Electronic & Dance Vinyl 43292 Items

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Imagine This Is A High Dimensional Space Of All

James Holden

2LP | 2023 | EU | Original (Border Community)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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3LP | 2022 | EU | Original (!K7)

Theo Parrish

DJ-Kicks

Trans-Europa Express German Version Clear Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Growing up in Chicago, later Detroit-based music producer, Theo Parrish is internationally well known for his own inimitable downtempo house music style. The approach Parrish took to compiling DJ-Kicks was very ambitious, inviting his Detroit peers to produce a collection of brand new material, and in turn creating the first ever all exclusive entry to the esteemed series.

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Kraftwerk

LP | 1977 | UK | Reissue (Parlophone)

Release: 1977 / UK – Reissue

Genre: Electronic & Dance

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2LP | 2001 | EU | Reissue (Parlophone)

Gorillaz

In Return 10 Year Anniversary Colored Vinyl Edition

Release: 2001 / EU – Reissue

Genre: Hip Hop, Rock & Indie, Electronic & Dance

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Damon Albarn's brainchild which includes the massive hit Clint Eastwood feat. Del!

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ODESZA

2LP | 2024 | EU | Original (Foreign Family Collective / Ninja Tune)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-22

2x12" | 2024 | Original (Blanco Y Negro)

Sally Saphiro

Modern Romance

Release: 2024 / Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-08

3LP | 2023 | DE | Original (Tresor)

Transparent Sound

Accidents 1994-2023

Release: 2023 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

2LP | 2024 | UK | Original (Leng)

Emperor Machine

Island Boogie

2LP | 2024 | EU | Original (Music On Vinyl)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Whisper it quietly, but Andrew Meecham’s ninth album as The Emperor Machine, Island Boogie, may well be the long-serving producer’s strongest set to date. Of course, all his albums ripple with vintage synth sounds, colourful lead lines, dub-flecked electronic disco grooves and lashings of cosmic intent, but this one just feels a little more special. Island Boogie is certainly special. Meecham’s “most personal” full-length to date, it was inspired by his experiences at the Rotation Garden Party – a beloved micro-festival promoted by a group of friends (including sometime Bizarre Inc and Chicken Lips partner Dean Meredith), renowned for the quality of its custom-built Klipschorn soundsystem. “The album’s title sums up the vibe that you get from Rotation,” he explains. “It may be held in a landlocked venue but it gives a wonderful sense of isolation – it is an audiophile paradise.”

Meecham road-tested rough versions of the album’s eight tracks at Rotation 2023, with the feedback and dancefloor reaction guiding the sound and arrangement of the final mixes. Fittingly, Meecham will return to the event to showcase the album at Rotation 2024 this July. Given the inspiration he’s drawn from previous editions of the festival, that will be a very special occasion. Musically, Island Boogie offers the most fully functioning and expertly constructed expression of The Emperor Machine sound yet, a style Meecham describes as “electronic cosmic disco-boogie”. It’s a sound that takes cues from early ‘80s NYC punk-funk and dub disco, vintage electro, proto-house and left-of-centre synth-boogie, but one that’s instantly recognisable to those who have followed Meecham’s career over the last three decades.

Island Boogie also sees Meecham continue his blossoming working relationship with Severine Mouletin, whose stylish and distinctive vocals previously graced his popular ‘Dance Por Amor’ and ‘Your Own Style’ singles. Here Mouletin features on four tracks: the acid-flecked retro-futurist wave-boogie of ‘La Cassette’ (featuring additional percussion by Rupert Brown); the infectious, bleep-sporting headiness of recent single ‘Devoilez-Vous’; and the squelchy analogue synth-funk of ‘Wanna Pop With You’ and ‘Vas-y-Le Chat’. Meecham also finds space for a cover of Fox’s 1976 pop-rock classic ‘S-s-s-single Bed’, one of the Stafford-based artist’s all-time favourites. His version, featuring headline-grabbing lead vocals by Michelle Bee and guitar from Dave Atherton, re-imagines the track as a subtly Chic-influenced slab of infectious electro-pop rich in kaleidoscopic synth sounds, sing-along choruses and shuffling drums.

The instrumental foundations of the classic Emperor Machine sound come to the fore on the album’s three other cuts. There’s the jazz-funk-flecked warmth of the LP-opening title track; the sparse squelches, bleeps, TB-303 style bass and brightly coloured electronics of ‘Walk The Dog’; and the exotic, slow-motion cosmic electronica of ‘Cha Murrah Etem’, a warm but poignant affair dedicated to his late father. Heady and intoxicating, with hints of Balearica and digital reggae, it offers a fittingly beautiful and tactile conclusion to Meecham’s most expressive and accessible album yet.

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Sash!

The Best Of

Release: 2024 / EU – Original

Genre: Electronic & Dance

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You'll Never Get To Heaven

Wave Your Moonlight Hat For The Snowfall Train

LP | 2021 | CA | Original (Seance Centre)

True Magic Yellow Vinyl Edition

Release: 2021 / CA – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Near Mint

Sealed copy with slightly dented cover corners.

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Salute

2LP | 2024 | UK | Original (Ninja Tune)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Brian Eno, Holger Czukay, J. Peter Schwalm

Sushi. Roti. Reibekuchen

2LP | 2024 | EU | Original (Grönland)

Release: 2024 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Nostalchic Crystal Clear Vinyl Edition

Lapalux

2LP | 2013 | UK | Reissue (Brainfeeder)

Release: 2013 / UK – Reissue

Genre: Electronic & Dance

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Somoku Hodo Transparent Green Vinyl Edition

Hakushi Hasegawa

LP | 2024 | UK | Original (Brainfeeder)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Air Ni Ni Grey Marbled Vinyl Edition

Hakushi Hasegawa

LP | 2024 | UK | Original (Brainfeeder)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Endless Planets Deluxe Vinyl Edition

Austin Peralta

2LP | 2024 | UK | Original (Brainfeeder)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Andreas Gerth & Carl Oesterhelt

Music For Unknown Rituals

2LP | 2023 | EU | Original (Umor-Rex)

LP | 2023 | Original (Mercury KX)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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After two years, Carl and Andreas present their second album, and once again, it opens up a wide associative space for us. What strikes us initially is the uncommon instrumentation: a church organ, harpsichord, glass tubes, and more. Like their first album (The Aporias of Futurism), it is mysterious and dark. But it also carries a strong touch of rebellion and adrenaline, sometimes quite pointedly. The pieces are now shorter and feature intricate yet irresistible rhythms. The impact is immediate, yet it maintains a sense of solemnity and ceremony. The Apollonian complexity of the rhythms and subtle melodic interweavings is transformed into a Dionysian, ecstatic, hypnotic, and at times tribal context. "Music for Unknown Rituals" oscillates between primitive instincts and avant-garde intrigues. The process began in Döblitz, a small village on the Saale river in Germany, inside an old church that houses an organ built in 1886 by Johann Adolph Ibach. Carl and Andreas gained access and secluded themselves there for a few days, accompanied by the organ, an instrument made of glass tubes, and a set of modular synthesizers. After recording the basic tracks in Döblitz, the work continued in Munich and Berlin. Carl played electric guitars, harpsichord, bass, metallophone, xylophone, Indian harmonium, and various percussive instruments. Andreas added layers of electronic sounds, noises, and atmospheric drones. He also created percussive structures extracted and derived from recorded material of technical and industrial noises, which contrasted with the acoustic drums played by Carl. The antithetical approach continues with the dichotomous arrangement of the instruments, often panned hard left and right in the stereo field, creating an antiphonic communication. Some parts, especially the use of the electric guitar, evoke memories of the psychedelic sixties. However, this is anything but a nostalgic album—these musical references are merely remnants, set pieces, and fragments used from a contemporary, post-modern, post-youth-cultural, and post-romantic perspective. Although Andreas and Carl continue on their chosen path of composing music with an almost literary narrative structure, this album is conceptually and formally completely different from their first effort. If “The Aporias of Futurism” was a revolutionary manifesto (in a pataphysical sense), "Music for Unknown Rituals" is more like the implementation in action; it is the practical application of the previous statement. To put it another way, if "The Aporias of Futurism” was the conceptual manifesto of a dark utopia of modernity, "Music for Unknown Rituals" is the staging of free will surrendering to the myths and catharsis of a Greek tragedy. And in response to this, the artwork features a leitmotif of histrionics with hands, the hands being the first and intuitive part of the body to express something: a ritual, a prayer, a defeat... — Andreas Gerth is one half of Driftmachine, and Carl Osterhelt is part of F.S.K and collaborates with Hans-Joachim Irmler of Faust. Both became connected through their participation in the Tied & Tickled Trio.

