Electronic & Dance Vinyl 27918 Items

Point 44 Records Presents Unfinished Business Deluxe Gold Edition 3

12" | EU | Original (Point 44)

Release: EU – Original

Genre: Electronic & Dance

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Point 44 Presents Tygo's Choice

Point 44

10" | EU | Original (Point 44)

Release: EU – Original

Genre: Electronic & Dance

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12" | EU | Original (Rave Instinct)

Rave Instinct

The 2nd Album

Release: EU – Original

Genre: Electronic & Dance

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12" | EU | Original (Rave Instinct)

Painbringer

Gabber Symposium

Release: EU – Original

Genre: Electronic & Dance

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12" | EU | Original (Rave Instinct)

Painbringer

Everything Or Nothing

19,99 €*

Release: EU – Original

Genre: Electronic & Dance

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12" | EU | Original (Resurrection)

Distorted Dogs

Hard And Rough EP

Release: EU – Original

Genre: Electronic & Dance

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Motherfuckers Want A War E.P.

12" | EU | Original (Resurrection)

Release: EU – Original

Genre: Electronic & Dance

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12" | EU | Original (Scantraxx)

Devin Wild

The Vinyl Collection 01

Release: EU – Original

Genre: Electronic & Dance

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12" | EU | Original (Speedcore Worldwide)

Auf Die Harte Tour!

17,99 €*

Release: EU – Original

Genre: Electronic & Dance

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Fuck The Fucking System E.P.

12" | EU | Original (Street Trash)

Release: EU – Original

Genre: Electronic & Dance

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12" | EU | Original (Synderesis)

Taciturne

Exogyne

Release: EU – Original

Genre: Electronic & Dance

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Terroristkriss Limited 001

Terrorist Kriss

12" | EU | Original (Terroristkriss Limited)

17,99 €*

Release: EU – Original

Genre: Electronic & Dance

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Wat De Fok Ouwe - Original + The Remixes

DJ Dano

12" | EU | Original (Tpf)

Release: EU – Original

Genre: Electronic & Dance

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12" | EU | Original (Tricked Out)

Omar Santana

Down And Dirty

Release: EU – Original

Genre: Electronic & Dance

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12" | EU | Original (Tricked Out)

Omar Santana

Ear Drum

Release: EU – Original

Genre: Electronic & Dance

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12" | EU | Original (Tricked Out)

Omar Santana Vs D.O.H.

Slasher

Release: EU – Original

Genre: Electronic & Dance

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12" | EU | Original (Twins)

The Twins Artcore

Black Lodge EP

19,99 €*

Release: EU – Original

Genre: Electronic & Dance

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Terror Und Speedcore Für Alle

24,99 €*

Release: EU – Original

Genre: Electronic & Dance

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Open The Hellgate

14,99 €*

Release: EU – Original

Genre: Electronic & Dance

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Ausnahmezustand

14,99 €*

Release: EU – Original

Genre: Electronic & Dance

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Man Against Machine

Release: EU – Original

Genre: Electronic & Dance

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Full Throttle

Release: EU – Original

Genre: Electronic & Dance

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Blood Farm

Release: EU – Original

Genre: Electronic & Dance

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Usn 25 : 25 Years Of Hardcore, Terror & Speedcore

Release: EU – Original

Genre: Electronic & Dance

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12" | EU | Original (Union Trance Mission)

DJ Reiz

No Man's Land

13,29 €* 13,99 € -5%

Release: EU – Original

Genre: Electronic & Dance

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LP | Original (Memphis Industries)

Humanus

30,99 €*

Release: Original

Genre: Electronic & Dance

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2LP | EU | Reissue (Embrace)

My Baby

Loves Voodoo!

Release: EU – Reissue

Genre: Electronic & Dance

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Form A Log / Moth Cock

Form A Log/Moth Cock

LP (Hausu Mountain)

Genre: Electronic & Dance

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2LP | US | Reissue (ORG Music)

Head Automatica

Popaganda

70,99 €*

Release: US – Reissue

Genre: Electronic & Dance

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Best Of Luck In Future Endeavors

Savak

LP (Comedy Minus One)

Genre: Electronic & Dance

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LP | EU | Original (År Og Dag)

Anden Enhed

Første Halvår

Release: EU – Original

Genre: Electronic & Dance

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LP | EU | Original (Kommun2)

Good Morning

Sister Rain

Release: EU – Original

Genre: Electronic & Dance

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LP | EU | Original (Kommun2)

Polyfeen

Silhouetter

28,99 €*

Release: EU – Original

Genre: Electronic & Dance

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Miss Nelson / Bruce Haack

Release: UK

Genre: Electronic & Dance

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RFXN kicks off life with a new single from David Agrella that comes with a bunch of great remixes. First off he offers up his own Acid Mix of 'Perro Balearico' and it's a supple, deep and dubby track with liquid synths and prog chords that sound both retro and future all at once. The orange is a more dreamy and spaced-out sound for 5 am sessions. On the flip is a more punch but still silky and warmly melodic remix from Mario Liberti before last of all, Gabriel Rai gets darker. His drums hit harder and the synths are moodier as he takes dancers down a late-night path of mystery and intrigue.

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Dance Sing And Listen Again!

LP | 1962 | EU | Reissue (Honeypie)

13,99 €*

Italo By Numbers Green Vinyl Edition

Release: 1962 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Canadian composer Bruce Haack one of the true pioneers in the field of electronic and children's music. Originally released in 1962 "Dance, Sing & Listen" was Haack's debut album. Following instructions from children dance teacher Esther Nelson the album comes as a hyper-eclectic work based on a great variety of sound material. A hybrid soup of medieval, country, classical, and pop styles including tons of electronic effects, guitars, banjos and other acoustic string instruments and bongos!!! This is open minded music for children at its best.

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Gazebo

LP | 1962 | EU | Reissue (Softworks)

Release: 1962 / EU – Reissue

Genre: Electronic & Dance

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LP | 1965 | US | Reissue (Modern Harmonic)

John Cage

Variations IV Volume II

LP | 1966 | Reissue (Mapache)

Release: 1965 / US – Reissue

Genre: Electronic & Dance

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A 1965 journey into found sound, courtesy of John Cage, assisted by David Tudor. Another seminal volume of indeterminate music from an icon of experimental sounds gets reissued for the first time, thematically on gorgeous clear vinyl!

