Electronic & Dance Vinyl 1458 Items

LP | 1983 | EU | Reissue (Bureau B)

Release: 1986 / US – Reissue

Genre: Electronic & Dance

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A remastered and revised artwork edition of the extraordinary World Of Echo album from New York avant-garde cellist, songwriter, composer, and disco visionary Arthur Russell. Originally released in 1986, the album is a deeply meditative and seductive work of awe-inspiring beauty, grace, and passion, performed with just cello, voice, and echoes. Eighteen tracks remastered from Russell’s original 1/4-inch sequenced masters, including drumless versions of his disco classics “Let’s Go Swimming,” “Tree House,” and “Wax The Van,” along with four previously unreleased songs from Sketches From World Of Echo. Edition of 1,000 copies.

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Asmus Tietchens

Litia

LP | 1971 | EU | Reissue (Bureau B)

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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180g vinyl!

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Kluster

Eruption

Release: 1971 / EU – Reissue

Genre: Electronic & Dance

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LP | 1975 | EU | Original (Universal)

Tangerine Dream

Rubycon

20,99 €*

Release: 1975 / EU – Original

Genre: Electronic & Dance

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Whenever You Need Somebody

Rick Astley

LP | 1988 | JP | Original (RCA)

19,99 €*

LP | 1988 | EU | Reissue (Dizonord)

Release: 1988 / JP – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing with Obi.
Sleeve has light foxing.

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Interim

A La Petite Cuiller

2LP | 1978 | WW | Reissue (SN Music Publishing)

Release: 1988 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Dizonord is very happy to bring you the reissue of this French 1988 underground self released gem, re-mastered from master tapes!
Dubby, punky, politically engaged new wave with a sense of humour, we've always been touched by the voice of Agnès (bass) and the phlegmatic Michel (machines and graphics). We could have thought the language barrier would have stopped the pleasure of this record but obviously not, as Mobutu song is already an international digger classic!
We really hope you'll enjoy this collection of tracks and collages as we do so, once upon a time...

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Sezen Aksu

Serce

Release: 1978 / WW – Reissue

Genre: Electronic & Dance

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LP | 1974 | US | Reissue (Fat Possum)

Ann Peebles

I Can't Stand The Rain

Release: 1974 / US – Reissue

Genre: Electronic & Dance

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12" | 1988 | EU | Reissue (I.D. Limited)

Beachfront

Once In A Lifetime

Release: 1988 / EU – Reissue

Genre: Electronic & Dance

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7" | 1983 | EU | Reissue (Staalplaat)

Muslimgauze

Hammer & Sickle

12" | 1986 | EU | Reissue (Forest Jams)

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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Originally released in 1983 on Hessian.

Bryn Jones’ work was justly known for its excess—of tracks created, of rhetoric, of volume levels, of repetition, of length—and the sometimes indiscriminate way he produced material as Muslimgauze carried over into his approach to the part of the business that involved getting people to actually hear his music. Known for the deluge of DATs he’d share with the labels he worked with, Jones also didn’t necessarily restrict himself to just one outlet.

Very early in his career, in the same year the first two Muslimgauze LPs came out (1983), Jones released an obscure 7” single with completely blank black sleeve art on a label called Hessian. »Hammer & Sickle« is to date the only release on Hessian (which may have just been Jones himself?). Those two LPs, Kabul and Opaques, are fascinating in the context of the full swath of Jones’ work. They’re much spacier, more drifting, and notably less interested in using the kind of Middle Eastern percussion and other instrumentation that’s such a distinct element on many Muslimgauze releases. »Hammer & Sickle« operates in a similar territory, but if anything a little further out from the main body of Jones’ work.

The side-long title track and the three b-sides here are all cut from the same cloth, spacious productions that mainly play rounded synth percussion against echoing, ›bag of wire‹-style dub hits. After the lengthy examination of »Hammer & Sickle« itself, the other three cuts experiment with altering pitch, duration, tempo, and other elements as if testing the ways Jones could vary the effects of the title track without ever ditching its component parts. His sound was already quickly evolving (even the next year’s Buddhist on Fire is closer to what fans likely picture when they think of the »Muslimgauze sound«), leaving »Hammer & Sickle« an intriguing and valuable portrait of one of Jones’ early side investigations.

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Osamu Kitajima

Beyond The Circle

LP | 1980 | EU | Reissue (Dead Mind)

Release: 1986 / EU – Reissue

Genre: Electronic & Dance

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An official re-issue of the 1996 album, Beyond the Circle, from Dr. Osamu Kitajima presented by Forest Jams on vinyl for the first time.

As the title suggests, Japanese music explorer Osamu Kitajima takes the listener beyond the known on a musical voyage into new territory where his compositions are a synthesis of Western electronics and ambient dance rhythms, tempered by the wisdom of ancient Japanese traditions. "Beyond the Circle" is music that is as energizing as it is spiritual and melodic.

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Plus Instruments

79/80

28,99 €*

Sexual Desire / Heat In Africa

Release: 1980 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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While she was still a member of Nasmak, one of the leading bands of the Dutch ultra-movement, Truus de Groot started Plus Instruments in 1978 with herself as the sole member. When the project evolved, she found a wide range of rotating collaborators like Michel Waisvisz, Lee Ranaldo and James Sclavunos. Plus Instruments was about freedom and the live performances were largely improvised. The sound minimal but captivating. The music always came from within, but De Groot was also triggered by bands like Red Crayola, Suicide, DAF, Wire, Per Ubu, Devo and the No Wave scene in NY. She was always experimenting with primitive multi-track recording and whatever crappy gadgets she could find. Always looking for a gritty, dirty sound and bizarre overtones.

