Electronic & Dance Vinyl LP 11836 Items

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Permutation 25th Anniversary Vinyl Edition

Amon Tobin

2LP | 1998 | UK | Reissue (Ninja Tune)

36,99 €*

Release: 1998 / UK – Reissue

Genre: Electronic & Dance

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LP | 2020 | EU | Original (Pan)

Amnesia Scanner

Tearless

Amnesia Scanner & Bill Kouligas

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Amnesia Scanner announces Tearless, the Berlin-based duo's second LP. As Amnesia Scanner founders, Ville Haimala and Martti Kalliala watch their icy home country of Finland thaw, the staggering scale of political recalibration and the worldwide climate crisis to come blows open old norms. This album reflects what it feels to experience Earth at a time when collapse is emerging as the prevailing narrative.The musical scope of the record is expansive, with guest vocalists - the Peruvian artist Lalita and the Brazillian DJ/producer LYZZA - descending into a vast uncanny valley of sound. Tearless follows the 2014 `AS Live [ ] [ ] [ ] [ ] [ ]' mixtape, 2015 audio play Angels Rig Hook, two EP's for Young Turks, and their 2018 debut album, Another Life (PAN)."There's a looming sense of radical change," they note, connecting the present to a fin de siecle horror and curiosity regarding what new world is being ushered in. Someone called Tearless a "breakup album with the planet." To which Amnesia Scanner responds, on the LP's closing track: "You will be fine, if we can help you lose your mind."With the crossfader on Tearless sitting closer to pop than abstraction, so too does the audience for this record widen in scope. Listening through: Opener "AS Enter" sets a sombre tone until the fucking riffs of the second track (the titular, Lalita-helmed "Tearless") make clear there's plenty of roaring to come. A feature from metalcore band Code Orange on "AS Flat" follows, along with "AS Trouble" (feat. Oracle, the third, machinic ghost-member of Amnesia Scanner) and together they hit as blackmetal-gaze dirges. At the album's midpoint, Lalita returns for the beautiful, operatic breakdown of "AS Ac" (released as a single in 2019), before "Center of the Labyrinth" guides listeners through three club ready tracks - the grain-processed dembow of "AS Too Late" and "AS Going" with LYZZA, and then the ambient headbanger "AS Labyrinth." Closing 'Tearless' is the sadboy grunge of "AS U Will Be Fine" with a clear statement o...

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Lexachast

LP | 2019 | EU | Original (Pan)

Uncle Reed In The Purple Mine

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Lexachast is an ongoing collaborative work by Amnesia Scanner, Bill Kouligas & Harm van den Dorpel. Initially birthed as a joint, improvised performance between Amnesia Scanner and Kouligas at the ICA, London in 2015, it was later recreated and extended with visual artist van den Dorpel into a 15-minute online-only audiovisual work – known simply as Lexachast. Since then, it has expanded into a live show that has been performed at Transmediale, CTM Festival, Unsound Krakow & Adelaide, Next and LEV Festival and during Paris Fashion Week in collaboration with the brand Ottolinger. Now to be released on PAN, is a new document of Lexachast in its current, full-grown form.

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Amkarahoi

LP | 2024 | EU | Original (Impatience)

22,49 €* 29,99 € -25%

LP | 2022 | EU | Original (Lo)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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The debut record by a new duo, Amkarahoi.

Uncle Reed In The Purple Mine conjures ghosts of 90s chill out tents, aqueous ambient, exploratory turn of the century IDM and echoes of jammy dub. Amkarahoi is named for a remote region of Eastern Siberia an intimidating car and boat journey from the nearest city - several songs are named after rivers - and the record was borne from a largely improvised show in Saint Petersburg, later overdubbed and mixed down in the studio. The combination of heady, melancholic synthscapes, unexpected samples and the loose, spontaneous nature of it’s genesis make for a unique, compelling proposition.

Kirenga alternately swells and submerges ravey pads and shifting kicks, coming up midway for air before plunging again, and Cutima peppers the stereo field with foreboding stabs, collapsing drums and faintly nightmarish ambience before emerging from the darkness with gently plucked erhu. Handa’s simple four note piano loop and cuckoo vocal sample lament blooms into an engulfing E rush, before Mogoul threatens serotonin syndrome with it’s loved up lead and stuttering morning after nostalgia. Chininga ekes out a gentle groove over which is laid a hazy, head nodding shimmer, and on Djegda they finally submit and throw down a speedy breakbeat for some more classically vintage fire twirling shapes.

Amkarahoi is Nikita Chepurnoi and Sergey Dmitriev. Chepurnoi has released records as Minereed on his own Echotourist imprint, and as part of The Patience and Copacabana on Hair Del. Dmitriev has made music as Purple Uncle for Echotourist, Hair Del and Nazlo

Uncle Reed In The Purple Mine was written, produced and mixed by Nikita Chepurnoy & Sergey Dmitriev. Mastered by Rashad Becker. Art by Susumu Mukai.

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Amine Mesnaoui & Labelle

African Prayers

Release: 2022 / EU – Original

Genre: Electronic & Dance

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LP | 2023 | Original (Arjunamusic)

Amiira

Curious Objects

18,99 €*

Release: 2023 / Original

Genre: Electronic & Dance

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LP | 2011 | DE | Original (Sound Of A Handshake)

Amiina

Puzzle

14,99 €*

LP | 1979 | DE | Original (Hansa International)

Release: 2011 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Shrink wrapped but opened. Original inner sleeve. Record is close to NM

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Amii Stewart

Knock On Wood

13,99 €*

LP | 2014 | EU | Original

Release: 1979 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Sticker tear. With poster.

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Amigo Tropical

Sandcastles In The Sand

19,99 €*

LP | 2022 | EU | Original (Keytar)

Release: 2014 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Self released debut of Berlin-based drum & electric bass experimental noise-rock duo, produced by Christian Mevs (George & Martha / Slime).

180g vinyl, hand-numbered limited edition of 200 copies in screen-printed artwork.

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Amethyst Rain

Some Kind Of Magic

21,59 €* 23,99 € -10%

Soul Mates: B-Sides, Remixes, Rarities: Volume 1 & 2

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Amethyst Rain is Nostalgic retro synth collaborative project Neaon (au) + Mad Maverick (cz) Lovely melancholy, heavenly voice, beautiful slow synth electronic music.

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Amerigo Gazaway

2LP | 2023 | US | Original

34,19 €* 35,99 € -5%

Fabric Presents: Amelie Lens

Release: 2023 / US – Original

Genre: Hip Hop, Electronic & Dance

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Mash-up master Amerigo Gazaway has compiled a collection of the most popular and sought after tracks in the Soulmates catalog. Featuring choice cuts from very hard to find/out of print vinyl, fan favorites, and even a few former digital exclusives pressed to wax for the very first time.

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Amelie Lens

2LP | 2019 | UK | Original (Fabric)

Release: 2019 / UK – Original

Genre: Electronic & Dance

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2LP | 2022 | EU | Original (Black Truffle)

Amelia Cuni

Mumbai 04.02.1996

Tape | 2022 | EU | Original (9128)

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Following on from the stunning recording of her 1992 performance at the Berlin Parampara Festival (BT079), Black Truffle is pleased to continue its documentation of the work of Berlin-based Italian singer Amelia Cuni, one of the great contemporary exponents of dhrupad, the oldest surviving style of North Indian classical vocal music. Beautifully recorded in concert at Vishweshwarayya Hall, Mumbai. 04.02.1996 presents expansive performances of three ragas stretching across four sides and almost one and a half hours of music. Beginning with the serene Raga Lalit, Cuni dwells for over twenty-five minutes on its opening alap movement, accompanied only by tanpura, her limpid yet full-bodied voice moving from graceful exposition in free tempo to increasingly rhythmically active variations, gradually spiralling upward in register. She is then joined by master pakwahaj player Manik Munde for the raga’s dhrupad and dhamar sections, the resonant tone of the drum and his constant invention with the complex 14-beat cycle serving as the perfect accompaniment for Cuni’s ecstatic melodic developments. On the more solemn Raga Bhairav, Cuni’s alap, again stretching out over a whole side, is particularly notable for its powerful held notes and mastery of microtonal movement of pitch. After Munde returns for another rhythmically intricate dhamar movement, the record ends with the buoyancy of the Raga Alhaiya Bilaval, whose mode has, for the Western listener, an unmistakably ‘major’ quality. The rapturous applause that greets the performance is reflected in a remarkable selection of press clippings contemporary with the recording, which demonstrate Cuni’s success with Indian critics. Arriving in a gorgeous gatefold featuring stunning colour photographs of Cuni taken by legendary Australian fashion photographer Robyn Beeche (who resided in India from the early 90s), Mumbai. 04.02.1996 is a document of indescribable beauty and a moving testament to music’s ability to cross national and cultural borders.

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Ameeva

Die Wellen

LP | 2019 | DE | Original (Private)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Born in Girona, Spain and based in Berlin since 2019, Alex Busse' Santacruz's Ameeva project previously came to life on the Lowless music label in 2020 and the album 'Fractura del SueNo'. His live set for the 9128 Birthday event took these experimental electronics to a deeper, more personal level, weaving friends' samples and conversations into a rich tapestry of drone and field recordings, creating an immersive and enveloping 40-minute narrative. That's been captured here by the 9128 label, which aims to document significant live performances by artists that previously performed on the 9128.live platform, with results that are imaginative and impressionist, like clouds of synths and other soundscapes with the serene relentlessness and sense of purpose as molten lava moving down the mountainside.

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Ambros Seelos

T'appartengo Splattered Vinyl Edition

Release: 2019 / DE – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Deluxe Limited Edition.
Blue Splattered Vinyl.
Copy is close to NM.

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Ambra

LP | 1994 | EU | Reissue (RCA)

Release: 1994 / EU – Reissue

Genre: Electronic & Dance

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LP | 2023 | EU | Original (99Chants)

Ambienti Coassiali

Dream Rooms

Excerpts From 1995 - 2000 Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Dream Rooms is the shadowy Italian project Ambienti Coassiali, an organic development rising out of the ashes of the surreal synthesised tone poems they released in thelate 1980s, developing into cult favorites, spoken of with quiet reverence.

