Electronic & Dance Vinyl 1617 Items

LP | 1982 | EU | Reissue (Allchival)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Originally released in 1982 on the DRO label, "La Marca De Anubis" was the debut album by LOS INICIADOS, an obscure project related to legendary Spanish synth-pop band AVIADOR DRO. Always shrouded in mystery, Los Iniciados decided to hide their identities behind masks. The only visible and confirmed member was Arco Iris (aka Marta Cervera, also on Aviador Dro) and according to rumours, behind the other nicknames we find Biovac N (Servando Carballar, founder of Aviador Dro and the DRO label) plus members of Alphaville (the Spanish post-punk band).
On "La Marca De Anubis" we also find Jesús Arias (of punk band T.N.T.) on electric guitar. The album was produced by Servando Carballar (Aviador Dro). Dark & eerie MINIMAL SYNTH / DARK WAVE sounds with a POST-PUNK edge, highly influenced by THE RESIDENTS, Dadaism, performance art and ancient Egyptian cults. Including cult classics like “Peter Pan”, “Soy el vacío” and more!

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Michael O Shea

22,99 €*

LP | 1982 | EU | Reissue (Bureau B)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Having sold his instruments to fund a nomadic 1970s lifestyle, eccentric Irish experimentalist Michael O’Shea was forced to create his own handmade answer to the sitars and zelochords he’d become accustomed to playing on his travels around the globe.
Using an old door, 17 strings, chopsticks and combining them with phasers, echo units and amplification, the new device was to become his signature sound, mixing Irish folk influences with Asian and North African sounds in a mesmerising and soulful new way that brought him to the attention of the leading improvisers of his day - Alice Coltrane, Ravi Shankar, Don Cherry and more.
A logical follow up to AllChival’s recent reissue of Stano's debut LP, Michael O’Shea’s self titled LP was originally released on Wire's Dome Imprint in 1982.
The background to the album is as interesting and inspiring as the artist who created it - born in Northern Ireland but raised in the Republic, O’Shea was keen to travel and escape the troubles of his home.
Wandering throughout Europe and the Middle East, O’Shea found himself living and working as a relief aid in Bangladesh in the mid Seventies where he learned to play sitar while recovering from a bout of hepatitis. A later period spent busking in France accompanied on zelochord by Algerian musician Kris Hosylan Harp led to O’Shea’s idea of combining both instruments as a homebuilt instrument - Mo Chara [Irish for "My Friend"].
He later described the process on the back of the LP himself saying:
"Having sold my sitar in Germany and being desperate for money to travel to Turkey, I conceived of the idea of combining both sitar and zelochord. The first Mo Cara was born, taken from the middle of a door, which was rescued from a skip in Munchen"
A combination of dulcimer, zelochord and sitar, O Shea would play it with a pair of chopsticks, striking the strings softly using Irish folk rhythms mixed with the rich, nostalgic sounds of of the many Asian artists he’d encountered on his travels.
It was a pan cultural sound standing at an unusual crossroads of folk, traditional, rock, progressive, jazz, electronic and post-punk worlds without hesitation.
Perfecting the instrument on the streets, there were further spells spent busking in the underground stations and cafes of London's West End and Covent Garden during the heady days of the 1970s when they were full of eccentric street entertainers, jazz improvisers and musical pioneers.
His work with Rick Wakeman never saw the light of day but O’Shea’s contact with the world of post-punk London ensured his name would live on.
Introduced to Wire's Bruce Gilbert and Graham Lewis via cartoonist Tom Johnston, O’Shea eventually acquiesced to an open invite to record at their studio. Turning up unannounced in the summer of 1981 the LP was recorded in a day in the legendary Blackwing Studios and released on Dome the year after.
The first side features the fifteen minute masterpiece "No Journeys End" with the B side featuring more input from Wire in processing the Mo Chara sound.
Lewis himself said years later of the forgotten masterpiece: “I always said it was the best job we ever did.”
After an aborted LP with The The's Matt Johnson the following year, O’Shea quietly disappeared from the formal recording world and his brief but unique contribution to the music world came to a sad end in 1991 when O’Shea was struck by a post van and died a few days later in hospital in London. This repress on All City’s AllChival imprint has been remastered and reissued with the approval of both Dome and his surviving siblings.

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Bernard Xolotl

Last Wave

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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12" | 1982 | EU | Reissue (Isle Of Jura)

Bella Vista

Mister Wong

LP | 1982 | US | Reissue (Dark Entries)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Bella Vista was a one off project from Michel Esteban, founder of seminal New York Disco/Electro/New Wave imprint ZE Records. Originally released in 1982 ‘Mister Wong’ is a Pop oddity that sits between French Synth Pop and Leftfield Disco. The 12” includes the sought after Disco Dub version that lets the bassline work its magic alongside some heavy dub delays, on the flip Jura Soundsystem provide an extended version with added live percussion.