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David Blue

Release: 1966 / Reissue

Genre: Electronic & Dance

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LP | 1966 | Reissue (Demon)

Jackie Wilson

Whispers

Release: 1966 / Reissue

Genre: Electronic & Dance

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LP | 1968 | US | Reissue (Demon)

Jackie Wilson

Manufacturers Of Soul

Release: 1968 / US – Reissue

Genre: Electronic & Dance

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Silver Apples Smoke Colored Vinyl Edition

Silver Apples

LP | 1968 | US | Reissue (Jackpot)

Release: 1968 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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New 24 bit /96 kHz transfer taken from the original master tapes. Limited Smoke Colored Vinyl w/ Deluxe Silver Foil Jacket.

Formed in 1967 as a psychedelic electronic duo featuring Dan Taylor on drums and Simeon on a homemade synthesizer consisting of 12 oscillators (and an assortment of sound filters, telegraph keys, radio parts, lab gear and a variety of second hand electronic junk), SILVER APPLES quickly gained a reputation as New York’s leading underground musical expression. Their pulsating rhythmic beats with the use of electronics laid the groundwork for what would become“Krautrock” Silver Apples was released in 1968 and still remains an innovative and revolutionary album. Their highly influential sound has influenced countless bands from Stereolab, Beastie Boys, Blur and more. Edition of 500 copies.

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LP | 1969 | EU | Reissue (Spoon)

Monster Movie

LP | 1969 | UK | Reissue (Island)

Release: 1969 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Remastered from the original tapes, 180g vinyl!

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White Noise

An Electric Storm

30,99 €*

Exotic Moog Black Vinyl Edition

Release: 1969 / UK – Reissue

Genre: Electronic & Dance, Pop

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An Electric Storm is justly renowned among techno boffins as one of the first albums to fuse pop and electronic music before the advent of the Moog synthesizer. But you don't have to be versed in the language of sine waves and oscillators to enjoy this mostly delightful and hugely inventive album. For although the White Noise were almost exclusively composed of virtuoso knob twiddlers and tape splicers moonlighting from the BBC Radiophonic Workshop, luckily they were no slouches when it came to penning a decent tune. There's also anarchic humor at play on the manic "Here Come the Fleas," which contains more edits in its two minutes than the whole of Sgt. Pepper's.Yet it's the retro-futurist textures that still grab the ear most. These are sounds that will be familiar to anyone who knows the soundtrack of Forbidden Planet or the early series of Doctor Who, but they had never before been deployed in the service of pop music, nor have they since. And whereas the Moog would supplant all of these primitive, time-consuming techniques of sound generation and manipulation within the year, it also destroyed much of electronic music's spirit of adventure in the process. How could you boldly go where no man had gone before when your sound universe was suddenly overlaid by tram lines and route maps? So although most of the songs that make up the first half of An Electric Storm are pretty much your standard-issue polite British psychedelia (the somewhat embarrassing United States of America-style orgy of "My Game of Loving" aside), the way they're dressed up still sounds innovative decades later. Sometimes songs dissolve into bleeps, whooshes, and gurgles that hurtle between your speakers, but compared to the extended guitar and organ solos that were common currency at the time, they are the very essence of restraint. That said, restraint was put to the sword on the final two tracks, the 12-minute "The Visitations" and the seven-minute "The Black Mass: An Electric Storm in Hell." The former is a decidedly spooky "Leader of the Pack"-style drama with a supernatural twist. The biker, having departed this life, attempts to make one last attempt to cross over and console his grieving beloved, only to fall agonizingly short. If you can suspend your disbelief -- and persuade yourself that the biker's departing spirit doesn't sound like a cappuccino machine -- it's spine-tingling stuff that you won't dare listen to with the lights off. Which is more than can be said for the concluding track, a would-be satanic jam session botched together in a hurry to meet Island's suddenly imposed deadline.

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Martin Denny

LP | 1969 | US | Reissue (Jackpot)

Poe Through The Glass Prism

Release: 1969 / US – Reissue

Genre: Electronic & Dance

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The Inventor of Exotica/Cocktail Music goes Electronic/Moog. First time ever reissued. Originally released in 1969. ‚ Exotic Moog‚ starts off our reissue campaign of Martin Denny classics coming out in 2020. Audiophile pressing at RTI.

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The Glass Prism

LP | 1969 | EU | Reissue (Guerssen)

Release: 1969 / EU – Reissue

Genre: Electronic & Dance

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LP | 1970 | EU | Reissue (Bureau B)

Kluster

Klopfzeichen

Release: 1970 / EU – Reissue

Genre: Electronic & Dance

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LP | 1970 | EU | Reissue (Spoon)

Soundtracks

LP | 1971 | EU | Reissue (Bureau B)

Release: 1970 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Remastered from the original tapes, 180g vinyl!

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Kluster

Zwei Osterei

Release: 1971 / EU – Reissue

Genre: Electronic & Dance

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LP | 1971 | EU | Reissue (Bureau B)

Kluster

Eruption

Release: 1971 / EU – Reissue

Genre: Electronic & Dance

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Andromeda Strain - Original Electronic Soundtrack

Gil Mele

LP | 1971 | US | Reissue (Kapp)

19,99 €*

Release: 1971 / US – Reissue

Genre: Electronic & Dance

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LP | 1971 | EU | Reissue (Wah Wah)

Nik Raicevil

Beyond The End, Eternity

Ash Ra Tempel Black Vinyl Edition

Release: 1971 / EU – Reissue

Genre: Electronic & Dance

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If you check the credits of The Rolling Stones' Goats Head Soup LP from 1973 you'll find a certain "Pascal" listed on the percussion section. That is none other than Los Angeles based artist Nicolas Pascal Raicevik (1933-1994), aka 107-34-8933, aka Head, aka Nik Pascal, aka Nik Raicevic. Besides his hitting the bongoes on the Stones album, Nik was a great artist on his own, both as a painter and as a musician. As a musician, he was a pioneer in the use of synthesizers, preceeding the Berlin school by some years when his Head LP was released on on Buddah in 1970. Buddah probably saw in Head the opportunity to cash in some money from the remains of the psychedelic scene - the three tracks on the LP are named after drugs used in the late sixties. The sounds, however, are accomplished works that show Raicevic as one of the most interesting pioneers in the use of synths. The album probably didn't do too well, since Buddah didn't renew the contract with Raicevic, who instead took his own way releasing his works on his very own Narco Records and Tapes label. Between 1968 and 1975 Narco would issue 4 LPs credited either to Nik Raicevic (Beyond The End... Eternity) or Nik Pascal (The Sixth Ear, Magnetic Web and Zero Gravity) plus one credited to 107-34-8933 (Numbers, which is in fact the same LP as Buddah's Head, albeit with different cover art). Copies of these LPs came with an ironic sticker over the shrinkwrap that read "Do not listen to this LP if you are stoned".

