Electronic & Dance Vinyl 1396 Items

Revenge Of The Killer B's

LP | 1985 | US | Original (Warner Bros.)

13,99 €*

Release: 1985 / US – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

2LP | 1989 | EU | Original (Real World)

Peter Gabriel

Passion

20,99 €*

See Jungle! See Jungle! Go Join Your Gang Yeah! City All Over, Go Ape Crazy

Release: 1989 / EU – Original

Genre: Rock & Indie, Electronic & Dance, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG

Vinyl close to NM and cover to VG+.

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Bow Wow Wow

LP | 1981 | US | Original (RCA Victor)

17,99 €*

LP | 1972 | US | Reissue (Demon)

Release: 1981 / US – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Record is close to NM!

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Glass House

Thanks I Needed That

25,99 €*

Release: 1972 / US – Reissue

Genre: Electronic & Dance

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LP | 1983 | EU | Reissue (Les Giants)

Y Create

The Blue Tape

21,99 €*

LP | 1986 | EU | Reissue (Studio Mule)

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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In the early 1980’s Hessel Veldman and Herman te Loo assembled at Hessel’s apartment, which served both as a living room and as a home studio, every Thursday night. After the necessary social exchange over coffee, the guys started improvising, sometimes with a small preconceived musical cell or idea to work from. With a skeleton crew of just two (give or take the occasional overdub) the music that came out was usually simple in its form, sometimes stark, but always adventurous in its scope. And most of all: they approached the music with a sense of wonderment. Hessel had a great preference for repetitive patterns, executed on guitar, bass guitar or the synths of the era: a Korg MS 20 and a Roland Juno. Herman provided melodic lines with his soprano sax and occasional vocals and lyrics. A Drumatix drum machine provided the rhythms. Given these premises the duo sometimes sounded like Tuxedomoon or Wire, bands they both admired. But they never had the intention to imitate or copy anyone. Hence the occasional outing on a corny sounding ancient electronic organ (Philicorda) with pre-programmed analog rhythm box (eko). It provided the necessary humour in the sometimes gloomy 80’s period sound. They recorded everything, and Hessel would work on the result during the week that followed. The twosome would then discuss the mix prior to a new Thursday session. After a while there was enough material to compile a tape for Hessel’s independent Exart cassette label. It became one the volumes of a trilogy, entitled Y Create, the Y referring to Ymuiden, Herman and Hessel’s home town. In contrast to the other volumes of the series, the grey and green tape, the blue cassette (which is the one remixed and reissued on vinyl here) contained relatively short pieces – songs almost. The rest of the series delved more into long, hypnotic soundscapes, which later became an important ingredient for the music of Gorgonzola Legs, the band which Hessel and Herman started in 1984 with drummer/electronics wizard Gert Jan Prins and guitarist Jos van Duijne.

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Yas-Kaz

Virgo Indigo

22,99 €*

LP | 1985 | US | Original (Epic)

Release: 1986 / EU – Reissue

Genre: Electronic & Dance

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Studio mule is back with another amazement, opening the roster towards sophisticated spiritual sounds on the crossroads of electrified jazz, oriental fourth-world spheres and deeply composed experimental sounds. this time the label welcomes japanese artist ya-sukazu sato aka yas-kaz, a university-trained percussionist, that gained global success as a composer for the internationally known butoh dance troupe sankai juku, that tours around the world since 1975. his infrequent musical amalgamation of ancient eastern genres, airy soundscapes, and ritualistic dance percussions perfectly accompanied the modern dance movements of an avantgarde dance group that is known for slow, mesmerizing dance passages, whose repetitive body movements sometimes focusing only on the feet or fingers. besides his theatre work, yas-kaz composed scores for japanese movies, performed live along stars like us-american jazz saxophonist wayne shorter or legendary japanese new-age musical group himekami and recorded a number of collabo-rative and solo albums.

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Jak

I Go Wild

Release: 1985 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Reese (Kevin Saunderson) & Santonio

The Truth Of Self Evidence Clear Vinyl Edition

12" | 1988 | EU | Reissue (KMS)

12,99 €*

LP | 1976 | EU | Reissue (Karl)

Release: 1988 / EU – Reissue

Genre: Electronic & Dance

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Huge repress of 'The Truth Of Self Evidence' on KMS from 1988. Detroit techo gold that samples Martin Luther King. All b sides included and re mastered for 2014.

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Mesias Maiguashca

Oeldorf 8

18,99 €*

12" | 1983 | EU | Reissue (ZYX)

Release: 1976 / EU – Reissue

Genre: Electronic & Dance, Classical Music

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A download code is included. First-ever official re-issue of the Ecuadorian composer’s stunning electroacoustic composition “Oeldorf 8” on vinyl and CD. Remastered by Kassian Troyer at D&M, Berlin. Mesías Maiguashca (b. December 24th, 1938 in Quito / Ecuador) is a composer of Neue Musik, especially electroacoustic music, who studied at the Conservatorio Nacional de Quito, at the Eastman School of Music in Rochester, NY (1958–65), with Alberto Ginastera at the Instituto di Tella in Buenos Aires, at the Hochschule für Musik in Cologne and, after a short return to Ecuador, attended the Internationale Ferienkurse für Neue Musik in Darmstadt and the Fourth Cologne Courses for New Music in 1966–67 where he studied with Karlheinz Stockhausen. From 1968 to 1972, Maiguashca worked closely with Stockhausen in the Electronic Music Studio of the Westdeutscher Rundfunk in Cologne and joined Stockhausen's ensemble for performances at the German Pavilion at the Expo '70 in Osaka. In 1971 he became a founding member of the Oeldorf Group of composers and performers, and began work at the Centre Européen pour la Recherche Musicale in Metz, at Ircam in Paris, and at the ZKM in Karlsruhe. From 1990 – 2004 Maiguashca was Professor of Electronic Music at the Musikhochschule of Freiburg im Breisgau where he still lives today.

