Electronic & Dance Sale 4725 Items

LP | 1990 | US | Original (Atlantic)

Release: 2023 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Artists Kyoko Takenaka + Tomoki Sanders team with In Sheep’s Clothing Hi-Fi & Pure Person Press to release their breathtaking debut record as Planet Q.

Gatefold Single LP w/ OBI & Insert

To explore and absorb Planet Q, the new record by artists Kyoko Takenaka + Tomoki Sanders, is to become untethered from structural expectations, to reside in a realm where genre vanishes and a profound musical space remains, where the absence of gravity causes curious things to occur.

It’s a spot where handclaps may not move in time, where sonic gurgles of unknown origin offer texture, where a deep, hooky rhythm can propel a groove into the stratosphere.

At various times the tracks move like Dilla pieces, at others like Terry Riley explorations, like Flying Lotus or Milford Graves or Alice Coltrane meditations. But every time you think you’ve got the sound figured out, it hits from another angle. Though a brief missive at 33 minutes, you exit Planet Q as if leaving an utterly alien spot.

Setting: In 2021, during the covid lockdown in America, Takenaka and Sanders were both living in Tokyo without any gigs or work to be found back home. They met at a mutual friend’s cafe in the Higashi-Koenji neighborhood, and the connection was immediate. “The chances of us meeting not only someone else of the diaspora when the borders are closed, but also queer and non-binary, and also a musician? Pretty slim, and pretty fateful,” Takenaka says.

In early 2022, the Omicron variant prompted a new round of isolation. Returning to New York, they united with kindred musicians by going to private jam sessions, but at the time those evenings didn't tap the magic they were seeking. They decided to quarantine and create together. Takenaka was living alone at the time so they invited Sanders to crash there. Says Takenaka, “We made rice, ate natto, meditated and made music for seven days straight.”

That they would create something masterful does seem somehow predestined. Sanders’ late father is the brilliant composer and saxophonist Pharoah Sanders, their mother a life-long music fanatic who nurtured the same. The younger Sanders, who grew up in New York and Tokyo, has been playing music – drums, saxophone, clarinet, piano – and absorbing profound sound since they had baby teeth. Takenaka is a first-generation Nikkei Japanese American actor, butoh dancer and filmmaker who also grew up with music; their father was a jazz pianist, and by age 7 they were already singing at jam sessions in Boston. Planet Q is Takenaka and Sanders’ debut musical collaboration.

That week together in isolation was pretty ritualized. Their aim, Takenaka says, was to create “a really beautiful, secluded safe space for ourselves as qtpoc folx – a planet where we both belong – and to make music as we created the space. Basking in it. Being inside it.”

They quickly fell into a daily routine that commenced with an improvised spoken meditation, tidbits of which made it onto the record. The layout of Takenaka’s apartment – an open kitchen looking out on the living room – afforded them the chance to mix rituals. They prepped meals and sampled parts of the process. Cooking rice, making curry, eating natto – the sounds simmer throughout Planet Q. Dancing and calligraphy also informed the compositions. Takenaka calls it “embodying the process, the textures.”

Tomoki says, “Before Hip hop, in my dad’s age, the saxophone was where the rapper, or the electric guitar spotlighted. It was only $500 to buy a saxophone in the 50’s...now its anywhere from $3000-$10,000. However, we fortunately are in a current time to have a whole studio literally in our laptops – and you can get a $50 midi device from a music store or online. Time of technology has advanced the music, the sound, the production – I’m challenged to reimagine things in ways never been thought before.”

Though each piece has distinct traits, Planet Q feels more like a suite of tracks, a gathering of waveforms that, despite their differences, when woven together create an utterly striking piece. The intention-setting opening piece was born through their improvised morning meditations. Tomoki uses bells their father gifted them.

“‘My Sweet, My Tender, My Loving, Home’ is dedicated to my dad and his metaphysical and galactic sounds, that is grounding,” Tomoki says. “Every intention I put into the style of music or energy comes from him and the ancestors, or god, ‘subconsciously’ – being a continuation of his DNA but in a completely different generation and time; me matching his point of view in spirituality and raising a level of self-consciousness.”

Borders blur. Rhythms lope and gallop. “竹” is a beat-driven rush featuring Takenaka on guitar. When Sanders grabs their tenor saxophone for “Grow,” the result vibes like a funky film-noir soundtrack, with Takenaka reciting the title.

Their tools: bells, electric guitar, piano, shakers, saxophone, African thumb piano, flute, keyboard, drum programming and voice. Most importantly, Planet Q is the sound of two devoted artists committing in full to exploring the mystic, hellbent on mastering the ways that two mortals can, with focus, desire and ancestral guidance, unite in music to create something that transcends the here-and-now.

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Kyper

Tic Tac Toe

5,84 €* 8,99 € -35%

Release: 1990 / US – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

2LP | 1974 | EU | Reissue (Cat In The Room)

Kyriakos Sfetsas

Smog

33,24 €* 34,99 € -5%

LP | 2023 | UK | Original (Belbury Music)

Release: 1974 / EU – Reissue

Genre: Electronic & Dance

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The newly established label Cat in the Room, created by Goodheart Productions, re-releases for the first time after almost fifty years the legendary work Smog by Kyriakos Sfetsas, one of the most important Greek contemporary composers. At the same time, in collaboration with the composer and The Hubsters, which is responsible for the digital distribution, it presents for the first time the majority of his discography in digital format.

Smog is an electro-acoustic work in five parts of equal duration (18 minutes) divided into several variable sequences. It was composed as the music score for the ballet Smog commissioned by the choreographer Michel Caserta. The work was premiered on October 18, 1974, by the Ensemble chorégraphique de Vitry at the Théâtre Jean-Vilar in Vitry-sur-Seine (Paris).

As a musical work, it has acquired over the years the scope of a legend in the electro-acoustic & avant-garde scene, for its richness and value as a composition, the composer's ingenious use of the means available at the time regarding the production of electric sounds, and their combination with natural sounds, as well as for the four-channel recording and live performance.

A new sound mastering and artwork was developed for this release in collaboration with the composer, whose liner notes are included on the cover.

Smog will be released on December 9, 2022, on a 180gr. double vinyl edition

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Kyron

Dreaming Eden

18,89 €* 26,99 € -30%

12" | 1993 | DE | Original (NOW!)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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The new solo album from João Branco Kyron, aka Kyron from Portuguese group Beautify Junkyards. Dreaming Eden is an electronic reverie comprised of drifting melodies, dusty archive sounds and synthesised rhythms.It feels like the soundtrack to a dream, in that nothing stays fixed, melodies develop then collapse, strident rhythms strike up and then unravel into fragments. And like a dream it’s hard to pin down in time- the overall sound is not quite contemporary, and neither is it a vintage re-enactment. Taking inspiration from Christopher Priest’s novel A Dream of Wessex, the record echoes the 20th century take on the notion of virtual reality - one where participants escape the harsh reality of their world into a kind of consensus utopian future. 500 copies on orange vinyl with artwork by Kyron and Jim Jupp. Includes a free download code card.

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L'Avenue

The Sonic Revolution

3,24 €* 4,99 € -35%

12" | 2015 | UK | Original (The Tonal Island)

Release: 1993 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Small sticker on cover.

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L. Collins & Casau

Sampler Volume 1

10,79 €* 11,99 € -10%

L'Enfant D'La Plebe / Verdure

Release: 2015 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Label cover.

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CC ATOM 505

12" | NL | Original (CC Atom Series)

6,59 €* 10,99 € -40%

12" | 2024 | EU | Original (Art Of Dark)

Release: NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

White vinyl!

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L'escucha

Top Secret I

12,74 €* 14,99 € -15%

I Look Upon Nature While I Live In A Steel City

Release: 2024 / EU – Original

Genre: Electronic & Dance

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L'Escucha lands on AOD to celebrate Record Store Day with 4 high-octane dancefloor hitters.

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L'estasi Dell'oro

2LP | 2015 | NL | Original (Field)

14,39 €* 15,99 € -10%

The Trees Are Drawing Me Near

Release: 2015 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM. 180gr vinyl

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L'estasi Dell'oro

12" | 2020 | DE | Original (Voodoo Down)

10,44 €* 18,99 € -45%

12"+CD | 2020 | DE | Original (Macro)

Release: 2020 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

Blue coloured white label copy. Writing on label sticker. Vinyl seems unplayed.