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Ash Ra Tempel

LP | 1971 | Reissue (MG.Art)

LP | 1972 | EU | Reissue (Wah Wah)

Release: 1971 / Reissue

Genre: Electronic & Dance

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Black Vinyl, Sticker, 50th Anniversary RE-Edition, first-ever official reissue on vinyl since 1975,
Re-Cut carefully overseen by Manuel Göttsching.

TRACKLIST:

A. "Amboss" 19:40
B. "Traummaschine" 25:24

Ash Ra Tempel is the eponymous debut studio album by the Krautrock band Ash Ra Tempel.
It features guitarist Manuel Göttsching with drummer Klaus Schulze and bassist Hartmut Enke.
Engineered by Conny Plank it was recorded in March 1971 and released in June 1971 on Ohr Records.
This 50Th Anniversary Album will be Released in Memoriam of all the Musical Contributors to this Release and on Manuel Göttsching´s MG.ART label.
It´s the fourth and headlining edition in this series and was finalised, carefully overseen by Manuel Göttsching himself in the late Autumn of 2022.

Much has been written about the record and band.

Having finished a first musical chapter with their Steeple Chase Bluesband and still at very young age of only 17 and 18 years old Manuel Göttsching and Hartmut Enke met Klaus Schulze. Together they started to write and and compose what, to many,
became one the holy grails of Psychedelic Rock and early Electronic Music -
the German variant which was later also named "Krautrock":

Ash Ra Tempel´s self-titled first album "Ash Ra Tempel".

"The trio of Klaus Schulze, Manuel Göttsching and Hartmut Enke decided to abandon conventional composition and song writing, in favour of free-form improvising and developing a new musical language. As such, they became notorious for jams that could exceed 30 minutes." Says Discogs. "Some of these recordings can be found on Manuel Göttsching´s "The Private Tapes" releases", which will be re-released on MG.ART as well, following this edition.

"Krautrocksampler" author Julian Cope mentioned it to be "… one of the greatest rock 'n' roll LPs ever made." (Julian Cope Presents Head Heritage | Unsung | Reviews | Ash Ra Tempel - Ash Ra Tempel". 15 March 2000.)

AllMusic called the album "both astonishingly prescient and just flat out good, a logical extension of the space-jam-freakout ethos into rarified realms."

Here we would like the Band to be heard, for what can easily be said as the first time in 50+ years, with the exception of some early Journalists for whom the young Manuel Göttsching wrote a statement of intent (the original text can be found inside this edition) as following:

"Our musical concept is based on a combination of blues rock and delicate collages of electronic sound. These two elements should remain inseparable. And in their complex unity, the different musical philosophies of each musician find a common sweet spot. Our music is a permanently impulsive experience left to develop as it will, starting from a common fixed point of departure. This is where the difficulty of the music begins: No standardized formulation of our music can and should be possible. Only the constant reaction within the band can determine the musical result. And this requires constant listening with full concentration on the part of the creators. The idea of a particular musician will be - if flexible enough - absorbed by the others, transposed to their own instrument, and reflected back into the music as an individual contribution. This reciprocity within the band is then transferred over to the audience. And this process means that their reaction is not only a contribution to the end result; it actually makes them jointly responsible for the creation of the final musical product.
…
On our album, the track "Amboss" represents the first layer. Conventional instruments communicate familiar music which is in part expanded through electronic means. In the second track of the album - "Traummaschine" - the actual basic sound approach is dissolved into an electronic Nirvana which no longer allows the concrete identification of actual instruments. Innocent, virgin listening, free from any and every association, can finally begin - and the music can be absorbed and processed free from the limitations of categorization. That is the purpose of our music: To convey freedom without any predetermined criteria or traditions.

Thank you for your attention."
(Taken from the original A-R-T Bio 1970)

Hartmut Enke, Manuel Göttsching and Klaus Schulze aka. Ash Ra Tempel travelled to Hamburg in March 1971 to record their debut, with assistance of another Icon, legendary engineer Conny Plank.
The rest is history.

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Nik Pascal

The Sixth Ear

LP | 1972 | US | Reissue (Etats-Unis)

Release: 1972 / EU – Reissue

Genre: Electronic & Dance

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1972 saw the release of The Sixth Ear (Narco NR666), this time credited to Nik Pascal. A more complex work than Beyond The End..., it adds consistent rhythmic patterns to the mix with the addition of bongoes and also explores some interesting chord progressions.

Besides his musical explorations, Nik was also an interesting painter. His paintings are auctioned from time to time, and are consciousness expanding works influenced by abstract cubism and surrealism, some kind of Salvador Dalí on drugs exploring the outter and inner space. All the artwork on the sleeves of his LPs is done by himself. Spacey landscapes and psychedelic colours that fit perfectly to the music they contain.

Never reissued before on vinyl format, the Wah Wah reissue features original sleeve artwork made of paintings and drawings by Nik himself and reproduction of the famous ironic "Do not listen if you are stoned" sticker. Limited edition, 500 copies only.

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The Taj-Mahal Travelers

July 15, 1972

37,99 €*

LP | 1972 | EU | Reissue (Vinyl Magic)

Release: 1972 / US – Reissue

Genre: Electronic & Dance

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For over half a century, Takehisa Kosugi was one of the most unique and enduring figures in the Japanese underground. With a penchant for long psychedelic jams (some lasting 12 hours or more) The Taj-Mahal Travelers lived up to their name. Touring in a Volkswagen van across Europe and Asia in the early '70s, they eventually reached the actual Taj Mahal in India. Upon their return to Japan, they held a concert to raise more touring funds and released their very first recordings. Their debut album, July 15, 1972, would extend the band's matter-of-fact titling: all the tracks were named precisely for the times they began and ended.

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Giuliano Sorgini

Elettroformule

28,99 €*

LP | 1972 | US | Reissue (Demon)

Release: 1972 / EU – Reissue

Genre: Electronic & Dance

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At the end of the '60s in Italy - but also abroad, especially in France and England - a very particular trend began to spread, that one known as 'Library music' or 'sonorization': as suggested by its name, those were real music libraries intended for the accompaniment of audiovisual productions such as television programs, advertisements, documentaries and films. Since they were created in total artistic freedom condition, they are often difficult if not impossible to catalog, as they're not anchored to a specific musical genre; this freedom also allowed the authors to compose, sometimes in the most complete anonymity, experimental and avant-garde music, capable of anticipating the sounds that only many years later would have been widespread on a larger scale.