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Ambient7

LP | 2022 | EU | Original (Re:Discovery)

17,99 €*

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1999 | US | Reissue (Tommy Boy)

Amber

Release: 1999 / US – Reissue

Genre: Electronic & Dance

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Amaia Zubiria - Pascal Gaigne

Egun Argi Hartan

LP | 2021 | ES | Reissue (Elkar)

Alzheimer, Villalobos, Wetsuit

Release: 2021 / ES – Reissue

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Overall close to NM

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Alzheimer Special Limited Box

Box Set | 2023 | EU | Original (Jigit)

62,99 €*

2LP | 2024 | EU | Original (Apollon)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Special Limited Box : 12″ LP + 12″ RMX + one sided 12″ (only available in this box set) + tarot cards

Alzheimer, the record, is a Stranger everywhere on Earth. Wherever you might be listening to it, it will always be from somewhere else. The product of a foreign culture, for even though it was created and recorded in Caracas, Venezuela between January 1997 and 9/9/99. It is the result of forgetting everything and recomposing a new Sound World from the faintest, blurriest recollections of musical culture. Its purpose is confusion, its uniqueness is creating it in the realm of Music; a clash of instruments and minds.

Everything you will hear in the record was performed by humans and insects, spoken and sung by living beings, roughly a decade before the “smartphone”, which is probably the most stupid, final creating of mankind. The Alzheimer ensemble still exists and fully supports this initiative of celebrating the 24th year of its first of two published albums on vinyl. The spirit of our group will never be captured by robotic “intelligence”. We will fight it in every possible way through unpredictable cultural action and the infinite Human creative talent are uniting under our banner.

Alzheimer Cultural, Caracas

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Alwanzatar

Ensyre

44,99 €*

Works For The Ever Present Orchestra

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Alwanzatar is a one-man musical project (Krizla from Norwegian cult heroes Tusmørke) creating extraterrestrial world music, with flute, incantations, synthesizers and electronics. This is Alwanzatar’s sixth album, performed on synthesizers and flute. Engsyre is dance music for the faery folk feasting in the woods, where the murmur of the city falls silent, and the booming bass of dreams takes over. It is the slow pulse of the blood in the ground, life sliding through roots of hungry trees, the scurrying movements of living creatures that do no wish to be seen. Hidden, until they show themselves in awesome splendour and sound reverberates in the hills.

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Alvin Lucier

2LP | 2020 | EU | Original (Black Truffle)

Alvin Lucier & Jordan Dykstra

Release: 2020 / EU – Original

Genre: Electronic & Dance

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A download code is included. Black Truffle’s documentation of the prolific recent work of legendary American composer Alvin Lucier continues with Works for the Ever Present Orchestra. This is a very special release for the composer, as it presents pieces written for the thirteen-member Ever Present Orchestra, formed in 2016 exclusively to perform Lucier’s works. At the heart of the ensemble are four electric guitars, an instrument Lucier began composing for in 2013 with Criss-Cross (recorded by two core members of the Ever Present Orchestra, Oren Ambarchi and Stephen O’Malley, for whom it was composed, on Black Truffle 033). Through the use of e-bows, the guitars take on a role akin to the slow sweep pure wave oscillators heard in many of Lucier’s works since the early 1980s, but with added harmonic richness. Like much of Lucier’s instrumental music, the pieces recorded here focus on acoustic phenomena, especially beating patterns, produced by the interference between closely tuned pitches. The work presented here is some of the richest and most inviting that Lucier has composed. Though all of the pieces clearly belong to the same continuing exploration of the behaviour of sound in physical space and make use of related compositional devices, each takes on a strikingly different character. Titled Arc, for the full ensemble of four guitars, four saxophones, four violins, piano and bowed glockenspiel inhabits a world of sliding, uneasy tones, punctuated by a single piano note. Where Double Helix, for four guitars, rests on a pillow of warm, low hum, Epo-5, for two guitars, saxophone, violin, and glockenspiel possess a limpid, crystalline quality. Accompanying the four new compositions are two adaptations of existing pieces for radically different instrumentation, demonstrating Lucier’s excitement about the new possibilities suggested by this dedicated ensemble. Works for the Ever Present Orchestra is an essential document of the current state of Lucier’s continuing exploration, as well as offering a seductive entry-point for anyone who might yet be unacquainted with his singular body of work.

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Out Of Our Hands

LP | 2022 | US | Original (Important)

LP | 2018 | EU | Original (Black Truffle)

Release: 2022 / US – Original

Genre: Electronic & Dance

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“Out of Our Hands” brings together Alvin Lucier and Jordan Dykstra who, through the hands of Ordinary Affects, have created debut recordings of two new compositions.

These companion pieces have similar orbits as they were not only both composed in Middletown, CT (where Alvin and Jordan lived for a number of years), but are about Middletown, at least from a starting point. Alvin’s piece — a homage to the location of the house in which he recorded “I am sitting in a room” back in 1969 — continues his study into slow-moving glissandi and carefully crafted beating patters by interweaving three string players within a minor third (voiced by two vibraphonists). The result is entrancing, almost psychedelic, and opens space where one didn’t expect. Like much of his previous work, it is conceptual and process-based; once the wheels get turning they go on and on, giving the listener time to approach the piece, sit with it, and then move back inward.

On the other hand, Dykstra’s piece “32 Middle Tones” (a pun on his Middletown street address and the harmonic microtonality utilized in the composition) is a very textural work. His piece asks the cellist to sustain pitches for extended durations — at times quietly singing in close proximity to the stopped pitch coming from the cello — while the rest of the ensemble (violin, viola, and 2 percussion) voice a sequence of chords separated by notated silences. The cello voice is sometimes alone, but never for too long as it finds itself supported from both the top and bottom in a harmonic embrace. This supportive structure involves a percussion section which colors the seemingly simple chords (major 6th, inverted minor 7th, inverted minor 2nd, etc.) with a non-traditional toolkit of bowed singing bowls, stone sheets, harmonicas, and even leaves.

This is music that gently gives the listener a sense of predictability but always in an unexpected (and subtly indeterminate) shade. Speaking of shade, the album’s cover photo was taken in 2019 in Alvin’s backyard in Middletown. Alvin and Jordan sit with similar demeanors in front of his favorite tree — a crooked aspen which early on looked to be doomed — but which he would often saunter over to spend time with, giving it whispers of blessings and encouraging words.The world was blessed with Alvin’s presence and hopefully this album will whisper to you and yours.

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Alvin Lucier

Criss Cross / Hanover

LP | 1976 | EU | Reissue (Dialogo)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Black Truffle is honoured to present the premier recordings of two recent works by legendary American experimental composer Alvin Lucier. A friend and contemporary of pioneers like Robert Ashley, David Behrman, Gordon Mumma, and Christian Wolff, Lucier has been crafting elegant explorations of the behavior of sound in physical space since the 1960s. Lucier is perhaps best known for I Am Sitting in a Room (1970), in which he repeatedly re-recorded his own speaking voice being played back into a room until the room’s resonant frequencies entirely obscure the spoken text. Beginning in the early 1970s, he has written a remarkable catalogue of instrumental works that focus on phenomena produced by the interference between closely tuned pitches, such as audible beating, often using pure electronic tones produced by oscillators in combination with single instruments.

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Alvin Lucier

Bird And Person Dyning

Release: 1976 / EU – Reissue

Genre: Electronic & Dance

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Alvin Lucier (born May 14, 1931) is an American composer of experimental music and sound installations that explore acoustic phenomena and auditory perception. Much of his work is influenced by science and explores the physical properties of sound itself: resonance of spaces, phase interference between closely tuned pitches, and the transmission of sound through physical media. Bird and Person Dyning is his first solo recorded work; originally released on the Italian Cramps Records label as the 11th volume of the Nova Musicha series dedicated to contemporary avant-garde composers, Bird and Person Dyning is now made available again on Dialogo in a faithful reproduction of the original gatefold cover artwork, including also an inner sleeve with the English translation of the liner notes. From the original liner notes of “Bird and Person Dyning”: The Duke of York (1972) “A long time ago I wanted to build a grotesque jukebox. I thought of merging three or four old jukeboxes and then recording sounds on 45s, so that you could mix the sounds together. [...] The original idea of this work was about the power of singers and vedettes in our society and the hypothesis that their vocal personalities are present in our memory at different levels and, in addition, that all of us, living or dead, might somehow be part of a huge composite identity that is constantly changing with the birth and arrival of new people. The Duke of York is an attempt to elaborate these ideas. A single performer chooses and determines the order of an indefinite number of whole songs, speeches, arias, selected excerpts from books, letters, poems, films, plays, TV series or any other vocal sounds, including non-human ones. The actual duration of these sounds is altered by one or more people using synthesisers or other electronic tools, basing their choices on memories or similar experiences. Once altered, for example through a filter, the example can no longer be undone, and other changes must be made to the previous examples. The effect is that of a vocal identity made of layers of separate and partial iden tities. [...] The Duke of York was composed in 1971 and was performed in its current version on 19 February 1972 at the Metropolitan Museum of Modern Art in New York. Bird and Person Dyning (1975) for performers with microphones, amplifiers, speakers and a sound object. One day I got an electronic bird in the mail. It was a silver ball with an electrical cord that, when connected, made a sound similar to that of a chirping bird [...]. A few months later I read an article in «Scientific American» about how certain birds that fly at night, particularly the bunting, cross long distances by partly orienting themselves looking at the position of the stars in relation to the rotation of Earth [...]. I owned a Sennheiser binaural microphone consisting of two mini microphones which, when introduced into the ears of a dummy or a person, faithfully reproduced the sounds as heard when they were bouncing inside the head and in the ear canals. I began experimenting by moving the sounds of the bird between two speakers, listening to them through the two mini microphones inserted in my ears, as I walked slowly through the space between the two speakers. The amplified chirps moved left and right according to my movements, creating small time delays and phase-shifts in relation to the position of the motionless bird. Sometimes the microphones would resonate with the loudspeakers, thus generating a Larsen feedback, and I could control the timbre and volume with small head movements [...]. A performance of Bird and Person Dyning is a live exploration of these phenomena. The title is meant as an exact description of the activity.

