Electronic & Dance Vinyl 1413 Items

Release: 1983 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1988 | DE | Original (GiG)

Charles Augins

Baby I Need Your Loving

Release: 1988 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1985 | US | Original (Arista)

Charlie Singleton

Modern Man

5,99 €*

Spacer Woman Label Cover Black Vinyl Edition

Release: 1985 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: G+

Cover has a cut corner.

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Charlie

12" | 1983 | EU | Reissue (Mr. Disc)

12" | 1988 | DE | Original (ZYX)

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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Now numbered from 1001 to 1500 and wrapped in Mr. Disc label covers.

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Charlotte McKinnon

You Keep Me Comin' Back

Release: 1988 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1983 | IT | Original (Memory)

Cheaps

Moliendo Café

59,99 €*

Release: 1983 / IT – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1977 | DE | Original (Atlantic)

Chic

Release: 1977 / DE – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

12" | 1988 | EU | Original (Jupiter)

Chico Chico

Bamboleo

Release: 1988 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Get Up, Get Down, Get Funky, Get Loose

Chilla Frauste

12" | 1989 | US | Original (Miami Street)

5,99 €*

12" | 1983 | US | Original (A&M)

Release: 1989 / US – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Generic label cover

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Chilltown

Rock The Beat

LP | 1978 | PL | Original (Polskie Nagrania Muza)

Release: 1983 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl closer to VG+

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Chorus & Disco Company

Discoland

Release: 1978 / PL – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Mondo Beat Clear Vinyl Edition

Chris Carter

LP | 1985 | UK | Reissue (Mute)

25,99 €*

LP | 1981 | UK | Original (Rough Trade)

Release: 1985 / UK – Reissue

Genre: Electronic & Dance

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Includes downloadcode!

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Chris & Cosey

Heartbeat

86,99 €*

LP | 1979 | UK | Original (A&M)

Release: 1981 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Small sticker on cover.
Record is close to NM.

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Chris de Burgh

Crusader

LP | 1982 | EU | Reissue (Orbeatize)

Release: 1979 / UK – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Cover with sticker

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Chris Neal

Crosstalk

12" | 1982 | DE | Original (HB Highlights)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Originally released in 1982, including tracks written for Crosstalk (a science fiction thriller film made in Australia) and other electronic themes, it was written, performed and recorded by Chris Neal in his home studio, using Roland System 700 and Roland MC8.
In 1982 there were only a few System 700s ever produced and Roland was more interested in promoting their more commercial System 100M (that's why it was credited on the 1982 original cover to give them a plug). The System 700 was developed by Taro Kakahashi and his team in Japan as a direct challenger to the Moog modular system.
The ORBEATIZE remastered reissue also includes a special bonus track remixed and produced in 2017 by Jolly Mare.

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Christian Bruhn

Surf-Fascination

Release: 1982 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1982 | DE | Original (HB Highlights)

Christian Bruhn

Surf-Fascination

Release: 1982 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1977 | DE | Reissue (Notes On A Journey)

Chuck Senrick

Dreamin'

30,99 €*

LP | 1988 | US | Original (A&M)

Release: 1977 / DE – Reissue

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

2017 reissue. Tiny wear. Vinyl is close to NM. Original inner sleeve

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Cinema

Wrong House

12" | 1988 | FR | Original (Barclay)

Release: 1988 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl with a couple of light scuffs, close to VG+

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Claudia Phillips

Quel Souci La Boétie!...

12" | 1988 | DE | Original (EMI)

Release: 1988 / FR – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines

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Climie Fisher

Love Like A River

Release: 1988 / DE – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Clive Stevens And Brainchild

New York Street Walk

LP | 1985 | DE | Original (Frog)

Release: 1985 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1981 | US | Reissue (Dark Entries)

Codek

Tam Tam / Closer

12" | 1987 | EU | Reissue (Proxima.)

Release: 1981 / US – Reissue

Genre: Electronic & Dance

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Codek is the brainchild of Jean-Marie Salaun who grew up in Paris influenced by the folklore of the inner city. In 1978 he joined art rock group SpionS alongside Gregory Davidow and recorded two singles. Diving into the Paris post punk scene he met Claude Arto and designed the artwork for Claude’s single on Celluloid “Kwai Systeme / Betty Boop.” Robin Scott (M “Pop Music”) had produced the SpionS first single and wanted to collaborate further. With Claude, Jean-Marie wrote “Me Me Me”, intended for a choir, for M. Then SpionS split and Robin was off to Switzerland to record an album to follow-up his hit single. That left Jean-Marie alone in London, where he began working as Codek, a play on the brand name Kodak The “Me Me Me” single was released by MCA Records in 1980. Back in Paris, now with some studio experience, Celluloid Records hired Jean-Marie to produce records for Artefact and Les Orphelins. Over the next 2 years he began working on ideas for the next Codek single “Closer / “Tam Tam”