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L'estasi Dell'oro

Time To Breathe Inward

8,39 €* 11,99 € -30%

Release: 2020 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Musica Da Discoteca Volume 3

L'oggetto

12" | 2024 | EU | Original (Mkdf)

10,49 €* 14,99 € -30%

The West End As It Will Be

Release: 2024 / EU – Original

Genre: Electronic & Dance

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“Musica da Discoteca Vol.3” is l’oggetto’s last of three 12” EPs exploring the musical cross-pollination between NY, Chicago, Detroit, and the Italian Riviera. Percussive grooves, ethereal pads, bouncy basslines, sharp stabs, and digital flutes interweave in these 4 new tracks, creating a oneiric trip in the deepest areas of underground house music.

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L.SAE

12" | 2015 | UK | Original (Timedance)

8,24 €* 10,99 € -25%

Release: 2015 / UK – Original

Genre: Electronic & Dance

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12" | 1998 | DE | Original (Nerve)

L.T.A.

Strings Of Love

3,59 €* 7,99 € -55%

Release: 1998 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

L-Vis 1990 Featuring Javeon McCarthy

Lost In Love

12" | 2011 | UK | Original (PMR)

3,49 €* 4,99 € -30%

12" | 2002 | DE | Original (Underworld)

Release: 2011 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Small light scuff on side B-

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La Forge

All I Need / Here I Go

Release: 2002 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

La Monte Young / Marian Zazeela

31 Vii 69 10:26 - 10:49 Pm / 23 Viii 64 2:50:45 - 3:11 Am The Volga Delta

LP | 1969 | US | Reissue (Superior Viaduct)

22,79 €* 23,99 € -5%

LP | 2018 | FR | Original (La Reine Mab)

Release: 1969 / US – Reissue

Genre: Electronic & Dance, Classical Music

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La Monte Young was born in Bern, Idaho in 1935. He began his music studies in Los Angeles and later Berkeley, California before relocating to New York City in 1960, where he became a primary influence on Minimalism, the Fluxus movement and performance art through his legendary compositions of extended time durations and the development of just intonation and rational number based tuning systems. With wife and collaborator, artist Marian Zazeela, they would formulate the composite sound environments of the Dream House, which continues to this day. Seeing reissue for the first time since its initial 1969 release, Young and Zazeela's first full-length album is often referred to as "The Black Record" due to Zazeela's stunning cover design, complete with the composer's liner notes in elegant hand-lettered script. Side one was recorded in 1969 (on the date and time indicated by the title) at the gallery of Heiner Friedrich in Munich, where Young and Zazeela premiered their Dream House sound and light installation. Featuring Young and Zazeela's voices against a sine wave drone, the recording is a section of the longer composition Map of 49's Dream the Two Systems of Eleven Sets of Galactic Intervals Ornamental Lightyears Tracery (begun in 1966 as a sub-section of the even larger work The Tortoise, His Dreams and Journeys, which was begun in 1964 with Young group The Theatre of Eternal Music). According to Young, the raga-like melodic phrases of his voice were heavily influenced by his future teacher, the Hindustani singer Pandit Pran Nath. Side two, recorded in Young and Zazeela's NYC studio in 1964, is a section of the longer composition Studies in the Bowed Disc. This composition is an extended, highly abstract noise piece for bowed gong (gifted by sculptor Robert Morris). The liner notes explain that the live performance can be heard at 33 and 1/3 RPM, but may also be played at any slower speed down to 8 and 1/3 RPM for turntables with this capacity.

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La Reine Mab

Le Cri de Panoptès

22,49 €* 24,99 € -10%

La Ruta (Sean Johnston & Martyn Walsh)

Release: 2018 / FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Silver grey vinyl

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!la Ruta!

12" | 2021 | EU | Original (Diggers Factory / Days Of Being Wild)

15,29 €* 17,99 € -15%

Release: 2021 / EU – Original

Genre: Electronic & Dance

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12" | 2024 | EU | Original (Random Numbers)

La Serpiente

You Are Dreaming!

16,49 €* 21,99 € -25%

Pity By One All Good Treasure

Release: 2024 / EU – Original

Genre: Electronic & Dance

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ontains remixes by BXP, Big Hands, Elena Colombi and Front du Cadaux.

Unveiling the upcoming release – a captivating remix of La Serpiente's "You Are Dreaming!” Immerse yourself in the sonic journey as BXP delivers a psychedelic rework with its unique loop and arrangement style. Front de Cadeaux explores downtempo techno, Big Hands introduces trippy polyrhythms, Elena Colombi contributes an energetic uptempo track, and (exclusively for digital download) enjoy a 15-minute mind-blowing remix by Wang Inc. Together, these remixers redefine musical boundaries, promising a dynamic and eclectic experience. Get ready for a transcendent odyssey through diverse sounds and styles. This record has been realized with the contribution of the Bologna Unesco City of Music and Comune di Bologna.

Artist Bio:

Marco Segato is a sonic explorer, producer and live performer currently based in Amsterdam, Netherlands. He's the co-founder of Rete Neurale Milano E.S.T. - an event born in the infamous Milanese multi-cultural space Macao - and curator of the mix series Empty Signal Transmission. He was a Red Bull Music Academy alumnus in 2016 Montréal (Canada) and graduated in Audio Production at SAE Institute Milan in 2017. During the last few years, Marco released his music under three different monikers: La Serpiente, MS, and Narvalos (a duo project with Alessio Costantino aka Askmeaboutdogs). Across these projects, his sound maintains a sense of mysticism brewing with eerie tension, influenced and incorporating sounds of broken beats, post-industrial experimentations, and ritualistic elements to conjure psychic immersion. He produces and performs live sets with analog and digital hardware, with a sonic outcome that always saturates the mind with extra-musical ideas. Marco has released on labels such as Brokntoys, Xcpt Music, Random Numbers, Sons of Traders, Communion Records, Dionysian Mysteries, Vastechoses, etc... as well as on many solidarity compilations like Перамен! A Compilation for Belarus, Despertar: Chile, Sonic Resistance. A Compilation For Rojava. Recently, he has started a journey of sharing his extensive music selection with his monthly residency “Searching for the Sublime” at Tbilisi’s Mutant Radio.

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LA Timpa

LP | 2023 | UK | Original (O___o?)

17,49 €* 24,99 € -30%

12" | 2017 | IT | Original (Sublunar)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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LA Timpa snagged our attention with his exceptional debut ‘Equal Amounts Afraid’ for O___o?, and an acclaimed follow-up for Rabit’s Halcyon Veil, which eventually led to a guest spot on Space Afrika’s cult lightning rod ‘Honest Labour’ and a remix for Tricky. After letting the dust settle, he returns with a new collection of songs mired in rawly sublime melancholy, turning existential reflections into a richly evocative sort of chamber pop akin to Arthur Russell jamming with A.R. Kane. It drifts heavy-lidded between fully formed songs obfuscated by a dense fug to properly bezzonked lo-fi improv that follows his nose for detuned strings smudged and activated with field recordings. It’s all done in the loosest, most hypnagogic style, characterising how the spirits of ‘80s no wave NYC and even ‘90s Kiwi indie rock have sluiced into the truly singular milieu of South London in the 2020s. Sung in a fragile yet shatterproof falsetto to backdrops of smeared loops and lines of coruscating guitar and keys, ‘Pity By One All Good Treasure’ conveys itself by seduction and suggestion rather than any heavy handed or literal techniques. Whether by design or implication, its rhythmelodic make-up recalls how West African music surfaces in the lilt of Lifetones, or even how Jim Reeves’ country music unexpectedly percolates thru Nigerian styles, all obviously at a remove of decades, but nonetheless short-circuiting expectations and putative timelines in the process. The record wails into view with ‘Wide’, a properly bewildering opening of tangled flutes that sounds like Debit’s pre-historic wind instrument investigations as if treated by Alvin Lucier, before taking flight on a screwy trajectory that seems to reference a great deal of music we love; from labelmate Dawuna to Coby Sey’s pop inversions to Dean Blunt’s enigmatic world-building, from Tricky’s low-lit pre-millennial tension to Mica Levi’s unsteady phased strings - it all sounds immaculately produced and entirely unresolved. In fact, the glossolalic unintelligibility of the songs becomes a virtue it its own right, initially limning and drawing us into psychoacoustic parameters and occupying an elusive mid-distance throughout the album, form the slippery lilt of ‘It Smiles Without my Lie’ to the Blood Orange-esque nod of ‘City Hell Cast In Fire’, the haunted blooziness of ‘Treatment’ and eyes-in-backa-head grog to ‘Brave (forsake)’, and a properly wooze-inducing enigma on the nine minute denouement ‘Ruthless’ - a crumbling epic that centres negative space, splicing field recordings with instrumental strums. When a song does eventually appear from those embers, it’s like a queered response to Grouper’s enduring ‘Heavy Water’ as though perceived through layer upon layer of gauzy saturation. It all makes for a supremely unusual and engrossing listen, and provides further proof, if needed, that LA Timpa is an elemental force all of their own, a vital part of South London’s eminently watchable new musical ecology.