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LP | 1980 | EU | Reissue (Our Swimmer)

The Works

Release: 1980 / EU – Reissue

Genre: Electronic & Dance

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The Works - one of the most famous pieces by brilliant American composer Alvin Curran - was not created by will and direct purpose but, as the composer himself states, as a “providential accident” which is to say quite organically. Combining piano and voice with found sound and a custom-built Serge modular synthesizer, “The Works” is a slowly developing piece where space and ambient tape are eventually overtaken by raga-esque chanting and frenetic piano playing, where synthesizer washes become full-on workouts all leading to a coda where the listener is “finally carried off on the wheels of the Berlin U-Bahn.” Curran - whose initial training and musical education was as a pianist - had been living in Roma, Italy, in the mid-‘70s returning to his roots and performing regularly in cocktail lounges on Via Veneto. It was this return to piano and vocals that became the genesis for The Works. In relearning the piano, a five-note “motive” took hold. Added to this was “a recording I had made of our 14 year old dachshund Caspar just before he died. It was, in fact, a love song which he persisted in singing all day after meeting a lovely bitch in heat in Piazza Navona. This I knew would be the beginning of the piece.” As the piece expands further the listener will hear “cows munching grass, the Rome-Florence express train, a horse-fly caught against a window pane, my footsteps approaching a Roman fountain and later going up the steps of my old studio, cicadas, an Amsterdam calliope, a tin can being kicked, and a series of sounds from La Serra di Lerici.” Though “The Works” has been performed in many incarnations over the years, it’s this performance - captured on February 24, 1980, and originally released that same year by the short-lived Italian avant-garde label Fore - that is the definitive version, and one of the finest recordings ever made by the celebrated composer.

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Fiori Chiari, Fiori Oscuri

LP | 2021 | EU | Original (Black Truffle)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Black Truffle is pleased to announce the first-ever vinyl reissue of Alvin Curran’s classic Fiori Chiari, Fiori Oscuri, originally issued in 1978 on Ananda, the cooperative label run by Curran, Roberto Laneri, and Giacinto Scelsi. Fiori Chiari, Fiori Oscuri (Light Flowers Dark Flowers) – its title inspired by an intersection in Milan – is the second in the series of four solo recordings Alvin Curran issued in the 1970s and early 1980s, preceded by Songs and Views from the Magnetic Garden (1975), followed by The Works (1980) and Canti Illuminati (1982).

Each of these solo works combines field recordings with performances on synthesiser, various acoustic instruments, and voice, arranged in languorously paced, dreamy sequences. Far from the bracing pointillism of much musique concrete, the elements encountered on the meandering course followed by Fiori Chiari, Fiori Oscuri – whether a frenetic piano improvisation, dense layers of Serge synthesiser and ocarina, or a monologue from Frederic Rzewski’s five-year old son, Alexis – often occupy the foreground of our attention for minutes at a time. As Curran explains, his approach is like that of a filmmaker in the editing process, working with “whole blocks of recorded time”. The purring of a cat, toy piano, a child counting, plaintive synthesiser tones, the cacophony of exotic birds at the London Zoo – each disappears into the next, until, on the LP’s second side, a solo piano performance takes centre stage, moving unexpectedly from percussive minimalist permutations to a halting rendition of Georgia on My Mind. A subtle yet stunning work that more than forty years on still seems charged with possibility, Fiori Chiari, Fiori Oscuri arrives in a loving reproduction of the original sleeve, featuring Edith Schloss’ beautiful cover painting, remastered audio and with new liner notes by Alvin Curran and Francis Plagne.

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LP | 2022 | EU | Original (Black Truffle)

Drumming Up Trouble

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Black Truffle is thrilled to announce Drumming Up Trouble, the first release of previously unissued music by Alvin Curran on the label. Collecting works recorded between 2018-2021 and a side-long epic dating back to the early 80s, as the title suggests, Drumming Up Trouble focuses on a hitherto almost unknown aspect of Curran’s encyclopaedic and omnivorous musical world: his experiments with sampled and synthesised percussion. As Curran’s wonderful, wildly sweeping liner notes make clear, his fascination with drumming belongs to the radical investigation of music’s fundamental elements that has marked his output since the beginnings of MEV, who aimed (as he says in a recent interview) to return ‘in some collective way to a non-existent start time in the history of human music’. Whatever kind of music our proto-human ancestors played, he writes, ‘drums were front and centre in the mix. Drums rule!’

In a paradox typical of Curran’s approach, Drumming Up Trouble interrogates this most ancient dimension of music with contemporary technology. On the first side, we hear recent pieces performed using the sampling software and full-size Midi keyboard setup Curran has refined since the 1980s. Two of them are wild real-time improvisations, primarily utilising an enormous bank of hip-hop samples. Building from polyrhythmic layers of drum machine fragments to wild cacophonies of clashing vocal samples, scratching, and frantic pitch shifting, these energetic and at times hilarious pieces occupy a space somewhere between John Oswald’s Plunderphonics, Pat Thomas and Matt Wand in the Tony Oxley Quartet, and the propulsive Kudoro/Grime fusion of Lisbon’s Príncipe label. They are improvisations are accompanied by two austere, minimal compositions realised in collaboration with Angelo Maria Farro: ‘End Zone’ for orchestral bass drum and high oscillator, and ‘Rollings’, where a snare roll is gradually stretched and filtered by digital means into ‘floating electronic gossamer’.

The incredible breadth of Curran’s output makes it pretty unlikely that a listener familiar with his work would be surprised to find it branching out in a new direction. But no degree of familiarity with his work can really prepare for side B’s epic and bizarre ‘Field it More’. It’s perhaps best to let the maestro describe this unhinged and infectious offering in his own words: ‘It features an 8 bar funky minimal riff à la James Brown, played on synth and an-out-of-tune piano, synced to a pre-paid patch on the Roland drum machine. Over this is laid a heavily processed track of the voices of dancer Yoshiko Chuma and movie-maker Jacob Burckhardt discussing an upcoming performance of theirs at the Venice film festival, capped by a track of my playing an increasingly out of control blues over the top of all of the above’. Only Pekka Airaksinen’s Buddhas of the Golden Light comes to mind as a reference point that might even vaguely compare to this wild home-brew of drum-machine funk, mad improvisation and squelching electronics, which eventually dissolved into a massive, layered cluster. Ancient and modern, synthetic and human, hysterical and rigorous, Drumming up Trouble is 100% Curran.

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Canti E Vedute Del Giardino Magnetico

LP | 1975 | US | Reissue (Superior Viaduct)

This Stolen Country Of Mine

Release: 1975 / US – Reissue

Genre: Electronic & Dance

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American composer and multi-instrumentalist Alvin Curran has remained one of the great emblems of experimental music for the last half-century. In 1966, along with Frederic Rzewski and Richard Teitelbaum, Curran co-founded Musica Elettronica Viva, a seminal gesture in collective free improvisation. In the early ’70s, his solo work would become a crucial bridge between minimalist traditions on both sides of the Atlantic.

Canti E Vedute Del Giardino Magnetico, Curran’s solo debut, was recorded by the artist himself and issued on Ananda, the small Italian imprint started by Curran and fellow composers Giacinto Scelsi and Roberto Laneri. The piece itself was put together in the winter of 1973 and presented for the first time at Teatro Beat 72 (Rome’s The Kitchen).

Encouraged by the work of Terry Riley, La Monte Young, Charlemagne Palestine and Simone Forti, Curran binds the listener to aberrant notions of place and time: blending field recordings (wind, high-tension wires, beach waves, etc.) with simple and often primitive instruments. Across two sidelong tracks, Giardino Magnetico forms a lyrical collage of synthesizer, glass and metal chimes, plastic tubes, brass and the composer’s alluring voice—converging in an immersive realm of Curran’s inner / outer experiences.

This first-time vinyl reissue is recommended for fans of Harry Bertoia, Michel Redolfi and Lino Capra Vaccina.

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Alva Noto

2LP | 2023 | Original (Noton)

Alva Noto & Ryuichi Sakamoto With Ensemble Modern

Release: 2023 / Original

Genre: Electronic & Dance

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Alva Noto’s award winning score for the 2022 German documentary film ‘This Stolen Country of Mine’ directed by German filmmaker Marc Wiese features nineteen compositions to be released on NOTON in April 2023.

The documentary film explores the question of a state's sovereignty in the face of foreign powers. The film portrays Ecuadorian resistance fighters and journalists who oppose the sell-off of an extensive part of the country's resources to Chinese investors.

Alva Noto's music subtly accompanies the struggle of a mountain village, immersing us into the film’s narrative and pathos. Across nineteen compositions, the music exposes and holds back when the images and statements of the protagonists speak for themselves, reflecting the dark shadows and the glares of hope of communal resistance.

The documentary was the recipient of the German Documentary Film Music Award 2022.

Focus track #19

'Ritual Reprise' is the closing composition of Alva Noto's award-winning score for the 2022 German documentary film 'This Stolen Country of Mine.' The piece merges minimal digital textures with emotional resonances, taking the listener to a sonic path filled with a serene tenor. The tone is set on the slow-burn haze of gloaming ambient-electronica scapes, compounding under a unified cinematic soundscape of warm digital ambiances and liquified electronics.

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UTP_ Remaster

2LP | 2022 | EU | Original (Noton)

33,99 €*

Alva Noto & Ryuichi Sakamoto

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Released for the first time in 2009, ‘utp_’ is the third installment of Alva Noto and Ryuichi Sakamoto’s V.I.R.U.S.'s series. It was commissioned for the 400th anniversary of Mannheim, Germany. The flowing 10-section multimedia work derives its shape from a rasterized structure of the southwestern city, founded in 1608. The recording documents the work’s debut performed by Ensemble Modern at the National Theatre in Mannheim. The music embraces the electronic, piano-based palettes, an expanded array of avant-garde chamber instrumentation and natural timbres. It combined the digital visual score created by Carsten Nicolai and Simon Mayer, and lighting design by Nigel Edwards.

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Vrioon / V.I.R.U.S Series

2LP | 2022 | EU | Original (Noton)

Alva Noto & Ryuichi Sakamoto

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Pioneers in their own musical approaches, Alva Noto and Ryuichi Sakamoto, began their exploration of sound in the evocatively titled V.I.R.U.S series in 2002. After more than a decade from the release of the collection's final installment with "Summvs" in 2011, Noton reissues all the five albums between June and October 2022.

With its impressionistic atmosphere, in this collaborative project two generations met and shared the idea of electronic music as an inspiration source for new musical structures. Over a series of five albums, Vrioon (2002),Insen (2005), Revep (2006), utp_ (2008), and summvs (2011), the duo have explored blending electronic and acoustic sounds into a meditative whole that is at once expressive, breathing and precision-engineered.

Remastered in collaboration with Calyx Mastering, the recordings of Vrioon, Insen, Revep, Utp_, and Summvs are made available on vinyl and CD under the title 'reMASTER, accompanied by exclusive, unreleased compositions and housed in a beautifully designed sleeve with original cover art by Carsten Nicolai.

