Electronic & Dance Vinyl 13143 Items

3LP | 2024 | UK | Original (Ninja Tune)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-08-09

"Communication facilitates the Transmission of the unseen into the material."

Artwork by Katai Written & Produced by Kyle Julian Hall Engineering by Pheek Vinyl mastered by By Beau Thomas Ten Eight Seven Published by Kmfh Music Works BMI Copyright Forget The Clock 2024

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Mr. Scruff

Ninja Tuna

Release: 2024 / UK – Original

Genre: Electronic & Dance

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2LP | 2024 | EU | Original (Oraculo)

Synths Versus Me + Nea

Default Mode Network

Keiji Haino / Jim O'Rourke / Oren Ambarchi

Release: 2024 / EU – Original

Genre: Electronic & Dance

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After almost 6 years of silence since “Akelarre”, Synths Versus Me, the personal musical project of Nico Cabañas, co- founder of Oráculo Records alongside the young Italian promise India Nardone. Recorded analogically in just 2 months, fluctuates in a futuristic way between different kinds of unusual dark sub styles such as industrial noise, proto- tribal, synthpunk or krautwork, and, of course, among other dance-oriented such as EBM, new beat, synthwave, electro/breakbeat or trance. Presented in One-off truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid Black vinyl. All tracks have been specially mastered for vinyl by Daniel Hallhuber at Young and Cold Studios (Germany).

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With Pats On The Head, Just One Too Few Is Evil One Too Many Is Good That's All It Is

3LP | 2024 | EU | Original (Black Truffle)

When I Hit You You'll Feel It Pink Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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The heavyweight trio of Keiji Haino, Jim O’Rourke and Oren Ambarchi return with their 12th and most epic release to date, the triple LP With pats on the head, just one too few is evil one too many is good that's all it is. Documenting the entirety of their final performance at the dearly departed Roppongi home of Tokyo underground institution SuperDeluxe in November 2018, the music spread across these six sides splits the difference between the guitar-bass-drums power trio moves and experiments with novel instrumentation that have defined the trio’s decade of working together. Containing some of the most delicate music the three have committed to wax since the gorgeous 12-string acoustic guitar and dulcimer tones of Only wanting to melt beautifully away is it a lack of contentment that stirs affection for those things said to be as of yet unseen (bt011), this wide-ranging release also offers up some of their most blistering free rock performances yet.

The side-long opening piece finds Haino on a single snare drum in duet with O’Rourke on unamplified electric guitar, playing in the lovely post-Bailey vein heard on his classic 90s recordings with Henry Kaiser and Mats Gustafsson. Spiky dissonance and ringing harmonics interweave with flowing melodic fragments as Haino single-mindedly explores the resonance of the snare like an untutored Han Bennink. On ‘Right brain, left brain; right, left; right wing, left wing. Just how many combinations can be made from these?’, O’Rourke moves to synth and electronics, joined by Ambarchi on drums, who at first focuses on sizzle cymbals before hypnotic cycles of gentle tom rhythms combine with electronic burbles and flutters to suggest a dream collaboration between Masahiko Togashi and Jean Schwarz. Ambarchi’s percussion is then joined by Haino on wandering, overblown flute, before the man in black switches back to the snare for a bizarre, stuttering drum duet.

For the first trio performance, Haino makes another new addition to his seemingly infinite catalogue of instruments, this time a homemade contraption he refers to as ‘Strings of Dubious Reputation’. Joined by O’Rourke on increasingly spaced-out electric guitar and Ambarchi on skittering percussion, Haino’s wonky, slack strings adds a definite ‘musique brut’ edge to this side-long performance, certainly one of the most enchantingly odd in the trio’s discography. When the group reconvene for the second set, spread out across the final three sides, they seem ready to breathe fire from the first instant. O’Rourke slashes distorted chords on the six-string bass, Ambarchi breaks into his signature irregular caveman thump, and Haino squeals and squawks on heavily delayed oboe before unleashing an overpowering electrical storm when he first picks up the guitar. For over half an hour, the trio pound out one of their most relentless performances, a constantly rearranging kaleidoscope of tortured fuzz guitar, insanely busy bass riffing and propulsive, tumbling drums. A hushed atmosphere initially reigns on the final long piece, given the mournful title ‘There are always things I wish to say but I can only convey them in this language August 6 August 9’. Haino’s clean guitar strumming calls up the shimmering tones of his PSF classic Affection, gradually building to a surging wall of sound, bass and drums lumbering through a roar of jet-engine guitar. Arriving in a deluxe trifold package with photos by Lasse Marhaug alongside inner sleeves with extensive live images, this epic release is perhaps the most remarkable document yet of this unique trio’s stamina and continuing inventiveness.

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Leslie Winer

2LP | 2021 | US | Original (Light In The Attic)

47,19 €* 58,99 € -20%

Release: 2021 / US – Original

Genre: Electronic & Dance

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Definitive career-spanning anthology
Includes previously unreleased tracks, inspired collaborations, and material from Leslie’s groundbreaking 1990 solo debut, Witch
Featuring musical contributions from Jon Hassell, Helen Terry, Jah Wobble, Renegade Soundwave’s Karl Bonnie, Christophe Van Huffel, Jay Glass Dubs, Mari G. Mooney, and Diamond Version, amongst others
Newly remastered by the GRAMMY®-nominated engineer John Baldwin
24-page booklet featuring a new, extensive interview with Leslie and liner notes by acclaimed author, critic and compilation co-producer Wyndham Wallace, along with an essay by award-winning writer and scholar Louis Chude-Sokei
Cover collage by renowned British artist Linder, featuring photography by Mondino, and design by designer Christopher Shannon
Picture shows a mock up. The actual records are unique and will differ.

“The definition of a hidden gem” – John Peel

“The world seems finally to be catching up to Leslie Winer, whose startling intelligence and singular vision shine through her copious recording life.” – Max Richter

“She might just be the coolest woman on the planet!” – Boy George

Light in the Attic is ecstatic to announce When I Hit You—You’ll Feel It: a 16-track anthology that celebrates the extraordinary work of musician, poet, and author, Leslie Winer. When I Hit You—You’ll Feel It spans Winer’s three-decade-long musical career: from her groundbreaking solo work in the early ‘90s to her latest inspired projects. Featuring musical contributions from Jon Hassell, Helen Terry, Jah Wobble, Renegade Soundwave’s Karl Bonnie, and others, the collection also spotlights Winer’s diverse collaborations, and unearths previously-unreleased recordings.

Newly remastered by the GRAMMY®-nominated engineer John Baldwin, When I Hit You—You’ll Feel It will be available in multiple special 2xLP editions, on CD, and across digital platforms. The album includes a new interview with Winer, captured by the compilation’s co-producer, acclaimed author and critic Wyndham Wallace. Rounding out the package is an insightful essay by the award-winning writer and scholar Louis Chude-Sokei and an original cover collage by the renowned British photographer and artist, Linder, featuring photography by Mondino, and design by designer Christopher Shannon.

MORE ABOUT LESLIE WINER….

Musician, poet, iconoclast, model, artist, enigma. Leslie Winer is many things.

Born to a teenage mother and sold for $10,000 in a black market adoption when she was just hours old, Winer has always lived an uncommon life. She grew up in Boston with a voracious appetite for music and the written word and embraced the city’s lively jazz and folk scene in the ‘70s. Moving to New York for art school, she gravitated towards a vibrant crowd of intellectuals, artists, and radical thinkers—or perhaps they gravitated towards her.

There, Winer formed an unlikely friendship with writer and artist William S. Burroughs and lived on-and-off with Jean-Michel Basquiat. In London, where Winer began her musical ventures in earnest, she was a regular at Leigh Bowery’s underground club Taboo, where she met many of her collaborators, including filmmaker John Maybury, Kevin Mooney (of Adam and the Ants), and Boy George, who once declared that Winer “might just be the coolest woman on the planet!”

Winer’s striking looks also attracted fashion designers and photographers. Throughout the early ‘80s, she was an in-demand model—appearing in campaigns for Valentino, Christian Dior, and Yohji Yamamoto, and serving as a muse for a young Jean-Paul Gaultier, who later dubbed Winer “the first androgynous model.” She posed for Helmut Newton, Irving Penn, and Pierre et Gilles, and graced the covers of The Face, French and Italian editions of Vogue, and Mademoiselle.

But music was Winer’s true passion and, at the turn of the ‘90s, she would unknowingly help invent the massively popular genre known today as trip-hop.

On her debut, Witch, Winer masterfully blended the uninhibited sampling of early hip-hop with dancehall basslines and programmed beats, while weaving mesmerizing—and coolly-detached—spoken-word vocals into her ambient tracks. It was unorthodox in the most delicious ways.

The album was a bold experiment by the self-taught artist, who enlisted a number of talented musicians in the sessions, including Culture Club’s Helen Terry, Karl Bonnie of Renegade Soundwave, former Public Image Ltd. bassist Jah Wobble, and Kevin Mooney, as well as Marco Pirroni and Matthew Ashman (both of Adam and the Ants, among other acts).

While Witch was finished in 1990, it wouldn’t be released for three years, due to the whims of Winer’s label. In the meantime, several tracks made their way out into the world as early as June 1990, thanks to BBC Radio 1 DJ John Peel, who later referred to Witch as “the definition of a hidden gem.”

