Electronic & Dance Vinyl 1451 Items

LP | 1972 | US | Reissue (Etats-Unis)

Release: 1983 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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This first reference (ate001) is a reissue of Corsica Ribella, which is the second album by Ghjuvan Petru Graziani (GP.G) in collaboration with the poet Rinatu Coti. Limited to 300 copies, the reissue includes the restoration of the cover as well as an 8-page booklet containing sketches, poems and exclusive interviews with the artists translated into three languages (French/English/Corsican). Below a bit more about the artist Ghjuvan Petru Graziani (GP.G) : Born in Corsica, with a childhood in Toulon, then planer and toolmaker at the Renault Billancourt factory, GP.G created the Groupe Culturel Renault which had an impact in the political strike of 1971. Multi-faceted artist, GP.G is known among other things for his activist music label Les Disques Vendémiaire with which he produced a few big names in free jazz such as JEF Gilson, François Tusques, Cossi Anatz and ByardLancaster. Corsica Ribella record is born in 1984 when G.P.G was back in Corsica. He was at this time highly committed to the Corsican National Liberation Front (flnc). Corsica Ribella is then the first Corsican electronic disc ; a clever mix of electronics, poetry and field recording. Jazz-funk influenced, the LP is a cosmic ballad oscillating between ambient and leftfield with large instrumental parts against backdrop of nationalist demands, an ode to freedom.

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The Taj-Mahal Travelers

July 15, 1972

37,99 €*

Once More Into The Bleach

Release: 1972 / US – Reissue

Genre: Electronic & Dance

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For over half a century, Takehisa Kosugi was one of the most unique and enduring figures in the Japanese underground. With a penchant for long psychedelic jams (some lasting 12 hours or more) The Taj-Mahal Travelers lived up to their name. Touring in a Volkswagen van across Europe and Asia in the early '70s, they eventually reached the actual Taj Mahal in India. Upon their return to Japan, they held a concert to raise more touring funds and released their very first recordings. Their debut album, July 15, 1972, would extend the band's matter-of-fact titling: all the tracks were named precisely for the times they began and ended.

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Deborah Harry / Blondie

2LP | 1988 | US | Original (Chrysalis)

37,49 €* 49,99 € -25%

Electronic Universe Neon Coral And Blue Vinyl Edition

Release: 1988 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Cover with saw cut, close to VG+

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Software

2LP | 1985 | US | Reissue (100% Electronica)

LP | 1977 | US | Reissue (Etats-Unis)

Release: 1985 / US – Reissue

Genre: Electronic & Dance

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Software's classic fifth 2xLP 'Electronica-Universe' is now available on vinyl for the first time since 1985 with two vinyl-only tracks 'Cosmic-Calimba' and 'Love-Potion-Of-Artificial-Life'. 100% Electronica HQ painstakingly digitally restored the art and tracked down two of the lost tracks for this very special 2xLP reissue. Since 1983 Peter Mergener and Michael Weisser experiment with electronic sounds, visuals and environments. Their special interest is the area of how computers can be used to help express creative art of a wide variety. The LP's and CD's are just one part of Multi-Media-Events, combining music, computer-graphics and high-technology-poetry. Software combines these elements beautifully, showing that technology as the sign of the time is emotion, stylish design and a new dimension of high-tech-beauty.

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Joe Jones

In Performance

Release: 1977 / US – Reissue

Genre: Electronic & Dance

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After studying with composers John Cage and Earle Brown, Joe Jones became a prominent figure in Fluxus, contributing to the movement’s first “yearbox” alongside La Monte Young, György Ligeti and Nam June Paik. Beginning in late 1961, Jones began constructing his own music machines – drawing inspiration from the calliopes, automata and orchestrions of the 19th and early 20th century to create self-playing ensembles of stringed instruments, percussion and woodwinds – “played” through an elaborate (yet decidedly lo-tech) system of rubber bands, balls and tin foil.

Christened the Tone Deaf Music Company, this battery of automated musical instruments generates the sounds on In Performance (originally released in 1977 on the Harlequin Art imprint). With exacting conceptual precision and varied subtleties of natural motion – not unlike Harry Bertoia’s sounding sculptures – Jones’ machines produce richly-textured strata of sound and serve as engines of paradox. While bringing the figure of the artist-composer to the foreground, the machines ultimately dispense with the need for the performer entirely – a cunning subversion of the fetish for virtuosity and individual genius.

Limited edition of 500 numbered copies on clear vinyl.

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Nature Unveiled Picture Disc Edition

LP | 1984 | US | Reissue (Cashens Gap)

Release: 1984 / US – Reissue

Genre: Electronic & Dance

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Swastikas For Noddy Picture Disc Editoin

LP | 1988 | US | Reissue (Cashens Gap)

Release: 1988 / US – Reissue

Genre: Electronic & Dance

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Dogs Blood Rising Picture Disc Edition

LP | 1984 | US | Reissue (Cashens Gap)

Release: 1984 / US – Reissue

Genre: Electronic & Dance

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12" | 1981 | JP | Original (EMI)

Nite Romantics

Release: 1981 / JP – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing. OBI is missing. With insert. Vinyl has some scuffs. Cover is close to NM.

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LP | 1981 | JP | Reissue (EMI)

LP | 1972 | DE | Original (Bellaphon)

Release: 1981 / JP – Reissue

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Japanese pressing. With OBI and insert. Few scuffs and tiny corner wear.

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Brainticket

Psychonaut

Les Tueurs De La Lune De Miel

Release: 1972 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: G+

Tear in front cover, besides that VG. Hype sticker on front.

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The Honeymoon Killers

LP | 1984 | JP | Original (Crammed Discs)

LP | 1978 | EU | Reissue (Tokuma)

Release: 1984 / JP – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Cover and vinyl are close to NM. With insert. OBI is missing.

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Akio Niitsu

I/O(I･O)

Release: 1978 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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(Japanese pressing, Official reissue) Brilliant synth prog weirdness from the late 1970s Tokyo. Recorded by the guitarist Akio Niitsu who was compared, not without reason, to Manuel Göttsching. Niitsu has a fairly small discography of only three full-length albums, but his second one - “Pet Step” - was on Tomita’s label and supposedly with the involvement of Haruomi Hosono (this is according to Chee Shimizu who lists it in his “Obscure Music”).

