Electronic & Dance Vinyl 26101 Items

10" | 2020 | DE | Original (Humming)

Release: 2017 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Copy is close to NM.

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Yukno

Land Of Confus1on

Release: 2020 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: Generic

Picture Disc.

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Calling The Hardcore Volume 4

3x12" | 2024 | UK | Original (Rave Radio)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Naruyoshi Kikuchi Dub Sextet

Picture
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The Revolution Will Not Be Computerized

LP | 2024 | JP | Original (Tuff Beats)

Release: 2024 / JP – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-08-23

LP | 2024 | Original (Mute)

Louis Carnell

111 Series

Release: 2024 / Original

Genre: Electronic & Dance

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12" | 2012 | UK | Original (Death Waltz Recording Company)

Fabio Frizzi

Untitled

Release: 2012 / UK – Original

Genre: Electronic & Dance, Soundtracks

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Used Vinyl

Medium: Near Mint, Cover: VG+

The Last Ronin Ep (Samurai Revenge)

Stretch & Enjoy

3LP | 2024 | UK | Original (AKO Beatz)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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LP | 2021 | SE | Original (Mammas Mysteriska Jukebox)

JJ Ulius

Vol I

Release: 2021 / SE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

2x12" | 2018 | EU | Original (Bassiani)

Hector Oaks

As We Were Saying

4LP | 2016 | EU | Original (Smalltown Supersound)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Records are close to NM.

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Prins Thomas

Principe Del Norte

Release: 2016 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

2LP | 2023 | UK | Original (Open Outlets)

Culprate

Colours

Release: 2023 / UK – Original

Genre: Electronic & Dance

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3LP | 2023 | EU | Original (Adams Bite)

Martinesque

Think Outside The Box

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Strong Limited! For his debut LP, Martinesque dove deep. It is a project borne out of a personal history with electronic music spanning over two decades long, melting his influences and ambitions into a single piece. Bound together by the dance floor experience at large, this collection is unwilling to subject itself to a path of linear narration, embracing an approach more ecclectic instead. Throughout the albums runtime, we are invited to rediscover trace memories of starry-eyed nights of yore. We find nods to big beat and electropop, acid, breaks and trance. All over, big basslines recall the sweaty basement jams Martinesque grew to love. Everything tied up and strapped down tight by the slamming house derivates the man has built his name on. This is a set of transcendent tools dreamt up the morning after. This is packaged and presented to invite receptors to rearrange, reshape, recompile. This is the sum of its parts, and parts might differ.

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2LP | 2017 | UK | Original (Central Processing Unit)

Remixed

Release: 2017 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

7" | 2013 | UK | Original (Blackest Ever Black)

Tropic Of Cancer

More Alone

Release: 2013 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

12" | 2013 | FR | Original (My Love Is Underground)

Mliu14

12" | 2016 | FR | Original (Midnight Shift)

Release: 2013 / FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Vinyl with a couple of light scuffs

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Kink

Chorus

Release: 2016 / FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

2LP | 2023 | EU | Original (D.Ko)

D.Ko 10years Vol.2

Release: 2023 / EU – Original

Genre: Electronic & Dance

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D.KO Records is celebrating 10 years of music with this massive compilation !!

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2LP | 2023 | EU | Original (D.Ko)

D.Ko 10years Vol.1

Release: 2023 / EU – Original

Genre: Electronic & Dance

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D.KO Records is celebrating 10 years of music with this massive compilation!!

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ISM Hexadome At MASS MoCA

4LP | 2020 | DE | Original (Institute For Sound & Music)

49,49 €* 54,99 € -10%

Lindsheaven Virtual Plaza & Skytwohigh

Release: 2020 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl close to NM

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Imaginary Pathways Splatter Vinyl Edition

LP | 2021 | CA | Original (Tiger Blood Tapes)

Underground Mental Resurrection

Release: 2021 / CA – Original

Genre: Electronic & Dance

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Tiger Blood Tapes, Underwater Computing _, and No Problema Tapes are truly honored and proud to present: Imaginary Pathways A posthumous final album release by Lindsheaven Virtual Plaza, in partnership with SkyTwoHigh Proceeds going directly to the estate of Cesar Alexandre.

Imaginary Pathways Some places in our cities can be incredibly awestriking. These places don‘t need to be beautiful, but you connect with them anyway. You go through them on your way to work, when you walk by and look out of the window, visit a virtual landscape, a city cascaded in light and darkness, a landmark from that place on an old photograph. These places burn deep into the mind. Laying on your bed, you can imagine any of these places vividly - but your mind wont show you every detail. You build your own imaginary pathway, a collection of memories and synapses, with all the information you have. We did exactly that in this album. We took real places and situations that embossed our life and constructed our own imaginary place with our music. Lindsheaven Virtual Plaza from Rio de Janeiro, Brasil, and SkyTwoHigh from Dortmund, Germany, bring to you a construction our of own Imaginary Pathways.

A word from SkyTwoHigh: I've often had trouble working with people musically and collaborating on projects. Usually finding that our musical visions were not in alignment. I sometimes thought about how I'm always making music alone, but then I met you Cesar, and this finally changed. Now I could truly share my musical experience, and I never had more fun in my entire life. Your musical vision was identical with mine and our styles matched so perfectly, it was a real blessing. I remember specifically when we did our first track and how amazed I was that everything worked so well. You had exactly the same ideas as me. It was unbelievable. The project went so well that we decided we'd do one each year, so I hope this lives on forever as a collection our imaginary pathways R.I.P. Cesar Alexandre aka Lindsheaven Virtual Plaza / Mount Shrine, one of the nicest, most creative people I ever met. Let your music inspire forever! We will never forget you. Never!

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Toto Chiavetta

2x12" | 2017 | DE | Original (Innervisions)

Release: 2017 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

3LP | 2018 | US | Original (Dirt Tech Reck)

Waajeed

From The Dirt

Circular Reference Clear With Black & Clear With Red Vinyl Editoin

Release: 2018 / US – Original

Genre: Electronic & Dance

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Following on from a string of acclaimed EPs on Planet E and his own label, DIRT TECH RECK boss Waajeed presents his first solo studio album, From The Dirt, due November 9th. This LP will feature 3 pieces of vinyl, manufactured and pressed in his hometown Detroit.

In order to understand Waajeed’s artistic profile, it helps to look at the musical history which informs it. As a child of Detroit who grew up just as encapsulated by hip-hop and soul as he was techno and house, he is driven by a commitment to finding the sweet spot between these paradigms. In a city full of dualities, his productions are underpinned by an inherent awareness of both sides of the coin.

From co-founding seminal hip-hop act Slum Village alongside the late J Dilla and running two of his own labels - Bling47 and DIRT TECH RECK - to producing leftfield soul as the frontman of Platinum Pied Pipers, and releasing collaborative records with Theo Parrishand Mad Mike Banks, his career as an artist has been varied to say the least. This manifests itself gloriously on From The Dirt, in which funk, soul, house, and techno play equal parts across ten dancefloor constructions. Gritty basslines are offset with glistening melodies and heartfelt lyrics, whilst shuffling percussion drives steadily forward. Vocals play an important role throughout, ‘I Ain’t Safe ft. Ideeyah’, ‘Things About You ft. Asante & Zo!’, ‘Too Afraid ft. Lulu’ and the meditative power of first single ‘Strength ft. Ideeyah’. Drum patterns vary between angular, funky and hypnotic soulful house - all with carefully mapped out cycles brandishing an inimitable rhythmic flair with big basslines like his current single, "Power In Numbers".

‘Growing up in the D, I spent Monday thru Thursday in the studio with Slum Village. Friday and Saturday nights we partied all night to Techno and early Sunday morning I went to church with my pastor. This is what I sound like. This is the sound of Detroit. This is From the Dirt.’

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Merzbow

LP | 2024 | US | Original (No Holiday)

iamamiwhoami, ionnalee, Barbelle

Release: 2024 / US – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-08-02

Limited Clear w/Black & Clear w/Red Vinyl.Recorded in 2023Merzbow continues his newer ventures of extreme sonic dynamics.Deluxe spot gloss varnish on textured sleeve with booklet.

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Kronologi

LP | 2020 | EU | Original (To Whom It May Concern.)

LP | 2024 | EU | Original (1901 Artist)

Release: 2020 / EU – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Copy closer to NM. Cover with slightly bumped corner

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Richard Benson

24 Back To 84

Release: 2024 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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The Last Goodbye Tour Live Ghostly Clear Vinyl

ODESZA

3LP | 2024 | EU | Original (Foreign Family Collective / Ninja Tune)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Hudson River Wind Meditations Coke Bottle Clear Vinyl Edition

Lou Reed

2LP | 2024 | US | Original (Light In The Attic)

Release: 2024 / US – Original

Genre: Electronic & Dance

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“I first composed this music for myself as an adjunct to meditation, Tai Chi, and bodywork, and as music to play in the background of life, to replace the everyday cacophony with new and ordered sounds of an unpredictable nature. New sounds freed from preconception. …over time, friends who heard the music asked if I could make them copies. I then wrote two more pieces with the same intent: to relax the body, mind, and spirit and facilitate meditation.” - Lou Reed

Lou Reed’s final solo album, Hudson River Wind Meditations, is one of his most personal musical works, combining Reed's love of creating drone music with his passion for Tai Chi, yoga, and meditation. The album's ambient soundscapes have been described as a counterpoint to his intense Metal Machine Music album—but they are similar outliers in Reed's 40+ year exploration of drone music and feedback harmonics. It's for a certain time and place of mind.