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Paul Paul

Good Times

Release: 1983 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance, Pop

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LP | 1987 | US | Original (Columbia)

rWendy & Lisa

Wendy And Lisa

11,99 €*

LP | 1988 | US | Original (Motown)

Release: 1987 / US – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG+

Still in shrink, but opened, with hype sticker. Cover with punch hole

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Desiree Coleman

Desiree

Release: 1988 / US – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

The Man-Machine English Version Translucent Red Vinyl Edition

Kraftwerk

LP | 1978 | EU | Reissue (Parlophone)

32,99 €*

Release: 1978 / EU – Reissue

Genre: Electronic & Dance

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Radio-Activity English Version Translucent Yellow Vinyl Edition

Kraftwerk

LP | 1975 | EU | Reissue (Parlophone)

Release: 1975 / EU – Reissue

Genre: Electronic & Dance

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Computer World English Version Translucent Yellow Vinyl Edition

Kraftwerk

LP | 1981 | EU | Reissue (Parlophone)

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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For You Only (Extended New Version)

Alison Moyet

12" | 1985 | EU | Original (CBS)

LP | 1988 | US | Original (Virgin)

Release: 1985 / EU – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Small sticker on cover.

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Burrell

Release: 1988 / US – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

12" | 1985 | EU | Reissue (Betonska)

Flo Sullivan

Higher

LP | 1987 | UK | Original (Mute)

Release: 1985 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Over two years in the making, and it’s finally here. Amsterdam based, brand new old-school label “Betonska” kicks off with this highly diverse release for the selector, collector, radio host and club DJ. Crisp instrumentation, tight retro drum computer programming and propulsive danceable bass lines are what you will find here. The Amsterdam based label will be focusing on previously unreleased and tough-to-find material from the 80s and 90s – all re-mastered, officially licensed and in collaboration with the original artist. In addition to the original material an occasional modern twist will be given by contemporary artists who cherish that signature sound. The first release is an alternative issue of Flo Sullivan’s “Higher” release, originally recorded in 1984 in the world famous Amazon Studios in Liverpool and released in 1985. On the A-side both the 12” and the 7” version of the hard-to-get, firm synth-pop track “Higher” will be pressed on a loud 45rpm vinyl. The 12” version is the (bass-)heavier one, while the 7” version sounds more “organic” with an extended intro and an added horns part. The tracks on the A-side have been pressed before and are made available now again for the wider public, giving those tracks the recognition and attention they deserve. The B-side focuses on previously unreleased original downtempo material by the same artist but released under her real name: Gayna Rose Madder. This, accompanied by a refreshing club-ready remix of one of those tracks by Vienna’s top-notch selector, producer and Neubau label owner: Heap. Neither of the two original tracks “Over” and “Element” have ever been released on vinyl before, up until now. “Over” was written and recorded in 1983 in Splash Sound Studios in Liverpool. A beautiful melancholic synth-pop track, which was meant to be released, but unfortunately never saw the light of day. At the time it was recorded Gayna left her band “Shiny Two Shiny” and therefore needed a new deal from a different company for her solo releases. But by the time she found the right one, many newer songs needed release. Much later, in 2005, Gayna decided to self-release “Over” on a compilation CD to sell copies online. “Element” is a spoken-word poem accompanied by a fire-crackling tribal kind of rhythm. It was written for a musical play and recorded in Sparks Studio Liverpool in 2004 and has never officially been released before. (For a short period it was available on a self-released CD on Gayna’s website; a compilation of the songs written for one of her musicals). And last but not least, the icing on the cake is Heap’s remix of “Element”. He translated this spoken word poem into a refreshing 90s-style and danceable club-track to complete the diversity of Betonska’s first release. A chugging acid bass, breakbeat rhythms, crisp claps and sharp snares and a screeching lead synth to get you screaming on the dance floor.

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Laibach

Opus Dei

45,99 €*

LP | 1986 | UK | Original (KPM Music)

Release: 1987 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Embossed cover. Original inner sleeve. Original UK pressing. Vinyl with light scuffs and hairlines. Sleeve with moderate corner and edge wear, closer to VG+

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Keith Mansfield

Future Positive

18,99 €*

Release: 1986 / UK – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 1987 | EU | Reissue (Black Sweat)

Roberto Laneri

Anadyomene

18,99 €*

12" | 1981 | EU | Reissue (Rush Hour)

Release: 1987 / EU – Reissue

Genre: Electronic & Dance

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The eclectic sensitivity of the composer Roberto Laneri (Prima Materia) looks unparalleled in the Italian avant-garde context. Anadyomene, published for the first time in 1987, shows the myth of Venus in a dystopian and dreamlike world. Laneri conceives a sound poem that opens up to the archetypal dimension of the water creation, through the symbol of bivalve conch, the myth of the feminine power is narrated thanks to the verses of the renaissance poet Angelo Poliziano. Creating a daring connection between western and eastern music, travelling on the Mediterranean sea, the contemporary technologies and techniques revive and re-read ancient musical practices: contrapuntal structures and minimal electronic procedures venture into exotic analogies, strange Renaissance allusions, Middle Eastern and Mediterranean repertoires. Among otherworldly fairy voices, symphonic wandering pathos, aquatic disturbances, Indian Hindustani echoes or psychedelic radiances. A special relationship between space and time, architecture and music, the manipulation of sounds conceived as the art of memory in its various meanings of preservation, transformation and distortion.