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Zru Vogue

LP | 1982 | EU | Reissue (Libreville)

Release: 1982 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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Zru Vogue is a two man post punk avant-pop group from Palo Alto, California, combining the talents of Andrew Finkle and Rick Cuevas. The band began in 1980 as a four member group: Rick, Andy, Tom Sanders and Nancy Miller. Tom and Nancy left the group shortly after the first single, "Nakweda Dream", was released by independent San Francisco label Adolescent Records in February 1981. Inspired by rave reviews and heavy airplay on alternative radio stations, Andy and Rick went back into the studio, now as a duo, to record some new ZRU tracks. The self-tilted LP was released on the band's Zero Risk Records in 1982. It contains eight compositions blending African tribal and Middle Eastern rhythms, avant-garde rock, minimal electronics, and funk-rock guitars. The duo's sound is inspired by the art and anti-art movements of Dada and Surrealism. All songs have been remastered by George Horn at Fantasy Studios. Each copy is housed in a replica of the original jacket, which features artwork by the group members, and includes the original 2-sided lyric sheet.

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Albert Alan Owen

Following The Light

LP | 1982 | DE | Original (Editor-Musik)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Lovely crafted tip-on sleeve. Remastered from the master tapes. 600 copies.

Recorded in 1982, Following The Light is the third album british composer Albert Alan Owen recorded for the Apollo Sound Label.
Originally a Library oriented Music label, Apollo Sound by the mid 70s commissioned contemporary musical pieces from new composers, aiming presumably to provide atmospheric backgrounds for film, television and advertising, and to feed the burgeoning demand for ‘New Age’ music. Therefore comes Following The Light.
While certainly melodic, Owen’s music makes no concessions to mid-afternoon mindfulness or commercial use and reuse. Instead, Following The Light - whose title is taken from the Tao. Number 27 - is a deep and immersive listening experience, clearly the work of a singular musical imagination following its own rules in its own way.
With the help of Katherine Sweeney on violin and Milada Polasek on electric piano and organ, Albert Alan Owen recorded Following The Light in “live” conditions, taking profit of a strong use of the digital effects which were in its infancy at this time; the music was written to make the most of what technology was available, resulting a singular piece of music of sheer beauty
The record demands to be considered as a stand-alone unit, its three sections unfolding elegant and propulsive by turns, as reoccurring themes answer each other through the layers. There are echoes of Reich and Riley in the use of delay, that warm rolling repetition and those bass pulses. But this is not in the service of a system. There is something more lyrical, more humane at work in the music.
With Following the Light, Albert Alan Owen has given us a record that stands outside of time and place, it’s familiar elements made strange and new, all bathed in magic hour light.

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Editor

Kontraste

17,99 €* 44,99 € -60%

LP | 1982 | EU | Reissue (Superior Viaduct)

Release: 1982 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover is close to Near Mint.

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Ike Yard

2LP | 1982 | EU | Reissue (Ice Machine)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Ike Yard remain a legendary band of early '80s New York City – at once immensely influential, yet obscured by a far-too-brief initial phase. Their debut EP, the dark and absorbing Night After Night, sounds almost like a different group, so rapidly would Ike Yard evolve towards the calmly menacing electro throb of their self-titled LP. Originally released on Factory in 1982, the album put Ike Yard's indelible mark on the synth-driven experimental rock scene then emerging all over the planet. While historical analogues would be Cabaret Voltaire's Red Mecca or Front 242's Geography, opening track "M. Kurtz" makes starkly clear that Ike Yard is a far heavier proposition. With a thick porridge of bass, ringing guitar and strangled/stunted layers of voice, these six pieces are densely packed and perversely danceable. "Loss" sounds like a minimal techno track that could have been made last week, while "Kino" combines Soviet-era imagery with sparse soundscapes à la African Head Charge's Environmental Studies. Ike Yard somehow pull off the toughest trick in modern music: making repetition hypnotically compelling through subtle variation. The effect of Ike Yard's first LP can be heard in many genres – from industrial dance labels like Wax Trax to electro-punk bands and innumerable European groups (Lucrate Milk, Red Lorry Yellow Lorry, etc.). The fact that the cover artwork does not include any photos of the band, but rather features the original catalogue number (fact A Second) only further illustrates the release's importance and Ike Yard's timeless mystique.