At a young age she travelled to New York and began to immerse herself in the nightlife of the city that never sleeps. Here she found true creativity, passion and expression. The club scene was alive but highly competitive, so this fearless Dutch girl would just knock on promoter’s doors to get gigs booked at places like CBGB’s, Peppermint Lounge, Underground and the Pyramid. De Groot eventually settled in the United States and never stopped experimenting with sound. In recent years she reinvented Plus Instruments and led the group into new territory.

The recordings for this LP were made by De Groot at home and the music is experimental, minimal, industrial but also playful, sounding nothing like most of the later material. 14 tracks in total of which 7 are taken from the elusive and impossible to find self-released debut cassette as ‘Truss Plus Instruments’ which was sparingly distributed by Nigel Jacklin and his legendary Alien Brains fanzine in 1980. The remaining 7 tracks are from the same period (1979-1980) and were carefully selected from the vast archive of De Groot. We are glad to present this anthology that serves as a long overdue testimony to the formative phase of a unique female pioneer of electronic music.

200 copies on black vinyl with insert.

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Time Capsule

12" | 1986 | EU | Reissue (Thank You)

12" | 1984 | DE | Reissue (ZYX Music)

Release: 1986 / EU – Reissue

Genre: Electronic & Dance

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An interesting insight into some of the diverse dancefloor oriented sounds going on in Canada during the 80s sitting somewhere between electro, italo disco and proto house. A-side starts off on a slow paced 80 bpm pop/rock italo-disco crossover track featuring lyrics in english with an unidentifiable accent, very much reminiscent of Italian local neighbourhood private press ventures featuring someone's sister on the vocal. 3 versions later, on the B side, things step up a notch coming in at 130 bpm with "Heat In Africa's" drum machine propelled rhythmic mayhem pulling out all the latest studio bells and whistles of the time. Big electric guitar solo build up on the "Dance Mix" and additional Bonus Beats mix by Castro. Remastered and officially re-released almost 4 decades later.

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Jaco

Spanish Run

Release: 1984 / DE – Reissue

Genre: Electronic & Dance

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Diva (Bande Originale Du Film)

Vladimir Cosma

LP | 1981 | EU | Original (Milan)

5,99 €*

Release: 1981 / EU – Original

Genre: Rock & Indie, Electronic & Dance, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG

My Life With The Thrill Kill Kult I

See Good Spirits.. Limited 2lp Edition

2LP | 1988 | US | Reissue (Wax Trax!)

46,99 €*

Release: 1988 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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Critical Beatdown Colored Vinyl Edition

Ultramagnetic MC's

2LP | 1988 | EU | Reissue (Music On Vinyl)

33,99 €*

Release: 1988 / EU – Reissue

Genre: Electronic & Dance

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2LP | 1974 | EU | Reissue (Week-End)

Fred Frith

Guitar Solos / Fifty

42,99 €*

12" | 1988 | UK | Reissue (Fever)

Release: 1974 / EU – Reissue

Genre: Electronic & Dance

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Guitar Solos is the debut solo album of British guitarist, composer, and improviser Fred Frith. It was recorded while Frith was still a member of the English experimental rock group Henry Cow and was released originally in October 1974. Voted one of the best albums of 1974 by NME critics it also attracted the attention of Brian Eno, resulting in Frith playing guitar on two of Eno‘s albums. Frith‘s never tiring spirit in creating and performing music has made him one of the most notable and creative guitar players and musicians in the scene of improvised and composed music. For the anniversary of this release we have encouraged Frith to arrange a set up similar to what he used 50 years ago to record an album of new compositions which will accompany the original record.

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Sandee

Notice Me

15,99 €*

Violent Cop (Original Soundtrack)

Release: 1988 / UK – Reissue

Genre: Electronic & Dance

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A much-needed reissue of an all-time house classic, from the early explosion of the genre on dancefloors the world over. From the minds behind C+C Music Factory, David Cole and Robert Clivillés, Sandee ‘Notice Me’ encapsulates the New York Freestyle era of the late ‘80s perfectly. Early house heat laced with a distinctly Latin American feel, that has been heavy sampled since it burst onto the scene in ‘88. It’s syncopated, seductive and seriously infectious, with a steamy bassline that couples with Sandee’s echoed vocals to send your brain into a state of rapture. The ‘Notice The House’ mix is a shining example of that freestyle flavour, with the ‘Club Vocal’ leaning into a more synth pop meets electro, proto house feeling. Taking the final spot the stripped back dubbed out, b-boy beast ‘Dubbin' At Studio 54’. A must have record that still lights up the dance to this day.

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Daisaku Kume

LP | 1989 | EU | Reissue (WRWTFWW)

LP | 1986 | EU | Reissue (Full Time)

Release: 1989 / EU – Reissue

Genre: Electronic & Dance

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Wrwtfww Records is thrilled to announce the official reissue of Daisaku Kume's original soundtrack for the highly acclaimed 1989 Japanese crime/drama movie Violent Cop. Available for the first time outside of Japan, the album comes in a limited edition of 500 copies worldwide with a 45 rpm cut providing full audio pleasure and an iconic record sleeve featuring the movie director and star: the one and only "Beat" Takeshi Kitano!

Violent Cop marks Kitano's directorial debut - a gritty neo-noir in which he stars as a rogue detective fighting a sadistic crime syndicate, only to discover widespread internal corruption in the police force. Poetic, minimalistic, with a superb balance between small soothing moments of beauty and vertiginous sudden violence, the film spearheaded a superb international career for the multi-talented filmmaker, actor, and comedian, which includes works such as Sonatine, Hana-Bi, and Battle Royale. The release of the soundtrack on vinyl presents an excellent opportunity for fans to explore the musical underpinnings of one of Kitano's earliest creations. Daisaku Kume, known for his work as the keyboardist for late 70s fusion bands T-Square and Prism, showcases versatile musical prowess on the soundtrack, taking listeners on a sonic journey through a blend of genres including magnificent Erik Satie re-interpretations, melancholic smooth jazz sometimes reminiscent of Taxi Driver, ambient-classical, and modern Western atmospherics. It's the perfect setting for Kitano's stoic but tormented lonesome urban cowboy character. Raw power mixed with timeless elegance.