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Colored Music

Heart Beat

15,99 €*

Hot & Sexable Morgan Buckley Mixes

Release: 1981 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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12inch release of highly sought after Colored Music edits by Tokyo's, Chee Chimizu (Organic Music). The two cuts originally featured on the the bands seminal self titled album (from 1981) that remained a cult DJ secret weapon, for many years, all over the world. This heavy EP includes an alternative version of 'Heartbeat' that featured on the Japan only "Individual Beauty" LP of 2018 (also compiled by Chimizu)

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Natural Wild

12" | 1985 | EU | Reissue (Allchival)

12,99 €*

Tyger Yellow Vinyl Record Store Day 2020 Edition

Release: 1985 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Remastered & Re-Edited & Remixed versions of the ‘Quare Groove’ classic first released on the group's own Feral Records imprint in Ireland in 1985. Originally inspired by Con O Laoghaire,s trip to Carnival in Trinidad ‘where a woman told me she would see me later at a fete when she was looking ‘Hot and Sexable’’. This is the full vocal version sung by Denise Keogh. As well as an extended club mix of the original, the set feature three other versions, all are reimagined by Morgan Buckley (Wah Wah Wino / No 'Label') using source stems from the original 1985 master lacquer and multitrack tapes courtesy of Windmill Lane Studios.

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Tangerine Dream

LP | 1987 | US | Reissue (Culture Factory)

37,99 €*

LP | 1981 | DE | Original (Palais Schaumburg)

Release: 1987 / US – Reissue

Genre: Electronic & Dance

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Record Store Day 2020 Release.
Limitation: 3000 copies.

Tangerine Dream's classic 1987 album Tyger. Recorded in Berlin and Vienna, the album was the final studio release by the band for the jive electro label and took its inspiration from the poems of William Blake. Edgar Froese, Chris Franke and Paul Haslinger utilising the services of guest vocalist Joceylyn Bernadette smith on a number of tracks, resulting in one of the most inspiring tangerine dream albums of their so called 'blue years'.

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Palais Schaumburg

20,99 €*

Venus HHV Exclusive Splattered Vinyl Edition

Release: 1981 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Cover with creasing pn edges

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Logic System

LP | 1981 | EU | Reissue (Wewantsounds)

32,99 €*

Digital Soundology #1 Volk Von Bauhaus

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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Limited Edition of 100 copies of clear vinyl with pink & sea blue splatters. Only at HHV!

His name may not be instantly familiar, but Hideki Matsutake has had a huge influence over Electronic music. Starting his career as the assistant of Japanese Electronic Music master Isao Tomita in the early 70s, he went on to work with Ryuichi Sakamoto and then Yellow Magic Orchestra as their keyboard programmer and unofficial fourth member. In 1981 he started his own Logic System project recording "Venus" that year in Los Angeles with Don Grusin, Nathan East and Michael Boddicker, brilliantly mixing Synth Funk, Ambient and Boogie with a touch of Fusion Jazz predating Vaporwave by a mere 30 years. Wewantsounds is delighted to reissue this visionary album, which
comes remastered from the original tapes and features Pater Sato stunning artwork including the rare beautiful 8-page insert with an exclusive interview of Hideki Matsutake by Hashim Kotaro Bharoocha.
The early 80s were prolific for Hideki Matsutake. As the go-to keyboard programmer for the tokyo music scene, he worked on Akiko Yano's "Gohan Ga Dekitayo", YMO's "BGM", Ryuichi Sakamoto's "B-2 Unit", Mkwaju Ensemble's "Mkwaju" and found time to record two Logic System albums in 1981. While the first album, "Logic" had a harder techno feel, the second one "Venus" was different affair. Recorded in Los Angeles at the new state of the art Yamaha Studio, it was loosely themed on the Greek goddess Venus and had a funkier more organic sound. For the album Matsutake had asked a handful of American musicians to provide songs he would then add his synth magic touch to. Michael Boddicker, Don Grusin, Nathan East and Roger Powell duly complied and also played on the album.

The updated sound was achieved by switching from the Moog III to the E-mu modular System (which Matsutake brought over to LA) and other synths like the Prophet 5, the Roland MC-8 and TR 808 and the Yamaha GS-1, a forerunner of the DX7.

The result is an amazing futuristic mix of electronic music and early 80s funk, announcing many genres to come, from techno and house to French electro and Vaporwave. From the breezy ambient synth of "I Love You" to the city pop edge of "Be Yourself" (originally written by Nathan East for Debra Laws) and the vocoder-led Daft Punk-ish "Take A Chance", Venus is a fascinating album that both pushes the boundaries of electronic music and is yet strangely accessible and beautiful.

The other key elements of Venus is the artwork designed by Japanese legendary illustrator Pater Sato. Sato had started in Japan in the early 70s doing many album covers for Japanese artists including Tatsuro Yamashita's cult Spacy LP before moving to New York in 1979 to pursue a career in fashion and advertising. His airbrush style became hugely influential over the years and in 2018, Stella McCartney dedicated a whole Men’s collection based on his Venus. Star make up artist Pat McGrath also regularly posts his artwork to her 3 million fans on her instagram.

The original album came with a beautiful 8-panel insert illustrated by Sato which Wewantsounds has reproduced on this deluxe reissue also featuring remastered sound, OBI strip and a second insert featuring credits and line up plus liner notes by Hashim Bharoocha. The notes will feature an exclusive interview with Hideki Matsutake reminiscing about the making of this visionary album which Wewantsounds is delighted to reissue.

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Takashi Kokubo

LP | 1985 | EU | Reissue (Glossy Mistakes)

23,74 €* 24,99 € -5%

LP | 1981 | EU | Reissue (Epic)

Release: 1985 / EU – Reissue

Genre: Electronic & Dance

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Ambient and environmental Japanese scene has flourished stronger than ever in the last years. The pioneers of this sound and the creators of an innovative way of making and understanding ambient music, such as Hiroshi Yoshimura, Yoshio Ojima, Toshifumi Hinata or Takashi Kokubo have been championed and their works have been successfully unearthed by reissue labels. Continuing in this endless path, Glossy Mistakes adds Takashi Kokubo’s brilliant “Volk Von Bauhaus” to its catalogue, with the Japanese masterpiece as the third official release of the Spanish label. As most of 80’s Japanese ambient and environmental music, “Volk Von Bauhaus” is an audio impression designed to give a multi-sensory experience to the listener. An effort to make things audible, an exercise of understanding and soundtracking objects or situations. The main objective of this sound is to create an iconic musical landscape to accompany a specific place. Though his name might be unfamiliar to many, Kokubo has crafted music that has impacted virtually all of Japan, from national mobile phone earthquake alerts to contactless card payment jingles. He was one of the first artists to create ambient music strictly through loops. As he mentioned when release this album, "this recording used no keyboard players, no multitrack tape recording techniques, no analog sounds”. A shift on the process of imagining sound. “Volk Von Haus” is and ode to this ambient, new age and environmental music created in Japan throughout the 80’s. Throughout 9 cuts, Kokubo handcrafts his own sound and immerses the listener in a peaceful yet challenging adventure. The record is the first piece of his Digital Soundology series, and arguably his most interesting work due to the groundbreaking techniques he used.