“Closer” started its life as an electric baseline played by Jean-Marie. Claude Arto sequenced the floating synthesizers. Laurent Grangier and Frédéric Lapierre of reggae band Immigration Act played the horns. The lyrics “Hard to say. Easy to do. We don’t need to say what we do” were a statement on creation as narration expressed Jean-Marie’s ennui, “I’m tired with it.” “Tam Tam” was inspired by Burundi drummers playing on the plaza in front of Beaubourg where the song was recorded. Jean-Marie enlisted one of the drummers from the circle, Georges Atta Dikalo, to lay down percussion for the song. The female singers were from the French Caribbean and added falsetto tribal chants. JM was part of the the African night scene in Paris, remixing Xalam’s “Kanu” and Touré Kunda’s “Salaly Muhamed.” Claude achieved complex rhythmic patterns using a modular synthesizer and heavy processing. Jean-Marie recorded himself beating his chest for the thump noises. The recording of “Tam Tam” and “Closer” spanned over two years. They started on 16-track in Studio d’Auteuil, where JM blew the woofers, before resuming in Studio Centre Georges Pompidou with an added 8-track recorder. Jean-Marie was producing other bands, and a lot of this was recorded on “borrowed” studio time. The single was released in 1981 on West African Music, a tiny label from the Ivory Coast, and was re-released a year later by Island Records in the UK (where the B-side was re-named “Tim Toum”). Both tracks were staples in the DJ sets of Beppe Loda and Daniele Baldelli, finding a spiritual home in the Cosmic scene of Italy.

Both songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The jacket is an exact replica of the 1981 edition with artwork by Angela Boy, inspired by primitive electronics and African paintings. Each copy includes an doubles-sided insert with photos and liner notes by Jean-Marie Salaun.

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Cold End

Metropolitan Jungle

LP | 1986 | US | Reissue (Musique Plastique)

Release: 1987 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Originally released in 1987, « Metropolitan Jungle » by German synth-pop band Cold End is reissued by Swiss label Proxima. Cold End is the second musical project of Katrin A. Kunze, Jürgen Grah and Markus Kammann. Musically, the sound of Cold End was something special back in the time, as a successful fusion of electronic and soul. Dynamic percussions, synth textures and enchanting vocals. Includes an aerial rework by Audrey Danza. All four tracks are freshly remastered!

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Colman

Daedalus

21,99 €*

How Soon We Forget (Extended Version)

Release: 1986 / US – Reissue

Genre: Organic Grooves, Electronic & Dance, Classical Music

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Musique Plastique (Visible Cloaks, Pedro) rescue a nearly lost soundtrack to a Belgian avant-theatrical work from the 80s. For fans of Nuno Canavarro, Roberto Musci and Vito Ricci.
Like the wings Daedalus crafted for his son Icarus, John Gilbert Colman’s score for sampler, voice and chamber orchestra almost melted away completely, disappearing into the tides of time.
The album originally served as the score to an avant-garde production of the Greek myth that toured the Belgian theatre circuit in 1986. Director Guy Cassiers cast the play with 45 developmentally disabled actors enrolled at the Krauwelenhof school in Antwerp, working for six months with the young actors (aged 12-17) to discover and develop their talents, creating (by all accounts) a deeply moving piece of visual theatre. Rather than using dialogue, Cassier used movement, costumes and music tell the fable, words were only present as text fragments within the score, spoken by members of the chorus or sung by Rolande van Der Paal. Colman's compositions elevate the experimental narrative with broad shifts in mood, utilizing a pop-concrète style by incorporating sampled squeaking balloons, environmental recordings, tuned percussion, drum computer, and voice to accompany the traditional small chamber instrumentation. The music is reminiscent of other avant-theatrical pieces from that era by Nuno Canavarro, Milesi & Bacalov, Todd Barton, Vito Ricci and Roberto Musci, while standing on its own as a unique and moving piece of minimal music. Remastered DMM pressing.

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Colonel Abrams

12" | 1987 | DE | Original (MCA)

Release: 1987 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

12" | 1981 | EU | Reissue (Rush Hour)

Colored Music

Heart Beat

LP | 1981 | FR | Original (Call Me)

Release: 1981 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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12inch release of highly sought after Colored Music edits by Tokyo's, Chee Chimizu (Organic Music). The two cuts originally featured on the the bands seminal self titled album (from 1981) that remained a cult DJ secret weapon, for many years, all over the world. This heavy EP includes an alternative version of 'Heartbeat' that featured on the Japan only "Individual Beauty" LP of 2018 (also compiled by Chimizu)

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Comateens

Release: 1981 / FR – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1987 | JP | Original (Atlantic)

Company B

17,99 €*

12" | 1988 | DE | Original (ZYX)

Release: 1987 / JP – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Japanese pressing. With OBI. tiny wear and few paper scuffs.

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Company B

The Miami Megamix

Release: 1988 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

12" | 1989 | FR | Original (Disques Déesse)

Confetti's

Confetti's Megamix

Release: 1989 / FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

The Sound Of C... (Remix By Peter Slaghuis)

Confetti's

12" | 1988 | BE | Original (USA Import Music)

Release: 1988 / BE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

10" | 1981 | EU | Reissue (Italian / Disordine)

Confusional Quartet

26,99 €*

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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Confusional Quartet Colored Vinyl Edition

Confusional Quartet

LP | 1980 | EU | Reissue (Italian / Disordine)

26,99 €*

Rot 50th Anniversary Edition

Release: 1980 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Out of any classification of musical genre, “Confusional Quartet” is a distillation of the creativity and freedom of expression that in 1977 put Bologna at the center of the international cultural scene. This record places the Confusional Quartet in the history of Italian alternative music.

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Conrad Schnitzler

LP | 1973 | EU | Reissue (Bureau B)

29,99 €*

The Real Life / So Where Are You

Release: 1973 / EU – Reissue

Genre: Electronic & Dance

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Conrad Schnitzler (1937-2011), composer and concept artist, is one of the most important representatives of Germany"s electronic music avant-garde. A student of Beuys, he founded Berlin"s legendary Zodiak Free Arts Lab, a subculture club, in 1967/68, was a member of Tangerine Dream (together with Klaus Schulze and Edgar Froese) and Kluster (with Dieter Moebius and Hans-Joachim Roedelius) and also released countless solo albums. The red album ("Rot") from 1973 was Schnitzler"s first solo LP.