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Revep / V.I.R.U.S Series

LP | 2006 | EU | Reissue (Noton)

33,99 €*

Alva Noto & Ryuichi Sakamoto

Release: 2006 / EU – Reissue

Genre: Electronic & Dance

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Initially released in 2006, ‘Revep’ is the third collaboration album between Alva Noto and Ryuichi Sakamoto and the third installment of V.I.R.U.S.’s five albums series. Remastered in 2021 in collaboration with Calyx Studio, the album’s recordings are accompanied by three new compositions titled ‘City Radieuse’, ‘Veru 1’, and ‘Veru 2’. ‘City Radieuse’ was composed for the 2012 short cinematic essay titled ‘Cité Radieuse’ and part of Carsten Nicolai’s ‘future past perfect’ series. The video shot at le Corbusier’s Unité D’Habitation in Nantes (called ‘cité radieuse’) takes the viewer through the modular system and design applied to the residential buildings. The film’s narrative unfolds through a sequence of images tracking the apartments’ indoor space and details, and points to the different benchmarks of standardized production as they correlate to their environment and its inhabitants.

The album’s original recordings resulted from musical exchanges that began with ‘Vrioon’ and revolved around a collaborative arrangement of Sakamoto’s classic ‘Merry Christmas Mr. Lawrence,’ the theme music to the 1983 movie starring David Bowie, Takeshi Kitano, and Ryuichi Sakamoto himself. In ‘Revep,’ the piano takes the lead while the padded bass and pitched electronic frequencies mark sudden change. Deeply evocative and effortlessly colliding worlds of analog beauty and digital mastery, this album is considered another indispensable record from the duo’s ongoing collaboration.

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Insen / V.I.R.U.S Series

2LP | 2005 | EU | Reissue (Noton)

2LP | 2024 | EU | Original (Noton)

Release: 2005 / EU – Reissue

Genre: Electronic & Dance

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Originally released in 2005, 'Insen' is the second collaboration album between Alva Noto and Ryuichi Sakamoto and the second installment of V.I.R.U.S.'s five albums series.

Remastered in 2021 in collaboration with Calyx Studio, the album's recordings are accompanied by an unreleased composition titled 'Barco.' Initially composed for Alva Noto and Ryuichi Sakamoto's 2005 'Insen' tour, the audio material used in this piece is based on the subtle sounds of Barco projectors, whose tonalities served as a ground for the artists' live improvisation. ? In 'Insen', Alva Noto and Ryuichi Sakamoto explore the potential for interaction and tension between electronic and acoustic instrumentation. Across eight compositions, the echoes of the cascading piano combine, collide, and dissolve with the tapestry of digital breakages in sheer vibrancy. This relationship lies at the album's core. It subtly continues Vrioon's calm melancholia, becoming a vessel for all the emotions and memories nourished by the listener. As you hear the opening, lonesome notes of 'Aurora,' you realize that the pair have once again conceded an ambition to embed elaborate disciplines into an archetypal sound of soul-searching beauty.

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Alva Noto

Hybr:Id III

2LP | 2023 | Original (Noton)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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For an aesthetic of (dis)obedience. The impressions Richard Siegal and his company Ballet of Difference gathered on a trip to Japan in September 2022 now find their way into a full-length dance evening. Siegal and his team had set off for Tokyo to learn the practice of Shuudan Koudou, also known as "Japanese Precision Walking". The strictly synchronised group choreographies are astonishing in their radical stringency and have become a secret YouTube hit, not least because of their peculiar subtle humour. Siegal recognises in the extreme disciplining of the bodies an analogy to the training practice of classical ballet. In the mutual exchange of these movement cultures, questions are raised about individual and collective thinking, about personal decision-making power and social responsibility. For this extraordinary project, Richard Siegal has invited a special guest: Nazareth Panadero, long-time companion of Pina Bausch, who has long since become an icon of Wuppertal dance theatre and will be on stage with the BoD ensemble.

The production BALLET OF (DIS)OBEDIENCE is sponsored by Goethe Institut, with the kind support of Sissel GmbH.
CHOREOGRAPHY & STAGE: RICHARD SIEGAL
COSTUME: FLORA MIRANDA
LIGHT & VIDEO: MATTHIAS SINGER
MUSIC: ALVA NOTO
DRAMATURGY: TOBIAS STAAB

more info to: Shuudan koudou

'Shuudan koudou' Shuudan Koudou Is the Japanese #art of Synchronized Precision ...YouTube · Boson TV: Tech Marvels & Cool Discoveries22 Dec 2022

Kottke.org https://kottke.org › shuudan-koud...Shuudan Koudou Is the Japanese Art of Synchronized Precision Walking

On the other hand, hybrid 3 is inspired by Noh Play - Japanese performances and deals with the refusal of rules musically, hybrid three continues the two previous albums and weaves both rhythmic and beatless musical pieces into a holistic work.
The idea for me has always been that these albums are not only perceived as individual tracks, but as a whole piece, which is why I find the possibility of experiencing and listening to these albums in the right order and as a whole particularly important. For me, the pieces are not only closely related to the ballet that was created for them, but also function as individual pieces as pure, musical pieces and mark a new quality for me, which is very strongly focussed on producing electronic sounds and structures in such a way that they can develop a sculptural quality.

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Alva Noto

Hybr:Id II

2LP | 2020 | US | Original (R2)

Release: 2023 / Original

Genre: Electronic & Dance

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HYbr:ID Vol. 2 is the second installment of Alva Noto’sHYbr:IDseries initiated in 2021. The new album captures the music commissioned to score RichardSiegal's Ectopia performed in 2021 by Tanztheater Pina Bausch with Shooting into the Corner (2008-09) by Anish Kapoor. Building upon the captivating blend of immersive dub and electronica from the first installment, HYbr:ID Vol. 2 takes the listener on a journey into the realm of intricately manipulated digital production. These ten compositions delve into infinity, drawing inspiration from resonance and elasticity, concepts rooted in Minkowski's four-dimensional spacetime model. Throughout the album, Carsten Nicolai summons precise rhythmic patterns that gracefully hover, reminiscent of celestial bodies orbiting in perfect cosmic unison. The sonic landscape gradually unfolds with somber and brooding tones, incorporating spacious sound design, ethereal atmospheres, and cascading metallic percussions. These elements are delicately crafted with artistic finesse, set against a backdrop of expansive dub textures. At times, the music takes unforeseen turns, as melancholic chords skitter and meander through a digital haze, evoking an atmosphere of introspection and emotion. The ten compositions are accompanied by graphic notations informed by the album’s sonic and acoustic codes.

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Alton Miller

Souls Like Mine

Alterazioni Video / Giovanni De Donà

Release: 2020 / US – Original

Genre: Electronic & Dance

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Detroit's Alton Miller is an underrated master of deep & soulful music. He offers a double LP of authentically special compositions. "souls Like Mine" features 11 house cuts with broken beat influenced soul vocal tracks. For fans of 4hero & Kaidi Tatham. Full color poster included.

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Photons

LP | 2021 | EU | Original (Koo Editions)

34,84 €* 40,99 € -15%

Alterazioni Video / Giovanni De Donà

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Unprecedented submolecular laser class 4 electro session, recorded in Physics Dept, Freie Univeristät Berlin, in 2005. The modern photon concept was originated by the work of Albert Einstein at the beginning of XX century, when he elaborated the relativity theory, in 1905. To celebrate the centenary (2005) of that singular event, the AEM - "Casa dell'energia" of Milan - organized the presentation of a dedicated installation and a live performance by the artistic collective Alterazioni Video. To develop this photonic work, they went to the physics laboratory of the Freie Universität in Berlin. Together with Giovanni De Donà, then researcher Markus Gühr (now director at Potsdam University after his experience at Stanford) carried out his research using a class 4 laser. There are various types of lasers and class 4 is one of the most powerful. Certainly not a free sale item. The class 4 is able not only to pierce the retina, but also to break the bond that holds the oxygen molecules together, thus generating flashes of light and powerful micro-couplings with interesting rhythmic flaps. The session involved a certain risk, the atmosphere was naturally electrified, and under the supervision of Markus it was possible to trigger the laser through a drum machine in order to control these bursts and use them as rhythmic units. Improvising a unique session of electro to all effects properly sub molecular, minimal electronic sounds interacted with the rhythms of the matter stimulated by the laser while producing light phenomena. The Waterlaser track in particular was created by concentrating the laser focus on a water surface, and documents the background sound given by the splitting of the molecules of the liquid. This experimentation on the border of art and science goes beyond the reductionism given by the programmed structures of the explosions, and highlights the obscure aspect of indeterminacy revealed by uncontrollable explosions, out of the rhythmic grid and out of every possible control. This took place because of a physical principle that we could touch with our hands, which brought science closer to the aesthetics of magical realism, as we could experience with our eyes and ears: Gdd- Markus, what's going on? There are explosions that I didn't program, that create these syncopated rhythms, as if someone was improvising on the sequence... And it's not me...- MG- It's ... (sneering) a matter of “sympathy”, “vibratory sympathy”. Sometimes, some molecules follows the ones that blows, with no particular apparent reason...- This true Berliner experimental session was recorded with room microphones, and the balance was all in all positive: no one injured, a professional digital camera burned for daring to linger too long in framing the focus of the explosion of molecules. and a recording that is now presented in this record 15 years later. The B side features Chris Mitchell with Bass influenced kinematic interpretation using parts from the session. The recording of the next Milanese public session was lost in the black hole of the RAI archives.

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Lightwaves

LP | 2023 | EU | Original (Koo Editions)

35,99 €*

LP | 2021 | EU | Original (Ikuisuus)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Together with Photons (2005), released as Koo002, Lightwaves completes the investigation of the electro archetype, documenting the Neosurrationalist* bridge between art and science, that began with a dialogue in a Kreuzberg bar involving Giovanni De Donà, Paololuca Barbieri of Alterazioni Video, and physics researcher Markus Gühr, now professor and lead of the Experimental Quantum Physics group at Potsdam University in Berlin. The dissemination given by the current interpretations made by various artists, reveal the possibility of radical vibrant electro made without synthesizers, in spite of Kraftwerk's tradition. To play directly with neonlights instead of singing them, and to amplify even the invisible infrared of a remote control without fearing a T.V.O.D -television overdose-, it meant entering definitively into the new normality of the bruit, the rauschen, the shum, the záyīn, the new “Arte dei rumori” of the electromagnetic noise of the new millennium, revealing both the inaudible of light frequencies and also the invisible through its raw sound and potential for irreverent, chromatically-limited pulsations. The first pocket-sized Chinese solar panels are turned into photomicrophones, and with an inexpensive set-up made of different light bulbs, neon, remote controls, LEDs, and a dimmer, we experienced the zeitgeist by closing a cycle that involved popular culture and contemporary art. Lightwaves was on tour for some years from No Art Gallery and Mediateca Santa Teresa in Milan to MoMa PS1 and Location One in New York, MoCa and Duolun Museum in Shanghai, Ikra club in Moscow, then in other locations as Kunstlerhaus in Stuttgart, Link in Bologna, Flowers in Catania, Acusmatiq 2.0 in Ancona, Mayr 3 in Milano again, and Breakout music festival featuring Steve Piccolo in Genova in 2009.