Akio Niitsu's first album, "i/o(i･o)" released in 1978, was produced in a homemade studio that had been converted from a storeroom in his home, and he spent three years doing everything from composition to engineering by himself, using overdubbed guitar recordings. 's first analog re-release has been decided.As a guitar multi-recording album, the idea was realized six years earlier than the album "e2-e4" released in 1984 by Manuel Göttsching, the central figure of "Ash La Tempel", but it was too early. A hidden experimental/ambient gem!The paradoxical sound that makes you feel as if you are lost deep in a labyrinthine forest, combined with Tadanori Yokoo's artwork, is a piece that allows you to enjoy Akio Niitsu's worldview with your ears and eyes.

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Seven And The Ragged Tiger

LP | 1983 | JP | Original (EMI)

Digital-Dance Color In Color Vinyl Edition

Release: 1983 / JP – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing with obi and poster! Vinyl has some paper scuffs. Cover is close to NM.

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Software

LP | 1988 | US | Reissue (100% Electronica)

35,99 €*

LP | 1978 | US | Reissue (Fact Of Being)

Release: 1988 / US – Reissue

Genre: Electronic & Dance

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Since 1983 Peter Mergener and Michael Weisser experiment with electronic sounds, visuals and environments. Their special interest is the area of how computers can be used to help express creative art of a wide variety. The LP's and CD's are just one part of Multi-Media-Events, combining music, computer-graphics and high-technology-poetry. Software combines these elements beautifully, showing that technology as the sign of the time is emotion, stylish design and a new dimension of high-tech-beauty.

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Iasos

Angelic Music

35,99 €*

LP | 1978 | JP | Reissue (Warner Music Japan)

Release: 1978 / US – Reissue

Genre: Electronic & Dance

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In 1978 Iasos has returned with a new album consist of 2 long peaceful compositions “The Angels of Comfort “ and “Angel Play”.

These pieces are extremely soothing, heavenly, loving, and peaceful, and capture the energies of love - on a galactic scale. It functions as a universal healing comforting presence.

This genre of music could be termed 'classical New Age music'. The philosopher Alan Watts has said, 'Iasos is doing the classical music of the New Age.' This album is a 'vibrational environment' of soothing loving angelic feelings - very nurturing and comforting.

The music can be used for creating a sacred space, for meditating, body-work, visualization, hospice work, emotional healing, and for tuning into angels. It is well suited for relaxing the mind, body and spirit.

When Iasos first released this album, it immediately became an underground classic, due to its universal appeal. It was the one of first albums that created a new music genre now known as ''New Age'' music. In addition, it still is one of the most cherished pieces of music worldwide. The Psychology Department at Plymouth State College had this music receive the highest rating, by quite a margin, for being ''most like the heavenly music'' heard by people who had had a near-death experience.

'Angelic Music' was released on vinyl only once in 1989 on Brazilian label Estúdio Eldorado. This is a first LP reissue and additional CD reissue. Comes with original artwork - Painting ['Star Dancer'] by Gilbert Williams.

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Osamu Shoji

Jataka

35,99 €*

Musiques Pour Garcons Et Filles + Inedits

Release: 1978 / JP – Reissue

Genre: Electronic & Dance

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"jataka" is an ambient to experimental synthesizer masterpiece album released in 1978 by Osamu Shoji, known as a composer, arranger, and synthesizer player. Contains a total of 8 songs, including "pyramid Ion" where cosmic synth shines. I think many people have been looking for this title, as the used market price has soared and there are many WANTs from overseas!

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Video-Aventures

2LP | 1981 | EU | Reissue (Souffle Continu)

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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After the experience of Camizole, Dominique Grimaud began a new adventure in 1979 with Monique Alba. Alongside Gilbert Artman (Urban Sax), Guigou Chenevier (Etron Fou Leloublan), Jean-Pierre Grasset (Verto) and Cyril Lefebvre (Maajun), Vthis LP is composed of instrumentals capable of reconciliating Captain Beefheart, Henry Cow, Suicide and John Barry.

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Trans-Europa Express German Version Clear Vinyl Edition

LP | 1977 | UK | Reissue (Parlophone)

Release: 1977 / UK – Reissue

Genre: Electronic & Dance

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Radio-Aktivität German Version Translucent Yellow Vinyl Edition

LP | 1975 | UK | Reissue (Parlophone)

Release: 1975 / UK – Reissue

Genre: Electronic & Dance

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Die Mensch-Maschine German Version Translucent Red Vinyl Edition

LP | 1978 | UK | Reissue (Parlophone)

Release: 1978 / UK – Reissue

Genre: Electronic & Dance

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Third (It's Always Rock'n'Roll)

Heldon

2LP | 1975 | EU | Reissue (Bureau B)

Release: 1975 / EU – Reissue

Genre: Electronic & Dance

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LP | 1980 | US | Reissue (Mesh-Key)

R.N.A. Organism

R.N.A.O Meets P.O.P.O

LP | 1989 | EU | Reissue (Driven By The Music)

Release: 1980 / US – Reissue

Genre: Electronic & Dance

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Much appreciated reissue of R.N.A. Organism’s ‘R.N.A.O Meets P.O.P.O’ (first released by legendary Osaka label Vanity Records in 1980). A key document of the late ’70s experimental music scene in Kansai, Japan, R.N.A.O Meets P.O.P.O is a hallucinatory trip of dubby bass, churning guitars, sputtering rhythm boxes, twisted vocals and unidentifiable sound effects.

Carefully remastered by Stephan Mathieu from the original tapes, cut by Josh Bonati, pressed by RTI, and housed in a hefty Stoughton tip-on sleeve. This oedition also includes an expanded insert with an illuminating essay by R.N.A. Organism producer Kaoru Sato.

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Donna Summer

Another Place And Time

Release: 1989 / EU – Reissue

Genre: Electronic & Dance

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LP | 1976 | US | Reissue (Etats-Unis)

V.A.