The album has been remastered by the GRAMMY®-nominated engineer John Baldwin with vinyl pressed at Record Technology Inc. (RTI). The Double LP and CD releases are designed by GRAMMY®-winning artist, Masaki Koike and feature new liner notes by renowned Yoga instructor and author, Eddie Stern, who guided Reed’s practice for years. Also included in the physical editions is a fascinating conversation between author/journalist Jonathan Cott (Rolling Stone, The New Yorker) and Reed’s wife, artist Laurie Anderson, who discusses the album, as well as her husband’s devotion to Tai Chi – one of the album’s primary inspirations.

Hudson River Wind Meditations marks the latest release in LITA’s Lou Reed Archival Series. Launched in 2022 in tandem with the late artist’s 80th birthday, the ongoing series has celebrated one of America’s most influential songwriters through such acclaimed collections as Words & Music, May 1965 featuring many of Reed’s earliest (and previously-unreleased) recordings, including the earliest-known versions of “I’m Waiting for the Man” and “Pale Blue Eyes.”

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Medium Ambient Collection 2022 Black Edition

2LP | 2024 | JP | Original (Astrollage / Medium)

Release: 2024 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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"Medium Ambient Collection 2022", an exceptionally successful compilation CD of new ambient music mainly by Japanese artists, will be released on vinyl in two patterns, White and Black (2lp each). Black version includes Chihei Hatakeyama, miffrino, Minguss and more! "Medium Ambient Collection 2022" is the first highly acclaimed ambient compilation on the Medium label, run by electronic musician/producer Masanori Nozawa. The Black version starts with Japan's leading sound artist Chihei Hatakeyama, followed by Endurance from Muzan Editions, Takuya Yamashita, Minguss, AcidGelge (909state), Molelule Plane, miffrino, and many other musicians! Newly re-mastered for vinyl, this is a masterpiece of a gem of a disc that deserves to be called the 2020s version of "Kankyo Ongaku".

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Medium Ambient Collection 2022 White Edition

2LP | 2024 | JP | Original (Astrollage / Medium)

2x10" | 2023 | EU | Original (Charly)

Release: 2024 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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"Medium Ambient Collection 2022", an exceptionally successful compilation CD of new ambient music mainly by Japanese artists, will be released on vinyl in two patterns, White and Black (2lp each). The White version includes H.Takahashi (unknown ME, Kankyo Records), Hakobune and more! "Medium Ambient Collection 2022" is the first highly acclaimed ambient compilation on the Medium label, run by electronic musician/producer Masanori Nozawa. The White version includes tracks from well-known artists such as H.Takahashi (unknown ME, Kankyo Records), Hakobune, and Enitokwa, as well as Daisuke Matsuzaka, who runs the ambient festival Off-Tone (also in charge of mastering), Pollypraha, who has released music on 12k, and lyricist Yumi Iwaki. Newly re-mastered for vinyl, this is a masterpiece of a gem of a disc that deserves to be called the 2020s version of "Kankyo Ongaku".

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Cloud One

Atmosphere Strut

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Rainforest Spiritual Enslavement

Killer Whale Atmospheres

2LP | 2023 | UK | Original (Hospital Productions)

Voices From The Lake 2023 Edition

Release: 2023 / UK – Original

Genre: Electronic & Dance

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RSE surprise album just in time before the migration to cooler waters.

Grown in the shade of the glacier. 'Killer Whale Atmospheres' is a future-memory affair of sub bass propulsive drones, rhythms, chords and dorsal scars building to a forbidding sense of cold echolocations yet to come through the violent procession of darkening rains.

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Voices From The Lake

4LP | 2012 | EU | Reissue (Spazio Disponibile)

48,44 €* 50,99 € -5%

Lost In A Dream Blue & Yellow

Release: 2012 / EU – Reissue

Genre: Electronic & Dance

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Voices From the Lake (consisting of Donato Dozzy and Neel) mark the 10th anniversary of their influential self-titled album with a fully remastered reissue on Spazio Disponibile. It arrives in full on vinyl for the first time, as well as on digital formats, first quarter of 2023 as the pair continues to play select live shows around the world. The release will see the light of day as a 4-set vinyl LP release, including download. Italians Dozzy and Neel have been friends united by a shared vision of music since their teenage years. They are immaculate sculptors of sound who fuse evocative ambient and leftfield techno into multi-layered soundscapes. For many years they worked as established solo artists but came together in 2011 to craft what is now regarded as one of techno's most pure and absorbing listening experiences. It's often said that the best music comes about as a happy accident, and that is certainly true of Voices From the Lake. The career-defining album first arose in the thoughts of Dozzy and Neel when the latter was preparing a mix for the former's wedding and named it Voices From The Lake. It was a pertinent title that stuck in the mind: both grew up by waters around the coast of Italy, and in their early days the pair even held private parties on the shores of a lake. Fittingly, Japan's celebrated Labyrinth festival at that time was also held by a river and a lake in the middle of a forest on a serene mountainside. It was that exact setting the pair envisaged when making music to play live on stage. During preparations, they "accidentally" wrote an entire album. It has only ever been performed live a few times - once at Japan's Labyrinth festival in 2011, at London's Barbican, Barcelona's Mira Festival, Paris' Marathon Festival and once during 2022's Amsterdam Dance Event. Those shows saw the pair using banks of analogue and digital equipment to improvise in the moment and essentially remix the album live on stage. That spontaneity is captured in the original Voices From the Lake recordings and on later LPs such as Live at Maxxi in 2015, and the most recent EP Quarto Freddo from 2020. But the debut album remains a standout achievement. A decade on, it's quiet intensity, musical storytelling and slowly unfolding tension remain in a class of one. Each sound is meticulously designed and placed, and the spaces left behind are just as important in conveying such a captivating mood and emotion. Rather than traditional kick drums, hi-hats or snares, this is music crafted from layers of real-world sound - dripping water, chirping birds, rustling leaves or a distant breeze - and it's that which defines the album's organic allure. From deeply contemplative to cautiously optimistic, pastoral organic scenes to more underwater worlds, Voices From the Lake is a cohesive collection of tracks that add up to one inseparable whole.

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S A K I Dream

2LP | 2016 | CA | Reissue (Tiger Blood Tapes)

48,44 €* 50,99 € -5%

Release: 2016 / CA – Reissue

Genre: Electronic & Dance

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I Dreamed Of A Palace In The Sky Green & Black Olive Colored Vinyl Edition

Equip

2LP | 2021 | US | Original (100% Electronica)

Release: 2021 / US – Original

Genre: Electronic & Dance

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The World Of Monnom Black II

3x12" | 2019 | EU | Reissue (Monnom Black)

Kali Malone with Stephen O'Malley & Lucy Railton

Release: 2019 / EU – Reissue

Genre: Electronic & Dance

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To celebrate its landmark 20th release, Monnom Black invites you to enter The World of Monnom Black II - a return trip to techno's most uncompromising landscape. The triple vinyl release features 14 hand-picked contributions from the label's trusted collaborators alongside cutting-edge artists new to the roster; making this compilation one of the label's most varied and innovative collections yet.

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Does Spring Hide Its Joy

3LP | 2023 | EU | Original (Ideologic Organ)

LP | 2018 | US | Original (Mute)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Does Spring Hide Its Joy is an immersive piece by composer Kali Malone featuring Stephen O'Malley on electric guitar, Lucy Railton on cello, and Malone herself on tuned sine wave oscillators. The music is a study in harmonics and non-linear composition with a heightened focus on just intonation and beating interference patterns. Malone's experience with pipe organ tuning, harmonic theory, and long durational composition provide prominent points of departure for this work. Her nuanced minimalism unfolds an astonishing depth of focus and opens up contemplative spaces in the listener's attention.

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Laibach

The Sound Of Music

4LP | 2021 | EU | Original (Herzblut)

Release: 2018 / US – Original

Genre: Rock & Indie, Electronic & Dance, Soundtracks

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Used Vinyl

Medium: Near Mint, Cover: VG+

Golden vinyl limited edition. Cover is close to NM.

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Stephan Bodzin

Boavista

12" | 2016 | DE | Original (Ausgang)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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4x12" 180gr Heavy Weight Vinyl, 6-page Gatefold Cover with 4 printed Inner Sleeves, Front cover with Lenticular print. Stephan Bodzin proves once again why he is one of the most innovative techno artists in the world with new album ‘Boavista’. The expressive 17 track full length lands on Herzblut Recordings on October 8th, 2021 and is proceeded by lead single 'Boavista' on the Afterlife label.

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Ausgang

Ausgang 003

Release: 2016 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

2LP | 2018 | EU | Reissue (679)

The Streets

Original Pirate Material

Release: 2018 / EU – Reissue

Genre: Hip Hop, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

Includes original inner sleeves.
Records are close to NM.