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Ladan

Section

10,79 €* 11,99 € -10%

Release: 2017 / IT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

I Am The Prophet Wine Spill Red On Clear Vinyl Edition

Lady Dan

LP | 2021 | EU | Original (Earth Libraries)

20,29 €* 28,99 € -30%

Release: 2021 / EU – Original

Genre: Electronic & Dance

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12" | 2003 | CH | Original (Energetic Records)

Lady Tom

Starway

Release: 2003 / CH – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 2020 | EU | Original (Upperberry)

Lag

Upperberry

9,09 €* 12,99 € -30%

Teratology Rarities 1989-1992

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Established Berlin based events organizer UPPERBERRY stepping up w/ their brand-new label. For the first EP, Lag has the honor to kick off their game. 4 mind-boggling tracks including 2 remixes by UK’s JoeFarr and Happa.

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Lagowski

2LP | 2023 | EU | Original (Fill-Lex)

29,69 €* 32,99 € -10%

12" | 1997 | IT | Original (Downtown Base)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Lagowski’s ‘Teratology’ (named after the study of the causes and patterns of abnormal development) is a collection of hard, driving tunes that was originally self-released on CDR in 2003. The album is a collection of dark and atmospheric prototype and original techno tracks, featuring heavy use of synthesizers, samplers and digital effects, and its bleak and haunting soundscape reflects this theme.

‘Teratology’ is notable for its use of cutting-edge electronic production techniques at the time, such as convolution sample synthesis and time stretching (bear in mind that these tracks were recorded between 1989-1992). Lagowski’s use of unconventional sound sources and processing techniques helped to push the boundaries of electronic music and influenced many artists in the genre.

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Laguna

Vol. 1

5,09 €* 5,99 € -15%

Release: 1997 / IT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Tape | 2021 | EU | Original (Eotrax)

Lair

I Hurt So I Cry

5,49 €* 10,99 € -50%

12" | 2015 | NL | Original (Crème Organization)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Lair returns to Eotrax with a new 4-track EP. Following her 2017 self-titled debut EP, releases on Urban Legend and Rhod Records as well as collaborative projects in the visual arts and dance she returns to Eotrax to release I Hurt So I Cry this summer. Created using elements of sound healing and sacred sound I Hurt So I Cry can be engaged with from a purely musical perspective or listeners can take advantage of its sound healing qualities and use this EP as an active sound bath- active in that the listener intentionally uses the music to support them in going within and releasing, resting and restoring their body, nervous system and heart. As with all Lair’s work, the music is composed using only her voice with one exception, a sampled cello in the EPs first track Foreshadow. This brooding opener inhabits the dark ambient world we've come to expect of her music but as the EP unfolds ethereal vocal lines mix with her darker sound and a new, lighter sound world is revealed. In the artist’s words: “A shadow falls across our lives, we hurt so we cry, the feeling starts to shift and from that shift hope can spring." Both intimate and expansive, the tracks create a feeling of existing outside time. Lair’s profound connection to nature can be felt through all the tracks - at times in a deep cavern, at times moving through an elvish forest and at times in an Otherworld. Released on June 29th on red cassette & digital with artwork and design by Goldmoth Media. Mastered by Dominic at Declared Sound.

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Lake Haze x IVVVO

4,49 €* 4,99 € -10%

12" | 2021 | EU | Original (Lw)

Release: 2015 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Vinyl has some scuffs and hairlines.

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Lakewest

Blood Orange EP

7,69 €* 10,99 € -30%

Banzai - Elektronische Musik Aus Berlin 1985-87

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Wax seal stamp. Introducing seasoned whippersnapper formerly known as Woz, under his reawakened guise, Lakewest. His debut 'Blood Orange' EP consists of three electrifying and detailed works that encompass the Bristol artist's latest hardware jams.

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Lapre

LP | 2020 | EU | Original (Bureau B)

23,79 €* 27,99 € -15%

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Sounds From The Past II EP 2023 Repress

Lars Huismann

12" | 2022 | EU | Reissue (Mutual Rytm)

14,24 €* 14,99 € -5%

Larse Feat. Charlie Sputnik

Release: 2022 / EU – Reissue

Genre: Electronic & Dance

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generic sleeve repress

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The Sun EP

12" | 2013 | DE | Original (True Romance)

6,39 €* 7,99 € -20%

LP | 2022 | DE | Original (Applied Magic)

Release: 2013 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Generic label cover

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Last Men On Earth

Pixel EP

6,99 €* 9,99 € -30%

Release: 2022 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

12" | 2012 | JP | Original (Endless Flight)

Last Waltz

Tangiers

4,04 €* 8,99 € -55%

Release: 2012 / JP – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Africa Seven Presents A7 Edits Volume 4

Lauer & Al Zanders

12" | 2020 | EU | Original (A7 Edits)

13,29 €* 13,99 € -5%

12" | 2013 | EU | Original (Danse Club)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Next up in the Africa Seven Edit series, we have a double header, as leftfield London house bod Al Zanders takes on the progressive early - mid 70's Sierre Leone band Afro National's 'Push Am Forward' and injects added propulsion and focus, creating an intoxicating hypno chugger along the way.

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Lauhaus & Rik Woldring

Context

6,64 €* 6,99 € -5%

12" | 2023 | EU | Original (Live At Robert Johnson)

Release: 2013 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Writing on labels.

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Laura Bcr

Human Behavior

14,39 €* 15,99 € -10%

Laurel Halo / Jessica Ekomane

Release: 2023 / EU – Original

Genre: Electronic & Dance

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»Techno is a genre of electronic dance music (edm) which is generally produced for use in a continuous DJ set, with tempo often varying between 120 and 150 beats per minute (bpm). The central rhythm is typically in common time (4/4) and often characterized by a repetitive four on the floor beat.«

Well, that's what Wikipedia says about »techno« - but can Laura BCR's music simply be called »techno«? We say it's much more than that. The French DJ and On Board Music label founder who took her name from the much-loved and now closed, Berlin record store, Bass Cadet Records, started to produce her very own music in 2020. Music which could easily fit in her transportive, deep techno and dubby ambient DJ sets. Sets that have brought her to some of Europe’s finest venues.

After her releases on SoHaSo, Semantica, Paloma, RDV Music, Technologia Organica or Sublunar we're happy to present to you her latest work for Live At Robert Johnson: »Human Behavior«.

The four tracks all share a deepness which is typical for a lot of her productions so far. This is repetitive music, yes - but also very atmospheric music. Whether it's the helicopter sound in first track »Farewell« which Laura put on top of layers of whirring synths sounds or the swelling and decaying sounds of »Long Wait«. Sounds which swallow you deep into their core and make you forget about the here and now. Yes, Laura's music is hypnotizing - and it has a certain psychedelic quality attached to it as well. This aspect of her music can be heard quite good in »Post Dynamic« with its electronic blowing wind sounds galore. Or in »Human Behavior«, the title track of Laura BCR's Larj debut. Yet Laura never forgets the importance (and the power) of the bass drum and its four on the floor beat.

A beat that is the heartbeat of techno. And a beat that defines Laura BCR as well.

Now all hail the bass drum and all hail Laura BCR!