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Electric Light Orchestra

Time

26,99 €*

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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LP | 1983 | DE | Original (Leo Musik)

André Szigethy

299,99 €*

D Mob Featuring Gary Haisman

Release: 1983 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: Generic

Test Pressing.
Small audible scuff on B1, other wise VG+.
Includes poster and booklet.

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We Call It Acieed (Remix)

12" | 1988 | EU | Original (FFRR)

Release: 1988 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1986 | DE | Original (Erdenklang)

Matthias Thurow

Cornucopia

6,99 €*

12" | 1988 | EU | Reissue (Pardonnez-Nous)

Release: 1986 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Small light scuff on side 1.
Small sticker on cover.

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Maureen

Tu Me Tues

13,99 €*

Release: 1988 / EU – Reissue

Genre: Electronic & Dance, Pop

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LP | 1983 | HU | Original (Start)

P.R. Computer

9,99 €*

LP | 1977 | IT | Original (Derby)

Release: 1983 / HU – Original

Genre: Electronic & Dance, Pop, Classical Music

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Used Vinyl

Medium: VG+, Cover: Generic

Cover is missing.

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Venus Rising

Live On Venus

LP | 1983 | US | Original (Houston Connection Recording Corporation)

Release: 1977 / IT – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Cover with faint ring wear and small sticker.

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Margie Joseph

Knockout!

8,99 €* 9,99 € -10%

12" | 1988 | US | Original (N.A.M.E. Brand Record Company)

Release: 1983 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl is close to VG+.

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Plunky Nkabinde

World Class Sax

69,99 €*

12" | 1983 | DE | Original (Leo Musik)

Release: 1988 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: VG

Still sealed.
Cover corners slightly dented, faint storage abrasions visible through shrink.

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André Szigethy

Geisterfahr'n

19,99 €*

Release: 1983 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

12" | 1987 | EU | Original (Epic)

Tony Terry

She's Fly

3,95 €*

7" | 1978 | DE | Original (EMI)

Release: 1987 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Cover has slight wear, seam split in bottom spine, small tear in opening.

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Ayisha

Space Man

49,99 €*

12" | 1988 | BE | Original (Shark)

Release: 1978 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Cover with faint ring wear and small sticker.

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Mata Hari

Naïsha

10,99 €*

Release: 1988 / BE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

LP | 1983 | DE | Original (Teldec)

Orphée

9,99 €*

Release: 1983 / DE – Original

Genre: Electronic & Dance, Pop, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG

The Silent Underdog / Pigbag

Papa's Got A Brand New Pigbag

12" | 1985 | DE | Original (ZYX)

Release: 1985 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1983 | EU | Original (A&M)

52nd Street

Cool As Ice

10,99 €*

Release: 1983 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

7" | 1986 | EU | Reissue (Emotional Rescue)

Silver Leaf

Hey!

11,99 €*

12" | 1987 | CH | Original (Z-Records)

Release: 1986 / EU – Reissue

Genre: Electronic & Dance

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Sometimes a record comes along that is a wonderful anomaly that really is all about the music. Silver Leaf recently appeared on the radar via obscuro diggers on both sides of the Atlantic and landed with a Hey!
What is known about Silver Leaf, beyond that it was a short-lived mid-80s project out of Cincinnati, Ohio, is that it features ex-Zephyr keyboardist John Faris, working alongside the mysterious vocalist Silvia Leaf.
The difference between the blues and occasional psychedelic rock of early 70s Boulder, Colorado's Zephyr and the lo-fi recordings of Silver Leaf are striking, but in Hey! and Can We Rebuild Our City?, the power of the ballad and strong playing of John, is wrapped in mid-80s, mid-States lo fi heaven.
Whether a non-de-plume, Ms Leaf's searing, innocent vocals fly above John's keys and programming. Hey!'s repetitive exhalations act like a mantra to a party, while tom's chime in accompaniment. Here it comes!
Can We Rebuild Our City? starts with Faris' forlorn intro before crashing percussion heads to some kind of wonderful, as Leaf questions a calls to hearts.
Releasing just 3 singles, Silver Leaf's music is unique and essential, an experience and a delight to present.

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The Real Camouflage

Look Close

23,95 €*

LP | 1977 | EU | Reissue (Glossy Mistakes)

Release: 1987 / CH – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Copy is rather Near Mint.

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Tito

Quetzalcoatl

22,99 €*

LP | 1985 | DE | Original (Teldec)

Release: 1977 / EU – Reissue

Genre: Electronic & Dance

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Protoelectronics psychedelic Mexican Holy Grail rediscovered by Glossy Mistakes. Inspired by Vangelis, Tomita or Kraftwerk, this unknown rarity gets a second life sounding fresh and pioneering today. Tito was born in 1946 in Ciudad de México, the son of two Spaniards. Since he was a youngster, he had felt the passion for music and instruments. In the meantime, he started a career as architect. Since his early years, he joined various teen rock bands, where he played bass and guitar. Slowly but surely, his interest in synthesizers started to grow. And the rest is history. Tito defines himself as an “electronic sounds fanatic”. Quetzalcóatl is a truly authentic cornerstone in those terms: an inspired and eclectic artist gives shape to a unique sound through legendary synthesizers such as the MiniMoog or the Arp Odyssey. His passion was so embedded that he even built his own guitars and equalizers; some of which appear on this LP. Quetzalcóatl, his debut solo album, was originally recorded in 1977 (now remastered) in his bedroom using a four-channel Sony recorder in a truly DIY way. This álbum could be considered as a rarity. But if we listen hard enough, we find a pioneering treasure. Somehow, Quetzalcoátl anticipated the sounds of future decades with simple but inspired compositions. It is a mythological trip to the Pre-Hispanic México. This album is an allegory of the Aztec world. Quetzalcoátl is the most important God for Mesoamerican cultures: it represents the inherent human dualism between the body (represented by the snake) and soul (the feathers). In the song “Profecía”, Quetzalcoátl emerges, announcing the end of the world at the hand Spanish colonialism. Limited edition, 600 copies, remastered in Amsterdam by Wouter Brandenburg.