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4LP Box | 2018 | UK | Original (Brainfeeder)

Brainfeeder X

Electronic Music From The Eighties And Nineti

Release: 2018 / UK – Original

Genre: Hip Hop, Electronic & Dance

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Celebrating ten years of Brainfeeder Records. 4 x 12” LPs in 3mm spined sleeves with printed inners housed in a rigid board box with outer slipcase featuring “Brainfeeder X” laser die cut logo, spot gloss details and obi-style band. Artwork by Charles Munka. Includes MP3 download code.

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Carl Stone

2LP | 2018 | EU | Original (Unseen Worlds)

2LP | 2024 | EU | Original (Warner Music International)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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First time vinyl collection for some of Carl Stone's most
beloved tracks from the 1980s and 1990s, and the first ever release in any format
of "Mae Yao". For Fans of The Caretaker, Elysia Crampton, Editions GRM,
Oneohtrix Point Never, Ryuichi Sakamoto. Following the widely acclaimed 3LP
collection, Electronic Music from the Seventies and Eighties, Unseen Worlds has
compiled a second, 2LP collection of favorite and unreleased Carl Stone works.
Electronic Music from the Eighties and Nineties presents the soothing,
hallucinatory side of Stone's slow-evolving, time-bending composition. While we
can't always identify the source, we can hear that his sounds come from
somewhere, and that there is a "correct" or "complete" version of them in theory;
and so we can hear when they are being changed. What drives Stone's music is the
flow that he draws out of those differences: the way an Indonesian gamelan
morphs into a chorus built from one female vocalist over the course of "Mae
Yao"'s twenty-three minutes, the surprise emergence of a Mozart chorus out of
the synths and skip-glitches of "Sonali," or the slow, ambient evolution of "Banteay
Srey". "Woo Lae Oak," issued in a single side edit for the first time, is an
exception. It s samples - a tremolo string and a bottle being blown across the top
like a flute - are simple in the extreme. Yet the Stone locates the inherent
emotional properties of the sounds and takes them into unexpected expressive
territory.

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Fred Again..

USB Volume 1

Release: 2024 / EU – Original

Genre: Electronic & Dance

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3LP | 2024 | EU | Original (Sous Music)

Anja Schneider

Reworks & Remixes

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-09-13

2LP | 2024 | EU | Original (Black Truffle)

David Rosenboom

Future Travel

LP | 2016 | SE | Original (Ideal)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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THE RECORD INCLUDES A 12-PAGE BOOKLET WITH NOTES ABOUT THE ALBUM

Black Truffle is thrilled to present the first vinyl reissue of David Rosenboom’s unique Future Travel, originally released on the short-lived Detroit label Street Records in 1981 and here presented in an expanded edition with an additional LP of wild, previously unheard live and studio material from the same period.

Future Travel emerged from the confluence of two important streams in Rosenboom’s work at this time. First, his exploration of ‘propositional music’, defined as ‘complete cognitive models of music’ that start from the radical question, ‘What is music?’ In this case, the music belongs to the universe of Rosenboom’s In the Beginning (1978-1981), in which proportional relationships determine the material available to the composer in all musical parameters (harmonic relationships, melodic shapes, rhythmic subdivisions, dynamics, and so on). Second, the work documents a key moment in Rosenboom’s long collaboration with synthesizer pioneer Don Buchla. Having played a role in developing concepts for some of the modules of the Buchla 300 Series Electric Music Box (an innovative analogue modular system controlled by micro-processors), Rosenboom went on to write the software for Buchla’s hybrid analogue-digital keyboard synthesiser, the Touché, the instrument heard most prominently here.

In a way that no purely analogue synthesizer could, the 300 Series and Touché allowed Rosenboom to work with the In the Beginning algorithms in real time, the synthesizers becoming ‘intelligent instruments’ that actively collaborate with the performer. Developing the open structures of the electronic pieces from In the Beginning, Future Travel explored the possibilities of simply ‘playing the system’, recording live at Francis Ford Coppola’s Zoetrope studio in San Francisco. Working from loose sketches, Rosenboom added acoustic instruments to the electronic sounds and, on some pieces, the processed voice of Jacqueline Humbert. Like Rosenboom’s collaboration with Humbert on the abstracted synth-chanson of Daytime Viewing, this music set out deliberately to challenge the ‘stratified and illusorily coagulated identities in the musical culture of the time,’ refusing distinctions between ‘serious’ and popular music. But where Daytime Viewing achieves this in part through genre references, Future Travel is bracingly sui generis, existing in a unique universe where radical formalisation à la Xenakis spontaneously gives rise to expressive jazz harmonies and old-timey folk melodies.

The crystalline quality of many of the Touché sounds gives Future Travel a sparkling, immediately enticing surface, its layers of shifting ostinato patterns pulsating outside conventional meter, rippling like waves on the surface of water. On opener ‘Station Oaxaca’, ping-ponging synth arpeggios and hand percussion accompany a sentimental violin melody, abruptly overtaken by layered keyboard runs, before the entry of tinkling marimba-like sounds reframe the scene as sci-fi Martin Denny exotica. ‘Time Arroyo’ begins as an austere study in staccato synth sounds in multiple overlapping tempi, reminiscent of Ligeti’s famous ‘clock’ rhythmic effects. Before long, it opens up into a melodic passage with the gentle heroism of classic Roedelius, which proves to be only a brief interlude before the layers of rhythmically distinct synthesiser patterns begin to build and accelerate into an increasingly dense cacophony. The wildest twists and turns are saved for the epic closer ‘Nova Wind’, where the arrangement focuses on Rosenboom’s virtuoso piano playing, perfectly embodying the project’s radical disregard of stylistic orthodoxies as he moves from hyperactive pointillistic flurries to a kind of space-age gospel.

At several points throughout the record, the distinctive voice of Jacqueline Humbert is heard reading passages from the text component of In the Beginning, a dialogue between The Double (an embodiment of humanity’s timeless desire to replicate itself in spiritual and technological copies) and two Spirit Characters. Fittingly, as all are conceived as embodiments of a future form of techno-human collective consciousness, distinctions between the three characters are not immediately evident in Humbert’s delivery, just as the music blurs the boundaries between intelligent computing and human spontaneity. Adorned with a striking retro-futurist cover (and here accompanied by extensive new liner notes and archival images), Future Travel is a time capsule of radical imaginings at the birth of our digital age, reminding us of utopian possibilities of which our own present seems so often to fall short.

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Stephen O'Malley

End Ground

Release: 2016 / SE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

2LP | 2024 | US | Original (Forget The Clock)

Kyle Hall

Transmissions

3LP | 2024 | UK | Original (Ninja Tune)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-08-09

"Communication facilitates the Transmission of the unseen into the material."

Artwork by Katai Written & Produced by Kyle Julian Hall Engineering by Pheek Vinyl mastered by By Beau Thomas Ten Eight Seven Published by Kmfh Music Works BMI Copyright Forget The Clock 2024

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Mr. Scruff

Ninja Tuna

Release: 2024 / UK – Original

Genre: Electronic & Dance

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2LP | 2024 | EU | Original (Oraculo)

Synths Versus Me + Nea

Default Mode Network

Keiji Haino / Jim O'Rourke / Oren Ambarchi

Release: 2024 / EU – Original

Genre: Electronic & Dance

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After almost 6 years of silence since “Akelarre”, Synths Versus Me, the personal musical project of Nico Cabañas, co- founder of Oráculo Records alongside the young Italian promise India Nardone. Recorded analogically in just 2 months, fluctuates in a futuristic way between different kinds of unusual dark sub styles such as industrial noise, proto- tribal, synthpunk or krautwork, and, of course, among other dance-oriented such as EBM, new beat, synthwave, electro/breakbeat or trance. Presented in One-off truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid Black vinyl. All tracks have been specially mastered for vinyl by Daniel Hallhuber at Young and Cold Studios (Germany).

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With Pats On The Head, Just One Too Few Is Evil One Too Many Is Good That's All It Is

3LP | 2024 | EU | Original (Black Truffle)

Memo Silver Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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The heavyweight trio of Keiji Haino, Jim O’Rourke and Oren Ambarchi return with their 12th and most epic release to date, the triple LP With pats on the head, just one too few is evil one too many is good that's all it is. Documenting the entirety of their final performance at the dearly departed Roppongi home of Tokyo underground institution SuperDeluxe in November 2018, the music spread across these six sides splits the difference between the guitar-bass-drums power trio moves and experiments with novel instrumentation that have defined the trio’s decade of working together. Containing some of the most delicate music the three have committed to wax since the gorgeous 12-string acoustic guitar and dulcimer tones of Only wanting to melt beautifully away is it a lack of contentment that stirs affection for those things said to be as of yet unseen (bt011), this wide-ranging release also offers up some of their most blistering free rock performances yet.