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Altaat / Euter

Split

Release: 2021 / EU – Original

Genre: Electronic & Dance

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LP | 2019 | Original (Soothsayer)

Alta

Reasons

11,99 €* 14,99 € -20%

Candela Colored Vinyl Edition

Release: 2019 / Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Record is close to near mint.

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Alsy

LP | 2024 | EU | Original (Cracki)

19,79 €* 21,99 € -10%

2LP | 2024 | EU | Original (Mole Listening Pearls)

Release: 2024 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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For her first solo project, the French-Chilean singer Alsy has teamed up with producers Rose, Peter Dallas and Jimmy Whoo. Co- produced with Jimmy Whoo, this EP reflects the meeting of the two artists' worlds, between the nocturnal atmosphere of Motel Music and the sunny ambiance of the singer's South American influences.

With her project Candela, Alsy has imagined her own musical universe, intimate and deep, rich in the variety of her influences. The lyrics are passionate, the rhythms smooth and warm, and the project is a subtle mix of modernity and nostalgia, between steamy reggaeton, smooth synth pop and hypnotic electro.

The singer's smooth and bewitching voice is the hallmark of this debut EP, which takes us on a dreamy journey from Paris to Santiago, against a backdrop of rhythmic and atmospheric music.

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Alphawezen

Source

The Planets Lp Marbled Orange & Marbled Blue Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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In den letzten zwanzig Jahren haben der Produzent Ernst Wawra und die Sängerin Asu Yalcindag, nun bekannt als Asu Jung, verschiedene musikalische Wege beschritten. Ernst versuchte sich am Punkrock mit der Band Elektro Willi und Sohn, während Asu in verschiedenen Genres aktiv war. Gleichwohl ist Alphawezen nach wie vor das Hauptprojekt beider Künstler geblieben. Der Sound von Alphawezen reicht von intimer Melancholie bis zu Nachbeben globaler Katastrophen. Das neue Album von Alphawezen “Source” zeigt, dass Ernst Wawra und Asu Jung es immer wieder schaffen, ihren einzigartigen Sound immer noch weiter zu entwickeln. Ein großartiges Album!

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Alpha Rhythm

2LP | 2023 | EU | Original (Fokuz)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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LP | 2017 | DE | Reissue (Private)

alpha Orion

23,99 €*

2LP | 2020 | EU | Original (AKO Beatz)

Release: 2017 / DE – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Limited edition white vinyl.
Sleeve has small scuffs and price tag on front.

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Alpha Omega

Return To The 9th Level

LP | 2023 | UK | Original (Lantern)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Alpha Omega returns with a serious LP of some of his previously unreleased music and we are proud to have this on the label. Alpha Omega fans will remember his album on Reinforced Records The 9th Level, when Alpha Omega returns to the 9th level with a stunning lp that cover most genre in jungle / DnB. Alpha Omega was so ahead of his time and his music still sounds fresh today. The album will have 8 tracks that span across the DNB genres on 2 pieces of black vinyl.

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Alpha & Omega

Ancient A&O

LP | 2020 | EU | Original (Mütesna)

Release: 2023 / UK – Original

Genre: Electronic & Dance, Reggae & Dancehall

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Official RSD UK Release. RSD 2023 indie exclusive. with sticker. A fine selection of unpublished tracks from the pioneering British roots dub duo.

"Ancient A&O is a selection of unreleased tracks and dubs we like from our old DAT tapes all created during our early years between 1989 and 1993. It includes Here For A Reason, a rare unreleased track featuring Nishka. We're very pleased the great Lantern Rec are releasing the vinyl and we hope you like it, many thanks... A&O

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Alper Maral & Mert Topel

Control Voltage Project

2LP | 2022 | EU | Original (Cultivated Electronics)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Control Voltage Project is a long running project of Alper Maral and Mert Topel; Alper Maral is one of the most significant sound discoverers around Turkey through auditory and academical researches he has made about experimental electronic music. Mert Topel is a versatile musician, one of the most important keyboardist for many artists in popular music in Turkey. He has released his first solo album “Serendipity” in 2017. Control Voltage Project is named after the electric signals which are used for the interactions between various physical sound layers. Recordings of CVP -first album from the duo- was finished in 2005 and released in 2015 on “Müzik Hayvanı” as free download on web.

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Alonzo

They Come In Twos

2LP | 2013 | UK | Original (Claremont 56)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Coming hot on the heels of dynArec's 'Murder is The Number' EP, Sync 24's Cultivated Electronics label presents this double-pack by Alonzo, aptly named 'They Come In Twos'. Originally from Miami and now based in New York, Alonzo has previously released on W.T. Records, Zement, RotterHague, Phormix, Kraftjerkz, and Lost Soul Enterprises. He's also known as Lithium Parasites alongside bandmate, Vidrio. Alonzo's uncompromising approach draws influence from bleak urban landscapes, old city ruins, kinematics and all things bass which he finely represents across these 8 new tracks. Pressed on Yellow and Black vinyl!!!

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Almunia

Pulsar

2LP | 2022 | UK | Original (Coop Presents)

Release: 2013 / UK – Original

Genre: Electronic & Dance

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Two years on from the release of their remarkable debut album, New Moon,
Almunia return with a second full-length of chugging psychedelic dub disco, shimmering acoustic grooves and spine-tingling Italian Balearica.

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Allysha Joy

They're Energised

Alltta (20syl & Mr. J. Medeiros)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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CoOp Presents is incredibly proud to present an all-new compilation album put together by Allysha Joy. This 14-track LP gives us a solid glimpse into the current wave of Antipodean bruk / broken beat artists.
Allysha explains "the connection began with a guest mix for CoOp Presents Worldwide FM radio show. I was asked to guest on the show, so pulled together some heavy unreleased and unmastered "Australian" broken sounds. I immediately called Horatio, Close Counters and Setwun, some of my nearest and dearest inspirations and collaborators to get them in the mix! Within 24 hours I had a brand new beat from Setwun called 'H.B.Y', I ran up some vocals on a Close Counters track and landed a wild jazz-bruk collaboration called 'Fly' from Horatio Luna and Nikodimos! We all felt really blessed to be linking in with some of the innovators of the sound we love!

Also in the mix, I played a track by Lanu a.k.a Lance Ferguson, one of "Australia's" funkiest songwriters and producers. Mike Gurrieri and Chris Gill over at Northside Records had already been scheming to set Lance and I up on a music date for weeks, which turned into writing 'Rewind' . Lanu, along with Ennio Styles, have been integral in the broken beat sound down here from the early 2000s and they connected Jonny Faith in to bring 'Southern Stepper'.
After linking in over the music and working on some collaborations, Alex Phountzi and IG Culture asked me to put together this compilation. The first person that came to mind was Sampology. A wild ride of shifting harmony and incredible vocals, Sam delivered 'Sunny', featuring Maia. Also of Middle Name Dance Band acclaim and a beaming light of creative energy, Kuzko created 'Immunity' for the comp — their debut solo release!
Also up in Meanjin, Special Feelings and Squidgenini were making their own style of jazzy house music and we absolutely knew that they would kill it on the broken beat tip. They sent through 'On Heat' and 'Prophecy' respectively, and inspired me to write and produce 'Listen'. A track about the struggle to be heard as female and non-binary artists. A hard-hitter mixed by co-collaborator Yelderbert of our new duo project, Totek.
As my brother and the one that first introduced me to Agent K, I knew we had to get Ziggy Zeitgeist up in the mix! He immediately sent over a bunch of tunes, and from alongside all of the 30/70 Collective demo drum loops and fresh Z.F.E.X sounds, we selected 'Bruk Samba' featuring Cody Curry, the CC Dance Orchestra.
I had managed to pull together a bunch of tunes for the compilation and after a studio session one afternoon I was walking down Sydney Road and bumped into Silent Jay, Alien and A.KID a.k.a. Acid Slop at their new spot, the Mandarin Dreams HQ. We were just chatting and above Jay's head I spotted the New Sector Movements record, 'Download This'! To see that they'd just been spinning this record felt so serendipitous, so I had to ask them to be on it! Acid Slop sent me through a tune literally the next day, called 'Everything Falls Apart' and within the week we got 'Walk Away', from Lori and Silent Jay. It felt complete.
The way that this music just effortlessly and lyrically fell together, is a testament to the broken beat undercurrent that runs within the jazz and dance music scene down-under. 'They're Energised' connects a scene of deeply talented and inspired musicians, collectively shaping the new wave of uniquely "Australian" bruk and broken beat music!"
'They're Energised' is released mid-November 2022 on double vinyl and digital worldwide via CoOp Presents.

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Curio Part II

LP | 2023 | EU | Original (On And On)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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LP | 2021 | EU | Original (Dauw)

Allred & Broderick

What The Fog

LP | 2023 | EU | Original (BMM Records)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Dauw present the release of What the Fog, the second album of David Allred & Peter Broderick. The album is a follow-up of their first full-length LP Find the Ways, which was released through Erased Tapes in 2017. The music itself was originally composed as a soundtrack for an 11-hours slow motion journey in the Louvre museum in Paris. The title, #monalisa, can be interpreted as a new way of perceiving art through technology and social media.

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Allez Kiki Fermentation

Gusto Di Luce

Nautilus / Rue Du Poisson Noir

Release: 2023 / EU – Original

Genre: Electronic & Dance

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It is during the 2018 harvest of a winery near Bordeaux that Italian producer and multi-instrumentalist Fabio Bordignon decided to create his project Allez Kiki, an affectionate nickname given by his colleagues. 3 singles followed, produced behind Fabio's computer until he took out his double bass and gathered a drummer, a keyboardist and a vibraphonist to create his backing band Fermentation. Their first album is titled Gusto di Luce (taste of light) and refers to the taste wine takes when left too long in the sun. It contains 8 neat and electrifying jazz-funk instrumentals as tasteful as a glass of good wine in the summertime.