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Octavia / Manifolds

LP | 2024 | UK | Original (Portraits Grm)

20,24 €* 26,99 € -25%

Putting The Night On Hold (Extended Dance Mix)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Essica Ekomane ‘manifolds’ (17:28) Entirely computer-generated, Manifolds is a work that explores the multiple possibilities of polyphonic writing, extending it to the “multiphonic” universe where sources and timbres diffract themselves in the listening space. The different voices of the composition no longer follow the traditional parallel trajectories of musical dialogue, but find themselves propelled as if into a particle accelerator, a “collider” freed from all formal rhetoric to reach a state of liberation of energies that is truly confounding. It is then that, in the multi-layered universe of sonic electrons, as if against its own will, a “chant” of overwhelming humanity is revealed. Laurel Halo ‘octavia’ (21:18) Octavia, a piece for piano and electronics, explores the relationship between melodic motifs and textures in a singular way, intermittent moments of melody, harmony and sound materials connecting and disconnecting, to indicate a series of nets or webs, swaying in and out of one another. These sonic nets gently float, spin and merge, and the effect is one of gently floating over an abyss. The work is inspired by the “spiderweb city” of the same name in Italo Calvino’s Invisible Cities: “Below there is nothing for hundreds of feet: a few clouds glide past; further down you can glimpse the chasm’s bed....Suspended over the abyss, the life of Octavia’s inhabitants is less uncertain than in other cities. They know the net will last only so long.”

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Lauren Grey

12" | 1984 | US | Original (Dice)

8,49 €* 9,99 € -15%

Release: 1984 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

12" | 1992 | EU | Reissue (Wagram)

Laurent Garnier

Join Hands Remixes

9,49 €* 18,99 € -50%

Release: 1992 / EU – Reissue

Genre: Electronic & Dance

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12" | 2007 | FR | Original (Peaktime Records)

Laurent H.

Kaminka EP

4,49 €* 4,99 € -10%

Big It Up/Boomstick Cosmic Earth Vinyl Edition

Release: 2007 / FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Vinyl with a couple of light scuffs

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Law & Auder

12" | 2024 | UK | Original (Vinyl Fanatiks)

16,14 €* 16,99 € -5%

LAWA (Leonard Alain Wank Alex)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Straight outta Hoxton, Law & Auder were part of that incredible East London jungle scene. Martin (also of Utomica) and Phil made some absolute classics in their time and are often in ‘The rarest jungle records’ lists that float around online, put together by magazines or websites. But they are both incredibly down to earth and humble.

These two tracks were written in 1995 but never released, sitting on a DAT in Phil’s studio ever since. This is the third release by Law & Auder on Vinyl Fanatiks and we are super proud as ever to be working with them once more. And I think this is possibly the strongest release we have done so far by the band.

Pressed by the mighty Phil ‘The Vinylman’ East on 180g heavyweight vinyl. This release is a bespoke product as no one record is the same. Designed to look like the planet Earth and part of a 4 vinyl Cosmik series.

One small leap for man kind…

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Manifestation Red / Black Vinyl Edition

LP | 2024 | EU | Original (Cineploit)

23,99 €* 29,99 € -20%

12" | 1997 | NL | Original (Work)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Limited to 200 copies.

In the ‘Covid’ years, Lawa not only composed Manipulation (Cine 27, 2022) and the sister album Instrumentalisation (Cine 28, 2023) - more music was also created for a documentary, which for various reasons has not yet been completed. This music contains one side of the album Manifestation and was completed with further pieces from 2023. In addition to various original compositions, Leonard + Wank also created a version of the title theme from the Italian horror film Nuda PER Satana and made it their own, so to speak - only the basic melody, of which the original song actually consists exclusively, was created into a complete song with a beat. The album in its entirety is once again a soundtrack to your electronic nightmare!

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Lay Rue

I'll Be The Same

3,49 €* 4,99 € -30%

Release: 1997 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 2008 | CH | Original (Sthlmaudio)

Lazar

Modern Sex EP

4,89 €* 6,99 € -30%

Inner Sanctum Clear Vinyl Edtion

Release: 2008 / CH – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

DJ stickers.

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Lazarus Moment

12" | 2024 | UK | Original (Insight Music)

18,89 €* 20,99 € -10%

Release: 2024 / UK – Original

Genre: Electronic & Dance

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LP | 2020 | US | Original (Doomtree)

Lazerbeak

Penelope

16,09 €* 22,99 € -30%

Release: 2020 / US – Original

Genre: Electronic & Dance

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7" | 2023 | US | Original (Los Boogies)

Le Idiom

Royal Flush / Moon Disco

11,39 €* 18,99 € -40%

Release: 2023 / US – Original

Genre: Electronic & Dance

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LP | 2023 | EU | Original (Lost Domain)

Leeway

Hypoxia

21,84 €* 22,99 € -5%

Legacy Of Sound Featuring Meja

Release: 2023 / EU – Original

Genre: Electronic & Dance

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LP edition of 220 in printed sleeve w/ download code

"Obsessive tekno/grime experiment from London's lostdomain producer Leeway following the great great Krevet EP. Very compatible with ~160 BPM hardtek/trance. Grainy desaturated claustrophobic sound progressing to full, crisp and dreamy with alien salival textures...Whole album varies on two or three circling themes. Super zoney and subdued and spiritual but then jumps right out of the speakers with violence." - Stress zine

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Happy (Remixes)

12" | 1993 | DE | Original (Direct Effect)

12" | 2017 | DE | Original (Ownlife)

Release: 1993 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Ships in a label sleeve.

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Leiras & Svreca

The Bridges I Burn

9,89 €* 10,99 € -10%

Release: 2017 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 2018 | DE | Original (Ownlife)

Leiras

Turquoise Tundra Pt.I

26,99 €* 29,99 € -10%

March Of The Imbecile / Love From The Astroplane

Release: 2018 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Includes original inner sleeve.

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Leisure Connection

7" | 2020 | EU | Original (R=A)

9,59 €* 11,99 € -20%

12" | 2022 | EU | Original (Far Shore)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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A pair of high voltage fairy-tales from the ever psychedelic Leisure Connection crew (responsible for the classic frolicking, sloth adorned Jungle Dancing No 'Label' 12" back in 2013) . With twists and turns a plenty along the way - everything sounds gloriously badly wired and sparking. Big. Recorded in Los Angeles. Mastered by the Bastard.

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Leith Links

Fruitful Waters

9,59 €* 11,99 € -20%

LP | 2023 | EU | Original (Mindcolormusic)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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As the debut release of Leith Links and Far Shore Recordings, Fruitful Waters’ sets a sonicsignature deeply rooted in heavy grooves and playful melodies that draw on the modern italoand house sounds that are emerging from Melbourne. Breezy opens the EP withoff-kilter synth work that is couriered along with a relentless bassline groove that leads dancefloors to take-off. Double Damage follows by bringing the energy up to a cruising altitudethrough its more atmospheric moments and its fresh take on classic italo tricks. Monofunktionaldelves deeper into a driving peak time roller that wavers into harsher territory yet maintains aconstant devotion to its grooves. Sunsailing is a trip through a maddening soundscape definedthrough its twisting melodies and screeching pads. Monofunktional (Idiot at Altitude Mix) is adowntempo twist on the aggressive driving forces of the original, forgoing the fillingfour-to-the-floor beat for a spacious break beat and filling the aural space through dubbed outechoes. Together these tracks weave a style defined by persistent bass lines and near nonstopkicks, thefoundations of Far Shore and by extension, a good time!

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Lekqer

Aux4437

10,44 €* 18,99 € -45%

LP | 2021 | EU | Original (Les Album Claus)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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limited edition of 100 items, handstamped and individually numbered with photographic insert

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Lennert Jacobs

Enthusiasm

16,14 €* 18,99 € -15%

Noise Generation White Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Lennert Jacobs' music is an echo of his imagination, inevitably reflecting and reinforcing a natural philosophy of enlightenment. L. Jacobs employs modern and classical instruments to enhance and distill a spirit of humanity through his aesthetic currency of sound. Surveying his debut album ‘Enthusiasm’ and its instinctive impulses delivers a sublime sonic experience. Specifics of musical styles fade obliquely in service of resonance on a deeper level—sound speaking on a universal language with innately humorous wonkiness whirling you into a state of pure delight.

Kaleidoscopic keyboards shape a celebration of freedom and spontaneity. With warped beats, the songs clatter in crafted structures to create obscure alternative atmospheres. ‘Enthusiasm’ is a sonic lens that lands right from the first moment you hear it, a showcase of musical talent and intuitive expression.