The side-long opening piece finds Haino on a single snare drum in duet with O’Rourke on unamplified electric guitar, playing in the lovely post-Bailey vein heard on his classic 90s recordings with Henry Kaiser and Mats Gustafsson. Spiky dissonance and ringing harmonics interweave with flowing melodic fragments as Haino single-mindedly explores the resonance of the snare like an untutored Han Bennink. On ‘Right brain, left brain; right, left; right wing, left wing. Just how many combinations can be made from these?’, O’Rourke moves to synth and electronics, joined by Ambarchi on drums, who at first focuses on sizzle cymbals before hypnotic cycles of gentle tom rhythms combine with electronic burbles and flutters to suggest a dream collaboration between Masahiko Togashi and Jean Schwarz. Ambarchi’s percussion is then joined by Haino on wandering, overblown flute, before the man in black switches back to the snare for a bizarre, stuttering drum duet.

For the first trio performance, Haino makes another new addition to his seemingly infinite catalogue of instruments, this time a homemade contraption he refers to as ‘Strings of Dubious Reputation’. Joined by O’Rourke on increasingly spaced-out electric guitar and Ambarchi on skittering percussion, Haino’s wonky, slack strings adds a definite ‘musique brut’ edge to this side-long performance, certainly one of the most enchantingly odd in the trio’s discography. When the group reconvene for the second set, spread out across the final three sides, they seem ready to breathe fire from the first instant. O’Rourke slashes distorted chords on the six-string bass, Ambarchi breaks into his signature irregular caveman thump, and Haino squeals and squawks on heavily delayed oboe before unleashing an overpowering electrical storm when he first picks up the guitar. For over half an hour, the trio pound out one of their most relentless performances, a constantly rearranging kaleidoscope of tortured fuzz guitar, insanely busy bass riffing and propulsive, tumbling drums. A hushed atmosphere initially reigns on the final long piece, given the mournful title ‘There are always things I wish to say but I can only convey them in this language August 6 August 9’. Haino’s clean guitar strumming calls up the shimmering tones of his PSF classic Affection, gradually building to a surging wall of sound, bass and drums lumbering through a roar of jet-engine guitar. Arriving in a deluxe trifold package with photos by Lasse Marhaug alongside inner sleeves with extensive live images, this epic release is perhaps the most remarkable document yet of this unique trio’s stamina and continuing inventiveness.

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Mathame

2LP | 2023 | Original (Astralwerks)

Release: 2023 / Original

Genre: Electronic & Dance

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3LP | 2023 | Original (Astralwerks)

Zhu

Grace

Release: 2023 / Original

Genre: Electronic & Dance

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3LP | 2023 | EU | Original (Bias Beach)

Klangkarussell

Nineteentilltwentytwo

I'll Try Living Like This Masterpiece Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Discover the sonic evolution of Klangkarussell across four remarkable years with "nineteentilltwentytwo" – an unparalleled vinyl compilation featuring their most captivating tracks from 2019 to 2022. A must-have for both devoted fans and new listeners alike, this compilation encapsulates Klangkarussell's artistry, growth, and musical ingenuity. From the introspective melodies of "Ghostkeeper" to the heartwarming embrace of "Home," and the entrancing allure of "Shipwreck," each of the 12 handpicked tracks tells a story, creating a mesmerizing journey through the heart and soul of Klangkarussell's music. With every needle drop, you'll be transported to the intricate world of their soundscapes. "nineteentilltwentytwo" captures the essence of Klangkarussell's creative evolution. As the rhythms ebb and flow, you'll experience the emotions that have fueled their music-making. Housed within a meticulously designed gatefold sleeve by the Berlin-based artist Melanie Freiberger, the "nineteentilltwentytwo" vinyl edition is a collector's dream. Crafted with care, this three-vinyl pack offers an unparalleled listening experience, inviting you to savor each note and immerse yourself in Klangkarussell's musical universe.

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Death's Dynamic Shroud

2LP | 2023 | US | Original (100% Electronica)

Release: 2023 / US – Original

Genre: Electronic & Dance

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2LP | 2023 | EU | Original (Atlantic)

Skrillex

Quest For Fire

Release: 2023 / EU – Original

Genre: Electronic & Dance

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2LP+CD+All Media | 2011 | DE | Original (Kompakt)

John Tejada

Parabolas

47,49 €* 49,99 € -5%

When I Hit You You'll Feel It Pink Vinyl Edition

Release: 2011 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Without the bonus CD!

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Leslie Winer

2LP | 2021 | US | Original (Light In The Attic)

47,19 €* 58,99 € -20%

The CTC - Creative Technology Consortium

Release: 2021 / US – Original

Genre: Electronic & Dance

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Definitive career-spanning anthology
Includes previously unreleased tracks, inspired collaborations, and material from Leslie’s groundbreaking 1990 solo debut, Witch
Featuring musical contributions from Jon Hassell, Helen Terry, Jah Wobble, Renegade Soundwave’s Karl Bonnie, Christophe Van Huffel, Jay Glass Dubs, Mari G. Mooney, and Diamond Version, amongst others
Newly remastered by the GRAMMY®-nominated engineer John Baldwin
24-page booklet featuring a new, extensive interview with Leslie and liner notes by acclaimed author, critic and compilation co-producer Wyndham Wallace, along with an essay by award-winning writer and scholar Louis Chude-Sokei
Cover collage by renowned British artist Linder, featuring photography by Mondino, and design by designer Christopher Shannon
Picture shows a mock up. The actual records are unique and will differ.

“The definition of a hidden gem” – John Peel

“The world seems finally to be catching up to Leslie Winer, whose startling intelligence and singular vision shine through her copious recording life.” – Max Richter

“She might just be the coolest woman on the planet!” – Boy George

Light in the Attic is ecstatic to announce When I Hit You—You’ll Feel It: a 16-track anthology that celebrates the extraordinary work of musician, poet, and author, Leslie Winer. When I Hit You—You’ll Feel It spans Winer’s three-decade-long musical career: from her groundbreaking solo work in the early ‘90s to her latest inspired projects. Featuring musical contributions from Jon Hassell, Helen Terry, Jah Wobble, Renegade Soundwave’s Karl Bonnie, and others, the collection also spotlights Winer’s diverse collaborations, and unearths previously-unreleased recordings.

Newly remastered by the GRAMMY®-nominated engineer John Baldwin, When I Hit You—You’ll Feel It will be available in multiple special 2xLP editions, on CD, and across digital platforms. The album includes a new interview with Winer, captured by the compilation’s co-producer, acclaimed author and critic Wyndham Wallace. Rounding out the package is an insightful essay by the award-winning writer and scholar Louis Chude-Sokei and an original cover collage by the renowned British photographer and artist, Linder, featuring photography by Mondino, and design by designer Christopher Shannon.

MORE ABOUT LESLIE WINER….

Musician, poet, iconoclast, model, artist, enigma. Leslie Winer is many things.

Born to a teenage mother and sold for $10,000 in a black market adoption when she was just hours old, Winer has always lived an uncommon life. She grew up in Boston with a voracious appetite for music and the written word and embraced the city’s lively jazz and folk scene in the ‘70s. Moving to New York for art school, she gravitated towards a vibrant crowd of intellectuals, artists, and radical thinkers—or perhaps they gravitated towards her.

There, Winer formed an unlikely friendship with writer and artist William S. Burroughs and lived on-and-off with Jean-Michel Basquiat. In London, where Winer began her musical ventures in earnest, she was a regular at Leigh Bowery’s underground club Taboo, where she met many of her collaborators, including filmmaker John Maybury, Kevin Mooney (of Adam and the Ants), and Boy George, who once declared that Winer “might just be the coolest woman on the planet!”

Winer’s striking looks also attracted fashion designers and photographers. Throughout the early ‘80s, she was an in-demand model—appearing in campaigns for Valentino, Christian Dior, and Yohji Yamamoto, and serving as a muse for a young Jean-Paul Gaultier, who later dubbed Winer “the first androgynous model.” She posed for Helmut Newton, Irving Penn, and Pierre et Gilles, and graced the covers of The Face, French and Italian editions of Vogue, and Mademoiselle.

But music was Winer’s true passion and, at the turn of the ‘90s, she would unknowingly help invent the massively popular genre known today as trip-hop.

On her debut, Witch, Winer masterfully blended the uninhibited sampling of early hip-hop with dancehall basslines and programmed beats, while weaving mesmerizing—and coolly-detached—spoken-word vocals into her ambient tracks. It was unorthodox in the most delicious ways.

The album was a bold experiment by the self-taught artist, who enlisted a number of talented musicians in the sessions, including Culture Club’s Helen Terry, Karl Bonnie of Renegade Soundwave, former Public Image Ltd. bassist Jah Wobble, and Kevin Mooney, as well as Marco Pirroni and Matthew Ashman (both of Adam and the Ants, among other acts).

While Witch was finished in 1990, it wouldn’t be released for three years, due to the whims of Winer’s label. In the meantime, several tracks made their way out into the world as early as June 1990, thanks to BBC Radio 1 DJ John Peel, who later referred to Witch as “the definition of a hidden gem.”

Opening with the laid-back dub beats and soft, sing-songy chorus of “He Was,” Witch features such highlights as the up-tempo “Skin,” the hypnotic, bass-heavy “The Boy Who Used 2 Whistle,” and the album’s closer, “Dream 1,” in which waves of reverb-soaked vocals bounce from one ear the other.