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Allen Ravenstine

LP | 2021 | EU | Original (Waveshaper)

LP | 2021 | EU | Original (Natural Sciences)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Composer, electronic music innovator, and Pere Ubu's original synthesist Allen Ravenstine returns to Waveshaper Media with the diptych LP (comprised of 1 EP per side) Nautilus / Rue De Poisson Noir, the final two parts in Raventine’s Tyranny of Fiction series. Waveshaper Media first came into contact with Ravenstine when we interviewed him in 2012 for our modular synthesizer documentary I Dream Of Wires.

Nautilus / Rue De Poisson Noir brings together 21 of the prodigious composer’s recent lyrical and abstract compositions collectively comprised of the sounds of analogue and digital synthesizers, alongside traditional acoustic instruments. The first 10 recordings, subtitled Nautilus, are found on Side A of this LP while the second 11, Rue Du Poisson Noir, comprise Side B.

Using a singular blend of acoustic and electronic instrumentation, each track on Nautilus, weaves its own wayward travelogue amidst stray bits of audio verité and wafting musical fragrances—by turns tropical and foreboding. Rue De Poisson Noir takes cues from its fragmentary companion both in palette and approach, slithering between cinematic intrigue, off-brand jazz, avant-garde mischief, and fried electro without ever batting an eye. Together they form a beguiling collection of hyperrealist miniatures that remains strange, restless, inquisitive and — most of all — evocative throughout.

For those in the know, Allen Ravenstine has been one of the most creative synthesizer players of the past forty-plus years. Ravenstine started out in the mid-1970s experimenting in his Cleveland apartment with an analogue EML 200 synthesizer, eventually creating a piece in 1975 that became known as Terminal Drive. While he had no intention of releasing his compositions, word got out about the kind of sounds he was experimenting with, which led to an invitation to join pioneering “avant garage” group Pere Ubu for the recording of the group’s first 45, “Thirty Seconds Over Tokyo.” He soon joined Pere Ubu full-time, bringing to the band’s sound unpredictable textures, effects, bleeps, squalls, pulsating washes of sound—whatever he felt could enhance the soundscape of the band’s performances and recordings.

By the early 1990s, Ravenstine had grown sick of the road, band infighting and the music industry in general. Deciding a change was needed, he opted to forego music altogether, making his living as an airplane pilot. His music career remained in limbo until 2012, when an interview for the I Dream Of Wires documentary, alongside Robert Wheeler who had succeeded him as Pere Ubu’s synthesist, turned into a recording session for the duo, leading to a series of collaborative releases. As well as having his 1975 Terminal Drive recordings released to great acclaim in 2017, Ravenstine has been prolific in recent years, with Nautilus / Rue De Poisson Noir now marking his 4th solo full-length.

The album contains 21 songs on vinyl LP - limited to 300 copies. The recordings are also available in a 2CD digipak, and digitally as two separate EPs: Nautilus (wsm07), and Rue Du Poisson Noir (wsm08).

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Alleged Witches

Work After Machinery

18,99 €*

LP | 2022 | UK | Original (Miasmah)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Alleged Witches debut album breaks down centuries of human labour into an eight-part instruction manual for company best practice, stock control and tips for the optimum commute. The final break from nature, it's Pagan funeral marches, insect rhythms and doomed ambience for one last trip up the river. Artwork from Bill Connors.

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All That We See Or Seem

LP | 2023 | EU | Original (Compost)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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“Is all that we see or seem but a dream within a dream?” This quote from a poem by Edgar Allan Poe sums up the lamenting, primal work that is "All That We See or Seem"; a project conceived between Finland, England and Brazil. The self-titled album consists of two long-form pieces of droning mysticism hailing from the trio of Gruth (concept, production, electronics), Ellen Southern (vocals, field recordings, percussion) and Johanna Puuperä (violin, modular synthesizer, additional vocals). The album opens straight into a thousand yard stare with “Myrskymielellä", adapted from a 1891 poem by the Finnish national poet, Eino Leino, who wrote it at the tender age of 13. Here a blank distant droning of synths and the sounds of flowing water hover underneath like a dark river observed from the air. This is a sound and feeling that will stay constant for the entirety of the piece´s thirty minute duration. It is a trance-inducing composition that slowly unfolds elements of pagan ancestry into its own life. At first, faint female vocals are introduced as distant spatial elements, which gradually advance into waves of cries and anguish as the piece progresses and moves further into the storm. The tranquility of the first half is slowly morphed into a full blown ceremony as driving ritualistic percussion and a foreboding witch-like presence shifts the piece into a Dead Can Dance-like territory. Here a constant enveloping mixture of violins, modular synths, field recordings and vocal screams creates the feeling of a grande finale. It is an astounding piece of music that develops like a drone symphony for the beginning of time. With the second piece, “A Dream Within A Dream”, from Edgar Allan Poe´s 1849 poem, you are transported to the shores of an undisclosed island; a place where it´s only you, your thoughts and the endless emptiness. The continual sound of waves is soon brought together with a cloud of synths and mourning violins that will keep a steady dreamlike state during most of the piece´s duration. This time the wordless vocals feel almost angelic in their pageantry. The composition flows like a slow caress of the soul and feels like the spirit twin of Gavin Bryars' “The Sinking of the Titanic” with its lamenting slow movements towards the unknown. Truly a ghost of a record, “All That We See or Seem” is an experience hard to shake and feels like entering sacred ground. We are in a place surrounded by earth, both ancient and present. "Let loose, Vanha, the rage of an earthly storm! Detach the elements, completely open the sky! In the Earth, let an incessant storm prevail, so that in my chest I would not feel the miserable pain” - Eino Leino

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All Is Well

A Break In Time

Release: 2023 / EU – Original

Genre: Electronic & Dance

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LP | 2023 | CA | Original (Constellation)

ALL HANDS_MAKE LIGHT

Darling The Dawn

LP | 2023 | CA | Original (Constellation)

Release: 2023 / CA – Original

Genre: Rock & Indie, Electronic & Dance

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ALL Hands_make Light is the recently minted duo of Ariel Engle (La Force, Patrick Watson, Broken Social Scene) and Efrim Manuel Menuck (Godspeed You! Black Emperor, Thee Silver Mt. Zion). Longtime friends, collaborators, and stalwarts of the Montréal post-punk community, this is their first full-fledged project together. Ah_ml weaves these two unique voices through lustrous tendrils of blown-out tones and drones, expanding on Menuck's eponymous modular and analog synth-based work of recent years, now imbued with an additionally searing, soulful warmth and melodicism through Engle's singing. "Darling The Dawn" is a spellbinding album of preternaturally genre-bending sonics and songwriting: a sort of electronic shoegaze suffused with freak-folk, kosmische, darkwave and post-industrial, flowing from ambient minimalism to pulsing maximalism, conjuring traditionals sung in the haze of earliest light accompanied by overdriven circuit boards powered with ungrounded wires. Engle and Menuck see ALL Hands_make Light in a folk lineage traced through the likes of Pentangle and Trees to White Magic and Amps For Christ. While there's no discernable guitar or acoustic instrumentation on the album (warm distorted synths provide the palette, along with signal-processed violin from fellow-traveller Jessica Moss), off-kilter drone incantations like "A Sparrow's Lift" and "A Workers' Graveyard (Poor Eternal)" perhaps sit most overtly within these seams of the skewed-folk substratum. The dichotomic ritualism of Can is an adjacent signpost, where methodical longform soundscaping combines with a feeling of extemporized immediacy. The album's tremendous 10-minute centerpieces "We Live On A Fucking Planet And Baby That's The Sun" and the motorik-driven "The Sons And Daughters Of Poor Eternal" also make this influence explicit thanks in part to the resplendent drumming of guest Liam O'Neil (Suuns), who helps propel both tracks to their spiralling peaks. Above all it's the singing and lyrics, in method and melodic delivery, that conjure certain freak-folk furrows. Engle calls this "music inspired by ancestor music, sea shanties for seas we've never sailed" and the duo have indeed forged a collection on "Darling The Dawn" where vocals often feel strangely rooted in traditionals, while the instrumentation resonates out-of-time, in a liminal space at once glisteningly synthetic and oxidized in analog patina. As the album title suggests, sleepless anxiety/euphoria and a sense of somatic channeling is vital to these songs: "I mostly kept the first thought I had, like a cold read, I wanted the melodies to be immediate and to surprise me, not a laboured process; it's about being a weather vane, guided by preconscious impulses" says Engle. For Menuck, the record started "with an idea of making a long thing about `the Dawn', the different weights of its radiance, the way it kisses our dumb faces when we rise and leave the night behind, the heaviness of that light when you haven't slept." "Darling The Dawn" captures a wholly compelling collaboration between Engle and Menuck in an album of genuine thematic power, thrumming with alternately tender and serrated beauty as only their combined strengths and sensibilities could conjure. Thanks for listening.

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ALL HANDS_MAKE LIGHT

Darling The Dawn

Release: 2023 / CA – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2021 | US | Original (Akp Recordings)

Alister Fawnwoda

Milan

2LP | 2023 | US | Original (FXHE)

Release: 2021 / US – Original

Genre: Electronic & Dance

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Alister Fawnwoda melds an abundance of influences into a sound that is expansive, ambitious, and authentic to its core. With a creative practice that flows between painting, production, DJ’ing, and beyond, Alister is committed to exploring the boundaries of his talents and potential. Working with an impressive array of unexpected collaborators, including most recently the legendary Omar S., his upcoming collaboration with Suzanne Ciani and Greg Leisz to be released through AKP Recordings as an album, “Milan” furthers the very timely discussion of new ambient composers and how they are reflecting our presently tumultuous world through sound experimentation. Alister is persistently building his repertoire as he makes a name for himself as one of the most promising artists in the City of Detroit. For lovers of classic house, experimental ambient, and everything in between, Alister’s music presents the possibilities of creative exploration.

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Alister Fawnwoda

Fun House

LP | 1992 | DE | Original (Arista)

Release: 2023 / US – Original

Genre: Electronic & Dance

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This album shows Alisters multi range for urban dance music working with John F.M. Mitchell Yoshida,Super Cool Wired, Troi Alexis,Tyesha Blount and Many More!!! Produced,Lyrics,Mixed and Engineered by Omar S.