Lennert Jacobs does an excellent job of investing and producing mainly instrumental compositions which manage to touch on a wide variety of emotions over the course of their unfolding. The works on ‘Enthusiasm’ are synthetic creatures, living and growing autonomously. The duality of the composer is on full holistic display: the lighter side—relaxing, ethereal, and dreamy, and the darker—disturbing and uncanny. This is a sonic transportation and cerebral massage. Stick a needle in it to activate.

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Leo Anibaldi

12" | 2020 | EU | Original (Back To Life)

11,04 €* 12,99 € -15%

12" | 1990 | DE | Original (Electrola)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Leo was born in 1972 and at the age of 15 discovered his passion for electronic music creating his first loops thanks to his Commodore Vic 20 and 64, spreading his own sound in the city when it was impossible to find in Rome any trace of electronic beats. Soon after he became a true collector of analogue synthesizers with a serious approach in the study of modular synthesis which led him to develop unique skills as we have recognition of them from his early works for ACV records: Attack Random, Riders Of the Future, Noise Generation, Muta, Cannibald and Aeon are still a milestones for nowadays electronic music aficionados. 1989 marked the birth of The Sound of Rome, when Leo met Lory D in a small garage bringing life to a universal and alternative music movement who diffused Techno Music in Rome and all over Italy, pushing these two wizards behind the decks playing along the like of Dave Clarke, Joey Beltram, Robert Armani and UR among others. In 1995 Leo decided to cut his relationship with ACV records and moved to Rephlex, Aphex Twin’s record label, starting touring with the Rephlex group after the Void album. Ten years later Leo recorded his first single for a new project: Cannibald Records. Back to Life main target is to focus on house and techno classics reissue, and the mission continue with the official reissue of 1991 Leo's Noise Generation, a true special record that snaps an unforgettable highlight in the rave scene. Btl004 will be available with a special insert, black version and very limited white press to delight every serious vinyl collector.

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Leo Sayer

Cool Touch

Release: 1990 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Do They Think I Am A Goblin Shark?

Leon Volca

LP | 2024 | EU | Original (Blueyes Musica)

17,09 €* 18,99 € -10%

LP | 2024 | EU | Original (Language Of Sound)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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“Experimental, Hip-Hop, Electro, Blue, Textured, Research, Spatial, Atmospheric, Dark, Silver, Bark, Cold Nights, Spacial, Flashlight, Bouncy, Dance, Hans Richter, Nature, City by Night, Arctic Dreams, Self-Growth, What Is Art, Boundaries, Gravity, Finland, Finland's Music Scene, Culture, Question, Explore, Travel, Layered, Curated, Moving Images as Sounds, Soundscape, Dynamics, Echoes, Reverb, Listening, Responding, Multi-Dimension, Reuse, Reinventing, What About Your Alter Egos, Plastic Night, Construction Site, Blue, Shark”

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Leonardo Heiblum

Encyclopedia Sónica

17,49 €* 24,99 € -30%

12" | 2017 | EU | Original (Possible Futures)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Recorded in the past 25 years in different parts of the world, Encyclopedia Sónica Vol. 1 compiles the music and sounds of Leo Heiblum. Comes with insert.

Since Leo Heiblum was a little boy, he always found music everywhere. Listening to the engine of his mother's car and hearing incredible rhythms. He always thought every sound we hear can be made into music, every sound that we hear can be heard as music and it can be felt and understood as music. Every sound has an attack, a decay; some have a pitch. What is more beautiful, the sound of a flute, a bird, a trumpet, a car horn, a violin or a mosquito buzzing? They can all be used to make music.

Leo Heiblum believes that If we learn to hear all sounds as “musical” or at least to have the potential to be used to make music, we might look at the world and listen to the world more lovingly. That car passing by had a beautiful crescendo. That dog barking in the distance created a fantastic melody with an impossible-to- transcribe rhythm. Is there no creative intention behind those sounds? Can the listener give them an intention, can the listener transform them into art? Leo Heiblum is trying to organise them and use them in a way that will be musical for us. He hopes that the next time we hear an ocean wave breaking a bond, fire crackling, or a fly flying, we can enjoy the notes and the rhythms they are making. They are being created by something; who knows what the intention is, but some of the most unique beats he's heard come from rocks falling in cenotes or ice breaking down in a glacier. And the melodies he's heard from bats, dogs fighting, or a newborn dog are both haunting and beautiful. The timber from sounds such as the thorn of a cactus, the voice of a homeless person in the street or a mosquito buzzing can be used to create instruments as beautiful as any instrument. And they have a new sound or a familiar old sound used differently. A way that invites us to hear the music created by this planet.

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Leonel

Antares/Bunda

5,39 €* 11,99 € -55%

12" | 2012 | US | Original (Stolen Kisses)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl close to NM

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Leonid Nevermind

Third Kiss

4,79 €* 7,99 € -40%

LP | 2020 | EU | Original (Shango)

Release: 2012 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

incl. Roman Flugel Remix

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Leonidas Ghione

Mar De Vida

9,89 €* 17,99 € -45%

12" | 2024 | EU | Original (Hobbes Music)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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First album of Mexican producer Leonidas Ghione. 10 Downtempo/World original tracks

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Leonidas & Hobbes

Pockets Of Light

15,29 €* 17,99 € -15%

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Leopard Davinci & Louis 707

Make The Party Great Again Yellow Vinyl Edition

LP | 2022 | EU | Original (The Sleepers Recordz)

18,74 €* 24,99 € -25%

7" | 2020 | EU | Original (Lyskestrekk)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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As music in the digital age seems to be shifting back to a 60's era emphasis on singles over albums, those who clamor for a full-length installment of music from their favorite artists have found their thirst increasingly unquenched. Enter Leopard DaVinci & Louis 707, who are boldly filling this gap in modern funk music with their LP "Make The Party Great Again." Living through an era of social distancing, event cancellations, and venue closures, making the party thrive as it once did is no small task, but this French synth-funk duo come across as extraordinarily energized to meet the challenge. It feels like every synthesizer sound ever conceived somehow lives within their arsenal, as a colorful blend of analog tones and back-cracking handclaps form the foundation for pure boogie bliss. From the album's inception, "Kinda Get Funky" sets the tone. It's clear that Leopard & Louis respect the original flight plan of the Mothership, though they draw more of their inspiration from subsequent sons of the "P" such as Zapp or 80's era Cameo. They remain uptempo throughout the entirety of the album, and even when they chill the mood slightly on songs like "Girl Oh Girl" & "I Get Up," it's only to spit a little slickness to the ladies before bumping the bpm's right back to where they were before. The album doesn't stray far from the usual topics of conversation in modern funk - Dancing, women, & funk itself. But such deviation isn't needed; if we're going to bring the party back we've got to stick to the script. As always, Sleepers takes the time to package the music as thoroughly as it was created, this time in a full-color jacket on yellow vinyl. Limited to only 300 copies!

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Leoparden

Hoyt Oppe / Lopebass

11,39 €* 11,99 € -5%

12" | 2009 | UK | Original (Real Soon)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Leoparden dive into the summer with the warm, lovely space anthem "hoyt oppe" and the dancing synth-disco groove "Lopebass" on the B side.

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Lerosa

Minefield EP

2,24 €* 4,99 € -55%

Release: 2009 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

LP | 2024 | EU | Original (Hi Scores)

Les Cyclades

Glika

24,29 €* 26,99 € -10%

12" | 2013 | EU | Original (Because)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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(comes with a poster) The Klein blue horizon, gliding seagulls, a ferry purring between two languid islands, dotted with ultra-white villages and ancient ruins... These idyllic visions run through Glika, the ultimate musical project of Les Cyclades. An exciting electronic odyssey from West to East, from Belgian effervescence to Greek mysticism.

In 2020, confined to the neighborhoods of Yser and Mystère in Brussels, Alex and Ludo dream of Greek islands, of scorching sun on their skin, of salty baths, chilled ouzo and braised octopus. But everywhere, time stands still. Must one necessarily move to travel? To levitate? In the absence of Elsewhere, the Franco-Canadian duo will compose the imaginary soundtrack to their escape.