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Corporation Of One

12" | 1988 | EU | Reissue (Smokin)

12" | 1988 | EU | Reissue (Boy Records)

Release: 1988 / EU – Reissue

Genre: Electronic & Dance

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Re-release of the ‘88 rave house classic 'The Real Life' sampling Queen, Simple Minds, Prince and Scarface here perfectly formed Oppy Mix. Used copies still sell up to £50 with very few cropping up on the market so this official remastered reissue will be a welcome sight to many.

Flipped with the collectable housey / garage crossover gem 'So Where Are You' harnessing the raw vocal power of Kevin Williams over a tough house rhythm. Both the Hashish Dub and Vocal Mix are included on this release.

Repressed on Blue 12 inch vinyl with replica Smokin’ artwork.

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Cosmic Jam

Girl Don't Cry

Release: 1988 / EU – Reissue

Genre: Electronic & Dance

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Need It Tom Noble & Fredfades Remix

Cosmo With Chuy

12" | 1980 | EU | Reissue (Fantasy Love)

LP | 1975 | EU | Reissue (Dialogo/Cramps)

Release: 1980 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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This obscure 80s left field disco joint was brought to the table by David Haffner, the tapes were transferred by John Morales & forwarded to friends of the label, Tom Noble & Fredfades, to re-envision the works of 'Cosmo with Chuy', as showcased on this limited 12" release

A few words from Tommy aka 'Cosmo'..

"Cosmo was my nickname. I used to play John Coltrane style on slow ballads etc. Chuy was the singers nickname. Jesus Gomez was his real name I think. I was playing Las Vegas at the time, early 80's, with an Elvis impersonator, Morris Bates, for nearly 4 years. Since Elvis passed in the late 70's the impersonation show was a big success. I played Sax, Flute and sang back up harmonies. We played the Silver Slipper casino, then the Landmark Hotel and casino, 14 shows a week. We toured South Africa and played Morris' home town in Vancouver Canada a lot. The late nite band of Chuy's played at a smaller venue on the strip in Vegas from 12pm to 5am. I sat in and jammed one night, and said I'd like to record a couple tunes with his band. So I coughed up some money and we recorded a few songs"

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Costin Miereanu

Luna Cinese

25,99 €*

12" | 1986 | DE | Original (Future Dance)

Release: 1975 / EU – Reissue

Genre: Electronic & Dance

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At long last, after decades out of print, the Milan based imprint, Dialogo, dives into the legendary catalog of Cramps, bringing forth the first ever vinyl reissue of Costin Miereanu's "Luna Cinese", part of an ongoing initiative dedicated to bring the imprint’s seminal output back into the light. Easily one of the most singular and important experimental albums of the 1970s that remains as engrossing, creatively riveting, and as ahead of its time today as it was in 1975, this is as exciting as reissues come. Complete with new English translation of their original liner notes, it can’t be missed! Edition of 500 LP on black vinyl. Audiophile pressing. Gatefold cover, including printed inner. Perfect replica of the original packaging (with additional translated liner notes) and newly remastered for optimal sound.** Of all the historic labels associated with experimental music, few have garnered as much affection, or as devoted a following, as the Italian imprint Cramps. Its catalog reads like a who's who of the 1970s musical avant-garde, housing seminal albums by John Cage, Gruppo di Improvvisazione Nuova Consonanza, Giusto Pio, Demetrio Stratos, Juan Hidalgo, Robert Ashley, Walter Marchetti, Cornelius Cardew, Raul Lovisoni / Francesco Messina, Alvin Lucier, Derek Bailey, and so many more, the vast majority of which have remained largely out of print and nearly impossible to obtain for decades. Now, at long last, the Milan based imprint, Dialogo, has begun a stunning series of vinyl reissues from Cramps' Nova Musicha series - dedicated to contemporary avant-garde composers - beginning with Costin Miereanu’s Luna Cinese, originally released in 1975. Fully remastered and housed in a sleeve that beautifully reproduces the album’s signature design, complete with brand a new English translation of the original liner notes, this is a truly historic event. For its impact, Cramps was a relatively short-lived endeavor, running for roughly seven years between 1973 and 1980. Founded in Milan by the producer, publisher, and graphic designer, Gianni Sassi - publisher of counter-cultural magazines like Bit and Frankenstein, and the designer behind numerous covers for Bla Bla, including Franco Battiato's Fetus and Pollution - Cramps was the pitch perfect emblem of revolutionary Italian temperaments of its era; creatively radical, globally minded, without profit motive, and bridging numerous musical idioms, from progressive rock and jazz, to some of the most forward thinking and singular expression of sonic experimentalism the world has ever seen. Of all the seminal figures that recorded for Cramps, the Romanian / French composer, Costin Miereanu, remains among the most distinct and under-appreciated. The reemergence of his debut LP, Luna Cinese, issued by the label in 1975, will likely change that. Over the last decade or so, Miereanu has developed something of a cult following among experimental fans because of his stunning series of albums issued during the 1980s on his own Poly-Art imprint, skirting the border of ambient music and minimalism in highly individual ways. Luna Cinese, which dives into far more explicitly experimental territory, will undoubtedly be a revelation and expose the true underpinnings of the work that would begin to emerge of the next decade and a half. During his early years, Costin Miereanu was something of a wunderkind of avant-garde and experimental music. Born in Bucharest, between 1960 to 1966 he was a student of Alfred Mendelsohn, Dan Constantinescu, and Lazar Octavian Cosma, before moving to Paris where he earned a Doctor of Letters and a Doctor of Musical Semiotics, winning numerous prizes in writing, analysis, music history, esthetics, orchestration, and composition. Between 1967 and 1969 he was a student of Karlheinz Stockhausen, György Ligeti, and Ehrhard Karkoschka at the Internationale Ferienkurse für neue Musik in Darmstadt, laying the final groundwork for a stunning career as both a composer and noted academic over the years since, often combining techniques drawn from Satie with the abstraction of Romanian traditional music into a sonic fabric that is guided by systems associated with Musique concrète. Luna Cinese, issued as the composer's debut LP by Cramps in 1975, is a stunning combination of all these elements. The work - stretching across the album's two sides, consists of continuous low-density repetitions, build from what the composer describes as “the kind of 'woven' silence you find on mountains – occasionally disturbed by irregular and very dense insertions – the kind of intense noise you find in the city.” The result, combining a vast range of environmental sound, voices chattering in various languages, fragments of acoustic instrumentation, and the pulsing and ambiences of synths and electronics, is about as singular and beautiful as experimental works from the 1970s come, while never for a moment sacrificing rigour or tension. A truly stunning, interwoven sonic expanse that lays pregnant with multiple meaning and interpretations - conceived by the composer to illuminate the complex ways in which meaning and narrative are constructed across time - and imbued with surrealism and the 'schizoid', Luna Cinese stands as an entirely distinct and original gesture within the canon of experimental music, displaying a remarkable density, while open, airy, and encouraging the subjectivity of the listener to play an active part. Easily among the best and important works from the original Cramps catalog, but sinfully overlook over the years since its release, Luna Cinese is as good as they come and an absolutely riveting and immersive listen. Issued by Dialogo in this newly remastered vinyl edition - the first since 1975 - with its original liner notes by Miereanu in a brand-new English translation, this one is impossible to recommend enough and will leave the composer ringing in your mind for a long time to come.