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Sophie Hutchings

World Outside

Release: 2023 / Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-15

2LP | 2023 | EU | Original (Dekmantel)

Nadia Struiwigh

Birds Of Paradise

LP | 2008 | JP | Reissue (P-Vine)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Celebrating the interconnected strands of head-tripping electronica she holds dear, Nadia Struiwigh arrives on Dekmantel with her fourth album of widescreen machine soul. Birds Of Paradise joins the dots between electro, techno, ambient and jungle as a reflection of the symbiotic relationship between the contrasting elements which drive all life on earth - the inescapable and chaotic forces of cause and effect. Echoing the free-spirited approach of electronic music in the mid-90s, it’s an album which rejects absolutes in favour of emotionally honest expression, true to Struiwigh’s deeply felt passion for the sounds and styles which defined her own journey into music. Since first emerging in the wider scene, Struiwigh has ably demonstrated her instinct for different sonic approaches across her accomplished career, whether exploring expansive ambience on album projects or holding down the physical intensity of a residency at Berlin techno temple Tresor. Her 2017 debut album Lenticular on Central Processing Unit most closely resembles the approach on Birds Of Paradise, where introspective beat constructions and nuanced sound design folded into a natural, flowing whole unbound by perceived rules around genre. The narrative flow uses contrasting energies to glide though distinctive spaces, unfolding with the considered pace of a truly immersive listening experience.

From the rich, undulating beatless pastures of ‘jsf48’ to the intricate mechanics of ‘02nd’, the dubby downtempo of ‘cmmn cmmn’ to the crunchy beatdown of ‘Dreamsynth’, the spaces Struiwigh defines on Birds Of Paradise are brilliantly vivid and bound together by an affinity for emotionally-charged ambience. At times the effect is nostalgic, calling to mind the exotic ecosystems of Future Sound Of London or Higher Intelligence Agency, but even these passages are charged with a restless futurism informed by the imagined vistas of science fiction as a comment on the realities of the here and now.

Widely recognised for her expertise in a multitude of production processes (not least her extensive knowledge of outboard gear), Birds Of Paradise pools Struiwigh’s devotion to her craft into an exquisite instant-classic to be savoured and absorbed in the same fashion as so many iconic electronica albums which have come before.

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Think Twice

Rock To This Beat

2LP | 2023 | UK | Original (The Trilogy Tapes)

Release: 2008 / JP – Reissue

Genre: Electronic & Dance

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The Canadian unit Think Twice a.k.a. Phil Kennedy is also known for their participation in the compilation album 'modal soul classics by Nujabes' (2008) and the tribute album 'modal soul classics II -dedicated to... Nujabes' (2010), which was released after Nujabes passed away. The producer of Specifics released his debut solo album "With Twice a.k.a. Phil Kennedy" in 2007. With A Loop And Some Swing', his debut album as a solo artist, and his second album 'Rock To This Beat', released the following year, are being reissued in analogue format for the first time!

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Rezzett

Meant Like This

Release: 2023 / UK – Original

Genre: Electronic & Dance

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LP | 2023 | EU | Original (P-Vine)

Lowell Fulson

Tramp

2LP | 2023 | EU | Original (Serialism)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Nicknamed “The Sleeping Giant” by B.B. King, Lowell Fulson is one of the finest bluesmen to ever come out of Oklahoma. Tramp, his second effort from legendary blues label Kent Records, sees Fulson at his honey-toned best. The opener and title track “Tramp” is arguably Fulson’s most popular song - a funk blues cut which initially peaked at number five on Billboard’s R&B Charts before becoming a minor hit for Otis Redding and Carla Thomas (who would take it to number two on that very same chart) just a single month later. Across twelve tracks, Fulson’s playing is constantly funky, constantly bluesy, and constantly amazing. Don’t miss a single moment - reissued on limited edition monophonic vinyl, this record sounds simply fantastic.

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Cesare Vs Disorder

Antidote

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Label-boss Cesare vs Disorder’s presents his album “Antidote” on Serialism Records. Cesare Marchese finally brings a unique blend of musical influences to the dance music scene with his first-ever album.

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SSR Records: In Retrospect

2LP | 2023 | EU | Original (Hi Scores)

Fumika Fades Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Hi Scores is beyond excited to present SSR Records: In Retrospect. This 2LP compilation album presented in a beautiful gatefold sleeve and through all digital platforms, wishes to highlight the immense and hard to grasp legacy of the Brussels based label. SSR Records was founded in 1988 by Marc Hollander as a sub label of his Crammed Discs and spanned the nascent years of house, acid, rave, trance, new beat, hip-hop, future jazz and broken beat, collaborating internationally and racking up close to 200 releases until it was put to sleep in 2002. Far ahead of their time, SSR Records released music of both European and North American artists that hadn’t broken through yet, such as those collected on this compilation: Move D, Nu Era, Gemini, Bjørn Torske, Glenn Underground or Matthew Herbert.

SSR Records was run by Crammed Discs chief Marc Hollander and Minimal Compact singer Samy Birnbach aka DJ Morpheus. SSR Records: In Retrospect comes with extended liner notes, exploring the pivotal milestones in the history of the adventurous label and zooming in on the origins of all records featured on the compilation.

All nine tracks on SSR Records: In Retrospect were selected by Hi Scores’s head honcho Kong DJ and have been remastered. Created between 1990 and 1996 and in the at the time pioneering spheres of house, breakbeat, electro and trance music, these treasures from the vast SSR catalog today stand as a stunning testimony to a truly remarkable and timeless musical legacy. Kong DJ: ‘While collaborating with Crammed Discs on the releases of Aksak Maboul in 2016 and Zazou / Bikaye in 2018 on Ensemble, I began to grasp the impressive catalog of the label and its sub labels, including SSR. Surprised by the tiny footprint SSR had left on the world wide web - often the case for labels ceased before the internet revolution - I wrote an article for British website The Vinyl Factory. This would later prove to be the first step towards this compilation album, collecting favorites from the label as a kid in a giant candy store.’

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Bvdub

2LP | 2023 | UK | Original (Ec Underground)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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BVDUB's Fumika Fades is a glorious new double pack that is again stuffed with inspired sonic detail and moving ambient soundscapes. The subtle complexity of his sound is laid bare again here with just eight long and involving pieces that ebb and flow, rise and fall, pull you in and push you out. It follows on from a busy 2022 in which Bay Area dub techno titan Brock van Wey put out several great double packs. This one comes with beautiful artwork, too, and is another great addition to the shelves from this man's ever-more spotless catalogue.