Glika (which means "sweet" in Greek) perfectly synthesizes the musical influences of Les Cyclades: a cosmic saxophone inherited from Alex’s dub and free jazz past, an architect-pastry chef-botanist from Normandy, and Ludo’s "Balearic" tracks, a musician-performer-wine lover who frequented his first raves in 1995 in Houston, Texas.

From a hedonistic encounter on a friendly terrace in the 19th arrondissement of Paris to their chosen exile in Brussels, these hypersensitive jacks-of-all-trades first danced and mixed records. Before creating their own phantasmagorical sonic territories, where cinema and poetry meet more or less human voices, brass instruments, synthesizers and analogue drum machines.

A searing fragment of Greek filmmaker Theo Angelopoulos's "Eternity and a Day" preludes Glika. Then, on Yser Mystère - the names of the two stations on tram 51 that physically linked Alex and Ludo's psyches during the lockdown - Alex's astral sax balances out the industrial mechanics of a locomotive, against a backdrop of urban soundscapes.

And then a rising bpm dominates Alocasia, with its deep and sensual light foot. So sunny. From one track to another, there are interludes influenced by Xenakis, Vangelis and Jean-Michel Jarre. Seminal heroes of the Cyclades... But soon, the duo unleash hostilities at the helm of Epigone, their meta-techno anthem. "I know", "You know", echoes Alex.

Laughs of friends, "mouth noises," and "bizarre rhythms" still dominate Parc Fou, while Dram eyes the minimalist techno of Detroit. So dear to Ludo's heart... And what about Pame, that post-modern Greek epic.Or Glossa, a timeless track that finishes with a fascinating - because diffracted - elegance, this multi-sensory journey through Les Cyclades. Let's close our eyes. Silencio! Hay Banda!

By Eléonore Colin, journalist (and friend!!)

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Les Fils Du Calvaire

Femmes D'affaires

8,24 €* 10,99 € -25%

Release: 2013 / EU – Original

Genre: Electronic & Dance

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Tape | 2022 | EU | Original (Oryx)

Les Halles

Invisible Cities

8,54 €* 8,99 € -5%

Jacques Your Body (Make Me Sweat)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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The 2014 debut solo collection by French wind-walker Baptiste Martin aka Les Halles remains a masterpiece of soft light and subdued yearning, woven from grainy panpipe samples, tape hiss, and spectral delay. Recorded late at night in a tiny room in Montpellier, Invisible Cities quivers like a candle by the sea, its fragile illumination flickering against an expanse of sky, silence, and sorrow. The pieces feel both ancient and immediate, glimpsing currents behind the veil, at the threshold of presence and absence. The track titles evoke similarly transient states of echo, memory, and negative mirrors. This is music of solitude and devotion, of empty streets and unremembered dreams, fleetingly captured via the eternal alchemy of FX pedals and a 4-track. (Britt Brown)

All tracks recorded by Baptiste Martin, in Montpellier (France), in late 2013. This collection of tracks is named after Italo Calvino’s Invisible Cities.

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Les Rythmes Digitales

12" | 1999 | UK | Original (Wall Of Sound)

3,19 €* 3,99 € -20%

Release: 1999 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 2024 | CZ | Original (Beacon Sound)

Leslee Smucker

Breathing Landscape

24,49 €* 34,99 € -30%

Release: 2024 / CZ – Original

Genre: Electronic & Dance

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When I Hit You You'll Feel It

Leslie Winer

CD | 2021 | US | Original (Light In The Attic)

20,24 €* 26,99 € -25%

When I Hit You You'll Feel It Pink Vinyl Edition

Release: 2021 / US – Original

Genre: Electronic & Dance

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Definitive career-spanning anthology
Includes previously unreleased tracks, inspired collaborations, and material from Leslie’s groundbreaking 1990 solo debut, Witch
Featuring musical contributions from Jon Hassell, Helen Terry, Jah Wobble, Renegade Soundwave’s Karl Bonnie, Christophe Van Huffel, Jay Glass Dubs, Mari G. Mooney, and Diamond Version, amongst others
Newly remastered by the GRAMMY®-nominated engineer John Baldwin
24-page booklet featuring a new, extensive interview with Leslie and liner notes by acclaimed author, critic and compilation co-producer Wyndham Wallace, along with an essay by award-winning writer and scholar Louis Chude-Sokei
Cover collage by renowned British artist Linder, featuring photography by Mondino, and design by designer Christopher Shannon

“The definition of a hidden gem” – John Peel

“The world seems finally to be catching up to Leslie Winer, whose startling intelligence and singular vision shine through her copious recording life.” – Max Richter

“She might just be the coolest woman on the planet!” – Boy George

Light in the Attic is ecstatic to announce When I Hit You—You’ll Feel It: a 16-track anthology that celebrates the extraordinary work of musician, poet, and author, Leslie Winer. When I Hit You—You’ll Feel It spans Winer’s three-decade-long musical career: from her groundbreaking solo work in the early ‘90s to her latest inspired projects. Featuring musical contributions from Jon Hassell, Helen Terry, Jah Wobble, Renegade Soundwave’s Karl Bonnie, and others, the collection also spotlights Winer’s diverse collaborations, and unearths previously-unreleased recordings.

Newly remastered by the GRAMMY®-nominated engineer John Baldwin, When I Hit You—You’ll Feel It will be available in multiple special 2xLP editions, on CD, and across digital platforms. The album includes a new interview with Winer, captured by the compilation’s co-producer, acclaimed author and critic Wyndham Wallace. Rounding out the package is an insightful essay by the award-winning writer and scholar Louis Chude-Sokei and an original cover collage by the renowned British photographer and artist, Linder, featuring photography by Mondino, and design by designer Christopher Shannon.

MORE ABOUT LESLIE WINER….

Musician, poet, iconoclast, model, artist, enigma. Leslie Winer is many things.

Born to a teenage mother and sold for $10,000 in a black market adoption when she was just hours old, Winer has always lived an uncommon life. She grew up in Boston with a voracious appetite for music and the written word and embraced the city’s lively jazz and folk scene in the ‘70s. Moving to New York for art school, she gravitated towards a vibrant crowd of intellectuals, artists, and radical thinkers—or perhaps they gravitated towards her.

There, Winer formed an unlikely friendship with writer and artist William S. Burroughs and lived on-and-off with Jean-Michel Basquiat. In London, where Winer began her musical ventures in earnest, she was a regular at Leigh Bowery’s underground club Taboo, where she met many of her collaborators, including filmmaker John Maybury, Kevin Mooney (of Adam and the Ants), and Boy George, who once declared that Winer “might just be the coolest woman on the planet!”

Winer’s striking looks also attracted fashion designers and photographers. Throughout the early ‘80s, she was an in-demand model—appearing in campaigns for Valentino, Christian Dior, and Yohji Yamamoto, and serving as a muse for a young Jean-Paul Gaultier, who later dubbed Winer “the first androgynous model.” She posed for Helmut Newton, Irving Penn, and Pierre et Gilles, and graced the covers of The Face, French and Italian editions of Vogue, and Mademoiselle.

But music was Winer’s true passion and, at the turn of the ‘90s, she would unknowingly help invent the massively popular genre known today as trip-hop.

On her debut, Witch, Winer masterfully blended the uninhibited sampling of early hip-hop with dancehall basslines and programmed beats, while weaving mesmerizing—and coolly-detached—spoken-word vocals into her ambient tracks. It was unorthodox in the most delicious ways.

The album was a bold experiment by the self-taught artist, who enlisted a number of talented musicians in the sessions, including Culture Club’s Helen Terry, Karl Bonnie of Renegade Soundwave, former Public Image Ltd. bassist Jah Wobble, and Kevin Mooney, as well as Marco Pirroni and Matthew Ashman (both of Adam and the Ants, among other acts).

While Witch was finished in 1990, it wouldn’t be released for three years, due to the whims of Winer’s label. In the meantime, several tracks made their way out into the world as early as June 1990, thanks to BBC Radio 1 DJ John Peel, who later referred to Witch as “the definition of a hidden gem.”

Opening with the laid-back dub beats and soft, sing-songy chorus of “He Was,” Witch features such highlights as the up-tempo “Skin,” the hypnotic, bass-heavy “The Boy Who Used 2 Whistle,” and the album’s closer, “Dream 1,” in which waves of reverb-soaked vocals bounce from one ear the other.