I.D. Art #2 L

34,19 €* 35,99 € -5%

Have You Heard This Story? Blue Vinyl Edition

Release: 1976 / US – Reissue

Genre: Organic Grooves, Electronic & Dance

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Los Angeles Free Music Society (lafms) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, Lafms incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah Record Shop in old Pasadena. Inspired by The Residents, Lafms self-released records and periodicals, organized performances and connected with fellow outsiders via post in the years before punk. Their uninhibited, egalitarian ideal of music-making and DIY distribution would influence generations of underground musicians. Lafms primarily reached outside Los Angeles via word-of-mouth and the United States Postal Service, foreshadowing the self-publishing and cassette trading networks of post-punk and industrial subcultures. In 1976, Joe Potts solicited recordings from Lafms affiliates and admirers to edit and compile I.D. Art #2, utilizing correspondence art's technique of "assemblings." (The first installment in this series was a magazine, and the third was a coloring book.) Potts received dozens of pieces by members of Le Forte Four, Doo-Dooettes, Smegma and Ace & Duce as well as painters, filmmakers and non-artists with few recording credits to their name, creating a delirious, winking sound-art collage of field recordings, voicemails and improvisations. Participants purchased time on the record and received one copy each of the finished LP, realizing the philosophy contained in Lafms' motto: "The music is free, but you have to pay for the plastic, paper, ink, glue and stamps." This first-time vinyl reissue is limited to 500 numbered copies. Comes with insert.

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Swamp Dogg

LP | 1974 | EU | Reissue (Alive)

Release: 1974 / EU – Reissue

Genre: Electronic & Dance

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LP | 1974 | EU | Reissue (Real Gone Music)

Soul Searchers

Salt Of The Earth

Release: 1974 / EU – Reissue

Genre: Electronic & Dance

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Neu! Picture Disc Edition

Neu!

LP | 1972 | EU | Reissue (Grönland)

Release: 1972 / EU – Reissue

Genre: Electronic & Dance

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12" | 1984 | CA | Reissue (Morning Trip)

Karma Moffett

Chomolhari

2LP | 1983 | EU | Reissue (Staalplaat)

Release: 1984 / CA – Reissue

Genre: Organic Grooves, Electronic & Dance

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On 1984's Chomolhari, new age pioneer Karma Moffett eschews the arsenal of Tibetan bells and resonant singing bowls, which he usually uses to conjure his healing ambient works. Instead, he opts for the shimmering arpeggiation and gentle glissando of the Moog synthesizer. With this aural palette, he soundtracks a rich inner voyage of peace and reflection. Bookended by the calming drone of the Tibetan longhorn, the trip to Chomolhari and back is one worth taking again and again.

Karma Moffett reminisces: “Chomolhari. Bhutan’s deeply venerated guardian peak. While living in San Francisco, I wandered into the first Tibet Shop in the city. I met Dorje Lama, the creator.He became my good friend and guide, and introduced me to His Holiness the Dalai Lama, the 16th Gyalwa Karmapa, the venerable Kalu Rinpoche, and Tai Situ Rinpoche. He opened the door to the path of an inspired and enlightened journey for me. After reading ‘Seven Years in Tibet’, I created ‘Chomolhari’ as a mystical journey to the higher planes of the majestic mountains. Dorje would say: ‘The wildest dreams of the Americas are the facts of Tibet.

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Het Zweet

Harder They Come Record Store Day 2021 Edition

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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Remastered reissue of Het Zweet's 1987 self-titled LP + a bonus LP, consisting of previously unreleased material.

Marien Van Oers work under the name Het Zweet (“The Sweat” in English) originally came out in the 1980s (specifically 1983-1988), but listening to the new reissue of this self-titled album from 1987 can feel like one is listening to something that’s both much more current and also much, much older than that. Van Oers, who passed away in 2013, made music that tended to get classed as “industrial”, and tracks here like the steady, clanging churn of “From the Lowland” or “On Earth” show why, but he was as or more inspired by tribal music intended to produce trance-like effects via rhythm and (percussive and vocal) repetition. Using instruments made by himself out of anything from shopping carts to cardboard tubes, the music of Het Zweet locks into grooves that somehow feel more elemental and physical than many of his contemporaries. It never quite feels like Van Oers is emulating or echoing the music of any particular region or tradition so much as trying to synthesize all the ones he’s heard into some sort of ur-pulse, an overtone so powerful as to compel the “Massive Trance” the title of the last song on the record evokes.

While the 1987 Het Zweet has four track titles per side, and on listening you can discern some segues and places where it feels like new movements do shift into place, it’s fitting to have this record on vinyl where the listener is encouraged to experience each side as one uninterrupted piece. The bonus material included on this reissue expands Het Zweet from one LP to two, the second LP consisting entirely of previously unreleased material. This bonus LP is sequenced similarly, with three untitled tracks and two live excerpts presented as side-long experiences that belie their disparate origins with a unity of sound and purpose. Van Oers’ percussive nous and distantly yelled chants certainly sound capable of working up a sweat in both the performer and any movement- minded listeners, but maybe the most striking thing about Het Zweet is how vital it still sounds, despite its age and relative obscurity.

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Masaki Ueda

7" | 1978 | JP | Reissue (Universal Music Japan)

LP | 1975 | US | Reissue (Speakers Corner)

Release: 1978 / JP – Reissue

Genre: Electronic & Dance

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Record Store Day Japan 2021 Drop 2 release. Released in 1978, Masaki Ueda sang the reggae lovers’ masterpiece “Harder They Come” in Japanese, a soulful cover single.

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Vangelis

Heaven And Hell

Release: 1975 / US – Reissue

Genre: Electronic & Dance

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Technical innovations in musical instruments and the development of tonal language have been continual subjects for deliberation from the 19th century onwards at the latest. Additional brain power is necessary to conciliate the two elements with the endless possibilities of electronic sound. In the end, the two factions cannot resolve on a conclusive opinion and the question remains as to whether art always results from skill.
Evángelos Odysséas Papathanassíou, or Vangelis for short, always worked with the newest synthesizer equipment and pushed his cascades of sound to the very edge, right up to the point of electronic overkill. In contrast to many other electronics experimentalists of his time, Vangelis likes to »create important melodies and to develop them further, without going under in the technical equipment« (Stereo Review). Distant human voices, siren-like lost calls lead into oriental dance. A song – far removed from its era – somewhere between Gregorian music and antiphony – a will-o‘-the-wisp, shimmering sound. Polyphonic playing on the Bösendorfer reminds one that every form of musical expression from over the sands of time is welcome. Each listener must discover for himself what sounds heavenly or hellish. But let it be said: musically speaking, the one cannot be imagined without the other.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.
All royalties and mechanical rights have been paid.