Giuliano Sorgini is one of the most mysterious composers of the sonorization and soundtrack genres: almost nothing is known about his life, despite his name being linked to dozens of albums and compositions. "Elettroformule" is probably one of his most 'extreme' experiments: a collection of thirteen short improvisations generated with the sole aid of electronic instruments: abstract compositions, balanced between ambient and noise music, perfect for a hypothetical science fiction from the '60/70s.

"Elettroformule" is part of a reissues series, made in collaboration with Edizioni Leonardi (Milan, Italy), of extremely rare library music LP's published between late '60s and early '70s, most of which have never been released again until today, and that are finally made available again for collectors and sonorization music lovers.

Edition in black vinyl 180gr.

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Glass House

Thanks I Needed That

25,99 €*

Release: 1972 / US – Reissue

Genre: Electronic & Dance

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Phil Ranelin & Wendell Harrison

Message From The Tribe

LP | 1972 | US | Reissue (Now-Again)

31,99 €*

Neu! Picture Disc Edition

Release: 1972 / US – Reissue

Genre: Electronic & Dance

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The Tribe founders’ collaborative debut, remixed from the original mutli-track master tapes under the direction of its creators and lacquered by Bernie Grundman. Phil Ranelin’s side has been pitch-corrected and restored to a suite, as was originally intended. Wendell Harrison’s side contains extended, full versions of two songs. The definitive reissue of this Spiritual Jazz masterpiece. The Tribe label, one of the brightest lights of America’s 1970s jazz underground, receives the Now-Again reissue treatment. This is your chance to indulge in the music and story of one of the most meaningful, local movements of the 20th Century Black American experience, one that expanded outwards towards the cosmos. In the words of the collective themselves, “Music is the healing force of the universe.” Included in an extensive, oversized booklet, Larry Gabriel and Jeff “Chairman” Mao take us through the history of the Tribe, in a compelling story that delves not just into the history of the label and its principals, but into the story of Black American empowerment in the latter half of the 20th Century. The booklet features never-before-seen archival photos and rare ephemera from Tribe’s mid-1970s heyday.

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Neu!

LP | 1972 | EU | Reissue (Grönland)

Release: 1972 / EU – Reissue

Genre: Electronic & Dance

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LP | 1972 | JP | Reissue (P-Vine)

Anthony Moore

Reed Whistle & Sticks

39,99 €*

2LP | 1972 | EU | Reissue (Distance)

Release: 1972 / JP – Reissue

Genre: Electronic & Dance

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Reed Whistle & Sticks was released in 1972 in a decade of transition for experimental composer Anthony Moore. Two years after the the album, his bands Henry Cow and Slapp Happy would merge briefly for a run of cult-favourite avant-garde records and swiftly detangle. A year after that, in 1976, he released his fourth solo record Out - its pop sensibilities, albeit avant-inclined, a chasm apart from the raw experimentation of Reed Whistle & Sticks. P-vine is proud to be reissuing Moore’s experiment in texture and looping for the first time on vinyl format, and bring new accessibility to an album that has been almost impossible to source on vinyl for 50 years.

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Don Bradshaw-Leather

Distance Between Us

28,49 €* 37,99 € -25%

2LP | 1972 | EU | Reissue (Culture Factory)

Release: 1972 / EU – Reissue

Genre: Electronic & Dance

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Reissue of this cult 1972 album which featured on the infamous Nurse With Wound List.

During the long, dark hangover of the Summer of Love, the classically-trained Essex prodigy approached CBS Records with demo recordings. A forward-thinking A&R executive must have seen a potential revenue stream in Don Bradshaw-Leather's avant-classical noise. The artist was given an advance to record an album. He used the funds to create a large studio in Sussex with many instruments including an actual church organ. Here, on his own, without the use of any electronic sequencing, he recorded "Distance Between Us" using simply multitrack tape, layering each part of the composition. Upon hearing the product of their financial investment - four side-long tracks of blurry organ drones, frantic piano tinkling, and ritualistic percussion - CBS got cold feet.

The album was self-released on Bradshaw-Leather's own Distance imprint; a vanity label established for the sole purpose of releasing the album. The sleeve art is full of mysteries, from the misspelling of "Bradshaw" ("Bradsham"), to the coal-blackened visage of the bohemian madman on the cover (dbl himself?), to the rear photo collage depicting the same madman accosting a nude woman. The music isn't any less mysterious; shapeless symphonies of smeared-out Mellotron, tribal drums, and wordless vocals. Don Bradshaw-Leather passed away in the 90's.

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Tangerine Dream

Zeit

41,99 €*

Release: 1972 / EU – Reissue

Genre: Electronic & Dance

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LP | 1973 | UK | Reissue (Spoon)

Future Days

LP | 1973 | EU | Reissue (Black Sweat)

Release: 1973 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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Remastered from the original tapes, 180g vinyl!

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Deuter

OST Princess Of Dawn

LP | 1973 | EU | Reissue (Mercury)

Release: 1973 / EU – Reissue

Genre: Electronic & Dance

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New Lp-edition of an obscure un-released library of the early ‘70s.
Together with Florian Fricke, Peter Michael Hamel and Stephan Micus, Deuter is certainly the main responsible of a fruitful encounter between European sensibility and Eastern aesthetics in the German music of the 1970s. Soundtrack was originally produced by Kuckuck in 1973 not for an official and public release, but as a “library” to be used for films, TV and radio. As a library it respects the canonical and typological structure of the genre with 26 short sonic fragments, sequences imagined and conceived like fulminating illuminations. There's still a solid electronic vocation that, however, has put aside the most disruptive effluvia of D (1971) of pure “kraut” ancestry. In fact, the album is more like an ideal passing bridge between some ritual instances of the previous Aum (1972) and the following successful phase of Deuter during the period when he stays in the Bhagwan Shree Rajneesh's ashram in Poona realizing, in parallel to a renewed inner life, masterpieces like Celebration, Haleakala, Ecstasy and Silence is the Answer. Musically speaking, Soundtrack presents itself as a heterogeneous work with nocturnal, cinematic, galactic and atmospheric-environmental implications. Electronics remains the predominant factor but can vary from mantra drones of more ceremonial and meditative “space-relax” tones of some tracks (Triad, Deep Sea, Gothic Velvet or Evening) to the most amused formulations of pulsating analog synths that in the hands of Deuter become “toy-equipement” to modulate and explore (Desert Rock, Synth Effect, Flea Dance or Laser). There is no lack of acoustic moments more ethnically inspired with Arabian and Indian (Reed, Arabia) or devotionally solar themes (Tom Bombaddils Dance), so evoking an air of diffuse peace then completely conquered in the beloved India.