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Stephen Mallinder

Pow Wow

Iwishcan William Record Store Day 2020 Edition

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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A new sub-label of the longstanding Canadian electro imprint Suction Records, Ice Machine — focusing on old-school wave/post-punk sounds — is thrilled to present a new, deluxe reissue of “Pow Wow”, the debut 1982 solo LP from Cabaret Voltaire’s Stephen Mallinder. Now expanded to a double-LP, and also released on CD/digital, it’s a definitive reissue which now includes Mallinder’s early solo discography in its entirety. This collection of mutant dub/funk/postpunk sounds just as fresh and contemporary in 2020 as it did in 1982 (note Autechre’s inclusion of standout cut “Del Sol” in a mix earlier this year), and highlights Mallinder’s crucial contributions to Cabaret Voltaire. Some words from Mr.Mallinder on the scene and era from which “Pow Wow” was born: “It was an interesting, and inspiring, time. The primal caterwaul of punk was dying and lots of really significant things were emerging from the fires. Much looser vibes were in the air and there was a much more exploratory feel. Punk had championed a visceral, anti-intellectual approach but in truth the real characters brought so much more to the table, and what began to happen - from people like The Pop Group to Throbbing Gristle, and emerging scenes from No New York to Factory Records - is we began to embrace the art of it all. There was acknowledgement of the importance of books, films, graphic art, and experimentation with all those mediums. We were just as interested in turning over rocks to see what lay beneath, as throwing them. There was a sense of new magik emerging.” “Pow Wow” was commissioned by the Fetish Records label, and recorded at the Cabs’ Western Works studio, where Mallinder would spend his days recording with Cabaret Voltaire, and continue on alone into night recording his debut solo material. “I slept very little in those days,” he adds, continuing: “It was done on 8 track and very multi-tracked, so lots of recording, then bouncing, and overdubbing, to get the integrated feel of the tracks. I became very adept at pressing record then jumping onto equipment to play it - it was actually a very 'live' record in that sense. I've always seen rhythm at the core of what I do so I loved the layering of counter rhythms. The sequence/arpeggiator parts were all drum machine triggers that were played live. It was about creating a distinct groove so arrangements came from weaving in and out of those linear grooves. It was fun to play everything from drums, guitars, keys, trumpet, percussion, tapes… and record and produce it all. Prince got it from me!” Surprisingly, Mallinder’s first solo LP would also prove to be his last - that is, until last year’s critically-acclaimed solo return “Um Dada”, on Dais. This new edition of “Pow Wow” contains 14 songs, and is housed in a recreation of the original, iconic Neville Brody jacket, painstakingly recreated using scans of Brody’s original artwork elements. The 2LP vinyl edition is in a reverse board, thick-spine jacket, and adds a 12”x24” folded poster/insert, featuring unused elements from Brody’s original designs, sketches, and instructions for the LP. The CD edition comes in a reverse board, 6-panel digipack.

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The 3 Pieces

12" | 1982 | EU | Reissue (Rogue Cat Resounds)

13,99 €*

LP | 1982 | EU | Reissue (Bureau B)

Release: 1982 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Record Store Day 2020 Release. Full printed sleeve - black 12” vinyl. Washington collective, The 3 Pieces, privately-pressed Iwishcan William on their own DL Records in 1982. Is it soul, rap, jazz, go-go, funk, electro, or educational? By nature of its birthplace and date of birth, it`s all of those. Synths shimmer in harp-like glissando. The bass grumbles, rumbles, machine-made. The beat pops and locks. The whole thing grooving and exuding positivity. One part the cosmic funk of say Cloud One`s Patty Duke. Another, the balearic chug of Will Powers` Adventures In Success. Like Brother D it looks to “agitate, educate, and organize”, and stirs in the sentiments of Razzy`s I Hate Hate. Imagine if the Last Poets jammed with sister Sarah Webster Fabio. Keys parp like car horns, a real trumpet blows a Don Cherry solo, but the track really revolves around its sweet Sesame Street call-and-response chorus: “I wish love. I can love. I will love. I am love.”

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P!OFF?

LP | 1982 | JP | Reissue (Universal Music Japan)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance, Pop

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1980, Friday evening in the Munich suburban pub »Panoptikum«. My girlfriend draws my attention to the fact that behind me two guys are talking about looking for a new guitarist for their band. I turn around, chat them up (Jochen and Thomas) and praise my skills to the skies. A few days later I’m standing in Thomas‘ perfectly equipped practice room with my Ibanez Les Paul copy. We jam a little while – jazz rock, to which I can contribute very little due to my lack of skills. We quickly agree on a new style: minimalist, no drums, just a drum machine, Moog and organ, less guitar, dry bass. And German lyrics! We don’t really know or want that this should be ”ndw”. But of course we listen to DAF, Ideal, FSK, Fehlfarben and – yes, Spliff too. These influences are undeniable. So we found the ”piss OFF Orkesstr”, which very quickly becomes ”p’off Orkesstr” and then finally ”P!OFF?”. Ambitious and inspired, we produce a demo cassette that already contains ”Das dicke Kind”, ”Großer Bruder”, ”Pass Auf!” and ”Walkman” and send it to various record companies – including Munich‘s ”Ariola”, which is desperately looking for NDW acts because the Ariola empire has missed this trend. Therefore, they ”buy” about 25 bands at the drop of a hat – and P!OFF? is supposed to be one of them, because they expect some good airplay mainly from ”Walkman”. Producer god Anthony Monn (Amanda Lear, Relax, Saragossa Band, Fancy et al.) takes us under his wing and manages to keep the original demo sound, but to improve it considerably. ”Mein Walkman ist kaputt” didn‘t make it into the charts, but it was played more often on the radio and the Album didn‘t sell badly. In 1982, however, NDW is now commercialised to death and that ship had sailed. But we stay together (under different band names) and over the decades become first New Romantics, then Indie Rockers, then Grunge Noise Makers and finally Electronic Freaks. In 2009, for my fiftieth birthday, we decide to play a few songs from the old 82 record live, which becomes a huge success. And so we are – again as P!OFF? – still on the road with our old songs. The ’82 Album has become a sought-after collector‘s item and cult object – so we are very happy that Bureau B is presenting a lovingly remastered reissue after almost 40 years.