Violent Cop (Original Soundtrack) by Daisaku Kume follows the recent release of the soundtrack from another groundbreaking Japanese movie, Shin'ya Tsukamoto's Tokyo Fist (1995), with music by industrial visionaries Chu Ishikawa & Der Eisenrost, also currently available on Wrwtfww Records.

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Tom Hooker

Only One

18,99 €* 19,99 € -5%

12" | 1983 | EU | Reissue (Mr. Disc)

Release: 1986 / EU – Reissue

Genre: Electronic & Dance

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om Hooker is one of the world’s leading artists of the Italo Disco genre that marked the 1980s.

A talented singer and songwriter, he has performed on television programs and music festivals around the world, and his many productions have topped the charts in the United States and England.

FullTime Production is honored to present the remastered 1986 debut album “Only One” and in addition to the original tracks “Talk With Your Body”, “Come Back Home”, “Love Attack”, “Only One”, “Indian Girl” and it will also contain remixe of “Falling Into Love” by artist Jago already featured other releases on FullTime Production.

Track “Talk With Your Body” is among the most special and important productions of 1982.

The title is the best explanation of the track.

Talking with your body, listening to the vibrations of every muscle that can feel these slow and romantic but with a disco rhythm sounds that we can imagine in a hot summer of 1982 among those lights, colors and fashions.

The song still continues to communicate with the body to all generations today and to make us dance.

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Gaucho

Dance Forever

13,99 €*

Impulsi Di Sesso Black Vinyl Edition

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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Another 1983 gem is remastered by the label Mr. Disc Organization “Gaucho – Dance Forever”!

Gaucho is the trio formed by the great Italian producers Stefano Pulga, Luciano Ninzatti and Bruno Bergonzi that some of them remember in other music groups such as “Kano,” “Dharma,” “Sphinx” etc.

“Dance Forever!” Yes we want to dance forever with this rhythm! Percussion that doesn’t stop and this synth that provides the backdrop for this dance.

There is also a remix by young Musta and Stefano Ritteri who have strengthened the track making it more powerful!

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Moana Pozzi

LP | 1989 | EU | Reissue (Cinedelic)

28,99 €*

LP | 1981 | JP | Original (EMI)

Release: 1989 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Moana Pozzi in the late 1980s, following in the footsteps of her illustrious colleague Ilona Staller/Cicciolina, made her official singing debut by recording several songs arranged and produced by Jayhorus. The music ended up in several of her films as well as being performed in her hot live shows.

Discographically at the time only a few tracks were released on 7″ and 12″ singles that are now cult collector’s items for fetishists and weird DJs.

At last, Cinedelic has gotten their hands on the original masters, unearthing some unreleased ones as well, producing a luxurious gatefold LP.

Thus we find persuasive, nocturnal and mischievous tracks in perfect nightclub style such as “Amore Tossico”, “Autostop”, “Ultima Notte” and “La Gabbia” side by side with more Dance tracks such as his main hit “Supermacho”, the Dance-Rock “Impulsi Di Sesso” and “Gate One (Aeroplano Telecomandato)” and the Funky “Rocky.”

Unmissable!

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Olivia Newton-John

Physical

6,99 €*

Slow (Motion And Movement)

Release: 1981 / JP – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

No obi.

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V.A.

LP | 1980 | Reissue (Be With)

I'm Just A Lonely Girl / The Groove I'm In

Release: 1980 / Reissue

Genre: Electronic & Dance

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Welcome to library breaks *chopped 'n screwed*! Slow (Motion And Movement), originally released on Sonoton in 1980, is super-sought-after and full of crazy dubby, super SLLLLLOOOOWWWWW and super HEAVVVVVY library breaks. It's also home to blinding new age/synthy tracks that are equally great. It's really varied throughout, but all absolutely fantastic.

Slow features KPM/Bruton/Sonoton-legend John Fiddy, the mighty Sonoton founder and composer, arranger and conductor Gerhard Narholz in 2 of his best-loved guises - Sammy Burdson and Norman Candler (get it?) - as well as a couple of fine offerings from Antonio Campo.

Heavy opener "Slow Business 1" is veeeerrrrrrryyyyyy slooooooooow with the phased drums so beloved of Narholz but this time delivered by Campo, with a proud, deliberate piano melody and great bassline adorning the creeping rhythm. "Slow Business 2" is equally as slooooooow but without any melodic decoration. Just pure phased drums, folks! Get sampling. "Moody You" is Narholz's first track on the record and what a beauty it is. A languorous, insouciant, slo-mo guitar soul track with warm synths, electric piano and heavy drums. It sounds a wee bit like an erotic film score, and all the better for it. "Slow Groovement" is Campo's final contribution and it's definitely his best. It's an ace, moody-yet-melodic crime/blaxploitation track with gorgeous percussive elements, mellifluous Rhodes and twinkling piano over a fantastic bassline and drums with some great electric guitar soloing halfway through.