Recording: September 1975 at Nemo Studios, London, by Alan Lucas
Production: Vangelis

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Trans Europe Express Remastered Black Vinyl Edition

LP | 1977 | UK | Reissue (Parlophone)

Release: 1977 / UK – Reissue

Genre: Electronic & Dance

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LP | 1983 | EU | Reissue (Wewantsounds)

Ryuichi Sakamoto

Coda

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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Wewantsounds is delighted to announce the release of Ryuichi Sakamoto"s classic LP "Coda", issued in Japan in 1983 as a solo piano version of the "Merry Christmas Mr. Lawrence" soundtrack. The album, which was never been released outside of Japan until now, sees Sakamoto on acoustic piano reinterpreting fascinating versions of his famous soundtrack including the classic theme and "Germination," which was later used in the "Call Me By Your Name" soundtrack. This reissue has been remastered by Seigen Ono"s Saidera Mastering studio in Tokyo and boasts the original artwork plus a 4-page insert with new liner notes by Andy Beta.

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12" | 1985 | IT | Original (Parlophone)

Mixing

Release: 1985 / IT – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Italian pressing. Poster is missing.

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2LP | 1981 | US | Reissue (Parlophone)

Release: 1981 / US – Reissue

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl is close to NM. Original inner sleeves. Still in shrink but opened. Cover has tiny wear. 2020 reissue. Limited edition.

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12" | 1982 | AU | Original (EMI)

Night Versions

Space Walk - Impression Of An Astronaut

Release: 1982 / AU – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Australian pressing.

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Tomita

LP | 1984 | JP | Original (RCA)

LP | 1989 | US | Reissue (Wax Trax!)

Release: 1984 / JP – Original

Genre: Electronic & Dance, Classical Music

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing. OBI is missing.

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Laibach

Nova Akropola

Release: 1989 / US – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 1980 | DE | Original (WEA)

Rockets

Galaxy

Release: 1980 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Eh! Muchacha / Photographie

Post-Scriptum

12" | 1985 | FR | Original (Trema)

Release: 1985 / FR – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

Critical Beatdown Colored Vinyl Edition

Ultramagnetic MC's

2LP | 1988 | EU | Reissue (Music On Vinyl)

Release: 1988 / EU – Reissue

Genre: Electronic & Dance

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Laura Les Ombres De L'Ete

Patrick Juvet

LP | 1980 | JP | Original (Barclay)

Ash Ra Tempel Black Vinyl Edition

Release: 1980 / JP – Original

Genre: Organic Grooves, Electronic & Dance, Pop, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with Obi.

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Ash Ra Tempel

LP | 1971 | Reissue (MG.Art)

LP | 1985 | EU | Reissue (BBE)

Release: 1971 / Reissue

Genre: Electronic & Dance

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Black Vinyl, Sticker, 50th Anniversary RE-Edition, first-ever official reissue on vinyl since 1975,
Re-Cut carefully overseen by Manuel Göttsching.

TRACKLIST:

A. "Amboss" 19:40
B. "Traummaschine" 25:24

Ash Ra Tempel is the eponymous debut studio album by the Krautrock band Ash Ra Tempel.
It features guitarist Manuel Göttsching with drummer Klaus Schulze and bassist Hartmut Enke.
Engineered by Conny Plank it was recorded in March 1971 and released in June 1971 on Ohr Records.
This 50Th Anniversary Album will be Released in Memoriam of all the Musical Contributors to this Release and on Manuel Göttsching´s MG.ART label.
It´s the fourth and headlining edition in this series and was finalised, carefully overseen by Manuel Göttsching himself in the late Autumn of 2022.

Much has been written about the record and band.

Having finished a first musical chapter with their Steeple Chase Bluesband and still at very young age of only 17 and 18 years old Manuel Göttsching and Hartmut Enke met Klaus Schulze. Together they started to write and and compose what, to many,
became one the holy grails of Psychedelic Rock and early Electronic Music -
the German variant which was later also named "Krautrock":

Ash Ra Tempel´s self-titled first album "Ash Ra Tempel".

"The trio of Klaus Schulze, Manuel Göttsching and Hartmut Enke decided to abandon conventional composition and song writing, in favour of free-form improvising and developing a new musical language. As such, they became notorious for jams that could exceed 30 minutes." Says Discogs. "Some of these recordings can be found on Manuel Göttsching´s "The Private Tapes" releases", which will be re-released on MG.ART as well, following this edition.

"Krautrocksampler" author Julian Cope mentioned it to be "… one of the greatest rock 'n' roll LPs ever made." (Julian Cope Presents Head Heritage | Unsung | Reviews | Ash Ra Tempel - Ash Ra Tempel". 15 March 2000.)

AllMusic called the album "both astonishingly prescient and just flat out good, a logical extension of the space-jam-freakout ethos into rarified realms."

Here we would like the Band to be heard, for what can easily be said as the first time in 50+ years, with the exception of some early Journalists for whom the young Manuel Göttsching wrote a statement of intent (the original text can be found inside this edition) as following:

"Our musical concept is based on a combination of blues rock and delicate collages of electronic sound. These two elements should remain inseparable. And in their complex unity, the different musical philosophies of each musician find a common sweet spot. Our music is a permanently impulsive experience left to develop as it will, starting from a common fixed point of departure. This is where the difficulty of the music begins: No standardized formulation of our music can and should be possible. Only the constant reaction within the band can determine the musical result. And this requires constant listening with full concentration on the part of the creators. The idea of a particular musician will be - if flexible enough - absorbed by the others, transposed to their own instrument, and reflected back into the music as an individual contribution. This reciprocity within the band is then transferred over to the audience. And this process means that their reaction is not only a contribution to the end result; it actually makes them jointly responsible for the creation of the final musical product.
…
On our album, the track "Amboss" represents the first layer. Conventional instruments communicate familiar music which is in part expanded through electronic means. In the second track of the album - "Traummaschine" - the actual basic sound approach is dissolved into an electronic Nirvana which no longer allows the concrete identification of actual instruments. Innocent, virgin listening, free from any and every association, can finally begin - and the music can be absorbed and processed free from the limitations of categorization. That is the purpose of our music: To convey freedom without any predetermined criteria or traditions.

Thank you for your attention."
(Taken from the original A-R-T Bio 1970)

Hartmut Enke, Manuel Göttsching and Klaus Schulze aka. Ash Ra Tempel travelled to Hamburg in March 1971 to record their debut, with assistance of another Icon, legendary engineer Conny Plank.
The rest is history.

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Monica Rypma

Classifieds

Game, Dames And Guitar Thangs

Release: 1985 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance, Pop

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Super rare album now reissued on BBE!