Opening with the laid-back dub beats and soft, sing-songy chorus of “He Was,” Witch features such highlights as the up-tempo “Skin,” the hypnotic, bass-heavy “The Boy Who Used 2 Whistle,” and the album’s closer, “Dream 1,” in which waves of reverb-soaked vocals bounce from one ear the other.

While sonically, Winer was breaking new ground, she was also bringing a fresh, incendiary take on what it means to be a woman in the music business, as embodied by her composition “N1 Ear,” in which she delivers a scorching, feminist manifesto, borrowed from the Women’s Liberation Broadsheet: “If I get raped it must be my fault / And if get bashed I must’ve provoked it / And if I raise my voice I’m a nagging bitch / And if I like fucking I’m a whore…And if I ask my doctor too many questions I’m neurotic and need pills / Because I still can’t get a safe birth control while some fucker’s roaming the moon.”

Winer had every right to vent her frustrations as a woman in music. Despite her fierce demeanor and steadfast focus, she was consistently disregarded and typecast by the industry. Many of her early collaborators failed to credit her work, while others simply overlooked her influence. Witch, for example, was so delayed that by the time the album saw the light of day (released under the pseudonym “©”), trip-hop was gaining mainstream traction via acts like Portishead, Massive Attack, and Madonna. Although Winer eventually gained wider acknowledgment (prompting the NME to give her the dubious distinction of “The Grandmother of Trip-Hop”), Witch initially went sorely unnoticed.

Following the disappearance of Witch, Winer continued to record, undeterred by the elusive nature of mainstream success in the modern music business. Her network of inspired collaborators continued to grow and expand, yet her influence remained largely a secret except to those in the know, such as Grace Jones and Sinead O’Connor, who would cover her songs.

Today, Winer stays busy on new musical projects in the French countryside, where she has spent the past two decades raising her five daughters. A prolific writer, she has also published two collections of poetry and oversees the literary estate of Herbert Huncke, a defining member of the Beat Generation.

In the modern era, one is hard-pressed to find an artist who continues to push the creative envelope as much as Winer does. And yet, three decades after her revolutionary debut, her work remains just as startling and fresh.

Winer’s influence might best be summed by the award-winning composer Max Richter, who offered the following thoughts to Wyndham Wallace for his extensive liner notes: “The world seems finally to be catching up to Leslie Winer, whose startling intelligence and singular vision shine through her copious recording life. A visionary commentator on the relationship between individuals and society in the mould of Blake or Woolf, Leslie Winer knows things that the culture at large just doesn’t understand yet, and she has never been afraid to let us know that.”

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The Harmonic Series Volume 2

3LP | 2021 | US | Original

When I Hit You You'll Feel It Blue Vinyl Edition

Release: 2021 / US – Original

Genre: Electronic & Dance

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A collection of long-form works in just intonation by Kali Malone, Duane Pitre, Catherine Lamb, Tashi Wada, Byron Westbrook, and Caterina Barbieri. Each artist occupies an entire side of the collection's three LPs.

Curated by Duane Pitre, Important Records returns with its second volume of compiled works in just intonation. The Harmonic Series II, issued as a triple LP collection, features a series of long-form compositions by six of the most important emerging voices of contemporary experimental music;

Unlike equal temperament - the tuning system most commonly encountered in contemporary music - which equally divides an octave into 12 fixed notes, just intonation utilizes intervals of whole number ratios - chosen by a composer - to determine tonal positions, which can result in a highly individualised tonal language and holds the potential for more nuanced relationships and striking, sympathetic resonances. Rooted in ideas that trace their way across the last 2500 years - seeking to mirror the natural behaviour of sound within music - just intonation lays at the foundation for numerous Indian, Persian, and East Asian musical traditions, as well as a substantial amount of European music prior to the 17th century. Reintroduced into western music during the 20th century by composers like Harry Partch, Ben Johnston, Lou Harrison, James Tenney, Terry Riley, and La Monte Young, it has left an indelible mark on experimental practice ever since.

In the years following the appearance of The Harmonic Series in 2009 - presenting works by Ellen Fullman & Theresa Wong, Michael Harrison, Pauline Oliveros, Charles Curtis, and others - the broad interest in just intonation has continued to swell, inspiring Duane Pitre to curate a second compilation, exploring the work of a new generation of composers that have been drawn toward its remarkable potential.

The full scope of The Harmonic Series II engages the possibility of a multitude of intertwining sequences and relationships between its works. Kali Malone’s "Pipe Inversions” - played by Malone on a small pipe organ, joined by Isak Hedtjärn on bass clarinet - belongs to a larger body of microtonal organ works that have increasingly placed the composer at the forefront of contemporary minimalism and drone music. Thick blankets of shimmering harmonics - sliding at a glacial pace within a fractal structure of rhythmical and melodic sequence - converge as a poignant unwinding of cultural, temporal, and historical location, embedded within the disarming beauty of its interwoven tones.

Across the length of Duane Pitre’s "Three for Rhodes” - a chamber piece for ”unknown instrumentation” - deconstructed rhythms and melodic fragments swell in a dance of harmonic interplay, rising and falling within the work’s engrossing architectural complexity. Imbued with a startling sense of humanity, tonal footsteps and syntactic patterns flower with life, delivering an exacting image of the metaphorical potential of sound.

Catherine Lamb’s "inter sum” - one of a tiny number of available works to encounter the composer and renowned violist working on synthesizer - endeavours to break the visualisation of harmony as a vertical reality, rendering it multidimensionally in space. With its materiality drawn from Lamb’s own environmental field and filtered by the synth - presenting a radical rethinking of the terms of composition and musical mater - subtle tonalities and harmonics, embedded within sheets of textural atmosphere, culminate as a spectral vision of the latent musicality of the natural world.

A canon for eight-violins played by Marc Sabat, Tashi Wada’s "Midheaven (Alignment Mix)” - guided by the internal logic of its tuning system - shape-shifts into an elegantly poetic form of musical conceptualism. Interlacing long-tones bloom with complex harmonic interplay and delicate overtones, as two mirroring, overlain realizations of the composition - one moving forward as the other simultaneously moves backward - slowly converge toward a crescendo of dissonance at the midpoint, imbuing the work with emotive tension, before returning to a final ecstatic release.

Byron Westbrook’s "Memory Phasings”, composed and recorded on a combination of computer controlled modular synthesizers and a Yamaha Tx802, employs the ratios of just intonation as harmonic building blocks for texture. Shifting long-tones and insectile buzzes underscore patterns of rapid appreciations and carefully balanced punctuations, forming a shimmering collective of abstractions, that blurs the lines between synthetic and organic readings of sound.

Deploying just intonation as a means for psycho-physiological exploration, Caterina Barbieri’s "Firmamento” - composed for synthesizer - deftly intervenes with the expectations of minimalism, durational music, and drone. Brooding and ecstatic - pushing the possibilities of organised sound into unexplored realms via the triggering of emotional and mental states of being - across the work’s slow evolution, sublime tonalities ride a razors edge between darkness and light, colliding in dense layers that rethink ancient modes in futuristic terms.

Taking form within the gestures of six crucial voices of contemporary experimental music - Malone, Pitre, Lamb, Wada, Westbrook, and Barbieri - The Harmonic Series II sculpts a profoundly human vision of the potential of art, where the historic becomes present and future, and the divisions imposed by cultural and temporal boundaries dissolve. Like the generations that have embraced it before them, each artist harnesses just intonation as a means to progress toward unknown territories of creative possibility and to readdress how we hear, arriving at a musical space that is highly individual and personal - captured by the diversity of the works presented within - while speaking within a collective whole.

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Leslie Winer

2LP | 2021 | US | Original (Light In The Attic)

Heart Sutra Black Vinyl Edition

Release: 2021 / US – Original

Genre: Electronic & Dance

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Definitive career-spanning anthology
Includes previously unreleased tracks, inspired collaborations, and material from Leslie’s groundbreaking 1990 solo debut, Witch
Featuring musical contributions from Jon Hassell, Helen Terry, Jah Wobble, Renegade Soundwave’s Karl Bonnie, Christophe Van Huffel, Jay Glass Dubs, Mari G. Mooney, and Diamond Version, amongst others
Newly remastered by the GRAMMY®-nominated engineer John Baldwin
24-page booklet featuring a new, extensive interview with Leslie and liner notes by acclaimed author, critic and compilation co-producer Wyndham Wallace, along with an essay by award-winning writer and scholar Louis Chude-Sokei
Cover collage by renowned British artist Linder, featuring photography by Mondino, and design by designer Christopher Shannon

Picture shows a mock up. The actual records are unique and will differ.

“The definition of a hidden gem” – John Peel

“The world seems finally to be catching up to Leslie Winer, whose startling intelligence and singular vision shine through her copious recording life.” – Max Richter

“She might just be the coolest woman on the planet!” – Boy George

Light in the Attic is ecstatic to announce When I Hit You—You’ll Feel It: a 16-track anthology that celebrates the extraordinary work of musician, poet, and author, Leslie Winer. When I Hit You—You’ll Feel It spans Winer’s three-decade-long musical career: from her groundbreaking solo work in the early ‘90s to her latest inspired projects. Featuring musical contributions from Jon Hassell, Helen Terry, Jah Wobble, Renegade Soundwave’s Karl Bonnie, and others, the collection also spotlights Winer’s diverse collaborations, and unearths previously-unreleased recordings.