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Ryo

Concierto De Aranjuez

39,99 €*

LP | 1982 | EU | Reissue (Orbeatize)

Release: 1982 / JP – Reissue

Genre: Electronic & Dance

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Introduction From "Schelomo"

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Enrico Serotti

Homemade Music

17,99 €*

12" | 1982 | EU | Reissue (Groovin)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Originally distributed by Demo City (a division of Oderso Rubini's Italian Records) in 1981 only on tape cassette format; the Confusional Quartet's guitarist here cooking a weird cover of Kraftwerk's "The Model", the cosmic "Lo Sport" and 26 more homemade delicacies.

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Shriekback

My Spine Is The Bassline

LP | 1982 | EU | Reissue (Music On Vinyl)

Release: 1982 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Larry and Bell are two musos from the east and west of the Atlantic, who met on a scuba trip in Belize in '99. Larry plays Bongos, Bell is on the organic sampler and echo pedal, and a local cast of musicians backed them up on Guitar, Double Bass, and Kick Drum. After a few Rum Daiquiris and many spliff, these are the sessions whittled down to strictly the best of hits.

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Andre Hazes

Met Liefde

11,60 €* 26,99 € -57%

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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2LP | 1982 | EU | Reissue (Spittle)

Thomas Leer

Contradictions

18,99 €*

LP | 1982 | EU | Reissue (Knekelhuis)

Release: 1982 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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The scottish musician, born in 1953 in Port Glasgow, is one of the most eclectic artist of the so-called minimal wave scene. Alongside german singer Claudia Brücken (vocalist of the hit-makers Propaganda) he formed Act a short-lived synthpop group signed to ZTT Records in the late eighties. Licensed by Cherry Red in 1982, the double album ‘Contradictions’ is the third effort in Leer high and rising career. After the seminal debut on Industrial Records with Robert Rental – The Bridge (1979) – Leer ventured on a solo career with the brave synth wave of ‘Letter From America’ and his personal masterpiece ‘Contradictions’. The latter is such an enigmatic piece of work, with alien melodies as in the case of the ‘Soul Gypsy’ infectious white funk. The whole album was recorded in his living room at home onto 4-track using borrowed equipment ( Korg synth, Ult-sound drum computer & guitars ) from his friend Morgan Fisher. Featuring Leer’s haunting, uncertain vocal – recorded quietly, so as not to wake his girlfriend in their bedsit! – crooning over a minimal bass pulse and discreet whines and washes of primitive Wasp synthesiser, it retains its peculiar lo-fi magic four decades on.

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Jimmy Smack

Death Is Certain

LP | 1982 | EU | Reissue (WRWTFWW)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Across two 7”s, Death Or Glory (1982) and Death Rocks (1983) and one 12”, Anguish (1982) Jimmy Smack carved his own bleak chasm amidst the LA Death Rock scene that he inhabited. After decades dormant in the crypt, Knekelhuis compiles Smack’s full recorded output, providing it a lavish place to rest on the Death Is Certain LP.

While his local punk contemporaries pursued aggressive hardcore and political punk, Jimmy Smack donned corpse paint (before it would later become synonymous with the European black metal movement) and found a home performing in venues like the Anti-Club, amongst other subterranean dwellers Christian Death, Dead Hippie and 45 Grave.

Even within this lurid milieu, Jimmy Smack stood alone. Hating Life (from Death Rocks) easily locates Jimmy within the negative-punk and KBD lexicon. However his recordings, consisting of voice, rhythm box and electrified bagpipe drones, otherwise veer closer to other-worldly avant-garde rituals. Jimmy’s background in theatre and performance art helping inform not only his menacing stage presence, but also spawning the singularity of his sound.

Death Is Certain comes housed in a printed inner sleeve featuring rarely seen archival photos, liner notes by Cooper Bowman and excerpts from an interview with Jimmy Smack conducted by Juan Mendez (Silent Servant)

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Interior

Rockmantico Red Vinyl Edtion

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Wrwtfww Records is very happy to announce the official vinyl reissue of the highly sought-after Haruomi Hosono-produced Interior self-titled debut, originally released in 1982 on legendary label Yen Records. The LP comes in a heavy 350gsm sleeve. Interior is Daisuke Hinata, Eiki Nonaka, Mitsuru Sawamura, and Tsukasa Betto. Their classic 1982 debut, produced by Yellow Magic Orchestra's Haruomi Hosono, is one of a kind - a very rare breed of feel-good ambient music blending instrumental synth-pop, soft electronic minimalism, and cozy sound design in the most heartwarming ways. It evokes the intimate pleasures of daydreaming in a hotel lobby, holding hands in a museum, or napping by the pool. It depicts the urban landscape as a caring environment, where simplicity and repetition is mind soothing and smile inducing. Interior takes you into an alternate reality, where nostalgic modernism makes the present time feel like the fondest memories. The unique sound of Interior caught the attention of William Ackerman and Anne Robinson who re-released the album in 1985 on their famed label Windham Hill Records (with a slightly different tracklisting) and then proceeded to put out their follow-up, Design, in 1987. After that, members of the group continued their careers separately, Daisuke Hinata notably recording an overlooked but absolutely amazing solo album, Tarzanland, in 1988.