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Eddie Hazel

LP | 1973 | US | Reissue (Real Gone Music)

Release: 1973 / US – Reissue

Genre: Electronic & Dance

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The Man-Machine English Version Translucent Red Vinyl Edition

LP | 1978 | EU | Reissue (Parlophone)

Release: 1978 / EU – Reissue

Genre: Electronic & Dance

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Utakata No Hibi Black Vinyl Edition

Mariah

2LP | 1983 | EU | Reissue (Everland)

Venus HHV Exclusive Splattered Vinyl Edition

Release: 1983 / EU – Reissue

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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An amazingly colorful album with songs that are based on solid substance rather than cheap pop structures. This is music for the bold listeners and music lovers and this awesome reissue should quickly find it’s way into the record collections of 80s synth and art pop aficionadoes. Yasuaki Shimizu did what he wanted with Mariah, pushed the borders of popular music further than anybody would have thought. Listen to a track like „Shonen“ with a repetitive rhythm pattern that hypnotizes you and somehow silky melodylines by saxophone and synth piano upon which a female voice sings in a very spiritual way. Praising pop or whatever this can be called, it is sheer magic put in music. I wonder if this would have made it into the charts back then, but you never know. It is a piece of musical art that shall be listened to. Grab your copy now!!!

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Logic System

LP | 1981 | EU | Reissue (Wewantsounds)

Sympathy Nervous Black Vinyl Edition

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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Limited Edition of 100 copies of clear vinyl with pink & sea blue splatters. Only at HHV!

His name may not be instantly familiar, but Hideki Matsutake has had a huge influence over Electronic music. Starting his career as the assistant of Japanese Electronic Music master Isao Tomita in the early 70s, he went on to work with Ryuichi Sakamoto and then Yellow Magic Orchestra as their keyboard programmer and unofficial fourth member. In 1981 he started his own Logic System project recording "Venus" that year in Los Angeles with Don Grusin, Nathan East and Michael Boddicker, brilliantly mixing Synth Funk, Ambient and Boogie with a touch of Fusion Jazz predating Vaporwave by a mere 30 years. Wewantsounds is delighted to reissue this visionary album, which
comes remastered from the original tapes and features Pater Sato stunning artwork including the rare beautiful 8-page insert with an exclusive interview of Hideki Matsutake by Hashim Kotaro Bharoocha.
The early 80s were prolific for Hideki Matsutake. As the go-to keyboard programmer for the tokyo music scene, he worked on Akiko Yano's "Gohan Ga Dekitayo", YMO's "BGM", Ryuichi Sakamoto's "B-2 Unit", Mkwaju Ensemble's "Mkwaju" and found time to record two Logic System albums in 1981. While the first album, "Logic" had a harder techno feel, the second one "Venus" was different affair. Recorded in Los Angeles at the new state of the art Yamaha Studio, it was loosely themed on the Greek goddess Venus and had a funkier more organic sound. For the album Matsutake had asked a handful of American musicians to provide songs he would then add his synth magic touch to. Michael Boddicker, Don Grusin, Nathan East and Roger Powell duly complied and also played on the album.

The updated sound was achieved by switching from the Moog III to the E-mu modular System (which Matsutake brought over to LA) and other synths like the Prophet 5, the Roland MC-8 and TR 808 and the Yamaha GS-1, a forerunner of the DX7.

The result is an amazing futuristic mix of electronic music and early 80s funk, announcing many genres to come, from techno and house to French electro and Vaporwave. From the breezy ambient synth of "I Love You" to the city pop edge of "Be Yourself" (originally written by Nathan East for Debra Laws) and the vocoder-led Daft Punk-ish "Take A Chance", Venus is a fascinating album that both pushes the boundaries of electronic music and is yet strangely accessible and beautiful.

The other key elements of Venus is the artwork designed by Japanese legendary illustrator Pater Sato. Sato had started in Japan in the early 70s doing many album covers for Japanese artists including Tatsuro Yamashita's cult Spacy LP before moving to New York in 1979 to pursue a career in fashion and advertising. His airbrush style became hugely influential over the years and in 2018, Stella McCartney dedicated a whole Men’s collection based on his Venus. Star make up artist Pat McGrath also regularly posts his artwork to her 3 million fans on her instagram.

The original album came with a beautiful 8-panel insert illustrated by Sato which Wewantsounds has reproduced on this deluxe reissue also featuring remastered sound, OBI strip and a second insert featuring credits and line up plus liner notes by Hashim Bharoocha. The notes will feature an exclusive interview with Hideki Matsutake reminiscing about the making of this visionary album which Wewantsounds is delighted to reissue.

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Sympathy Nervous

LP | 1980 | US | Reissue (Minimal Wave)

LP | 1988 | CH | Original (150 BPM Records)

Release: 1980 / US – Reissue

Genre: Electronic & Dance

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Minimal Wave presents a reissue of Sympathy Nervous’ pioneering debut album originally released in 1980 on Vanity Records out of Japan. Sympathy Nervous was Yosihumi Niinuma’s lifelong project which he started in his Tokyo living room in 1979. Through Sympathy Nervous, Niinuma was able to channel his energy into what he loved – building his own synthesizers and speakers from scratch.

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Touch El Arab

L.R.K.

Release: 1988 / CH – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl with a couple of light scuffs, closer to VG+

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In Menstrual Night Picture Disc Edition

12" | 1985 | UK | Reissue (House Of Mythology)

12" | 1985 | EU | Reissue (Glossy Mistakes)

Release: 1985 / UK – Reissue

Genre: Electronic & Dance, Pop

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In Menstrual Night was recorded in 1985 by Current 93, who could never be: David Michael Tibet, Hilmar Örn Hilmarsson, Steven Stapleton, Diana Rogerson, John Balance, Ruby Tathata Wallis, Keiko Yoshida, Rose McDowall and Bee. The album was mixed by Steven Stapleton, and was originally released as a picture disc on United Dairies / Maldoror (ud022/m) in 1985.

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Finis Africae

El Pulso De La Madera

LP | 1983 | NL | Original (Rams Horn)

Release: 1985 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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"Pulso de la Madera" comes as the definitive official reissue of the first album by the legendary band, along with previously unreleased remastered material, on a double LP with extensive liner notes and previously unseen pictures of the band. Essential to revisit the work of a band that inspired fourth world and organic ambient as we know it today; these tunes sound immersive and still contemporary.