While sonically, Winer was breaking new ground, she was also bringing a fresh, incendiary take on what it means to be a woman in the music business, as embodied by her composition “N1 Ear,” in which she delivers a scorching, feminist manifesto, borrowed from the Women’s Liberation Broadsheet: “If I get raped it must be my fault / And if get bashed I must’ve provoked it / And if I raise my voice I’m a nagging bitch / And if I like fucking I’m a whore…And if I ask my doctor too many questions I’m neurotic and need pills / Because I still can’t get a safe birth control while some fucker’s roaming the moon.”

Winer had every right to vent her frustrations as a woman in music. Despite her fierce demeanor and steadfast focus, she was consistently disregarded and typecast by the industry. Many of her early collaborators failed to credit her work, while others simply overlooked her influence. Witch, for example, was so delayed that by the time the album saw the light of day (released under the pseudonym “©”), trip-hop was gaining mainstream traction via acts like Portishead, Massive Attack, and Madonna. Although Winer eventually gained wider acknowledgment (prompting the NME to give her the dubious distinction of “The Grandmother of Trip-Hop”), Witch initially went sorely unnoticed.

Following the disappearance of Witch, Winer continued to record, undeterred by the elusive nature of mainstream success in the modern music business. Her network of inspired collaborators continued to grow and expand, yet her influence remained largely a secret except to those in the know, such as Grace Jones and Sinead O’Connor, who would cover her songs.

Today, Winer stays busy on new musical projects in the French countryside, where she has spent the past two decades raising her five daughters. A prolific writer, she has also published two collections of poetry and oversees the literary estate of Herbert Huncke, a defining member of the Beat Generation.

In the modern era, one is hard-pressed to find an artist who continues to push the creative envelope as much as Winer does. And yet, three decades after her revolutionary debut, her work remains just as startling and fresh.

Winer’s influence might best be summed by the award-winning composer Max Richter, who offered the following thoughts to Wyndham Wallace for his extensive liner notes: “The world seems finally to be catching up to Leslie Winer, whose startling intelligence and singular vision shine through her copious recording life. A visionary commentator on the relationship between individuals and society in the mould of Blake or Woolf, Leslie Winer knows things that the culture at large just doesn’t understand yet, and she has never been afraid to let us know that.”

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Panoramic Colorsound

3LP | 2023 | US | Original (Dark Entries)

Release: 2023 / US – Original

Genre: Electronic & Dance, Pop

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The venerable Dark Entries celebrates it’s 300th release with Panoramic Coloursound, a triple LP from the Creative Technology Consortium. Traxx, Andrew Bisenius, and Jason Letkiewicz forged the CtC during the depths of pandemic isolation. Drawing from film and television music of the 80’s/90’s and armed with a mighty array of vintage analog and digital synthesizers, they set out to explore heists, vices, and catastrophe. Panoramic Coloursound collapses sound and image into a neon blur throughout its 25 tracks. While retro scores were the starting point for the CtC, the project does more than pay dutiful homage — these notes are warped and skewed, devolving into decaying digital soundscapes. EBM-inflected basslines pop up on tracks like “Catastrophe” and “A Retro Vice”, menacing numbers that recall Traxx and Letkiewicz’s legendary work as Mutant Beat Dance (a project also featuring Beau Wanzer). “Follow Our Kode” pairs heroic synths with funky bass, striking cosmic chords akin to the material that Traxx and Bisenius have released as An Anomaly. Krautrock-esque guitars slide along anthemic pads on “Beautifully Polluted Sunset”, which comes across like an alien Miami Vice closing theme. The CtC channel corroded VHS vibes while making music for the future. Panoramic Coloursound was mastered by Frédéric Alstadt. The sleeve was designed by Eloise Leigh, and features a photograph by Jason Letkiewicz. Also included is a postcard featuring liner notes, a gear list, and a photograph by Maria Tzeka.

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The Harmonic Series Volume 2

3LP | 2021 | US | Original

When I Hit You You'll Feel It Blue Vinyl Edition

Release: 2021 / US – Original

Genre: Electronic & Dance

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A collection of long-form works in just intonation by Kali Malone, Duane Pitre, Catherine Lamb, Tashi Wada, Byron Westbrook, and Caterina Barbieri. Each artist occupies an entire side of the collection's three LPs.

Curated by Duane Pitre, Important Records returns with its second volume of compiled works in just intonation. The Harmonic Series II, issued as a triple LP collection, features a series of long-form compositions by six of the most important emerging voices of contemporary experimental music;

Unlike equal temperament - the tuning system most commonly encountered in contemporary music - which equally divides an octave into 12 fixed notes, just intonation utilizes intervals of whole number ratios - chosen by a composer - to determine tonal positions, which can result in a highly individualised tonal language and holds the potential for more nuanced relationships and striking, sympathetic resonances. Rooted in ideas that trace their way across the last 2500 years - seeking to mirror the natural behaviour of sound within music - just intonation lays at the foundation for numerous Indian, Persian, and East Asian musical traditions, as well as a substantial amount of European music prior to the 17th century. Reintroduced into western music during the 20th century by composers like Harry Partch, Ben Johnston, Lou Harrison, James Tenney, Terry Riley, and La Monte Young, it has left an indelible mark on experimental practice ever since.

In the years following the appearance of The Harmonic Series in 2009 - presenting works by Ellen Fullman & Theresa Wong, Michael Harrison, Pauline Oliveros, Charles Curtis, and others - the broad interest in just intonation has continued to swell, inspiring Duane Pitre to curate a second compilation, exploring the work of a new generation of composers that have been drawn toward its remarkable potential.

The full scope of The Harmonic Series II engages the possibility of a multitude of intertwining sequences and relationships between its works. Kali Malone’s "Pipe Inversions” - played by Malone on a small pipe organ, joined by Isak Hedtjärn on bass clarinet - belongs to a larger body of microtonal organ works that have increasingly placed the composer at the forefront of contemporary minimalism and drone music. Thick blankets of shimmering harmonics - sliding at a glacial pace within a fractal structure of rhythmical and melodic sequence - converge as a poignant unwinding of cultural, temporal, and historical location, embedded within the disarming beauty of its interwoven tones.

Across the length of Duane Pitre’s "Three for Rhodes” - a chamber piece for ”unknown instrumentation” - deconstructed rhythms and melodic fragments swell in a dance of harmonic interplay, rising and falling within the work’s engrossing architectural complexity. Imbued with a startling sense of humanity, tonal footsteps and syntactic patterns flower with life, delivering an exacting image of the metaphorical potential of sound.

Catherine Lamb’s "inter sum” - one of a tiny number of available works to encounter the composer and renowned violist working on synthesizer - endeavours to break the visualisation of harmony as a vertical reality, rendering it multidimensionally in space. With its materiality drawn from Lamb’s own environmental field and filtered by the synth - presenting a radical rethinking of the terms of composition and musical mater - subtle tonalities and harmonics, embedded within sheets of textural atmosphere, culminate as a spectral vision of the latent musicality of the natural world.

A canon for eight-violins played by Marc Sabat, Tashi Wada’s "Midheaven (Alignment Mix)” - guided by the internal logic of its tuning system - shape-shifts into an elegantly poetic form of musical conceptualism. Interlacing long-tones bloom with complex harmonic interplay and delicate overtones, as two mirroring, overlain realizations of the composition - one moving forward as the other simultaneously moves backward - slowly converge toward a crescendo of dissonance at the midpoint, imbuing the work with emotive tension, before returning to a final ecstatic release.

Byron Westbrook’s "Memory Phasings”, composed and recorded on a combination of computer controlled modular synthesizers and a Yamaha Tx802, employs the ratios of just intonation as harmonic building blocks for texture. Shifting long-tones and insectile buzzes underscore patterns of rapid appreciations and carefully balanced punctuations, forming a shimmering collective of abstractions, that blurs the lines between synthetic and organic readings of sound.

Deploying just intonation as a means for psycho-physiological exploration, Caterina Barbieri’s "Firmamento” - composed for synthesizer - deftly intervenes with the expectations of minimalism, durational music, and drone. Brooding and ecstatic - pushing the possibilities of organised sound into unexplored realms via the triggering of emotional and mental states of being - across the work’s slow evolution, sublime tonalities ride a razors edge between darkness and light, colliding in dense layers that rethink ancient modes in futuristic terms.

Taking form within the gestures of six crucial voices of contemporary experimental music - Malone, Pitre, Lamb, Wada, Westbrook, and Barbieri - The Harmonic Series II sculpts a profoundly human vision of the potential of art, where the historic becomes present and future, and the divisions imposed by cultural and temporal boundaries dissolve. Like the generations that have embraced it before them, each artist harnesses just intonation as a means to progress toward unknown territories of creative possibility and to readdress how we hear, arriving at a musical space that is highly individual and personal - captured by the diversity of the works presented within - while speaking within a collective whole.

