Electronic & Dance Vinyl 1406 Items

Release: 1983 / UK – Reissue

Genre: Electronic & Dance

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Orchestral Manoeuvres In The Dark

Crush

LP | 1985 | EU | Original (Virgin)

LP | 1982 | EU | Reissue (Bureau B)

Release: 1985 / EU – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Original inner sleeve

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P!OFF?

2LP | 1982 | EU | Reissue (Ice Machine)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance, Pop

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1980, Friday evening in the Munich suburban pub »Panoptikum«. My girlfriend draws my attention to the fact that behind me two guys are talking about looking for a new guitarist for their band. I turn around, chat them up (Jochen and Thomas) and praise my skills to the skies. A few days later I’m standing in Thomas‘ perfectly equipped practice room with my Ibanez Les Paul copy. We jam a little while – jazz rock, to which I can contribute very little due to my lack of skills. We quickly agree on a new style: minimalist, no drums, just a drum machine, Moog and organ, less guitar, dry bass. And German lyrics! We don’t really know or want that this should be ”ndw”. But of course we listen to DAF, Ideal, FSK, Fehlfarben and – yes, Spliff too. These influences are undeniable. So we found the ”piss OFF Orkesstr”, which very quickly becomes ”p’off Orkesstr” and then finally ”P!OFF?”. Ambitious and inspired, we produce a demo cassette that already contains ”Das dicke Kind”, ”Großer Bruder”, ”Pass Auf!” and ”Walkman” and send it to various record companies – including Munich‘s ”Ariola”, which is desperately looking for NDW acts because the Ariola empire has missed this trend. Therefore, they ”buy” about 25 bands at the drop of a hat – and P!OFF? is supposed to be one of them, because they expect some good airplay mainly from ”Walkman”. Producer god Anthony Monn (Amanda Lear, Relax, Saragossa Band, Fancy et al.) takes us under his wing and manages to keep the original demo sound, but to improve it considerably. ”Mein Walkman ist kaputt” didn‘t make it into the charts, but it was played more often on the radio and the Album didn‘t sell badly. In 1982, however, NDW is now commercialised to death and that ship had sailed. But we stay together (under different band names) and over the decades become first New Romantics, then Indie Rockers, then Grunge Noise Makers and finally Electronic Freaks. In 2009, for my fiftieth birthday, we decide to play a few songs from the old 82 record live, which becomes a huge success. And so we are – again as P!OFF? – still on the road with our old songs. The ’82 Album has become a sought-after collector‘s item and cult object – so we are very happy that Bureau B is presenting a lovingly remastered reissue after almost 40 years.

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Stephen Mallinder

Pow Wow

LP | 1988 | EU | Reissue (Fortuna)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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A new sub-label of the longstanding Canadian electro imprint Suction Records, Ice Machine — focusing on old-school wave/post-punk sounds — is thrilled to present a new, deluxe reissue of “Pow Wow”, the debut 1982 solo LP from Cabaret Voltaire’s Stephen Mallinder. Now expanded to a double-LP, and also released on CD/digital, it’s a definitive reissue which now includes Mallinder’s early solo discography in its entirety. This collection of mutant dub/funk/postpunk sounds just as fresh and contemporary in 2020 as it did in 1982 (note Autechre’s inclusion of standout cut “Del Sol” in a mix earlier this year), and highlights Mallinder’s crucial contributions to Cabaret Voltaire. Some words from Mr.Mallinder on the scene and era from which “Pow Wow” was born: “It was an interesting, and inspiring, time. The primal caterwaul of punk was dying and lots of really significant things were emerging from the fires. Much looser vibes were in the air and there was a much more exploratory feel. Punk had championed a visceral, anti-intellectual approach but in truth the real characters brought so much more to the table, and what began to happen - from people like The Pop Group to Throbbing Gristle, and emerging scenes from No New York to Factory Records - is we began to embrace the art of it all. There was acknowledgement of the importance of books, films, graphic art, and experimentation with all those mediums. We were just as interested in turning over rocks to see what lay beneath, as throwing them. There was a sense of new magik emerging.” “Pow Wow” was commissioned by the Fetish Records label, and recorded at the Cabs’ Western Works studio, where Mallinder would spend his days recording with Cabaret Voltaire, and continue on alone into night recording his debut solo material. “I slept very little in those days,” he adds, continuing: “It was done on 8 track and very multi-tracked, so lots of recording, then bouncing, and overdubbing, to get the integrated feel of the tracks. I became very adept at pressing record then jumping onto equipment to play it - it was actually a very 'live' record in that sense. I've always seen rhythm at the core of what I do so I loved the layering of counter rhythms. The sequence/arpeggiator parts were all drum machine triggers that were played live. It was about creating a distinct groove so arrangements came from weaving in and out of those linear grooves. It was fun to play everything from drums, guitars, keys, trumpet, percussion, tapes… and record and produce it all. Prince got it from me!” Surprisingly, Mallinder’s first solo LP would also prove to be his last - that is, until last year’s critically-acclaimed solo return “Um Dada”, on Dais. This new edition of “Pow Wow” contains 14 songs, and is housed in a recreation of the original, iconic Neville Brody jacket, painstakingly recreated using scans of Brody’s original artwork elements. The 2LP vinyl edition is in a reverse board, thick-spine jacket, and adds a 12”x24” folded poster/insert, featuring unused elements from Brody’s original designs, sketches, and instructions for the LP. The CD edition comes in a reverse board, 6-panel digipack.

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Raviv Gazit

LP | 1981 | EU | Reissue (Bureau B)

Release: 1988 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Fortuna Records return with an exceptional reissue of a mid-80s early electronica LP by keyboardist Raviv Gazit. The album was composed entirely on the Synclavier synthesizer in the basement of the Tel-Aviv University in 1985. Gazit was ahead of his time composing cold yet blissful electronic music for film and theatre which he later released as an album. An unexpected yet extremely welcome addition to Fortuna's killer catalog.