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Moti Special

Motivation

10,99 €*

Release: 1985 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1978 | PL | Original (Polskie Nagrania Muza)

Chorus & Disco Company

Discoland

15,99 €*

Release: 1978 / PL – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Disco Hits Explosion Vol. 3

LP | 1977 | JP | Original (Overseas)

12" | 1989 | DE | Original (L.A.B.)

Release: 1977 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI and insert. Vinyl close to NM

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The Front

You Can Dance

59,99 €*

LP | 1986 | US | Original (A&M)

Release: 1989 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover has storage signs.

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Janet Jackson

Control

36,99 €*

12" | 1983 | DE | Original (ZYX)

Release: 1986 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Original inner sleeve. Club edition.

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Kex

Go, Go, Go

Release: 1983 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1985 | DE | Original (Pleasure Dome)

La Nuit

Silent Coordinator

Electronic Friend / Boxer

Release: 1985 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Small price tag on cover.

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Twilight

12" | 1983 | IT | Original (CAT Record)

6,99 €*

Release: 1983 / IT – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Pete Wylie And The Oedipus Wrecks

Sinful! (Tribal Mix)

12" | 1986 | UK | Original (MDM)

LP | 1978 | US | Reissue (Fact Of Being)

Release: 1986 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Small sticker on front cover.

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Iasos

Angelic Music

35,99 €*

LP | 1983 | DE | Original (RCA)

Release: 1978 / US – Reissue

Genre: Electronic & Dance

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In 1978 Iasos has returned with a new album consist of 2 long peaceful compositions “The Angels of Comfort “ and “Angel Play”.

These pieces are extremely soothing, heavenly, loving, and peaceful, and capture the energies of love - on a galactic scale. It functions as a universal healing comforting presence.

This genre of music could be termed 'classical New Age music'. The philosopher Alan Watts has said, 'Iasos is doing the classical music of the New Age.' This album is a 'vibrational environment' of soothing loving angelic feelings - very nurturing and comforting.

The music can be used for creating a sacred space, for meditating, body-work, visualization, hospice work, emotional healing, and for tuning into angels. It is well suited for relaxing the mind, body and spirit.

When Iasos first released this album, it immediately became an underground classic, due to its universal appeal. It was the one of first albums that created a new music genre now known as ''New Age'' music. In addition, it still is one of the most cherished pieces of music worldwide. The Psychology Department at Plymouth State College had this music receive the highest rating, by quite a margin, for being ''most like the heavenly music'' heard by people who had had a near-death experience.

'Angelic Music' was released on vinyl only once in 1989 on Brazilian label Estúdio Eldorado. This is a first LP reissue and additional CD reissue. Comes with original artwork - Painting ['Star Dancer'] by Gilbert Williams.

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R.E.K.

R.E.K. 1

85,95 €*

Release: 1983 / DE – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Beautiful copy! Record and sleeve are close to NM.

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9½ Weeks - Original Motion Picture Soundtrack

LP | 1986 | IT | Original (Capitol)

Release: 1986 / IT – Original

Genre: Rock & Indie, Electronic & Dance, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1983 | DE | Original (ZYX)

Scoop

Say You Go

8,99 €*

LP | 1972 | EU | Reissue (Vinyl Magic)

Release: 1983 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Cover with faint ring wear.

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Giuliano Sorgini

Elettroformule

28,99 €*

LP | 1988 | EU | Reissue (Fortuna)

Release: 1972 / EU – Reissue

Genre: Electronic & Dance

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At the end of the '60s in Italy - but also abroad, especially in France and England - a very particular trend began to spread, that one known as 'Library music' or 'sonorization': as suggested by its name, those were real music libraries intended for the accompaniment of audiovisual productions such as television programs, advertisements, documentaries and films. Since they were created in total artistic freedom condition, they are often difficult if not impossible to catalog, as they're not anchored to a specific musical genre; this freedom also allowed the authors to compose, sometimes in the most complete anonymity, experimental and avant-garde music, capable of anticipating the sounds that only many years later would have been widespread on a larger scale.

Giuliano Sorgini is one of the most mysterious composers of the sonorization and soundtrack genres: almost nothing is known about his life, despite his name being linked to dozens of albums and compositions. "Elettroformule" is probably one of his most 'extreme' experiments: a collection of thirteen short improvisations generated with the sole aid of electronic instruments: abstract compositions, balanced between ambient and noise music, perfect for a hypothetical science fiction from the '60/70s.

"Elettroformule" is part of a reissues series, made in collaboration with Edizioni Leonardi (Milan, Italy), of extremely rare library music LP's published between late '60s and early '70s, most of which have never been released again until today, and that are finally made available again for collectors and sonorization music lovers.

Edition in black vinyl 180gr.

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Raviv Gazit

27,99 €*

Forbidden Dreams / The Awakening

Release: 1988 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Fortuna Records return with an exceptional reissue of a mid-80s early electronica LP by keyboardist Raviv Gazit. The album was composed entirely on the Synclavier synthesizer in the basement of the Tel-Aviv University in 1985. Gazit was ahead of his time composing cold yet blissful electronic music for film and theatre which he later released as an album. An unexpected yet extremely welcome addition to Fortuna's killer catalog.