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Couleur Trois

Dreams Of Leaving

Release: 1986 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

12" | 1986 | UK | Original (Space Station)

Covergirl

Stay With Me

Release: 1986 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1988 | IT | Original (Cruisin')

Cruisin' Gang

Dance To The Top

Release: 1988 / IT – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1980 | EU | Reissue (Wah Wah)

Cultural Noise

Aphorisms Insane

20,99 €*

Culture Beat Featuring Jo Van Nelsen

Release: 1980 / EU – Reissue

Genre: Electronic & Dance

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The only album by Austrian trio Cultural Noise is a an electronic marvel. Band members were Gerhard Lisy, Walter Heinisch and Karl Kronfeld, and instruments used included an ARP Sequencer, an ARP 2600, a VCS 3, an EMS Digital Sequencer, a Mellotron M400, a Micro Moog, a Roland Studiosystem 700, a Roland Analogue Sequenzer and an electric guitar. With these weapons and a strong influence from the Berlin school Cultural Noise created a rich electronic tapestry which expanded through the two pieces of this record, one per side, being compared by reviewers to works by Zanov or Anna Själv Tredge. Mentions of Tangerine Dream are also present on reviews, although Cultural Noise have a pretty unique personality on their own and besides sharing the use of Mellotron, sequencers and analog synths we have a totally personal concept here which sets them aside from all TD impersonators of the era.

The album was originally released in 1980 on CBS and later repressed in 1981 which came in a B&W version of the sleeve that some sources list as a self release private pressing done by the band themselves - this has been denied by members of Cultural Noise.

We are proud to offer a 500 copies only reissue, housed in its original full colour version artwork.

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Der Erdbeermund

12" | 1989 | DE | Original (CBS Dance Pool)

Release: 1989 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Sticker on cover.

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LP | 1983 | EU | Original (Virgin)

Colour By Numbers

Release: 1983 / EU – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1983 | JP | Original (Virgin)

Colour By Numbers

Release: 1983 / JP – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing, comes with Obi and inserts.

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LP | 1986 | JP | Original (Virgin)

From Luxury To Heartache

Release: 1986 / JP – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Includes OBI and insert.
Small sticker stain on front cover.

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LP | 1983 | EU | Reissue (Virgin)

Kissing To Be Clever

9,99 €*

Release: 1983 / EU – Reissue

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1983 | JP | Original (Virgin)

Time

Release: 1983 / JP – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1987 | EU | Original (Mercury)

Curiosity Killed The Cat

Keep Your Distance

In Menstrual Night Picture Disc Edition

Release: 1987 / EU – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Original inner sleeve included. Small price tag on cover.

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Current 93

12" | 1985 | UK | Reissue (House Of Mythology)

32,99 €*

LP | 1987 | JP | Original (Virgin)

Release: 1985 / UK – Reissue

Genre: Electronic & Dance, Pop

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In Menstrual Night was recorded in 1985 by Current 93, who could never be: David Michael Tibet, Hilmar Örn Hilmarsson, Steven Stapleton, Diana Rogerson, John Balance, Ruby Tathata Wallis, Keiko Yoshida, Rose McDowall and Bee. The album was mixed by Steven Stapleton, and was originally released as a picture disc on United Dairies / Maldoror (ud022/m) in 1985.