"Slow Reactor 1" is Narholz again, under his Burdson pseudonym, and it's him all the way, now, joined by John Fiddy for half the tracks. This one is a tense, phased, slo-mo thriller with mysterious percussive elements and ominous strings. "Threat To Research" contains mysterious, dramatic sounds and heaps of string-assisted tension whilst "Ion Exchanger" is replete with repetitive, strange accents and sounds; all half-tumbling drums and dead tense, again. Truly, a taut experience and ideal for adventurous sample-based beat-heads. "Wave Motions" is a real highlight and the first to feature John Fiddy. It's a beatless ambient banger with slowly changing sound waves. It sounds like Angelo Badalamenti would if he were crafting strung-out teutonic library madness in 1980. The A-Side closes with "Slow Motion Link" which is over waaaay too soon but just simply needs looping. Trust us. Phenomenally dope!

Flip over for "Scenic Vision 1" for here, ladies and gentlemen, we go sublime. It's an absolutely stunning ambient wonder, with slowly changing textures and colours that create a peaceful, gliding, tranquil atmosphere of sheer bliss. You will not want it to end. Whilst "Scenic Vision 2" adds a bass melody, "Scenic Vision 3" uses the same melody but renders it isolated and lonely in the background. Haunting, hypnotic and hyper-beautiful. "Study In Brown" is s a lengthier number, with room to stretch out, and features Fiddy back in the game. Again, a slow, isolated melody gradually segues - by way of Fiddy's mournful electric guitar solo - into a slow heavy rhythm with rumbling, groovy bass and stratospheric drums.

"Deja Vu 1" weaves swirling, disorientating magic. It's described on the original sleeve simply as "indefinite arpeggios inexplicable vision" and we can't put it any better ourselves. "Deja Vu 2" sounds like you've heard it before, it's "as above with melodic line" and really is fun. "Glistening Surface" sounds exactly as you'd expect, all frisson-inducing movements, slow waves and generally peaceful scenic sounds. This remarkable library record closes with "Laser Fight", blasting "utopian percussive sounds" that totally get under your skin like fireworks through your veins. A neat trick!

Established in Munich in 1965 by Gerard and Rotheide Narholz, Sonoton introduced library music to Germany. Initially intended to cater to the country's new TV market, the library also provided an avenue for Gerhard Narholz's astonishing musical prolificacy, and soon became a haven for a wide range of European composers and musicians. In 1969, Sonoton struck a deal with the British label Berry Music for international publishing rights, exposing its catalog to a worldwide audience; when Berry was bought out by EMI in 1973, Sonoton transitioned into a full-fledged international label, with successes in the library and commercial fields and many innovations to its credit. Now a worldwide operation with hundreds of producers and composers under its employ, Sonoton nonetheless remains an independently run business still helmed by its founders - a remarkable achievement in an era when nearly every other major library has been absorbed by a multinational conglomerate.

The audio for Slow (Motion And Movement) has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.

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Florence Miller

12" | 1977 | UK | Reissue (P&P)

15,99 €*

Ash Ra Tempel Black Vinyl Edition

Release: 1977 / UK – Reissue

Genre: Electronic & Dance

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Two hidden gems from the P&P vaults courtesy of a scarcely known talent from Georgia, Florence Miller get an official reissue 'I'm Just A Lonely Girl' and 'The Groove I'm In'. With only two releases to her name, both of which came on Peter Brown’s P&P Records, ‘The Groove I'm In’ released around 1975 got the attention of the Northern and Modern Soul scenes in the mid ‘90s becoming a real star of the show. Since then, it’s maintained consistent demand on the second-hand market with originals selling for over £200. As with most of Peter Brown's artists, they briefly emerged on the sparsely distributed P&P label, for a brief stab at stardom only to disappear when Peter's attentions moved on to the next releases. Consequently, very little is known about the multi-talented and sadly ignored Florence Miller following her two releases on the Harlem label. Clearly though, the music speaks for itself with the quality of the P&P catalogue and this Florence Miller slice of magic shining through to this day.

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Ash Ra Tempel

LP | 1971 | Reissue (MG.Art)

33,99 €*

LP | 1982 | EU | Reissue (Eargong)

Release: 1971 / Reissue

Genre: Electronic & Dance

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Black Vinyl, Sticker, 50th Anniversary RE-Edition, first-ever official reissue on vinyl since 1975,
Re-Cut carefully overseen by Manuel Göttsching.

TRACKLIST:

A. "Amboss" 19:40
B. "Traummaschine" 25:24

Ash Ra Tempel is the eponymous debut studio album by the Krautrock band Ash Ra Tempel.
It features guitarist Manuel Göttsching with drummer Klaus Schulze and bassist Hartmut Enke.
Engineered by Conny Plank it was recorded in March 1971 and released in June 1971 on Ohr Records.
This 50Th Anniversary Album will be Released in Memoriam of all the Musical Contributors to this Release and on Manuel Göttsching´s MG.ART label.
It´s the fourth and headlining edition in this series and was finalised, carefully overseen by Manuel Göttsching himself in the late Autumn of 2022.

Much has been written about the record and band.

Having finished a first musical chapter with their Steeple Chase Bluesband and still at very young age of only 17 and 18 years old Manuel Göttsching and Hartmut Enke met Klaus Schulze. Together they started to write and and compose what, to many,
became one the holy grails of Psychedelic Rock and early Electronic Music -
the German variant which was later also named "Krautrock":

Ash Ra Tempel´s self-titled first album "Ash Ra Tempel".

"The trio of Klaus Schulze, Manuel Göttsching and Hartmut Enke decided to abandon conventional composition and song writing, in favour of free-form improvising and developing a new musical language. As such, they became notorious for jams that could exceed 30 minutes." Says Discogs. "Some of these recordings can be found on Manuel Göttsching´s "The Private Tapes" releases", which will be re-released on MG.ART as well, following this edition.

"Krautrocksampler" author Julian Cope mentioned it to be "… one of the greatest rock 'n' roll LPs ever made." (Julian Cope Presents Head Heritage | Unsung | Reviews | Ash Ra Tempel - Ash Ra Tempel". 15 March 2000.)