On their short but influential career, Finis Africae proposed an informal and decentralized model of creativity that was decades ahead of current practices linked to technological advances; they explored unknown worlds and imagined landscapes of the “fourth world” apart from their present; they neither affirmed nor denied any of the labels they were to assign to them (“New Age”, “ethnic music”, “world music”, etc.); they recreated, used, and nourished foreign cultures without fear.

And most importantly - they shaped a sound “finis”. Your own space. Where there were no rules. A dimension in which the collective was submerged in long sessions of improvisation; where they could be goblins and magical entities; a place where they could imagine scales and structures unreal; where they could play any instrument in the known world; where they could tour the Mediterranean, Africa, and the Middle East in a blink of an eye; where they could be themselves without caring about anything that happened outside.

The unreleased tracks come as a careful selection of a deep-dive over hundred tracks and demos, compiled by Urba and Glossy Mario. The license comes from Juan Alberto Arteche's family.

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Private Class

32,29 €* 33,99 € -5%

LP | 1985 | US | Original (Arista)

Release: 1983 / NL – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Cover and record are close to NM.
Small sticker on cover.

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Whitney Houston

Release: 1985 / US – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Pizzazz Definitive Reissue

Patrice Rushen

2LP | 1979 | EU | Reissue (Strut)

Patrice Definitive Reissue

Release: 1979 / EU – Reissue

Genre: Electronic & Dance

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Expanded reissue of Patrice Rushen’s seminal album for Elektra in 1979 Includes the 12” versions of ‘Haven’t You Heard’ and ‘Let The Music Take Me’ and a previously unreleased instrumental take of ‘Givin’ It Up Is Givin’ Up’ Official release featuring full interview with Patrice Rushen about the making of the album & rare photos from photographer Bobby Holland Fully remastered from the original ¼” tapes

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Patrice Ruhseen

2LP | 1978 | EU | Reissue (Strut)

2LP | 1984 | EU | Reissue (Strut)

Release: 1978 / EU – Reissue

Genre: Electronic & Dance

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Definitive reissue of Patrice Rushen’s debut album for Elektra in 1978 Includes the 12” versions of ‘Hang It Up!’ and ‘Play’ and a previously unreleased extended take of ‘Didn’t You Know’Official release featuring full interview with Patrice Rushen about the making of the album & rare photos from photographer Bobby Holland / Fully remastered from the original ¼” tapes

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Patrice Ruhseen

Now Definitive Reissue

The Plain Truth Colored Vinyl Edition

Release: 1984 / EU – Reissue

Genre: Electronic & Dance

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Definitive reissue of Patrice Rushen’s influential 1984 album Includes the 12” and dub / instrumental versions of ‘Get Off (You Fascinate Me)’ and ‘Feels So Real’ Official release featuring full interview with Patrice Rushen and complete lyrics Features rare photos and restored cover from photographer Bobby Holland Fully remastered by The Carvery from the original ¼” tapes

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Maurizio Bianchi

LP | 1983 | EU | Reissue (Verlag System)

Phil Ranelin & Wendell Harrison

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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Postfaction OF THE Plain Truth When in the cold spring of 1983, I set about decomposing these elegiac synthetic - concrete suites, my decadent vision of life was taking a brighter turn, and in fact the atmospheres that pervade the whole work, enriched by the emotional notes of a keyboard of violins, reflect my thirst for visceral eternity. The title therefore, “The Plain Truth”, follows my research directed towards the infinity of the human soul, one step away from spiritual truth, for the benefit of the loyal supporters of the plain electro-neuronal sound. (M.B., August 2021)

When I started my record label Broken Flag in 1982, one of the people I really wanted to work with was Maurizio Bianchi. His album “Symphony for a Genocide” was such a haunting, evocative record that I needed to get in contact with the man who made it. We made contact and remained regularly writing letters to each other, mine in my unintelligible scrawl, his in his red ink on photocopy paper. He was massively prolific and I soon became a distributor for his fantastic early albums like “Regel”, “Mectpyo Bacterium”, “Mörder Unter Uns/Neuro Habitat”, “Menses”, “Endometrio”, “Carcinosi”, “Das Testament” and “Armaghedon”, albums I still love to this day. He kindly contributed tracks to Broken Flag compilations as well. Releasing an album by him was always going to be high on my list of priorities and when he agreed I was overjoyed. He said he wanted a colour cover and I was running the label on a shoestring budget but I wanted him to be happy so I agreed. He sent me two polaroid photographs which we had blown up to cover size and are the pictures on the front and back cover that you see today. He wanted to release records as Maurizio Bianchi in the future rather than just as M.B and asked for the name on the cover to read “M.B. = Maurizio Bianchi”. Although the record has the catalogue number Bfv3, it was actually the second vinyl record I put out because once I heard it, I didn’t want to wait for the first Ramleh album (bfv2) to be ready. I had been slightly apprehensive about what the record would sound like because just before he sent it, he told me that he had become a Jehovah’s Witness and seemed to be going through a very happy life-changing experience. He was in a relationship with the “T.D.” of the second side track “T.D. 56”, so I thought maybe the music would be too light sounding or upbeat and when I heard it, it certainly wasn’t what I was expecting but it was stunningly beautiful but still with some of the sadder, ominous melodies I loved so much. My fears were unfounded. It was a classic. Still one of my favourites to this day. I’m very proud of it. I get a co-production and co-direction credit on the sleeve but in reality all I did was provide the money and arrange for the record to go into production. I had no influence on the music itself or the cover pictures. Maurizio has made so many records that it’s easy to get lost knowing where to start but I think this album is a good entry point and is one of his very best along with “Mörder Unter Uns”, “Regel”, “Menses” or “Symphony for a Genocide”, although you can’t go too far wrong with any of his wonderful music. As I sit here listening to it again it takes me back to 38 years ago when I first heard it and knew that I was going to be lucky enough to release a classic for the ages. Just 500 vinyl records exist from that original Broken Flag release. They are out there somewhere except for the one I have right here which will be with me until I die. It’s great that it’s coming out on vinyl again and I hope if you’re hearing it for the first time you adore it like I do. “To all the redeemed people”. (Gary Mundy, August 2021)

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Message From The Tribe

LP | 1972 | US | Reissue (Now-Again)

Release: 1972 / US – Reissue

Genre: Electronic & Dance

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The Tribe founders’ collaborative debut, remixed from the original mutli-track master tapes under the direction of its creators and lacquered by Bernie Grundman. Phil Ranelin’s side has been pitch-corrected and restored to a suite, as was originally intended. Wendell Harrison’s side contains extended, full versions of two songs. The definitive reissue of this Spiritual Jazz masterpiece. The Tribe label, one of the brightest lights of America’s 1970s jazz underground, receives the Now-Again reissue treatment. This is your chance to indulge in the music and story of one of the most meaningful, local movements of the 20th Century Black American experience, one that expanded outwards towards the cosmos. In the words of the collective themselves, “Music is the healing force of the universe.” Included in an extensive, oversized booklet, Larry Gabriel and Jeff “Chairman” Mao take us through the history of the Tribe, in a compelling story that delves not just into the history of the label and its principals, but into the story of Black American empowerment in the latter half of the 20th Century. The booklet features never-before-seen archival photos and rare ephemera from Tribe’s mid-1970s heyday.