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Alison Limerick

And Still I Rise

4,99 €*

Release: 1992 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Sounds From The Book Of Bean

Alison Knowles

LP | 2021 | EU | Original (Recital)

The Love Invention Purple Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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The first vinyl LP release from Fluxus pioneer Alison Knowles (b. 1933). Sounds from the Book of Bean is an assemblage of noises and texts related to The Book of Bean (1982), Knowles’ 8-foot tall walk-in book constructed at Franklin Furnace in New York. This recording, the sounds of making the big book, was continually played back inside of the installation. Echoes of Yoshi Wada hammering together the circular spine of the book, other collaborators mixing ink, feeding a horse, the flowing waters of the Hudson Valley... all superimposed with texts and poems read by Knowles and her daughter Jessica Higgins.

On the second side of the album, the piece Essential Divisions features Knowles performing with red, black, and white beans. Recorded in Annea Lockwood’s underground studio, Knowles sounds the beans in glass, ceramics, wood, as well as in her mouth. Further bean histories and sound poems are recited, concluding with “Popular Bean Soup” – an ancient recipe translated by George Brecht.

Knowles’ big books are, as she describes them, transvironments: a transformationally experienced environment. The phenomenological nature of her book is distilled aurally in the case of this record. As Knowles describes the end of her book, “the reader leaves via a ladder or out the window and through a muslin panel printed with contradictory wisdom concerning beans and dreaming… one can begin again either by going on or turning back.”

Originally published as a cassette in 1982 on the New Wilderness Audiographics label, this remastered edition has been transferred from original tapes. An expansive 20-page booklet is included, holding graphics and writings from Alison Knowles, George Quasha, and Charlie Morrow.

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Alison Goldfrapp

LP | 2023 | EU | Original (Skint)

The Love Invention Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Alison Goldfrapp has set a towering bar for British synth-pop in the 21st century and she’s only just getting started. The magnetic London-born singer, songwriter and producer’s seven albums with Goldfrapp were fuelled by an unfailing modernity and a sixth sense for sounds that were more timeless than any trend. With the release of her debut solo album The Love Invention—an electrifying dance-pop suite—her multi-faceted musicianship reaches a new peak.

The Love Invention marks Alison’s reawakening as a dancefloor priestess, in an intoxicating showcase of the disco and house influences that have always been at the heart of her musical DNA. “So Hard So Hot” bottles the ephemeral joy of a dancefloor with its anthemic house beat, disco handclaps, and an exquisitely alluring vocal from Alison. The sense of uninhibited liberation courses through album highlights like “In Electric Blue,” a yearning synth-pop confection with a chorus as blissful as love’s first butterflies. On “Never Stop,” she is flooded with the rush of an all-encompassing love over a buoyant, rubberised beat; the sublime synth-pop of “Fever” is an ode to the intoxicating majesty of the dancefloor, with a chorus that explodes as if setting off a glitter cannon.

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Alison Goldfrapp

LP | 2023 | EU | Original (Skint)

The Love Invention Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Alison Goldfrapp

LP | 2023 | EU | Original (Skint)

LP | 2021 | EU | Original (Alina Valentina)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

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Alina Valentina

Works And Days

12,74 €* 16,99 € -25%

2LP | 1995 | US | Reissue (Puzzlebox)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Emerging from a stylistically varied collection of recordings made during the ongoing global pandemic, “Works and Days” is Alina Valentina’s debut album. Grounded by home confinement, she found herself back in the studio with generous time to reflect on the different directions taken in her previous work. Inspired by 70s horror, sci-fi and film noir, her work blends synth heavy darkwave and pop with misanthropic and playfully aloof lyrics. Lyrical themes vary in dealing with escapism, providence and existentialism; laying bare the struggle of maintaining a healthy balance between livelihood and creative output as an artist. “Works and Days” opens up like Pandora’s box, revealing a myriad of reflections on Valentina’s existence. The title refers to Hesiod’s poem ‘Works and Days’ which, like this debut, is filled with a vivid feeling for the rhythm of human life and the forces of nature.

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Alien FM

Original Broadcast

Synthetic Memory Systems Volume I

Release: 1995 / US – Reissue

Genre: Electronic & Dance

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Repress of Keith Tucker and Black Tony's classic Alien FM album which was originally released on 430 West in 1995.

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Alien Communications

3LP | 2021 | EU | Original (Alien Communications)

LP | 2019 | EU | Original (Not On Label (Alice Phoebe Lou Self-released))

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Synthetic Memory Systems - Volume I' is the debut LP from Alien Communications - a 1.5 hour long audio-visual experience and the first in a series of forthcoming concept albums. Follow E-8190 as she uses 'sms' technology to transcend dream states, travel through dimensions and visit realms beyond what we currently know as 'reality'.

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Alice Phoebe Lou

Paper Castles

LP | 2019 | UK | Original (Happy Robots)

Release: 2019 / EU – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover close to NM

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Alice Hubble

Polarlichter

15,29 €* 17,99 € -15%

Release: 2019 / UK – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 1983 | EU | Original (EMI)

Alice

Falsi Allarmi

3,99 €*

Release: 1983 / EU – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Medium: VG+, Cover: VG+

2LP | 2021 | EU | Original (Finest Hour)

Aliana

Universal Voyage

23,99 €*

LP | 2023 | Original (Other People)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Finest Hour delivers its first 2 x LP, “Universal Voyage”, courtesy of Ukrainian up and coming producer Aliana, seamlessly matching the label’s aesthetics with her non-conformist sound offering hints of minimalist neo-detroit house and early 90s electro as well as UK tech-house influences. After a little sabbatical year, Finest Hour comes back with a subtle bang, presenting its first full cover artwork cover in the process.

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Ali Sethi & Nicolas Jaar

Intiha

Release: 2023 / Original

Genre: Electronic & Dance

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LP | 2022 | EU | Original (Koo Editions)

Ali Phi

Elemaun

LP | 2022 | EU | Original (Signature Sounds)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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The electronic audiovisual project, inspired by ritual & regional music from the Iranian plateau The term "elemaun" (loanword from French) is equivalent to the English word element, commonly used in mathematical terms of the surface integral in Persian. The components and smaller surfaces that are selected to study the whole surface are called "elemaun." Such elements can contract in size to a considerable degree to estimate the limit value of the intended surface. The set consists of six compositions of digital and analog synthesizers, field recorded samples, ambient soundscapes, and synthesized drum machines referencing different cultures, music, and narratives and the same approach has been taken for computer-generated motion pictures and real-time edited video footage. The tunes are sampled as abstract, minimal, and repetitive motifs from different cultures of Baluch, Azeri, Southern Iranian Arabs, Khorasan, etc. After teh Linz Ars Electronica premiere of 2016 it was presented in Poland, Iran, United Arab Emirates, Qatar, Germany and finally in Canada in 2019, where the artist is based, and just perfomed at Mutek festival 2022.

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Ali Mcguirk

Til It's Gone

Release: 2022 / EU – Original

Genre: Electronic & Dance

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LP | 2024 | EU | Original (YNFND)

Ali Dada

Sum

2LP | 2023 | EU | Original (Matador)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-09-20

Swiss intergalactic 3 piece experimentalists lean on a Dadaist theme for their late-night, jam-inspired, and smokey beat laden trip to the cosmos.

Distilling surf rock, jazz and ambience, energised and patched together with spoken word samples, wind instruments and, blunted hip hop beats, ali dada’s album SUM is their invitation to dadaversum’ - their eccentric universe of sound and emotion.

Featuring Orlando Ludens (guitar & ambient soundscapes), Rulla (beats & field recordings) and Max Licht (brass & trombone), experimentation is the trio’s constant and SUM is the result of jams and associative distillation’ always with a fluid sense of genre.

Whilst SUM clearly takes new and furtive steps, ali dada’s sound is wholly their own. Nothing feels rigid here and rules don’t apply. Improvisation lingers in the air, even after the last note fades. A series of sound sketches, dense in detail, stylistically rich, SUM gives licence to couch-melt, sungaze or for those used to wintry climes, add another log on the fire.

“The songs often emerge from imperfect elements or mistakes, like from a loop or glitch. or something I played that wasn’t quite clean and building on that becomes the challenge ” recalls Orlando. Rulla adds “I play a lot of instruments, very, very badly and in music production, I’m trained to craft something awesome out of wonky sounds. That’s how songs emerge from unusual sounds”.

As for who played the double bass, no one remembers. Who belongs to the band and who doesn’t is open to interpretation. Though a core group exists the spotlight remains on experimentation through jam sessions. ali dada is a construct, a dadaverse.

Highlights include the album’s opener 'abolish the police', a mix of guitars, weirded-out wind instruments and Häuserfrau’s ever chilled vocal presence. 'tone print' is the band’s first single from the album, which combines sliding guitar, the infamous psychedelic Tim as a narrator, some early CPU game sound-splats and a meteoric dope beat, providing the head nodding groove. 'ohnedi'’s ambient charm features some gorgeous manipulated choir moments and some fidgety electronic synths.

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Algiers

Shook

LP | 2019 | US | Original (Dark Entries)

Release: 2023 / EU – Original

Genre: Hip Hop, Organic Grooves, Rock & Indie, Electronic & Dance

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Medium: Sealed, Cover: Sealed

Still sealed.

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Algebra Suicide

Still Life

84,99 €*

Alexis Taylor of Hot Chip

Release: 2019 / US – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Still in shrink, but opened. Beautiful copy!

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Rubbed Out

LP | 2018 | EU | Original (Treader)

18,99 €*

LP | 2014 | EU | Original (Domino)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Hot Chip frontman Alexis originally presented these recordings on Treader in 2008- his debut solo recording. Finally available on LP, this set of intimately recorded, bespoke songs and instrumentals is dedicated to his partner, Keri Darn. Charming and Disarming.

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Alexis Taylor

Await Barbarians

9,99 €*

Alexis Georgopoulos / Jefre Cantu Ledesma

Release: 2014 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

with booklet

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Fragments Of A Season 2022 Repress

LP | 2017 | EU | Reissue (Emotional Response)

22,99 €*

LP | 1998 | EU | Reissue (DWA)

Release: 2017 / EU – Reissue

Genre: Electronic & Dance

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Emotional Response celebrates it's 10th Anniversary in repressing a label's long held favourite - Jefre Cantu-Ledesma and Alexis Georgopoulos wonderful Fragments Of A Season - coming together perfectly for an album of laconic story-telling and atmospherics.