AllMusic called the album "both astonishingly prescient and just flat out good, a logical extension of the space-jam-freakout ethos into rarified realms."

Here we would like the Band to be heard, for what can easily be said as the first time in 50+ years, with the exception of some early Journalists for whom the young Manuel Göttsching wrote a statement of intent (the original text can be found inside this edition) as following:

"Our musical concept is based on a combination of blues rock and delicate collages of electronic sound. These two elements should remain inseparable. And in their complex unity, the different musical philosophies of each musician find a common sweet spot. Our music is a permanently impulsive experience left to develop as it will, starting from a common fixed point of departure. This is where the difficulty of the music begins: No standardized formulation of our music can and should be possible. Only the constant reaction within the band can determine the musical result. And this requires constant listening with full concentration on the part of the creators. The idea of a particular musician will be - if flexible enough - absorbed by the others, transposed to their own instrument, and reflected back into the music as an individual contribution. This reciprocity within the band is then transferred over to the audience. And this process means that their reaction is not only a contribution to the end result; it actually makes them jointly responsible for the creation of the final musical product.
…
On our album, the track "Amboss" represents the first layer. Conventional instruments communicate familiar music which is in part expanded through electronic means. In the second track of the album - "Traummaschine" - the actual basic sound approach is dissolved into an electronic Nirvana which no longer allows the concrete identification of actual instruments. Innocent, virgin listening, free from any and every association, can finally begin - and the music can be absorbed and processed free from the limitations of categorization. That is the purpose of our music: To convey freedom without any predetermined criteria or traditions.

Thank you for your attention."
(Taken from the original A-R-T Bio 1970)

Hartmut Enke, Manuel Göttsching and Klaus Schulze aka. Ash Ra Tempel travelled to Hamburg in March 1971 to record their debut, with assistance of another Icon, legendary engineer Conny Plank.
The rest is history.

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Klaus Wiese

Maraccaba

22,09 €* 25,99 € -15%

12" | 1988 | US | Reissue (Chicago Vinyl)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Look no further for some classic contemporary ambient music ! Originally released on tape in 1982 Maraccaba is the second solo album from deutsch electronic wizard Klaus Wiese, a Popol Vuh member during the recordings of iconic masterpiece as ‘Hosianna Mantra’ and ‘Seligpreisung’. Ltd edition of 500 copies.

Member of the krautrock band Popol Vuh in the early 1970s – Voice, Zither, Tambura, Harmonium, Singing Bowls – Klaus Wiese (1942 – 2009) was a veteran musician, minimalist, and multi-instrumentalist. A master of the Tibetan singing bowl, he created an extensive series of album releases using them. Wiese also used the human voice, the zither, Persian stringed instruments, chimes, and other exotic instruments in his music. Wiese is considered by some as one of the great ambient or space music artists alongside Robert Rich, Steve Roach, Michael Stearns, Constance Demby, and Jonn Serrie. His musical style is much more appropriately compared to the organic soundscapes of drone and dark ambient music, such as Oöphoi, Alio Die, Mathias Grassow, and Tau Ceti. In the 1990s he founded the Nono Orchestra to play the giant sheetmetal instruments of Robert Rutman. Wiese is known also for his collaborations with Al Gromer Khan, Mathias Grassow, Oöphoi, Tau Ceti, Saam Schlamminger, and Ted de Jong. He collaborated with Deuter on his Silence is the Answer album in 1980 and East of the Full Moon in 2005.

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Tyree Cooper

Video Crash

12" | 1987 | UK | Reissue (Emotional Rescue)

Release: 1988 / US – Reissue

Genre: Electronic & Dance

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Chicago House legend Tyree Cooper reissues this incredibly storied stone cold classic. Though the origin story has been greatly disputed, one thing is certain.. this record bangs. Includes the original, the "acid Crash RX", and a very special rework from fellow Chicago legend Traxman.

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Betty & The Code Red

Akure

Disco Jazz Rainbow Vinyl Edition

Release: 1987 / UK – Reissue

Genre: Organic Grooves, Electronic & Dance

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Betty & The Code Red is a life and creative partnership between Benin-born Tunde Obazee and his girlfriend Betty. The pair grew up in Nigeria and would play all manner of instruments to entertain people at the local school before staying together as they went on to live in Italy and the US. Obazee performed at colleges and universities despite no formal training and eventually recorded a selection of tunes together including a small album on relatively new bits of gear like the Yamaha RX7. Especial has collated some of their best work across two new EPs, this being one of them.

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Rupa

LP | 1982 | US | Reissue (Numero Group)

12" | 1987 | UK | Reissue (Emotional Rescue)

Release: 1982 / US – Reissue

Genre: Electronic & Dance

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Rainbow VinylBarely disco and hardly jazz, Rupa Biswas'1982 LP is the halfway point betweenBollywood and Balearic. Tracked in Calgary'sLiving Room Studios with a crack team ofIndian and Canadian studio rats alike, DiscoJazz is a perfect fusion of East and West. Sarodand synthesizer intricately weave aroundone another for 37 transcendent minutes,culminating in the viral hit "Aaj Shanibar."Remastered from original analogue sourcematerial and issued with permission andblessing of the producers and performers.

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Group Du Jour

Motion Of Waves

12" | 1983 | EU | Reissue (ZYX Music)

Release: 1987 / UK – Reissue

Genre: Electronic & Dance

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Group Du Jour was founded in Portland, Oregon in 1983 and have had a storied career spanning the decades since. They have always brought together live, ethnic, and electronic sounds with folk and modern pop, later getting ever more experimental. Early albums Forgotten Colors in 1986 and Wonderful Vision in 1988 are groundbreaking affairs, the latter of which gave rise to 'Motion Of Waves', which is something of a cult favourite for deep diggers. It is a rich instrumental groove that layers up synthesiser, flute, guitar and haunting vocals sitting over a brilliantly electric beat. The whole thing was a live one-take recording and is perfectly suited to both sunset and sunup moments of dancing pleasure.