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Cutting Crew

Broadcast

24,99 €*

12" | 1983 | US (Fantasy)

Release: 1987 / JP – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing. With OBI and insert. Taped spine.

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Cybotron

Clear

LP | 1983 | EU | Reissue (Epic)

Release: 1983 / US

Genre: Hip Hop, Electronic & Dance

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/ industrial lies

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Cyndi Lauper

She's So Unusual

LP | 1983 | US | Original (Portrait)

Release: 1983 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Includes original inner sleeve.

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Cyndi Lauper

She's So Unusual

Release: 1983 / US – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG+

12" | 1987 | DE | Original (BCM)

Cyré

Last Chance

Release: 1987 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1989 | IT | Reissue (Autum)

D.F.X.

Relax Your Body

9,99 €*

Violent Cop (Original Soundtrack)

Release: 1989 / IT – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Limited edition 2016 reissue.

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Daisaku Kume

LP | 1989 | EU | Reissue (WRWTFWW)

26,99 €*

LP | 1987 | EU | Reissue (Orbeatize)

Release: 1989 / EU – Reissue

Genre: Electronic & Dance

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Wrwtfww Records is thrilled to announce the official reissue of Daisaku Kume's original soundtrack for the highly acclaimed 1989 Japanese crime/drama movie Violent Cop. Available for the first time outside of Japan, the album comes in a limited edition of 500 copies worldwide with a 45 rpm cut providing full audio pleasure and an iconic record sleeve featuring the movie director and star: the one and only "Beat" Takeshi Kitano!

Violent Cop marks Kitano's directorial debut - a gritty neo-noir in which he stars as a rogue detective fighting a sadistic crime syndicate, only to discover widespread internal corruption in the police force. Poetic, minimalistic, with a superb balance between small soothing moments of beauty and vertiginous sudden violence, the film spearheaded a superb international career for the multi-talented filmmaker, actor, and comedian, which includes works such as Sonatine, Hana-Bi, and Battle Royale. The release of the soundtrack on vinyl presents an excellent opportunity for fans to explore the musical underpinnings of one of Kitano's earliest creations. Daisaku Kume, known for his work as the keyboardist for late 70s fusion bands T-Square and Prism, showcases versatile musical prowess on the soundtrack, taking listeners on a sonic journey through a blend of genres including magnificent Erik Satie re-interpretations, melancholic smooth jazz sometimes reminiscent of Taxi Driver, ambient-classical, and modern Western atmospherics. It's the perfect setting for Kitano's stoic but tormented lonesome urban cowboy character. Raw power mixed with timeless elegance.

Violent Cop (Original Soundtrack) by Daisaku Kume follows the recent release of the soundtrack from another groundbreaking Japanese movie, Shin'ya Tsukamoto's Tokyo Fist (1995), with music by industrial visionaries Chu Ishikawa & Der Eisenrost, also currently available on Wrwtfww Records.

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Dana Andrew Rath

Impressions Of The City

17,99 €*

7" | 1986 | EU | Original (Amber)

Release: 1987 / EU – Reissue

Genre: Electronic & Dance

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From ("Xisle" member) Rath's private archive. Originally released in 1987 only on tape cassette format, remixed in Oct. 2019 by Mr. Rath and remastered in Jan. 2020 by himself with the collaboration of sound engineer Andreas Merlini.

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Dance Speak

Release: 1986 / EU – Original

Genre: Electronic & Dance

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LP | 1982 | JP | Original (Woorell)

Daniel Sahuleka

Sunbeam

LP | 1975 | EU | Reissue (Vinyl Magic)

Release: 1982 / JP – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

No obi.

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Daniela Casa

America Giovane N. 2

28,99 €*

Attack Of The Killer Robots

Release: 1975 / EU – Reissue

Genre: Electronic & Dance

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At the end of the '60s in Italy - but also abroad, especially in France and England - a very particular trend began to spread, that one known as 'Library music' or 'sonorization': as suggested by its name, those were real music libraries intended for the accompaniment of audiovisual productions such as television programs, advertisements, documentaries and films. Since they were created in total artistic freedom condition, they are often difficult if not impossible to catalog, as they're not anchored to a specific musical genre; this freedom also allowed the authors to compose, sometimes in the most complete anonymity, experimental and avant-garde music, capable of anticipating the sounds that only many years later would have been widespread on a larger scale. Daniela Casa (1944 - 1986) was a singer and composer, wife of another library music artist, Remigio Ducros, who wrote "America Giovane" (Young America), an LP that ideally precedes this second chapter. Originally released in 1975, "America Giovane N. 2" is today - like almost the entire Edizioni Leonardi catalog - extremely rare and among the most sought-after by collectors. Musically, it shares with the aforementioned "America Giovane" a remarkable stylistic variety: from folk to psychedelia, from funk to rhythm 'n blues but, unlike the first volume, on this record there's a more or less evident jazz aura ("Fix" and "Soft Bird" are practically two short free-jazz excursions!) that makes it even more interesting and unique. "America Giovane N. 2" is part of a reissues series, made in collaboration with Edizioni Leonardi (Milan, Italy), of extremely rare library music LP's published between late '60s and early '70s, most of which have never been released again until today, and that are finally made available again for collectors and sonorization music lovers. First official reissue ever on black vinyl.