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LP | 1984 | JP | Original (EMI)

Arena

Patrice Definitive Reissue

Release: 1984 / JP – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Original japanese pressing with obi and inserts. very close to NM

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Patrice Ruhseen

2LP | 1978 | EU | Reissue (Strut)

LP | 1976 | JP | Original (State)

Release: 1978 / EU – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

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The Rubettes

The Best Of

LP | 1984 | UK | Reissue (Les Disques Du Crepuscule)

Release: 1976 / JP – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

OBI is missing. With insert. Cover is close to NM.

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Anna Domino

East & West + Singles

Cants Dels Trobadors: La Douceur D'un Son Nouvel

Release: 1984 / UK – Reissue

Genre: Electronic & Dance

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Les Disques du Crepuscule present a new, remastered vinyl edition of East & West, the bittersweet debut album by American singer-songwriter Anna Domino, originally released by the label in 1984.

East & West was recorded in Brussels in 1983 with guest contributions from Virginia Astley, Blaine L. Reininger (of Tuxedomoon) and alt-pop polymath Luc Van Acker. The five tracks on the original mini-album format include her first single Trust, In Love (an NME single of the week), and an exquisite cover of Land Of My Dreams, originally a hit for Aretha Franklin in 1965. Rare b-side track Repeating (from the same sessions) is also now added to the album.

Other bonus tracks include the popular singles Zanna, a 1984 collaboration with Luc Van Acker, and radio hit ‘Rythm’, produced a year later by legendary Telex founder and jazzmeister Marc Moulin. The expanded remaster closes with a previously unreleased demo song called Dream Back, recorded in New York City with her friend Stanton Miranda of Thick Pigeon in 1984.

The album retains the original cover art by Joel Van Audenhaege, and adds new liner notes written by Anna herself.

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Regrelh

LP | 1979 | EU | Reissue (Dizonord)

Release: 1979 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Be ready for a spaced out trip through French medieval times. Ancient instruments, musique concrete, spoken word, old Occitan dialect minstrel songs, drone, from dark ambient and minimal percussive tracks to Middle Ages fuzz delirium. File under : medieval folk / ambient / experimental.

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Trans-Europe Express English Version Clear Vinyl Edition

LP | 1977 | EU | Reissue (Parlophone)

Release: 1977 / EU – Reissue

Genre: Electronic & Dance

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Radio-Activity English Version Translucent Yellow Vinyl Edition

LP | 1975 | EU | Reissue (Parlophone)

Release: 1975 / EU – Reissue

Genre: Electronic & Dance

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Computer World English Version Translucent Yellow Vinyl Edition

LP | 1981 | EU | Reissue (Parlophone)

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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Seven And The Ragged Tiger

LP+12"+All Media | 1983 | EU | Reissue (EMI)

Release: 1983 / EU – Reissue

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed. Tiny wear. 2010 reissue.

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Seven And The Ragged Tiger

LP | 1983 | JP | Original (EMI)

Content To Write In I Dine Weathercraft

Release: 1983 / JP – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Original japanese pressing without OBI!

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Stano

LP | 1983 | EU | Reissue (Allchival)

LP | 1975 | EU | Reissue (Music On Vinyl)

Release: 1983 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Former member of Dublin punk band The Threat, Stano released his debut LP on Scoff Records in 1983. Recorded in Alto Studios, the Irish artist eschewed live performances in favour of fusing collaborative, improvised, experimental music with spoken word-poetry. The LP featured contributions from fellow Irish musicians and artists such as Michael O'Shea, Roger Doyle, Donald Teskey, Vinnie Murphy, Detroit born Jerome Rimson and is a seminal document of Irish postpunk

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Modulations

It's Rough Out Here

Release: 1975 / EU – Reissue

Genre: Electronic & Dance

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Preorder shipping from 2024-08-30

Action Speaks Louder Than Words

Chocolate Milk

LP | 1975 | EU | Reissue (Music On Vinyl)

Release: 1975 / EU – Reissue

Genre: Electronic & Dance

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Preorder shipping from 2024-08-23

12" | 1981 | US | Original (Harvest)

Girls On Film

Non Stop Ecstatic Dancing

Release: 1981 / US – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: Generic

promo copy

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Soft Cell

LP | 1982 | EU | Reissue (Universal)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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LP | 1988 | EU | Reissue (Dizonord)

Interim

A La Petite Cuiller

2LP | 1978 | WW | Reissue (SN Music Publishing)

Release: 1988 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Dizonord is very happy to bring you the reissue of this French 1988 underground self released gem, re-mastered from master tapes!
Dubby, punky, politically engaged new wave with a sense of humour, we've always been touched by the voice of Agnès (bass) and the phlegmatic Michel (machines and graphics). We could have thought the language barrier would have stopped the pleasure of this record but obviously not, as Mobutu song is already an international digger classic!
We really hope you'll enjoy this collection of tracks and collages as we do so, once upon a time...

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Sezen Aksu

Serce

Release: 1978 / WW – Reissue

Genre: Electronic & Dance

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Anna Homler And Steve Moshier

Breadwoman & Other Tales

LP | 1985 | US | Reissue (Rvng Intl.)

LP | 1977 | DE | Reissue (Notes On A Journey)

Release: 1985 / US – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Cover is close to NM. Original inner sleeve. with booklet. 2016 reissue.

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Chuck Senrick

Dreamin'

LP | 1974 | US | Reissue (Fat Possum)

Release: 1977 / DE – Reissue

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

2017 reissue. Tiny wear. Vinyl is close to NM. Original inner sleeve

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Ann Peebles

I Can't Stand The Rain

Release: 1974 / US – Reissue

Genre: Electronic & Dance

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My Life With The Thrill Kill Kult I

See Good Spirits... Green Vinyl Edtion

LP | 1988 | US | Reissue (Wax Trax!)

30,59 €* 35,99 € -15%

Release: 1988 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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LP | 1989 | US | Original (Real House)

Reginald Rodgers

Out Of Control

Release: 1989 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

2LP | 1981 | EU | Reissue (Mecanica)

Carlos Peron

Impersonator

LP | 1978 | EU | Reissue (Superior Viaduct)

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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40th anniversary edition of the debut album by the multi-talented musician Carlos Perón. “Impersonator” was originally released in 1981 when he was still a member of Yello. This first solo work represents a desire to conduct daring electronic experiments, to achieve stylistic variety and musical intensity while at the same time it is an example of Mr. Perón’s bizarre sense of humour. Since the beginning of his career he pushed experimentation beyond limits with noise atmospheres, loops and complex textures which he has long used since before the introduction of sampling technology. With the arrival of sound sampling, he was among the first to experiment with equipment such as the Fairlight, Emulator and Mirage. During his time with Yello, Carlos may well have been one of the world’s first sampling masters. This new re-issue of “Impersonator” includes all original tracks with some bonus including the whole Frigorex EP from 1984 and six previously unreleased cuts recorded between 1982 and 1983. Limited edition of 500 copies with gatefold sleeve and an exclusive postcard.

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Harold Budd

The Pavilion Of Dreams

LP | 1980 | EU | Reissue (Our Swimmer)

Release: 1978 / EU – Reissue

Genre: Electronic & Dance, Classical Music

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For five decades, Harold Budd stood on the forefront of the West Coast avant-garde. Born in Los Angeles, he studied with Schoenberg-pupil Gerald Strang and began teaching at CalArts in 1970. While searching for his own voice, he was influenced as much by abstract expressionist painters as by John Cage and Morton Feldman. In his work, Budd brought delicate, slowing-moving melodies to the foreground – creating a new musical language based on “eternally pretty music” and smooth surfaces. In the early ’70s, Budd started an extended cycle of compositions that would comprise The Pavilion Of Dreams. For Budd, the album was a signpost for a new direction in thinking about music: “The Pavilion Of Dreams erased my past. I consider that to be the birth of myself as a serious artist. It was like my Magna Carta.” Produced by Brian Eno in 1978, The Pavilion Of Dreams stands toe-to-toe with another minimalist masterpiece also released that year, Steve Reich’s Music For 18 Musicians. Budd’s gorgeous pieces reveal a lightness of touch that draws the listener in, while sublime voices float in and out as if in a recurring dream. Featuring saxophonist Marion Brown and multi-instrumentalists Gavin Bryars and Michael Nyman, The Pavilion Of Dreams remains a master class in exquisite timbre and shimmering texture. The Pavilion Of Dreams was both the final release on Eno’s Obscure imprint and a transition point towards his seminal ambient series. This first-time reissue is recommended for fans of Ryuichi Sakamoto, Jon Hassell and Mark Hollis.

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Alvin Curran

The Works

Release: 1980 / EU – Reissue

Genre: Electronic & Dance

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The Works - one of the most famous pieces by brilliant American composer Alvin Curran - was not created by will and direct purpose but, as the composer himself states, as a “providential accident” which is to say quite organically. Combining piano and voice with found sound and a custom-built Serge modular synthesizer, “The Works” is a slowly developing piece where space and ambient tape are eventually overtaken by raga-esque chanting and frenetic piano playing, where synthesizer washes become full-on workouts all leading to a coda where the listener is “finally carried off on the wheels of the Berlin U-Bahn.” Curran - whose initial training and musical education was as a pianist - had been living in Roma, Italy, in the mid-‘70s returning to his roots and performing regularly in cocktail lounges on Via Veneto. It was this return to piano and vocals that became the genesis for The Works. In relearning the piano, a five-note “motive” took hold. Added to this was “a recording I had made of our 14 year old dachshund Caspar just before he died. It was, in fact, a love song which he persisted in singing all day after meeting a lovely bitch in heat in Piazza Navona. This I knew would be the beginning of the piece.” As the piece expands further the listener will hear “cows munching grass, the Rome-Florence express train, a horse-fly caught against a window pane, my footsteps approaching a Roman fountain and later going up the steps of my old studio, cicadas, an Amsterdam calliope, a tin can being kicked, and a series of sounds from La Serra di Lerici.” Though “The Works” has been performed in many incarnations over the years, it’s this performance - captured on February 24, 1980, and originally released that same year by the short-lived Italian avant-garde label Fore - that is the definitive version, and one of the finest recordings ever made by the celebrated composer.

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Autobahn Translucent Blue Vinyl Edition

LP | 1974 | UK | Reissue (Parlophone)

Release: 1974 / UK – Reissue

Genre: Electronic & Dance

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Out Of The Blue Picture Disc

Electric Light Orchestra

2LP | 1977 | EU | Reissue (Sony)

Release: 1977 / EU – Reissue

Genre: Electronic & Dance

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LP | 1979 | DE | Original (Maritim)

V.A.

Disco Connection Vol. 2

LP | 1979 | CA | Original (Inter Global Music)

Release: 1979 / DE – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG

Cover with small sticker rip off .

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Krono

2LP | 1974 | UK | Reissue (Spoon)

Release: 1979 / CA – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Sticker on cover.
Splits in seams.

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Can

Unlimited Edition

Release: 1974 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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Remastered from the original tapes, 180g vinyl!

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LP | 1983 | JP | Reissue (EMI)

The Turn Of A Friendly Card

Release: 1983 / JP – Reissue

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing, comes with Obi and inserts.

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The Alan Parsons Project

LP | 1980 | JP | Original (Arista)

Release: 1980 / JP – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

12" | 1983 | JP | Original (EMI)

Carnival

Release: 1983 / JP – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Let's All Play (Some Music)

Tuesday

12" | 1984 | IT | Original (Trash)

Release: 1984 / IT – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Sticker on cover.
Stamp on label.

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7" | 1982 | JP | Original (EMI)

Hungry Like The Wolf

Duran Duran = Duran Duran

Release: 1982 / JP – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese promo has small punch hole.

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アイ・ドント・ウォント・ユア・ラヴ

7" | 1988 | JP | Original (EMI)