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Echo Neuklang (Neo-Kraut-Sounds 1981-2023)

2LP | 2023 | EU | Original (Bureau B)

Release: 2023 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Infina Ad Nausea Pink/Green Vinyl Edition

Qrtr

LP | 2022 | US | Original (Dome Of Doom)

Release: 2022 / US – Original

Genre: Electronic & Dance

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Alva Noto & Ryuichi Sakamoto

Insen / V.I.R.U.S Series

2LP | 2005 | EU | Reissue (Noton)

Alva Noto & Ryuichi Sakamoto

Release: 2005 / EU – Reissue

Genre: Electronic & Dance

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Originally released in 2005, 'Insen' is the second collaboration album between Alva Noto and Ryuichi Sakamoto and the second installment of V.I.R.U.S.'s five albums series.

Remastered in 2021 in collaboration with Calyx Studio, the album's recordings are accompanied by an unreleased composition titled 'Barco.' Initially composed for Alva Noto and Ryuichi Sakamoto's 2005 'Insen' tour, the audio material used in this piece is based on the subtle sounds of Barco projectors, whose tonalities served as a ground for the artists' live improvisation. ? In 'Insen', Alva Noto and Ryuichi Sakamoto explore the potential for interaction and tension between electronic and acoustic instrumentation. Across eight compositions, the echoes of the cascading piano combine, collide, and dissolve with the tapestry of digital breakages in sheer vibrancy. This relationship lies at the album's core. It subtly continues Vrioon's calm melancholia, becoming a vessel for all the emotions and memories nourished by the listener. As you hear the opening, lonesome notes of 'Aurora,' you realize that the pair have once again conceded an ambition to embed elaborate disciplines into an archetypal sound of soul-searching beauty.

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Vrioon / V.I.R.U.S Series

2LP | 2022 | EU | Original (Noton)

LP | 2022 | EU | Original (Kitchen Label)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Pioneers in their own musical approaches, Alva Noto and Ryuichi Sakamoto, began their exploration of sound in the evocatively titled V.I.R.U.S series in 2002. After more than a decade from the release of the collection's final installment with "Summvs" in 2011, Noton reissues all the five albums between June and October 2022.

With its impressionistic atmosphere, in this collaborative project two generations met and shared the idea of electronic music as an inspiration source for new musical structures. Over a series of five albums, Vrioon (2002),Insen (2005), Revep (2006), utp_ (2008), and summvs (2011), the duo have explored blending electronic and acoustic sounds into a meditative whole that is at once expressive, breathing and precision-engineered.

Remastered in collaboration with Calyx Mastering, the recordings of Vrioon, Insen, Revep, Utp_, and Summvs are made available on vinyl and CD under the title 'reMASTER, accompanied by exclusive, unreleased compositions and housed in a beautifully designed sleeve with original cover art by Carsten Nicolai.

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Meitei

Kofu II

Azimuth (Expanded Edition) Clear Vinyl Edition

Release: 2022 / EU – Original

Genre: Hip Hop, Electronic & Dance

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Meitei’s 2020 album 'Kofū' was the bold bookend to an expedition, where sounds were first navigated and then subverted in 2018’s 'Kwaidan' and 2019’s 'Komachi'.

All three albums were Meitei’s attempt at immersive storytelling, reimagining moments of Japanese history he felt were being washed away – not least by the unforgiving sands of time – through wistful compositions that stretched across ambient music, hauntology, and musique concrete.

When it came to finalizing 'Kofū', Meitei found he was left with over 60 fully realized tracks, bursting with ideas that fired in divergent, curious directions. Meitei was content with the 13 tracks he had selected. But when it came time to begin his next album, he found that it had been sitting in front of him all along. He realized his work wasn’t over yet.

Meitei sounds right at home celebrating the past he first reimagined in his previous work. The merriment is palpable in its first two tracks of 'Kofū II' – a loop of cheery whistling amidst the clanking of wood leads into strings, cricket sounds and flutes, all united in bustling harmony.

'Happyaku-yachō' is where it comes into focus. Pitch-shifted vocal samples roam around in the crowded sonic field. “My image of this music is that it expresses the vibrant mood of Edo's merchant culture,” says Meitei, “where old Japanese dwellings were densely packed together in a vast expanse of land.” The affair becomes bittersweet as the track leads into the desolate 'Kaworu', a compositional piece lifted from his 'Komachi' sessions – a final requiem to his late grandmother.

The album is bursting with spectral vignettes of wandering samurais, red lanterns, ninjas, puppet theatres, poets, even a vengeful assassin ('Shurayuki hime', known to Western audiences as ‘Lady Snowblood’).

'Saryō' is as elegant and refined as you would expect. It induces stillness in its repetition, with each synth note a brushstroke. It was inspired by a Sengoku-era tea house he once visited, designed by national icon Sen no Rikyū. Meitei tied it to the reaction he felt while poring over the ink paintings in his grandmother’s house. “The decayed earthen walls and faded tatami mats gave me an emotional impression,” he says. “And the cosmic flow of time drifting in the small room. I decided to put my impression of this into music.”

In 'Akira Kurosawa', an appropriately thunderous track, Meitei finds deep resonance in his vast filmography, which drew equally from Japan’s rich heritage and troubled circumstances post-WWII.

'Kofū II' is not a leftovers album, nor is it a straightforward companion piece. In this album, Meitei has his biggest reckoning with the Japanese identity yet. Over the years, he has attempted to peel back what he believes has defined Japan and its people. After seeking answers with three full-length albums, his fourth poses more questions.

If his first three albums inspired a sense of longing – or, perhaps inevitably, fed an irreparable nostalgia doomed to history – 'Kofū II' compels us to reassess our relationship with the past. By constantly looking back, are we ever afforded a clearer present? After capturing the “lost Japanese mood”, where does that leave its country in the modern world? Meitei offers no immediate answers with 'Kofū II'. It forces you to sit with its disparate moods, to meditate amidst the textured fragments.

'Kofū II' will be released on 180g LP, CD and digital format on December 10, 2021 (LP expected to land January 28, 2022) via KITCHEN. LABEL. Both LP and CD format are presented in a debossed sleeve with obi strip and include a 16-page insert with words in Japanese and English from Meitei, printed on premium paper stock with design by KITCHEN. LABEL founder Ricks Ang, and is mastered by Chihei Hatakeyama in Tokyo, Japan.

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Kenny Larkin

2LP+10" | 2021 | EU | Original (Art Of Dance)

My Cup Runneth Over Record Store Day 2021 Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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A staggering collection Detroit techno-soul music, beamed directly into your consciousness from 1994. Kenny Larkin should need no introduction to those whose ears are trained in the ways of the motor city and her musical sons and daughters. He is one of a handful of artists from the city whose original and unique sonic output has helped shape and advance techno as an art form and as a serious musical movement across the world and it's galaxies beyond, a formidable DJ and producer whose music continues to push the envelope today. 'Azimuth' gives us what would be Larkin's first full length offering, and across 11 tracks of blistering hi-tech machine funk, ambient, soul drenched rhythms and futurist club music he deftly crafted a classic. This is the album you hold in your hands now, here in 2021. Originally released on Warp Records, 'Azimuth' is back here in it's expanded form of a 2 x LP and bonus 10" reissue. A record that effortlessly sounds like it came to earth yesterday while being 25 years old, a true Detroit classic that still makes waves across the planet today. File under - 'Essential'. 'Azimuth' has been legitimately reissued for 2021 on Kenny’s own Art Of Dance imprint. Remastered from DAT tapes and original sources by Curve Pusher. Designed by Atelier Superplus.