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Danish Sky

12" | 1986 | US | Original (Maximum Management)

Release: 1986 / US – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

I Can't Go For That (No Can Do)

Daryl Hall & John Oates

7" | 1982 | JP | Original (RCA)

Release: 1982 / JP – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 1985 | DE | Original (Sire)

Data

Elegant Machinery

9,99 €*

Release: 1985 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

David Bowie / Pat Metheny Group

This Is Not America (Theme From The Original Motion Picture, The Falcon And The Snowman)

12" | 1985 | EU | Original (EMI America)

LP | 1982 | JP | Original (Victor)

Release: 1985 / EU – Original

Genre: Electronic & Dance, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG

Copy closer to VG+

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David Christie

Back In Control

Release: 1982 / JP – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1976 | US | Reissue (Superior Viaduct)

David Cunningham

Grey Scale

23,99 €*

David Grant & Jaki Graham

Release: 1976 / US – Reissue

Genre: Electronic & Dance

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David Cunningham was born in Ireland in 1954. His work ranges from pop music to gallery installations including several collaborations with visual artists. His first significant commercial success came with The Flying Lizards' single "Money," an international hit in 1979. Originally released in 1976, Cunningham's first solo album Grey Scale has become a landmark statement of DIY minimalist composition – continuing in the vein of the wild explosion of arthouse experimentation from the early '70s. Cunningham, then a student at the Maidstone College of Art in Kent, drafted fellow student non-musicians and (using whatever instruments available) crafted an endlessly shifting sonic palette with an improvisor's keen sensitivity to space, texture and tone. As Cunningham states in the liner notes, his approach was to "pursue something (which may appear trivial or meaningless) so rigorously or relentlessly to the point that it reveals something new." Cunningham was influenced by live performances he was attending at the time by English composers Cornelius Cardew, Gavin Bryars and Michael Nyman as well as free improvisors Evan Parker, Derek Bailey, David Toop and Paul Burwell. The inaugural release on Cunningham's own Piano label, Grey Scale was indeed "something new" in 1976. The artist quickly integrated his experimental sensibilities to produce art-rock pioneers This Heat, whose debut appeared on Piano in 1979. His popular success performing as The Flying Lizards (with two electro-punk albums on Virgin during the New Wave era) was presaged by this seminal work of fascinating sound collage and tonal freedom. First-time reissue.

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Could It Be I'm Falling In Love (Extended Version)

12" | 1985 | UK | Original (Chrysalis)

Release: 1985 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1989 | UK | Original (4th & Broadway)

David Grant

Life

David Javelosa & Baby Buddha

Release: 1989 / UK – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Vinyl with a couple of light scuffs

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Everyone Is My Age

LP | 1987 | US | Reissue (Dark Entries)

19,99 €*

LP | 1982 | US | Original (Elektra Musician)

Release: 1987 / US – Reissue

Genre: Electronic & Dance

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Baby Buddha is the experimental new wave duo of Charles Hornaday (vocals, guitar, electronics, drums) and David Javelosa (vocals, electronics, clarinet). Born from late night improvisations of San Francisco synth-punks Los Microwaves with a rotating cast of musicians. Live shows would include music, projections, dance and performance art in both clubs and gallery spaces. In 1980, Howie Klein's 415 Records released their first single of Tammy Wynette's “Stand By Your Man”. In 1981, ‘Music For Teenage Sex’ was their first full length album released via Poshboy Records. It featured Los Microwaves’ Meg Brazill, Poshboy boss Robbie Fields, and Kathy Peck as "Tammy Why-not", who later went on to found H.E.A.R (Hearing Education and Awareness for Rockers). In January 1983 Kathy, Charles and David went into the studio with a couple of Kathy's original “country” songs and began working on a sophomore album. They also incorporated songs from a live multi-track recording of a concert at the Graffiti Club on June 6th 1984. The album titled ’Everyone Is My Age’ sat unreleased until 1987 due to relocation to Los Angeles and eventually found a home on David’s Hyperspace Communications, the original label for the first Los Microwaves singles. For this first time reissue we’ve added a previously unreleased bonus song “What’s Going On,” a Kathy Peck original. All songs have been remastered by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in the original jacket featuring a collage by David Javelosa and includes an insert with lyrics, photos and liner notes.

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David Sancious

The Bridge

LP | 1982 | US | Original (Elektra Musician)

Release: 1982 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

saw cut

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David Sancious

The Bridge

5,99 €*

LP | 1978 | EU | Reissue (Dialogo/Cramps)

Release: 1982 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Promo copy.

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David Tudor

Microphone

25,99 €*

12" | 1985 | EU | Reissue (Mental Experience)

Release: 1978 / EU – Reissue

Genre: Electronic & Dance

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David Eugene Tudor (1926 – 1996) was an American pianist and composer of experimental music. He eventually became one of the leading performers of avant-garde piano music, giving first or early performances of works by Pierre Boulez, Morton Feldman, Karlheinz Stockhausen, Christian Wolff, La Monte Young and many others. Tudor is particularly associated with John Cage, who wrote a number of compositions for him. His solo record “Microphone” was originally released on the Italian Cramps Records label as the 16th volume of the Nova Musicha series dedicated to contemporary avant-garde composers, “Microphone” is now made available again on Dialogo in a faithful reproduction of the original gatefold cover artwork, including also an inner sleeve with the English translation of the liner notes. From the original liner notes of “Microphone”: David Tudor was born in Philadelphia in 1926.He studied organ and theory with H. William Hawke, piano with Irma Wolpe Rademacher, analysis and composition with Stefan Wolpe. He began his concert activity as an organist. He has been known as the most important avant-garde pianist since the day he performed, to great acclaim, the American debut of Pierre Boulez’s Deuxieme Sonate pour Piano (1950), and subsequently introduced the works of Earle Brown, Sylvano Bussotti, John Cage, Morton Feldman, Karlheinz Stockhausen and Christian Wolff to a larger audience. At the beginning of the 1960s, he and Cage switched to live electronic music as opposed to music performed in the studio. As a composer, Tudor relies on technological tools that are both flexible and complex: he uses mostly modular electronic devices, many of which he built himself. His method requires the choice of specific electronic components and transducers, whose interconnections define both composition and performance. The sound materials he employs unfold through broad movements in time and space, with many of his compositions associated with visual sources: light systems, dance, television, theatre, film or 4-colour laser projections. The only source of Microphone’s sound is the modulation of a microphone feedback produced in a distant echo chamber. The incidence and duration of the sounds are produced by the action of extremely close (narrow band) peak/notch filters (used in both modes), inserted into the lead signal. Each of the 9 versions is performed by the composer and simultaneously recorded on four tracks. Then the four tracks are spliced onto two, using a pan-matrix. The final product is a library of 9 stereo tapes, each about 32 min. long, which can be used in any combination, for live performances or for electronic installations. In these performances the tapes are played and stopped at any point, rewound and played again, altered in amplitude and/or equalisation, rotated on any given channel, etc., at will, for any period of time. A live performance of Microphone (for instance without tapes) can be achieved by employing (a minimum of 4) performers using duplication systems, each one with 2 speakers. This 1973 instantiation of Microphone covers a work originally conceived for the Pepsi Pavilion of Expo ‘70, in Osaka, Japan. Conceptually, the original work derives from discoveries made through the composer’s collaboration in the design of the Pavilion’s acoustic system. Sound diffusion was achieved through the use of 37 loudspeakers placed in a rhomboid grid system covering 3/4 of the sphere. The original tapes for Microphone were recorded in May 1973, at the Mills College Centre

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Days Of Sorrow

Remembering The Days

12" | 1986 | US | Original (Atlantic)

Release: 1985 / EU – Reissue

Genre: Electronic & Dance

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First ever vinyl reissue of this sought-after POST-PUNK / COLD WAVE / MINIMAL SYNTH 12” from 1984, Germany. Days Of Sorrow formed in Dortmund in 1981 by a bunch of school friends influenced by the Post-Punk / New Wave scene. They were William Lennox (vocals, keyboard) André Schreiber (bass), Wolfram Huber (guitar) and Nicolai Sabotka (drums). Soon after, John Tollhaus, who ran a tiny record label (Tollhaus Records), discovered them at one of their rehearsals and impressed from what he heard and saw, helped the band to release their first 12”. “Remembering The Days” saw the light in 1984 and featured four excellent tracks: “Wild World”, “War”, “Travel” and “Don’t Leave Me Drowning”. A perfect mix of post-punk and minimal synth / cold wave. Dark and powerful sound with distorted guitar, minimal synths, drum machines, cold vocals…No wonder this is one of the most sought after minimal synth 12” from the 80s Euro scene. In 1985, Days Of Sorrow signed a deal with Rough Trade and after some line-up changes and a couple of releases, the band split up just before a scheduled Spanish tour.

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Debbie Gibson

Only In My Dreams

Release: 1986 / US – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

12" | 1987 | EU | Original (Atlantic)

Debbie Gibson

Shake Your Love

Release: 1987 / EU – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1987 | EU | Original (Atlantic)

Debbie Gibson

Shake Your Love

Release: 1987 / EU – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

High On Your Love / Hot Hot (Give It All You Got)

Debbie Jacobs

12" | 1979 | NL | Original (MCA)

23,99 €*

Release: 1979 / NL – Original

Genre: Organic Grooves, Electronic & Dance

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Medium: VG, Cover: VG

12" | 1980 | DE | Original (CBS)

Debbie Neon

American Nightmare

Once More Into The Bleach

Release: 1980 / DE – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG+

Price tag.

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Deborah Harry / Blondie

2LP | 1988 | US | Original (Chrysalis)

42,49 €* 49,99 € -15%

12" | 1989 | US | Original (Sire)

Release: 1988 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Cover with saw cut, close to VG+

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Deborah Harry

Sweet And Low

Release: 1989 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Holle Holle (Indian Acid Trip And Alright In Raj's House Versions)

Deepak And Khan

12" | 1988 | UK | Original (Circa)

3,79 €* 3,99 € -5%

Release: 1988 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1988 | EU | Reissue (Thank You)

Degrees Of Freedom

China

Release: 1988 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

12" | 1988 | EU | Reissue (Thank You)

Degrees Of Freedom

China

That's Where You'll Find Me

Release: 1988 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Degrees of Freedom is a Canadian musical group founded in 1984 in Montreal by Janet Cadman (vocals and percussion), Martin Chartrand (bass, guitar, rhythm programming and vocals) and David Curtis (keyboards, vocals, and percussion). Established as a 5-piece New Wave cover band, Degrees of Freedom evolved into its classic quartet configuration following the departure of the original guitarist and drummer, and the subsequent enlistment of Santino Mastrocola on drums. With this lineup change came a new musical mission: the writing, recording and live presentation of original material only. Since Santino's withdrawal from the band in 1988, Degrees of Freedom has carried on as a trio in the studio while augmenting concert performances with additional musicians.

In February 1985, Degrees of Freedom performed at the newly formed S.O.S. (Save Our Songwriters) Club in Montreal. Like other participants in the S.O.S. project, Degrees of Freedom was rewarded with studio time to record some of its own songs. One of these, "August is an Angel" was selected to close out the locally produced 1985 band anthology album "Listen - A Faze Compilation of Montreal Music." The next year, a new track "In This Room," was included in the follow-up release "Listen 2." Both songs, with four newly recorded works, were issued in 1988 as Degrees of Freedom's eponymous sole vinyl release, informally known as the “China” album.

In 2015, the music of Degrees of Freedom experienced a renaissance thanks to a new generation of club DJs, traditional and internet-based radio hosts, vinyl disc collectors, and other aficionados of synth-based music. Local and international recognition has come in the form of record sales to fans in Canada as well as in the USA, Germany, Scotland, England, Ireland, Belgium, The Netherlands, France, Spain, Lithuania, Sweden, Bulgaria, Australia, Vietnam, and Japan. Responding to the resurgence of interest, Degrees of Freedom has twice re-issued the disc (2017 and 2019). Today, with eyes on the future and the past, Janet, Martin and David continue to collaborate on new material including the songs, "Metal Flesh" and "Be This Way" both accessible on the band's YouTube channel.

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Déjà

12" | 1987 | US | Original (Virgin)

Release: 1987 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

7" | 1980 | UK | Original (Rough Trade)

Delta 5

Anticipation / You

13,99 €*

12" | 1985 | EU | Original (Baby)

Release: 1980 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Sleeve has small tear at opening.

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Den Harrow

Future Brain

Release: 1985 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

12" | 1985 | US | Original (Comeny-Records)

Depro Art

Ghettolife

Release: 1985 / US – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: Generic

LP | 1988 | US | Original (Motown)

Desiree Coleman

Desiree

Release: 1988 / US – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Volkskunst Aus Dem Knabengebirge

Detlef Diederichsen

LP | 1982 | DE | Original (Konkurrenz Schallplatten)

LP | 1979 | DE | Reissue (Kuckuck)

Release: 1982 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Original inner sleeve included.

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Deuter

Ecstasy

Release: 1979 / DE – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1973 | EU | Reissue (Black Sweat)

Deuter

OST Princess Of Dawn

LP | 1983 | EU | Reissue (Our Swimmer)

Release: 1973 / EU – Reissue

Genre: Electronic & Dance

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New Lp-edition of an obscure un-released library of the early ‘70s.
Together with Florian Fricke, Peter Michael Hamel and Stephan Micus, Deuter is certainly the main responsible of a fruitful encounter between European sensibility and Eastern aesthetics in the German music of the 1970s. Soundtrack was originally produced by Kuckuck in 1973 not for an official and public release, but as a “library” to be used for films, TV and radio. As a library it respects the canonical and typological structure of the genre with 26 short sonic fragments, sequences imagined and conceived like fulminating illuminations. There's still a solid electronic vocation that, however, has put aside the most disruptive effluvia of D (1971) of pure “kraut” ancestry. In fact, the album is more like an ideal passing bridge between some ritual instances of the previous Aum (1972) and the following successful phase of Deuter during the period when he stays in the Bhagwan Shree Rajneesh's ashram in Poona realizing, in parallel to a renewed inner life, masterpieces like Celebration, Haleakala, Ecstasy and Silence is the Answer. Musically speaking, Soundtrack presents itself as a heterogeneous work with nocturnal, cinematic, galactic and atmospheric-environmental implications. Electronics remains the predominant factor but can vary from mantra drones of more ceremonial and meditative “space-relax” tones of some tracks (Triad, Deep Sea, Gothic Velvet or Evening) to the most amused formulations of pulsating analog synths that in the hands of Deuter become “toy-equipement” to modulate and explore (Desert Rock, Synth Effect, Flea Dance or Laser). There is no lack of acoustic moments more ethnically inspired with Arabian and Indian (Reed, Arabia) or devotionally solar themes (Tom Bombaddils Dance), so evoking an air of diffuse peace then completely conquered in the beloved India.

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Deux Filles

Double Happiness

24,99 €*

LP | 1983 | JP | Original (Canyon International)

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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Deux Filles was not, in fact, two girls despite what the group name and its elaborate hoax of a backstory suggest. No, they were not Gemini Forque and Claudine Coule, French women who met as teenagers under tragic circumstances and became fast friends, recording two albums together before disappearing into the ether. In reality, Deux Filles was Simon Fisher Turner and Colin Lloyd Tucker, a UK duo who first worked together in an early incarnation of The The.

Straddling the line between experimental and pop, Turner was an actor and teen singing star who later composed soundtracks for the iconic queer filmmaker Derek Jarman while Tucker’s career began as an engineer for the famed UK library music studio, De Wolfe, before forming experimental wave group The Gadgets. In Deux Filles, the duo found an outlet for their least commercial tendencies, combining lo-fi proto-dream-pop instrumentals with samples, tape experiments, ambient textures, and drum machines. Even in the vibrant, seemingly endless well of UK DIY, Deux Filles stand out.

Double Happiness is the duo’s second album, originally released in 1983 on their own imprint, Papier Maché. Full of meandering guitar and with a more ominous tone than the debut, the album is recommended for fans of Durutti Column and Thomas Leer & Robert Rental’s The Bridge.

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Dial M

Dial-M

Release: 1983 / JP – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1986 | EU | Reissue (Intravenal Sound Operatio)

Diamanda Galás

The Divine Punishment

34,99 €*