While sonically, Winer was breaking new ground, she was also bringing a fresh, incendiary take on what it means to be a woman in the music business, as embodied by her composition “N1 Ear,” in which she delivers a scorching, feminist manifesto, borrowed from the Women’s Liberation Broadsheet: “If I get raped it must be my fault / And if get bashed I must’ve provoked it / And if I raise my voice I’m a nagging bitch / And if I like fucking I’m a whore…And if I ask my doctor too many questions I’m neurotic and need pills / Because I still can’t get a safe birth control while some fucker’s roaming the moon.”

Winer had every right to vent her frustrations as a woman in music. Despite her fierce demeanor and steadfast focus, she was consistently disregarded and typecast by the industry. Many of her early collaborators failed to credit her work, while others simply overlooked her influence. Witch, for example, was so delayed that by the time the album saw the light of day (released under the pseudonym “©”), trip-hop was gaining mainstream traction via acts like Portishead, Massive Attack, and Madonna. Although Winer eventually gained wider acknowledgment (prompting the NME to give her the dubious distinction of “The Grandmother of Trip-Hop”), Witch initially went sorely unnoticed.

Following the disappearance of Witch, Winer continued to record, undeterred by the elusive nature of mainstream success in the modern music business. Her network of inspired collaborators continued to grow and expand, yet her influence remained largely a secret except to those in the know, such as Grace Jones and Sinead O’Connor, who would cover her songs.

Today, Winer stays busy on new musical projects in the French countryside, where she has spent the past two decades raising her five daughters. A prolific writer, she has also published two collections of poetry and oversees the literary estate of Herbert Huncke, a defining member of the Beat Generation.

In the modern era, one is hard-pressed to find an artist who continues to push the creative envelope as much as Winer does. And yet, three decades after her revolutionary debut, her work remains just as startling and fresh.

Winer’s influence might best be summed by the award-winning composer Max Richter, who offered the following thoughts to Wyndham Wallace for his extensive liner notes: “The world seems finally to be catching up to Leslie Winer, whose startling intelligence and singular vision shine through her copious recording life. A visionary commentator on the relationship between individuals and society in the mould of Blake or Woolf, Leslie Winer knows things that the culture at large just doesn’t understand yet, and she has never been afraid to let us know that.”

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Leslie Winer

2LP | 2021 | US | Original (Light In The Attic)

52,69 €* 61,99 € -15%

House Heroes feat. Gjaezon

Release: 2021 / US – Original

Genre: Electronic & Dance

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Definitive career-spanning anthology
Includes previously unreleased tracks, inspired collaborations, and material from Leslie’s groundbreaking 1990 solo debut, Witch
Featuring musical contributions from Jon Hassell, Helen Terry, Jah Wobble, Renegade Soundwave’s Karl Bonnie, Christophe Van Huffel, Jay Glass Dubs, Mari G. Mooney, and Diamond Version, amongst others
Newly remastered by the GRAMMY®-nominated engineer John Baldwin
24-page booklet featuring a new, extensive interview with Leslie and liner notes by acclaimed author, critic and compilation co-producer Wyndham Wallace, along with an essay by award-winning writer and scholar Louis Chude-Sokei
Cover collage by renowned British artist Linder, featuring photography by Mondino, and design by designer Christopher Shannon
Picture shows a mock up. The actual records are unique and will differ.

“The definition of a hidden gem” – John Peel

“The world seems finally to be catching up to Leslie Winer, whose startling intelligence and singular vision shine through her copious recording life.” – Max Richter

“She might just be the coolest woman on the planet!” – Boy George

Light in the Attic is ecstatic to announce When I Hit You—You’ll Feel It: a 16-track anthology that celebrates the extraordinary work of musician, poet, and author, Leslie Winer. When I Hit You—You’ll Feel It spans Winer’s three-decade-long musical career: from her groundbreaking solo work in the early ‘90s to her latest inspired projects. Featuring musical contributions from Jon Hassell, Helen Terry, Jah Wobble, Renegade Soundwave’s Karl Bonnie, and others, the collection also spotlights Winer’s diverse collaborations, and unearths previously-unreleased recordings.

Newly remastered by the GRAMMY®-nominated engineer John Baldwin, When I Hit You—You’ll Feel It will be available in multiple special 2xLP editions, on CD, and across digital platforms. The album includes a new interview with Winer, captured by the compilation’s co-producer, acclaimed author and critic Wyndham Wallace. Rounding out the package is an insightful essay by the award-winning writer and scholar Louis Chude-Sokei and an original cover collage by the renowned British photographer and artist, Linder, featuring photography by Mondino, and design by designer Christopher Shannon.

MORE ABOUT LESLIE WINER….

Musician, poet, iconoclast, model, artist, enigma. Leslie Winer is many things.

Born to a teenage mother and sold for $10,000 in a black market adoption when she was just hours old, Winer has always lived an uncommon life. She grew up in Boston with a voracious appetite for music and the written word and embraced the city’s lively jazz and folk scene in the ‘70s. Moving to New York for art school, she gravitated towards a vibrant crowd of intellectuals, artists, and radical thinkers—or perhaps they gravitated towards her.

There, Winer formed an unlikely friendship with writer and artist William S. Burroughs and lived on-and-off with Jean-Michel Basquiat. In London, where Winer began her musical ventures in earnest, she was a regular at Leigh Bowery’s underground club Taboo, where she met many of her collaborators, including filmmaker John Maybury, Kevin Mooney (of Adam and the Ants), and Boy George, who once declared that Winer “might just be the coolest woman on the planet!”

Winer’s striking looks also attracted fashion designers and photographers. Throughout the early ‘80s, she was an in-demand model—appearing in campaigns for Valentino, Christian Dior, and Yohji Yamamoto, and serving as a muse for a young Jean-Paul Gaultier, who later dubbed Winer “the first androgynous model.” She posed for Helmut Newton, Irving Penn, and Pierre et Gilles, and graced the covers of The Face, French and Italian editions of Vogue, and Mademoiselle.

But music was Winer’s true passion and, at the turn of the ‘90s, she would unknowingly help invent the massively popular genre known today as trip-hop.

On her debut, Witch, Winer masterfully blended the uninhibited sampling of early hip-hop with dancehall basslines and programmed beats, while weaving mesmerizing—and coolly-detached—spoken-word vocals into her ambient tracks. It was unorthodox in the most delicious ways.

The album was a bold experiment by the self-taught artist, who enlisted a number of talented musicians in the sessions, including Culture Club’s Helen Terry, Karl Bonnie of Renegade Soundwave, former Public Image Ltd. bassist Jah Wobble, and Kevin Mooney, as well as Marco Pirroni and Matthew Ashman (both of Adam and the Ants, among other acts).

While Witch was finished in 1990, it wouldn’t be released for three years, due to the whims of Winer’s label. In the meantime, several tracks made their way out into the world as early as June 1990, thanks to BBC Radio 1 DJ John Peel, who later referred to Witch as “the definition of a hidden gem.”

Opening with the laid-back dub beats and soft, sing-songy chorus of “He Was,” Witch features such highlights as the up-tempo “Skin,” the hypnotic, bass-heavy “The Boy Who Used 2 Whistle,” and the album’s closer, “Dream 1,” in which waves of reverb-soaked vocals bounce from one ear the other.

While sonically, Winer was breaking new ground, she was also bringing a fresh, incendiary take on what it means to be a woman in the music business, as embodied by her composition “N1 Ear,” in which she delivers a scorching, feminist manifesto, borrowed from the Women’s Liberation Broadsheet: “If I get raped it must be my fault / And if get bashed I must’ve provoked it / And if I raise my voice I’m a nagging bitch / And if I like fucking I’m a whore…And if I ask my doctor too many questions I’m neurotic and need pills / Because I still can’t get a safe birth control while some fucker’s roaming the moon.”

Winer had every right to vent her frustrations as a woman in music. Despite her fierce demeanor and steadfast focus, she was consistently disregarded and typecast by the industry. Many of her early collaborators failed to credit her work, while others simply overlooked her influence. Witch, for example, was so delayed that by the time the album saw the light of day (released under the pseudonym “©”), trip-hop was gaining mainstream traction via acts like Portishead, Massive Attack, and Madonna. Although Winer eventually gained wider acknowledgment (prompting the NME to give her the dubious distinction of “The Grandmother of Trip-Hop”), Witch initially went sorely unnoticed.