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Alberto Camerini

LP | 1982 | EU | Reissue (Catalog)

Release: 1982 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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2LP | 1982 | EU | Reissue (Driven By The Music)

Donna Summer

43,99 €*

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Against The Dark Trees Beyond

A Blaze Colour

LP | 1982 | EU | Reissue (Onderstroom)

Original De-Motion Picture

Release: 1982 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Sought-after Belgian minimal synth finally reissued.

They were interesting times, the early eighties. Against a backdrop of cold war and economic crises, the DIY attitude of the earlier punk movement had spawned near countless new genres where artists and bands broke the three-chord guitar mould and experimented with new content matter, singular song structures and – in many cases – new instruments. Synthesizers became affordable and were no longer the sole privilege of rock millionaires. All around the globe, musical creativity boomed as never before, and Belgium was no exception: Digital Dance, Snowy Red, The Names, Pseudocode, Marine, 1000 Ohm, De Kommeniste, M.Bryo & D.M.T., De Brassers, Struggler, Siglo XX are but a few legendary names of bands and artists who started making a name for themselves.

In Leuven, things were happening as well. Until then, the music scene in this rather provincial town had been dominated by straightforward rock and blues acts. Not for much longer, though: in places like Arno'z and (later) The Gladhouse, where young budding artists met with kindred spirits, bands were often formed on the spot and, more importantly, started to make ripples.

Ludo Camberlin and Karel 'Bam' Saelemaekers already had a certain track record in Leuven's burgeoning music microcosm. But what they shared would become the cornerstone of A Blaze Colour (Against The Dark Trees Beyond): a fascination for new forms and instruments, a penchant for sonic adventure and a profound love for gripping songs. The full band name, by the way, was inspired by a phrase from the Irish-American novelist J.P. Donleavy, a writer who belongs in the definitely-worth-checking-out section.

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Jimmy Murakawa

LP | 1982 | JP | Reissue (B&M)

39,99 €*

Release: 1982 / JP – Reissue

Genre: Electronic & Dance

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Watching The Dance Silver Colored Vinyl Edition

Aerial Fx

LP | 1982 | EU (Radiation Reissues)

22,99 €*

LP | 1982 | IC | Original (Geimsteinn)

Release: 1982 / EU

Genre: Rock & Indie, Electronic & Dance

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Moody Oxford post-punk quintet Exit 13 became Aerial FX at the dawning of the 1980s, the promise of their minimal sound, with its prominent synthesizers, yielding a publishing deal with Island Records and an early single released by the label. Debut album Watching The Dance has shades of dark synth pop and Goth, with future Radiohead manager/producer Chris Hufford firmly in the spotlight throughout. The influence of acts like Van Der Graaf Generator, Modern Eon and others lurk beneath this hidden Cold Wave gem.

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BOX

Skuggahliðin

12,64 €* 22,99 € -45%

Burkina Faso (Wagadugu Blues)

Release: 1982 / IC – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Big price tag on front cover. Vinyl is close to NM. With insert.

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Adu

12" | 1982 | UK | Reissue (Emotional Rescue)

15,99 €*

Release: 1982 / UK – Reissue

Genre: Electronic & Dance

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Emotional Rescue can be relied on to dig up obscure, left of centre dance gems and serve them up to newer, wider audiences. Adu's reggae-pop cut 'Burkina Faso' is a great example, re-purposed for the dancefloor without any of its original flavour lost in the overhaul. A South Saharan/West African emigre to Brixton, Rauf Adu would go on to fairly sizeable European fame with the Eddy Grant-esque 'Human To Human'. This, however, is his 1982 debut for Copasetic Records, another reggae-pop inspired, ludicrously catchy effort with scorched electric guitar and a Compass Point-style drum/bassline providing rhythmic rocksteadiness. As well as the buffed up original, there's a dub mix, which gives his beautiful guitar plenty of room to breathe, and an appearance from the Isle of Jura Sound System boss Kevin Griffiths , whose remix completes the trio of mixes.

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Methods Of Dance Volume 2

LP | 1982 | UK | Original (Virgin)

7,64 €* 8,99 € -15%

Disco Jazz Rainbow Vinyl Edition

Release: 1982 / UK – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+

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Rupa

LP | 1982 | US | Reissue (Numero Group)

12" | 1982 | US | Original (Wave)

Release: 1982 / US – Reissue

Genre: Electronic & Dance

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Rainbow VinylBarely disco and hardly jazz, Rupa Biswas'1982 LP is the halfway point betweenBollywood and Balearic. Tracked in Calgary'sLiving Room Studios with a crack team ofIndian and Canadian studio rats alike, DiscoJazz is a perfect fusion of East and West. Sarodand synthesizer intricately weave aroundone another for 37 transcendent minutes,culminating in the viral hit "Aaj Shanibar."Remastered from original analogue sourcematerial and issued with permission andblessing of the producers and performers.