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Shakti

12" | 1988 | BE | Original (Subway)

89,99 €*

Release: 1988 / BE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1983 | EU | Reissue (WRWTFWW)

Inoyamaland

Danzindan-Pojidon

23,99 €*

LP | 1987 | EU | Original (Mercury)

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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WRWTFWW Records is too happy to announce the much anticipated official reissue of Japanese duo Inoyamaland’s quintessential ambient/environmental/electronic album Danzindan-Pojidon, produced by Haruomi Hosono and originally released in 1983 on his Yen Records label. Available outside of Japan for the first time, the new age classic comes as a limited LP with liner notes by band member Makoto Inoue. With Danzindan-Pojidon, Yasushi Yamashita and Makoto Inoue created what they describe as “a special place where the kingdom of summer vacation never ended". Playful and magical, it’s a sonic landscape defined by tinkling synths, floating minimalist melodies, pastoral excursions, and mythical overtones.

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Curiosity Killed The Cat

Keep Your Distance

LP | 1983 | US | Original (Heat)

Release: 1987 / EU – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Original inner sleeve included. Small price tag on cover.

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Sexual Harrassment

I Need A Freak

77,99 €*

12" | 1987 | EU | Original (Island)

Release: 1983 / US – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Original US pressing.

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The Christians

Forgotten Town

Release: 1987 / EU – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1988 | EU | Original (CBS)

Roachford

6,99 €*

Release: 1988 / EU – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 1988 | EU | Reissue (Libreville)

Mega Wave Orchestra

18,74 €* 24,99 € -25%

LP | 1983 | DE | Original (Charisma)

Release: 1988 / EU – Reissue

Genre: Electronic & Dance

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Libreville Records is proud to present a focus on legendary electronic swiss project Mega Wave Orchestra in the form of a compilation LP including unreleased material.
Originally released privately in Geneva in 1988 as a box set containing five LPs by The Mega Wave Orchestra and five prints by the artist H. Richard Reimann.
The Mega Wave Orchestra, the brain-child of musician, mathematician and composer Christian Oestreicher, was conceived as an multi-media electronic music big-band. It was comprised of seven multi-instrumentalists Christine Schaller, Vincent Barras, Jacques Demierre, Olivier Rogg, Rainer Boesch, Roger Baudet, and Benoit Corboz, with Oestreicher as arranger and producer.
The Mega Wave Orchestra created a new hybrid music. It was a music with roots in the jazz and classical traditions, but one which also drew on the sonic freedom of musique concrete and the kind of total experience offered by psychedelia. The diverse backgrounds and specialisms of each of the band leaders/writers resulted in a wide variety of music across the five discs: from austere drones and granular aural detail to warm oddball fusion and gorgeous but cracked vocal jazz.
There are useful contemporary comparisons to be made: zoned synth jazz like the Azimuth LP on ECM or Karin Krog’s Freestyle; Larry Heard’s sequencer dreamtime; the Valium minimalism of Pep Llopis or Jun Fukamaki; Dexter Wansel’s shimmering arrangements for Loose Ends, or even the FM sheen meets cold war threat of Donald Fagen’s Night Fly. Here, too, is the sound of music technology about to snowball and define its own aesthetic, unknowingly prefiguring auteurish bedroom producers like Black Dog or The Detroit Escalator Company.
Lovely crafted tip-on sleeve. Remastered from Master tapes. 500 copies.

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Malcolm McLaren

Duck Rock

Release: 1983 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

2LP | 1988 | EU | Reissue (Parlophone)

Big Thing

95,99 €*

Release: 1988 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed. Tiny wear. 2015 reissue.

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12" | 1981 | UK | Original (EMI)

Careless Memories

16,99 €*

Release: 1981 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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Seven And The Ragged Tiger

LP+12"+All Media | 1983 | EU | Reissue (EMI)

LP | 1987 | EU | Reissue (Utopia)

Release: 1983 / EU – Reissue

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed. Tiny wear. 2010 reissue.

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Gianni Gebbia

29,99 €*

LP | 1985 | JP | Original (WEA)

Release: 1987 / EU – Reissue

Genre: Electronic & Dance

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Alex Bradley's new reissue division at Utopia Records recovers the early works of Gianni Gebbia, a saxophonist and composer from Palermo, Sicily whose highly sought-after debut LP from 1987 is remastered with added unreleased material and updated art work by Gebbia himself. A minimal and contemporary jazz album of the highest order, its beautiful sound, sentimental electronics and use of synthesisers - that were a precursor to the house and dance music scene of the early 90's - has made the album endure the years that have passed. It will be sure to be a valuable addition to your home listening collection with stand out tracks like Cud evoking visions of a Sicilian beach stroll and the intense and brooding 'Vedersi Passare le Cose Attorno' with its Juno chords transports you to a Detroit night club in 1992 counterbalanced by Gebbia's soft saxophonic embrace. The self taught Gebbia's works touches on the avant-garde whilst maintaining a musicality and fluidity with his technique of circular breathing adding an extra element to his playing, the ability to create Reichian like minimalism with a single breath whilst maintaining melodic structure. The multi solo album artist is noted recently for working on the music score of Heiner Goebbels' music performance piece 'Everything that happened and would happen' at the Manchester international festival and for his curating of the "Anassimandro Festival of Music and Philosophy" in his home city of Palermo of which Bradley hosted last years after party.

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Howard Jones

Dream Into Action

Release: 1985 / JP – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 1983 | JP | Original (EMI)

OST Two Of A Kind

8,99 €*

LP | 1981 | JP | Original (Victor)

Release: 1983 / JP – Original

Genre: Rock & Indie, Electronic & Dance, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing without OBI, with insert.

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Arabesque

Greatest Hits

Release: 1981 / JP – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.

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Seven And The Ragged Tiger

LP | 1983 | JP | Original (EMI)

LP | 1986 | JP | Original (Virgin)

Release: 1983 / JP – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Original japanese pressing without OBI!