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Leslie Winer

2LP | 2021 | US | Original (Light In The Attic)

3x12" | 2024 | EU | Original (Gemini Gmini)

Release: 2021 / US – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Definitive career-spanning anthology
Includes previously unreleased tracks, inspired collaborations, and material from Leslie’s groundbreaking 1990 solo debut, Witch
Featuring musical contributions from Jon Hassell, Helen Terry, Jah Wobble, Renegade Soundwave’s Karl Bonnie, Christophe Van Huffel, Jay Glass Dubs, Mari G. Mooney, and Diamond Version, amongst others
Newly remastered by the GRAMMY®-nominated engineer John Baldwin
24-page booklet featuring a new, extensive interview with Leslie and liner notes by acclaimed author, critic and compilation co-producer Wyndham Wallace, along with an essay by award-winning writer and scholar Louis Chude-Sokei
Cover collage by renowned British artist Linder, featuring photography by Mondino, and design by designer Christopher Shannon

Picture shows a mock up. The actual records are unique and will differ.

“The definition of a hidden gem” – John Peel

“The world seems finally to be catching up to Leslie Winer, whose startling intelligence and singular vision shine through her copious recording life.” – Max Richter

“She might just be the coolest woman on the planet!” – Boy George

Light in the Attic is ecstatic to announce When I Hit You—You’ll Feel It: a 16-track anthology that celebrates the extraordinary work of musician, poet, and author, Leslie Winer. When I Hit You—You’ll Feel It spans Winer’s three-decade-long musical career: from her groundbreaking solo work in the early ‘90s to her latest inspired projects. Featuring musical contributions from Jon Hassell, Helen Terry, Jah Wobble, Renegade Soundwave’s Karl Bonnie, and others, the collection also spotlights Winer’s diverse collaborations, and unearths previously-unreleased recordings.

Newly remastered by the GRAMMY®-nominated engineer John Baldwin, When I Hit You—You’ll Feel It will be available in multiple special 2xLP editions, on CD, and across digital platforms. The album includes a new interview with Winer, captured by the compilation’s co-producer, acclaimed author and critic Wyndham Wallace. Rounding out the package is an insightful essay by the award-winning writer and scholar Louis Chude-Sokei and an original cover collage by the renowned British photographer and artist, Linder, featuring photography by Mondino, and design by designer Christopher Shannon.

MORE ABOUT LESLIE WINER….

Musician, poet, iconoclast, model, artist, enigma. Leslie Winer is many things.

Born to a teenage mother and sold for $10,000 in a black market adoption when she was just hours old, Winer has always lived an uncommon life. She grew up in Boston with a voracious appetite for music and the written word and embraced the city’s lively jazz and folk scene in the ‘70s. Moving to New York for art school, she gravitated towards a vibrant crowd of intellectuals, artists, and radical thinkers—or perhaps they gravitated towards her.

There, Winer formed an unlikely friendship with writer and artist William S. Burroughs and lived on-and-off with Jean-Michel Basquiat. In London, where Winer began her musical ventures in earnest, she was a regular at Leigh Bowery’s underground club Taboo, where she met many of her collaborators, including filmmaker John Maybury, Kevin Mooney (of Adam and the Ants), and Boy George, who once declared that Winer “might just be the coolest woman on the planet!”

Winer’s striking looks also attracted fashion designers and photographers. Throughout the early ‘80s, she was an in-demand model—appearing in campaigns for Valentino, Christian Dior, and Yohji Yamamoto, and serving as a muse for a young Jean-Paul Gaultier, who later dubbed Winer “the first androgynous model.” She posed for Helmut Newton, Irving Penn, and Pierre et Gilles, and graced the covers of The Face, French and Italian editions of Vogue, and Mademoiselle.

But music was Winer’s true passion and, at the turn of the ‘90s, she would unknowingly help invent the massively popular genre known today as trip-hop.

On her debut, Witch, Winer masterfully blended the uninhibited sampling of early hip-hop with dancehall basslines and programmed beats, while weaving mesmerizing—and coolly-detached—spoken-word vocals into her ambient tracks. It was unorthodox in the most delicious ways.

The album was a bold experiment by the self-taught artist, who enlisted a number of talented musicians in the sessions, including Culture Club’s Helen Terry, Karl Bonnie of Renegade Soundwave, former Public Image Ltd. bassist Jah Wobble, and Kevin Mooney, as well as Marco Pirroni and Matthew Ashman (both of Adam and the Ants, among other acts).

While Witch was finished in 1990, it wouldn’t be released for three years, due to the whims of Winer’s label. In the meantime, several tracks made their way out into the world as early as June 1990, thanks to BBC Radio 1 DJ John Peel, who later referred to Witch as “the definition of a hidden gem.”

Opening with the laid-back dub beats and soft, sing-songy chorus of “He Was,” Witch features such highlights as the up-tempo “Skin,” the hypnotic, bass-heavy “The Boy Who Used 2 Whistle,” and the album’s closer, “Dream 1,” in which waves of reverb-soaked vocals bounce from one ear the other.

While sonically, Winer was breaking new ground, she was also bringing a fresh, incendiary take on what it means to be a woman in the music business, as embodied by her composition “N1 Ear,” in which she delivers a scorching, feminist manifesto, borrowed from the Women’s Liberation Broadsheet: “If I get raped it must be my fault / And if get bashed I must’ve provoked it / And if I raise my voice I’m a nagging bitch / And if I like fucking I’m a whore…And if I ask my doctor too many questions I’m neurotic and need pills / Because I still can’t get a safe birth control while some fucker’s roaming the moon.”

Winer had every right to vent her frustrations as a woman in music. Despite her fierce demeanor and steadfast focus, she was consistently disregarded and typecast by the industry. Many of her early collaborators failed to credit her work, while others simply overlooked her influence. Witch, for example, was so delayed that by the time the album saw the light of day (released under the pseudonym “©”), trip-hop was gaining mainstream traction via acts like Portishead, Massive Attack, and Madonna. Although Winer eventually gained wider acknowledgment (prompting the NME to give her the dubious distinction of “The Grandmother of Trip-Hop”), Witch initially went sorely unnoticed.

Following the disappearance of Witch, Winer continued to record, undeterred by the elusive nature of mainstream success in the modern music business. Her network of inspired collaborators continued to grow and expand, yet her influence remained largely a secret except to those in the know, such as Grace Jones and Sinead O’Connor, who would cover her songs.

Today, Winer stays busy on new musical projects in the French countryside, where she has spent the past two decades raising her five daughters. A prolific writer, she has also published two collections of poetry and oversees the literary estate of Herbert Huncke, a defining member of the Beat Generation.

In the modern era, one is hard-pressed to find an artist who continues to push the creative envelope as much as Winer does. And yet, three decades after her revolutionary debut, her work remains just as startling and fresh.

Winer’s influence might best be summed by the award-winning composer Max Richter, who offered the following thoughts to Wyndham Wallace for his extensive liner notes: “The world seems finally to be catching up to Leslie Winer, whose startling intelligence and singular vision shine through her copious recording life. A visionary commentator on the relationship between individuals and society in the mould of Blake or Woolf, Leslie Winer knows things that the culture at large just doesn’t understand yet, and she has never been afraid to let us know that.”

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Halogenix

Passions

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-08-09

Thanksgiving Live - The Ultra Chrome, Latex And Steel Tour

Duran Duran

2LP | 2021 | EU | Reissue (Mountain Man Music)

Release: 2021 / EU – Reissue

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Mint, Cover: Sealed

Heart Sutra Black Vinyl Edition

Ach Buddha Beat System

LP | 2024 | US | Original (Cobrarose)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-08-30

Max Richter, Antonio Vivaldi, Daniel Hope · Konzerthaus Kammerorchester Berlin · André de Ridder

Recomposed By Max Richter (Vivaldi · The Four Seasons)

2LP | 2012 | EU | Reissue (Deutsche Grammophon)

The Flower Travellin' Band

Release: 2012 / EU – Reissue

Genre: Electronic & Dance, Classical Music

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Used Vinyl

Medium: Sealed, Cover: Sealed

180gr 2014 reissue. Still sealed. Die cut cover.

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Picture
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Beam Penetration And Mad Computer

10"+CD | 2024 | JP | Original (EM Custom)

2LP | 2024 | EU | Original (Lizdas Club)

Release: 2024 / JP – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-08-16

Expo 70, held in Osaka, was a pivotal event for the Japanese people and their relationship with the rest of the world, demonstrating both the nation’s ongoing economic recovery from World War Two and the creative spirit of Japanese society and its artists. The event gained international acclaim for its adventurous architectural design, visual art and electronic music. Some of Japan’s most renowned composers were involved, but also present were the now-legendary rockers, the Flower Travellin' Band. A series of performances, billed as “Night Events” were held at the Expo; the most radical of these was "Beam Penetration and Mad Computer, plus the Minimal Sound of Motorcycles”, but its anti-establishment feel and general madness took the Expo organizers by surprise and it was cancelled after only one night, despite being scheduled for a longer run.

An air of myth developed around the event, but a recording of the event has been discovered and this release is the result. And what an event it was: a night-time sound-bomb with a fabled band, electronic sound and 50 motorcycles with horns blaring, spotlights, electronic billboards and a robot ― all flashing, roaring and howling at the night sky. This release comprises a CD, a 10-inch record with fold-out sleeve and large obi, plus fascinating notes in Japanese and English by Kenichi Yasuda, an expert on Japanese rock music, and Koji Kawasaki, a renowned researcher of Japanese electronic music, as well as rare photos.