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Bonnie Forman

Walk Away

3,79 €* 3,99 € -5%

Show Me Where You're Coming From / Still In Love

Release: 1982 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+. Generic label cover

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Carrie Lucas

12" | 1982 | FR | Original (Solar)

15,19 €* 15,99 € -5%

LP | 1982 | EU | Reissue (Eargong)

Release: 1982 / FR – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Cover with sticker

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Klaus Wiese

Maraccaba

LP | 1982 | EU | Original (CBS)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Look no further for some classic contemporary ambient music ! Originally released on tape in 1982 Maraccaba is the second solo album from deutsch electronic wizard Klaus Wiese, a Popol Vuh member during the recordings of iconic masterpiece as ‘Hosianna Mantra’ and ‘Seligpreisung’. Ltd edition of 500 copies.

Member of the krautrock band Popol Vuh in the early 1970s – Voice, Zither, Tambura, Harmonium, Singing Bowls – Klaus Wiese (1942 – 2009) was a veteran musician, minimalist, and multi-instrumentalist. A master of the Tibetan singing bowl, he created an extensive series of album releases using them. Wiese also used the human voice, the zither, Persian stringed instruments, chimes, and other exotic instruments in his music. Wiese is considered by some as one of the great ambient or space music artists alongside Robert Rich, Steve Roach, Michael Stearns, Constance Demby, and Jonn Serrie. His musical style is much more appropriately compared to the organic soundscapes of drone and dark ambient music, such as Oöphoi, Alio Die, Mathias Grassow, and Tau Ceti. In the 1990s he founded the Nono Orchestra to play the giant sheetmetal instruments of Robert Rutman. Wiese is known also for his collaborations with Al Gromer Khan, Mathias Grassow, Oöphoi, Tau Ceti, Saam Schlamminger, and Ted de Jong. He collaborated with Deuter on his Silence is the Answer album in 1980 and East of the Full Moon in 2005.

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After The Fire

Der Kommissar

Release: 1982 / EU – Original

Genre: Electronic & Dance, Pop

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Medium: VG, Cover: VG

LP | 1982 | JP | Original (EMI)

Sheena Easton

Madness, Money And Music

Release: 1982 / JP – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 1982 | JP | Original (EMI)

Sheena Easton

Madness, Money And Music

Release: 1982 / JP – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

Release: 1982 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Medium: VG+, Cover: VG+

Japanese pressing with OBI.

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14,99 €*

LP | 1982 | JP | Original (EMI America)

Release: 1982 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Japanese pressing with OBI and insert. tiny wear.

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Kim Carnes

Voyeur

6,99 €*

LP | 1982 | JP | Original (Victor)

Release: 1982 / JP – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

OBI not included.
Includes original insert.

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David Christie

Back In Control

Release: 1982 / JP – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Medium: VG, Cover: VG

I'm The One / Don't Lose Control

Release: 1982 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Japanese pressing with OBI!

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Material

7" | 1982 | DE | Original (Celluloid)

Release: 1982 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Medium: VG+, Cover: VG+

LP | 1982 | US | Original (Elektra Musician)

David Sancious

The Bridge

LP | 1982 | GDR | Original (AMIGA)

Release: 1982 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Promo copy.

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Klaus Schulze

Elektronik-Impressionen

Release: 1982 / GDR – Original

Genre: Electronic & Dance

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Medium: VG+, Cover: VG+

LP | 1982 | US | Original (Jive)

Q-Feel

Release: 1982 / US – Original

Genre: Electronic & Dance, Pop

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Medium: VG, Cover: G+

LP | 1982 | DE | Original (Polydor)

Das Pralle Leben

Release: 1982 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Medium: VG, Cover: VG

LP | 1982 | EU | Reissue (Superior Viaduct)

Factrix / Cazazza

California Babylon

LP | 1982 | EU | Reissue (Dead Mind)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

US reissue.

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Enno Velthuys

Ontmoeting

26,09 €* 28,99 € -10%

LP | 1982 | EU | Original (Ariola)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Ontmoeting (Encounter) from 1982 marks the beginning of the published audio works of Enno Velthuys. When Rob Smit of Kubus Kassettes first visited Enno to discuss the possibilities of releasing a cassette, he was open to the idea and gave Smit access to his tape archive of recorded tracks to cherry pick his favorite pieces. Initially Enno felt the selection didn’t do justice to his broader musical spectrum, that also included more rhythm orientated guitar pieces, but in hindsight it probably gave him a new sense of direction. On this album, a mixture of spacious ambient and synth-leaden music, we hear Enno in transition. Experimenting, searching for his own voice. Some pieces are reminiscent of a classic dungeon explorer game while others have a more surreal, cinematic feel. Although 40 years old, Ontmoeting still sounds incredibly fresh today and stands as a pivotal ambient release from the early 80’s. 400 copies on black vinyl. Comes with a download card.