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Samoa Park

Tubular Affair

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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12" | 1984 | EU | Reissue (ZYX Music)

Otto Mix

Sahara Sand

Release: 1984 / EU – Reissue

Genre: Electronic & Dance

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12" | 1988 | EU | Reissue (Thank You)

Degrees Of Freedom

China

22,99 €*

12" | 1989 | FR | Original (Fontana)

Release: 1988 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Degrees of Freedom is a Canadian musical group founded in 1984 in Montreal by Janet Cadman (vocals and percussion), Martin Chartrand (bass, guitar, rhythm programming and vocals) and David Curtis (keyboards, vocals, and percussion). Established as a 5-piece New Wave cover band, Degrees of Freedom evolved into its classic quartet configuration following the departure of the original guitarist and drummer, and the subsequent enlistment of Santino Mastrocola on drums. With this lineup change came a new musical mission: the writing, recording and live presentation of original material only. Since Santino's withdrawal from the band in 1988, Degrees of Freedom has carried on as a trio in the studio while augmenting concert performances with additional musicians.

In February 1985, Degrees of Freedom performed at the newly formed S.O.S. (Save Our Songwriters) Club in Montreal. Like other participants in the S.O.S. project, Degrees of Freedom was rewarded with studio time to record some of its own songs. One of these, "August is an Angel" was selected to close out the locally produced 1985 band anthology album "Listen - A Faze Compilation of Montreal Music." The next year, a new track "In This Room," was included in the follow-up release "Listen 2." Both songs, with four newly recorded works, were issued in 1988 as Degrees of Freedom's eponymous sole vinyl release, informally known as the “China” album.

In 2015, the music of Degrees of Freedom experienced a renaissance thanks to a new generation of club DJs, traditional and internet-based radio hosts, vinyl disc collectors, and other aficionados of synth-based music. Local and international recognition has come in the form of record sales to fans in Canada as well as in the USA, Germany, Scotland, England, Ireland, Belgium, The Netherlands, France, Spain, Lithuania, Sweden, Bulgaria, Australia, Vietnam, and Japan. Responding to the resurgence of interest, Degrees of Freedom has twice re-issued the disc (2017 and 2019). Today, with eyes on the future and the past, Janet, Martin and David continue to collaborate on new material including the songs, "Metal Flesh" and "Be This Way" both accessible on the band's YouTube channel.

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Jean Paul Gaultier

How To Do That

5,99 €*

Release: 1989 / FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Single Sided, Etched.

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Lil Louis

French Kiss

12" | 1989 | US (Epic)

13,99 €*

Release: 1989 / US

Genre: Electronic & Dance

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12" | 1979 | US (Hithouse)

Hudson People

Trip To Your Mind

14,99 €*

Release: 1979 / US

Genre: Organic Grooves, Electronic & Dance

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Waking Up With The House On Fire = ハウス・オン・ファイヤー

Culture Club

LP | 1984 | JP | Original (Virgin)

8,99 €*

LP | 1983 | JP | Original (Epic)

Release: 1984 / JP – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

verall close to NM

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Wham!

Fantastic

14,99 €*

League Unlimited Orchestra

Release: 1983 / JP – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

no Obi. Cover has slight ring wear.

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Love And Dancing

LP | 1982 | EU | Reissue (Universal)

20,99 €*

Release: 1982 / EU – Reissue

Genre: Electronic & Dance, Reggae & Dancehall

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LP | 1977 | FR | Original (Barclay)

V.A.

Le Disco Album

10,99 €*

Release: 1977 / FR – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1986 | JP | Reissue (Universal)

Yukako Hayase

So Utsu

51,99 €*

LP | 1983 | DE | Original (Polydor)

Release: 1986 / JP – Reissue

Genre: Electronic & Dance

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Preorder shipping from 2024-08-02

Yukako Hayase released her debut album on Sixty Records in 1986. Yasushi Akimoto handled the lyrics and production for all but one of her songs. With her laid-back voice, worldly-wise attitude, and European-inspired sound, this album has gained renewed appreciation in recent years for its ahead-of-its-time vibe.

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Mezzoforte

Surprise, Surprise

8,99 €*

Release: 1983 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Electronic Concept Orchestra

Electric Love

LP | 1973 | UK | Original (Mercury)

13,99 €*

Release: 1973 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

LP | 1982 | JP | Original (RCA)

Daryl Hall & John Oates

H₂O

(Keep Feeling) Fascination

Release: 1982 / JP – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Japanese pressing, comes with Obi and inserts.

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The Human League

12" | 1983 | AU | Original (Virgin)

9,99 €*

Release: 1983 / AU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1989 | DE | Original (Teldec)

La Toya Jackson

Bad Girl

Release: 1989 / DE – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1987 | EU | Original (Atlantic)

Debbie Gibson

Shake Your Love

Release: 1987 / EU – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Take Me To Your Heart / Mad Mad Megamix

Rick Astley

12" | 1988 | CA (Beat)

6,99 €*

Release: 1988 / CA

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | 1989 | IT | Original (Smash One Music)

Belen Thomas

Panamà

12,99 €*

12" | 1986 | US | Original (Tremper Records)

Release: 1989 / IT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Sticker on cover.

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Donna Garraffa

Don't Make Me Wait

Release: 1986 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1983 | JP | Original (EMI)

Kajagoogoo

White Feathers

11,99 €*

Release: 1983 / JP – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 1982 | JP | Original (Polydor)

Shakatak

Night Birds

11,99 €*

12" | 1983 | DE | Original (Polydor)

Release: 1982 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing, comes with Obi and inserts.