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The Wailers & U-Roy

LP | 2021 (Diggers Factory/Tsosume)

Live In Stuttgart 1975 Orange Vinyl Edition

Release: 2021

Genre: Electronic & Dance

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Record Store Day 2021 Release.

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Can

3LP | 2021 | Original (Spoon)

Release: 2021 / Original

Genre: Rock & Indie, Electronic & Dance

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2LP | 2018 | EU | Original (Skylax Mellah)

Mellah

2LP | 2007 | EU | Original (Dope Noir)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Arabic house for Bar Mitsvah, weddings, Aid Al Kabir & other memorable moments in life.

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Waldeck

Ballroom Stories

Release: 2007 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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LP | 1973 | DE | Original (Ohr)

Tangerine Dream

Atem

Eternal Reverie Coke Bottle Vinyl Edition

Release: 1973 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

MInimal peeling and wear. Small sticker marks. Minor writing on label.

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Tokimonsta

LP | 2024 | US | Original (Young Art)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Tape | 2024 | UK | Original (Deewee)

Natasha Pirard

Dream Cycles

Eternal Reverie Winter Green Vinyl Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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***4 x Cassette Box Set***

Speak to most musicians about their motivations, inspirations and processes and you will, generally, get variations on a similar, broadly consensual, theme. Natasha Pirard is genuinely different. Her interest in sound goes way beyond the superficial and the ephemeral. She is fascinated by how and why sound makes us feel, the political implications of sound, noise pollution and the everyday sounds embedded in our immediate environment.

Contextually, this makes a lot of sense when confronted with her debut release for Deewee, Dream Cycles. A 120-minute exploration of sounds, loops, frequencies and waves, it’s an eight- part musical cycle split into 15-minute sections across four cassettes, she believes, reflects on this notion of cyclical, rather than linear, time. The eight song cycles are repetitive. They start off basic and functional and build over time. They begin with one sound but soon you hear other sounds. From there you get taken to another point, where you hear something else and so on and so forth. The circle is never-ending.

Natasha Pirard is a musicologist and composer from Ghent. She will be releasing her album Dream Cycles on February 21st, as a limited edition four cassette box set (with download code), marking her debut on the Ghent-based label Deewee.

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Tokimonsta

LP | 2024 | US | Original (Young Art)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Clouds Under Nicotine [Extended Edition] Spllater Vinyl Edition

Mabisyo

LP | 2024 | CA | Original (Miami Palm)

LP | 2024 | US | Original (Recital)

Release: 2024 / CA – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-12-20

> Color: Translucent Turquoise Vinyl with Purple Opal Splatter
> Full color print jackets
> 33 RPM
> Limited Edition of 200

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Allan Gilbert Balon

The Magnesia Suite

LP | 2024 | JP | Original (Vinyl Bug)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Recital publishes composer Allan Gilbert Balon’s first full-length LP. Born 1986 in Les Abymes on the island of Guadeloupe, Balon is an artist (exhibiting at MoMA PS1 in 2022) who publishes beautiful handmade books and audio on XYÄ Edition run with Uta Guan Hyë in Créteil, France where he now resides.

The Magnesia Suite harbors an unhurried, coastal tranquility that flows lucidly as an album. Though prominently a pianist, a breadth of Balon’s musical spheres are visited on this record. Disparate elements of percussion, reeds, organ, voice, and tape recordings are all cast together. Each slowly excavated, surveyed and then set away.

“Stella Maris” opens with an organ and voice procession in the vein of a Charlemagne Palestine singing piece. “Lustras” is a patchwork of various tape captures (a la Alvin Curran, Rip Hayman, or André Thomkins); piano clusters dredge into xylophone by night with cicadas swimming in radio transmissions. First hearing the track “Pleuro Delez Waltz” is what made me approach Allan about making an album for Recital. The proximity of the voices against the small percussions, all laced with Balon’s piano stylings. I’ve not really heard anything like it before. The album ends with “Ogadia,” a gentle piano march with soprano saxophone and electronics. Feels to me like a Dave Burrell-infused rag played slowly, beautifully resolving the outsider-jazz-sound-art-poetry-collages of The Magnesia Suite.

The LP includes a booklet of quiet texts and beautiful graphic scores.

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Marucoporoporo

Conceive The Sea

Unprecedented Violent Shift

Release: 2024 / JP – Original

Genre: Rock & Indie, Electronic & Dance

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The album's theme is "the cycle of life." It evokes the sensation of sinking deep into the ocean, yet being surrounded by gentle bubbles of kindness rising from the seabed. This grand epic of drone and ambient folk has been hailed as a masterpiece. Some magazines have even compared it to the great works of Brian Eno and Ryuichi Sakamoto. It appeals to fans of drone and ambient music, such as those by Grouper and Andrew Chalk, as well as acid and loner folk enthusiasts. This 2024 release is now set for an eagerly awaited vinyl record release. The vinyl version, like the CD and digital release, features original designs by Mugi Hashimoto, inspired by the theme of "the cycle of life." We hope listeners will discover new aspects of this work through the physical medium.

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Samiyam

LP | 2024 | US | Original (Self Released)

2LP | 2021 | FR | Original (Lab'Oratoire)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Its no secret that Samiyam is a certified beathead and appreciated hiphop producer - we have been in touch with him since his self released Rap beats volume 1 CD (or actually since his contribution with FlyLo as Flyamsam on the Beat Dimensions compilation), and later took in further releases on Stones Throw, Brainfeeder, Poo-Bah, All City & Hyperdub . What we did not know is Sam got heavily into Death Metal for the past 5 years and is a big horror movie fan. (check the artwork here !)

On Death Metal, Sam mentioned 'I started revisiting some old shit and realized I really love it and there's so many cool bands I didn't even know about.. I started making some shit with drums, drum programming, and ideas inspired by some of the stuff I like and realized I should just make an album out of it."

So here it is - 13 beat takes, Metal style - put together by a man whose output is sparse but never dissapoints !

Limited edition US import

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Wax Tailor

The Shadow Of Their Suns

Underwater Detection Method

Release: 2021 / FR – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Transparent vinyl.
Records are slightly warped but still enjoyable.

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Picture
Coming Soon

Greg Lisher

LP | 2024 | Original (Independent Project)

Release: 2024 / Original

Genre: Electronic & Dance

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12" | 2007 | UK | Original (Random Unreleased Records)

Unknown Artist

Untitled

Release: 2007 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Silver vinyl. Light creases and ring wear. Tiny crack on the outer edge of the record, does not affect play!

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3x12" | 2013 | CA | Original (M_nus)

minMAX

2x12" | 2003 | US | Original (Trax)

Release: 2013 / CA – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

Sealed copy, however with light ring wear on cover.

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Picture
Coming Soon

Bryant Stewart

Release: 2003 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Naughty Ride / Politix Of Analog

Datcyde / Influx

12" | 1997 | US | Original (Village)

12" | 1993 | UK | Original (Cancan)

Release: 1997 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Vinyl with a couple of light scuffs

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Knowone

Never

Orange Flavored Cigarettes

Release: 1993 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl with scuffs and hairlines

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Picture
Coming Soon

Life Goes On / Table #2

LP | 2024 | JP | Original (P-Vine)

Release: 2024 / JP – Original

Genre: Electronic & Dance

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"orange flavored cigarettes" is a three-piece band from South Korea that creates a chill sound reminiscent of bands like Men I Trust, Crumb, and The Marias. For them, this release marks their first physical format project, having primarily focused on digital platforms until now. This collection includes key tracks from their three years of activity, ranging from their debut song released in 2021 to their latest ep "table #2".

There’s no doubt that their sense of melody is heavily inspired by American indie rock, but the influence of roots music such as R&B and soul is also strongly felt. Vocalist Dani's voice blends perfectly with the band's sound, drawing listeners instantly into the world of orange flavored cigarettes.

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12" | 2017 | DE | Original (Equation)

Equation #2

LP | 2021 | JP | Original (Big Love)

Release: 2017 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Grey vinyl.

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Lolina

Live In Geneva

Eternal Reverie Frosted Glass Vinyl Edition

Release: 2021 / JP – Original

Genre: Electronic & Dance

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Only a few of these - one for the hardcore. Lolina Live, and this time in Geneva (Performed at cave12, 26.09.2018). A special document beautifully presented on a single LP in gatefold sleeve by Big Love Records, Harajuku, Tokyo.

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Tokimonsta

LP | 2024 | US | Original (Young Art)

Release: 2024 / US – Original

Genre: Electronic & Dance

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12" | 2016 | UK | Original (UVB-76 Music)

Clarity / Mantra

Tendrils / Mindgames

Steve O'Sullivan & John Beer

Release: 2016 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+. Cover with beginning of seam split

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Undercurrents

12" | 1999 | UK | Original (Mosaic)

Lucky Shiner Fireworks Vinyl Edition

Release: 1999 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl with scuffs and hairlines

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Gold Panda

LP | 2010 | US | Reissue (Ghostly International)

Release: 2010 / US – Reissue

Genre: Electronic & Dance

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12" | 1988 | US | Original (Smokin')

Corporation Of One

The Real Life

LP | 2021 | UK | Original (Gondwana)

Release: 1988 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl with scuffs and hairlines

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Portico Quartet

Terrain

Release: 2021 / UK – Original

Genre: Organic Grooves, Electronic & Dance, Classical Music

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Used Vinyl

Medium: VG+, Cover: Near Mint

Blue Vinyl with a couple of light scuffs

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Too Slow to Disco NEO - The Sunset Manifesto

2LP | 2020 | DE | Original (How Do You Are?)

LP | 2020 | EU | Original (Heavenly)

Release: 2020 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Blue & Yellow Translucent vinyl

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Working Men's Club

LP | 2024 | EU | Original (YNFND)

Release: 2020 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Neon Yellow vinyl.

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Ali Dada

Sum

Selected Works From Between 1992 And 1995

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Swiss intergalactic 3 piece experimentalists lean on a Dadaist theme for their late-night, jam-inspired, and smokey beat laden trip to the cosmos.

Distilling surf rock, jazz and ambience, energised and patched together with spoken word samples, wind instruments and, blunted hip hop beats, ali dada’s album SUM is their invitation to dadaversum’ - their eccentric universe of sound and emotion.

Featuring Orlando Ludens (guitar & ambient soundscapes), Rulla (beats & field recordings) and Max Licht (brass & trombone), experimentation is the trio’s constant and SUM is the result of jams and associative distillation’ always with a fluid sense of genre.

Whilst SUM clearly takes new and furtive steps, ali dada’s sound is wholly their own. Nothing feels rigid here and rules don’t apply. Improvisation lingers in the air, even after the last note fades. A series of sound sketches, dense in detail, stylistically rich, SUM gives licence to couch-melt, sungaze or for those used to wintry climes, add another log on the fire.

“The songs often emerge from imperfect elements or mistakes, like from a loop or glitch. or something I played that wasn’t quite clean and building on that becomes the challenge ” recalls Orlando. Rulla adds “I play a lot of instruments, very, very badly and in music production, I’m trained to craft something awesome out of wonky sounds. That’s how songs emerge from unusual sounds”.

As for who played the double bass, no one remembers. Who belongs to the band and who doesn’t is open to interpretation. Though a core group exists the spotlight remains on experimentation through jam sessions. ali dada is a construct, a dadaverse.

Highlights include the album’s opener 'abolish the police', a mix of guitars, weirded-out wind instruments and Häuserfrau’s ever chilled vocal presence. 'tone print' is the band’s first single from the album, which combines sliding guitar, the infamous psychedelic Tim as a narrator, some early CPU game sound-splats and a meteoric dope beat, providing the head nodding groove. 'ohnedi'’s ambient charm features some gorgeous manipulated choir moments and some fidgety electronic synths.

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Paradise 3001

12" | 2022 | DE | Original (Sound Metaphors)

Release: 2022 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Echos From The Holy Mountain

Athos

2LP | 2024 | EU | Original (Maison Caviar)

12" | 1994 | FI | Original (Dum)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Mount Athos, known as the «Holy Mountain,» is a monastic peninsula in northeastern Greece, central to Eastern Orthodox monasticism for over a millennium. Its twenty monasteries house around 2,000 monks dedicated to prayer and worship, which songs have echoed across the Aegean Sea for centuries, heard only by visiting pilgrims, isolated from conventional time and global events. After several years of research, and several visits to the retired community, we are happy to present our new project «Athos : Echoes from the Holy Mountain» dedicated to this liturgic music and repertoire that seems to be evolving outside the usual boundaries of time and space. Rooted in Byzantine chant, this a cappella tradition essential to monastic life featuring intricate yet serene melodies designed to facilitate prayer and contemplation, using a system of modes and scales to create a meditative atmosphere. Trans-disciplinary, this effort of documentation also comprehends an artistic re-interpretation aspect inviting contemporary Greek and foreign artists to reflect on the subject. A musical compilation which captures original field recordings from the 1960s and from today capturing the essence of liturgical music on Mount Athos, but also new compositions inspired by them by artists such as Holy Tongue (uk), Jay Glass Dubs (gr), Prins Emanuel & Inre Kresten Grupp (swe), Jimi Tenor (fi), Gilb’r (fr), Daniel Paleodimos (gr), Esma & Murat Ertel (tur) and Organza Ray (gr/us). A trilingual book in English, Greek and French, featuring essays, articles, photographs and artistic comissions reflecting around the theme giving a voice to contributors such as , Stratos Kalafatis, Theodore Psychoyos, Tefra90, Father Damaskinos Ulkinuora, Prof. Thomas Apostolopoulos, Makar Tereshin, Phaedra Douzina-Bakalaki, Michelangelo Paganopoulos and Alberto Cameroni. The release of the book and the record will be followed by a cycle of exhibitions and conferences, deploying FLEE’s year-long research on Mount Athos, as well as its numerous commissioned artworks.

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Kim Rapatti

Instruments Of...

Trent Reznor & Atticus Ross, Gustavo Santaolalla, Mogwai

Release: 1994 / FI – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl with a couple of light scuffs, closer to VG+. 2 Black labels, on some copies one label is written with a marker "Instruments Of Darkness'' (not on this copy).

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OST Before The Flood

2LP+LP+All Media | 2017 | Original (Lakeshore)

LP | 2022 | WW | Reissue (R2)

Release: 2017 / Original

Genre: Electronic & Dance, Soundtracks

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Used Vinyl

Medium: Mint, Cover: Sealed

Cover has slight ring wear.

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Don Pascal

The Mindelo Experiment

Release: 2022 / WW – Reissue

Genre: Electronic & Dance

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Shadow World Blood Red Vinyl Edition

Lana Del Rabies

LP | 2024 | US | Original (Deathbomb Arc)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Lana Del Rabies' breakthrough album 'Shadow World' is finally coming to vinyl! Originally released just as a cassette, this is one of the most requested upgrades among Lana Del Rabies fans and Deathbomb Arc is thrilled to offer it finally! Lana Del Rabies sculpts her hazy sounds from darkness and melody. Dense synths and vocals from another world do as much to confound as reveal. "...a sensorial passion for modern horror soundtracks, to construct a terrifying collection of sonic hauntings." - The Wire

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12" | 2014 | UK | Reissue (Blind Jacks Journey)

Dream House Volume 1.2

Release: 2014 / UK – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

LP | 1995 | EU | Reissue (Samp)

Trompies

Sigiya Ngengoma

12" | 1992 | US | Original (Paramodo Records)

Release: 1995 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Classic South African house / Kwaito album on vinyl for the first time ! Originally released on CD in 1995, this album which is associated with the birth of South African street music genre – ‘Kwaito’ and dance/dress style ‘Pantsula’ is now remastered for vinyl from the original tapes – resulting in the best sounding version of the recording to date.

Regarded as one of the earliest full length Kwaito albums, ‘Sigiya Ngengoma’ was released just one year into South Africa’s new democracy in 1995. Characterised by ‘mid-tempo’ beats, heavy bass hooks, adapted breakdancing and vocals in informal Zulu and other South African languages; ‘Sigiya Ngengoma’ would form a critical part of the South African street music movement that now has its own fashion, crews and dance style.

It helped post-democratic South Africa define its own musical identity and would pave the way for other Kwaito releases that ultimately led to the emergence of Amapiano years later.

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Deep Style

Well Well Well / Down

12" | 1996 | US | Original (Dansa)

Release: 1992 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl with a couple of light scuffs

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Tribeca

12" | 2015 | DE | Original (Second State)

Release: 1996 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with many scuffs and hairlines

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Stephan Hinz

Hub One

Two Sisters Dark Green Vinyl Edition

Release: 2015 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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Sarah Davachi

2LP | 2022 | EU | Original (Late Music)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

2LP | 2024 | US | Original (Viasonde)

Gridlock

The Synthetic Form

Hifi Sean & Dave Mcalmont

Release: 2024 / US – Original

Genre: Rock & Indie, Electronic & Dance

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In the mid-90s, a resurgence in Electro-Industrial was firmly focused on dance-floors. At this pivotal time, two San Francisco metal scene defectors, Mike Wells and Mike Cadoo, connected through a mutual friend. Bonding over their shared appreciation for non-metal influences, Wells, armed with a sampler and a couple of synths, had crafted a few tracks. Cadoo swiftly added vocals to these compositions, and thus, Gridlock was born. With relentless dedication, the duo embarked on sculpting a grittier, more ominous variant of electro-industrial. Steering clear of the upbeat rhythms typical of the genre, they opted for a dystopian, dirge-like pace. Drawing inspiration from iconic acts like Skinny Puppy, Einsturzende Neubauten, and Fields of the Nephilim, they pieced together the Sickness demo. Eager to share their creation, they distributed the demo to anyone who would lend an ear, including many users on the rec.music.industrial newsgroup. Despite numerous rejections from industrial music labels citing its lack of danceability, Pendragon Records saw potential and took a chance. Thus commenced the earnest endeavor of crafting their debut album, The Synthetic Form. Upon its release, it marked a pivotal moment in industrial music, ushering in a fusion of classic, experimental, and dystopian ambient elements. Pendragon Records tantalizingly teased the album as "Unleashing a World of Your Demons," offering a glimpse into its bleak exploration of themes like regret and personal turmoil. Over the years, Gridlock evolved through three subsequent albums, progressively exploring diverse sonic territories beyond the confines of industrial music. However, their journey met an acrimonious end with the duo parting ways, leaving behind their albums as poignant relics, elusive on digital platforms and sought after by collectors at premium prices... until now. In a heartfelt tribute to Mike Wells, who tragically passed away in 2022, Viasonde, with the blessing of the Wells family, embarks on a mission to reintroduce Gridlock to the world. The four main Gridlock albums will be reissued on vinyl for the first time, starting with The Synthetic Form double LP. Available on June 7th, this limited edition release will be featured on clear vinyl with black and bone splatter alongside standard black vinyl. Additionally, 50% of the proceeds from LP sales will be donated to the American Foundation for Suicide Prevention, honoring Wells' memory.

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Daylight Neon Yellow Vinyl Edition

LP | 2024 | EU | Original (Plastique)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-22

Shabrang Grey Vinyl Edition

Sevdaliza

2LP | 2020 | EU | Original (Music On Vinyl)

LP | 1986 | JP | Reissue (Universal Music Japan)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Grey vinyl.

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Yukako Hayase

So Utsu

12" | 1996 | UK | Original (Rephlex)

Release: 1986 / JP – Reissue

Genre: Electronic & Dance

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Yukako Hayase released her debut album on Sixty Records in 1986. Yasushi Akimoto handled the lyrics and production for all but one of her songs. With her laid-back voice, worldly-wise attitude, and European-inspired sound, this album has gained renewed appreciation in recent years for its ahead-of-its-time vibe.

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D'Arcangelo

D'Arcangelo EP

LP | 2024 | CH | Original (Etiquettae)

Release: 1996 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with a couple of light scuffs, close to VG+

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Dimitri Grimm

For Beauty's Source

Tribute 1+2 Record Store Day 2024 Transparent Vinyl Edition

Release: 2024 / CH – Original

Genre: Electronic & Dance

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These musics originally came out as a series of 'musical posters' between April/August '23 and could be ordered through prints.dimgrimm.com - finally new music of DimGrimm available on vinyl. We couldn't be more psyched to be able to offer this. Jump on it, while you can, small stock available from the artist directly...

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Neu!

2LP | 2024 | EU | Original (Grönland)

Release: 2024 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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2LP | 2021 | UK | Original (LuckyMe)

Eli Keszler

Icons

LP | 1980 | US | Reissue (Mesh-Key)

Release: 2021 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Clear Vinyl Edition.
Still shrink wrapped but opened.
Includes original inner sleeves.
Copy is close to NM.

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R.N.A. Organism

R.N.A.O Meets P.O.P.O

2LP | 2012 | EU | Reissue (Music On Vinyl)

Release: 1980 / US – Reissue

Genre: Electronic & Dance

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Much appreciated reissue of R.N.A. Organism’s ‘R.N.A.O Meets P.O.P.O’ (first released by legendary Osaka label Vanity Records in 1980). A key document of the late ’70s experimental music scene in Kansai, Japan, R.N.A.O Meets P.O.P.O is a hallucinatory trip of dubby bass, churning guitars, sputtering rhythm boxes, twisted vocals and unidentifiable sound effects.

Carefully remastered by Stephan Mathieu from the original tapes, cut by Josh Bonati, pressed by RTI, and housed in a hefty Stoughton tip-on sleeve. This oedition also includes an expanded insert with an illuminating essay by R.N.A. Organism producer Kaoru Sato.

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Blaqk Audio

Bright Black Heaven

Release: 2012 / EU – Reissue

Genre: Electronic & Dance

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2LP | 2024 | UK | Original (ESP Institute)

Bartellow

Noosphere

Release: 2024 / UK – Original

Genre: Electronic & Dance, Classical Music

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ESP Institute artist Bartellow, one third of the project Tambien and otherwise known in the Contemporary Classical sphere as Beni Brachtel, returns to the label with his second full-length release, Noosphere. While currently heading the SVS label and residency series out of Munich, Beni’s resume expands well beyond electronic music to include immersive sound installations such as The Adven- ture Of The Empty House (solo live performance across seven floors of Walter Henn’s Deckelbau building), a slew of compositions for the Bavarian State Opera (for which he doubled as conductor), and a prolific career of over twenty-five theater scores for institutions such as the Münchner Kammerspiele, Schauspiel Basel, Maxim Gorki Theater Berlin, Berliner Ensemble, Schauspiel Köln, Schaus- piel Graz and with directors Ersan Mondtag, Alexander Eisenach, Jessica Glause and Tobias Staab among others.

Noosphere is a compendium excerpting from theatrical scores WUT (Elfriede Jelinek, at Schauspielhaus Köln, directed by Ersan Mondtag, 2020), Ödipus and Antigone (Maxim Gorki Theatre Berlin, directed by Ersan Mondtag, 2017), Der Zauberberg (Thomas Mann, Schauspiel Graz, directed by Alexander Eisenach, 2017), Hass Tryptichon (Sybille Berg, Wiener Festwochen / Maxim Gorki Theatre, directed by Ersan Mondtag, 2019), Wonderland Ave. (Sibylle Berg, Schauspielhaus Köln, directed by Ersan Mondtag, 2018), Die Verdammten (after Visconti ́s film, Schauspielhaus Köln, directed by Ersan Mondtag, 2019) and Roi Ubu (Alfred Jarry, Theater Neumarkt, Zurich, directed by Alexander Eisenach, 2018).

The work traverses homages, infusing everything from Baroque to Impressionism, and while these types of references are certainly built into the canon of Theatre as a discipline, here we gather histor- ic layers in an even wider net. Under the self-referential thumb of Contemporary Classical music, this sort of "hindsight" approach has been largely avoided, however, in today’s all-access arena, the constant stream of historic causal-chained events has opened a delta where anything is possible. This defines Bartellow’s stance among his colleagues as well as his cultural position as a composer.

Beni considers beauty a fleeting objective in the arts, that expression is often expected to follow notions of Destructivism or the unfulfilled. Art will pore over wounds, collective angst, mourn- ing a loss of natural habitat or a fear of technological invasion, yet there is a bitter irreverence for the friction or salvation in beauty itself. Acknowledging this subjectivity — what one audience considers superficial pleasure may be deeply profound to another — he leans into musical instinct as if composing via divine conduit.

Noosphere conjures a array of suspense, ecstasy, melancholy, and dread, but in isolating the work from its theatrical component, Brachtel directs our focus toward formal qualities, clearing unim- peded space to conceive fresh narratives and examine dynamism and interconnectivity. In sympathy with often difficult theatre pieces, the passages can be dark and transgressive, but more importantly they remain relative to Brachtel’s circumstances at their time of creation. The title Noosphere speaks to the evolution of human thought and knowledge, opening a door to subjective points-of-view. For example, Nexus II On The Beach refers to both Roberto Musci’s Water Messages On Desert Sand as well as the film Bladerunner, invoking the image of an android enjoying the sunset, but whether or not this abstraction may be considered beautiful depends the listener’s cumulative life experience and perspective.

This is hybrid chamber music, augmented by electro-acoustic layers, juxtaposing various periods and successively processing their residual themes into a trans-generational rendering of “now.”

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The Definition Of Neorave Vol.2

3LP | 2022 | BE | Original (Rave Alert)

Dreams Are Our World Of Experience

Release: 2022 / BE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed

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Shibalba

LP | 2023 | UK | Original (Cyclic Law)

Je Prie Pour Que La Goutte Ne Tombe Pas

Release: 2023 / UK – Original

Genre: Electronic & Dance

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The flesh withers to the pulses of thunderous cave reverberations, while the spirit is united with the psalms of the Glorious Dead, the Ancient Entities that have conquered Death and become Life, dominant, absolute and victorious. This Work consists of a ritual deriving from the darkest corners of the Mind, the deathlike spheres of the Netherworld and the truest essence of the Afterlife, to become a homage to the Force of Life Eternal.

Guided by Her Luminous rays, it is dictated to be experienced solely in chamber-like conditions, below the waxing Moon, accompanied with Myrrh and lunarian incenses and agharbattis, to be properly roamed within its uncharted corridors. Listen, experience and conquer, setting aside the mundane aspects of realities, explore the unmapped pathways, with every preconception burnt to the altars of this Magnum Opus.

SHIBALBA's music is saturated with the mysticism of the East. It's richly detailed and multidimensional, while layered with chanting and broadly defined elements of traditional ritual and shamanic music. Apart from contemporary synths and guitar drones, the band makes use of bones and skulls as percussion instruments, Tibetan Horns, Tibetan Singing Bowls, bone & horne trumpets, Darbuka's (goblet drums) as well as ceremonial bells and gongs, to name a few. The Spirits behind the Shamanic Halls of Shibalba are V.P. Adept & Aldra-Al-Melekh

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Chi To Shizuku

LP | 2023 | UK | Original (An'archives)

Balance Presents Henry Saiz

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Morikawa Seiichirou, vocals, bass Yamagiwa Hideki, electric & classical guitar Takahashi Ikuro, drums & percussion

je prie pour que la goutte ne tombe pas (I pray that the drop does not fall) is the first international release by Japanese trio Chi To Shizuku. While they have released five albums and a 7” in Japan, their spectral, haunted rock songs haven’t yet reached a much wider audience overseas. With this album, then, a live recording taken at Koenji High, Suginami, Tokyo on 23rd November 2021, the unique, quartz-like character of Chi To Shizuku’s music is writ large, the bleak bliss of their songs carved onto twelve-inch vinyl. Perhaps the best-known member of Chi To Shizuku, at least for audiences with an ear turned to Japanese psychedelia, is drummer Takahashi Ikuro, known for his membership of almost every group worth a damn from that scene – Fushitsusha, Nagisa Ni Te, Ché-SHIZU, Kousokuya, High Rise, Maher Shalal Hash Baz, LSD March, the list goes on. But the core of Chi To Shizuku’s music is the collaboration between vocalist, bassist and lyricist Morikawa Seiichirou, and guitarist and arranger Yamagiwa Hideki. Morikawa is a member of long-running punk/goth group Z.O.A., and has also played with YBO , Zzzoo, and as collaborator with Takeshi and Atsuo of Boris in A/N; he’s also recently been performing with Mitsuru Tabata. Yamagiwa’s history takes in stints with Katsurei and Cock C’ Nell, and he also recently guested with la scene 裸身.

All this contextual information does relatively little, though, to prepare you for the unique vibration of Chi To Shizuku’s lustrous songs. They shimmer in the same half-light, perhaps, as Shizuka and the quieter moments of LSD March, sharing a similar poise and classicism, and there’s a tenderness and wracked poetry to Morikawa’s voice that reminds of the emotional intensities both of traditional Japanese folk, and of British folk music: on “Musuu No Nemuri No Naka De Kumo Wo Tukamu”, the combination of his singing, backed with gorgeously plangent guitar, reminds of no-one so much as it does The Pentangle or Spriguns Of Tolgus. Chi To Shizuku’s love for the ballad as form gifts their music an archaic, sometimes arcane resonance, and from what you can hear on this album, it’s clear they’re in love with graceful melancholy.

But this is not a folk album, by any means; it just shivers with the same eternal spirit. There are also hints of prog rock, and you can catch some passages of scratchy, distended free rock, on the extended spirit invocation of “Nanhito Hanhito”. je prie pour que la goutte ne tombe pas is an extraordinary album, a melancholy surprise, that reminds dedicated listeners of the seemingly bottomless well of great music to be found via the Japanese underground in its many forms. Perhaps Michel Henritzi says it best, though, in his liner notes, when he writes, “Chi To Shizuku’s music reminds us that our life is a dream that lasts only a season, and that oblivion will follow.”

Recorded at Koenji High Suginami, Tokyo, 23 November 2021 Mix & Mastering: Taku Unami, photography : Noriko Akiyama Liner notes by Jon Dale Printed by Alan Sherry

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Henry Saiz

3LP | 2023 | EU | Original (Balance Music)

From Rotting Fantasylands Clear Vinyl Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Created over the span of two years, Balance 032 marks a creative high point in the career of Madrid-based artist Henry Saiz, and this marks his third appearance for the hallowed compilation series. Spread over an expansive three discs, it has given him the space to curate a truly stunning odyssey of creative expression-one influenced by everything from AI to his recent Adhd diagnosis.

As ever, he has gone above and beyond to ensure that the mix is crammed full of exclusive, unreleased material-nearly 75% of the music included-both from himself and many of his favourite producers and collaborators, from unknowns through to household names like Röyksopp.

"Since I've done two Balance compilations already, I didn't want to repeat myself" he says. "My first, 'Balance 19', was very important for my career and I knew people would be comparing it with this new one, so I put a lot of effort into it to make it more attractive and to be able to gain more control in the final product sound-wise." - Henry Saiz

Created in Ableton, which he uses for his DJ sets due to its unlimited creative functionality and precision ("I get bored easily with CDJs"), the mix makes great use of many effects, layerings, and production techniques to enhance the beautiful sounds that lie within.

The first part takes a freestyle approach to find a sweet spot between home listening and club warm-up vibes, all woven together through a narrative about the connection between the past, the future, the reinterpretation of old concepts and AI.

"I used a lot of AI techniques to add creativity to the songs, from cloning vocals to generate atmospheres, to creating grooves using text-to-music always like a tool in order to add to, and not to replace human creativity. Ideally, we will work with AI as a co-pilot also in the studio to make boring technical process faster and focus more on what really matters: ideas to bring our human experience into the music form." - Henry Saiz

Packed with symbols and messages, its changing tempos span the creepy vaporwave intro of Hal Incandenza's 'I Know What You Are' - setting the tone perfectly with an AI voice telling a human "I know what you are, I know where you come from" - through to chugging electronica, dubby grooves, Indian rhythm, Balearic spoken word, sparkly breakbeats and teases of the clubbier sounds that await in the next disc. The euphoric climax of Saiz's rework of Swedish duo Genius of Time's recent release 'Sunswell' is the perfect bridge into Disc 2, a whirling firework of pretty melody and spine-tingling arpeggiation. The breadth and surprises of this first disc would have made it a standout piece of work on its own, but of course that's never enough for Saiz...

The second part leans towards the sounds of Henry Saiz in club mode, beginning with the warm blanket of sumptuous Milio's 'Dew', building gradually and flitting between the deep and the soaring. From lush progressive house to the heavenly breaks of Brassica's epic 'Celestial Suspension' through some truly staggering new psychedelically tinged material from Saiz, it's a mix packed with magical melody. The disc crescendos with the scintillating riffs of Henry Saiz & Imalgi's 'Kickboxer', where synths are made to weep digital tears, and the stunning liquid breaks and heartfelt vocals of Moonlight Wolves 'All I Need (Third Son Remix)'. As ever, all is not what it seems in his sets, with heavy editing making these truly unique versions.

"People try to Shazam my sets and usually don't get the ID because of all the heavy editing I do while I play. Lately I learned this hyperactivity and need for challenging projects that motivates me comes from my Adhd. So, I guess the DNA of my sets would be coherent eclecticism but also a melodic journey that changes and evolves straight to a climax." - Henry Saiz

The final chapter of this sprawling compilation explores the increasing tempos of the current era, expanding Saiz's DNA into new territory while maintaining all the classy elements of his sound.

"The current vogue for faster tempos may be due to the constant stimulation we get from technology and how we process information nowadays. My DJ style has become faster because the world is going faster. My DJ sets are now moving through 110 to 140 bpm territories. I didn't enjoy much music with faster BPMs a few years ago because it felt very overwhelming and had too many elements, but now people are producing music that works great at faster speeds because they have less elements and a groove that works that way. As long as the track takes you somewhere and makes you feel something through melody, that's what counts for me." - Henry Saiz

A deep and spacey feel early on with plenty of dubby touches gives way to meatier sounds, psychedelic tones woven into the heavier rhythms as the tempos gradually creep upwards and elements of trance abound through a flurry of Saiz exclusives. A grandstand finish is guaranteed by way of his incredible chugging-based rework of Moonlight Wolves' 'Mantra', the light dreamy beauty of Henry Saiz & Somfay's 'To Steal a Star from The Night' and the intense synth overload of H. Haze's 'La Fuerza'. A perfect end to a truly remarkable body of work.

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Nero's Day At Disneyland

LP | 2021 | US | Reissue (Deathbomb Arc)

Hijokaidan / Ng / Jurajium

Release: 2021 / US – Reissue

Genre: Electronic & Dance

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After decades of composing and performing, Lauren Bousfield’s work only continues to evolve in otherworldly directions. There is one album though that listeners have returned to over and over again: ‘From Rotting Fantasylands'. Released under her now retired pseudonym Nero's Day At Disneyland, this is the work that first exposed Bousfield's unique approach in electronics to many of her dedicated fans. Elaborate compositions for keys are carried by the full gale force of a punk rock love for breakcore. Instinctual and intellectual. Unhinged and meticulously arranged. Like all great works of art, it is an album that defies contradiction to simply become its own wonderful thing. Now, for the first time ever, this important work will be released on vinyl. A limited edition run of 500 copies, all on purple/white blend vinyl with full color jackets, inserts, and inner sleeves ~ for a total of 6 panels of eye searing artwork by Andreas Barsleth.

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Shumatsu Shorijo

LP | 2023 | JP | Original (Alchemy)

Forest Enter Exit & Mindmachine

Release: 2023 / JP – Original

Genre: Rock & Indie, Electronic & Dance

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This is a compilation album by three bands in the Kansai underground scene in the late 70s, including Hijokaidan, which laid the foundation for noise and industrial music in Japan. Since it was released two years before the first album "Zouroku no Kibyou" (1982) , this is sometimes regarded as Hijokaidan making their debut with this compilation. Decades after the release of this album, Japanese noise music stretched out their arms to the world.

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Deine Lakaien

2LP | 2023 | EU | Original (Chrom)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Bolted Indigo Blue Vinyl Edition

Forest Swords

2LP | 2023 | UK | Original (Ninja Tune)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Slow Tapes Colored Vinyl Edition

L Y N X

LP | 2023 | US | Original (Stratford Ct.)

Release: 2023 / US – Original

Genre: Electronic & Dance

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LP | 2023 | UK | Original (Acid Jazz)

X-Press 2

Thee

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Unlikely Places Clear And White Vinyl Edition

Awakened Souls

LP | 2023 | UK | Original (Past Inside The Present)

Mademoiselle Anne Sanglante Ou Notre Nymphomanie Aureole

Release: 2023 / UK – Original

Genre: Electronic & Dance

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The ambient husband-and-wife duo is an effective formula, one which here reawakens in the form of Awakened Souls. James Bernard and Cynthia Hall Bernard join forces for the making of Unlikely Places, a mini-album of Californian swells, field-recorded wonderments and guitar-drenched accompaniments - ultimately a washed-out ode to the creative possibility in all things. Centring on the idea that inspiration can be found anywhere, this is an album of relentless, gazy, waterfally gushings, from the hopeful 'It Could Be Wings' to the moodier 'Moonbeams'.

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Masonna

LP | 2024 | JP | Original (Alchemy)