – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

OBI not included.
Includes original insert.

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Arabesque

Greatest Hits

7" | 1986 | EU | Original (Amber)

Release: 1981 / JP – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

with OBI and inserts

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Dance Speak

Release: 1986 / EU – Original

Genre: Electronic & Dance

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2LP | 1980 | EU | Reissue (Cortizona)

Bernard Szajner

Some Deaths Take Forever

23,99 €*

Another Time, Another Place

Release: 1980 / EU – Reissue

Genre: Electronic & Dance

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First time vinyl reissue since the original 1980 version. Original remastered album plus second LP with unreleased extra tracks from 'Some Deaths Take Forever' recording sessions.

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Dan Siegel Project

LP | 1984 | JP | Original (Elektra)

LP | 1982 | JP | Original (Polydor)

Release: 1984 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI!

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Shakatak

Invitations

16,99 €*

LP | 1984 | US | Original (Philly World)

Release: 1982 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Japanese pressing with OBI!

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Eugene Wilde

18,99 €*

LP | 1982 | JP | Original (Polydor)

Release: 1984 / US – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Still in shrink but opened with hype sticker.

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Shakatak

Night Birds

LP | 1984 | JP | Original (Arista)

Release: 1982 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Japanese pressing with OBI and insert. tiny wear.

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Jermaine Jackson

LP | 1982 | US | Original (Chocolate City)

Release: 1984 / JP – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing with OBI

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Cameo

Alligator Woman

10,99 €*

Release: 1982 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1985 | US | Original (Arista)

Whitney Houston

22,99 €*

Release: 1985 / US – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

US original, RCA-Indianapolis pressing. Vinyl close to VG+

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Revenge Of The Killer B's

LP | 1985 | US | Original (Warner Bros.)

Release: 1985 / US – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

2LP | 1989 | EU | Original (Real World)

Peter Gabriel

Passion

20,99 €*

Release: 1989 / EU – Original

Genre: Rock & Indie, Electronic & Dance, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG

Vinyl close to NM and cover to VG+.

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LP | 1982 | DE | Original (Polydor)

Das Pralle Leben

Release: 1982 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG