Electronic & Dance Vinyl 1536 Items

Release: 1987 / EU – Reissue

Genre: Electronic & Dance, Pop

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Opus Dei Remastered Edition

Laibach

LP | 1987 | UK | Original (Mute)

28,99 €*

Release: 1987 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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12" | 1988 | EU | Reissue (I.D. Limited)

Beachfront

Once In A Lifetime

17,99 €*

Release: 1988 / EU – Reissue

Genre: Electronic & Dance

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LP | 1982 | EU | Reissue (Dead Mind)

Enno Velthuys

Ontmoeting

27,54 €* 28,99 € -5%

Oh Nandu, What We've Done! Black Vinyl Edition

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Ontmoeting (Encounter) from 1982 marks the beginning of the published audio works of Enno Velthuys. When Rob Smit of Kubus Kassettes first visited Enno to discuss the possibilities of releasing a cassette, he was open to the idea and gave Smit access to his tape archive of recorded tracks to cherry pick his favorite pieces. Initially Enno felt the selection didn’t do justice to his broader musical spectrum, that also included more rhythm orientated guitar pieces, but in hindsight it probably gave him a new sense of direction. On this album, a mixture of spacious ambient and synth-leaden music, we hear Enno in transition. Experimenting, searching for his own voice. Some pieces are reminiscent of a classic dungeon explorer game while others have a more surreal, cinematic feel. Although 40 years old, Ontmoeting still sounds incredibly fresh today and stands as a pivotal ambient release from the early 80’s. 400 copies on black vinyl. Comes with a download card.

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Zenamon

12" | 1984 | EU | Reissue (Private)

19,99 €*

LP | 1988 | US | Reissue (Tommy Boy)

Release: 1984 / EU – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Blue vinyl.

Cult vintage electronic/balearic 12“ Maxi Single by Jaime M. Zenamon from 1984. Featurng „Udo Hanten“ from the cult Krautrock band „YOU“. Dubbed from the original analog tapes (thanks to Udo Hanten!) 24 bit remastered audiophile pressing!

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Information Society

29,99 €*

Release: 1988 / US – Reissue

Genre: Electronic & Dance

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My Life With The Thrill Kill Kult I

See Good Spirits... Black Vinyl Edition

LP | 1988 | US | Reissue (Wax Trax!)

29,99 €*

Release: 1988 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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2LP | 1974 | EU | Reissue (Week-End)

Fred Frith

Guitar Solos / Fifty

42,99 €*

Violent Cop (Original Soundtrack)

Release: 1974 / EU – Reissue

Genre: Electronic & Dance

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Guitar Solos is the debut solo album of British guitarist, composer, and improviser Fred Frith. It was recorded while Frith was still a member of the English experimental rock group Henry Cow and was released originally in October 1974. Voted one of the best albums of 1974 by NME critics it also attracted the attention of Brian Eno, resulting in Frith playing guitar on two of Eno‘s albums. Frith‘s never tiring spirit in creating and performing music has made him one of the most notable and creative guitar players and musicians in the scene of improvised and composed music. For the anniversary of this release we have encouraged Frith to arrange a set up similar to what he used 50 years ago to record an album of new compositions which will accompany the original record.

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Daisaku Kume

LP | 1989 | EU | Reissue (WRWTFWW)

Soundscape 1: Surround Black Vinyl Edition

Release: 1989 / EU – Reissue

Genre: Electronic & Dance

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Wrwtfww Records is thrilled to announce the official reissue of Daisaku Kume's original soundtrack for the highly acclaimed 1989 Japanese crime/drama movie Violent Cop. Available for the first time outside of Japan, the album comes in a limited edition of 500 copies worldwide with a 45 rpm cut providing full audio pleasure and an iconic record sleeve featuring the movie director and star: the one and only "Beat" Takeshi Kitano!

Violent Cop marks Kitano's directorial debut - a gritty neo-noir in which he stars as a rogue detective fighting a sadistic crime syndicate, only to discover widespread internal corruption in the police force. Poetic, minimalistic, with a superb balance between small soothing moments of beauty and vertiginous sudden violence, the film spearheaded a superb international career for the multi-talented filmmaker, actor, and comedian, which includes works such as Sonatine, Hana-Bi, and Battle Royale. The release of the soundtrack on vinyl presents an excellent opportunity for fans to explore the musical underpinnings of one of Kitano's earliest creations. Daisaku Kume, known for his work as the keyboardist for late 70s fusion bands T-Square and Prism, showcases versatile musical prowess on the soundtrack, taking listeners on a sonic journey through a blend of genres including magnificent Erik Satie re-interpretations, melancholic smooth jazz sometimes reminiscent of Taxi Driver, ambient-classical, and modern Western atmospherics. It's the perfect setting for Kitano's stoic but tormented lonesome urban cowboy character. Raw power mixed with timeless elegance.

Violent Cop (Original Soundtrack) by Daisaku Kume follows the recent release of the soundtrack from another groundbreaking Japanese movie, Shin'ya Tsukamoto's Tokyo Fist (1995), with music by industrial visionaries Chu Ishikawa & Der Eisenrost, also currently available on Wrwtfww Records.

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Hiroshi Yoshimura

LP | 1986 | US | Reissue (Temporal Drift)

47,99 €*

Soundscape 1: Surround Blue Vinyl Edition

Release: 1986 / US – Reissue

Genre: Electronic & Dance

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* First-ever official reissue of the pioneering 1986 ambient work * Produced in full cooperation with Hiroshi Yoshimura’s estate * New liner notes by original album producer Hiroyoshi Shiokawa * Includes Yoshimura’s original notes in Japanese & English * Remastering and lacquer cutting by John Baldwin * Vinyl pressed at Gotta Groove Records "If Surround can be listened to as music that’s asclose to air itself, allowing us to enter each listener’s sound scenery, or assomething that exists within a new perspective, expanding the middle groundbetween sound and music, and transforming it into a comfortable space, it wouldbe much appreciated.— Hiroshi YoshimuraTemporal Drift proudly presents the long-awaited, first-everreissue of Surround, Hiroshi Yoshimura’s sought-after ambient classic. Originally released as an album in January 1986, Surroundwas recorded by Yoshimura as a commission from home builder Misawa Homes,intended to function as an “amenity” designed to enhance the company’s newlybuilt living spaces. A pioneer in the field of environmental music, Yoshimura’sprevious works included Music For Nine Post Cards (1982), originally producedto be played back inside a museum space, and designing sound environments forpublic spaces and subway systems. Surround was recorded almost concurrentlywith the acclaimed and popular Green (1986); the two albums are described byHiroyoshi Shiokawa in his liner notes as being Yoshimura’s yin and yang. In his original notes for the album, Yoshimura recommendsthat Surround be placed in the same family of sounds “as the vibration offootsteps, the hum of an air conditioner, or the clanging of a spoon inside acoffee cup.” And, as he suggests, “with the addition of city noise from outsidethe window,” you may hear Surround in a completely new way."

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Hiroshi Yoshimura

LP | 1986 | US | Reissue (Temporal Drift)

51,99 €*

Impulsi Di Sesso Black Vinyl Edition

Release: 1986 / US – Reissue

Genre: Electronic & Dance

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Moana Pozzi

LP | 1989 | EU | Reissue (Cinedelic)

28,99 €*

LP | 1982 | JP | Original (RCA)

Release: 1989 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Moana Pozzi in the late 1980s, following in the footsteps of her illustrious colleague Ilona Staller/Cicciolina, made her official singing debut by recording several songs arranged and produced by Jayhorus. The music ended up in several of her films as well as being performed in her hot live shows.

Discographically at the time only a few tracks were released on 7″ and 12″ singles that are now cult collector’s items for fetishists and weird DJs.

At last, Cinedelic has gotten their hands on the original masters, unearthing some unreleased ones as well, producing a luxurious gatefold LP.

Thus we find persuasive, nocturnal and mischievous tracks in perfect nightclub style such as “Amore Tossico”, “Autostop”, “Ultima Notte” and “La Gabbia” side by side with more Dance tracks such as his main hit “Supermacho”, the Dance-Rock “Impulsi Di Sesso” and “Gate One (Aeroplano Telecomandato)” and the Funky “Rocky.”

Unmissable!

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Daryl Hall & John Oates

H₂O

13,99 €*

LP | 1981 | JP | Original (EMI)

Release: 1982 / JP – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with obi.

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Olivia Newton-John

Physical

9,99 €*

LP | 1976 | Reissue (Be With)

Release: 1981 / JP – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

No obi. close to NM

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Michel Gonet

Phasing News Volume 1

Disco Jazz Rainbow Vinyl Edition

Release: 1976 / Reissue

Genre: Electronic & Dance

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European funk fusion of the highest order, Michel Gonet's Phasing News Volume 1 is the essential companion piece to the venerated Volume 2. It's truly a library treasure that every home must own. As Tele Music themselves said, it contains "tense and mysterious underscores in a range of styles"; whilst we don't disagree, we'd add swaggering, orchestral drama-funk-jazz-breaks. Vital.

Opener "Moon To Light (Number II) - A" is a total wonder. It's incredible, and what a way to begin a record. The percussion is electrifying, complimenting the dark, heavy piano, eerie organ work, electric guitar soling and rhythm section brilliance. Part B is virtually identical but without the electric guitar. The slow "Soul Cathedral (Number II) - A" is an ambient spacey synth gem which is both beatless and drenched in phased organ. Pretty captivating. Part B plays it rather straighter, a church organ continuing the same melody and tempo but with less of the swirling synthy effects.

"Light In The Rains (Number II) - A" sounds like something Diamond D would've sampled in the mid-to-late 90s, conjuring as it does that peculiar, creeping Axelrod-funk, all eerie electric guitar and organ, bass and spacey effects. Part B loses the electric guitar and adds brass.

The swirling, dramatic "Mondial Scoop (Number II)" has that urgent News At Ten feel with its prominent timpani drums whilst "Mecanic Bird Song" is a frenetic, abstract track with disorientating keyboard interplay.

*Total highlight* "Mephisto Jet (Number II) - A" rides a slick, proto-hip-hop beat with melodic, warm Rhodes yet, thrillingly, casually ups the drama with strings and timpanis. It then returns to its more mellow state. Ace. Part B adds acidy, phased percussion to create a more hypnotic, tripped out feel to proceedings. Part C is half as long but, pared back to just drums and Rhodes, it's arguably twice-as-nice.

To close, the shuffling, bell-laced urgent jazz of "Phasing News - A" is another highlight, riding a great bassline and augmented by ace drums, organ and electric guitar. Part B is also great, removing the guitar and doubling down on the head-nod funk.

The audio for Phasing News Volume 1 has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic Tele Music house sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.

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Rupa

LP | 1982 | US | Reissue (Numero Group)

Only One Night Coloured Vinyl

Release: 1982 / US – Reissue

Genre: Electronic & Dance

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Rainbow VinylBarely disco and hardly jazz, Rupa Biswas'1982 LP is the halfway point betweenBollywood and Balearic. Tracked in Calgary'sLiving Room Studios with a crack team ofIndian and Canadian studio rats alike, DiscoJazz is a perfect fusion of East and West. Sarodand synthesizer intricately weave aroundone another for 37 transcendent minutes,culminating in the viral hit "Aaj Shanibar."Remastered from original analogue sourcematerial and issued with permission andblessing of the producers and performers.

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The Hurricanes

12" | 1988 | EU | Reissue (ZYX Music)

Release: 1988 / EU – Reissue

Genre: Electronic & Dance

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12" | 1988 | EU | Reissue (Thank You)

Degrees Of Freedom

China

22,99 €*

Dogs Blood Rising Picture Disc Edition

Release: 1988 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Degrees of Freedom is a Canadian musical group founded in 1984 in Montreal by Janet Cadman (vocals and percussion), Martin Chartrand (bass, guitar, rhythm programming and vocals) and David Curtis (keyboards, vocals, and percussion). Established as a 5-piece New Wave cover band, Degrees of Freedom evolved into its classic quartet configuration following the departure of the original guitarist and drummer, and the subsequent enlistment of Santino Mastrocola on drums. With this lineup change came a new musical mission: the writing, recording and live presentation of original material only. Since Santino's withdrawal from the band in 1988, Degrees of Freedom has carried on as a trio in the studio while augmenting concert performances with additional musicians.

In February 1985, Degrees of Freedom performed at the newly formed S.O.S. (Save Our Songwriters) Club in Montreal. Like other participants in the S.O.S. project, Degrees of Freedom was rewarded with studio time to record some of its own songs. One of these, "August is an Angel" was selected to close out the locally produced 1985 band anthology album "Listen - A Faze Compilation of Montreal Music." The next year, a new track "In This Room," was included in the follow-up release "Listen 2." Both songs, with four newly recorded works, were issued in 1988 as Degrees of Freedom's eponymous sole vinyl release, informally known as the “China” album.

In 2015, the music of Degrees of Freedom experienced a renaissance thanks to a new generation of club DJs, traditional and internet-based radio hosts, vinyl disc collectors, and other aficionados of synth-based music. Local and international recognition has come in the form of record sales to fans in Canada as well as in the USA, Germany, Scotland, England, Ireland, Belgium, The Netherlands, France, Spain, Lithuania, Sweden, Bulgaria, Australia, Vietnam, and Japan. Responding to the resurgence of interest, Degrees of Freedom has twice re-issued the disc (2017 and 2019). Today, with eyes on the future and the past, Janet, Martin and David continue to collaborate on new material including the songs, "Metal Flesh" and "Be This Way" both accessible on the band's YouTube channel.

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Current 93

LP | 1984 | US | Reissue (Cashens Gap)

36,99 €*

Release: 1984 / US – Reissue

Genre: Electronic & Dance

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Chocolate Milk Colored Vinyl Edition

Chocolate Milk

LP | 1976 | EU | Reissue (Music On Vinyl)

31,99 €*

Release: 1976 / EU – Reissue

Genre: Electronic & Dance

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Endless Riddance Black Vinyl Edition

Front 242

12" | 1987 | US | Reissue (Wax Trax!)

LP | 1983 (Kam Loon & Mig)

Release: 1987 / US – Reissue

Genre: Electronic & Dance

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This is the one that started the long relationship between WAX Trax! and Front 242. Endless Riddance was the fourth release from WAX Trax! in 1984 and we are very excited to offer this 12" vinyl reissue on its 40th anniversary!

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Duran Duran

Live At Odeon

49,99 €*

Release: 1983

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: Generic

Live in N.Y. City Nov. 1984

Duran Duran

LP | 1984 | FR (Confortable Records)

69,99 €*

Release: 1984 / FR

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Stardom Groove Featuring Tonya Wynne

It's Too Late (For Love)

12" | 1986 | US | Original (New York Groove)

Release: 1986 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

LP | 1976 | Reissue (Mr Bongo)

Asha Puthli

Devil Is Loose

25,99 €*

Release: 1976 / Reissue

Genre: Electronic & Dance

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12" | 1989 | EU | Reissue (Thank You)

Ace Buzz

Moskitos

18,99 €*

Jack Trax - The Second Album

Release: 1989 / EU – Reissue

Genre: Electronic & Dance

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Ace Buzz is one of the various projects of Tony Baron and Gery Francois (the minds behind projects like "Teknokrat's" and others that would found their output on labels like Carrere). Potentially naive for some, but surely playful and raw, an exquisite example of the sound of Belgian "New Beat". Void of the usual aggressive temper known to the genre, "Moskitos" comes in with a slight juxtaposition of Balearic accents in the form of those classic, very simple, piano chords we might have heard enough of. The samples employed invoke the image of someone in a cheap hotel room in Ibiza without AC trying to kill the airborne vermin celebrated in the title while hallucinating from an August drug infused heatwave, who knows. On the B-side, things slow down into a deeper more serious mood, "Nuevo Mondo" departs from the usual New Beat potency into something a bit more digestible to the ear in a rather unique way, followed by a Remix that sounds more like a complete facelift of a cover version by studio maestro Anatolian Weapons.

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V.A.

LP | 1987 | UK | Original (Jack Trax)

Release: 1987 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: G+, Cover: G+

LP | 1989 | US | Original (Virgin)

Neneh Cherry

Raw Like Sushi

14,99 €*

Release: 1989 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1986 | BR | Reissue (Discos Nada)

D-Day

Grape Iris

29,99 €*

12" | 1988 | DE | Original (Parlophone)

Release: 1986 / BR – Reissue

Genre: Electronic & Dance

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Originally released as a picture disc in 1986, this is D-Day’s first LP, presenting a beautiful mix of Minimal Synth, New Wave, and Bossa Nova. The band was formed in October 1982 and became well-known in the Japanese indie scene. They spent over 200 hours in the studio for recording. At that time, even for major label bands, it didn't take that much time to record an album. However, as D-day was not a major label band, they were free to craft their own narrative. Thus, they had a lot of time to experiment with their dreamy melodies, whisper-like vocals, programmed beats, swirling guitars. First-ever vinyl reissue of this Japanese masterpiece. Remastered from the original tapes, it includes a replica of the original insert, and a poster with a beautiful photo and in the other side translated lyrics and an extensive text by Chihiro Yoshikawa.

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Brother Beyond

He Ain't No Competition

2,74 €* 4,99 € -45%

Release: 1988 / DE – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1987 | US | Original (Wow!)

Havana

Satisfy My Desire

12" | 1987 | UK | Original (Transglobal)

Release: 1987 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Label cover.

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Taffy

Step By Step

2,19 €* 3,99 € -45%

Release: 1987 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Musiques Pour Garcons Et Filles + Inedits

Video-Aventures

2LP | 1981 | EU | Reissue (Souffle Continu)

34,99 €*

12" | 1988 | ES | Original (Splash)

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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After the experience of Camizole, Dominique Grimaud began a new adventure in 1979 with Monique Alba. Alongside Gilbert Artman (Urban Sax), Guigou Chenevier (Etron Fou Leloublan), Jean-Pierre Grasset (Verto) and Cyril Lefebvre (Maajun), Vthis LP is composed of instrumentals capable of reconciliating Captain Beefheart, Henry Cow, Suicide and John Barry.

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Kelly Wilde

Nothing But Promises

2,74 €* 4,99 € -45%

Release: 1988 / ES – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1986 | EU | Original (Atlantic)

Nu Shooz

Poolside

Release: 1986 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Cover with hype sticker

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Nothing Here Now But The Recordings Clear Vinyl Edition

LP | 1981 | US | Reissue (Dais)

Release: 1981 / US – Reissue

Genre: Electronic & Dance

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In 1980, Genesis P-Orridgeand Peter "Sleazy" Christopherson of(then-)Throbbing Gristle travelled to New York City to meet up at thefortified apartment, known as The Bunker, of famed beat writer andcultural pioneerWilliam S. Burroughsand his executor JamesGrauerholz. Genesisand Sleazy started the daunting task of compilingthe experimental sound works of Burroughs, which, up until that point,had never been widely heard.During those visits, Burroughs would play back his tape recorderexperiments featuring his spoken word "cut-ups", collaged fieldrecordings from his travels and his flirtations with EVP recordingtechniques, pioneered by Latvian intellectual Konstantins Raudive. Overthe following year, P-Orridge, Christopherson and Grauerholz spentcountless hours compilingvarious edits, each collection showcasingBurroughs sensitive ear and experimental prowess for audio anomalywithin technical limitations. In early 1981, Burroughs had relocated toLawrence, KS to escape the violence and manias of New York City life.There, P-Orridge and Christopherson put the finishing touches on therecord that would be known asNothing Here Now but the Recordings.Released in Spring 1981, the album would end up as the final release onIndustrial Records, brought about by the dissolution of Throbbing Gristle.It was quietly out of print until 1998, when John Giorno and the GiornoPoetry Systems included the album on a retrospective CD box set, whichcompiled the majority of Burroughs's seminal recordings. In 2015, DaisRecords worked closely with the Estate of William S. Burroughs to finallyre-release, for the first time in 36 years, a proper vinyl reissue of WilliamS. BurroughsNothing Here Now but the Recordingsto celebrate thecentennial anniversary of William S. Burroughs. For the2023 edition, Daishas remastered the audio with renowned engineer Josh Bonati, andrestored the original artwork with a new dedication to Genesis Breyer P-Orridge and Peter Christopherson.

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Nothing Here Now But The Recordings Black Vinyl Edition

LP | 1981 | US | Reissue (Dais)

Release: 1981 / US – Reissue

Genre: Electronic & Dance

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Break Through In Grey Room Clear Vinyl Edition

LP | 1986 | US | Reissue (Dais)

Release: 1986 / US – Reissue

Genre: Electronic & Dance

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Inspired by the original Industrial Records release of William S. Burroughs's Nothing Here Now but the Recordings Belgian record label Sub Rosa worked with Burroughs to release another album: Break Through In Grey Room. Originally compiled in 1986 by producer Bill Rich, the album features Burroughs's experimental recordings from 1961 to 1976, featuring field recordings by Burroughs of the Master Musicians of Jajouka, experimental collaborations with mathematician Ian Sommerville and painter/cut-up originator Brion Gysin. Break Through In Grey Room documents William S. Burroughs during his time in Europe and England, working with Ian Sommerville on recording with the 'cut -up' technique. Sommerville's technical background enabled him to contribute to the early development of sound - and - light shows in London, leading to work with gear provided by Paul McCartney in an apartment owned by Ringo Starr. Experimental in nature, the record is as much an exhibition of studio and composition technique as it is a document of underground culture at that time. For the 2023 reissue, Dais Records has collaborated with the Estate of William S. Burroughs on reissuing the album on vinyl and compact disc, fully remastered by mastering engineer Josh Bonati.

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Break Through In Grey Room Black Vinyl Edition

LP | 1986 | US | Reissue (Dais)

12" | 1988 | UK | Original (Blatant)

Release: 1986 / US – Reissue

Genre: Electronic & Dance

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Evie

Just Stay The Night

2,19 €* 3,99 € -45%

Release: 1988 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1983 | DE | Original (Pinnacle)

Foton

Bamboo Curtain

2,74 €* 4,99 € -45%

12" | 1986 | DE | Original (Chic)

Release: 1983 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover with small price tag on the front

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Donnette Robbins

We're Close To Heaven

3,84 €* 6,99 € -45%

Have You Heard This Story? Blue Vinyl Edition

Release: 1986 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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Swamp Dogg

LP | 1974 | EU | Reissue (Alive)

33,99 €*

Release: 1974 / EU – Reissue

Genre: Electronic & Dance

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Reality Gates Record Store Day 2023 Edition

Steve Birchall

LP | 1973 | EU | Reissue (Soave)

23,09 €* 32,99 € -30%

LP | 1989 | EU | Reissue (La Scie Doree)

Release: 1973 / EU – Reissue

Genre: Electronic & Dance

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Soave Records dusts off in limited edition the psych/synth album by Doctor Steven T. Birchall recorded in 1973 in Indiana, U.S.A. with the following equipment: Vcs-3 (The Putney) by EMS, Ampex Mm-1000 16 trk, dbx noise reduction, SpectrasSonics Console, Studer A80 Recorder, Eventide Clockworks, Instant Phaser, Cooper Time Cube, EMT Reverb. The absolutely penetrating high tones of the opening track 'Music Of The Spheres' announce us that we are on board, passengers in the hands, or perhaps better to say in the mind, of Birchall who aims to go beyond those "normal" boundaries that we call reality. It is a new world of music that still amazes after half a century. A higher stage of truth projected into the cosmos.

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Nikolaus Utermöhlen

Karlsbad

25,99 €*

12" | 1987 | EU | Reissue (Thank You)

Release: 1989 / EU – Reissue

Genre: Electronic & Dance

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Thrilled to announce the reissue of Nikolaus Utermöhlen’s ‘Karlsbad’ album, originally released in 1989. Utermöhlen was a founding member of Die Tödliche Doris and this is his sole solo release. A collection of 23 witty oddball compositions for clarinet, accordion, percussion, recorder, violin, guitar, organ. It definitely has a Doris dose but even more so it shines for its totally singular mélange of tribal dada chamber folk, dilettante dissonant poetry, hard to compare with anything else. A slice of flamboyant wellness.

The recordings of this album were made for the ‘Georgette Meunier’ film by Tania Stöcklin and Cyrille Rey-Coquais. Issued from the original master tapes and includes the 8 page booklet with engravings from the Karlsbad spa era.

Thank you Wolfgang Müller, Radek Krolczyk, Jeffrey Babcock and… Nikolaus…

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Software

Past Present Future

15,99 €*

LP | 1984 | UK | Reissue (Les Disques Du Crepuscule)

Release: 1987 / EU – Reissue

Genre: Electronic & Dance

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German project founded in 1984 by Peter Mergener and Michael Weisser. This release features two cheery picked exemplary moments in downtempo contemplative cosmic travels. A side sends the listener well out of orbit with a 10 min long gradient of Krauty arpeggiated showers that grows elegantly, a concerto to the astros of the mind. Flip it and it gets better as your space capsule gets sucked into some distant planet's gravitational pull, feelings of other-worldly sounds, slowed down beautifully almost eerie nuances one won't forget so easily. Sunrise on a Balearic island from another solar system. Berlin-School by trade but also heard on mixes by Jose Padilla. Heftily remastered.

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Anna Domino

East & West + Singles

30,99 €*

From The Tea Rooms Of Mars... Record Store Day 2023 Edition

Release: 1984 / UK – Reissue

Genre: Electronic & Dance

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Les Disques du Crepuscule present a new, remastered vinyl edition of East & West, the bittersweet debut album by American singer-songwriter Anna Domino, originally released by the label in 1984.

East & West was recorded in Brussels in 1983 with guest contributions from Virginia Astley, Blaine L. Reininger (of Tuxedomoon) and alt-pop polymath Luc Van Acker. The five tracks on the original mini-album format include her first single Trust, In Love (an NME single of the week), and an exquisite cover of Land Of My Dreams, originally a hit for Aretha Franklin in 1965. Rare b-side track Repeating (from the same sessions) is also now added to the album.

Other bonus tracks include the popular singles Zanna, a 1984 collaboration with Luc Van Acker, and radio hit ‘Rythm’, produced a year later by legendary Telex founder and jazzmeister Marc Moulin. The expanded remaster closes with a previously unreleased demo song called Dream Back, recorded in New York City with her friend Stanton Miranda of Thick Pigeon in 1984.

The album retains the original cover art by Joel Van Audenhaege, and adds new liner notes written by Anna herself.

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Landscape

LP | 1981 | US | Reissue (Cooking Vinyl)

Release: 1981 / US – Reissue

Genre: Electronic & Dance

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John Cage White Vinyl Edition

John Cage

LP | 1974 | EU | Reissue (Cramps)

28,99 €*

Release: 1974 / EU – Reissue

Genre: Electronic & Dance, Classical Music

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Metrodora Red Vinyl Edition

Stratos Demetrio

LP | 1976 | EU | Reissue (Cramps)

34,99 €*

Release: 1976 / EU – Reissue

Genre: Electronic & Dance, Classical Music

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12" | 1988 | UK | Original (Debut)

Lisa Sanchez

Take It Or Leave It

Release: 1988 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1983 | US | Original (Moby Dick)

Lisa

12" | 1987 | DE | Original (ZYX)

Release: 1983 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: G+, Cover: VG

Splits in seams.

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Off

Harry... Aber Jetzt

5,99 €*

Spray Orchestra Max Manuel

Release: 1987 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Record is close to NM. Cover has slight ring wear.

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Transilvania / Energy

12" | 1982 | EU | Reissue (Miss You)

15,99 €*

Elemental Seven Green Vinyl Edition

Release: 1982 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Sound Metaphors' collaboration with Constantino Paolini opens the Italian classics vaults yet again to bring back two more anthems of Italian dancefloor history. This time a selection of two Instrumental versions of the productions done with Patrizia Pellegrino. Spray Orchestra's “Transilvania” is the instrumental version of Patrizia Pellegrino's “Il Mondo Da Una Nuovola” and Max Manuel's “Energy”, an abstracted instrumental version of Patrizia Pellegrino's “Automaticamore”, both highly coveted in digger circles and originally released as 7”. Now brought to your collections in hefty 12” 45rpm remastered versions. Complemented with a slowed down acid remix of “Transilvania” by DJ Asshole.

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Chris & Cosey

LP | 1984 | UK | Reissue (Conspiracy International)

12" | 1988 | ES | Original (Grind)

Release: 1984 / UK – Reissue

Genre: Electronic & Dance

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“Elemental 7 has cast a looming shadow of influence over almost all electronic music since it was made” - Boomkat. Chris & Cosey’s Elemental 7 – available here for the first time in 40 years - is the soundtrack to the film of the same name (on Cabaret Voltaire’s Doublevision video imprint) that saw the duo working once more with John Lacey – Lacey had previously worked with Cosey in Coum Transmissions and introduced Chris Carter to the collective. The album’s highlight and one of their best loved songs, ‘Dancing Ghosts’, sounds as fresh and relevant today as it must have on its original release.

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Koxo' Club Band

Paradhouse

LP | 1976 | US | Reissue (Superior Viaduct)

Release: 1988 / ES – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Small sticker on front cover.

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David Cunningham

Grey Scale

23,99 €*

LP | 1987 | US | Reissue (Pine Hill)

Release: 1976 / US – Reissue

Genre: Electronic & Dance

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David Cunningham was born in Ireland in 1954. His work ranges from pop music to gallery installations including several collaborations with visual artists. His first significant commercial success came with The Flying Lizards' single "Money," an international hit in 1979. Originally released in 1976, Cunningham's first solo album Grey Scale has become a landmark statement of DIY minimalist composition – continuing in the vein of the wild explosion of arthouse experimentation from the early '70s. Cunningham, then a student at the Maidstone College of Art in Kent, drafted fellow student non-musicians and (using whatever instruments available) crafted an endlessly shifting sonic palette with an improvisor's keen sensitivity to space, texture and tone. As Cunningham states in the liner notes, his approach was to "pursue something (which may appear trivial or meaningless) so rigorously or relentlessly to the point that it reveals something new." Cunningham was influenced by live performances he was attending at the time by English composers Cornelius Cardew, Gavin Bryars and Michael Nyman as well as free improvisors Evan Parker, Derek Bailey, David Toop and Paul Burwell. The inaugural release on Cunningham's own Piano label, Grey Scale was indeed "something new" in 1976. The artist quickly integrated his experimental sensibilities to produce art-rock pioneers This Heat, whose debut appeared on Piano in 1979. His popular success performing as The Flying Lizards (with two electro-punk albums on Virgin during the New Wave era) was presaged by this seminal work of fascinating sound collage and tonal freedom. First-time reissue.

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Don Harriss

Elevations

36,99 €*

It's An International Thing

Release: 1987 / US – Reissue

Genre: Electronic & Dance

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What is it like to be up in that ominous, dark blue/pink sky that we stare at in wonder? Without the use of a single word, Don Harriss shifts the unknown universal connection to the forefront of the mind with the mystical collection of compositions on his album Elevations. Originally released in 1987, this album is seeing its first-ever appearance on vinyl. This ambient, melodic new age masterpiece will bring you to unspoken places. Tracks like “Motion #4”, “Impromptu” & ”The Tortoise, The Temple & The Rain” showcase the album’s element of depth. Various diverse themes carry you all the way to the beautiful closing track “Caravans.” To the right age audience, this album is highly reminiscent of some of the best 80s & 90s video game soundtracks. This could fit right onto the Ecco The Dolphin 1992 Sega Genesis soundtrack. Other tracks could be well-imagined in 1994’s Donkey Kong Country on Super Nintendo. If you’re into ominous, extremely well-done OSTs, this is for you. This album is highly appreciated & widely overlooked.

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The Quick

12" | 1984 | UK | Original (Epic)

Release: 1984 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

12" | 1989 | CH | Original (Help)

Robin Moore

Stay With Me

4,49 €* 9,99 € -55%

12" | 1988 | EU | Original (Dum Dum)

Release: 1989 / CH – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Writing on cover and labels.

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Tolga "Flim Flam" Balkan

Pump Up The Flim Flam

5,99 €*

Release: 1988 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Watching The Dance Silver Colored Vinyl Edition

Aerial Fx

LP | 1982 | EU (Radiation Reissues)

22,99 €*

Watching The Dance Black Vinyl Edition

Release: 1982 / EU

Genre: Rock & Indie, Electronic & Dance

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Moody Oxford post-punk quintet Exit 13 became Aerial FX at the dawning of the 1980s, the promise of their minimal sound, with its prominent synthesizers, yielding a publishing deal with Island Records and an early single released by the label. Debut album Watching The Dance has shades of dark synth pop and Goth, with future Radiohead manager/producer Chris Hufford firmly in the spotlight throughout. The influence of acts like Van Der Graaf Generator, Modern Eon and others lurk beneath this hidden Cold Wave gem.

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Aerial Fx

LP | 1982 | EU (Radiation Reissues)

18,99 €*

Those Who Do Not White Vinyl Edition

Release: 1982 / EU

Genre: Rock & Indie, Electronic & Dance

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Psychic TV

2LP | 1984 | UK | Reissue (Cold Spring)

40,99 €*

Those Who Do Not Black Vinyl Edition

Release: 1984 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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The sound of the classic period of Psychic TV - featuring Peter Christopherson and Geff Rushton (John Balance) of Coil, this full show is interspersed with recordings of the Pagan marriage between Genesis and Paula P-Orridge conducted by Sveinbjörn Beinteinsson Allsherjargodi.

Psychic TV at their most esoteric, their most ritual, and often most extreme, a perfect accompaniment to the legendary 'Dreams Less Sweet' album of the same year.

"Thee First Will To And Testament Ov Psychick TV. All our works remain interconnected, interfaced, and intentional. Thee Process is thee Product".

These recordings of a live disconcert by Psychic TV in Reykjavik, Iceland that took place November 1983 organised by HÖH and Gramm Records, to whom, eternal and infernal thanks all ways.

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Psychic TV

2LP | 1984 | UK | Reissue (Cold Spring)

38,99 €*

The Other Side Of Futurism

Release: 1984 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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V.A.

LP | 1984 | EU | Reissue (Spittle)

LP | 1984 | EU | Reissue (Spittle)

Release: 1984 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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First Time ON Vinyl ! Originally released on cassette in the spring of 1984 together with the 5th issue of Tribal Cabaret fanzine - included here in its original format - this is an invaluable document focusing on the obscure side of the 80’s Italian post- punk scene. A composite picture drawn by a bunch of different and often under recorded groups from various Italian regions and cities. All together they contribute to defining a prominently dark yet vivid soundscape based on different approaches and styles. All these aspects are perfectly translated through the b&w art and graphics of the beautiful Tribal Cabaret fanzine. If you want to dive deep into the fringes of the 80’s this is one of the places to start.

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V.A.

Afterglow

The Advanced Cookbook Of Mr Selig And Kanzler Z

Release: 1984 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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First Time ON Vinyl ! Originally released on cassette in the winter of 1984, together with the 7th issue of Komakino fanzine - included here in its original format. 8 groups and 14 tracks revealing the whole meaning of the Afterglow operation. Bands who already had record deals and enjoyed some popularity, others that will do so shortly, others that will fade in the mists of that decade. “Afterglow” is a document from an era when small gestures and uncomfortable choices were true stances

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Niemand Tanzt

12" | 1989 | EU | Reissue (Thank You)

14,99 €*

7" | 1988 | EU | Original (Empty)

Release: 1989 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Andreas Koeper is a German contemporary/experimental composer and drummer with a background in Philosophy and Art history. “Niemand Tanzt” was originally released in 1989 and in the past years it has become a sought after obscurity amongst diggers ever since Chee Shimizu put it on the radar after unearthing it throughout inspection rounds in Berlin record stores. Although the A-side might have been the essence of the single at the time, it's the B-side's “Pink Rhythm” that puts this release on the map for DJs, the track's gradient from an empty half tempo to rich 4 on the floor patterns serves any well versed DJ as an on-ramp for new gears to be put into place as the track grows into various ramifications of Andreas' studio production techniques: playful percussive elements, provocative guitar riffs over a solid rhythm section. Freshly remastered by manmade in Berlin.

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Doc Wör Mirran

Deadthings In Love

10,99 €*

LP | 1986 | US | Original (Shining Star Productions)

Release: 1988 / EU – Original

Genre: Electronic & Dance

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Original old stock. Six-track single from 1987, by this free-form collective led by Joseph B. Raimond (treatments, drawings, guitar, dulcimer, synth). Limited edition of 50 copies, somehow still available.

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Bruce BecVar

Take It To Heart

8,99 €*

Pictures At An Exhibition

Release: 1986 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

US original.

Sticker on cover.

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Tomita

LP | 1982 | GDR | Reissue (AMIGA)

Release: 1982 / GDR – Reissue

Genre: Electronic & Dance, Classical Music

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Used Vinyl

Medium: VG+, Cover: VG

2LP | 1974 | EU | Reissue (Cat In The Room)

Kyriakos Sfetsas

Smog

20,99 €* 34,99 € -40%

Darkness Inside / Go Break / Fog EP

Release: 1974 / EU – Reissue

Genre: Electronic & Dance

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The newly established label Cat in the Room, created by Goodheart Productions, re-releases for the first time after almost fifty years the legendary work Smog by Kyriakos Sfetsas, one of the most important Greek contemporary composers. At the same time, in collaboration with the composer and The Hubsters, which is responsible for the digital distribution, it presents for the first time the majority of his discography in digital format.

Smog is an electro-acoustic work in five parts of equal duration (18 minutes) divided into several variable sequences. It was composed as the music score for the ballet Smog commissioned by the choreographer Michel Caserta. The work was premiered on October 18, 1974, by the Ensemble chorégraphique de Vitry at the Théâtre Jean-Vilar in Vitry-sur-Seine (Paris).

As a musical work, it has acquired over the years the scope of a legend in the electro-acoustic & avant-garde scene, for its richness and value as a composition, the composer's ingenious use of the means available at the time regarding the production of electric sounds, and their combination with natural sounds, as well as for the four-channel recording and live performance.

A new sound mastering and artwork was developed for this release in collaboration with the composer, whose liner notes are included on the cover.

Smog will be released on December 9, 2022, on a 180gr. double vinyl edition

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Riccardo Cioni

12" | 1984 | EU | Reissue (Mondo Groove)

12,99 €*

Can't Take My Eyes Off You

Release: 1984 / EU – Reissue

Genre: Electronic & Dance

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Finally the cult italo disco 12″ from 1984 by Riccardo Cioni repressed in limited edition for the first time.

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Boys Town Gang

7" | 1982 | JP | Original (Victor)

2LP | 1972 | EU | Reissue (Distance)

Release: 1982 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing.

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Don Bradshaw-Leather

Distance Between Us

24,69 €* 37,99 € -35%

12" | 1981 | DE | Original (Polydor)

Release: 1972 / EU – Reissue

Genre: Electronic & Dance

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Reissue of this cult 1972 album which featured on the infamous Nurse With Wound List.

During the long, dark hangover of the Summer of Love, the classically-trained Essex prodigy approached CBS Records with demo recordings. A forward-thinking A&R executive must have seen a potential revenue stream in Don Bradshaw-Leather's avant-classical noise. The artist was given an advance to record an album. He used the funds to create a large studio in Sussex with many instruments including an actual church organ. Here, on his own, without the use of any electronic sequencing, he recorded "Distance Between Us" using simply multitrack tape, layering each part of the composition. Upon hearing the product of their financial investment - four side-long tracks of blurry organ drones, frantic piano tinkling, and ritualistic percussion - CBS got cold feet.

The album was self-released on Bradshaw-Leather's own Distance imprint; a vanity label established for the sole purpose of releasing the album. The sleeve art is full of mysteries, from the misspelling of "Bradshaw" ("Bradsham"), to the coal-blackened visage of the bohemian madman on the cover (dbl himself?), to the rear photo collage depicting the same madman accosting a nude woman. The music isn't any less mysterious; shapeless symphonies of smeared-out Mellotron, tribal drums, and wordless vocals. Don Bradshaw-Leather passed away in the 90's.

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Gibson Brothers

Sheela

Release: 1981 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Against The Dark Trees Beyond

A Blaze Colour

LP | 1982 | EU | Reissue (Onderstroom)

Uncle Jam Wants You Colored Vinyl Edition

Release: 1982 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Sought-after Belgian minimal synth finally reissued.

They were interesting times, the early eighties. Against a backdrop of cold war and economic crises, the DIY attitude of the earlier punk movement had spawned near countless new genres where artists and bands broke the three-chord guitar mould and experimented with new content matter, singular song structures and – in many cases – new instruments. Synthesizers became affordable and were no longer the sole privilege of rock millionaires. All around the globe, musical creativity boomed as never before, and Belgium was no exception: Digital Dance, Snowy Red, The Names, Pseudocode, Marine, 1000 Ohm, De Kommeniste, M.Bryo & D.M.T., De Brassers, Struggler, Siglo XX are but a few legendary names of bands and artists who started making a name for themselves.

In Leuven, things were happening as well. Until then, the music scene in this rather provincial town had been dominated by straightforward rock and blues acts. Not for much longer, though: in places like Arno'z and (later) The Gladhouse, where young budding artists met with kindred spirits, bands were often formed on the spot and, more importantly, started to make ripples.

Ludo Camberlin and Karel 'Bam' Saelemaekers already had a certain track record in Leuven's burgeoning music microcosm. But what they shared would become the cornerstone of A Blaze Colour (Against The Dark Trees Beyond): a fascination for new forms and instruments, a penchant for sonic adventure and a profound love for gripping songs. The full band name, by the way, was inspired by a phrase from the Irish-American novelist J.P. Donleavy, a writer who belongs in the definitely-worth-checking-out section.

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Funkadelic

LP | 1979 | EU | Reissue (Charly)

44,99 €*

Release: 1979 / EU – Reissue

Genre: Electronic & Dance

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Uncle Jam Wants You Black Vinyl Edition

Funkadelic

LP | 1979 | EU | Reissue (Charly)

38,99 €*

Release: 1979 / EU – Reissue

Genre: Electronic & Dance

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Branislave Zivkovic / Andre Tschaskowski

Emotionally (Coloursound)

LP | 1986 | EU | Reissue (Be With)

Otakar Olšaník / Jan Martiš

Release: 1986 / EU – Reissue

Genre: Electronic & Dance

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Emotionally, crafted by Brainislave Zivkovic and Andre Tschaskowski in 1986 for Coloursound, is arguably the most beautiful library album ever produced. A start-to-finish masterpiece of powerfully melodic music for reflection and introspection. It is, indeed, deeply emotional.

Branislave Zivkovic handles the majority of Side A. Opener "Morning Light" evokes exactly that feeling, with a gorgeous and plaintive acoustic guitar solo combining with alto flute to stunning effect. Its immediate counterpoint, "Sundown", in no less arresting but brings with it an after-dark drama of almost Lynchian proportions, again drawing upon guitar and flute but with a slightly more melancholic, even sinister edge, also calling to mind Ry Cooder's score for Paris, Texas. It truly captivates when the strings arrive. Remarkable.

The reflective cello solo with swelling strings at the heart of "Pastoral Walk 1" ensure this track is aptly titled, with parts 2 and 3 adding more agitation - via keys and percussive elements - to great effect. "In The Garden 1" presents an elegiac cello solo whilst its second part elevates the romance. The four-part "Soft Thoughts" suite invites further introspection via reflective alto flute and guitar. Fans of The Durutti Column will need to seek this.

Andre Tschaskowski enters proceedings with three tracks at the end of the Side A. All of them aces in the pack. "Grief", whilst sorrowful, uplifts in its second half through beautiful keys. Equally hopeful are the two-part "Personal Mood" sketches, both dreamy exercises in optimistic ambience.

Tschaskowski controls the entirety of Side B. "Woodland Mood", with its pastoral flute and cor anglais and "Reminiscence", with its classical, emotional strings, both beguile. The piano and strings-heavy "Sentimental View" suite is one of the most beautiful, atmospheric things you will ever hear, particularly its second part. "Moonset 1" with it's wonderful Joe Pass-esque guitar is tense yet easy, the beauty elevated further with the introduction of strings and horns. The more restrained "Moonset 2" is pared back to its divine, sweeping essence and should surely have been sampled by now. To close out an album of almost impossible refinement, the brief 2-part "Emotional Tension" salvo brings both increased stress before resolving itself and the LP with a piano motif and atmosphere of serenity. Blessed relief.

As David Hollander, in Unusual Sounds: The Hidden History of Library Music, states, Coloursound was "founded in 1979 by composer, music lawyer, and vibraphonist Gunter Greffenius. A Munich-based library with a reputation for releasing innovative and ambitious music, it catered largely to the market for experimental sounds, its first release was 1980’s Biomechanoid, an abstract synthesizer excursion by Joel Vandroogenbroeck, of the pioneering kosmische band Brainticket. The record — complete with imposing, anonymous title and unearthly H.R. Giger cover art — set the tone for the label’s progressive leanings. The label’s catalogue stands as a tribute to the unfettered creative license that libraries were able to provide to forward-thinking musicians who, frustrated by the whims and constraints of the commercial scene, found complete freedom in the world of production music."

As with all our library music re-issues, the audio for Emotionally comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. Richard Robinson has brought the original Coloursound sleeve back to life in all its metallic silver glory.

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Advanced Process (Coloursound)

LP | 1986 | EU | Reissue (Be With)

Andrzej Marko / Andre Mikola

Release: 1986 / EU – Reissue

Genre: Electronic & Dance

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Heads have been after Otakar Olšaník and Jan Martiš's Advanced Process for a long time. That's because "coincidentally-cosmic disco" packed with spaced-out, smacky-synth dynamite tends to become sought-after. Originally slipping out on the mighty Coloursound in 1986, the label described the sound as "contemporary synthesizer underscores played by computers; depicting future technologies in today's process." If they'd just added "acid-drenched", they'd have been closer to nailing it.

The A-Side is totally beatless. It's also totally perfect. "Atomic Plant 1" is a pulsing synth epic and could've easily soundtracked a stylish 80s thriller such as Thief or To Live And Die In LA. It's a narcotically enhanced meeting between John Carpenter and Steve "Lovelock" Moore. "Atomic Plant 2" adds extra squelch and proper early computer synth squiggles. This stuff is addictive and truly ace. The 3 part "Fusion Point" showcases a dramatic and insistent industrial mood via a gripping sequencer pattern mixed with effects and accents. Menacing and magnificent. The trio of "Nuclear Radiation" tracks veer majestically from a hypnotic sequencer pattern with a heavy dramatic tune to hectic patterns without much of a tune, managing nevertheless to maintain a hold on the listener.

The drums enter proceedings on Side B and they're absolutely outstanding. Coming on like a slicker, heavier Johnny Jewel production, 20 years before Italians Do It Better, "Regulators 1" marries the smoothest head-nod beat you can wish for, with a murky mechanical rhythm and phasing effects. After the stunning beatless version ("Regulators 2") the suuuupppper slo-mo "Data Load" sounds like its wading through the heaviest K-Hole and is all the more thrilling for it. "Modem" is a brief and breezy funky bass and synth squiggle wonder, of the beatless variety. "Robot Masters", would you believe, actually sounds like something those Daft Parisians would've sampled on Discovery, over 15 years later. An uptempo, optimistic track with a real strut; propulsive rhythms with dramatic synths, what can only be described as "very-80s sounds" and digi-handclaps. The breathless "Digiheart" double bill rounds things out, one with a dynamic driving rhythm and more slick-as-hell beats and the other without drums. Mental, brilliant and completely essential.

As David Hollander, in Unusual Sounds: The Hidden History of Library Music, states, Coloursound was "founded in 1979 by composer, music lawyer, and vibraphonist Gunter Greffenius. A Munich-based library with a reputation for releasing innovative and ambitious music, it catered largely to the market for experimental sounds, its first release was 1980’s Biomechanoid, an abstract synthesizer excursion by Joel Vandroogenbroeck, of the pioneering kosmische band Brainticket. The record — complete with imposing, anonymous title and unearthly H.R. Giger cover art — set the tone for the label’s progressive leanings. The label’s catalogue stands as a tribute to the unfettered creative license that libraries were able to provide to forward-thinking musicians who, frustrated by the whims and constraints of the commercial scene, found complete freedom in the world of production music."

As with all our library music re-issues, the audio for Advanced Process comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. Richard Robinson has brought the original Coloursound sleeve back to life in all its metallic silver glory.

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Fly Me To The Sun (Coloursound)

LP | 1983 | EU | Reissue (Be With)

Keep Bubbling / Keep Bubbling

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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Fly Me To The Sun is a breathtaking German library gem from the hallowed Coloursound label. Originally out in 1983 it features two Polish composers, Andrzej Marko and André Mikola. If outré synth-funk is your thing, you need this record.

Almost blindingly luminous with positive vibes and radiant optimism, Fly Me to the Sun is a collection of funky, sun-dappled compositions for synthesizer and live instruments like drums, bass and guitar. A dope blend of beatbox driven future jazz and electro pop.

The wonderfully sleaze-adjacent opener "Dhamma" includes some grandiose piano chords amid floating ambient sounds a la Steve Hillage with slick drums entering the fray at a languid pace. "Circulation" sounds like Bowie ran into Chaz Jankel during an extended stay in Los Angeles, the Thin White Duke emerging out of a studio at 6am, bleary-eyed and clutching this filthy, bleepy instrumental of sonic smut. "Magic Scenery" is as delicate and astounding as the title suggests, a deep ambient movement conjuring halcyon images of rolling fields with abundant fauna and flora; acid-tinged visions of intense colour and natural beauty. Cool, slo-mo breaks adorn the strutting melancholy of “Longing for Tomorrow” and “Nocturnal Flowers” to close out Side A.

Skip the title track, which opens up Side B, and head straight to “Birth of a Butterfly” for a slice of creeping digi-dub-soul niceness. This should've been front and centre of that Personal Space compilation a decade ago. Raising both the tempo and the temperature, “Riding on a Sunbeam” continues in the mesmerising cosmic funk style before "Osmosis", one of the clear stand-outs, presents a fine vintage synth solo over a mellow funky rubberband beat. The closing track, "Solar Heating", warms things up with slapped bass and bold drum machine beats and the synth lends Sci-Fi vibes to the dark dub-funk-reggae rhythm.

As David Hollander, in Unusual Sounds: The Hidden History of Library Music, states, Coloursound was "founded in 1979 by composer, music lawyer, and vibraphonist Gunter Greffenius. A Munich-based library with a reputation for releasing innovative and ambitious music, it catered largely to the market for experimental sounds, its first release was 1980’s Biomechanoid, an abstract synthesizer excursion by Joel Vandroogenbroeck, of the pioneering kosmische band Brainticket. The record — complete with imposing, anonymous title and unearthly H.R. Giger cover art — set the tone for the label’s progressive leanings. The label’s catalogue stands as a tribute to the unfettered creative license that libraries were able to provide to forward-thinking musicians who, frustrated by the whims and constraints of the commercial scene, found complete freedom in the world of production music."

As with all our library music re-issues, the audio for Fly Me To The Sun comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. Richard Robinson has brought the original Coloursound sleeve back to life in all its metallic silver glory.

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Sister Candy

10" | 1984 | UK | Reissue (Rhythm Discs!)

12,59 €* 13,99 € -10%

12" | 1986 | EU | Reissue (Schatzi Musik)

Release: 1984 / UK – Reissue

Genre: Electronic & Dance, Reggae & Dancehall

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Rhythm Discs! has unearthed the Disco MIX of Sister Candy’s lost gem Keep Bubbling / Version = originally released in 1984 on Raiders Records, the original has been remastered under exclusive licence from Sir Lloyd & Sister Candy. Includes a DJ Sports Remix!

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I.B.M.

Computer Love

Hiroshi II Hiroshi Volume 1 Clear Blue Vinyl Edition

Release: 1986 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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We are very proud to present you the third release on Schatzimusik with the reissue of the much sought after I.B.M. – Computer Love 12″ inch and an unreleased track and a remix. For this release we have teamed up with none other than Dario di Pace & Raffelle Arcella from Naples, better known as Mystic Jungle and Whodamanny. The two have done numerous remixes for very well-known Italo-Disco songs. For this remix, they have delivered a brilliant reinterpretation of Computer Love. Rhythmic, driving, funky and playful, they put Computer Love in a new light. The release is rounded off with the previously unknown track “Metropolis” and the long version of “Computer Love”. A little background info on the original vinyl. Thomas Waver & Rudi Raders the two originators of the group I.B.M. emigrated to Alicante (Spain) in the 80s. They stored the records of Computer Love in the attic of Thomas’ aunt. Unfortunately, she died, and the attic was dissolved along with the records. So, the original vinyl is unfortunately a rarely seen item.

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Hiroshi Ii Hiroshi

LP | 1983 | JP | Reissue (Lawson)

39,99 €*

Release: 1983 / JP – Reissue

Genre: Electronic & Dance

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12" | 1984 | UK | Original (Where Artists Record)

Sense

You Cry

5,59 €* 7,99 € -30%

12" | 1983 | US | Original (Aria)

Release: 1984 / UK – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

writing on cover and price tag

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Rhetta Hughes

Angel Man (G.A.)

5,09 €* 5,99 € -15%

Release: 1983 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

12" | 1989 | EU | Reissue (Chineurs De House)

Amedee O Suriam

Tension Hot-Shot

Burkina Faso (Wagadugu Blues)

Release: 1989 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Reissue of Amédée Ô Suriam's banger 'Hot Shot' in editted form, comes with two very dope remixes by 'Manoo'.. Sourced from the master tapes and properly remastered!

Amédée Ô Suriam was one of those flamboyant souls touched by grace. Percussionist, author, composer, singer, stylist, sculptor, the Martiniquan put his divine inspiration at the service of a hybrid and visionary creation. His sudden death in 1992, while in his thirties, left behind him "Tension Hot-Shot", his only solo release from 1989. A resolutely avant-garde track, whose fusion of traditional African and Caribbean music with the beginnings of the house movement in Europe is underlined by the subtitle "Afro House" on the A side of the EP, a term that was barely used until then. It is this mysteriously precursory track that Chineurs de House has found, remastered and reissued today, finally shedding light on the fascinating work of an artist who had fallen into oblivion.

Vocals (Tension Hot-Shot) : M.C. Kann, Amédée Ô Suriam & Marie-José FA Chorus-Keyboard (Tension Hot-Shot) : Luther Pérau Chorus (Tension Hot-Shot) : Prosper St-Aimé, Rémi Laposte Synth-Bass (Tension Hot-Shot) : Fred Montabord Saxophone (Tension Hot-Shot) : Pietro Lacirignola Structure (Tension Hot-Shot) : Allan Dee, J.C. Broche

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Adu

12" | 1982 | UK | Reissue (Emotional Rescue)

15,99 €*

12" | 1987 | EU | Reissue (ZYX)

Release: 1982 / UK – Reissue

Genre: Electronic & Dance

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Emotional Rescue can be relied on to dig up obscure, left of centre dance gems and serve them up to newer, wider audiences. Adu's reggae-pop cut 'Burkina Faso' is a great example, re-purposed for the dancefloor without any of its original flavour lost in the overhaul. A South Saharan/West African emigre to Brixton, Rauf Adu would go on to fairly sizeable European fame with the Eddy Grant-esque 'Human To Human'. This, however, is his 1982 debut for Copasetic Records, another reggae-pop inspired, ludicrously catchy effort with scorched electric guitar and a Compass Point-style drum/bassline providing rhythmic rocksteadiness. As well as the buffed up original, there's a dub mix, which gives his beautiful guitar plenty of room to breathe, and an appearance from the Isle of Jura Sound System boss Kevin Griffiths , whose remix completes the trio of mixes.

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One System

Life Is Very Short

14,99 €*

Release: 1987 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Maison Rose Expanded Edition

Emmanuelle Parrenin

LP+7" | 1977 | UK | Reissue (Souffle Continu)

32,99 €*

12" | 1987 | EU | Reissue (Thank You)

Release: 1977 / UK – Reissue

Genre: Electronic & Dance

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'An album such as this obviously owes a lot to the atmosphere in which it was recorded, which we can imagine was magical. We know it took place in Fromentel, Normandy, in a farm converted into a studio by the producer Jacques Denjean, known for his work with Dionne Warwick or Françoise Hardy as well as having been a member of the Double Six. It was also at Fromentel, that Denjean would record two fantastic albums with Albert Marcoeur. When Emmanuelle Parrenin followed in his footsteps a year later she was in good company: the sound engineer at the studio was her partner and therefore uniquely capable (we imagine) of creating an adequate soundscape for her delicate universe. What is more, five years previously, Bruno Menny, the sound engineer partner, recorded his first and only album, but what an album: in electroacoustic terms we can hear things which make him appear as the spiritual son of his mentor Iannis Xenakis!

What makes Maison Rose unique is exactly this fusion between the two conceptions of Emmanuelle Parrenin and Bruno Menny, creating a perfect marriage of tradition and experimentation. The tradition comes from the songs collected by Emmanuelle Parrenin in rural areas, in a similar vein to the work carried out by Alan Lomax and Shirley Collins. The experimentation is in the sound captured by Bruno Menny, who both arranged and recorded the album. This is not to forget those who came with their guitar (Denis Gasser), or their lyrics (no less a figure than Jean-Claude Vannier). On the one hand we have the humble and non-demonstrative singing, with melodies which remind us of songs we would sing to calm a child's nightmares, and on the other hand a pronounced rhythmic intensity at certain points, such as on "Topaze" where the drums in particular evoke the Motorik of krautrock legends Faust.

A real haven of peace, Maison Rose is enchanting with its aura of mystery and spirituality, with soft, gentle songs which seem both ancestral and futurist. Originally published by Ballon Noir in 1977, this album follows on from other folk marvels such as Le Galant Noyé from the pre-Mélusine period. On the subject of Maison Rose, if we had to risk a few comparisons we would mention Vashti Bunyan, Linda Perhacs, Joanna Newsom, Collie Ryan, Shirley Collins, Trees Community, Sourdeline and Véronique Chalot as those which spring spontaneously to mind. But this is too reductive for the timeless singularity of Emmanuelle Parrenin: because Maison Rose was recorded in 1977, in the midst of the punk revolution.'

Exclusive artwork by Charles Berberian. Additional 7’’ contains 2 unreleased tracks. Pressed on 180g ultra clear vinyl. Licensed from Emmanuelle Parrenin.

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Ghia

Don't Leave Me Alone

12,74 €* 14,99 € -15%