Newly remastered by the GRAMMY®-nominated engineer John Baldwin, When I Hit You—You’ll Feel It will be available in multiple special 2xLP editions, on CD, and across digital platforms. The album includes a new interview with Winer, captured by the compilation’s co-producer, acclaimed author and critic Wyndham Wallace. Rounding out the package is an insightful essay by the award-winning writer and scholar Louis Chude-Sokei and an original cover collage by the renowned British photographer and artist, Linder, featuring photography by Mondino, and design by designer Christopher Shannon.

MORE ABOUT LESLIE WINER….

Musician, poet, iconoclast, model, artist, enigma. Leslie Winer is many things.

Born to a teenage mother and sold for $10,000 in a black market adoption when she was just hours old, Winer has always lived an uncommon life. She grew up in Boston with a voracious appetite for music and the written word and embraced the city’s lively jazz and folk scene in the ‘70s. Moving to New York for art school, she gravitated towards a vibrant crowd of intellectuals, artists, and radical thinkers—or perhaps they gravitated towards her.

There, Winer formed an unlikely friendship with writer and artist William S. Burroughs and lived on-and-off with Jean-Michel Basquiat. In London, where Winer began her musical ventures in earnest, she was a regular at Leigh Bowery’s underground club Taboo, where she met many of her collaborators, including filmmaker John Maybury, Kevin Mooney (of Adam and the Ants), and Boy George, who once declared that Winer “might just be the coolest woman on the planet!”

Winer’s striking looks also attracted fashion designers and photographers. Throughout the early ‘80s, she was an in-demand model—appearing in campaigns for Valentino, Christian Dior, and Yohji Yamamoto, and serving as a muse for a young Jean-Paul Gaultier, who later dubbed Winer “the first androgynous model.” She posed for Helmut Newton, Irving Penn, and Pierre et Gilles, and graced the covers of The Face, French and Italian editions of Vogue, and Mademoiselle.

But music was Winer’s true passion and, at the turn of the ‘90s, she would unknowingly help invent the massively popular genre known today as trip-hop.

On her debut, Witch, Winer masterfully blended the uninhibited sampling of early hip-hop with dancehall basslines and programmed beats, while weaving mesmerizing—and coolly-detached—spoken-word vocals into her ambient tracks. It was unorthodox in the most delicious ways.

The album was a bold experiment by the self-taught artist, who enlisted a number of talented musicians in the sessions, including Culture Club’s Helen Terry, Karl Bonnie of Renegade Soundwave, former Public Image Ltd. bassist Jah Wobble, and Kevin Mooney, as well as Marco Pirroni and Matthew Ashman (both of Adam and the Ants, among other acts).

While Witch was finished in 1990, it wouldn’t be released for three years, due to the whims of Winer’s label. In the meantime, several tracks made their way out into the world as early as June 1990, thanks to BBC Radio 1 DJ John Peel, who later referred to Witch as “the definition of a hidden gem.”

Opening with the laid-back dub beats and soft, sing-songy chorus of “He Was,” Witch features such highlights as the up-tempo “Skin,” the hypnotic, bass-heavy “The Boy Who Used 2 Whistle,” and the album’s closer, “Dream 1,” in which waves of reverb-soaked vocals bounce from one ear the other.

While sonically, Winer was breaking new ground, she was also bringing a fresh, incendiary take on what it means to be a woman in the music business, as embodied by her composition “N1 Ear,” in which she delivers a scorching, feminist manifesto, borrowed from the Women’s Liberation Broadsheet: “If I get raped it must be my fault / And if get bashed I must’ve provoked it / And if I raise my voice I’m a nagging bitch / And if I like fucking I’m a whore…And if I ask my doctor too many questions I’m neurotic and need pills / Because I still can’t get a safe birth control while some fucker’s roaming the moon.”

Winer had every right to vent her frustrations as a woman in music. Despite her fierce demeanor and steadfast focus, she was consistently disregarded and typecast by the industry. Many of her early collaborators failed to credit her work, while others simply overlooked her influence. Witch, for example, was so delayed that by the time the album saw the light of day (released under the pseudonym “©”), trip-hop was gaining mainstream traction via acts like Portishead, Massive Attack, and Madonna. Although Winer eventually gained wider acknowledgment (prompting the NME to give her the dubious distinction of “The Grandmother of Trip-Hop”), Witch initially went sorely unnoticed.

Following the disappearance of Witch, Winer continued to record, undeterred by the elusive nature of mainstream success in the modern music business. Her network of inspired collaborators continued to grow and expand, yet her influence remained largely a secret except to those in the know, such as Grace Jones and Sinead O’Connor, who would cover her songs.

Today, Winer stays busy on new musical projects in the French countryside, where she has spent the past two decades raising her five daughters. A prolific writer, she has also published two collections of poetry and oversees the literary estate of Herbert Huncke, a defining member of the Beat Generation.

In the modern era, one is hard-pressed to find an artist who continues to push the creative envelope as much as Winer does. And yet, three decades after her revolutionary debut, her work remains just as startling and fresh.

Winer’s influence might best be summed by the award-winning composer Max Richter, who offered the following thoughts to Wyndham Wallace for his extensive liner notes: “The world seems finally to be catching up to Leslie Winer, whose startling intelligence and singular vision shine through her copious recording life. A visionary commentator on the relationship between individuals and society in the mould of Blake or Woolf, Leslie Winer knows things that the culture at large just doesn’t understand yet, and she has never been afraid to let us know that.”

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Ach Buddha Beat System

LP | 2024 | US | Original (Cobrarose)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-08-30

The Flower Travellin' Band

Beam Penetration And Mad Computer

10"+CD | 2024 | JP | Original (EM Custom)

2LP | 2024 | EU | Original (Lizdas Club)

Release: 2024 / JP – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-08-16

Expo 70, held in Osaka, was a pivotal event for the Japanese people and their relationship with the rest of the world, demonstrating both the nation’s ongoing economic recovery from World War Two and the creative spirit of Japanese society and its artists. The event gained international acclaim for its adventurous architectural design, visual art and electronic music. Some of Japan’s most renowned composers were involved, but also present were the now-legendary rockers, the Flower Travellin' Band. A series of performances, billed as “Night Events” were held at the Expo; the most radical of these was "Beam Penetration and Mad Computer, plus the Minimal Sound of Motorcycles”, but its anti-establishment feel and general madness took the Expo organizers by surprise and it was cancelled after only one night, despite being scheduled for a longer run.

An air of myth developed around the event, but a recording of the event has been discovered and this release is the result. And what an event it was: a night-time sound-bomb with a fabled band, electronic sound and 50 motorcycles with horns blaring, spotlights, electronic billboards and a robot ― all flashing, roaring and howling at the night sky. This release comprises a CD, a 10-inch record with fold-out sleeve and large obi, plus fascinating notes in Japanese and English by Kenichi Yasuda, an expert on Japanese rock music, and Koji Kawasaki, a renowned researcher of Japanese electronic music, as well as rare photos.

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Exem

Atlanta

Hudson River Wind Meditations Glacial Blue Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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When the first cargo ships from Western Europe docked in Klaipėda after the fall of the Iron Curtain, no one could have imagined that a completely new and unknown musical culture would arrive in Lithuania along with them. It was the first city in this country to get a taste of what was then called electronic rave music. This is why it is unsurprising that the most iconic Lithuanian electronic music band of the 1990s was born in Klaipėda, the port city of this country.

The first release from Lizdas Records is a nod to the past. Because if it weren’t for Exem and their legendary tracks, which even made their way into the mainstream media in those days, today’s Lithuanian electronic music scene would be completely different.

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Lou Reed

2LP | 2024 | US | Original (Light In The Attic)

OST Disco Boy Black Vinyl Edition

Release: 2024 / US – Original

Genre: Electronic & Dance

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“I first composed this music for myself as an adjunct to meditation, Tai Chi, and bodywork, and as music to play in the background of life, to replace the everyday cacophony with new and ordered sounds of an unpredictable nature. New sounds freed from preconception. …over time, friends who heard the music asked if I could make them copies. I then wrote two more pieces with the same intent: to relax the body, mind, and spirit and facilitate meditation.” - Lou Reed

Lou Reed’s final solo album, Hudson River Wind Meditations, is one of his most personal musical works, combining Reed's love of creating drone music with his passion for Tai Chi, yoga, and meditation. The album's ambient soundscapes have been described as a counterpoint to his intense Metal Machine Music album—but they are similar outliers in Reed's 40+ year exploration of drone music and feedback harmonics. It's for a certain time and place of mind.

The album has been remastered by the GRAMMY®-nominated engineer John Baldwin with vinyl pressed at Record Technology Inc. (RTI). The Double LP and CD releases are designed by GRAMMY®-winning artist, Masaki Koike and feature new liner notes by renowned Yoga instructor and author, Eddie Stern, who guided Reed’s practice for years. Also included in the physical editions is a fascinating conversation between author/journalist Jonathan Cott (Rolling Stone, The New Yorker) and Reed’s wife, artist Laurie Anderson, who discusses the album, as well as her husband’s devotion to Tai Chi – one of the album’s primary inspirations.