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Michael Garrison

Eclipse

Release: 1982 / EU – Original

Genre: Electronic & Dance

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Medium: VG, Cover: VG

Why Can't We Live Together? / Just Dance

Kenneth Sherman

12" | 1982 | NL | Original (EMI)

12" | 1982 | DE | Original (Metronome)

Release: 1982 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+

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Sylvester

Hard Up

12" | 1982 | DE | Original (HB Highlights)

Release: 1982 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

Small price tag on cover.

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Christian Bruhn

Surf-Fascination

Release: 1982 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1982 | US | Original (Sire)

Robin Scott / M

Famous Last Words

LP | 1982 | DE | Original (UBM)

Release: 1982 / US – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Still in shrink, but opened, with hype sticker

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Earforce Band

Sky Racer

Release: 1982 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Medium: VG+, Cover: VG

12" | 1982 | UK | Reissue (Emotional Rescue)

The Impossible Dreamers

Spin Feat. Nad Versions

18,99 €*

Jah Wobble and Ben Mandelson

Release: 1982 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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Back in 2019, Emotional Rescue began a series where it licensed some all-time favourites, remastered them and pressed them up with new remixes by modern producers. It now draws to a close after many fine instalments with early 80s band The Impossible Dreamers. Their cult 'Spin' arrives here with an epic nine-minute extended reversion that is heavy on the dub and percussion and also an even more dubcentric reprise from regular label artist Dan Tyler of Idjut Boys and Noid fame, her under his NAD guise. There is plenty of raw and raucous rhythm to this 12" that will enliven any dancefloor and round out this series in style.

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Body Music Mokili

12" | 1982 | UK | Original (Island)

12" | 1982 | FR | Original (Polydor)

Release: 1982 / UK – Original

Genre: Electronic & Dance, Reggae & Dancehall

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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Heaven

Hit Me Hot

8,99 €*

Release: 1982 / FR – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

Love Has Found You / Nightime Lady

Mike Francis

12" | 1982 | EU | Reissue (Best Record Italy)

14,39 €* 15,99 € -10%

Release: 1982 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Francesco Puccioni "born genius" in Florence, Mike Francis "becomes legend" in Rome. Deeply inspired in his adolescence by the emerging movements of North American soul, country and West Coast music and by artists such as Marvin Gaye, Stevie Wonder and James Taylor, Francesco began to compose refined songs with radiant energy every day. From the first acoustic gestures performed with the guitar, always keeping compositional creativity and improvisation under his arm, he enters the unexplored waters of Italian disco music. This slow and inexorable transformation allowed him to create in 1981 with the Metropole group (with Al Festa and Claudio Giusti, all still in their twenties) the international disco hit "Miss Manhattan", a true piece of proto-Italo-Disco! A year later the young Florentine singer-songwriter wrote two evocative soul-disco songs produced by Paul & Peter Micioni, published by Best Record and performed by a certain Mike Francis (!). This is the birth of the stage name which will forever accompany the musician who became a fundamental reference of the experimental Italo-Disco "scene", then soon recognized worldwide. This coveted 12" vinyl reissue comes out with the same Best Record commercial cover as 40 years ago and with the same 'red sticker'. And finally we have the juicy reissue of "Nightime Lady" and the more appetizing and danceable "Love Has Found You", both perfectly remastered by Dom Scuteri, excellent in obtaining an impeccable sound recording, even eliminating some imperceptible defects of the original master tape. Therefore a super reissue (in limited edition) to listen to everywhere with the smart phone and to dance with joy and elegance at any type of party.

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Methods Of Dance Volume 2

LP | 1982 | EU | Original (Virgin)

Release: 1982 / EU – Original

Genre: Electronic & Dance, Pop

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Medium: Near Mint, Cover: VG+

LP | 1982 | EU | Original (Odeon)

Paul McCartney

Tug Of War

LP | 1982 | EU | Reissue (Music On Vinyl)

Release: 1982 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Beginning seam split.

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Laura Branigan

Branigan

28,99 €*

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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LP | 1982 | JP | Original (Elektra)

John O'Banion

Close Up

LP | 1982 | JP | Original (RAK)

Release: 1982 / JP – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG

Japanese pressing, no Obi.

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Kim Wilde

Select

39,99 €*

Release: 1982 / JP – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

OBI is missing

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12" | 1982 | DE | Original (HB Highlights)

Release: 1982 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

No obi. With insert

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Christian Bruhn

Surf-Fascination

Release: 1982 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Volkskunst Aus Dem Knabengebirge

Release: 1982 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing with obi.

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Detlef Diederichsen

LP | 1982 | DE | Original (Konkurrenz Schallplatten)

22,99 €*

愛しのサムソン = Samson And Delilah

Release: 1982 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Original inner sleeve included.