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Mike Oldfield

Tubular Bells

28,99 €*

Game, Dames And Guitar Thangs

Release: 1973 / EU – Reissue

Genre: Electronic & Dance

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Remastered and pressed on 180g virgin vinyl!

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Eddie Hazel

LP | 1973 | US | Reissue (Real Gone Music)

32,99 €*

Release: 1973 / US – Reissue

Genre: Electronic & Dance

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Join Inn 50th Anniversary Edition

Ash Ra Tempel

LP | 1973 | EU | Reissue (MG.Art)

Seven Up 50th Anniversary Edition

Release: 1973 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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After the 2021 Re-Release of “Schwingungen” (MG.ART612) and together with “Seven Up” (MG.ART613) we proudly announce “JOIN INN” as Part3 of the authorised 50th Anniversary “A.R.T.” Re-Edition Series. “JOIN INN” is the fourth album by Ash Ra Tempel. It was recorded at Studio Dierks and originally released on LP by Ohr Musik-Produktion, catalogue number OMM 556032. Each side of the LP comprises one long track.

In 1972 ASH RA TEMPEL teamed up again with Klaus Schulze during the recording of Walter Wegmüller's Tarot album, and after one of the recording sessions, ASH RA TEMPEL members: Enke, Göttsching and Rosi, together with Klaus decided to "play it again" in a late night session. This recording led to the birth of the “JOIN INN” album, as well as two legendary last concerts in February 1973 in Paris and Cologne.

Manuel Göttsching recalls Hartmut Enke on bass and Klaus Schulze on drums being a dream-team rhythm section for him to play his guitar, especially here to hear on “Freak'n' Roll”, that was ingenious and not to replace ever since. It was the last recording ever where Klaus Schulze (who sadly passed away this Year) played the Drums and also Hartmut (the Hawk) Enke soon after quit the Bass and music forever. Join Inn marks the end of the collaboration with Klaus Schulze. However, together with Ash Ra Tempel, their eponymous first album, which will be released in 2023 as the final edition of our Series, it is considered a highlight of the Krautrock movement. As for the music itself we again refer to Julian Cope´s review from his book “Krautrocksampler” (published by Head Heritage, 1st ed. 1995):
""Freak’n’roll” fades in like it never started - just was always there from the beginning of time, a dry wah-guitar freerock riff-out unlike any of the other Ash Ra Tempel LPs, and not much like any other music. Yes, there are bluesy riff but none of them have a blues context. Manuel Gottsching’s guitar is so confident that he sometimes drops down to a simple major chord groove, whilst the Hawk pushes that round woody bass into strange overlapping rumbling melody. And ... it’s the return of Klaus Schulze on drums which propels “Freak’n’roll” to its height. No-one but Klaus has the ability to transcend rock’n’roll in such an on-the-beat non-groove-y way and still send sparks of light into the cosmos as he does it. "Freak’n’roll” is so egoless that it even works at a quiet volume as meditational music. Themes rise from the high tempo pulse beat, then are carried along the muscles of the song into the main area where the riff actually becomes real and expressionist for just long enough before slipping back into the musical fabric of the song. As usual with Ash Ra Tempel, the other side is an enormous drift piece called “Jenseits (The Next World)”, a beautiful Klaus Schultze meditation of haunting synthesizer chords over which Rosi Muller tells the story of the Cosmic Couriers’ meeting with Timothy Leary. Gradually, the pulsing guitar becomes increasingly intense and turbulent, but Rosi never sounds less than freaked out. Essentially, “Jenseits” is a precursor to Klaus Schulze’s later spacey minor-key grooves. Unfortunately, this was the last Ash Ra Tempel album in its particular ‘series. After “JOIN INN”, Manuel Gottsching took over the Ash Ra Tempel mantle alone.”

Ashra Tempel – Join Inn
HARTMUT ENKE - Gibson bass
MANUEL GÖTTSCHING -guitar
KLAUS SCHULZE-drums, synthesizers & electronics
ROSI MÜLLER-voice

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Ash Ra Tempel

LP | 1973 | EU | Reissue (MG.Art)

Reality Gates Record Store Day 2023 Edition

Release: 1973 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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After the 2021 Re-Release of “Schwingungen” (MG.ART612) we proudly announce “Seven Up” as Part 2 of the authorised 50th Anniversary “A.R.T.” Re-Edition Series. “Seven Up” is the third studio album by Ash Ra Tempel and their only album recorded in collaboration with American Ph.D. in psychology, Dr. Timothy Leary. The Coverart for “Seven Up” was designed by famous Swiss Artist Walter Wegmüller. Recorded in August 1972 at Sinus Studio in Berne, Switzerland, remixed September 1972 at Dierks Studios in Stommeln, Germany.

First release in spring 1973 by OHR Musik - the first release on the new sub-label "Kosmische Kuriere", Kat-Nr. KK 58001. We release “Seven Up” in a Re-Cut carefully overseen by Manuel Göttsching himself, on September 9th 2022, also being Manuel Göttsching´s 70th Birthday. Our Edition features the full original text for the “7 levels of consciousness” by Timothy Leary in English, i.e. “Instruction Manual for Pleasure Panel” plus a previously unreleased glimpse view of the original scripts incl. notes and mark ups as well as partly unreleased photos from the recording session.

As for the music itself we again refer to Julian Cope´s review and remarks from his book “Krautrocksampler” (published by Head Heritage, 1st ed. 1995): “When the Leary Mob met the Kaiser Gang, the sparks flew ever Up-wards. 7up is a stone classic in every way. Yes, it is unlikely to find Timothy Leary singing lead vocal in a cosmic group, but even weirder that he chose to sing a wild yelping freaked out blues ! Manuel Göttsching and Hartmut Enke had begun their careers in The Steeple Chase Blues Band back in the mid-'60ies, and they quickly felt their way through what Barritt and Leary were aiming for. They reconciled it all as a kind of West Coast chordless psychedelia, where blues riffs sparkle out of nowhere and the sheer weight of synthesizers renders everything with an unreal Pere Ubu/early Roxy Music quality. The greatness of Ash Ra Tempel burned so brightly on 7Up that there is really nothing else like it.