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The System

You Are In My System

11,99 €*

Release: 1983 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Papa Was A Rollin' Stone (Remix 1987)

The Temptations

12" | 1987 | UK | Original (Motown)

Release: 1987 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

2LP | 1982 | EU | Reissue (Virgin EMI)

Brian Eno

Ambient 4 (On Land)

40,99 €*

Ambient 1 (Music For Airports)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed. 2018 reissue Limited edition.

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Brian Eno

2x12" | 1979 | EU | Reissue (Virgin EMI)

56,99 €*

12" | 1987 | EU | Original (CBS)

Release: 1979 / EU – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed. 2018 reissue Limited edition.

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V.A.

Mike's Mixes

Release: 1987 / EU – Original

Genre: Hip Hop, Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

Non Stop Ecstatic Dancing

Soft Cell

LP | 1982 | EU | Reissue (Universal)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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British Electric Foundation

Music Of Quality And Distinction Volume One

LP | 1982 | EU | Original (Virgin)

12" | 1988 | DE | Original (Parlophone)

Release: 1982 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: G+

Sticker on cover. Cover splits on top seam.

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Brother Beyond

He Ain't No Competition

3,74 €* 4,99 € -25%

Release: 1988 / DE – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1987 | US | Original (Wow!)

Havana

Satisfy My Desire

12" | 1987 | UK | Original (Transglobal)

Release: 1987 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Label cover.

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Taffy

Step By Step

Release: 1987 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

12" | 1986 | DE | Original (WEA)

Candy Mckenzie

Turn Me Up

12" | 1988 | NL | Original (EMI)

Release: 1986 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

price tag on front

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Selena

Shotgun

4,49 €* 5,99 € -25%

Release: 1988 / NL – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Lambada (The "Original" French Kiss Dance Mix)

Lips-Kiss

12" | 1989 | FR | Original (Clever)

Musiques Pour Garcons Et Filles + Inedits

Release: 1989 / FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Sticker on cover.

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Video-Aventures

2LP | 1981 | EU | Reissue (Souffle Continu)

34,99 €*

12" | 1988 | ES | Original (Virgin)

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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After the experience of Camizole, Dominique Grimaud began a new adventure in 1979 with Monique Alba. Alongside Gilbert Artman (Urban Sax), Guigou Chenevier (Etron Fou Leloublan), Jean-Pierre Grasset (Verto) and Cyril Lefebvre (Maajun), Vthis LP is composed of instrumentals capable of reconciliating Captain Beefheart, Henry Cow, Suicide and John Barry.

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Sheik Fawaz

Mohamed's House

Release: 1988 / ES – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1988 | ES | Original (Splash)

Kelly Wilde

Nothing But Promises

3,74 €* 4,99 € -25%

Release: 1988 / ES – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Nothing Here Now But The Recordings Clear Vinyl Edition

LP | 1981 | US | Reissue (Dais)

Release: 1981 / US – Reissue

Genre: Electronic & Dance

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In 1980, Genesis P-Orridgeand Peter "Sleazy" Christopherson of(then-)Throbbing Gristle travelled to New York City to meet up at thefortified apartment, known as The Bunker, of famed beat writer andcultural pioneerWilliam S. Burroughsand his executor JamesGrauerholz. Genesisand Sleazy started the daunting task of compilingthe experimental sound works of Burroughs, which, up until that point,had never been widely heard.During those visits, Burroughs would play back his tape recorderexperiments featuring his spoken word "cut-ups", collaged fieldrecordings from his travels and his flirtations with EVP recordingtechniques, pioneered by Latvian intellectual Konstantins Raudive. Overthe following year, P-Orridge, Christopherson and Grauerholz spentcountless hours compilingvarious edits, each collection showcasingBurroughs sensitive ear and experimental prowess for audio anomalywithin technical limitations. In early 1981, Burroughs had relocated toLawrence, KS to escape the violence and manias of New York City life.There, P-Orridge and Christopherson put the finishing touches on therecord that would be known asNothing Here Now but the Recordings.Released in Spring 1981, the album would end up as the final release onIndustrial Records, brought about by the dissolution of Throbbing Gristle.It was quietly out of print until 1998, when John Giorno and the GiornoPoetry Systems included the album on a retrospective CD box set, whichcompiled the majority of Burroughs's seminal recordings. In 2015, DaisRecords worked closely with the Estate of William S. Burroughs to finallyre-release, for the first time in 36 years, a proper vinyl reissue of WilliamS. BurroughsNothing Here Now but the Recordingsto celebrate thecentennial anniversary of William S. Burroughs. For the2023 edition, Daishas remastered the audio with renowned engineer Josh Bonati, andrestored the original artwork with a new dedication to Genesis Breyer P-Orridge and Peter Christopherson.

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Nothing Here Now But The Recordings Black Vinyl Edition

LP | 1981 | US | Reissue (Dais)

Release: 1981 / US – Reissue

Genre: Electronic & Dance

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Break Through In Grey Room Clear Vinyl Edition

LP | 1986 | US | Reissue (Dais)

Release: 1986 / US – Reissue

Genre: Electronic & Dance

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Inspired by the original Industrial Records release of William S. Burroughs's Nothing Here Now but the Recordings Belgian record label Sub Rosa worked with Burroughs to release another album: Break Through In Grey Room. Originally compiled in 1986 by producer Bill Rich, the album features Burroughs's experimental recordings from 1961 to 1976, featuring field recordings by Burroughs of the Master Musicians of Jajouka, experimental collaborations with mathematician Ian Sommerville and painter/cut-up originator Brion Gysin. Break Through In Grey Room documents William S. Burroughs during his time in Europe and England, working with Ian Sommerville on recording with the 'cut -up' technique. Sommerville's technical background enabled him to contribute to the early development of sound - and - light shows in London, leading to work with gear provided by Paul McCartney in an apartment owned by Ringo Starr. Experimental in nature, the record is as much an exhibition of studio and composition technique as it is a document of underground culture at that time. For the 2023 reissue, Dais Records has collaborated with the Estate of William S. Burroughs on reissuing the album on vinyl and compact disc, fully remastered by mastering engineer Josh Bonati.