Hudson River Wind Meditations marks the latest release in LITA’s Lou Reed Archival Series. Launched in 2022 in tandem with the late artist’s 80th birthday, the ongoing series has celebrated one of America’s most influential songwriters through such acclaimed collections as Words & Music, May 1965 featuring many of Reed’s earliest (and previously-unreleased) recordings, including the earliest-known versions of “I’m Waiting for the Man” and “Pale Blue Eyes.”

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Vitalic /

LP | 2024 | EU | Original (Citizen)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Ultra-Minimal White Vinyl Edition

Sylvain Chauveau

LP | 2024 | EU | Original (Sonic Pieces)

LP | 2024 | EU | Original (Real Gone Music)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Sylvain Chauveau has been releasing quiet and minimal compositions on various labels for more than two decades. »ultra-minimal« marks his debut for Sonic Pieces and takes the minimal approach even further, centring on reduction and limitation. Itwas recorded live at Café Oto, at one of Sylvain’s rare solo concerts and the first time he performed publicly with only acoustic instruments; no machines, no recorded sounds have been used, only piano, guitar, harmonium and melodica, played one at the time.

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Orgy

Candyass

Release: 2024 / EU – Original

Genre: Electronic & Dance

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2LP | 2015 | US | Original (Shelter Press)

Doppeldoppelgänger

Immortal Orange Marbled Vinyl Edition

Release: 2015 / US – Original

Genre: Electronic & Dance

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A subjective compilation by David Le Simple and Vincent Romagny after the three exhibtions cycle ‘Doppelgänger’ at Ceaac curated by Vincent Romagny. The double LP ‘Doppeldoppelgänger’ is a purely subjective compilation of sound works by artists (Félicia Atkinson, bruant&spangaro), sound from films by artists (David Lamelas), sound poetry and performances (John Giorno, Karl Holmqvist, Lisa Holzer & David Jourdan); of works by very different cult composers (Benjamin Britten, Jean-François Pauvros, Gérard Pesson, Jean-Claude Vannier), legendary groups (Deux Filles) and unclassifiables (Potima Zen Neuman, Joiejoiejoie).

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Torn

3LP | 2024 | EU | Original (Samurai Music)

3LP | 2024 | EU | Original (Repeat)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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We welcome Torn back to Samurai Music for a full length return trip. Immortal ventures back into the abyssal realms that Ivans music inhabits with 13 meticulously crafted solo works. Meditative, brooding and hypnotic, it's a hauntingly immersive journey that shines a light on his singular vision and artistry. From the outset, Torn descends into the subterranean with unmatched precision. Each track on Immortal is an intricate colage of raw, sinewy textures and eerie melodies,meticulously woven to create an intensely intoxicating experience. Standout pieces like the title track 'Immortal', 'Into The Abyss', Unending Rails' and'Glacier' display the inimitable Torn style in its full glory. Immaculate rhythms and layered atmospherics, forever evoking a sense of inexorable momentum What sets Immortal apart is its ability to maintain a cohesive narrative while exploring diverse sonic and rhythmic territories. Torn seamlessly transitions from the minimalist, almost meditative ambience of tracks like Reckless and I Dare to the more aggressive, beat-driven attacks of Inner Battle and Invisible Turmoil. Each piece contributes to the overarching foreboding atmospheric journey. For aficionados of deep, shadowy atmospheric drum and bass, Torn's Immortal is indispensable, a tenebrous soundscape that is equal parts innovative, disquieting and enthralling.

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Get Fucked

The Singles

Release: 2024 / EU – Original

Genre: Electronic & Dance

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The last drop of the Get Fucked series on Repeat, proper golden UK Tech House! Essential for all vinyl diggers out there!

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Kicking Dust: The Goa Way, A Full Circle Compilation

2LP | 2024 | EU | Original (Full Circle)

Patty Hearst Beat Tape Red Vinyl Edtion

Release: 2024 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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This one has been in the works for quite some time. A statement compilation showing what Full Circle is about, paying homage to the very roots of psychedelic dance music. A little town in India, which was a haven to a bunch of hippie outcasts, was throwing freeform outdoor parties since the day those freaks put their flag down. What was once a gathering around live music blew up into a rave as electronic music started to appear, paving the way to what would eventually become Goa Trance.

Full Circle, the duo project of Alexis Le-Tan and Joakim, started 10 years ago when Alexis accidentally discovered that some of his old Goa Trance records he was about to sell sounded great when played at the wrong speed : 33rpm instead of 45rpm. He called his long-time friend and collaborator Joakim to work on edits of those tracks that became the sound signature of this DJ duo : a slow, heavy and trippy sound that would eventually infiltrate the fringes of the underground club scene via like-minded DJs such as Vladimir Ivkovic, Jane Fitz, Ivan Smagghe and many more.

10 years later and a bunch of releases and remixes behind them, Full Circle decided to tell the story of how this Goa sound came to life. At a time when Trance has made a major

comeback and infiltrated pretty much all the sub-genres of club music, it felt right to look back at where it all started - going full circle, when Trance was not Trance, Goa was not Goa but the seeds of tripped out dance music were being sown.

After all, there are countless compilations about Balearism, the Italian Cosmic scene,The Loft, The Paradise Garage etc but none about the roots of this Goa sound.

This is a compilation of the best tunes played by the pioneer Goa DJs like Laurent, Goa Gil, Mike Maguire amongst others, between the late 80s and early 90s. Proto House, New Beat, early Techno, Industrial, with a distinct psychedelic tone, a few arpeggios here and there, acid lines, chopped up vocals, all elements of what would later constitute a genre of its own.

This beautifully packaged compilation includes liner notes by Tom Colebrooke and excerpts from Tom and Alexis’ interview of Mike Maguire of Juno Reactor fame, one of the pioneers of Goa Trance.

Check the liner notes for more info about the early Goa history !

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Waajeed

2LP | 2024 | US | Original (Dirt Tech Reck)

Patterns Of Consciousness

Release: 2024 / US – Original

Genre: Hip Hop, Electronic & Dance

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For the 1st time vinyl release of a seminal beat tape, 30 raw Hip Hop productions crafted between 2005.

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Caterina Barbieri

2LP | 2017 | US | Reissue (Important)

Release: 2017 / US – Reissue

Genre: Electronic & Dance

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2018 Repress limited to 500 copies in gatefold sleeve.

Patterns Of Consciousness is the powerful second full length from analog synth composer Caterina Barbieri. Highly recommended to fans of Alessandro Cortini and Eleh; Barbieri can be seen/heard/felt live at major electronic music events across Europe and beyond.

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Entomongaku Ii

Release: 2024 / Original

Genre: Electronic & Dance

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Episodes In Oceanography 2

Release: 2024 / Original

Genre: Electronic & Dance

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Episodes In Oceanography

Release: 2024 / Original

Genre: Electronic & Dance

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Entomongaku

Release: 2024 / Original

Genre: Electronic & Dance

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2LP | 2024 | UK | Original (Rewarm)

Luke Una

Everything Above The Sky

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Exploring late-night, after-hours meditations on sound; ‘Everything Above The Sky (Astral Travelling with Luke Una)’ is a new compilation by the titular DJ, promoter and enigmatic cultural curator. Off the back of the E Soul Cultura phenomena, this compilation comes at a timely point in Luke’s rich career as he soars the heights of playing all over the world. Avoiding any chance of his sound being pigeonholed, Luke has put together a tracklist of songs and music that have a transcendental feel, after coming off the grid, going back to source, outside the city walls .

Music has long been believed to aid out of body experiences and many of us have searched long and hard for a combination of those elusive ingredients that might alleviate some of the monotony of everyday life, our daily routines and obligations, and those things that seem to block us from the spirit of the universe. In this collection, Luke selects music with all the right ingredients in just the right quantities, allowing the listener to engage in an esoteric journey of enlightenment through sound. Being a prolific collector of music, Luke initially delivered enough tracks to compile several compilations, making the licensing process the biggest effort to date for the label. The music moves softly and slowly, never becoming too intrusive, exemplifying the wonderful elevating properties of simple songs played from the heart.

Luke’s Everything Above The Sky manifesto reads, “Astral Travelling in the meadowlands with acid folk, spiritual jazz, around midnight hocus pocus, cosmic psychedelic soul, magical spellbound whirling swirling love songs, Brazilian ballads of light into machine soul gospel utopia dreaming, Balearic bossa, Outer Space ancient African drum, the breath of trees, escaping the big bad modern world, gathering round winter fires, walking amongst the bracken in Padley Gorge in late summer twilight, overlooking the Hope Valley, escaping ego, detaching and finally letting go amongst the stars with the slowly floating people. It’s beautiful beyond. Everything above the Sky”.

Beginning his career as an original Sheffield house young blood in the mid 1980s, Luke’s move to Manchester and partnership with Justin Crawford saw the birth of Electric Chair, a cornerstone cult night in the UK underground club scene. Then came Electric Elephant, a Croatian festival paying homage to their wild eclecticism from Balearic to Brazilian to É Soul, house, disco and techno. Luke’s much loved, long-running Homoelectric night and more recently Homobloc sell out festival for 10,000 souls has been at the forefront of Manchester’s LGBTQ+ cultural landscape. Luke’s Friday evening show on Worldwide FM captured imaginations and became a cult four-hour must-listen monthly journey for fans all over the world. Today, Luke remains, as ever, at the forefront of a changing milieu, pairing the momentous legacy of Manchester’s 80s and 90s scene with the delivery of what today’s club communities need to get down.

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LP | 2024 | US | Original (Virgin US)

Rezz

Can You See Me?

Dreamscapes White Vinyl Edition

Release: 2024 / US – Original

Genre: Electronic & Dance

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Limited silver smoke colored vinyl LP pressing.

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Eli & Fur

2LP | 2024 | EU | Original (Electronique)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Through Lines Deluxe Edition

Martyn

2LP | 2024 | UK | Original (3024)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Includes Through Lines LP + a beautiful 40-page booklet featuring a collection of Martyn’s writings on music, inspired by the 9 tracks on the Through Lines vinyl release, designed by the very excellent Jeroen Erosie.

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Down To The Sea & Back: Volume Tres

2LP | 2024 | WW | Original (Music For Dreams)

Release: 2024 / WW – Original

Genre: Electronic & Dance

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The Last Goodbye Tour Live Ghostly Clear Vinyl

ODESZA

3LP | 2024 | EU | Original (Foreign Family Collective / Ninja Tune)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Neveroddoreven Redux Splatter Vinyl Edition

I Monster

2LP | 2024 | Original (Dharma)

Release: 2024 / Original

Genre: Electronic & Dance

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2LP | 2024 | EU | Original (Apollon)

Alwanzatar

Ensyre

Idealism Forever 2024 Repress

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Alwanzatar is a one-man musical project (Krizla from Norwegian cult heroes Tusmørke) creating extraterrestrial world music, with flute, incantations, synthesizers and electronics. This is Alwanzatar’s sixth album, performed on synthesizers and flute. Engsyre is dance music for the faery folk feasting in the woods, where the murmur of the city falls silent, and the booming bass of dreams takes over. It is the slow pulse of the blood in the ground, life sliding through roots of hungry trees, the scurrying movements of living creatures that do no wish to be seen. Hidden, until they show themselves in awesome splendour and sound reverberates in the hills.

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Digitalism

3LP | 2024 | EU | Original (Magnetism)

LP | 2024 | MX | Original (Aurora Central)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Idealism Forever is the reissue of Digitalism's genre defining debut studio album from 2007. Now it will be released as a remastered 3 LP set with 2 x 12 " on coloured vinyl and 1 x 12" LP on etched vinyl with bonus tracks, a poster, spot lacquer paint, as a limited edition. The original album double LP is sold out for years.
To date the album tracks have been used in numerous games and commercials. They have been sampled and used in new song interpretations all around the world. The songs have millions of streams over the different platforms and never lost their appeal. The new analogue master of the album shows the songs in their best outfit and the bonus material, which originally was recorded while making the album back in the days, have never been heard before.

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Sarah Belle Reid

Mass

Release: 2024 / MX – Original

Genre: Electronic & Dance

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2LP | 2018 | Reissue (Phantasy Sound)

Daniel Avery

Song For Alpha

Release: 2018 / Reissue

Genre: Electronic & Dance

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2LP | 2018 | Reissue (Phantasy Sound)

Daniel Avery

Song For Alpha

Release: 2018 / Reissue

Genre: Electronic & Dance

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Random Access Memories 10th Anniversary Edition

Daft Punk

3LP | 2013 | EU | Reissue (Daft Life)

Release: 2013 / EU – Reissue

Genre: Electronic & Dance

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Live At The Reims Cathedral 1974

Tangerine Dream

2LP | 2021 | EU | Reissue (Culture Factory)

Release: 2021 / EU – Reissue

Genre: Electronic & Dance

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On Earth Black With Baby Pink Splatter Vinyl Edition

R. Stevie Moore

2LP | 2021 | EU | Original (Earth Libraries)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Together Purple Vinyl Edition

Venturex

2LP | 2014 | CA | Reissue (Tiger Blood Tapes)

Immaculate Conception + Introduction To Riddles Of The Revered Lady Red Vinyl Edition

Release: 2014 / CA – Reissue

Genre: Electronic & Dance

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VentureX is an American electronic music producer based out of Chicago, Illinois who creates music that can be described as french house & nudisco. Experimenting with Hip-hop and other genres as times.

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Immaculate Emancipation

LP | 2015 | CA | Reissue (Tiger Blood Tapes)

V I R T U A L R E S O R T Violet Vinyl Edition

Release: 2015 / CA – Reissue

Genre: Electronic & Dance

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Limited edition 12" vinyl LP vinyl run of 200 on translucent ruby red coloured wax in full colour jackets shrink wrapped.

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Cybereality Life

LP | 2013 | CA | Reissue (Tiger Blood Tapes)

Release: 2013 / CA – Reissue

Genre: Electronic & Dance

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2LP | 2019 | US | Reissue

S?K

Outworld Black Vinyl

Release: 2019 / US – Reissue

Genre: Electronic & Dance

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John Morales Presents Teena Marie

Love Songs

3LP | 2021 | EU | Original (BBE)

Øresund Space Collective Meets BMC

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Producer extraordinaire John Morales returns to BBE Music, celebrating the life and work of R&B / soul legend Teena Marie with a double album full of brand new remixes, lovingly crafted from the original studio tapes, entitled ‘Love Songs & Funky Beats’. “Teena is somewhat underrated, and people don't really know much about her.” Says Morales. “I set out to immerse people in her music and represent what she really did. That meant for me a dive into more than her R&B hits, to dig into her ballads and dance cuts. People know she was talented. I don't really think they really knew the depth of her abilities, her complete confidence to take it upon herself to do everything – singing, producing, arranging, songwriting. Teena Marie was the total package.” John Morales had the pleasure of mixing many of Teena Marie’s original records over the years, so it felt natural to dig into the archives and select his favourite cuts to rework, extend and subtly update in his own distinctive style. While by no means a definitive collection of Lady Tee’s expansive musical catalogue, ‘Love Songs & Funky Beats’ represents a fitting tribute to a multifaceted and important voice in popular music, by one of the most storied mix engineers and remixers of our age. Jumping into the music industry deep end in 1979 with a three-year mentorship from Berry Gordy & Rick James at Motown, Teena Marie then spent seven fertile years with Epic, which yielded her greatest commercial successes (including the classic album 'Starchild'). After founding an independent label ‘Sarai’, Marie took a ten-year hiatus which ended in 2004 in a deal with hip hop label Cash Money Records; a less unlikely partnership than some might assume, given that Teena was one of the first ‘mainstream’ artists to perform a rap verse, on 1981’s ‘Square Biz’. Teena Marie Brockert forged a unique path through the industry, an artist in-charge of her own destiny, influencing (and heavily sampled by) both the hip hop and R&B sounds of the 90’s and early 2000’s. Her 1982 lawsuit against Motown records resulted in "The Brockert Initiative", which has benefitted literally thousands of other artists by making it illegal for record companies to ‘shelve’ artists by keeping them under contract without releasing their material. She continued to tour regularly and deliver commercially successful, expertly sculpted music, right up until her untimely passing in 2010.

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Freak Out In The Fjord Multicolored Vinyl Edition

3LP | 2019 | EU | Original (Space Rock Productions)

Release: 2019 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Zone Of Swans/Lucid Actual + 1/2 Dativa

Daszu

2LP | 2018 | US | Reissue (Lion Productions)

3LP | 2024 | EU | Original (Repeat)

Release: 2018 / US – Reissue

Genre: Electronic & Dance

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Excavation of astounding underground post-punk recorded from 1979-1988
Style: minimal, semantic, intense. There is poetic subtlety and musical freshness not confined to one historical period
8-page insert booklet contains the Daszu manifesto, poetics for most tracks, a measure of band history, and Part 1 and 2 of Mark Rudolph's poetry from the Daszu era
Vinyl edition comes in a heavy-duty tip-on jacket
First time on vinyl for all tracks
Contains two additional tracks not on the CD edition

If there's one thing we've learned from doing reissues for twenty years, it's that there is often a lack of justice in the arts. All too often, the intensely talented are shunted aside, or not able to access the means to a greater hearing, or marginalized (or eradicated) by larger societal (commercial) (racial) (political) forces, to name just three potential prongs of an art-crushing pitchfork. The less an artist's work can be categorized, the greater the odds of being an eternal outsider. The more pure those artistic efforts are, the greater the chance they cannot be categorized. Such is the case with the music of Daszu. They were three, and minimal. Bass, synthesizer and drums.

I'd like to tell you that the music of Daszu reminds me of This Heat. I'd like to tell you that the music of Daszu reminds me of the Pop Group... or A Certain Ratio… or as some have suggested, early Devo. It does, in purity of intent—in the great expansive reach of the attempt, and the self-assurance of the resulting music. This intensity of intention is evident in the dark, burbling and buzzing electronics; in the propulsive drumming; in the insistent bass-lines; in the emotional vocals; and in the evocative and poetic lyrics.

An impediment to achieving a place in the post-punk pantheon — Daszu was based in Milwaukee, not in the UK. Except for cassette distributions in Helsinki and Dublin, and a few scattered performances, they lived, practiced and performed near home. In 1979, Mark Rudolph (now an interactive 3D artist, musician, software developer, mathematician and the director of i3Dmedia LLC) talked in his kitchen to David Wolf about an idea he had for a new music: how music could be 'popular' without rock guitars and a big wall sound such as large amps and organs. 'I said we could do a minimal three-piece music based on new melodic lines and poetry and synthesis. I thought that we could remake reality. It was possibly ambitious, but I didn't think so. We decided to do it.' They did it. Not with a big polyphonic keyboard, but with a mini-moog sound generator.

The 1/2 Dativa material included on our Lion survey of Daszu's musical innovations was the work of Rudolph and his Australian friend and musician, Greg O'Connor (Boom Crash Opera). Rudolph had been studying mathematics and computer music in Australia, and a mix of Daszu, his computer generated music and O'Connor's great genius with electronic parts is evident in these intense, propulsive recordings made on a pair of DX-7 synthesizers one feverish day in 1983.

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Get Fucked

Dot To Dot

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Official, remastered reissue of the seminal Get Fucked first album (1999). Includes the complete tracklist, for the first time on vinyl. Dedicated to our late friend Nathan Coles.

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DJ Andy Smith Presents Reach Up - Disco Wonderland

3LP | 2024 | EU | Original (BBE Music)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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2LP | 2024 | UK | Original (Discrepant)

Goncalo F. Cardoso

Exotic Immensity

2LP | 2024 | UK | Original (Kranky)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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More than two years after the release of 'Impressões de Outra Ilha', Discrepant's head honcho returns home under his birth name with the appropriately titled 'Exotic Immensity'. Conjured from the seeds of an exhibition of dioramas at Le Bon Accueil in Rennes, this double LP feels quietly epic in scope, a sprawling travelogue through imagined scenarios and what if possibilities. Discarding the more rough around the edges collages of previous works under a myriad of aliases - Discogs it, if you will -, Cardoso's approach here is more meticulously composed, with seamless transitions within his own personal soundworld giving way to this hallucinated landscape of field recordings, subtle electronic tweaks, cascading patterns, queasy ambiences and kösmiche-like synth harmonies.

Perfectly embodied in Evan Crankshaw's cut up poem, filled with occult and sci-fi references such as Agrippa's Book of the Occult, William Blake's Book of Urizen, Dr. Moreau or 50's pop-science books, the music on 'Exotic Immensity' transverses time and cartography in a deeply personal matter, from the cricket-like textures and reverse loops of 'Réplica(s)' until the closing moments with the touching chord progression and mangled voices of 'Pó Nuno'. In-between, the foghorn meets bass clarinet melody of 'Ossos' recalls the unassuming but essential harmonic patterns of Laurence Crane, surrounded by an almost percussive sheet of field recordings that drift into the gliding synth tones of 'Desumanização (I & Ii)' until tape orchestral swells carry us into the aether. 'Aquário Novo Mundo' brims in an undisplaced cartography, from electronic marimba stabs to synth choirs, the call of the loom to labyrinthine keyboard harmonies and underwater radiance. Are we still here? Somewhere? The muffled looped rhythmic sequence of 'Imagem/Miragem', cut by the glow of cascading synths doesn't offer a reply. Nor does it need to.

'Exotic Immensity' exists on the perpetual outside. Blessed be Cardoso for showing us a way in.

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Loscil

Triple Point

2x12" | 2024 | EU | Original (Kinesthetik)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Completing Kranky's chronologically reverse reissue program of the earlier loscil albums on vinyl, the 2001 debut album is issued on the format for the first time with the addition of three bonus tracks from the same sessions that produced the original release.

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Cleon

Even More

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Hypnotised: A Journey Through Belgian Trance Music

LP | 2024 | US | Original (Black Hole)

Release: 2024 / US – Original

Genre: Electronic & Dance

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LP | 2024 | EU | Original (Virgin)

Stabber

Trueno

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Later That Day / The Day Before / Or The Day Before That Stormcloud Vinyl Edition

Casey MQ

LP | 2024 | US | Original (Ghostly International)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Elaine Brown & Black Panther Party

Seize The Time

LP | 2024 | Reissue (Real Gone Music)

Release: 2024 / Reissue

Genre: Electronic & Dance

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2LP | 2024 | UK | Original (Independent Project)

Woo

Xylophonics Robot X

Release: 2024 / UK – Original

Genre: Electronic & Dance

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LP | 2024 | CZ | Original (Growroom Productions)

Honest Lee

Cosmic Justice

Hudson River Wind Meditations Black Vinyl Edition

Release: 2024 / CZ – Original

Genre: Electronic & Dance

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The sophomore album from Honest LEE is a soulful excursion featuring many prominent guests including Javier Miranda of Empresarios, Matt Rippetoe and JOE Herrera, horn players for Thievery Corporation and former bandmates of LEEâ€™s in THE Funk ARK, Trevor Olexy of THE MOD, Jerry Busher of Fugazi, Peabody alum and educator Delandria Mills, Growroomâ€™s own Slanigiro Renguez, Baltimorean Troy Long, Elijah Jamal Balbed of THE Chuck Brown Band and from NYC, Mkmkmk, first call horn player for Antibalas. By bringing diverse instruments, moods, and guest artists to this venture, Honest LEE has created an instrumental cinematic soul masterpiece with his own stamp of collective musicianship. Consistently funky, the 12 track album is sure to please fans of modern funk, downtempo and soul. Super limited pressing, the 50th release on Growroom Productions.

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Lou Reed

2LP | 2024 | US | Original (Light In The Attic)

Loscil // Lawrence English

Release: 2024 / US – Original

Genre: Electronic & Dance

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Colours Of Air

2LP | 2024 | UK | Original (Kranky)

43,69 €* 45,99 € -5%

Afterglow Clear Vinyl Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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First vinyl issue for this 2023 release with bonus track not available on CD.

Nine majestic electro-acoustic threshold devotionals. The union of composers Lawrence English and loscil aka Scott Morgan is seamless, sublime, and long overdue.

Born of a conversation centered on the notion of “rich sources” as a forge for electronic music, Colours Of Air is a collection of recordings of a century old pipe organ housed at the historic Old Museum in Brisbane, Australia, which were then processed, transformed, and elevated into eight majestic electro-acoustic threshold devotionals. The timbre of the instrument and spatial fluctuations of room tone infuse the music with a subdued, sacred feel, like vaulted light in a nave of stained glass. They describe the album as “an iterative project, a reduction and eventual expansion,” sifting the swells and drones of the organ for every shivering shade of radiance.

The tracks are named for the hue each piece suggests – from the gauzy levitational miasma of “Yellow” to the pulsing melancholic mirage of “Violet” to the seething twilit sandstorm of “Magenta.” Morgan and English are both adept at conjuring moods of muted grandeur, like landscapes veiled in dusk, still looming and luminous.

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Marva Von Theo

LP | 2021 | IT | Original (Shades Of Sound)

Release: 2021 / IT – Original

Genre: Rock & Indie, Electronic & Dance

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New World Black Vinyl Edition

Nouveau Life

LP | 2015 | CA | Reissue (Tiger Blood Tapes)

Release: 2015 / CA – Reissue

Genre: Electronic & Dance

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Lovely Reveries Red Vinyl Edition

Dream Of Death Vanity

LP | 2018 | CA | Reissue (Tiger Blood Tapes)

The Composite Moods Collection Vol.2: Point Blank Range

Release: 2018 / CA – Reissue

Genre: Electronic & Dance

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o experience those wonderful feelings again…

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Dalhous

2LP | 2021 | EU | Original (Denovali)

The S?K Files Clear W/ Splatter Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Dalhous end the 5-year silence with the long awaited follow up to 2016's House Number 44, presenting the second volume of The Composite Moods Collection. "Point Blank Range" reinterprets the established narrative with an inverse look at the proceedings. The entire record can be listened to as a continuous piece, each track seamlessly linked together as though part of an interconnecting nervous system. Where House Number 44 offered airy, widescreen soundscapes of detached detail, Point Blank Range presents an altogether different form. Creating airtight vacuums of agitated twitching feeling, tracks are pulled to the forefront of the stereo field, continually mutating their densely painted neurochemical hallucinations with a breadth of sound previously unheard on previous releases.

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S?K

2LP | 2021 | US | Original (Sic)

2LP | 2021 | EU | Original (Matière Mémoire)

Release: 2021 / US – Original

Genre: Electronic & Dance

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Edition OF 150 Copies

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Giovanni Di Domenico

Treatments

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Italian pianist, performer and composer Giovanni Di Domenico presents 4 new pieces in collaboration with Eiko Ishibashi, Jim O'Rourke, Joe Talia and Tatsuhisa Yamamoto.

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L'Eau Repousse Les Feux Agressifs Clear Vinyl Edition

4LP | 2021 | EU | Original (Mama Told Ya)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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It’s Raining Tracks : After three successful collaborative releases on Mama Told Ya over the past few months, Anetha quenches our unquenchable thirst with Mty-eau, a brand new compilation: 4 vinyls, 16 tracks, 18 artists - one madly diluvian project featuring Varg and Croatian Amor, Ufo95, Anetha, Tommy Holohan, X-Coast , Emma DJ, Less Distress, Sugar, Absl, Quest?Onmarc , Ryan James Ford, ISAbella Le Dom, Fakethias, Rhys Jelson, Jardin and Certain Smith. Entitled "L’eau repousse les feux agressifs", it will be the first of a series around the four elements. Source of inspiration, Water teaches us acceptance. It completely flows in this first opus, as into the spirits - in "quarantine" at that time - of the guest artists. No sluices, zero dams and a lot of free time, the opportunity to dare more... experimental streams. Mama Told Ya is therefore innovating, although there is some for all tastes in each and every vinyl: torrent of fast disjoncted techno, cloudburst of acid, trance and hyper-saturation, downpour of experimental or even electronic-rap vocoder…. Rain. ON. ME.! To be savoured chilled at home or boiling, in a club. The artwork has this time been entrusted to visual artist Karin Kimel, who delivers a version of the world through an aquatic 3D prism in which only the fragments of a boiling underwater volcano remain. With a profoundly dramatic intro, « Bully » immediately immerses us in the icy Scandinavian waters, on the verge of hydrocution. An epic, almost mystical opening, heralding the impending flood. Water then, in all its temperaments, under all its temperatures, spreads everywhere, throughout the listening, sometimes soothing, sometimes thundering. Under pressure in « Extremely Urgent », it even becomes irrepressible. Next follows a demented race set to submerge everything. Open valves and sinks, overflowing swimming pools, flash floods, storms and tsunamis, endless monsoons, melting ice and glaciers… It is ultimately a liquid world, entirely drowned under water that we find in « 5th generation », outro of a new genre which invites to reinvent the future, and why not Mama Told Ya’s future. It’s hard not to hear in this aquatic odyssey an ecological warning, a call (back) to Nature.

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2LP | 2019 | US | Original (Astralwerks)

Ninjawerks 1

Release: 2019 / US – Original

Genre: Electronic & Dance

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2LP | 2018 | EU | Original (Denovali)

Blackfilm

Zero One Seven

4LP | 2015 | EU | Original (Novel Sound)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Blackfilm is an anonymous Hungarian artist who introduced himself with his self-titled debut in 2008. On „Zero One Seven“, Blackfilm merges tracks spanning across drum and bass, dub and electronic. The sounds on the album are built from the ideas on the original Blackfilm „S/T“ and „Along the Corridors“ and progress to a sound built on new ground mixing modern production techniques and influences while at times referencing the Blackfilm sound we know from his previous releases.

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Levon Vincent

2LP | 2013 | US | Original (Interscope)

Release: 2015 / EU – Original

Genre: Electronic & Dance

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Turmoil!! Only 1(!) copy per customer!

Levon Vincent returns with his most ambitious yet concise work to date: no less than a quadruple LP on his own imprint Novel Sound. The entire gamut of Levon's unique talent is expressed in it's fullest here: stark minimalism adherent to the the groove - submerged industrial rhythms and flexing, dubbed-out basslines - shimmering leads and beautiful melody. Set to be an instant classic, Levon Vincent's self-titled opus is finally upon us!

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Zedd

Clarity Deluxe Version

Release: 2013 / US – Original

Genre: Electronic & Dance

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2LP | 2011 | UK | Original (Honest Jon's)

Vladislav Delay Quartet

Release: 2011 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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2LP | 2024 | Original (Stella Polaris Music)

The Noble Gasses

Release: 2024 / Original

Genre: Electronic & Dance

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LP | 2024 | EU | Original (Hospital)

Unglued

What On Earth

Release: 2024 / EU – Original

Genre: Electronic & Dance

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2LP | 2024 | US | Original (Minty Fresh)

Zeshan B

O Say Can You See?

Release: 2024 / US – Original

Genre: Electronic & Dance

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LP | 2024 | Original (Reborn Wood)

Eri Chichibu

Crossing Reality

Release: 2024 / Original

Genre: Electronic & Dance

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2LP | 2024 | US | Original (Mom+Pop)

Porter Robinson

Smile! :D

Release: 2024 / US – Original

Genre: Electronic & Dance

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Lost Paradise: Blissed Out Breakbeat

2LP | 2024 | UK | Original (Blank Mind)

2LP | 2024 | EU | Original (Solitary Listener)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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With an intrigue for a particular niche of old UK hardcore which takes cues from Sheffield bleep ambience, heady rave futurism and soft, almost new age synth pads, Blank Mind presents ‘Lost Paradise: Blissed Out Hardcore 91-94’. Though the records gathered for the compilation span a short three-year period and bridge the gap between scenes, the collection manages to find a sweet spot where the influence of Warp’s Artificial Intelligence, back room chill out sonics and the nascent jungle boom meet with elements of Italian piano house and slower breakbeat cuts. Opting to focus on atmosphere to highlight shared connections; in this case the duality of often serene and calming soundscapes with frenzied breaks and bass (see Hedgehog Affair’s ‘Parameters’ and Luxury’s ‘Twirl’ respectively); Lost Paradise is a formidable collection of tracks plucked from a thriving time for British dance music experimentation. The general themes of ascension and escapism channelled through digital samplers are also inescapably linked to a turbulent time in politics, beginning in the post-Thatcher years and culminating in the year the harshest anti-rave Criminal Justice Act came into force. Initially building the compilation around DJ Mayhem’s track ‘Inesse’, Blank Mind label founder Sam Purcell and Amsterdam based producer Tammo Hesselink began a process of swapping favourites and deep cuts to spread across this 2x12” doublepack. The compilation avoids any obvious centrepieces through masterful sequencing, allowing for moments of refrain and tempo changes in a way that helps add to their overall vision of what this music is and can be; “We wanted to frame hardcore in a different light, looking at this idea of ecstasy through the traditional meaning of the word and exploring that symbolism”. By drawing from what some might consider the softer edges of the movement, the pair offer a look into the relevance of these tracks in the contemporary era, where the past years have seen both an explosion in popularity of old ambient/new-age music and a certified jungle revival.

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Linja

Memories Raw

LP | 2024 | US | Original (Sound Signature)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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The first record consists of edits, entwined loops, percussive beats, and captivating grooves-a synthesis of intertwined memories. It’s an experiments, search for meanings-a humble homage to the genres that have shaped me and the artists who continuously fuel my inspiration. The second is my personal story, as well as my memories, or rather fragments of them, its about my hometown, Yekaterinburg. the devils from the Ural Mountains who climb into my personality from everywhere, the time spent in Moscow that forged my resilience, and the chapter of relocating to Spain in pursuit of a brighter horizon. These are mere fragments of memories thanks to which I am here and now.

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Specter

Brutus

Lazers Not Included 10th Anniversary

Release: 2024 / US – Original

Genre: Electronic & Dance

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All music by Andres Specter Ordonez Illustration by Sean Linn Graphics by Thomas Xu 2023 Whobody Publishing BMI

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Wilkinson

2x12" | 2013 | UK | Reissue (RAM)

Release: 2013 / UK – Reissue

Genre: Electronic & Dance

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Three appearances on Andy C’s Nightlife 5 in 2010 signaled the start of Wilkinson’s journey with RAM Records. Three years later he would go on to drop his debut album ‘Lazers Not Included’, propelled by the success of ‘Afterglow’, featuring Becky Hill, making a dent in the UK Top 10 and going on to gold certified status with over 150+ million streams to date. Capturing his dancefloor ready sound, which helped make him one of the biggest names in electronic music in the UK and beyond, Lazers features the anthems ‘Take You Higher’, ‘Heartbeat’, ‘Too Close’ and ‘Half Light’.

To mark the 10th anniversary of its release, the album has been pressed in full for the very first time on yellow vinyl. With a refreshed design, this special edition will make a great collector’s item for old and new Wilkinson fans alike.

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4LP | 2021 | EU | Original (AVA. RECORDS)

10 Yahre

42,39 €* 52,99 € -20%

3LP | 2018 | EU | Original (Oblivion)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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AVA. Records celebrates its 10th anniversary with 52 artists. “10 Yahre” is a 4LP compilation housing 22 tracks, a printed 30 pages magazine and a mixed CD. All wrapped in a custom made silkscreen sleeve, also including a textile keychain and stickers. Sonically spanning from ambient to techno, 10 Yahre carries new and exclusive material, all woven around the label’s decade focus on dance floor culture, started 2011 in Cologne, Germany. The 4LP vinyl includes music by: Am Kinem, Andy Hart, Axel Boman, Cinthie, Damiano von Erckert, Dman, Dogpatrol, форм, Jürgen Ratan, Jus-Ed, Lauer, Lowtec, Move D, Paingel, Paradise Grey, Retrogott, Robi, Ron Trent, Sinoesin, Tito Wun, U-I, Will Saul and Wolfey. The mixed version of the entire compilation is contributed by Sally C. The full color magazin and video includes works by: Alina Bader, Andy Kassier, Angel, Anna Beil, Ata Macias, Bailey Keogh, Damiano von Erckert, Dirk Jeans & Lou de Bètoly, Funkycan, Guido, Jana Marei, Jana Maria Dohmann, Joana Pratschke, Johannes Wohnseifer, Juri Bader, Kuchenbaum, Manuel Fischer, Maria Sécio, Martin Fengel & Public Possession, Mathias Schmitt, Maximilian Schweizer, Michael Satter, Naum Hirsl, Nicolas Wenz, Peter Wolff, Rein Vollenga, Rucksack Leer, Stelan Mergenthaler, Suzanne Caroline de Carrasco, Twit One and Yves Taron Harouche Compiled by Juri Bader and Damiano von Erckert, mastered by Enyang Urbiks. Design and concept by DVE 1989.

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Klaus Schulze

Moonlake

Release: 2018 / EU – Original

Genre: Electronic & Dance

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2LP | 2017 | US | Original (Audika)

Arthur Russell

Instrumentals

Silence Teaches You How To Sing Silencing The Singing White Bio-Vinyl Edition

Release: 2017 / US – Original

Genre: Electronic & Dance

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Before Disco, and before the transcendent echoes, Arthur wanted to be a composer.

His journey began in 1972, leaving home in Oskaloosa, Iowa. Heading west to Northern California, Arthur studied Indian classical composition at the Ali Akbar Khan College of Music followed by western orchestral music at the San Francisco Conservatory of Music, before ending two years later in New York at the Manhattan School of Music.

Traversing the popular and the serious, Arthur composed “Instrumentals” in 1974, inspired by the photography of his Buddhist teacher, Yuko Nonomura, as Arthur described, “I was awakened, or re-awakened to the bright-sound and magical qualities of the bubblegum and easy-listening currents in American popular music”.

Initially intended to be performed in one 48 hour cycle, “Instrumentals” was in fact only performed in excerpts a handful of times as a work in progress.

The legendary performances captured live in New York at The Kitchen (1975 and 1978) and Franklin St. Arts Center (1977) feature the cream of that eras downtown new music scene including Ernie Brooks, Rhys Chatham, Julius Eastman, Jon Gibson, Peter Gordon, Garrett List, Andy Paley, Bill Ruyle, Dave Van Tieghem, and Peter Zummo.

Pitchfork lauded “Instrumentals” Vol. 1 as a masterpiece and one of Arthur’s “greatest achievements”. Americana touching on Copeland, Ives, and maybe even Brian Wilson. “Instrumentals” Vol. 2 is a moving, deeply pastoral work performed by the CETA Orchestra and conducted by Julius Eastman.

Also included are two of Arthur’s most elusive compositions, Reach One, and Sketch For “Face Of Helen”. Recorded live in 1975 at Phill Niblock’s Experimental Intermedia Foundation, Reach One is a minimal, hypnotic ambient soundscape written and performed for two Fender Rhodes pianos. Sketch For “Face Of Helen” was inspired by Arthur’s work with friend and composer Arnold Dreyblatt, recorded with an electronic tone generator, keyboard and ambient recordings of a rumbling tugboat from the Hudson River.

For this remastered vinyl edition, a key part of Arthur’s musical life has been restored. The sparkling, multidimensional results take the listener closer to Arthur’s coast-to-coast journey: his iconoclastic determination to combine pop and art music; and his desire to make music that would resonate in the present and, ultimately, across time.

The remastered double LP comes with a 12-page booklet including liner notes by Tim Lawrence, Ernie Brooks and Arthur Russell.

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Ulver

2LP | 2024 | EU | Original (House Of Mythology)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Generally considered the most avant-garde and surreal auditory experience within Ulver's extensive catalogue. House of Mythology is thrilled to announce the exclusive 2024 reissue of Ulver's essential 2001 EPs, Silence Teaches You How to Sing and Silencing the Singing, now available together on one Double LP. This remastered (by Jaime Gomez Arellano) special edition boasts entirely new artwork by the highly talented + wolframgrafik aka Paschalis Zervas.Maintaining the high-quality standards you've come to expect, this release features two 180- gram vinyl records presented in a durable 350gsm gatefold sleeve. For added protection, each record is placed in white poly-lined disco bags and packaged outside the sleeve to avoid seam splits, with everything wrapped up in a plastic sleeve. As frosting, it comes with an insert and a collection of four postcards, containing original and new photography. 1A: Silence Teaches You How to Sing Pt. 11B: Silence Teaches You How to Sing Pt. 22A: Darling, Didn't We Kill You?2B: Speak Dead Speaker2C: Not Saved

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LP | 2024 | Original (Universal)

Pepe Link

Scenes From My Soul

Release: 2024 / Original

Genre: Electronic & Dance

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Ravin / Buddha Bar Presents

Best Of 02

3LP | 2024 | EU | Original (George V)

LP | 2024 | Original (Swear Down Music)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Deeply rooted in the Buddha-Bar DNA, music has always played a key role in our universe.Created in Paris back in 1996, our musical signature perfectly reflects the dreamlike atmosphere of our restaurants. Subtle and mesmerizing mixes, perfect blend of mystical house & electronic rhythms with African, Asian, Indian, Latino or Oriental sounds...Buddha-Bar Music spread its good vibes all around the world since 1996.This triple Best Of retraces our history from 2014 to 2024, gathering titles and artists carefully selected by Ravin, including Buscemi, Sahalé, Desert Dwellers, Kenneth Bager, Ali Kuru, Santi & Tugçe, El Bùho, Troels Hammer, ...

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House Gospel Choir

Love Is The Message

Release: 2024 / Original

Genre: Electronic & Dance

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2LP | 2024 | EU | Original (Music On Vinyl)

Londonbeat

Very Best Of

Release: 2024 / EU – Original

Genre: Electronic & Dance

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2LP | 2024 | EU | Original (Minuswelt)

In Strict Confidence

Cryogenix

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Landmass Picture Disc Edition

Turtle

LP | 2024 | EU | Original (Old World - New World)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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2LP | 2024 | US | Original (In The Red)

Alan Vega

Insurrection

Release: 2024 / US – Original

Genre: Electronic & Dance

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In The Red Records is proud to announce a previously unreleased new album by Brooklyn-born master of minimalism Alan Vega, Insurrection. The eleven songs here showcase the unparalleled vision and uncompromising force from one of the most influential artists of all time.

Alan Vega was born in Brooklyn in 1938. He co-founded the legendary New York City punk band Suicide with Martin Rev in 1970. Suicide’s groundbreaking 1977 debut is considered one of the most influential albums of all time. Vega considered his solo records the audio counterpoint to his visual art that reflected the world around him while simultaneously exploring universal themes. It makes his work as relevant today as it was when he created them. It was during his highly experimental period beginning in the late ’80s that he began working with Liz Lamere, who became the most crucial collaborator of his solo career until his death in 2016.

Lamere, along with Jared Artaud, resurrected these newly unearthed collection of lost recordings, which they co-produced and mixed. Lamere and Artaud spearhead the Vega Vault project, which aims to bring rare, unreleased and back catalog work spanning Alan Vega and Suicide’s career to the public for the first time.

On Insurrection, Lamere says: “Insurrection was created in the time period around 1997/98, after Mutator and prior to Vega’s 1999 release of 2007 and captures the intense energy of NYC in the ’90s rife with crime, killing, hate, fascism, racism, and moral bankruptcy. You can hear the tortured souls floating through this album. Post-Gulf War angst still enveloped Alan. He was having premonitions about a major terror attack in the US, well before 9/11. The upcoming birth of his son raised further awareness of the state of our world. All these emotions are mirrored in the sounds he magnetized. And true to Vega form, there remains hope and empowerment coursing through the tracks. In the almost three decades of going into the studio with Vega, we recorded significantly more material than the seven albums released. Vega’s intention was to experiment with sound which would become the canvas for the poetry that reflected his vision of the universe. Because the goal wasn’t to make albums, he had no timeline or constraints and would freely follow new paths uncovered along the way.”

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A Buddha Lounge Tribute To The Beatles

LP | 2024 | Original (Cleopatra)

Release: 2024 / Original

Genre: Electronic & Dance

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Buddha Lounge Renditions Of Metallica - The Black Lounge

LP | 2024 | Original (Cleopatra)

Release: 2024 / Original

Genre: Electronic & Dance

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A State Of Trance Yearmix 2023

Armin van Buuren

3LP | 2024 | EU | Original (Music On Vinyl)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Systeme White Vinyl Edition

Bersarin Quartett

2LP | 2024 | EU | Original (Denovali)

Wege Übers Land - Remastered Marbled Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Finally the 5th album of the imaginary German quartet - as always via Denovali. Although the title "Systeme" suggests a perhaps rather distant-cool album, it is the most personal and concentrated soundtrack so far created by Thomas Bücker from Münster in his "E-Smog-Playground" studio. In 2008, the quartet still flirted with cyrillic-mysterious melancholy and red wine-swilling trakl melancholy. 15 years and four albums later, it seems almost cynical to simply continue at this point. Because: late modernity delivers its very own complex tragedies - in real time. This feeling of "Something's not right here" runs like a thread through the entire new album. While it still sounds popularly symphonic here and there, there are also many soundscapes that have an observing, almost unmasking effect. Microtonal shifts, polyrhythmic structures, tempo fluctuations and sound aesthetics torn out of context create a fragile, unpredictable foundation - as if Talk Talk, Tim Hecker and Skrillex were making music together and challenging our tolerance for ambiguity. Typical of the Bersarin Quartet: sparks of optimism shimmer through everything. However, sitting back and enjoying doesn't really want to work - necessarily. Because that makes it exciting without freezing in escapism - fortunately.

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Kombinat 100

3LP | 2021 | EU | Reissue (Acker)