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Exem

Atlanta

3LP | 2021 | EU | Original (Ninja Tune)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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When the first cargo ships from Western Europe docked in Klaipėda after the fall of the Iron Curtain, no one could have imagined that a completely new and unknown musical culture would arrive in Lithuania along with them. It was the first city in this country to get a taste of what was then called electronic rave music. This is why it is unsurprising that the most iconic Lithuanian electronic music band of the 1990s was born in Klaipėda, the port city of this country.

The first release from Lizdas Records is a nod to the past. Because if it weren’t for Exem and their legendary tracks, which even made their way into the mainstream media in those days, today’s Lithuanian electronic music scene would be completely different.

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Bicep

Isles

Hudson River Wind Meditations Glacial Blue Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

Orange vinyl. Still sealed with hype sticker. Tiny corner wear.

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Lou Reed

2LP | 2024 | US | Original (Light In The Attic)

OST Disco Boy Black Vinyl Edition

Release: 2024 / US – Original

Genre: Electronic & Dance

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Vitalic /

LP | 2024 | EU | Original (Citizen)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Ultra-Minimal White Vinyl Edition

Sylvain Chauveau

LP | 2024 | EU | Original (Sonic Pieces)

LP | 2024 | EU | Original (Real Gone Music)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Sylvain Chauveau has been releasing quiet and minimal compositions on various labels for more than two decades. »ultra-minimal« marks his debut for Sonic Pieces and takes the minimal approach even further, centring on reduction and limitation. Itwas recorded live at Café Oto, at one of Sylvain’s rare solo concerts and the first time he performed publicly with only acoustic instruments; no machines, no recorded sounds have been used, only piano, guitar, harmonium and melodica, played one at the time.

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Orgy

Candyass

Release: 2024 / EU – Original

Genre: Electronic & Dance

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4LP | 2023 | EU | Original (Innervisions)

Secret Weapons Part 16

3LP | 2023 | EU | Original (Balance Music)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Being a musical playground for Dixon and Âme since the beginning of the label. Our Secret Weapons series symbolizes a constantly forward moving train of both artistic expression and musical exploration. With the aim of showcasing tracks that circled through the sets during the year and will do beyond.

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Henry Saiz

Balance 032 3

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Aleatory Chaos Fourth Chapter - Selected By #Coldroom103

2LP | 2023 | EU | Original (Oraculo)

2LP | 2023 | EU | Original (Phc Films)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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#Coldroom103 is a Barcelona social media private club composed of truly fanatics of the dark sounds in all its subgenres. They’re the responsible for the curation / selection of the new edition of the acclaimed Aleatory Chaos series. You could expect a mix of different styles, from post-punk to industrial and from modern techno new beat to electro. It comes presented in Double Gatefold format in a One-off truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid Black vinyl. All tracks have been specially mastered for vinyl by Daniel Hallhuber at Young and Cold Studios (Germany).

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Bullant

Late Life Circ

Release: 2023 / EU – Original

Genre: Electronic & Dance

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3LP | 2023 | EU | Original (Prspct)

Neurocore

Existences

2LP | 2023 | UK | Original (Group Mind)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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"Existences" is the highly anticipated first album by Neurocore, a talented French artist known for his thought-provoking compositions. This album is a culmination of years of introspection and exploration into the complexities of human existence. During the Covid lockdown, Neurocore found himself with the precious gift of time, allowing him to delve deep into his creative process and tackle profound questions through music.

Each of the 13 tracks on the album tells a story, evoking emotions and painting vivid sonic landscapes. The cover art, meticulously crafted by Urru, captures the essence of the album's concept - a mesmerizing blue vortex symbolizing the unknown and the powerful energy that draws us towards it.

Neurocore breaks free from the confines of being labeled solely as a "speedcore producer." Instead, he presents a diverse array of electronic compositions that transcend trends and embrace the full spectrum of human emotions. Rejecting the notion that hardcore music is only dark and brutal, Neurocore sees it as a representation of the inner beauty within every human being.

"Existences" invites listeners to interpret and create their own stories, as music has the power to evoke personal experiences and emotions. With this remarkable album, Neurocore celebrates the diverse facets of existence and invites us to embark on a profound sonic journey.

3x12" album + digital release Including an A5 insert with a personal note from Neurocore

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Richard Norris

Deep Listening 2019-2022

Release: 2023 / UK – Original

Genre: Electronic & Dance

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En Vivo Desde El Centro De La Tierra Bone Colored Vinyl Edition

Los Mundos

LP | 2023 | MX | Original (Aurora Central)

LP | 2023 | UK | Original (Utter)

Release: 2023 / MX – Original

Genre: Electronic & Dance

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Monterrey, México, based psych/doom band Los Mundos is releasing its first ever “live” album, limited to 300 copies on Bone White vinyl. The artwork comes in a dye cut cover with interchangeable covers and photos of the live session. Recorded in an abandon mine in Hidalgo, Nuevo Leon, “En Vivo Desde El Centro de la Tierra” celebrates the band’s 12 year run as one of the most important and celebrated bands currently in Latin America. A powerful, raw, and intimate show, that plays with the mine’s reverberation and energy.

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The Light Surgeons

Supereverything

2LP | 2020 | US | Original (Night People)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Utter presents the extraordinary audio-visual project 'SuperEverything*' by multi-media artists The Light Surgeons.

'SuperEverything*' is a live cinema performance piece that explores identity, ritual and place in relation to Malaysia’s past, present and future. Commissioned by The British Council in 2011, it was created in collaboration with a group of Malaysian audio and visual artists. Over the past decade, the project has toured to various film and new media arts festivals internationally.

'SuperEverything*' is a fusion of music, field recordings, documentary filmmaking and real-time moving image manipulation that together transports its audiences through a series of universal narratives; exploring themes of tradition and modernity, globalisation and development, race and national identity, to consumer culture and belief.

'SuperEverything*' surveys our human condition to reveal what unites and divides us. It weaves together a rich kaleidoscope of stories, sounds, images and smells live on stage. It is a truly immersive, cross disciplinary performative artwork that reflects on how our complex identities are formed through ritual in relation to our rapidly evolving physical and psychological environments.

'SuperEverything*' poses many questions about how people form a sense of identity in a world increasingly dominated by information networks and fast changing social and economic landscapes.

This limited edition vinyl and digital album features the nine original tracks that make up the musical score to this groundbreaking live cinema project, fusing traditional South East Asian instruments with field recordings, electronica and western classical string instruments.

Accompanying the record is a 24 page full colour booklet and double-sided poster, housed in a gatefold sleeve. The booklet contains quotes from the narrative interviewees whose voices are interwoven throughout the performance. These quotes accompany images from the production and performances to help illustrate the musical journey and allow you to contemplate the themes and ideas explored in this work. The poster design features a collection of filmstrips taken from the video material in the show with a single striking album image photo on the reverse.

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Eli Escobar

Last Summer

12" | 2018 | DE | Original (Public Possession)

Release: 2020 / US – Original

Genre: Electronic & Dance

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Full length album from NYC DJ/producer ELI Escobar, out on his own Night People label. 9 dance tracks plus beat interludes with a distinct New York vibe. Fans of his releases on Plant, Money Studies and R'n't will love it. 180g black double vinyl, first pressing limited to 400 copies.

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Wolfram

Wolfram EP

12" | 2017 | DE | Original (Senso Sounds)

Release: 2018 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Vinyl is close to NM. Limited edition.

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Victor Ruiz

Red Lights & Nevermind

2LP | 2016 | US | Reissue (Mom & Pop)

Release: 2017 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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Flume

Skin Green Vinyl Edition

Release: 2016 / US – Reissue

Genre: Electronic & Dance

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7" | 2017 | DE | Original (City Slang)

Roosevelt

Teardrops

Immortal Orange Marbled Vinyl Edition

Release: 2017 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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Torn

3LP | 2024 | EU | Original (Samurai Music)

3LP | 2024 | EU | Original (Repeat)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-08-02

We welcome Torn back to Samurai Music for a full length return trip. Immortal ventures back into the abyssal realms that Ivans music inhabits with 13 meticulously crafted solo works. Meditative, brooding and hypnotic, it's a hauntingly immersive journey that shines a light on his singular vision and artistry. From the outset, Torn descends into the subterranean with unmatched precision. Each track on Immortal is an intricate colage of raw, sinewy textures and eerie melodies,meticulously woven to create an intensely intoxicating experience. Standout pieces like the title track 'Immortal', 'Into The Abyss', Unending Rails' and'Glacier' display the inimitable Torn style in its full glory. Immaculate rhythms and layered atmospherics, forever evoking a sense of inexorable momentum What sets Immortal apart is its ability to maintain a cohesive narrative while exploring diverse sonic and rhythmic territories. Torn seamlessly transitions from the minimalist, almost meditative ambience of tracks like Reckless and I Dare to the more aggressive, beat-driven attacks of Inner Battle and Invisible Turmoil. Each piece contributes to the overarching foreboding atmospheric journey. For aficionados of deep, shadowy atmospheric drum and bass, Torn's Immortal is indispensable, a tenebrous soundscape that is equal parts innovative, disquieting and enthralling.