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Break Through In Grey Room Black Vinyl Edition

LP | 1986 | US | Reissue (Dais)

We've Got A Fuzzbox And We're Gonna Use It

Release: 1986 / US – Reissue

Genre: Electronic & Dance

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Walking On Thin Ice

12" | 1989 | UK | Original (WEA)

Release: 1989 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1988 | UK | Original (Blatant)

Evie

Just Stay The Night

Release: 1988 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1980 | UK | Original (Automatic Record Co.)

Eye To Eye

Am I Normal?

5,99 €*

Release: 1980 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

12" | 1984 | DE | Original (Magnet)

The Parachute Club

Rise Up

Release: 1984 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

12" | 1983 | DE | Original (Pinnacle)

Foton

Bamboo Curtain

3,74 €* 4,99 € -25%

General Hospi-tale (Vocal & Instrumental)

Release: 1983 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover with small price tag on the front

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The Afternoon Delights

12" | 1981 | DE | Original (MCA)

12" | 1986 | DE | Original (Chic)

Release: 1981 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Record is close to near mint.

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Donnette Robbins

We're Close To Heaven

5,24 €* 6,99 € -25%

Have You Heard This Story?

Release: 1986 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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Swamp Dogg

LP | 1974 | EU | Reissue (Alive)

33,99 €*

Release: 1974 / EU – Reissue

Genre: Electronic & Dance

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12" | 1986 | CA | Original (Power)

Eria Fachin

Savin' Myself

3,49 €* 4,99 € -30%

Release: 1986 / CA – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Reality Gates Record Store Day 2023 Edition

Steve Birchall

LP | 1973 | EU | Reissue (Soave)

26,39 €* 32,99 € -20%

12" | 1987 | US | Original (CBS Associated)

Release: 1973 / EU – Reissue

Genre: Electronic & Dance

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Soave Records dusts off in limited edition the psych/synth album by Doctor Steven T. Birchall recorded in 1973 in Indiana, U.S.A. with the following equipment: Vcs-3 (The Putney) by EMS, Ampex Mm-1000 16 trk, dbx noise reduction, SpectrasSonics Console, Studer A80 Recorder, Eventide Clockworks, Instant Phaser, Cooper Time Cube, EMT Reverb. The absolutely penetrating high tones of the opening track 'Music Of The Spheres' announce us that we are on board, passengers in the hands, or perhaps better to say in the mind, of Birchall who aims to go beyond those "normal" boundaries that we call reality. It is a new world of music that still amazes after half a century. A higher stage of truth projected into the cosmos.

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Frizzby Fox

Pretty Boys

2,79 €* 3,99 € -30%

Release: 1987 / US – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 1989 | EU | Reissue (La Scie Doree)

Nikolaus Utermöhlen

Karlsbad

25,99 €*

LP | 1979 | UK | Reissue (Finders Keepers)

Release: 1989 / EU – Reissue

Genre: Electronic & Dance

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Thrilled to announce the reissue of Nikolaus Utermöhlen’s ‘Karlsbad’ album, originally released in 1989. Utermöhlen was a founding member of Die Tödliche Doris and this is his sole solo release. A collection of 23 witty oddball compositions for clarinet, accordion, percussion, recorder, violin, guitar, organ. It definitely has a Doris dose but even more so it shines for its totally singular mélange of tribal dada chamber folk, dilettante dissonant poetry, hard to compare with anything else. A slice of flamboyant wellness.

The recordings of this album were made for the ‘Georgette Meunier’ film by Tania Stöcklin and Cyrille Rey-Coquais. Issued from the original master tapes and includes the 8 page booklet with engravings from the Karlsbad spa era.

Thank you Wolfgang Müller, Radek Krolczyk, Jeffrey Babcock and… Nikolaus…

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Alain Pierre

Des Morts (Of The Dead)

22,49 €* 24,99 € -10%

LP | 1984 | UK | Reissue (Les Disques Du Crepuscule)

Release: 1979 / UK – Reissue

Genre: Electronic & Dance

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Expanded reissue of mega rare 1979 unknown vanity pressing LP that blends ethnological field recordings, musique concrète principles, and introspective synthesizer music from this cult European studio maverick and historic collaborator of COS, Philippe Druilet, Marc Moulin, and John Surman. Alain Pierre's Mondo movie soundtrack to the controversial Des Morts shares very few stylistic rivals, but fans of Jodorowsky's The Holy Mountain soundtrack and some of the more eldritch early sampling experiments of Jean-Pierre Massiera will certainly draw fragmented comparisons herein. Other listeners might file this album at the weirder end of your Smithsonian Folkways shelf, just before the Video Nasty soundtracks. Presented in remastered form comprising extra vintage studio outtakes (in accordance with the films morbid narrative), Des Morts serves as a would-be sequel to Finders Keepers' previous Ô Sidarta release witnessing Pierre balance his allegiance to the Belgian bandes dessinée scene and Thierry Zéno's shock cinema oeuvre from the heart of his uber-legendary Brussels based experimental recording studio through the 1970s. Presented in remastered form comprising extra previously unreleased vintage studio outtakes. Edition of 750.

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Anna Domino

East & West + Singles

29,99 €*