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Culture Club

From Luxury To Heartache

12,99 €*

Release: 1986 / JP – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Includes OBI and insert.
Small sticker stain on front cover.

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Salvation! (Original Soundtrack)

LP | 1988 | DE | Original (Interphon)

6,64 €* 6,99 € -5%

Release: 1988 / DE – Original

Genre: Rock & Indie, Electronic & Dance, Pop, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG

Cover close to VG+

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An Evening With Windham Hill Live

LP | 1983 | DE | Original (Windham Hill)

12" | 1983 | JP | Original (CBS/Sony)

Release: 1983 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Copy closer to VG+

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Earth, Wind & Fire

Magnetic

13,99 €*

LP | 1981 | DE | Original (Virgin)

Release: 1983 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

No obi.

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Japan

Tin Drum

17,99 €*

LP | 1985 | US | Original (Arista)

Release: 1981 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Cover with stickers, closer to VG+

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Ray Parker Jr.

Sex And The Single Man

LP | 1981 | EU | Reissue (Bureau B)

Release: 1985 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Cover has a cut-out.

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Serge Blenner

Magazin Frivole

27,99 €*

LP | 1983 | EU | Reissue (Best Record Italy)

Release: 1981 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Bureau B present a reissue of Serge Blenner's Magazin Frivole, originally released in 1981. Cold, concise analog synthesizer instrumentals -- on his second album Serge Blenner remained true to his style, albeit shifting course slightly towards pop territory. The juxtaposition of dark harmonies and pop structures is what makes this album so appealing. In places, it feels like a blueprint for early Depeche Mode. Having seen his first album La Vogue (BB 324CD/LP) snapped up by the Sky Records and fast-tracked for release in 1980, Blenner delivered his second LP, Magazin Frivole, the following year. Mindful of the success of its predecessor, Blenner added the name of his debut in big letters to the front cover of the new sleeve. Blenner remained faithful to his musical style, albeit adding more of a pop flavor. Magazin Frivole would not look out of place filed alongside Depeche Mode on the record shelf, as a certain resemblance is undeniable. Moreover, Blenner was one of the few proponents of electronic music who preferred to keep his songs concise, in contrast to the meandering odysseys of many of his electronic contemporaries. The far better-known French artist Jean-Michel Jarre adhered to similar principles, yet although Blenner was often compared to his compatriot, he claims only to have heard his music long after La Vogue had appeared. Minor chords dominate his harmonies, the bass performs octave leaps which mirror the zeitgeist. Unexpected key changes abound, adding a restless, almost disquieting quality. Overall, Magazin Frivole is less dark than the preceding album, but a picture of cheerfulness it is not. Nevertheless, a poppy drum computer introduces a lighter note. From the very first track, chord changes pop up at unexpected junctures -- they seem to come in prematurely, before harmonic sequences have run their course. Blenner doesn't have any explanation for this curiosity, other than to note that "most of the music was played by hand, so of course it wasn't all perfect." "I did all I could to avoid being successful -- on a subconscious level, at least. Unpredictable metrics and irregular beats were definitely part of the process," Blenner admits with an enigmatic smile. Juxtaposed with Blenner's more recent works, one can see what he means. His latest album Musique de Chambre (2008) comprises modern classical chamber music, built on digitally sampled real instruments. Besides, Blenner points out, handling all of those analog devices was a convoluted and complex undertaking.

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Francesco Messina

Medio Occidente

17,99 €*

LP | 1985 | EU | Reissue (Bureau B)

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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Remastered reissue of Francesco Messina's seminal LP from 1983 produced by electronic Italian pioneer Franco Battiato.
Messina and Battiato are considered central figures within the Italian avant-garde. Part of a generation of artists who contributed to a radical rethinking of musical practices and composition, they reveal Minimalism as it's rarely known: delicate melodies, subtle harmonic interplay, incorporating diverse creative traditions and slowly giving way to an ever-expanding open space. This album was recorded at the legendary Polygram Studios in Milan and using the most powerful electronic music synthesizers for that times like the CMI Fairlight and the EMU Emulator.

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Martin Rev

Clouds Of Glory

27,99 €*

Release: 1985 / EU – Reissue

Genre: Electronic & Dance

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12" | 1986 | EU | Reissue (DBH)

Duane & Co

Hardcore Jazz

11,99 €*

12" | 1989 | EU | Original (Virgin)

Release: 1986 / EU – Reissue

Genre: Electronic & Dance

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DBH Music proudly presents the new inhouse label called DBH! We're very happy and proud to represent with the first release the first ep which came out on legendary Dance Mania Records! "Hardcore Jazz" by Duane & Co. was done as a hommage to James Brown. Special thanks to Ray Barney! Here are some words by Duane Buford: Some yers ago my friend and Mentor Ray Barney started a record label and we sat down and talked about his 1st release, I sat down in my basement and put something together little did I know years later it will be reissued, a little while later we did our second release which was really successful. I really give thanks to Dancemania records a label Ray Barney and I started, many others have tried to claim that they started this record label but all of them are totally full of s*** . A little while later ended up getting signed to a major record label which actually served no purpose for me what so ever, it was'nt the label it was the people i was involved with at the time, I was making more money with Ray Barney and Dancemania. Moral to this, take care of your paper work when you release your music, don't sign away your publishing, you never know where your song will end up.

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Sydney Youngblood

If Only I Could

LP | 1981 | EU | Reissue (Optimo Music Selva Discos)

Release: 1989 / EU – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Cover is missing, generic cover. Vinyl has scuffs and light scratches.