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Get Fucked

The Singles

Release: 2024 / EU – Original

Genre: Electronic & Dance

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The last drop of the Get Fucked series on Repeat, proper golden UK Tech House! Essential for all vinyl diggers out there!

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Kicking Dust: The Goa Way, A Full Circle Compilation

2LP | 2024 | EU | Original (Full Circle)

Patty Hearst Beat Tape Red Vinyl Edtion

Release: 2024 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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This one has been in the works for quite some time. A statement compilation showing what Full Circle is about, paying homage to the very roots of psychedelic dance music. A little town in India, which was a haven to a bunch of hippie outcasts, was throwing freeform outdoor parties since the day those freaks put their flag down. What was once a gathering around live music blew up into a rave as electronic music started to appear, paving the way to what would eventually become Goa Trance.

Full Circle, the duo project of Alexis Le-Tan and Joakim, started 10 years ago when Alexis accidentally discovered that some of his old Goa Trance records he was about to sell sounded great when played at the wrong speed : 33rpm instead of 45rpm. He called his long-time friend and collaborator Joakim to work on edits of those tracks that became the sound signature of this DJ duo : a slow, heavy and trippy sound that would eventually infiltrate the fringes of the underground club scene via like-minded DJs such as Vladimir Ivkovic, Jane Fitz, Ivan Smagghe and many more.

10 years later and a bunch of releases and remixes behind them, Full Circle decided to tell the story of how this Goa sound came to life. At a time when Trance has made a major

comeback and infiltrated pretty much all the sub-genres of club music, it felt right to look back at where it all started - going full circle, when Trance was not Trance, Goa was not Goa but the seeds of tripped out dance music were being sown.

After all, there are countless compilations about Balearism, the Italian Cosmic scene,The Loft, The Paradise Garage etc but none about the roots of this Goa sound.

This is a compilation of the best tunes played by the pioneer Goa DJs like Laurent, Goa Gil, Mike Maguire amongst others, between the late 80s and early 90s. Proto House, New Beat, early Techno, Industrial, with a distinct psychedelic tone, a few arpeggios here and there, acid lines, chopped up vocals, all elements of what would later constitute a genre of its own.

This beautifully packaged compilation includes liner notes by Tom Colebrooke and excerpts from Tom and Alexis’ interview of Mike Maguire of Juno Reactor fame, one of the pioneers of Goa Trance.

Check the liner notes for more info about the early Goa history !

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Waajeed

2LP | 2024 | US | Original (Dirt Tech Reck)

Rachmaninoff / Lang,Lang / Termirkanov / St. Peter

Release: 2024 / US – Original

Genre: Hip Hop, Electronic & Dance

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For the 1st time vinyl release of a seminal beat tape, 30 raw Hip Hop productions crafted between 2005.

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Piano Concerto: No. 3 / Scriabin: Etudes

2LP | 2023 | EU | Reissue (Craft)

Release: 2023 / EU – Reissue

Genre: Electronic & Dance

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In The Waiting Line (S.P.Y Remix)

Zero 7 vs S.P.Y.

Single Sided | 2011 | UK (Not On Label)

Negative Space Black + White Splatter Vinyl 2023 Repress Edition

Release: 2011 / UK

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

White label copy. Vinyl is close to NM.

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Homemade Weapons

3LP | 2023 | EU | Original (Samurai Music)

Hangout With Lb Aka Labat & Friends

Release: 2023 / EU – Original

Genre: Electronic & Dance

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A much requested repress of the debut Homemade Weapons LP for Samurai

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LB aka Labat

3LP | 2023 | EU | Original (Poumpet)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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LB aka Labat reflects on the back catalogue of his Poumpet Records imprint with a special gatefold 3x12’’ release.

Since the launch of Poumpet Records back in February of 2022 French producer, DJ and live act LB aka Labat has steadily unveiled a series of singles from himself and remixes from the likes of KiNK, X Club, Partiboi69, Sally C and Kettama, all of which feature on this special vinyl issue spread out across three records in a gatefold package.

The vinyl release also coincides with LB aka Labat’s All Night Long tour which sees him travelling across Europe with dates in France, Belgium, Portugal, Switzerland, the UK and Scotland.

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3LP | 2023 | UK | Original (TMT Entertainment)

Alsaela

Universal Synthesizer Interface Volume 2

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Did you know that Iceland had its own rather influential rave scene back in the 1990s? Whatever the answer to that question, you will want to check out this first-ever collection of anthems from that era which is now on vinyl for the first time. This collection came on Thule offshoot label TMT Entertainment as a CD in 1992 and features memorable and timeless tracks from back then, many of them now with cult status. It's called Alsaela, which translates as "ecstasy" and gives you some idea of what to expect from it. It features a non-stop selection of old school rave alongside some lost and previously unavailable classics by Agzilla & DJ L.S.K and some unreleased gems from Ajax. A great bit of history that still does the trick.

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Kristen Roos

2LP | 2023 | EU | Original (We Are Busy Bodies)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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4LP | 2023 | EU | Original (Reclaim Your City)

Mord X Ryc

3LP | 2023 | UK (Subject Detroit)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Celebrating ten years of uncompromising devotion to techno and its bastard cousins from the fringes, Rotterdam's finest Mord and RYC team up to deliver a special four-vinyl / eight-sided kaleidoscope of a compilation, featuring some of the artists that have helped shape up both labels' identities over the years as they press on in their aim to set their very own techno utopia into stone. - Adriana Lopez, Amotik, Bas Mooy, Brendon Moeller, Dimi Angelis, Inigo Kennedy, Jeroen Search, Kaiser, Norbak, Orphx, Quelza, Rene Wise, Ritzi Lee, Stanislav Tolkachev, The Lady Machine, UVB are all present! Unfolding as a testimony to their unflaggingly resolute vision and aspirations, 'Mord x Ryc' operates as an ode to their hometown of Rotterdam - the artwork itself being a direct nod to the city's iconic 'cube houses' from the 1970s, but also to the tentacular connection both Mord and RYC have developed throughout the past decade, bonding organically alongside like-minded artists and hubs from the techno internationals to expand their reach and impact. Local figure Ritzi Lee paves the way with 'Neutropia', a mind-bending, abstract-leaning head charge of frizzling electronics mixed with the unrelenting assault of a thousands bisons' pack fracturing their way into your system. Amotik follows up with the paced-up bleepy madness that is 'Laal', a proper deep and raging slice of clinical machine hoodoo, geared up for hi-velocity rumble on the dance floor and a ruthless hi-jack of your brain capacities for the duration of the track. Up with the punishing club destroyer 'Lucidez', Norbak treats us to a maelstrom of choppy hardware currents and head-spinning strong winds criss-crossing a brutalistic mindset. Dimi Angelis 'Optical Prism' is one to play some nasty tricks on the mind and alter your body functions through its evil-minded thunder of processed drum prog, noise-adjacent projections and gusty, Dantesque atmosphere. Breathing in further acid wonkiness in his typically spaced-out composition with 'Illustris', Jeroen Search has us jacking to a weirdo concert of chord dissonance and punchy percs, whereas French exponent UVB lets the hounds of rave loose on the epic-sized 'Mortifere' - a strikingly potent piece of 909-fuelled dementia that unfurls with the fierce soul of a 90s scene warrior, and future-facing bravura of newfangled classics. Taking over on the rough and unfazed 'Vedette', Mord boss Bas Mooy gives his own definition of a quality industrial chugger, club-efficient and trimmed down to its most essential palette. Kaiser goes full-on martial style on 'Disciplined Soldiers', giving us a taste of his ever surgically executed blends, flush with the usual tapestry of lysergic synth swashes and nonstop pounding drums. Canadian duo Orphx step in with the rugged and opaque 'Slipping Through My Fingers' - a much spitting glimpse of the sound they've come to advocate over the years, as raw as it proves oddly sensual, and as hypnotically entrancing as it remains mysterious to the bone. A riotous, pounding danse macabre that oozes tar fumes and heated steel, the Lady Machine's 'Concorde' is no-prisoner techno in its purest essence, tailored to whip up a frenzy in any context, any time of the day. Walking the tightrope between an elevated sense of melodicism and mastered 4x4 uproar, Inigo Kennedy here again exposes the width of his skills when it comes to carving out durably haunting, soulful techno that sure knows how to harness energy and power from the ravers' hearts, whereas Adriana Lopez 'Gradual Illusion' steers us back to a further exhausting state of sublimation, and then utter dissolution. Whiz kid Quelza pulls out a big one with 'La Choregraphie Du Soleil', a much ambitious slab of visionary techno, splattered with the kind of breathtaking arrangements and scope-breadth you'd expect from more seasoned producers. True to his high-flying standards, Ukrainian maestro Stanislav Tolkachev goes full mental style with 'Must Be Loud', a genetically modified treat that'll get your senses in a weird sense of alert, while Rene Wise dishes out a massive burner in 'Smashing Around', as ever laser-precise and textured out to impressive effect. Brooklyn's dub techno legend Brendon Moeller rounds off the package with the obsessively playful 'Hot Pursuit', sure to please all lovers of the US producer's mind-altering modular style and upstream relevancy.

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DJ Bone

Further