Over the past decade, Cantu-Ledesma and Georgopoulos have been frequent collaborators. With one another - Jefre's recent ""On The Echoing Green' Mexican Summer), Arp's "The Soft Wave" Smalltown Supersound) and The Alps "Le Voyage" Type) - and with others. Jefre has worked with Grouper aka Liz Harris), filmmaker Paul Clipson and has released music by Harold Budd, Oneohtrix Point Never and Keith Fullerton Whitman on his Root Strata imprint, while Alexis has worked with visual artists Tauba Auerbach and Doug Aitken, scored dance for Merce Cunningham, choreographer Jonah Bokaer and made liminal classical music with Canterbury composer Anthony Moore Frkwys 3 / Rvng Intl.).(Emotional) Especial

In all of their projects, the two have always been masters of atmosphere. Veering between romantic abstraction, filmic ambiguity and suggested narrative, their music draws on personal and collective memory, letting things surface. Fragments Of A Season represents a new and distinct chapter in their ongoing work together, continuing this lineage of understated but resonant work.

Arising from conversations wherein each revealed that they'd been working on tracks with a similar feel in mind, the two quickly realized their songs fit together quite effortlessly. The goal was to do something immediate and spare - most songs simply use an old drum machine and a few chorused guitars, featuring live performances with minimal editing. The result, and indeed the goal of the project, was not to make an album that would simply sounds like what one would expect of the two - there are no modular synths or sequenced basslines, no motorik rhythms or overdriven distortions. Rather, to pursue a tangent of simplicity and clarity.

The result is an album of warmth and cool, sparse but evocative, earthy and luminous, narrative and abstract, taking influence from Les Disques Crepescule and early Cherry Red artists i the duo also cite Eric Rohmer's "A Summer's Tale" and the photography of Luigi Ghirri, whose image graces the cover.

Song titles provide narrative hints. As does New York-based writer Leigh Gallagher's short story enclosed within. Each song finds the story advancing - on the beach ""Marine""); at a discotheque ""Madagascar""); sleeping in the afternoon "Mirror The Sky"). Memory of cobblestone streets and a recent relationship ""Cleo"", "The Streets Are Filled With Rain"). A sense that this temporary idyll will end casts a shadow. Ultimately, for reasons unclear, it does ""Lost Summer"").

There is the sense that a distinct arc has taken place. On some faraway beach, the buildings are white, the skies and sea turquoise. Waves rise and crest. A shaft of light crosses an empty room. A discotheque can be heard in the distance. A mist burns off. Over the course of the ensuing astral summer weeks, an encounter sets the world known previously in relief. Days stretch out and the nights hum.

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Alexia

The Party

LP | 2022 | EU | Original (Soda Gong)

Release: 1998 / EU – Reissue

Genre: Electronic & Dance

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Alexia (real name Alessia Aquilani) was born in La Spezia (Italy). In 1990 she joined the DWA Team, first as a studio vocalist, singing on the hit song "Please don't go" by Double You, then she took part in the "ice MC" project, a musical project with a rapper and Alexia as singer. All of Europe was dancing and singing to the songs "Take away the colour", "Think about the way" and "It's a rainy day" and everybody became familiar with Alexia's beautiful clear voice. In 1995 Robyx decided to compose a song especially for her. "Me and you" was her first single and within just days of its release, its presence was felt across Europe, reaching no.1 in Italy and in Spain. As a follow-up to "Me and you", the new single, "Summer is crazy", came out in 1996. The song reached the top of the charts and became the signature tune for "Festivalbar", the most popular Italian summer music festival, followed by her third single, “Number One”. It proved to be a smash hit, going to no.1 in Italy and many other countries. “Fan Club” was released in 1997 together with a new single, "Uh la la la”. It reached no.1 in Italy, Spain and Finland and made top ten throughout the rest of Europe. The second album "The party" was released in Italy in 1998. It contains fourteen tracks including the hits “Gimme love” and “The music I like”. This album sold over five hundred thousand copies worldwide and to date has been awarded several platinum discs. ”Gimme love" and "The music I like" both having been no.1, were almost simultaneous hits, selling a total of over one hundred thousand copies, creating a record in the Italian market. During the summer of 1998 Alexia dominated the music scene and occupied the charts more than any other Italian dance artist.

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Alexi Baris

Support Surfaces

LP | 2022 | EU | Original (Strange Therapy)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Soda Gong presents the new record by Alexi Baris, a musician hailing from Vancouver, British Columbia. Baris’ methods are patient and deceptively rigorous, trading in sonics that are at once organized and organic. Synthetic and acoustic elements are presented in sonorous states of perpetual flux, carefully amalgamated into structures of fertile ambiguity. His is a diligent and painterly approach to sound design and arrangement, in which tiny events are magnified and brought up close, and expansive gestures are repurposed and shifted in scale.

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Alexey Volkov

Monotonic Impermanence

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Alexei Borisov / Sergey Kasich / Giovanni De / Donà / Gianluca Ghini

Moscou Aller-Retour

LP | 2023 | EU | Original (Koo Editions)

LP | 2024 | EU | Original (Discrepant)

Release: 2023 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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An imaginary train journey between Bologna and Moscow. The original recording of the entire experimental electronic session performed at the audiovisual festival "Geometry of Now," Moscow (2017) curated by Mark Fell, reworked in Bologna (Italy) with custom analog equipment in 2022. Alexei Borisov, the Moscow underground legend who has spanned new wave, electronic noise and constructivist experimentation, measures up with artist and curator Sergey Kasich, a sound and media artist originally from Sevastopol, Crimea, founder and main curator of the Sa)) community for experimental sound artists from the post-Soviet regions (https://soundartist.ru), as well as the Sa))_gallery and Sa))_studio in Moscow. The deconstruction of that live performance is meant to underscore the evidence of the lie of the end of history and the inadequacy of theories produced by the relativist burden of postmodernity with its illusory recombinations, revivals and remixes, lead to the search for a misaligned and alt-modern subjectivity that concretely emerges from an imaginary journey into the era of the materialization of the unexpected, like the sudden concreteness of a window that no longer squeaks, but slams... The “Petroni apartment session” was recorded in Bologna, by also mixing concrete elements of environmental recording to emphasize the sudden impending immediacy of the real dimension.

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Alexandre Centeio

Panorama

Alexandre Babel & Latifa Echakhch

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Part of a (very) loose but somewhat like minded kaleidoscope where one can trace something like a Portuguese hauntology, centred around labels like Russian Library or Prisma Sonora Records, Alexandre Centeio joins Discrepant with the surefire release of 'Panorama'. A multi-instrumentalist and sound artist based in Porto, Centeio - who is also part of Stellarays and The Murmurous Playground - delivers his second album under his own name after 2022's 'Movanta'.

Signalling a departure from the intimate synth driven beautifully soothing landscapes of 'Movanta' while still working within a realm where space and memory play a significant part of both escapism and connection, 'Panorama' opens itself up to a "surrealistic soundscape filled with real and dreamt sound", perfectly illustrated by Ruca Bourbon’s artwork. A sonic fiction conjured from a variety of sources - hand drums, disembodied voices, scraps of unknown realities, skewed loops, oneiric collages, flutes, spectral synths - that float freely between disruption and continuity but within their own internal logic. A very particular and hallucinatory one at that, mind ya. Collapsing notions of time and geography in an aural canvas totally aligned with Discrepant's ethos. 'Panorama' indeed.

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The Concert

LP | 2023 | UK | Original (Shelter Press)

LP | 2022 | EU | Original (BMG Rights Management)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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When Latifa Echakhch was tuning the concept for her presentation at the Swiss Pavilion during the 59th Venice Art Biennale, she wondered how it might be possible to alter her visitors’ perception of time. She invited Berlin-based drummer and composer Alexandre Babel to come up with a response to her silent exhibition, held inside a striking multi-room building designed by Bruno Giacometti and originally intended for the display of classical art. Babel assembled field recordings captured at the Pavilion alongside pre-recorded viola, contrabass, flute and percussion sounds contributed by Jon Heilbronn, Rebecca Lenton, Theo Nabicht and Nikolaus Schlierf, combined to construct an immersive slow-creep of detailed micro-sounds designed to gradually alter your temporal and spatial bearings. Opening with echoing footsteps over a discomposing whirr of modern machinery, our attention is drawn to the physical space and the natural rhythm of walking. Pinprick clicks add an extra layer of microscopic grist, as water droplets form an incoherent pulse that eventually turn to woodblock clacks and toms. Resembling the innards of a clockmaker’s workshop as though heard from the central hall of a vast gallery space; Babel’s rhythms are so finely drawn that they’re hard to grasp at first blush, demanding multiple listens in order to fully comprehend their abstruse latticing. Spray can blasts and white noise bursts dance in tandem, ushering in low-end rumbles that cautiously mutate into the album’s central segment, where a bass drum slowly ushers in a pressure shift. It’s at this point where the music begins to fully betray its influences, linking the freeform heartbeat-led expression of Milford Graves and his under-sung student Jake Meginsky with crys cole’s lower-case sonic journeying. When more traditional instrumentation rings out from the rafters, it’s to reinforce the piece’s rhythmic thrust, not drown it out with buttoned-up respectability. At its peak “The Concert” sounds lost between genre and temporality, both electronic and astonishingly biotic. It’s the rare site-specific installation piece that truly meets its brief, forcing listeners to consider not just the three-dimensional space it’s responding to, but also the constant rhythms that surround them in day to day life.

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Alexandra Hamilton-Ayres

Play Echoes

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Rhythmic Brutalism Volume 2

Alexandra Atnif

LP | 2017 | UK | Original (EM)

LP | 2021 | EU | Original (Martin Hossbach)

Release: 2017 / UK – Original

Genre: Electronic & Dance

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"Rhythmic Brutalism" is the title of this release, available as two CD set or two separate 12 inch vinyl LPs; the title is also a very apt description of the music itself. Romania-born Alexandra Atnif is fascinated by the harsh, grey concrete beauty and minimally repetitive force of the brutalist post-war architecture of her homeland, and this fascination has given rise to the music here.

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Alexander Winkelmann

Danke Der Nachfrage

Release: 2021 / EU – Original

Genre: Electronic & Dance, Pop

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LP | 2021 | EU | Original (H42)

Alexander Von Wieding

Magir-Klangspiel

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Alexander Tucker & Keith Collins

Fifth Continent

LP | 2023 | UK | Original (Subtext)