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Serge Blenner

Magazin Frivole

LP | 1985 | EU | Reissue (Bureau B)

Release: 1981 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Bureau B present a reissue of Serge Blenner's Magazin Frivole, originally released in 1981. Cold, concise analog synthesizer instrumentals -- on his second album Serge Blenner remained true to his style, albeit shifting course slightly towards pop territory. The juxtaposition of dark harmonies and pop structures is what makes this album so appealing. In places, it feels like a blueprint for early Depeche Mode. Having seen his first album La Vogue (BB 324CD/LP) snapped up by the Sky Records and fast-tracked for release in 1980, Blenner delivered his second LP, Magazin Frivole, the following year. Mindful of the success of its predecessor, Blenner added the name of his debut in big letters to the front cover of the new sleeve. Blenner remained faithful to his musical style, albeit adding more of a pop flavor. Magazin Frivole would not look out of place filed alongside Depeche Mode on the record shelf, as a certain resemblance is undeniable. Moreover, Blenner was one of the few proponents of electronic music who preferred to keep his songs concise, in contrast to the meandering odysseys of many of his electronic contemporaries. The far better-known French artist Jean-Michel Jarre adhered to similar principles, yet although Blenner was often compared to his compatriot, he claims only to have heard his music long after La Vogue had appeared. Minor chords dominate his harmonies, the bass performs octave leaps which mirror the zeitgeist. Unexpected key changes abound, adding a restless, almost disquieting quality. Overall, Magazin Frivole is less dark than the preceding album, but a picture of cheerfulness it is not. Nevertheless, a poppy drum computer introduces a lighter note. From the very first track, chord changes pop up at unexpected junctures -- they seem to come in prematurely, before harmonic sequences have run their course. Blenner doesn't have any explanation for this curiosity, other than to note that "most of the music was played by hand, so of course it wasn't all perfect." "I did all I could to avoid being successful -- on a subconscious level, at least. Unpredictable metrics and irregular beats were definitely part of the process," Blenner admits with an enigmatic smile. Juxtaposed with Blenner's more recent works, one can see what he means. His latest album Musique de Chambre (2008) comprises modern classical chamber music, built on digitally sampled real instruments. Besides, Blenner points out, handling all of those analog devices was a convoluted and complex undertaking.

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Martin Rev

Clouds Of Glory

Release: 1985 / EU – Reissue

Genre: Electronic & Dance

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LP | 1982 | EU | Reissue (Bureau B)

Bernard Xolotl

Last Wave

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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LP | 1978 | EU | Reissue (Bureau B)

Richard Pinhas

Chronolyse

Release: 1978 / EU – Reissue

Genre: Electronic & Dance

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Eclipse Splatter Vinyl Edition

Didier Bocquet

LP | 1977 | EU | Reissue (Cameleon)

LP | 1988 | EU | Reissue (Telephone Explosion)

Release: 1977 / EU – Reissue

Genre: Electronic & Dance

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Reissue of extremely rare kosmische/electronic/experimental/ambient album by Didier Bocquet, originally released in 1977 on the Kiosque D'Orphe label. Limited to 300 copies on splatter vinyl.

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Fist Of Facts

Fugitive Vesco

LP | 1986 | EU | Reissue (Invisible City Editions)

Release: 1988 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Melodic Energy Commission is a Canadian gem and an interesting branch of the Hawkwind family tree (featuring Del Delmar on electronics.) Hailing from British Columbia, their unique blend of space rock, progressive and hippie psychedelia began in 1977 as a recording-only project titled "The Melodic Energy Commission of Collected Artists."
In 1985 Ken Man showed up in the studio with this IBM AT computer. It had a 1/2 MB of RAM and some Voyetra software that could sequence music, becoming the duo’s backing band. Fist Of Facts contributors included Mark Cunningham from Mars, Felice Rosser, Genevieve De Monvel Boutet, Carlos Vivanco, Scott Hartley from the Liquids and a whole host of others. Fist of Facts expand the natural groove that Liquid Liquid established over their quick career, with a strong political message combined with abstract dub soundscapes.

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Jeff Majors

For Us All (Yoka Boka)

LP | 1976 | EU | Reissue (Bureau B)

Release: 1986 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Private Press Spiritual Jazz from D.C's Jeff Majors. Featuring harp, drum machines and synths. Jeff was one of Alice Coltrane's students at the ashram. He also played in Brother Ah's band. Each song on this album is an inspired vision of the personal and the devotional via the harps universal gilstening range and Linn drums. Comes with info booklet. TIP!

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Heldon

IV (Agneta Nilsson)

Release: 1976 / EU – Reissue

Genre: Electronic & Dance

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LP | 1975 | UK | Reissue (Spoon)

Landed

Release: 1975 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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Remastered from the original tapes, 180g vinyl!

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LP | 1974 | UK | Reissue (Spoon)

Soon Over Babaluma

Release: 1974 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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Remastered from the original tapes, 180g vinyl!

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LP | 1970 | EU | Reissue (Spoon)

Soundtracks

Release: 1970 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Remastered from the original tapes, 180g vinyl!

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Asmus Tietchens

Litia

LP | 1982 | EU | Reissue (Bureau B)

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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180g vinyl!

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Thomas Dinger

Für Mich

LP | 1971 | EU | Reissue (Bureau B)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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180g pressing!

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Kluster

Eruption

Release: 1971 / EU – Reissue

Genre: Electronic & Dance

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LP | 1971 | EU | Reissue (Bureau B)

Kluster

Zwei Osterei

Release: 1971 / EU – Reissue

Genre: Electronic & Dance

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LP | 1970 | EU | Reissue (Bureau B)

Kluster

Klopfzeichen

Release: 1970 / EU – Reissue

Genre: Electronic & Dance

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You

Time Code

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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LP | 1981 | EU | Reissue (Bureau B)

Roedelius

Wenn Der Südwind Weht

Release: 1981 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Moebius

Tonspuren

Release: 1983 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Moebius, Plank & Neumeier

Zero Set

LP | 1986 | UK | Reissue (Mute)

Release: 1983 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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on 180g vinyl!

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Throbbing Gristle

TGCD1

Release: 1986 / UK – Reissue

Genre: Electronic & Dance, Pop

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Preorder shipping from 2024-08-23

LP | 1981 | DE | Original (Ata Tak)

Pyrolator

Ausland

LP | 1981 | DE | Original (Sky)

Release: 1981 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG

small tear from sticker removal on front.

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Tyndall

Traumland

Release: 1981 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1976 | Reissue (Be With)

Michel Gonet

Phasing News Volume 1

LP | 1979 | Reissue (Be With)

Release: 1976 / Reissue

Genre: Electronic & Dance

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European funk fusion of the highest order, Michel Gonet's Phasing News Volume 1 is the essential companion piece to the venerated Volume 2. It's truly a library treasure that every home must own. As Tele Music themselves said, it contains "tense and mysterious underscores in a range of styles"; whilst we don't disagree, we'd add swaggering, orchestral drama-funk-jazz-breaks. Vital.

Opener "Moon To Light (Number II) - A" is a total wonder. It's incredible, and what a way to begin a record. The percussion is electrifying, complimenting the dark, heavy piano, eerie organ work, electric guitar soling and rhythm section brilliance. Part B is virtually identical but without the electric guitar. The slow "Soul Cathedral (Number II) - A" is an ambient spacey synth gem which is both beatless and drenched in phased organ. Pretty captivating. Part B plays it rather straighter, a church organ continuing the same melody and tempo but with less of the swirling synthy effects.

"Light In The Rains (Number II) - A" sounds like something Diamond D would've sampled in the mid-to-late 90s, conjuring as it does that peculiar, creeping Axelrod-funk, all eerie electric guitar and organ, bass and spacey effects. Part B loses the electric guitar and adds brass.

The swirling, dramatic "Mondial Scoop (Number II)" has that urgent News At Ten feel with its prominent timpani drums whilst "Mecanic Bird Song" is a frenetic, abstract track with disorientating keyboard interplay.

*Total highlight* "Mephisto Jet (Number II) - A" rides a slick, proto-hip-hop beat with melodic, warm Rhodes yet, thrillingly, casually ups the drama with strings and timpanis. It then returns to its more mellow state. Ace. Part B adds acidy, phased percussion to create a more hypnotic, tripped out feel to proceedings. Part C is half as long but, pared back to just drums and Rhodes, it's arguably twice-as-nice.

To close, the shuffling, bell-laced urgent jazz of "Phasing News - A" is another highlight, riding a great bassline and augmented by ace drums, organ and electric guitar. Part B is also great, removing the guitar and doubling down on the head-nod funk.

The audio for Phasing News Volume 1 has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic Tele Music house sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.

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Pierre Dutour

Top Fiction

Disco Jazz Rainbow Vinyl Edition

Release: 1979 / Reissue

Genre: Electronic & Dance

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Pierre Dutour's infamous Top Fiction is the epitome of a 5-tracker. Coming to light in 1979 on Tele Music, its collection of environmental themes are *all astounding*. We're talking all-time heavy hitters, here. They come recommended as tracks you'd choose to elegantly elevate deep selector sets or mixes.

Skip the irritating whistle-laced marching-band funk of "Captain Parade" and head straight to the glistening synths and proud horns of beatless ambient wonder "Mountain Echoes". Arguably worth the price of admission alone. It's that good. The sci-fi atmospherics of "Space Fiction" are definitely sampleable whilst the proud horns of "Mountain Trumpet" definitely contain blasts that could be of creative use. "Tambours Parade" is more marching-band funk, only this time the drums go hard and there's a lot to like about this one.

Truly, it's all about the B-Side. A real B-Side for the ages, in fairness. It opens with the gorgeous "Deer Forest". It's one of the most beautiful songs you'll ever hear. Like something off Brian Bennett's Voyage, it rides dreamily melodic synths, and comes on, as one fan claimed "like something Angelo Badalamenti would have co-written with Final Fantasy composer, ???? Nobuo Uematsu". It's jaw-dropping. Be instantly beguiled by the deep eerie nostalgia and pretty delicate piano of "Magic Lake I" and the whistling-synth-augmented "Magic Lake II". The almost-title-track "Pop Fiction" is another hidden gem, containing dreamy, glistening arpeggios that are just begging to be sampled with a heavy knocking beat behind it. The set closes with "Damnation Space", 2 minutes of spooky Musique concrète.

So, 5 absolutely incredible tracks and 2-3 good ones. An excellent ratio for a library album, I think we can all agree. Trust us when we say that the heavy hitters are just absolute gold, rendering this one an essential, buy-on-sight purchase. Go listen and discover for yourselves...

The audio for Top Fiction has been remastered by Be With regular Simon Francis, ensuring this divisive release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original space-age sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.

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Rupa

LP | 1982 | US | Reissue (Numero Group)

Instant Funk Clear Red Vinyl Edition

Release: 1982 / US – Reissue

Genre: Electronic & Dance

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Rainbow VinylBarely disco and hardly jazz, Rupa Biswas'1982 LP is the halfway point betweenBollywood and Balearic. Tracked in Calgary'sLiving Room Studios with a crack team ofIndian and Canadian studio rats alike, DiscoJazz is a perfect fusion of East and West. Sarodand synthesizer intricately weave aroundone another for 37 transcendent minutes,culminating in the viral hit "Aaj Shanibar."Remastered from original analogue sourcematerial and issued with permission andblessing of the producers and performers.

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Instant Funk

LP | 1979 | EU | Reissue (BMG Rights Management)

Release: 1979 / EU – Reissue

Genre: Electronic & Dance

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Nothing's Wrong In Paradise

Sunstroke

LP | 1985 | EU | Reissue (Libreville)

LP | 1985 | EU | Reissue (Trueclass)

Release: 1985 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Sunstroke were Ben Bollaert and Etienne Delaruye, both were obsessed with the burgeoning possibilities of electronic music it made sense that they collaborate in the studio. The resulting experiments culminated in the 1985 release of Nothing's Wrong in Paradise. The record was conceived as a soundtrack to a film that doesn’t exist - a sophisticated meeting of post-Berlin-school dreaming, Yen-records hi-tech calm and Impressionist Café music ennui. What makes it most compelling though, is that even while it conjures a seemingly perfect world, something around the edges lets you know that all might not be as it seems. Maybe there is nothing wrong in paradise. Or maybe that’s just wallpapering over the cracks. The rough edges and regret of everyday life cannot help but intrude. Once you have spent some time with it, the whole record starts to seem bathed in a dim half-light, suggesting utopia glimpsed through a smudged lens. Just like the ethereal space in their music Sunstroke only existed for a moment, a second LP was planned but never materialised, briefly they created a paradise and pointed out its temporary nature, all at the same time. Remastered from the Master tapes. Tip-on sleeve. 600 copies.

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Vinicio Adames

Al Comienzo Del Camino

LP | 1972 | EU | Reissue (Vinyl Magic)

Release: 1985 / EU – Reissue

Genre: Electronic & Dance

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Venezuelan Electronic Music Pioneer Vinicio Adames Synth-Pop Masterpiece from 1985. With 23 years of age Vinicio Adames self-produced and self-financed his 1st Album “Al comienzo del camino". Released in its time in Venezuela only, the album has been unavailable for decades. A complete restoration of the masters for this release, makes this album available now for the first time in fine audio quality.

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Giuliano Sorgini

Elettroformule

LP | 1973 | EU | Reissue (Mercury)

Release: 1972 / EU – Reissue

Genre: Electronic & Dance

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At the end of the '60s in Italy - but also abroad, especially in France and England - a very particular trend began to spread, that one known as 'Library music' or 'sonorization': as suggested by its name, those were real music libraries intended for the accompaniment of audiovisual productions such as television programs, advertisements, documentaries and films. Since they were created in total artistic freedom condition, they are often difficult if not impossible to catalog, as they're not anchored to a specific musical genre; this freedom also allowed the authors to compose, sometimes in the most complete anonymity, experimental and avant-garde music, capable of anticipating the sounds that only many years later would have been widespread on a larger scale.

Giuliano Sorgini is one of the most mysterious composers of the sonorization and soundtrack genres: almost nothing is known about his life, despite his name being linked to dozens of albums and compositions. "Elettroformule" is probably one of his most 'extreme' experiments: a collection of thirteen short improvisations generated with the sole aid of electronic instruments: abstract compositions, balanced between ambient and noise music, perfect for a hypothetical science fiction from the '60/70s.

"Elettroformule" is part of a reissues series, made in collaboration with Edizioni Leonardi (Milan, Italy), of extremely rare library music LP's published between late '60s and early '70s, most of which have never been released again until today, and that are finally made available again for collectors and sonorization music lovers.

Edition in black vinyl 180gr.

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Mike Oldfield

Tubular Bells

LP | 1981 | US | Reissue (Superior Viaduct)

Release: 1973 / EU – Reissue

Genre: Electronic & Dance

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Remastered and pressed on 180g virgin vinyl!

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John Bender

Plaster Falling

Die Singende Sternlaterne / Folklore Des Weltalls

Release: 1981 / US – Reissue

Genre: Electronic & Dance

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Plaster Falling was recorded at the same time as John Bender’s first album, I Don’t Remember Now / I Don’t Want To Talk About It. Released in 1981 on the artist’s own Record Sluts label, copies of Plaster Falling’s initial pressing came hermetically sealed in plaster (and later latex). Thus, listeners had to literally break open the record to find what’s hidden inside. Produced in relative isolation, Plaster Falling is a beacon of brilliance in the nascent minimal-wave sphere. Veering towards skeletal urgency, these recordings set bright analogue melodies against half-whispered vocals and expand Bender’s electronic cryptography thru a series of lone signifiers: “Station,” “Plaster,” “Women,” etc. As Bender explains in the liner notes, “I began to distance myself from the present and describe scenes as if in a movie – seeking concrete, terse, juxtaposed imagery.” This first-time standalone reissue is recommended for fans of Gareth Williams & Mary Currie’s Flaming Tunes, Minimal Man and Grouper. Pressed on translucent blue vinyl in a limited / numbered edition of 1,000 copies.

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Die Welttraumforscher

LP | 1982 | EU | Reissue (Planam)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Planam very proudly presents you "Die singende Sternlaterne / Folklore des Weltalls 1982" by Die Welttraumforscher. This record includes the first time LP edition of the mysterious swiss electro-dada artist's second cassette as well as previously unreleased material. Issued in conjunction with Christian Pfluger first comprehensive retrospective "Ein Sommer in der Wirklichkeit" (i.e. "A Summer in Reality") at Kunsthaus Langenthal and the corresponding monograph "Songs, Signs, Explorations" presenting drawings, music, lyrics, films and other rare material. When Die Welttraumforscher set out on 14 July 1981 no one could have realized that their journey would not be over soon. For more than thirty years now, Swiss Christian Pfluger has been working on drawings, texts, films and songs for the fascinating universe of the imaginary trio, which is well populated with figures like Leguan Rätselmann or Kip Eulenmeister and his astronauts of the spirit. In the course of that journey, among other things, over 35 music cassettes, LPs and CDs have been released, presenting minimal songs that the Welttraumforscher themselves call "Bretzelberg Pop" and "Space Folklore". After the now sold out "Herzschlag Erde / Verdunkelt die Sinne" PLANAM and A Tree in a Field Records have now re-issued the Welttraumforschers' second cassette, including the previously unreleased album "Folklore des Weltalls 1982" (not to be confused with the 1989 "Folklore des Weltalls" which is a different story). Translator's note: The expression "Welttraum" in "Die Welttraumfroscher" is a play on the words "Weltraum" (Universe), "Welt" (world) and "Traum" (dream). "Die Welttraumforscher" can both be read as "The Explorers of the Universe" as well as "The Explorers of the Dream of the World". Edition limited to 350 copies.

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12" | 1983 | JP | Original (EMI)

Carnival

LP | 1983 | EU | Reissue (Sire)

Release: 1983 / JP – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing. With OBI and insert. Few scuffs. cover is close to NM.

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Madonna

LP | 1970 | DE | Original (Fa, Henkel-Khasana Düsseldorf)

Release: 1983 / EU – Reissue

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Sealed, Cover: Sealed

2020 reissue. Still sealed with hype sticker.

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Unknown Artist

Exotic Sounds

LP | 1979 | EU | Reissue (Libreville)

Release: 1970 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl is Close to VG+.

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Albert Alan Owen

Keyboards & Strings

Descending Moonsine Dervishes

Release: 1979 / EU – Reissue

Genre: Electronic & Dance, Classical Music

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Albert Alan Owen was born in Wales in 1948 to parents of Welsh and Latvian heritage. His family later moved to Zimbabwe, where his father took up a teaching position. There, Owen was deeply influenced by local music and culture, while also exploring American RnB and jazz. It was during this period that he became acutely aware of the harsh inequalities under British colonial rule, which instilled in him a lifelong aversion to discrimination and racism.

In 1967, Owen returned to Europe to pursue his studies and enrolled at the Royal Academy of Music in London. He went on to spend time in Paris, studying composition with the eminent Nadia Boulanger and piano under Jacques Février, a favorite pianist of Ravel’s and Poulenc’s. Owen's focus shifted almost entirely to composition, and the acquisition of a Fender Rhodes electric piano marked the beginning of a divorce from his classical Western training. This transition allowed him to merge his passion for African and African-American music with the impressionistic styles of Ravel and Debussy while exploring the innovative realm of electroacoustic composition. These formative experiences framed Owen’s career as a composer and educator at the Royal Academy of Music and London’s Working Men’s College. He eventually returned to Wales, where he continues to reside. In 1979, 29-year-old Albert Alan Owen released “Keyboards & Strings”, a light magical chamber music masterpiece. Transcending the formal conventions of its era, “Keyboard & Strings” is an acoustic and electric piano piece, where the violin is met by synths and electronics.

As is often the case in Albert Alan Owen’s most intimate works, there is a sense of ethereal beauty that emerges from the music, akin to the emotional state one might experience while contemplating a Félix Vallotton landscape or the unfathomable mystery of dawn’s first light. Quiet, profound, and immersive, “Keyboard & Strings” stands out as an electronic-age tone poem, a rare gem that transcends time and place.

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Terry Riley

LP | 1982 | US | Reissue (Beacon Sound)

A Real Mother For Ya White Vinyl Edition

Release: 1982 / US – Reissue

Genre: Electronic & Dance

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Accurately described by Thurston Moore as "great for meditating to the cosmos," Terry Riley's classic Descending Moonshine Dervishes is available again in a limited edition repress manufactured by Optimal in Germany. Originally recorded live in Berlin in 1975 and released by Kuckuck in 1982, Beacon Sound reissued the album in 2016 to widespread acclaim. Using just intonation and a modified organ, Riley conjures forth a rich and layered sound that challenges the Western ear, reflecting his associations with Indian classical singer Pandit Pran Nath and La Monte Young , whose Well Tuned Piano was well underway. Descending Moonshine Dervishes is a virtuosic and kaleidoscopic performance, standing as one of the finest works of a revolutionary composer and musician at the height of his powers. Recorded in concert November 29, 1975 at Metamusik Festival in Berlin.

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Johnny Guitar Watson

LP | 1977 | EU | Reissue (Music On Vinyl)

Opus Dei Remastered Edition

Release: 1977 / EU – Reissue

Genre: Electronic & Dance

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180 GRAM AUDIOPHILE VINYL
FEATURES THE INTERNATIONAL ORIGINAL HIT VERSION OF “A REAL MOTHER FOR YA”,
“NOTHING LEFT TO BE DESIRED”, AND “TARZAN” A.O.

INCLUDES THE BONUS TRACK “A REAL MOTHER FOR YA (BEN LIEBRAND OLDSKOOL MIX)”,
NOT AVAILABLE ON THE ORIGINAL ALBUM

LIMITED EDITION OF 750 INDIVIDUALLY NUMBERED COPIES ON WHITE COLOURED VINYL

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Laibach

LP | 1987 | UK | Original (Mute)

Release: 1987 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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LP | 1982 | EU | Reissue (Music On Vinyl)

Laura Branigan

Branigan

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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LP | 1975 | EU | Reissue (Holy Basil)

Mario Molino

Antico E Moderno

12" | 1986 | JP | Original (Vanguard)

Release: 1975 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Following our reissue of Silvano Chimenti's classic "Disco Music", we're happy to delve back into the Usignolo catalog with the reissue of C 364, one of the most iconic releases of the series, the incredible "Antico E Moderno" by Mario Molino. Bringing some of the most eccentric, chaotic and spaced out vibes you could hear in the mid 70's, Molino's mind bending arrangements are timeless classics, still standing the test of time and showing how he was way ahead of his time. Literally translating to "Ancient and Modern", showcases Molino's unique blend of traditional and contemporary musical styles, creating a captivating auditory experience for listeners.

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Alisha = Alisha

Baby Talk = ベイビー・トーク

Be Thankful For What You Got

Release: 1986 / JP – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Cover with OBI has tiny wear.

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William DeVaughn

12" | 1974 | UK | Reissue (Demon)

Release: 1974 / UK – Reissue

Genre: Electronic & Dance

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LP | 1986 | IC | Original (Menn)

Menn

Reisn

29,14 €* 52,99 € -45%

LP | 1978 | AU | Reissue (Left Ear)

Release: 1986 / IC – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Cover and vinyl are close to NM.

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Rainbow Generator

Dance Of The Spheres

29,69 €* 32,99 € -10%

2LP | 1981 | EU | Reissue (Mecanica)

Release: 1978 / AU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Limited to 500 units, includes a bifold insert with archival images and detailed liner notes.

Rainbow Generator are Australia’s first true experimental electronic music group. Consisting of David Labuschagne AKA Mojo, and Rob Greaves AKA Ras. Starting in the mid-70’s, the pair took it upon themselves to begin exploring the possibilities of the sonic dimension and with an ‘open mind’ began investigating the interface between psyche and sound.

In 1976 David established the ‘Lectric Loo’ studio in Woolloomooloo, Sydney. Known to the ‘heads’ as simply the “Loo”, the 3-story building was owned by the Department of Main Roads, and slated for demolition. So, it was that the entire block became a haven for squatters, and while Mojo had the main 3-story building to himself, the rest of the buildings were taken by a hotch-potch of people that included Anarchists, a Clown School and a collection of other random squatters. Recording in the ‘Lectric Loo’ provided them the ability to record freely. In 1975 they began to experiment, putting Mojo’s Fender Strat through effects pedals, playing with sounds while manipulating shortwave radio stations and also challenging convention by playing the insides of instruments. By 1976 they had built a kit synthesizer and shortly after purchased a full Roland 100 Synthesiser set-up and were on their way.

In 1978, with little resources, or any form of distribution they released their sole LP ‘Dance of the Spheres’. As Mojo puts it, “we were intent on making music with whatever we could beg, borrow, buy, and liberate. Albeit with scant regard for the rules or conventions or niceties of the game. Ultimately, it was all an act of love, of joy. Not just an adventure; it was a musical odyssey”.

This odyssey continued their exploration of the interface between psyche and sound. Fusing genres and boundaries, Dance of the Spheres incorporates elements of 70’s psych and folk with spoken-word and of course the emerging sounds of the synthesizer and drum machines. Furthermore, the addition of traditional instruments such as the didgeridoo and the classical Indian instrumentation technique of a Raga add a timeless layer, all seamlessly complementing the other elements and launching the album to another dimension.

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Carlos Peron

Impersonator

LP | 1978 | EU | Reissue (Superior Viaduct)

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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40th anniversary edition of the debut album by the multi-talented musician Carlos Perón. “Impersonator” was originally released in 1981 when he was still a member of Yello. This first solo work represents a desire to conduct daring electronic experiments, to achieve stylistic variety and musical intensity while at the same time it is an example of Mr. Perón’s bizarre sense of humour. Since the beginning of his career he pushed experimentation beyond limits with noise atmospheres, loops and complex textures which he has long used since before the introduction of sampling technology. With the arrival of sound sampling, he was among the first to experiment with equipment such as the Fairlight, Emulator and Mirage. During his time with Yello, Carlos may well have been one of the world’s first sampling masters. This new re-issue of “Impersonator” includes all original tracks with some bonus including the whole Frigorex EP from 1984 and six previously unreleased cuts recorded between 1982 and 1983. Limited edition of 500 copies with gatefold sleeve and an exclusive postcard.

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Harold Budd

The Pavilion Of Dreams

LP | 1986 | Reissue (Glossy Mistakes)

Release: 1978 / EU – Reissue

Genre: Electronic & Dance, Classical Music

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For five decades, Harold Budd stood on the forefront of the West Coast avant-garde. Born in Los Angeles, he studied with Schoenberg-pupil Gerald Strang and began teaching at CalArts in 1970. While searching for his own voice, he was influenced as much by abstract expressionist painters as by John Cage and Morton Feldman. In his work, Budd brought delicate, slowing-moving melodies to the foreground – creating a new musical language based on “eternally pretty music” and smooth surfaces. In the early ’70s, Budd started an extended cycle of compositions that would comprise The Pavilion Of Dreams. For Budd, the album was a signpost for a new direction in thinking about music: “The Pavilion Of Dreams erased my past. I consider that to be the birth of myself as a serious artist. It was like my Magna Carta.” Produced by Brian Eno in 1978, The Pavilion Of Dreams stands toe-to-toe with another minimalist masterpiece also released that year, Steve Reich’s Music For 18 Musicians. Budd’s gorgeous pieces reveal a lightness of touch that draws the listener in, while sublime voices float in and out as if in a recurring dream. Featuring saxophonist Marion Brown and multi-instrumentalists Gavin Bryars and Michael Nyman, The Pavilion Of Dreams remains a master class in exquisite timbre and shimmering texture. The Pavilion Of Dreams was both the final release on Eno’s Obscure imprint and a transition point towards his seminal ambient series. This first-time reissue is recommended for fans of Ryuichi Sakamoto, Jon Hassell and Mark Hollis.

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Akira Ito

Marine Flowers

Release: 1986 / Reissue

Genre: Electronic & Dance

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Some artists have gained huge recognition, some records have been idealized to the point of becoming cult albums… and that’s exactly the case of Marine Flowers, by Japanese multi artist Akira Ito. An album that is unique, delicate, exploratory… a true one-of-a-kind sonic adventure that 35 years after its first release comes back in the form of a reissue via Glossy Mistakes.

Looking back, Akira Ito’s artistic career began not in music but in acting. Born in Japan in 1945, he developed a prodigious ability to perform and a childhood acting career blossomed. However, as acting gigs dried up, actor/director Shintaro Katsu encouraged him to follow his steps into the music industry. With the rise of Western rock and soul music lighting up Japanese radio, Akira Ito stood to capitalize in the localized mid-60s “Group Sounds” craze by becoming a performing musician, joining touring bands across Japan fusing western and Shōwa-era pop styles.

But Akira’s musical interests changed throughout his life experiences and travels, up to the point when he knew exactly what he wanted to do (without knowing how to do it): healing music. Akira understood that once he set up shop at Hitokuchizaka Studios in Tokyo the work of translating these ideas began in earnest. First, he started his own record label, dubbing it “Green & Water’’ to promote a series of releases that would strike a more organic tone, envisioning a series of Japanese Environmental Music records. Marine Flowers would be one of four self-penned albums on the label dedicated to esoteric symbolism like “Hopi Prophecies”, “Prayers”, and the “Four Corners Of Water”. Originally released in 1986 and on its 35th anniversary, Marine Flowers deserves this fresh reissue, making this masterpiece available for everyone.

Liner notes are written by Diego Olivas, author of the blog Fond/Sond, from an interview with the artist coordinated by Ken Hidaka.

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Autobahn Translucent Blue Vinyl Edition

LP | 1974 | UK | Reissue (Parlophone)

Release: 1974 / UK – Reissue

Genre: Electronic & Dance

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Out Of The Blue Picture Disc

Electric Light Orchestra

2LP | 1977 | EU | Reissue (Sony)

Release: 1977 / EU – Reissue

Genre: Electronic & Dance

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LP | 1979 | DE | Original (Maritim)

V.A.

Disco Connection Vol. 2

LP | 1979 | CA | Original (Inter Global Music)

Release: 1979 / DE – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG

Cover with small sticker rip off .

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Krono

LP | 1987 | EU | Reissue (Utopia)

Release: 1979 / CA – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Sticker on cover.
Splits in seams.

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Gianni Gebbia

Release: 1987 / EU – Reissue

Genre: Electronic & Dance

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Alex Bradley's new reissue division at Utopia Records recovers the early works of Gianni Gebbia, a saxophonist and composer from Palermo, Sicily whose highly sought-after debut LP from 1987 is remastered with added unreleased material and updated art work by Gebbia himself. A minimal and contemporary jazz album of the highest order, its beautiful sound, sentimental electronics and use of synthesisers - that were a precursor to the house and dance music scene of the early 90's - has made the album endure the years that have passed. It will be sure to be a valuable addition to your home listening collection with stand out tracks like Cud evoking visions of a Sicilian beach stroll and the intense and brooding 'Vedersi Passare le Cose Attorno' with its Juno chords transports you to a Detroit night club in 1992 counterbalanced by Gebbia's soft saxophonic embrace. The self taught Gebbia's works touches on the avant-garde whilst maintaining a musicality and fluidity with his technique of circular breathing adding an extra element to his playing, the ability to create Reichian like minimalism with a single breath whilst maintaining melodic structure. The multi solo album artist is noted recently for working on the music score of Heiner Goebbels' music performance piece 'Everything that happened and would happen' at the Manchester international festival and for his curating of the "Anassimandro Festival of Music and Philosophy" in his home city of Palermo of which Bradley hosted last years after party.

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2LP | 1974 | UK | Reissue (Spoon)

Unlimited Edition

LP | 1986 | BR | Reissue (Discos Nada)

Release: 1974 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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Remastered from the original tapes, 180g vinyl!

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D-Day

Grape Iris

Release: 1986 / BR – Reissue

Genre: Electronic & Dance

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Originally released as a picture disc in 1986, this is D-Day’s first LP, presenting a beautiful mix of Minimal Synth, New Wave, and Bossa Nova. The band was formed in October 1982 and became well-known in the Japanese indie scene. They spent over 200 hours in the studio for recording. At that time, even for major label bands, it didn't take that much time to record an album. However, as D-day was not a major label band, they were free to craft their own narrative. Thus, they had a lot of time to experiment with their dreamy melodies, whisper-like vocals, programmed beats, swirling guitars. First-ever vinyl reissue of this Japanese masterpiece. Remastered from the original tapes, it includes a replica of the original insert, and a poster with a beautiful photo and in the other side translated lyrics and an extensive text by Chihiro Yoshikawa.

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LP | 1983 | JP | Reissue (EMI)

Release: 1983 / JP – Reissue

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing, comes with Obi and inserts.

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12" | 1983 | JP | Original (EMI)

Carnival

Release: 1983 / JP – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

2LP | 1987 | EU | Reissue (Left Ear)

Picture Music

Release: 1987 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

Duran Duran = Duran Duran

アイ・ドント・ウォント・ユア・ラヴ

7" | 1988 | JP | Original (EMI)

Pizzazz Definitive Reissue

Release: 1988 / JP – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG+

Japanese promo has small punch hole. Record is close to VG+.

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Patrice Rushen

2LP | 1979 | EU | Reissue (Strut)

Release: 1979 / EU – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 1975 | EU | Reissue (Wah Wah)

Ariel Kalma

Le Temps Des Moissons

LP | 1983 | FR | Original (REM)

Release: 1975 / EU – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Record shows scuffs and slight scratches! Cove with some wear and a bent corner!

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Jean-Luc Manca

Accordéon De Concert

Release: 1983 / FR – Original

Genre: Electronic & Dance, Classical Music, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG

LP | 1983 | DE | Original (Rock City)

You

Time Code

Release: 1983 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1979 | CA | Original (Plastic Poison)

Moebius

Release: 1979 / CA – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1988 | US | Reissue (Tommy Boy)

Information Society

Release: 1988 / US – Reissue

Genre: Electronic & Dance

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My Life With The Thrill Kill Kult I

See Good Spirits... Black Vinyl Edition

LP | 1988 | US | Reissue (Wax Trax!)

Release: 1988 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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Tonspuren 40th Anniversary Edition

Moebius

Release: 1983 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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LP | 1974 | US | Reissue (Superior Viaduct)

La Monte Young

Dream House 78'17"

The White Arcades Clear Vinyl Edition

Release: 1974 / US – Reissue

Genre: Electronic & Dance, Classical Music

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Originally released in 1974 on Shandar, Dream House 78'17" is the second full-length album by La Monte Young and Marian Zazeela. This first-time US edition reproduces the original gatefold sleeve with beautiful calligraphy by Zazeela and liner notes by Young and French musicologist Daniel Caux.