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Fernando Falcao

Memoria Das Aguas

12" | 1988 | DE | Original (Metronome)

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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Selva Discos returns to the LP reissue game with a bang – by giving a new life to the stunning and very sought-after Memória das Águas album by Fernando Falcão. Originally recorded in 1979 in Paris but only released independently in Brazil in 1981, the album comes complete with genre-hopping explorations that swirl around ambient soundscapes, lively jazz, experimental-leanings, Afro-rhythms and a unique blend of Latin grooves and French pop with a Brazilian accent, but it also comes with a story as deeply unique as the music. Remastered from the original master tapes, not only the sound but the artwork of Memória das Águas was completely and faithfully restored. Also, the reissue comes with unprecedented liner notes featuring rare photos of the musician and his sound sculptures plus articles that help to explain who Fernando Falcão was and where Memória das Águas sits among other staples of Brazilian music, including one from DJ and selector John Gómez – who helped to connect Selva Discos' Augusto Olivani with Diana Lion, Fernando Falcão's daughter (since the musician died in 2002), for this project. After Memória das Águas, Selva Discos will also reissue another long lost Fernando Falcão LP album – Barracas Barrocas.

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Tina

Crazy For You

Release: 1988 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Hide Away - Man Is Comin'! (Special Mix)

Silent Circle

12" | 1985 | DE | Original (Blow Up)

8,99 €*

LP | 1985 | CH | Reissue (Milan)

Release: 1985 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: G+

Yellow transparent vinyl!

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Vladimir Cosma

OST Diva

12" | 1986 | EU | Reissue (ZYX)

Release: 1985 / CH – Reissue

Genre: Electronic & Dance, Classical Music, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+

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Off

Electrica Salsa

Release: 1986 / EU – Reissue

Genre: Electronic & Dance

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LP | 1985 | UK | Reissue (Spacetalk)

Jake Hottell

Break The Chains

LP | 1976 | EU | Reissue (Mental Experience)

Release: 1985 / UK – Reissue

Genre: Electronic & Dance

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It had taken him almost three years to record, but in 1985 Jake Hottell finally finished his debut solo album, Break The Chains. Inspired by his opposition to fracking, anger at government corruption and a series of profound spiritual experiences, a hundred copies of the album were pressed and given away to radio stations, friends and local business interests in Hottell’s home state of New Mexico.

The album would have remained an obscure footnote in musical history had it not been for the efforts of DJs Danny McLewin and Jeremy Spellacey. Between them, they tracked down Hottell to hear his story, offering the former electronics engineer and Nashville-based music producer the chance to get his music to a whole new audience. Now, some 34 years after the private press edition was produced, Spacetalk is giving Break The Chains a full release for the very first time. Hottell began recording the album in 1982 after reading Your Body’s Many Cries For Water, a best-selling book by Dr Fereydoon Batmanghelidj about the health benefits of clean, purified water. Remembering the poisonous, methane-laden water that came out of his mother’s taps in the 1970s – a by-product of extensive fracking activity in the area around the family farm – Hottell wanted to create a set of tracks that registered his concerns, reflected his recent spiritual experiences (many of which he still finds it difficult to discuss today) and offered a meditative listening experience.

The resultant set is suitably cosmic and emotive, with Hottell cannily fusing gentle drum machine rhythms and dreamy synthesizer motifs – influenced, he says, by a love of the contemporaneous new age output of former jazz label Windham Hill Records – with his own glistening guitar passages, which sit somewhere between the homespun riffs of country music and the classical guitar solos that have long been a sonic staple of Spanish styles such as Flamenco. Many of the tracks have stories attached. “Horizon” features a profound spoken word vocal from local man Darald McCabe – whose homemade purified water helped Hottell recover from serious illness – while “El Rio dos les Delores” was composed after discovering that fracking was taking place on a local Native American reservation. “The Truth Is All I Want”, meanwhile, reflects Hottell’s growing exasperation at the extent of corporate greed and government corruption in the United States.

This new edition of Break The Chains has been painstakingly re-mastered from the original master tapes, while extensive new liner notes shed light on the remarkable musical and personal experiences that inspired Hottell to create an obscure, overlooked classic.

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Thomas Hamilton

Pieces For Kohn

21,99 €*

Viral Shedding Record Store Day 2019 Edition

Release: 1976 / EU – Reissue

Genre: Electronic & Dance

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Spaced out bleeps & bloops and wild ARP synth freakouts from 1976!
“Pieces For Kohn”, as the title suggests, included four electronic pieces composed by Tom Hamilton as musical responses to 3-D geometric paintings by artist Bill Kohn.
A renowned audio producer and electronic composer, among other many things, you’ve probably have seen Tom Hamilton’s name in the credits of many albums by Robert Ashley and on releases from labels like Lovely Music, Pogus Productions, New World Records, etc.
Tom was first introduced to electronic music in 1965, while he was an undergraduate in Milwaukee, thanks to a lecture by Vladimir Ussachevsky illustrated with examples of electronic composers of the day: Bülent Arel, Karlheinz Stockhausen, Pierre Henry, Milton Babbitt…Encouraged by his teacher, Thom David Mason, Tom started to build audio circuits and battery-operated boxes that produced or modified sounds.
In 1969, Tom moved to St. Louis. After graduating at Washington University, he was offered a job to design, purchase, and build an electronic music and recording studio there. He now had continuing access to commercially built synthesizers and by the mid 1970s Tom found that working with electronic music was more satisfying to him than other musical endeavors.
The idea for the “Pieces for Kohn” album came from a studio visit with St. Louis artist Bill Kohn. Tom was an admirer of his work, which combined vibrant color combinations to fulfill 3-D geometric and architectural compositions in paintings, prints, and watercolors.
Bill proposed that Tom composed music for his art exhibition opening at a famous St. Louis gallery and Tom decided to simultaneously release that work on LP. Tom picked four of the paintings that he liked the most and titled his four pieces correspondingly. The recording took place at the Washington University Electronic Music / Recording Studio – the studio that Tom designed and first built in 1971 and then moved and rebuilt in 1974 (where it resides to date).
The original tapes were performed at the opening of Bill Kohn's exhibit at the Terry Moore Gallery in St. Louis, in January, 1976 and then Tom did a limited pressing of the album on his own label, Somnath Records.

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Nocturnal Emissions

LP | 1983 | EU | Reissue (Mannequin)

22,99 €*