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Emly Starr Explosion

7" | 1982 | JP | Original (Overseas)

7" | 1982 | JP | Original (CBS/Sony)

Release: 1982 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing.

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Trix

Casablanca

LP | 1982 | BR | Original (Casablanca)

Release: 1982 / JP – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing.

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Cameo

Alligator Woman

Release: 1982 / BR – Original

Genre: Organic Grooves, Electronic & Dance

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Medium: VG, Cover: VG

LP | 1982 | DE | Original (Metronome)

Patrick Cowley

Mind Warp

19,99 €*

Release: 1982 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Medium: VG, Cover: VG

LP | 1982 | US | Original (Chocolate City)

Cameo

Alligator Woman

10,99 €*

Release: 1982 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Medium: VG, Cover: VG

LP | 1982 | EU | Original (Atlantic)

Kleeer

Get Ready

Descending Moonsine Dervishes

Release: 1982 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Cover with storage wear and old price tag on the front!

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Terry Riley

LP | 1982 | US | Reissue (Beacon Sound)

28,99 €*

Release: 1982 / US – Reissue

Genre: Electronic & Dance

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Accurately described by Thurston Moore as "great for meditating to the cosmos," Terry Riley's classic Descending Moonshine Dervishes is available again in a limited edition repress manufactured by Optimal in Germany. Originally recorded live in Berlin in 1975 and released by Kuckuck in 1982, Beacon Sound reissued the album in 2016 to widespread acclaim. Using just intonation and a modified organ, Riley conjures forth a rich and layered sound that challenges the Western ear, reflecting his associations with Indian classical singer Pandit Pran Nath and La Monte Young , whose Well Tuned Piano was well underway. Descending Moonshine Dervishes is a virtuosic and kaleidoscopic performance, standing as one of the finest works of a revolutionary composer and musician at the height of his powers. Recorded in concert November 29, 1975 at Metamusik Festival in Berlin.

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2LP | 1982 | EU | Original (WEA)

Music And Rhythm

Release: 1982 / EU – Original

Genre: Rock & Indie, Electronic & Dance, Reggae & Dancehall

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Medium: VG+, Cover: VG+

Release: 1982 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1982 | JP | Original (Woorell)

Release: 1982 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with obi.

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Daniel Sahuleka

Sunbeam

The Look Of Love (Parts One And Two)

Release: 1982 / JP – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

No obi.

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ABC

7" | 1982 | JP | Original (Mercury)

Can't Take My Eyes Off You

Release: 1982 / JP – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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Boys Town Gang

7" | 1982 | JP | Original (Victor)

LP | 1982 | US | Original (Tamla)

Release: 1982 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing.

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Smokey Robinson

Yes It's You Lady

Release: 1982 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

7" | 1982 | DE | Original (Rhein Main Records)

Wave Control

America

14,99 €*

Release: 1982 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1982 | DE | Original (Vertigo)

Warning

Why Can The Bodies Fly

Release: 1982 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

2LP | 1982 | EU | Reissue (Virgin EMI)

Brian Eno

Ambient 4 (On Land)

40,99 €*

League Unlimited Orchestra

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed. 2018 reissue Limited edition.

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Love And Dancing

LP | 1982 | EU | Reissue (Universal)

20,99 €*

Release: 1982 / EU – Reissue

Genre: Electronic & Dance, Reggae & Dancehall

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Non Stop Ecstatic Dancing

Soft Cell

LP | 1982 | EU | Reissue (Universal)

30,99 €*

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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LP | 1982 | JP | Original (EMI)

Release: 1982 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing, comes with Obi and inserts.

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Sheena Easton

Madness, Money And Music

British Electric Foundation

Release: 1982 / JP – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

Japanese pressing with obi.

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Music Of Quality And Distinction Volume One

LP | 1982 | EU | Original (Virgin)

(The Best Part Of) Breakin' Up

Release: 1982 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: G+

Sticker on cover. Cover splits on top seam.

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Roni Griffith

12" | 1982 | UK | Original (Making Waves)

Release: 1982 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1982 | DE | Original (Metronome)

Zinthetyzër

Green Onions

6,99 €*

Release: 1982 / DE – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

12" | 1982 | BE | Original (BMC)

Bobby Orlando

I'm So Hot For You

Release: 1982 / BE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1982 | EU | Original (A&M)

Rupert Hine

Waving Not Drowning

LP | 1982 | UK | Original (London)

Release: 1982 / EU – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Cover with sticker

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Blancmange

Happy Families

12" | 1982 | DE | Original (Polydor)

Release: 1982 / UK – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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Visage

The Damned Don't Cry

Release: 1982 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1982 | NL | Original (Break)

Gary Low

You Are A Danger

Release: 1982 / NL – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1982 | DE | Original (CBS)

Galactic Nomads

Jupiter

8,99 €*

Release: 1982 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1982 | DE | Original (Stiff)

Lene Lovich

No Man's Land

Release: 1982 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1982 | UK | Original (Virgin)

Sharon Brown

Love Don't Hurt People

Release: 1982 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG