Electronic & Dance Vinyl LP 11869 Items

Genre: Electronic & Dance

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Will Burns & Hannah Peel

Chalk Hill Blue

LP (Rivertones)

Genre: Electronic & Dance

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LP (Bmg Rights Management (Uk))

Wilkinson

Afterglow / Perforation

17,99 €*

Genre: Electronic & Dance

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LP | 2023 | EU | Original (Dualtone)

Wilder Woods

Fever / Sky

Release: 2023 / EU – Original

Genre: Electronic & Dance

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LP+CD | 2013 | EU | Original (ZYX)

Wildchild

Halo Deluxe Edition

17,99 €*

Release: 2013 / EU – Original

Genre: Electronic & Dance

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LP | 2023 | EU | Original (We Are Busy Bodies)

Wilbur Niles

Thrust Too

30,59 €* 33,99 € -10%

Release: 2023 / EU – Original

Genre: Electronic & Dance

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LP | 2023 | EU | Original (Laaps)

Wil Bolton

Like Floating Leaves

2LP | 2021 | EU | Original (Second State Audio)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Wil Bolton is a London-based artist whose work uses synthesizers, guitars, acoustic instruments and effects to create warm and emotive melodies, fragmented and submerged among beds of droning ambient textures and environmental sounds.

Wil has released albums on labels including Home Normal, Hidden Vibes, Krysalisound, Audiobulb, Hibernate, Eilean Rec., Dronarivm and Sound In Silence. He has also shown his sound and video works in exhibitions at ICA, Incheon Art Platform, Liverpool Biennial and others, and has performed at venues including Cafe Oto, Tate Liverpool and Iklectik.

‘Like Floating Leaves’ was recorded January - July 2022 in East London, using modular synthesizers, Mellotron, Yamaha Psr-6, Waldorf Micro Q, Modal Argon8, Op-1, iPhone, glockenspiel, chimes, effects and field recordings from Venice, Stockholm, New York and Tokyo.

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Wigbert

Distorted Matter

15,39 €* 21,99 € -30%

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Tape | 2024 | US | Original (New Retro Wave)

Wice

Rogue

11,99 €*

2LP | 2022 | EU | Original (Embassy One)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Wice is back with a powerhouse of an album. Expanding on his sound, Wice takes his sonics into new directions and adds new and exciting textures to his arsenal. A must for all Cyberpunk and Darksynth lovers

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WhoMadeWho

UUUU

2LP | 2020 | EU | Original (Kompakt)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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A download code is included. In the years since their formation, WhoMadeWho have established themselves as one of the most important underground bands of their generation. The Danish group, consisting of Tomas Høffding, Tomas Barfod and Jeppe Kjellberg, has an exceptional sense of emotional depth, heartbreaking melodies and brilliant songwriting, boasting an expansive discography currently spanning a total of six albums and a plethora of EPs, singles and remixes released on labels such as Kompakt, Innervisions and Life & Death. On the road, they are internationally renowned for their professionalism and outstanding live performances and have become regular fixtures at some of the world’s most notable musical festivals, including Roskilde, Sonar, Melt! and Burning Man to name just a few. The in-demand Scandinavian outfit now confirm details of their upcoming long player, Uuuu. Set for worldwide release on Friday, May 27, via long standing German record label Embassy One, Uuuu is the seventh full-length studio album from WhoMadeWho. A beautifully crafted record featuring thirteen original productions.

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WhoMadeWho

Synchronicity

LP | 2011 | EU | Reissue (Kompakt)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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“We have always been very fortunate to meet and know many talented producers. In recent years, we have been exploring those relationships with different remixes and collaborations, and every time something exciting came out. That’s why we started our Synchronicity project. To challenge ourselves making inspiring, fun and beautiful music.‘Synchronicity’ means "the simultaneous occurrence of events which appear significantly related but have no discernible causal connection. This very well describes how our path led to the place we are now – somewhere between the club and indie scenes.” – WhoMadeWho. Kompakt welcomes back Copenhagen’s WhoMadeWho. Tomas Barfod’s penchant for electronic music poetically juxtaposed with Tomas Høffding and Jeppe Kjellberg’s respective backgrounds in rock and jazz, gives their music an electrifying combination of sounds, merging a variety of influences to produce a unique sonic fingerprint that is emotive, irresistible and immensely satisfying.

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WhoMadeWho

Knee Deep

LP | 1987 | EU | Reissue (Music On Vinyl)

Release: 2011 / EU – Reissue

Genre: Electronic & Dance

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A download code is included.

Tomas Barfod, Tomas Hoffding and Jeppe Kjellberg aka WhoMadeWho have paved an illustrious career spanning numerous singles and two acclaimed full length albums. They have certainly been one of the few acts in the past decade to successfully redefine the term “crossover” in music thanks to their genre hopping creative tact. Now, WhoMadeWho team up with Kompakt to bring you this very special release. Following a long tour and still riding on success of their last full length "The Plot"(2009), in early 2010 the Copenhagen trio isolated themselves in several rooms of an semi-built hotel near the harbour of their hometown. The days at the hotel quickly evolved into a musical pendant of a tour-de-chambre, with ideas being kicked back and forth between the band members working in separate rooms. During the writing process, two musical directions occurred and instead of trying to merge the two, the band decided to record two albums. First up is what we have here - the mini album "Knee Deep”, while the full length is set for release later this year. This eight track mini album clearly shows the band's love for electronic music in conjunction with 60’s inspired psychedelic vocal productions. The band has deliberately chosen to save the more melodic and radio friendly songs for "the second album" though it’s obvious that the single “Every Minute Alone” is one of the most brooding and greatest songs we’ve heard from them. As drummer and electronic handyman Tomas Barfod puts it, the mini album came from the desire to create "a focused listening album that draws on a more abstract musical starting point.” Even from the very first minute of the opening track, “There's An Answer", it becomes obvious that WhoMadeWho are painting with a darker pallet than on previous records. With an intense use of bass clarinet and a forward driving beat, the song reflects certainty and insecurity in search of answers: "There's an answer to it / There must be an answer to it." These themes of turmoil and searching are also present on the first single, "Every Minute Alone": "Every hour of doubt / Trying to figure it out / Should I call you up?"

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Whodini

Open Sesame

Release: 1987 / EU – Reissue

Genre: Electronic & Dance

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LP | 1985 | US | Original (Arista)

Whitney Houston

31,99 €*

Release: 1985 / US – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1985 | US | Original (Arista)

Whitney Houston

LP | 1985 | US | Original (Arista)

Release: 1985 / US – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

US original, RCA-Indianapolis pressing. Vinyl close to VG+

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Whitney Houston

LP | 1969 | UK | Reissue (Island)

Release: 1985 / US – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG+

US pressing.

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White Noise

An Electric Storm

LP | 2023 | US | Original (Deathbomb Arc)

Release: 1969 / UK – Reissue

Genre: Electronic & Dance, Pop

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An Electric Storm is justly renowned among techno boffins as one of the first albums to fuse pop and electronic music before the advent of the Moog synthesizer. But you don't have to be versed in the language of sine waves and oscillators to enjoy this mostly delightful and hugely inventive album. For although the White Noise were almost exclusively composed of virtuoso knob twiddlers and tape splicers moonlighting from the BBC Radiophonic Workshop, luckily they were no slouches when it came to penning a decent tune. There's also anarchic humor at play on the manic "Here Come the Fleas," which contains more edits in its two minutes than the whole of Sgt. Pepper's.Yet it's the retro-futurist textures that still grab the ear most. These are sounds that will be familiar to anyone who knows the soundtrack of Forbidden Planet or the early series of Doctor Who, but they had never before been deployed in the service of pop music, nor have they since. And whereas the Moog would supplant all of these primitive, time-consuming techniques of sound generation and manipulation within the year, it also destroyed much of electronic music's spirit of adventure in the process. How could you boldly go where no man had gone before when your sound universe was suddenly overlaid by tram lines and route maps? So although most of the songs that make up the first half of An Electric Storm are pretty much your standard-issue polite British psychedelia (the somewhat embarrassing United States of America-style orgy of "My Game of Loving" aside), the way they're dressed up still sounds innovative decades later. Sometimes songs dissolve into bleeps, whooshes, and gurgles that hurtle between your speakers, but compared to the extended guitar and organ solos that were common currency at the time, they are the very essence of restraint. That said, restraint was put to the sword on the final two tracks, the 12-minute "The Visitations" and the seven-minute "The Black Mass: An Electric Storm in Hell." The former is a decidedly spooky "Leader of the Pack"-style drama with a supernatural twist. The biker, having departed this life, attempts to make one last attempt to cross over and console his grieving beloved, only to fall agonizingly short. If you can suspend your disbelief -- and persuade yourself that the biker's departing spirit doesn't sound like a cappuccino machine -- it's spine-tingling stuff that you won't dare listen to with the lights off. Which is more than can be said for the concluding track, a would-be satanic jam session botched together in a hurry to meet Island's suddenly imposed deadline.

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White Boy Scream

Remains

LP | 2021 | EU | Original (Sound Transmissions)

Release: 2023 / US – Original

Genre: Electronic & Dance

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Deathbomb Arc is proud to unearth White Boy Scream aka Micaela Tobin's album 'Remains' (2018), previously only available on a limited run cassette. Both a trained opera singer & composer and highly involved in the experimental scenes of DIY Los Angeles, Tobin composes works that feel like no other, bridging antagonistic noise sounds with the traditional world of opera. Her most recent album 'bakunawa' was adapted into a short film thanks to the sponsorship of The Red Cat / Disney of all unlikely places. She is a frequent collaborator with Pulitzer Prize-winning composer Raven Chacon and has worked with artists such as Clipping. (Sub Pop), Fire-Toolz (Hausu Mountain), and Cristopher Cichocki. Tobin has performed all over the world from small warehouse venues to large museums and even at the Coachella Music & Arts Festival.

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White Afghani

Elyx EP

15,99 €*

2LP | 1996 | DE | Original (Ladomat 2000)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Sound Transmissions debut is now available on vinyl! After three successful digital releases the up and coming label Sound Transmissions from Hamburg gets ready for its first vinyl release. For this release White Afghani teamed up with mighty DNAonDNA & Turk Turkelton and delivers 6 Tracks somewhere between atmospheric Techno, Electro and Ambient. Highly recommended & not to miss!

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Whirlpool Productions

Dense Music

Release: 1996 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: G+, Cover: VG

Vinyl with many scuffs and hairlines, close to VG

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Genre: Electronic & Dance

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Whatever The Weather (Loraine James)

Whatever The Weather Black Vinyl Edition

LP | 2022 | US | Original (Ghostly International)

Anomaly Pink Vinyl Edition

Release: 2022 / US – Original

Genre: Electronic & Dance

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Loraine James' new ambient-minded alias, Whatever The Weather, follows her 2021 solo LP Reflection (Hyperdub). In contrast to her club music sensibilities, this mode embraces keyboard improvisations and vocal experimentation, foregoing percussive structure in favor of shaping atmosphere and tone. From this divergent headspace emerged new coordinates and climates, a new outlet: Whatever The Weather. A longtime fan of ambient-adjacent Ghostly International artists such as Telefon Tel Aviv (who she'd ask to master the album), HTRK (whose singer Jonnine Standish features on Nothing), and Lusine (whom she remixed at the start of 2021), James saw the label as the ideal home for this eponymous album of airy, transportive tracks as they began to formulate. The titling on Whatever The Weather works in degrees; simple parameters allowing James to focus on the nuances as a mood-builder. Her suspended universe fluctuates; freezing, thawing, swaying and blooming from track to track. James describes her jam-based approach for the sessions as "free-flowing, stopping when I felt like I was done," allowing her subconscious to lead. The improvisations have an intrinsic fluidity to them, akin to sudden weather events passing over a single environment - the location feels fixed while the conditions vary. The album opens at "25°C," a sunshower of soft hums and keys. As the longest piece, it serves to establish stability, the inflection point where any move above or below this temperate breeze breaks the bliss. Given James' proclivity for organized chaos in her production, this scene is fleeting, naturally. From that utopia, we plummet to the most melancholic read on the meter, "0°C," its isolated synth line traversing a hailstorm of steely beats and static. Next, the dial jumps for the propulsive standout "17°C." Like a timelapse of springtime in the city, the single accelerates across a frenzy of frames; car horns, screeching brakes, and crosswalk chatter fill the pauses between rapid jolts of multi-shaped percussion. For portions of the work, James leans neo-classical, rendering pensive vignettes of cascading piano keys and warm delay. "2°C (Intermittent Rain)" ends the A-Side on a short and stormy loop; a resulting sense of reset permeates the B-Side's opener, "10°C." The producer mingles intuitively on echoed organ, locking into and abandoning atypical rhythms that suggest her jazz-oriented interests. "4°C" and "30°C" display the range of James' vocal experiments. The former chops and pitches her voice to a rhythmic, otherworldly effect, the latter reveals James at her most straightforward (she cites Deftones' Chino Moreno and American Football's Mike Kinsella as inspirations), singing tenderly and unobstructed for nearly the duration before beats collide in the climax. Whatever The Weather closes at "36°C," while a sweltering heat by any standards the track eases along comfortably on a chorus of synth waves, acting as an apt bookend for this evocative, sky-tracing collection that started in a similar state. Cyclical, seasonal, and unpredictable, true to its namesake.

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What So Not

LP | Original (Counter)

Release: Original

Genre: Electronic & Dance

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LP | 2022 | UK | Original (Sweat It Out)

What So Not

Anomaly

LP | 2022 | EU | Original (Alien Transistor)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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What So Not announces his sophomore album, Anomaly, off the back of being inspired by traveling the world and exploring sounds globally just prior to the Covid-19 pandemic. Anomaly is set to be a cohesive journey of far-off adventures, self-discovery and scintillating electronic wizardry.

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What Are People For?

What Are People For? / The Notwist

Release: 2022 / EU – Original

Genre: Electronic & Dance

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What Are People For? make the perfect kind of dystopic dance music for our times. Born from a collaboration between artist Anna McCarthy and musician/producer Manuela Rzytki, the band could be the illicit lovechild of Tom Tom Club and Throbbing Gristle, displaying the ideal balance of hip shaking vibes and dark provocative content.

On their collaborative debut, McCarthy and Rzytki share songwriting duties. The album was produced by Rzytki herself. They are joined by Paulina Nolte on backing vocals and Tom Wu on drums, while Keith Tenniswood mastered the record.

The whole project stems from a publication and exhibition by McCarthy laying the foundations for the content and lyrics of the album, which is humorous, poetic and political. As a lyricist, McCarthy uses her storytelling ability to explore anxieties and desires, digging into free surreal word associations reminiscent of Su Tissues’ tongue in cheek experiments with Suburban Lawns, but also explosive and gripping like a Kae Tempest rap. Rzytki’s precise sonic palette and talent at penning structured bangers perfectly complement McCarthy’s playful and subversive language manipulations. Rzytki's beats are rooted in old school Hiphop loop principles and an authentic love for the analog. Her use of an array of synthesizers and other "real" instruments adds to Wapf's depth, soul and sincerity.

The album opens with a joyful anthem, full of energy and melodic hooks. The audience is confronted with the quintessential titular question What Are People For? and told that they are just a mere disposable commodity. Throughout the album, lyrical themes revolve around underground aspects of society, violence, political ideologies, sexuality and mysticism. The content is deep but the album is as danceable as it is biting.

73, with its drum machine hysteria and hypnotic synth basses is a a text collage written on the 73 bus through London, consisting of situations and conversation snippets encountered along the way. Drones indulges in the narrator’s paranoia as they feel they are being watched by cigarette machines, whilst the haunting choir is half spoken, half sung, ending on the orgasmic chanting of the word “mummy”. Nursery Rhyme brings more soothing incantations. There is definitely an affinity for fairytales, albeit adult ones and especially the anarchistic ones such as The Moomins, who were a consistent influence on the band. The artwork for the record, created by McCarthy, is a beautiful children's book-style painting of the group in a forest, seemingly about to engage in a magical encounter to which we are invited.

Wapf? have absorbed and digested a variety of influences. Trip hop, Punk and Techno are rubbing shoulders on Party Time. 1977 was coined “Summer of Hate” in the UK and unsurprisingly in Wapf?’s Summer of War, ethereal singing alternates with a powerful marching Garage/Grime chorus reminiscent of street protests and UK culture.

Mz. Lazy starts like an invitation to meditation and references Gertrude Stein’s book Ida in which she develops the idea that publicity is a new religion and people are now famous for being famous. Repressed anger explodes into violence and freedom at the end of the song as our heroine eventually grabs an axe to destroy her oppressors. Fantasize, on its part, is raw, sexual and liberating while the closing track Bring Back the Dirt is a welcome hymn into a world that is becoming more and more sanitised.

While exploring deep subject matters throughout their album, Wapf? manage to remain satirical, exciting and funny. Each and everyone of their songs have a cathartic quality.

The visual identity of the band is intrinsic to their appeal. Live, they are eccentric, wild and unapologetic, wearing see-through costumes, bright miniskirts and intricate headpieces while delivering their songs with sharp intensity. Their performances radiate queer sexiness and transcend B52's thrift store aesthetics, creating a space for collective dreaming.

Wapf? is a rare combination of contemporary punk energy, irresistible groove, absurdist dry humour and astounding depth of field. They have the mighty power to create a party with their music and soon you will find yourself lifting your arms as if controlled by an external force, to chant: Wapf? Wapf? Wapf?

– Marie Merlet (Malphino, Little Trouble Girls, London)

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Criminals / Illusions

7" | 2024 | EU | Original (Alien Transisto)

15,99 €*

Radical American Hippy Kraut

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-08-30

Following their acclaimed debut album from 2022 on Alien Transistor Records, What Are People For? now release their first 7" single from the upcoming album, with a dark ambient R’n’B banger "Criminals" on the A-side, telling tales of snoozing criminals and tantalising promises of "Someday we will all be rich".

The already legendary B-Side features a charming smokefilled-bubblegum Spanish & English cover of the Cypress Hill song "Illusions", together with The Notwist, which they developed whilst on tour together last year. Obviously, a product of the recent legalisation of marijuana in Germany: Ich liebe dich Marianne.

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Wharp & Rom

LP | 2019 | US | Original (Astro Nautico)

LP | 1983 | JP | Original (Epic)

Release: 2019 / US – Original

Genre: Electronic & Dance

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Wharp X ROM is Time Wharp and CH-ROM, two longstanding experimental producers who have garnered significant press in New York and around the world with their previous projects. Though this album is primarily a collaboration between the two of them, it includes over 10 other collaborating musicians. This a joint release between Astro Nautico and Time Wharp's label, JASS Records, which should increase the audience size. There is a making-of-the-record mockumentary in the works, along with at least 1 or 2 music videos and a sustained press campaign.

"We designed Radical American Hippy Kraut to meet the semi-necrotic but self-assured geriatric ambling last dance of patriarchy, monoculture, and the society of the unbound prioritized self. From a coffee shop-bar-workshare-space identical to many others came the elemental code to the disruptor class’ ribbons of co-cultivating career gossamer light, and we’ve harvested this code to design instructions for developing higher pathways for the exchange of compassion and psyber-spiritual healing. The blockchain prosperity silicon contagion continues to spread as the Earth is cannibalized by its children, who under duress of the elephant head patriarchy succumb to the compulsion to auto-post and lifestream until we’re reduced to piles of calcium dust atop shattered lucite frames—but Wharp and Rom’s thundering motor drums rattle on in radical contrast! The group-selfthink grand optimization singularity is upon us, and thus we devote ourselves to dyspiritual para-American affective labor towards sculpting the counter-hymn of righteous joy and ecstatic hope against the unending statist drone of the convenience supremacist utopia." - Wharp & Rom

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Wham!

Fantastic

14,99 €*

2LP | 2016 | DE | Original (Kompakt)

Release: 1983 / JP – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

no Obi. Cover has slight ring wear.

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Weval

LP | 2019 | EU | Original (Kompakt)

Release: 2016 / DE – Original

Genre: Electronic & Dance

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It includes a download code. When Kompakt came across Amsterdam-based Harm Coolen and Merijn Schotte Albers aka Weval back in 2014, we were blown away when we heard their slow-burning, darkly emotive tracks. No doubt about it: this is Weval's most powerful and organic material yet - which means a lot, considering the amount of skill already on display in their small, but weighty portfolio.

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Weval

The Weight

2LP | 2023 | UK | Original (Technicolour)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Straight in the wake of their eponymous debut LP released on the label back in 2016, Weval return to Kompakt this year with their sophomore album, 'The Weight', breaking their pop-mellow, nostalgia-friendly facet further out in the open as they arrive "at this place again were everything felt spontaneous, new and exciting, like we had in the beginning". Orbiting around that ever luminous yet wistful melodic halo that surrounds their music, this second full-length effort sweeps an extra-wide and languidly woven palette of emotions and moods, making for a uniquely ambitious and generously coloured mosaic of sound.

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Weval

Remember

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Eau'd To A Fake Bookie Volume 1 & 2

Wet Tuna

2LP | 2021 | UK | Original (Hive Mind)

LP+12" | 1989 | DE | Original (Low Spirit)

Release: 2021 / UK – Original

Genre: Electronic & Dance

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‘Hive Mind Records are here to help you through the winter months with this generous helping of Wet Tuna with their signature deeply fried rural psychedelia.

Matt Valentine (mv) and Pat Gubler (PG Six) have been jamming together since the mid '90s, floating around in the US psych-folk scene, playing together in Tower Recordings and separately with influential underground crews Woods, The Golden Road, Garcia Peoples and The Weeping Bong Band. Both MV and PG Six have been prolific with their solo work and over the years they've recorded for labels such as Ecstatic Peace, Drag City, Woodsist, 3 Lobed, and Crash Symbols and we are very happy to be joining such esteemed company.

On these recordings, made during the first months of the Covid lockdowns in the forests of the Vermont wilderness, MV and PG Six handle the guitars and synths but they're joined by fellow forest freaks S. Freyer Esq, Jim Bliss, Coot Moon and Carson 'Smokehound' Arnold on bass and drums. Brought to you in their patented mind-expanding Spectrasound, Eau'd To A Fake Bookie Volumes 1 & 2 delivers an irresistible gumbo of deep, cosmic psychedelia, primitive drum-machine grooves and woozy country-funk jams. These 6 songs are cover versions of artists as diverse as The Blackbyrds, Michael Hurley and Jimmy Cliff, but stretched out over 4 sides, the album is entirely Wet Tuna - loose, free-flowing and lots of fun!’

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WestBam

The Cabinet / And Party

15,99 €*

LP | 2022 | UK | Original (Apollon)

Release: 1989 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

cover variation. Limited edition

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Weserbergland

Sacrae Symphoniae Nr.1

LP | 2021 | IT | Original (Young & Cold)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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The third Weserbergland album Sacrae Symphonia no.1 was inspired by music spanning more than 5 centuries: Venetian late renaissance music to the sonic exploration of avantgarde composer Karlheinz Stockhausen and the German experimental rock music scene in the 70s and beyond. Some of the music of the sole 40 minute long track has been written, and some of it have been improvised. But all of it has been edited with heavy hands by composer/producer Ketil Vestrum Einarsen using code language and open source software on inexpensive single board computers. The end result is an album spanning athmospheric classical elements, experimental electronic music, full on noise rock assaults and anything inbetween. John McEntire (Tortoise et cetera) used his vast experience with experimental music to mix the album in a way that binds the album together.

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Werner Karloff

Illuminated Displays

20,14 €* 30,99 € -35%

Release: 2021 / IT – Original

Genre: Electronic & Dance

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LP | 2021 | EU | Original (Obia)

Wendel Sield

Code Of Conduct

12,99 €*

LP | 2018 | EU | Original (Orbeatize)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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‘Code of Conduct EP’ the second instalment from Obia Records takes the labels sound through a darker path. Sinful acid spirits are summoned to drive out the past period of solitary confinement in which we all linger. ‘Discharge’ the records main cut is built by a solid acid line and crispy clear drums that highlight the slow tempo. ‘Code of Conduct’ continues on a similar pattern but with adverse drum programming that shapes the feeling of inner conflict. ‘Ethic of Reciprocity’ completes the cycle of healing with a more rhythmic and uplifting vibe and warm pad. All tracks were made with an original Roland Tb-303.

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Weltklang

Zx81 In Concert

LP | 2024 | US | Original (Feeding Tube)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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From Richard Aicher and Andreas Merz' secret vaults: their own tape-production for promoting the Sinclair Computers, recorded at Rothof Studio near Munich, 1982. 1982, but it sounds like Underground Resistance remixing Daft Punk Alive 1997: proto techno masterpiece.

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Wednesday Knudsen

Soft Focus Volume Two

36,99 €*

Release: 2024 / US – Original

Genre: Electronic & Dance

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2LP | 2022 | EU | Original (Silver Bear)

Wayward

Waiting For The World

Release: 2022 / EU – Original

Genre: Electronic & Dance

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LP | 2021 | EU | Original (Past Inside The Present)

Wayne Robert Thomas

Canticles Of Bliss

Soaring Wayne Phoenix Story The Earth And Sky

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Composed and recorded by Wayne Robert Thomas with an electric guitar at Stan Mikita's Donuts, Aurora, Indiana from October 2019 to August 2020. Design, layout and assemblage and christened by Sir Frizzell. Mastered and blessed at Schwebung Mastering (Germany) by Stephan Mathieu. Muted trombone by Ron-Robert Thompson on 'Just Be Patient With Me' Additional guitar by Andrew Bergman on 'Envoi' . "Love abounds in everything"

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Wayne Phoenix

LP | 2023 | US | Original (Rvng Intl.)

Release: 2023 / US – Original

Genre: Electronic & Dance

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soaring wayne phoenix story the earth and sky is the debut album from multidisciplinary British artist Wayne Phoenix. Originally conceived over a decade ago as one part of...

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2LP | 2018 | EU | Reissue (Laboratoire)

In The Mood For Life

Release: 2018 / EU – Reissue

Genre: Electronic & Dance

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2LP | 2007 | EU | Reissue (Laboratoire)

Hope And Sorrow

Release: 2007 / EU – Reissue

Genre: Electronic & Dance

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Dusty Rainbow From The Dark

2LP | 2012 | EU | Reissue (Laboratoire)

Release: 2012 / EU – Reissue

Genre: Electronic & Dance

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Dusty Rainbow From The Dark

2LP | 2012 | EU | Reissue (Lab'Oratoire)

Release: 2012 / EU – Reissue

Genre: Electronic & Dance

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LP | 2024 | EU | Original (Music On Vinyl)

Wax

American English

31,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-08-23

The Disk Hunter Swirled Edition

LP | 2020 | EU | Original (Electronic Purification)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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The Disk Hunter Splattered Edition

LP | 2020 | EU | Original (Electronic Purification)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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The Disk Hunter Sand Vinyl Edition

LP | 2020 | EU | Reissue (Electronic Purification)

Release: 2020 / EU – Reissue

Genre: Electronic & Dance

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Station Nova Swirl Vinyl Edition

LP | 2022 | EU | Original (Electronic Purification)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Station Nova Splatter Vinyl Edition

LP | 2022 | EU | Original (Electronic Purification)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Station Nova Clear Vinyl Edition

LP | 2022 | EU | Original (Electronic Purification)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Mainframe Yellow Vinyl Edition

LP | 2022 | EU | Original (Electronic Purification)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Mainframe Splattered Vinyl Edition

LP | 2022 | EU | Original (Electronic Purification)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Mainframe Picture Disc Vinyl Edition

LP | 2022 | EU | Original (Electronic Purification)

31,99 €*

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Mainframe Green Vinyl Edition

LP | 2022 | EU | Original (Electronic Purification)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Lost Shapes Orange Splatter Vinyl Edition

LP | 2021 | EU | Original (Electronic Purification)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Lost Shapes Green Vinyl Edition

LP | 2021 | EU | Original (Electronic Purification)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Artifact Splattered Vinyl Edition

LP | 2019 | EU | Reissue (Electronic Purification)

Release: 2019 / EU – Reissue

Genre: Electronic & Dance

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LP | 2023 | EU | Original (Saturate!)

Wavecraft x Saturate!

Halftone

LP | 2023 | US | Original (Not Not Fun)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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HALFTONE The future of heavy bass music has always found its portal via SATURATE! Records, and now alongside WAVECRAFT, we have another glimpse into infinity in the form of HALFTONE! From the onset of this compilation, you can feel the ominous bass ballast even before it first hits you…. Swelling up like a tsunami to engulf your brain with grinding terror. The heaviness is abundant across these tracks, with contributions from synth destroyers like Suahn, Kryptt and Low Poly melting your speakers and eardrums alike. Dark atmospherics rule the day here, which effectively sets the tone for the rabid roughness on display when the bass morphology takes hold of each track so mercilessly. Slow knuckle draggers and upbeat head bangers both hold dominion in this realm, leaving no sonic stone unturned. Always at the crest of the future music wave, HALFTONE shows you just how deep this rabbit hole can get.

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Wave Temples

Panama Shift

2LP | 2024 | EU | Original (Ransom Note)

Release: 2023 / US – Original

Genre: Electronic & Dance

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Over a decade since its inception, Wave Temples continues to refine and refract the project’s visionary mythopoetic exotica. Panama Shift presents a 20-track kaleidoscopic star map inspired by “the euphoric cults, both then and now, that come and go in the vast ritual of night.” Bleached keys, devotional synth, and driftwood percussion align in minimalist vignettes shaded by tape hiss and field recordings of streams, waves, wind, and birds.

Dedicated to the late Japanese-born American anthropologist Yosihiko H. Sinoto (whose portrait graces the cover), famed for his excavations throughout the Pacific and French Polynesia, the album embodies a similarly voyaging spirit: “chasing ancient mysteries… and rekindling with the esoteric journey of the human spirit.” This is music of forgotten shores, sea air, and saltwater shrines, echoing in shells scattered across the altars of Atlantis.

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Wave Arising

The Rooted Sky

35,99 €*

LP | 2021 | US | Original (Freaks)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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To be released on Ransom Note Records and marking the debut album of Wave Arising project , "(The) Rooted Sky" is an invitation to an initiatory journey where intuitions are channeled into grooves and otherworldly sonic landscapes . A sound where intense rhythms meet circular expansions .

From various improvisations, the experienced & avant-garde musician Sebastian Vaughan decided to take a fresh look and avoid the use of sampling third parties by crafting compositions. An approach to music as a spiritual path driven all the way long by psychedelic dubby vibes , acidic frequencies & hypnotic repetitions coming from his sound-system culture heritage .

While the tracks "It Comes and Goes" , "Ronde Cinétique" , "Electric Shrine" and "Golden Black" draw contemporary almost cinematic ambiences with vibrant and spacious feelings , "Monin Yiri" , "Sound Loves Dance" & "Grow with the Flow" represent a series of energetic deconstructed leftfields , with the omnipresence of a singular tribalism that emphases the african side of Wave Arising .

On its own "Music without chains" is , as the title underlines , a joyful jam free from any boxes or attempts at confinement .

Finally "Subconscience" arrives like a probe , a dreamlike piece full of endless reverbs from Kynsie's voice ; generating mysterious environments and resonating directly with "Soul Whispers" .

Taking on the challenge of fusion , "(The) Rooted Sky" asks the listener to open up through a collection of progressive tracks reflecting the core of Wave Arising’s spirit : Music & Body as a portal . Through this consciously chosen wide range of dynamics , the producer shows his musical ability to create an unique sonic palette yet staying true to his own personality .

Regarding the cover, the outside is a minimalist yet symbolic photograph of the duo’s hands. As for the interior, Wave Arising is very grateful to welcome primitive artworks by the talented artist Rapoon , one of the founder members of the legendary group Zoviet*France . Continuing with this global vision of intertwined arts, the videos accompanying this record are created by Wave Arising .

Ultimately , the recurrent animistic vibes of "(The) Rooted Sky" give to the album a spiritual ethos directly driven by the book of Nature reminding us that, we are all connected to the Source .

Whatever the "Source" means for each one . . .

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Watkins / Peacock

Acid Escape Volume 3

Drown Crystal Vinyl Edition

Release: 2021 / US – Original

Genre: Electronic & Dance

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Watkins / Peacock are an electronic analog-digital hybrid duo, working in an improvisational frame that births a new possibility of tone, rhythm and light. dub moves in synthed atmospheres with joyful, entrancing melodies. Recorded at Santo Recording, Oakland 2019—2020 by Zachary James Watkins. mixed at Santo Recording by Watkins / Peacock. mastered by James Plotkin.

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Waterfront Dining

LP | 2016 | EU | Reissue (Naughty Night)

Release: 2016 / EU – Reissue

Genre: Electronic & Dance

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2LP | 2022 | US | Original (Gilgongo)

Wasteland Jazz Enesemble

40,99 €*

LP | 2020 | US | Original (Sub Pop)

Release: 2022 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Wasteland Jazz Ensemble is a staple in the world of destroyed music. With countless releases cataloged by a literal who's who in the field, (cassettes, CDrs and records on American Tapes, Troniks, New Forces, Oxen, Torn Light, Nashazphone and of course—there was a split 7" w/ Tiger Hatchery on Gilgongo), the duo of JON Lorenz and John Rich occasionally expand their scathing, feedback-saturated reed work into a full ensemble. Here, as a 7 piece group including Dylan Posa (guitar), Edward Ricart (bass), Matthew Reis (electronics), Ryan Jewell (percussion), and Bret Nagafuchi (percussion), there are textures and fractured forms throughout this high-volume chaos which calls to mind the work of Hijokaidan, as broadcast through Borbetomagus. A heavy and delightfully excruciating listen! 2xLP, gatefold with extensive liner notes by Inzane JohnNY.

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Washed Out

Purple Noon

Noted From A Quiet Life Yellowy Green Vinyl Edition

Release: 2020 / US – Original

Genre: Electronic & Dance, Pop

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Washed Out is Atlanta-based producer/songwriter/multi-instrumentalist Ernest Greene. Over three enchanting, critically-lauded albums and an EP, his music has proved both transportive and visual, each release inviting listeners into immersive, self-contained universes. With Purple Noon, his fourth album, and his return to Sub Pop, he delivers the most accessible Washed Out creation to date. Life of Leisure, Washed Out's 2009 debut EP, set the bar for the Chillwave era, shimmering in a warm haze of off-the-cuff Polaroids and pre-IG filters. Within and Without, his 2011 full-length debut on Sub Pop, morphed into nocturnal, icy synth-pop and embraced provocative imagery. 2013's Paracosm was Greene's take on psychedelia, with a full live band and kaleidoscopic light show, and saw him playing to the largest audiences of his career. The sample-heavy Mister Mellow (2017, Stone's Throw) delivered a 360 audio/visual experience, with cut-n-paste and hand-drawn animation to match the hip-hop influences throughout the album. With each release, Greene has approached his evolving project with meticulous detail and a steadfast vision. For Purple Noon, Greene again wrote, recorded, and produced the entirety of the album, with mixing handled by frequent collaborator Ben H. Allen (Paracosm, Within and Without). Production of the album followed a brief stint of writing for other artists (most notably Sudan Archives) which enabled Greene to explore genres like R&B and modern pop. These brighter, more robust sounds made their way into the songs of Purple Noon and mark a new chapter for Greene as a producer and songwriter. The vocals are front and center, tempos are slower, beats bolder, and there's a more comprehensive depth of dynamics. One can hear the luxuriousness of Sade, the sonic bombast of Phil Collins, and the lush atmosphere of the great Balearic beat classics. Mediterranean coastlines inspired Purple Noon, and Greene pays tribute to the region's distinct island culture - all rugged elegance and old-world charm - and uses it as a backdrop to tell stories of passion, love, and loss (Purple Noon's title comes from the 1960 film directed by Rene Clement and based on the novel The Talented Mister Ripley by Patricia Highsmith). Much like romantic Hollywood epics, the melodrama throughout is strong: a serendipitous first meeting in "Too Late"; a passionate love affair in "Paralyzed"; disintegration of a relationship in "Time to Walk Away"; a reunion with a lost love in "Game of Chance." Purple Noon adds a layer of emotional intensity to the escapism of Washed Out's oeuvre, taking the music to dazzling new heights.

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Washed Out

LP | 2024 | US | Original (Sub Pop)

Mister Mellow Yellow Vinyl Edition

Release: 2024 / US – Original

Genre: Electronic & Dance

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Initial LP pressing on Yellowy Green Vinyl. The music of Washed Out has always levitated over a timeless frontier. You can sense it in his immersive, amorphous vocals, the expansive soundscapes, the wistful storytelling. It's a sweet spot where, says its creative force, Ernest Greene, "any sort of association or memory from the past can transport you instantly. I love that." Greene's transcendent output has earned him the moniker of "Godfather of Chillwave" by Pitchfork and a co-sign from Portlandia, which borrowed his track, "Feel It All Around," for its utopian theme song. His latest, Notes From a Quiet Life arrives after delivering more than a decade of distinct and disparate creative re-imaginations at a remarkably high level (five albums, two EPs). Notes is bold in its intuitiveness: Greene has left the treadmill of music-as-a-business, instead letting his artistic interests lead the way. "Each album," says Green, who also paints and sculpts, "is a world-building exercise." The Georgia native left Atlanta in 2021 to move back to the countryside he knew growing up. Where escapism once flooded his thoughts, today he is preoccupied with the universe of wonder in the reality around him. He named the former horse farm he moved to "Endymion" (after the pastoral John Keats poem about a lovesick shepherd - its opening line: "A thing of beauty is a joy for ever"), and it has shaped all that he's created there, from his music to his albums' creative direction to his planned large scale visual-art experiments. "I've read that every five, maybe 10, years, you're practically a different person - like literally, on a cellular level," Greene explains. "The things that you're going through will end up changing you, and you're kind of a different person. This album is a reflection of that. Experimenting with painting and sculpture helps my music. They influence each other. That was a kind of realization for me. I don't want to look back on my life one day, and be like, 'Oh, it was all about maximizing productivity,'" he says. "I want to enjoy this." That purity of vision is what makes Notes From a Quiet Life so potent. It's the first album Greene wholly self-produced, with some mixing assistance from Nathan Boddy (James Blake, Mura Masa) and David Wrench (Caribou, Florence + the Machine). "Early in my career, I had a lack of technical skill, and there were some things I wasn't 100% enthusiastic about," he says, noting Jean-Michel Basquiat's distinct, self-driven method as an inspiration. "Something that I was looking for was...I didn't want any illusion of anyone else's influences. I wanted to see this through to the end. And honestly, that was a big challenge. Illustrating that, Greene's list of influences for Notes From a Quiet Life are mostly sculpture icons: minimalist legend Donald Judd, abstract expressionist Cy Twombly, and modernists Barbara Hepworth and Henry Moore. Of the latter, he observes, "The majority of his working life was spent on his country estate, and he wasn't living a cosmopolitan lifestyle. He was focused on just making good work, you know?" Notes from a Quiet Life is Washed Out's fifth album.

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Washed Out

LP | 2017 | US | Original (Stones Throw)

21,99 €*

2LP | 2023 | JP | Original (Kaiju Panda)

Release: 2017 / US – Original

Genre: Electronic & Dance

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Mister Mellow moves further away from the synthesizer-heavy sounds of the recent Washed Out releases and more band-driven sound of his work on iconic labels Sub Pop in America, and Domino in Europe. On Mister Mellow, Greene draws from the experimental collage techniques of musique concrète and plunderphonics artists such as The Residents. Combining styles as diverse as free jazz, house, hip-hop and psych together with interlude-esque voiceover samples, often pulled from anonymous YouTube vlogs, he creates a busy, chaotic, and caricaturish mix that mirrors the claustrophobic, hyper-stimulated psyche so familiar to young adults.

As he continues to carve out his innovative sonic identity, influenced by the world around him but unafraid to buck trends, it’s fitting that Greene has partnered with legendary hip hop label Stones Throw Records, long a home for beat-loving musical rebels. His approach to releasing music is every bit as individual, too: in an environment where compiling singles into an album format or working with a single video director are the norm, Greene has chosen to commission eleven different artists to bring the visual aspect of his fully-realised album project to life.

On Mister Mellow, Washed Out steers clear of emotion to empathise with the minutiae of the world around him. “I’ve been much less interested in sentimentality and emotion for the past couple of years,” says Greene, “In some ways, I think its a reaction against getting older and having more responsibilities. Maybe I’m just nostalgic for a time in my life where I could just relax and block out the world for a moment.” Though Mister Mellow is an intensely personal album, its ideas and observations speak to the lived experience of so many young adults, an experience that we come to see as both funny and sad.

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Wasei JJ Chikada

Cyberia Layer:03

79,99 €*

Warriors Of The Dystotheque

Release: 2023 / JP – Original

Genre: Electronic & Dance

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* Music by the writer of the anime and video game series 'Serial Experiments Lain' * Featuring Kari Shimizu, who voiced Lain, and Hiroto Takimoto as Taro * Pressed on Black Double Vinyl This can't-miss album is supervised by Chiaki J. Konaka, who wrote the script for the anime & game 'Serial Experiments Lain,' and represents the 'after story' of Lain. The album features guests Kari Shimizu, who voiced Lain, and Hiroto Takimoto as Taro, and asks what is happening to Lain, Taro, and JJ in a world where 20 years have passed since Lain's appearance. This is a Dance music opera, Techno, House, Downtempo etc.

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It's A Beautiful Thing

LP | 2024 | Original (Dsppr)

34,99 €*

Release: 2024 / Original

Genre: Electronic & Dance

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Warrington-Runcorn New Town Development Plan'

Your Community Hub Purple Vinyl Ediiton

LP | 2024 | UK | Original (Castles In Space)

Warrington-Runcorn New Town Development Plan

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Warrington-Runcorn New Town Development Plan's new album, Your Community Hub, compellingly continues his sonic exploration of the New Towns movement. The issues the councillors, planners, and architects set out to solve still resound and echo throughout society.

For the latest instalment in this unique project, Gordon Chapman-Fox turns his laser eye to focus on Community and the Community Centres that populated Warrington and Runcorn in order to provide all the facilities people needed within a five minute walk from their home. These planning ideas predated the current discussions of fifteen minute cities by fifty years.

Those 50 years have seen a decline in our community centres and services: handy access to a GP or dentist, Post Offices, youth clubs, local shops, banking and much more. Successive governments have undermined and eroded those basic services. The decline in community services has also been matched with a decline in community and shared experiences with a knock-on effect on the population's health and well-being. The disastrous austerity policies imposed over the last 15 years have exacerbated this long, slow reduction in available spaces for people to meet and communicate, with seemingly no recognition of the societal impact that causes. Short-termism at the expense of the community and how we live our lives.

Margaret Thatcher's statement that "there is no such thing as society" has been taken as a mission statement by successive Conservative governments who have aimed to remove as much support and communality from the citizens as possible. It continues now, the wrong-headed idea that everyone can be left to fend for themselves.

Chapman-Fox's latest album decries the cruelty of where we find ourselves in 2024 and his quiet incandescence about the loss of optimism for what communities should be and could be. It's his most powerful work, and as always, it will deeply resonate with those who tune in to his unique vision and unparalleled productions.

All four Wrntdp albums to date have had increasing critical and commercial success. Your Community Hub will resonate with anyone with a social conscience, anyone who feels how badly the state has let us down, and anyone who loves the best synthesiser music currently produced.

As ever, beautifully packaged and designed by Gordon, the album artwork features photographs from the archive of the architect Peter Garvin, which was kindly provided by his son Richard Garvin. The photographs show Peter's work on the Castlefield Community Centre, a sleek modernist structure clad in white ceramic tiles.

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Interim Report, March 1979 & The Nation's Most Central Location White Vinyl Edition

LP | 2021 | UK | Reissue (Castles In Space)

Release: 2021 / UK – Reissue

Genre: Electronic & Dance

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LP | 2023 | Original (Ornaments)

Wareika

Tizinabi

2LP | 2022 | EU | Original (Blu Mar Ten Music)

Release: 2023 / Original

Genre: Electronic & Dance

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Ornaments presents the latest LP 'Tizinabi' from the skilled trio Wareika, a 45-minute cohesive album
that effortlessly blends electronic and organic sounds. Despite its roots in dub and house music, the
album offers a unique experience by including classical instruments such as guitar and piano
flawlessly integrated. The result is a captivating and harmonious sonic landscape that stands on its
own.
Each part flows into the next, creating a dynamic that holds the listener's attention from start to finish.
Throughout the LP, Wareika masterfully combines intricate layers of sound, weaving together hypnotic
melodies and smooth percussion to create a tapestry of sound that is both complex and accessible.
For fans of deeper electronic music with funk and soul, "Tizinabi" is a must-hear that showcases
Wareika's dedication to pushing boundaries in the genre. With previous releases on esteemed labels
such as Perlon and Mule Musiq, Wareika's distinctive style and musical character are fully showcased
on this album. So sit back, relax, and let the beautiful sounds of "Tizinabi" transport you to new and
exciting places.

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Wardown

Wardown II

36,99 €*

LP | 2017 | DE | Original (Jahtari)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Wardown, the emotive and experimental project from Technimatic's Pete Rogers, releases second LP on Blu Mar Ten Music. Where the debut Wardown album was a diary of smeared memory, musically recounting the author's childhood home and his subsequent feelings of dislocation from it, Wardown II expands on the themes of nostalgia and focuses on our collective reactions to a promised future that remains undelivered. Using aural scraps from that most optimistically futurist period, the 1950s & 1960s, Wardown weaves them into an uneasily dreamy, bittersweet commentary on postmodern nostalgia. The album veers between otherworldly, euphoric harmonies and pumping, mechanical incantations of promises for a new age.

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WaqWaq Kingdom

Shinsekai

14,99 €*

LP | 2023 | US | Original (Phantom Limb)

Release: 2017 / DE – Original

Genre: Electronic & Dance, Reggae & Dancehall

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Used Vinyl

Medium: VG+, Cover: VG+

Cover is close to NM. Price tag.

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WaqWaq Kingdom

Hot Pot Totto

2LP | 2021 | EU | Original (Stroboscopic Artefacts)

Release: 2023 / US – Original

Genre: Electronic & Dance

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Acclaimed Japan “minyo footwork” duo WaqWaq Kingdom - aka Shigeru Ishihara (DJ Scotch Egg / Seefeel) and Kiki Hitomi (ex-King Midas Sound) - return with feverishly joyous new album Hot Pot Totto, a bubbling hot pot of dance music that responds to ecological anxiety. “Two words are conjoined: hot pot and ottotto,” vocalist Kiki Hitomi tells us. “Ottotto is the Japanese equivalent of ”oops”, or said when someone nearly falls over but manages to get their balance back: “it was dangerous but now we are safe!” Combined with the heady brew of their musical styles (ìlike a psychedelic Nabe hot pot: melting traditional Japanese Minyo with Jamaican dancehall, footwork, dub, techno, tribal polyrhythms and Super Nintendo soundtracksî), producer Shige Ishihara’s time in East Africa working with local musicians, and the dayglo hallucinogen of the duo’s visual aesthetic, WaqWaq Kingdom’s thumping, thrilling, irresistible third release is a unique ride. Hot Pot Totto is WaqWaq Kingdom’s third release for Phantom Limb, following the rapturously received album Essaka Hoisa in 2019 and follow-up EP Dokkoisho in 2020.

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Wanton Witch

LP | 2021 | DE | Original (Stroboscopic Artefacts)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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A Download code is included. The Malaysian-born, Bangkok-based producer delivers an 11-track strong release that flows like a complete soundscape. Employing caustic electronics and diverse sound textures, she challenges traditional track conventions by deconstructing elements of IDM, experimental, hardcore and rave.

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Wanton Witch

20,99 €*

Release: 2021 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

LP | 2021 | EU | Original (Affine / HHV)

Wandl

Womb

LP | 2017 | EU | Original (Affine)

Release: 2021 / EU – Original

Genre: Hip Hop, Electronic & Dance

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Limited edition of 300 copies on black vinyl.

Wandl, the progressive 25-year-old producer, musician and vocalist from Vienna, is back with his second solo album, "Womb". Following the success of his debut release "It's All Good Tho" (2017), an extensive tour with Bilderbuch in Germany, a performance at Primavera Sound in Barcelona (2018) and several artistic projects (2019), "the master of delayed loops" now delivers a self-produced and highly condensed work of about 25 minutes that focuses on the dark chords of the emotional keyboard.

With "Womb", Wandl engages in musical interspaces where potential clarity gradually dissolve into the nebulous blanket of the night. In the midst, Wandl's distinct voice unites with his characteristic soundscapes and the warm euphony of the piano. His songs deal with self-doubt, emotional inhibition, freedom found in loneliness, undesired social acknowledgement, transcendence and the arrival in the womb of an unexpected maternal reconnection. In the end there is even yodeling.

The usual platitudes of the new economy as crude maximization strategies are thus safely ignored: Wandl is a genre unto itself. Something for your mind, body and soul – in the best sense of the word.

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Wandl

It's All Good Tho

17,09 €* 18,99 € -10%

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Wat Gebeurde Er Met Sergeant Massuro?

Wanderwelle

LP | 2024 | EU | Original (Maalstrom)

All Hands Bury The Cliffs At Sea

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Wanderwelle is the Amsterdam-based ambient duo of Phil van Dulm & Alexander Bartels, who mint their Maalstrom label with Wat Gebeurde Er Met Sergeant Massuro?, a concept album based around Harry Mulisch's 1957 story of the same name (What Happened To Seagent Massuro?). The story weaves anti-colonial concepts with mythical realist elements, and is sonically brought to life here through atmospheric electronics and prepared instruments. A moody, resonant and ultimately deep groundswell of an album, one that compels the listener to venture ever further into the a spine-tingling heart of darkness.

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Wanderwelle

LP | 2023 | US | Original (Important)

LP | 2022 | EU | Original (Lith Dolina)

Release: 2023 / US – Original

Genre: Electronic & Dance

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After last year’s LP Amsterdam-based collective Wanderwelle presents the second entry of their trilogy for Important Records, which is dedicated to telling the story of the climate crisis and its effects on coastal areas around the globe. For this album the artists incorporated the sound of a dying organ, fatally wounded in a climate related event. »All Hands Bury The Cliffs At Sea« consists of electro-acoustic threnodies for an environment at risk due to the effects caused by receding coastlines around the globe.

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Walton

Maisie By The Sea

21,99 €*

LP | 2020 | EU | Original (Orbeatize)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Written over 3 months during Autumn 2020. For Maisie.

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Walter Whitney

Composer X

LP | 2018 | EU | Original (Stroom)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Remastered reissue of Whitney's recording originally released on tape cassette in 1983.Produced and engineered by Walter Whitney from April 1982 to August 1983 at Subterranean Sound Studios, accompanied by Carl Weingarten and David Udell's guitar magic sounds.

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Walter Verdin

Voor Adeline

LP | 2019 | EU | Original (Irma)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Previously unreleased soundtrack by the guy behind Pas de deux! Inc digital bonustracks + postcard

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Walter Ricci

Stories

21,99 €*

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Walter Prati & Ricciarda Belgiojoso

Metrica Edizioni 001

LP | 2021 | EU | Original (Metrica Edizioni)

LP | 2024 | EU | Original (Black Sweat / Holidays)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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An unexpected musical combination of two masterpieces of modern music rethought through the use of contemporary electronic instruments that marvels at lively and innovative sounds, in the version with keyboards and electronics presented at Terraforma Festival 2019. Ricciarda Belgiojoso and Walter Prati have created several musical projects were piano, keyboards, and electronics interact in a dynamic and unusual way. Together they have participated in contemporary and experimental music reviews and festivals such as Parade Ã‰lectronique 2018, Piano City Milano, Musica per Slight Agitation 3/4: Gelitin at Fondazione Prada, Festival Aperto di Reggio Emilia 2019, CittÃ Sonora 2019, Terraforma 2019 and NU 2020. They have recorded some of their works for DaVinciClassic.

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Walter Maioli

Caverne Sonore

18,89 €* 20,99 € -10%

LP | 2019 | US | Original (Nothing But Net)

Release: 2024 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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The explorer Walter Maioli makes his most amazing adventure, the journey to the center of the Earth. Retracing the exploits of the Platonic demiurge, he identifies in the cave the deepest meaning of myth. Primordial sounds, not shadows, are at the center of this magical path straddling geology and Paleolithic polyphony. The recordings between 1985 and 2002 capture the sonic imperceptibility of the great subterranean womb, investigate the secret dialogue between the trickling of pond waters and the faint percussive reverberation of stalactites and stalagtites. Rocky sediments are played as tubular organs, glockenspiels, xylophones or stone marimbas. Crystalline timbral variations and subtle microtonal passages recall the chimes of Tibetan gongs and bells, of the scales of Java and Bali. Amidst muffled pauses and silences, trills and rings, echoes and tremolos, hisses and pops of vibration, Maioli builds his most imaginative niche of sound, a magnetic and telluric chant that is pure symphony and archetypal synaesthesia. Co-produced with Holidays Records.

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Waltaa aka Walter Mecca

Lose Control

17,99 €*

Uplifting Themes For the Naysayer

Release: 2019 / US – Original

Genre: Electronic & Dance

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For their second release, NBN Records select Walter Mecca, the enigmatic character out of Paris' suburbs, who built an extensive catalogue over the last decade under various aliases on his own imprint Weirdata. He steps up here to deliver his first vocal opus "Lose Control" under the moniker of Waltaa as we discover another side of the multi-faceted artist. The result is a truly unique hybrid R&B project spiced up with touches of Jazz fusion.

Blending contemporary vibes and early Timbaland productions on the hit single "Ready Or Not" , his song writing and arrangements are further illustrated on the smoothed-out low funk of the two-part title track - "Lose Control". An alien in the music industry, Waltaa reaffirms his eccentric character, staying out of step with current trends while maintaining a timeless quality, rooted one foot in the next.

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Walrus Ghost

LP | 2014 | EU | Original (Project: Mooncircle / HHV)

12,99 €*

LP | 2001 | EU | Reissue (Be With)

Release: 2014 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Walrus Ghost‘s ‘Uplifting Themes For The Naysayer’ is essentially a conversation between organic sound and artificial design. Immersed in rich textures and the meticulous processing of analog instrumentation, the songs facilitate moments of exchange between tranquil subtleties and abrasive tensions. These intertwining moments come and go as the record plays out, but they follow us throughout, leaving us with a soundscape that exists in both beautiful harmony and eerie decay.

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Wally Badarou

Colors Of Silence

2LP | 2023 | EU | Original (Mule Musiq)

Release: 2001 / EU – Reissue

Genre: Electronic & Dance

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Synth pioneer and musical polymath, Wally Badarou is a genius. But you know that already. A vinyl version of his majestic Colors Of Silence has been craved by the Balearic cognoscenti ever since its low-key 2001 release. Indeed, when we first started work on Be With, we asked some pals with exquisite taste what their dream release would be. We asked Balearic legend Moonboots and, without hesitation, he said Colors Of Silence by Wally Badarou. We didn't know Wally had made this album. And most still don't. But that's about to change.

Colors Of Silence is ostensibly a new age album. As ever though, Wally's sophisticated synth textures and expressive keyboard runs are so full of character, so full of life, that this work of art transcends any easy genre categorisation. It's simply stunning, throughout. It sounds like A.r.t. Wilson or Suzanne Kraft, with traces of Cfcf and Jonny Nash. But it was made a good decade earlier than the work of these modern giants. Sometimes, it doesn't seem far from some Larry Heard albums.

Island Records founder Chris Blackwell's friend Nathalie Delon asked Wally to provide music for the yoga DVD she was to release. Lack of time on both sides made them agree on using "quality demos" Wally had in his ideas bank. It's understandable why Colors Of Silence remains somewhat of a lost gem. As Wally explains: "Total lack of promotion made it an 'intimate' release, which was exactly what I was looking for: just a buzz-maker and time-buyer that would allow me to concentrate on the real thing as soon as I'd have time, which could also turn into a rare collecting item later, once the final versions made their way to success. You never know."

Over the years, Colors Of Silence has become a true cult record for the ambient/Balearic heads.

The beguiling but brief "Dance In The Dust" is the shuffling, hyper-percussive, hypnotic opener. It gives way to the deep serenity of "Amber Whispers". It's a gliding, divine, mini melodic masterpiece. It'll make you swoon in its extreme beauty. The bright and breezy "Where Were We" follows, a tropical, reggae-tinged bounce through the islands.

The uptempo groove is maintained on the keys-drizzled soca-funk of "The Lights Of Kinshasa" before Side A is rounded out with "Pictures Of You". It starts with stately, melancholic, unadorned piano and this alone would make for a beautiful song. But Wally always gives us that bit extra and he effortlessly introduces warm, dreamy pads and minimal, slo-mo percussion to augment a frankly stunning piece of work.

Ushering in Side B, Wally's mesmeric piano playing is to the fore again, in the intro to uber-chilled "Serendipity For Two". The playing becomes more mellifluous as the track progresses and adds warmth through exotic percussion, woodwind, sweeping synths and digi-drums. It has echoes of, er, Echoes. It segues seamlessly into the more propulsive, wavy "Smiles By The Millions". If you're not nodding and grinning along widely to the gently throbbing bassline underpinning this, we can't help you. The meditative "Higher Still" follows, cinematic in feel and ever so slightly sinister with the strings. It sounds particularly Badalamenti-esque, if you ask us.

That unmistakable, almost peculiar Badarou funk - so lyrical, so texturally rich and so rhythmically spacious - is all over "Oriental". Next up, "Days To Wonder" brings the serenity back, insistent yet melodic keys, as if played in a place of worship, coupled with birdsong, conjure a kind of instant nostalgia for halcyon days of youth. The contemplative "Dawn Of Europa" is a sombre, beatless, ambient journey whilst the glorious, too-brief "Crystal Falls" features soft percussion and sparkle before fully glistening with some gentle head-nod beats. Wally brings this incredible collection to a mellow, tender close with the graceful "Purple Lines".

There can be few artists more under-appreciated given their vast influence than Wally Badarou. His solo work practically defined the sound of the Balearic DJs of the 1980s, and thus the more sophisticated sound of dance culture thereafter. A synth specialist, Badarou was the long-time associate of Level 42. He was one of the Compass Point All Stars (with Sly and Robbie, Barry Reynolds, Mikey Chung and Uziah "Sticky" Thompson), the in-house recording team of Compass Point Studios responsible for a series of albums in the 1980s recorded by Grace Jones, Tom Tom Club, Mick Jagger, Black Uhuru, Gwen Guthrie, Jimmy Cliff and Gregory Isaacs. Badarou's keyboard playing could also be heard on albums by Robert Palmer, Marianne Faithfull, Herbie Hancock, M (Pop Muzik), Talking Heads, Manu Dibango and Miriam Makeba. He also produced Fela Kuti. Phew!

Meticulously remastered and cut by both Simon Francis and Cicely Balston respectively, it has been pressed to the highest possibly quality at Record Industry in Holland. Special thanks must go to Apiento from Test Pressing who first introduced us to Wally and facilitated all those early zoom meetings. It couldn't have happened without his help. Not least on pulling the art together, too, which features striking original photography by Mads Perch. Benji Roebuck of Roebuck Press did his thing brilliantly in art working the whole package to completion. All in all: essential.

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Wallace

Red, Yellow, Black

2LP | 2024 | UK | Original (Dirtybird)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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mule musiq welcomes british producer jimmy wallace, presenting his debut album “red, yellow, black” - a nine track strong record that partly leaves the dancefloor behind.

since childhood, music has been a strong influence on the 33-year-old artist. his mother, a music teacher, exposed him to classical sounds from an early age.

but it was hearing the electronic tones of the french touch movement, which really ignited his mu-sical journey. a year later he started to dj, acting out his love for four-to-the-floor grooves in local clubs. today you'll find him on the bill with artists like ruf dug, mr scruff, or bradley zero, heating up the dance floors.

as a producer he has already released a handful of stunning eps, including one for sweden’s finest house label studio barnhus, and one for london’s revered rhythm section international imprint.

both feature house tunes with an edge, house tunes with a love for the roots of the genre along-side more reflective, ambient moments. he also runs the label tartan records, where he publishes dancefloor focused white labels.

his music has been championed by titans of the scene such as palms trax, ryan elliott, dj tennis, gilles peterson, dixon, and hunee. axel boman even coined his debut ep as “one of the very best demo emails ever received at label studio barhnus hq”.

an advance praise, that wallace now acknowledges with an album full of deeply crafted music. some tracks lean towards the dancefloor, like the swung sounds of “bubbles”, the hypnotic mael-strom of “good morning”, or the epic, jazzy moments of “labyrinth”.

the theme of nature is evident throughout, with field recordings and environmental sounds he rec-orded on the road, being fused with his own musical ideas.

tracks like “waterfall” and “tokyo street”, draw influence on time spent in asia, whereas "dhq", "by the river", and "by the lake" are inspired by his childhood and hometown in the shropshire country-side. “i’ve been writing ambient and more nature focused material for a few years now without really having a plan for it.

finally, this year after writing the tune “labyrinth” i felt i had a body of work which was both diverse and cohesive enough to bring together on a record. so, the album represents moments of time i have spent in various outdoor spaces around the world, using sound to try and turn these experi-ences into musical format.” wallace discloses.

the result is a mesmerizing long player featuring an evocative, emotional story arc that avoids ste-reotypes and straight party orientated narration. “having written plenty of club music for the past few years, i wanted to show a different side to my sound.

something more intimate, private, experimental which can be listened to away from the party.” he reveals on the meditative, blissful “red, yellow, black” - an album, which has the power to transport listeners to places and spaces new – for inspiration, relaxation, and dancefloor moments off the beaten path

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Walker & Royce

No Big Deal

35,99 €*

12" | 2018 | EU | Original (Dope Noir)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Walker & Royce have released their highly-anticipated sophomore album No Big Deal out now via Dirtybird Records.

Embarking on a four-part mission to bring the party back to dance music, Walker & Royce have embraced the boisterous, unruly nature of their over-the-top signature to deliver 10 non-stop anthems. A highly collaborative body of work, No Big Deal features a colorful collection of characters including comedian/ musician Reggie Watts, Grammy-nominated and multi-platinum selling artist James Patterson (and 1/2 of the electronic duo The Knocks), peak-time queen Vnssa, Grammy-nominated vocalist Barney Bones, and more.

From the tongue-in-cheek lyricism of ‘I Don’t Remember’ and ‘Might Just’ to the overzealous charisma imparted on tracks like ‘Motivashun’ and ‘Fatalistic Groove’, No Big Deal boasts the sense of humor and lightheartedness that Walker & Royce have brought to countless dance floors throughout their career. The album is hallmarked by the kaleidoscopic elements of their dance music roots: catchy vocals, playful melodies, thumping basslines, and relentless four-on-the-floor percussion.

No Big Deal is a wondrous homage to the weird and wacky tropes that have distinguished Walker & Royce’s no-holds-barred style for more than a decade. An auditory yearbook cataloging Walker & Royce’s sonic inspirations from their early days in New York City’s 90s underground raves to the Dirtybird BBQs and Campouts where they found their home, No Big Deal is a victory lap for Walker & Royce as they cement their status as headliners and hitmakers.

No Big Deal is a reminder to enjoy the ‘Cheap Thrills’ that life presents, to ‘Get Down Down’ and adopt a motto like ‘Let’s Live It Up’

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Waldeck

Stay Put EP

16,99 €*