Side one was recorded at a private concert (on the date and time indicated by the title) and features Young and Zazeela's voices against a sine wave drone with Jon Hassell on trumpet and Garrett List on trombone. This work is a section of the longer composition Map of 49's Dream the Two Systems of Eleven Sets of Galactic Intervals Ornamental Lightyears Tracery (begun in 1966 as a sub-section of The Tortoise, His Dreams and Journeys, which was begun in 1964 with Young's group The Theatre of Eternal Music). The piece evolves with the oscillator changing pitch and dictating an ornate pattern over the course of the performance.

Side two is an example of one of the sets of frequencies sustained in the Dream House, the composite sound environments conceived by Young and Zazeela. The composer suggests listening while seated – to experience how the sound interacts with the room and other perceptions of its arrangement – as well as while walking. As Young states, "The frequency ratios are monitored continuously as lissajous patterns on the oscilloscopes and, in spite of the great stability of the oscillators, the phase relationships of the sine waves gradually drift which causes their amplitudes to add and subtract algebraically. Not only does the sound become a bit louder and softer, but at very loud levels, one actually begins to have a sensation that parts of the body are somehow locked in sync with the sine waves and slowly drifting with them in space and time."

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Harold Budd

LP | 1988 | EU | Reissue (All Saints)

Release: 1988 / EU – Reissue

Genre: Electronic & Dance

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Rot 50th Anniversary Edition

Conrad Schnitzler

LP | 1973 | EU | Reissue (Bureau B)

LP | 1988 | EU (Urashima)

Release: 1973 / EU – Reissue

Genre: Electronic & Dance

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Conrad Schnitzler (1937-2011), composer and concept artist, is one of the most important representatives of Germany"s electronic music avant-garde. A student of Beuys, he founded Berlin"s legendary Zodiak Free Arts Lab, a subculture club, in 1967/68, was a member of Tangerine Dream (together with Klaus Schulze and Edgar Froese) and Kluster (with Dieter Moebius and Hans-Joachim Roedelius) and also released countless solo albums. The red album ("Rot") from 1973 was Schnitzler"s first solo LP.

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Masonna

Like A Vagina

My Life With The Thrill Kill Kult I

Release: 1988 / EU

Genre: Electronic & Dance

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Cascades of electronic noise, a psychedelic touch and vocal belching mixed together constitute the ingredients of Mademoiselle Anne Sanglante Ou Notre Nymphomanie Auréolé, the double-barreled name for Masonna. Maso Yamazaki founded his project in 1987, with a charismatic and glamorous personality who become a cult figure in “Japanoise” scene. Masonna’s abundant productions on his own legendary and astonishing label Coquette were presented in very limited edition, sometime totally confidential (one sole copy), and reflect his predilection for 60’s psychedelic music revisited in its own very peculiar way. He transforms his voice into noise, feeding the microphone back through a process of extreme distortion. His shouts become clipped bursts of overloaded sound, doubled and extended by a delay that displace the sounds into stuttered blasts of static.

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See Good Spirits... Green Vinyl Edtion

LP | 1988 | US | Reissue (Wax Trax!)

30,59 €* 35,99 € -15%

Release: 1988 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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Cants Dels Trobadors: La Douceur D'un Son Nouvel

Regrelh

LP | 1979 | EU | Reissue (Dizonord)

Release: 1979 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Be ready for a spaced out trip through French medieval times. Ancient instruments, musique concrete, spoken word, old Occitan dialect minstrel songs, drone, from dark ambient and minimal percussive tracks to Middle Ages fuzz delirium. File under : medieval folk / ambient / experimental.

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Trans-Europe Express English Version Clear Vinyl Edition

LP | 1977 | EU | Reissue (Parlophone)

Release: 1977 / EU – Reissue

Genre: Electronic & Dance

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Radio-Activity English Version Translucent Yellow Vinyl Edition

LP | 1975 | EU | Reissue (Parlophone)

Release: 1975 / EU – Reissue

Genre: Electronic & Dance

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Computer World English Version Translucent Yellow Vinyl Edition

LP | 1981 | EU | Reissue (Parlophone)

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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Seven And The Ragged Tiger

LP+12"+All Media | 1983 | EU | Reissue (EMI)

Release: 1983 / EU – Reissue

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed. Tiny wear. 2010 reissue.

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Seven And The Ragged Tiger

LP | 1983 | JP | Original (EMI)

Content To Write In I Dine Weathercraft

Release: 1983 / JP – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Original japanese pressing without OBI!

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Stano

LP | 1983 | EU | Reissue (Allchival)

LP | 1975 | EU | Reissue (Music On Vinyl)

Release: 1983 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Former member of Dublin punk band The Threat, Stano released his debut LP on Scoff Records in 1983. Recorded in Alto Studios, the Irish artist eschewed live performances in favour of fusing collaborative, improvised, experimental music with spoken word-poetry. The LP featured contributions from fellow Irish musicians and artists such as Michael O'Shea, Roger Doyle, Donald Teskey, Vinnie Murphy, Detroit born Jerome Rimson and is a seminal document of Irish postpunk

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Modulations

It's Rough Out Here

Release: 1975 / EU – Reissue

Genre: Electronic & Dance

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Action Speaks Louder Than Words

Chocolate Milk

LP | 1975 | EU | Reissue (Music On Vinyl)

Release: 1975 / EU – Reissue

Genre: Electronic & Dance

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12" | 1981 | US | Original (Harvest)

Girls On Film

Non Stop Ecstatic Dancing

Release: 1981 / US – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: Generic

promo copy

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Soft Cell

LP | 1982 | EU | Reissue (Universal)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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LP | 1988 | EU | Reissue (Dizonord)

Interim

A La Petite Cuiller