Hartmut Enke and Manuel Gottsching here returned to their riffy roots. It can hardly be called a retro act, though, as the context of music is everything. And with Dierks at the controls, even the New Kids on the Block would have sounded psychedelic. 7Up is like a late night radio show glimpsed through a shattered tuner where all but the most truly dangerous sounds have been allowed to stay, to drift and to dance around the performers. The result is an extreme gem, a flash of hysterical white lightning, and a pre-punk Technicolour yawn in the grandest of traditions. In typical Ash Ra Tempel style, the record is divided into two pieces, “Space” and "Time”. Within this, though, Timothy Leary’s ideas are allowed to free-flow and the two sides are therefore divided into mini-songs all segued together. The highlight of Side 1 is “Power Drive”, a West Coast burn-up that transcends any W. Coast music I ever did hear. Leary and Barritt present the greatest twin-vocal of all time, coming on like Jagger and Morrison but too caught up in their own maelstrom to be anything less than Heralds of the Punkfuture still five years away. In chaos it was conceived and in chaos it was recorded. Yet Dieter Dierks, the great Aural Architect of the Cosmic Couriers, turned 7Up into a personal triumph and a Kosmische dream.”

Ash Ra Tempel – “Seven Up”
TIMOTHY LEARY - voice
BRIAN BARRITT - voice
MICKY DUWE - voice & flute
LIZ ELLIOTT - voice
BETTINA HOHLS - voice
PORTIA NKOMO - voice
HARTMUT "HAWK" ENKE - bass, guitar & electronics
MANUEL GÖTTSCHING - guitar & electronics
STEVE A. - organ & electronics
DIETMAR BURMEISTER - drums
TOMMY ENGEL - drums
DIETER DIERKS - synthesizer & Radio Downtown

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Steve Birchall

LP | 1973 | EU | Reissue (Soave)

26,39 €* 32,99 € -20%

Release: 1973 / EU – Reissue

Genre: Electronic & Dance

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Soave Records dusts off in limited edition the psych/synth album by Doctor Steven T. Birchall recorded in 1973 in Indiana, U.S.A. with the following equipment: Vcs-3 (The Putney) by EMS, Ampex Mm-1000 16 trk, dbx noise reduction, SpectrasSonics Console, Studer A80 Recorder, Eventide Clockworks, Instant Phaser, Cooper Time Cube, EMT Reverb. The absolutely penetrating high tones of the opening track 'Music Of The Spheres' announce us that we are on board, passengers in the hands, or perhaps better to say in the mind, of Birchall who aims to go beyond those "normal" boundaries that we call reality. It is a new world of music that still amazes after half a century. A higher stage of truth projected into the cosmos.

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LP | 1974 | UK | Reissue (Spoon)

Soon Over Babaluma

Release: 1974 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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Remastered from the original tapes, 180g vinyl!

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2LP | 1974 | UK | Reissue (Spoon)

Unlimited Edition

28,49 €* 29,99 € -5%

Autobahn 2009 Remastered Black Vinyl Edition

Release: 1974 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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Remastered from the original tapes, 180g vinyl!

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Kraftwerk

LP | 1974 | EU | Reissue (Parlophone)

35,09 €* 38,99 € -10%

Release: 1974 / EU – Reissue

Genre: Electronic & Dance

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Autobahn Translucent Blue Vinyl Edition

Kraftwerk

LP | 1974 | UK | Reissue (Parlophone)

Release: 1974 / UK – Reissue

Genre: Electronic & Dance

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LP | 1974 | EU | Reissue (Soave)

Marcello Giombini

Transvitaexpress

21,99 €*

Eldorado A Symphony By The Electric Light Orchestra Supervinyl Edition

Release: 1974 / EU – Reissue

Genre: Electronic & Dance

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Transvitaexpress Psycho-phonic tale of the afterlife One of the weirdest italian album ever released 'Transvitaexpress is the sonorous realization of an idea that had been developing in me for some time and to which the encounter with the poet Barbarino gave the decisive push. I used the "tape-sound" technique, that is the organization and integration of sounds, noises, speech, song and rhythm, of which the resulting sound, being the result of electronic manipulation of the sound events themselves, is audible, therefore repeatable, only by means of magnetic tape. The sound material is, in part, reportage, so the work often takes on the character of a “disc-truth”, in part it is a faithful reconstruction of parapsychological events. We have defined this work "Psycho-phonic tale" in fact it is a sound experience, that is, a journey into the world of sounds of an "afterlife", rooted in us due to childhood, ancestral reminiscences, superstitions, legends, anxieties, utopias and above all fear. Fear of the mystery, fear of the unknown. Transvitaexpress is therefore the sound representation of these cultural and existential limits, and is therefore a critical, liberating, provocative work. I certainly do not expect, and perhaps I do not want someone after having listened to tell me that it is "beautiful". Transvitaexpress is the name of a train full of ... that travels in an afterlife so "beyond" that it coincides with the most central point of my ego. Perhaps the most logical "end-continuation" of life, the least imaginative, the least corrupt. The distortions, things that are too, or too little, defined, realistic situations, clichés, monotheisms and captions are embedded in the most traditional dream fabric, the most suitable in my opinion to promote approaches with the mysterious, with the esoteric, with the magical.' M. Giombini

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Electric Light Orchestra

LP | 1974 | US | Reissue (Mobile Fidelity Sound Lab)

89,99 €*

Release: 1974 / US – Reissue

Genre: Electronic & Dance

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Limpe Fuchs / Paul Fuchs / Friedrich Gulda

It's Up To You

2LP | 1974 | EU | Reissue (Play Loud!)

47,99 €*

2LP | 1974 | EU | Reissue (Cat In The Room)

Release: 1974 / EU – Reissue

Genre: Electronic & Dance

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Limited to 300 double vinyl copies, two inlays with photos and liner notes.

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Kyriakos Sfetsas

Smog

22,74 €* 34,99 € -35%

LP | 1974 | EU | Reissue (Real Gone Music)

Release: 1974 / EU – Reissue

Genre: Electronic & Dance

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The newly established label Cat in the Room, created by Goodheart Productions, re-releases for the first time after almost fifty years the legendary work Smog by Kyriakos Sfetsas, one of the most important Greek contemporary composers. At the same time, in collaboration with the composer and The Hubsters, which is responsible for the digital distribution, it presents for the first time the majority of his discography in digital format.

Smog is an electro-acoustic work in five parts of equal duration (18 minutes) divided into several variable sequences. It was composed as the music score for the ballet Smog commissioned by the choreographer Michel Caserta. The work was premiered on October 18, 1974, by the Ensemble chorégraphique de Vitry at the Théâtre Jean-Vilar in Vitry-sur-Seine (Paris).

As a musical work, it has acquired over the years the scope of a legend in the electro-acoustic & avant-garde scene, for its richness and value as a composition, the composer's ingenious use of the means available at the time regarding the production of electric sounds, and their combination with natural sounds, as well as for the four-channel recording and live performance.

A new sound mastering and artwork was developed for this release in collaboration with the composer, whose liner notes are included on the cover.

Smog will be released on December 9, 2022, on a 180gr. double vinyl edition

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Soul Searchers

Salt Of The Earth

Release: 1974 / EU – Reissue

Genre: Electronic & Dance

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12" | 1974 | EU | Reissue (CBS)

Elkin & Nelson

Jibaro Red Vinyl Edition

17,99 €*

Have You Heard This Story?

Release: 1974 / EU – Reissue

Genre: Electronic & Dance

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A true Balearic classic. One of a handful of records that can comfortably boast this title, Elkin & Nelson's 1979 classic 'Jibaro' sits in the canon of selections that enlightened the ears of the jet-set and globe trotting music fanatics in the heady and much storied years of the White isle in the 1980's. The Colombian brothers Javier and Leon Marin Velez brought their own rustic brand of folksy-Rock-Psychedelia to the listening public in 1974 with their debut LP 'Angeles Y Demonios' on Columbia records. The brothers had relocated to Spain, snared a major label deal and ran with it. The first of 3 LP's it proved a big hit in later years with adventurous DJ's and selectors. A cult record you might say. Of course, this LP featured 'Jibaro' in all it's forms, but it is this 1986 reissue 12" promo pressing with it's iconic, distinctive jacket that was the coveted slab sonic adventurers were seeking. Fully sanctioned and legitimately remastered from the original sources and packaged in it's original Columbia promo sleeve 'Jibaro' is back on the shelves, still an incredible record that gets pulled by the most discerning selectors across the globe. A true classic, featured here in it's long and short versions as per the '86 release. Absolute top-shelf stuff here, essential, must own and classic.

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Swamp Dogg

LP | 1974 | EU | Reissue (Alive)

Release: 1974 / EU – Reissue

Genre: Electronic & Dance

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Be Thankful For What You Got

William DeVaughn

12" | 1974 | UK | Reissue (Demon)

Release: 1974 / UK – Reissue

Genre: Electronic & Dance

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Hiroshi Tanaka & Yoichi Fuwa

Untitled White Album

2LP | 1974 | US | Reissue (Fire & Last)

36,54 €* 42,99 € -15%

2LP | 1974 | EU | Reissue (Week-End)

Release: 1974 / US – Reissue

Genre: Electronic & Dance

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Originally self released in only 100 copies in 1974 Includes second LP featuring 16 unreleased songs from the original sessions Stoughton “tip-on” gatefold jacket Vinyl pressed at Third Man Pressing. In 1974, Hiroshi Tanaka and Yoichi Fuwa, the self-proclaimed heirs of the Beatles, crammed into a 75 square foot room and recorded over 50 songs, all without names. 19 of those songs would be self released on a record titled “Untitled White Album”, of which only 100 copies were pressed.

Their music is like a fairy tale. It’s leisurely and relaxed yet bursting at the seams with melodies and youthful ambition. Its whole attitude is gentle but splendid in evoking tears, anger, sentimentality, infatuation, intoxication, and a bit of craziness. Tanaka and Fuwa’s music has the power to bring that emotion to life.

This holy grail of Japanese psychedelic pop has been searched for by collectors the world over. Now, after almost 50 years, First & Last Records is proud to release the official reissue of this masterpiece. In addition to the 19 original songs is a second LP featuring 16 tracks that heretofore were unknown, released for the first time.

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Fred Frith

Guitar Solos / Fifty

42,99 €*

7" | 1974 | US | Reissue (Motown)

Release: 1974 / EU – Reissue

Genre: Electronic & Dance

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Guitar Solos is the debut solo album of British guitarist, composer, and improviser Fred Frith. It was recorded while Frith was still a member of the English experimental rock group Henry Cow and was released originally in October 1974. Voted one of the best albums of 1974 by NME critics it also attracted the attention of Brian Eno, resulting in Frith playing guitar on two of Eno‘s albums. Frith‘s never tiring spirit in creating and performing music has made him one of the most notable and creative guitar players and musicians in the scene of improvised and composed music. For the anniversary of this release we have encouraged Frith to arrange a set up similar to what he used 50 years ago to record an album of new compositions which will accompany the original record.

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Al Green

Take Me To The River

11,99 €*

Release: 1974 / US – Reissue

Genre: Electronic & Dance

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To Anyone Who's Ever Laughed...

Randy Rice

2LP | 1974 | Reissue (Wah Wah - Supersonic Sounds)

48,99 €*

LP | 1974 | US | Reissue (Fat Possum)

Release: 1974 / Reissue

Genre: Electronic & Dance

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I was between the ages of 18 and 20 when I wrote the 22 songs found on To Anyone Who Ever Laughed at Someone Else. They express the thoughts and frustrations, hopes and fears of a young man coming of age in a world that was full of upheaval and transformation. I was a product of that period in America we call the sixties—those years between the assassination of President John F. Kennedy in November 1963 and the resignation of President Richard Nixon in August 1974. In fact, this record was released that same month Nixon resigned. Over the next five years, I toured the country as an acoustic artist performing at clubs, coffeehouses and colleges. During that time, I watched the idealism and social consciousness of the sixties slowly fade away. In its place emerged a cynicism and materialism that still seems to be with us so many years later. More than anything else, I think To Anyone Who Ever Laughed at Someone Else is a time capsule that speaks to us from a past era. A period when, above all other things, we asked questions. We questioned our country, we questioned our faith, we questioned the very purpose of life itself. I am very excited to bring those questions and these songs to a new generation on a new continent. Special thanks to my friends Jordi Segura of Wah Wah Records who took the initiative to release this 50th Anniversary Re-issue of To Anyone Who Ever Laughed at Someone Else and Michel Veenstra Klinkhamer, who introduced us.

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Ann Peebles

I Can't Stand The Rain

30,99 €*

Release: 1974 / US – Reissue

Genre: Electronic & Dance

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LP | 1974 | US | Reissue (Superior Viaduct)

La Monte Young

Dream House 78'17"

LP | 1975 | UK | Reissue (Panegyric)

Release: 1974 / US – Reissue

Genre: Electronic & Dance, Classical Music

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Originally released in 1974 on Shandar, Dream House 78'17" is the second full-length album by La Monte Young and Marian Zazeela. This first-time US edition reproduces the original gatefold sleeve with beautiful calligraphy by Zazeela and liner notes by Young and French musicologist Daniel Caux.

Side one was recorded at a private concert (on the date and time indicated by the title) and features Young and Zazeela's voices against a sine wave drone with Jon Hassell on trumpet and Garrett List on trombone. This work is a section of the longer composition Map of 49's Dream the Two Systems of Eleven Sets of Galactic Intervals Ornamental Lightyears Tracery (begun in 1966 as a sub-section of The Tortoise, His Dreams and Journeys, which was begun in 1964 with Young's group The Theatre of Eternal Music). The piece evolves with the oscillator changing pitch and dictating an ornate pattern over the course of the performance.

Side two is an example of one of the sets of frequencies sustained in the Dream House, the composite sound environments conceived by Young and Zazeela. The composer suggests listening while seated – to experience how the sound interacts with the room and other perceptions of its arrangement – as well as while walking. As Young states, "The frequency ratios are monitored continuously as lissajous patterns on the oscilloscopes and, in spite of the great stability of the oscillators, the phase relationships of the sine waves gradually drift which causes their amplitudes to add and subtract algebraically. Not only does the sound become a bit louder and softer, but at very loud levels, one actually begins to have a sensation that parts of the body are somehow locked in sync with the sine waves and slowly drifting with them in space and time."

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Fripp & Eno

Evening Star

23,99 €*

Release: 1975 / UK – Reissue

Genre: Electronic & Dance

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LP | 1975 | UK | Reissue (Spoon)

Landed

25,19 €* 27,99 € -10%

Inventions For Electric Guitar (Remastered)

Release: 1975 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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Remastered from the original tapes, 180g vinyl!

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Manuel Göttsching

LP | 1975 | EU | Reissue (MG.Art)

23,99 €*

LP | 1975 | EU | Reissue (Ment016)

Release: 1975 / EU – Reissue

Genre: Electronic & Dance

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Remastered by Manuel Göttsching and released on his own label MG ART. Inventions for Electric Guitar is Manuel Göttsching´s first solo album, recorded: July-August 1974.
The album was written and performed entirely by Göttsching on electric guitar, hence the title. Manuel played his guitar and used a 4 track TEAC A3340, Revox A77 for echoes, WahWah pedal, volume pedal, Schaller Rotosound and Hawaiian steel bar.

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The Nazgul

21,99 €*

LP | 1975 | EU | Reissue (Wah Wah)

Release: 1975 / EU – Reissue

Genre: Electronic & Dance

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Lost-in-time Kosmische / Kraut / Avant-Garde artefact, produced by Toby Robinson aka The Mad Twiddler circa 1975 for his private Pyramid label.
Tolkien inspired dark ambient soundscapes with spooky / ritualistic atmosphere, treated percussions, gongs & guitars, trippy Hammond & Mini-Moog, tape loops, weird noises, drones…
File under dark ambient, proto-industrial, kraut, experimental...

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Nik Pascal

Zero Gravity

Radio-Activity Remastered Black Vinyl Edition

Release: 1975 / EU – Reissue

Genre: Electronic & Dance

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Nik's last album, Zero Gravity (Narco NR123) came under the Nik Pascal name and had a fantastic side long piece on the title track which reminisces of the works of Cluster. B side features four tracks that also bear some Conrad Schnitzler reminiscences. This was to be Nik's last LP before he would sell all his synths to ex car racer and future electronic/ambient music star Steve Roach.

Besides his musical explorations, Nik was also an interesting painter. His paintings are auctioned from time to time, and are consciousness expanding works influenced by abstract cubism and surrealism, some kind of Salvador Dalí on drugs exploring the outter and inner space. All the artwork on the sleeves of his LPs is done by himself. Spacey landscapes and psychedelic colours that fit perfectly to the music they contain.

Never reissued before on vinyl format, the Wah Wah reissue features original sleeve artwork made of paintings and drawings by Nik himself, and reproduction of the famous ironic "Do not listen if you are stoned" sticker. Limited edition, 500 copies only.

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Kraftwerk

LP | 1975 | EU | Reissue (Parlophone)

49,99 €*

Release: 1975 / EU – Reissue

Genre: Electronic & Dance

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Third (It's Always Rock'n'Roll)

Heldon

2LP | 1975 | EU | Reissue (Bureau B)

34,99 €*

Release: 1975 / EU – Reissue

Genre: Electronic & Dance

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Canti E Vedute Del Giardino Magnetico

Alvin Curran

LP | 1975 | US | Reissue (Superior Viaduct)

21,99 €*

LP | 1975 | US | Reissue (Speakers Corner)

Release: 1975 / US – Reissue

Genre: Electronic & Dance

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American composer and multi-instrumentalist Alvin Curran has remained one of the great emblems of experimental music for the last half-century. In 1966, along with Frederic Rzewski and Richard Teitelbaum, Curran co-founded Musica Elettronica Viva, a seminal gesture in collective free improvisation. In the early ’70s, his solo work would become a crucial bridge between minimalist traditions on both sides of the Atlantic.

Canti E Vedute Del Giardino Magnetico, Curran’s solo debut, was recorded by the artist himself and issued on Ananda, the small Italian imprint started by Curran and fellow composers Giacinto Scelsi and Roberto Laneri. The piece itself was put together in the winter of 1973 and presented for the first time at Teatro Beat 72 (Rome’s The Kitchen).

Encouraged by the work of Terry Riley, La Monte Young, Charlemagne Palestine and Simone Forti, Curran binds the listener to aberrant notions of place and time: blending field recordings (wind, high-tension wires, beach waves, etc.) with simple and often primitive instruments. Across two sidelong tracks, Giardino Magnetico forms a lyrical collage of synthesizer, glass and metal chimes, plastic tubes, brass and the composer’s alluring voice—converging in an immersive realm of Curran’s inner / outer experiences.

This first-time vinyl reissue is recommended for fans of Harry Bertoia, Michel Redolfi and Lino Capra Vaccina.

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Vangelis

Heaven And Hell