Following the disappearance of Witch, Winer continued to record, undeterred by the elusive nature of mainstream success in the modern music business. Her network of inspired collaborators continued to grow and expand, yet her influence remained largely a secret except to those in the know, such as Grace Jones and Sinead O’Connor, who would cover her songs.

Today, Winer stays busy on new musical projects in the French countryside, where she has spent the past two decades raising her five daughters. A prolific writer, she has also published two collections of poetry and oversees the literary estate of Herbert Huncke, a defining member of the Beat Generation.

In the modern era, one is hard-pressed to find an artist who continues to push the creative envelope as much as Winer does. And yet, three decades after her revolutionary debut, her work remains just as startling and fresh.

Winer’s influence might best be summed by the award-winning composer Max Richter, who offered the following thoughts to Wyndham Wallace for his extensive liner notes: “The world seems finally to be catching up to Leslie Winer, whose startling intelligence and singular vision shine through her copious recording life. A visionary commentator on the relationship between individuals and society in the mould of Blake or Woolf, Leslie Winer knows things that the culture at large just doesn’t understand yet, and she has never been afraid to let us know that.”

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Less

12" | 2015 | DE | Original (Rotary Cocktail)

7,19 €* 8,99 € -20%

Release: 2015 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | 2016 | FR | Original (Because Music)

Lester Fitzpatrick

Chi House

3,59 €* 7,99 € -55%

Release: 2016 / FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

NYC-BERLIN DIALOGUES 2016

Levon Vincent

12" | 2016 | US | Original (Novel Sound)

4,39 €* 7,99 € -45%

NYC-Berlin Dialogues 2016

Release: 2016 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

With picture insert. White label copy (black label stickers)

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Levon Vincent

12" | 2016 | US | Original (Novel Sound)

12,34 €* 12,99 € -5%

12" | 2021 | EU | Original (PoleGroup)

Release: 2016 / US – Original

Genre: Electronic & Dance

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New Levon Vincent. The one with the horn track.

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Lewis Fautzi

Intense Mechanism EP

11,89 €* 16,99 € -30%

12" | 2024 | UK | Original (Delusions Of Grandeur)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Portuguese sci-fi maker Lewis Fautzi is here again with his very own recipe about how the music of the future should sound like.

His style has evolved to harsher territories lately, with distortion appearing as one of the main components here.

First cut "Induced Pulse" is a broken groove exercise, with pounding kicks and vocal samples providing the introduction while obscure components join the march as the minutes go.

"Undirected Differential" goes straight to the point from the beginning, with obsessive sequences running across a solid paced rhythm. The synth line evolves continuously, changing the filter frequency, mutating and constantly changing.

The B-side opens with "Intense Mechanism", in a galactic mood with one bar arpeggiated sounds, modulated wisely running over a blurred and distorted drum line.

Last slice is "Stimulated Desorption", again hypnosis and repetition as leitmotiv with similar sound components as the previous one but with a more shuffled drum approach.

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Lex

Without You EP

14,39 €* 17,99 € -20%

12" | 2014 | CH | Reissue (Lexx Music)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Lex makes a welcome return to Delusions Of Grandeur with a brilliant follow up to last years 7 Day Path EP. The Athenian producer, DJ and former record shop owner has been honing his unique sound for the last 7 or 8 years resulting in releases for labels such as Leng, Samosa, King Street, Black Riot and B2. His densely layered textures incorporating lots of live elements and expansive Ron Trent inspired arrangements bring a warm, musical flavour to his productions but without ever losing sight of the dance floor.

Without You sets the tone with touches of acid melting into sun-drenched strings and Rhodes making for an atmospheric tune tailor-made for daytime beach sets and late night dancing under the stars. Both hypnotic and trippy in equal measures, this is the kind of versatile track that will make a big impression and put you under its summery spell. Next up we have Strip Town which features some brilliant live bass bringing a jazz-funk swagger whilst the tasty synth chords ensure maximum deepness.

Flipping over we have a percussive roller going by the name Purity which features the spoken word of Guto Fernandez and sees Lex joining up with regular collaborator Locke. Closing out this special EP Dennis Liber joins the party injecting pure energy with the help of a serotonin-boosting classic piano house riff and old school house beats.

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Lexx

Young Corner

17,09 €* 18,99 € -10%

12" | 2021 | EU | Original (LGN)

Release: 2014 / CH – Reissue

Genre: Electronic & Dance

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Reissue of Lexx’s „Young Corner“ EP. Originally released on Phantom Island Records as a three track 12“ in 2014, now additionally contains „All That Is Now“ which was previously only available on 7“. This EP contains some of the producers most acclaimed works from 2005 to 2014 and is back for a new generation of DJ’s to discover.

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LGN

White Label Series 3

11,04 €* 12,99 € -15%

Release: 2021 / EU – Original

Genre: Electronic & Dance

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12" | 2023 | UK | Original (USA Import Music)

Liasons D

Selected Works

12,59 €* 17,99 € -30%

12" | 2024 | EU | Original (Kazerne)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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“Pour les gens supercool.” This slick tagline caused a commotion among Belgian electronic music fans in 1985 as a jingle in Liaisons Dangereuses, the infamous radio show on local station S.I.S. Antwerpen. Hosted by Paul Ward and DJ Sven Van Hees and playing an exhilarating mix of EBM, house, new beat, acid house, Detroit techno, synthpop and more, the transmit was without a doubt trendsetting, presenting music on the radio that before was only to be witnessed in dark clubs or underground record stores. Listeners needed to make an effort though, since the S.I.S. waves only reached about 10km out of the city center. But a network of copied tape recordings and a fast growing bunch of fans - some of which even driving their cars to parking lots inside the broadcast area to hear the show - created a buzz that would easily exceed the limits of the transmission signal.

In 1989 Ward and Van Hees formed their own band named after the radio show, but to avoid confusion with the eponymous German new wave band, they signed their records with Liaison D or Liaisons D. Assisted by Jan Van Den Bergh (Mappa Mundi, Kumulus, Buzz), Marcos Salon (Outlander), Frank De Wulf (B-Sides, World Party II) and J.P. Ruelle, Liaisons D released a solid string of EP’s and the album “Submerged In Sound” on USA Import Records between 1989 and 1992. We are extremely proud to present four tracks from the album here as a brand new EP, a must-have for fans of their unapologetically rough and ravy sound, testimony of a unique era in Belgium’s electronic music history.

Text by Koen Galle

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Lidvall

Above The System EP

10,49 €* 14,99 € -30%

12" | 2018 | EU | Original (Lifedrawing)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Mord sublabel: Kazerne

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Lifedrawing

Distraction

10,19 €* 11,99 € -15%

Lamentations Of Cosmic Absurdity

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Vinyl will feature Individual, hand illustrated sleeves. Distraction combines thundering bass elements from darker techno with deeper, emotive pads and flourishes to create a meditative yet driving late night groove. Best used to hush dance floor chatter in favour of getting heads down and putting a shift in. Static and Choke also play with juxtapositions of light and dark elements, with Choke being the firmer of the two. Both offer sounds ideal for creating trippy and introspective dance floor moments, while not allowing those hard fought for energy levels to drop. Viber.

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Lijkschouwer

12" | 2024 | EU | Original (Redrum)

15,39 €* 21,99 € -30%

Release: 2024 / EU – Original

Genre: Electronic & Dance

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2x12" | 2001 | US | Original (Atlantic)

Lina

It's Alright

3,24 €* 4,99 € -35%

LP | 2024 | EU | Original (Find Your Voice)

Release: 2001 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Promo copy.

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Lina Stalyte

Summer Nights

23,39 €* 25,99 € -10%

Release: 2024 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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12" | 1993 | UK | Original (PWL International)

Lindy Layton

Show Me

2,59 €* 3,99 € -35%

Release: 1993 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 2023 | EU | Original (Wild Palm Trax)

Link Gaetz

Wild Palms 002

15,29 €* 16,99 € -10%

Linn Elisabet & Stina Francina

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Another huge release on the mysterious Wild Palm Trax. Limited copies!

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Secrets EP

12" | 2024 | EU | Original (Ufo Inc.)

10,49 €* 14,99 € -30%

12" | 1999 | UK | Original (Hook)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Next up on BPitch sublabel UFO Inc. is an essential linkup from two rising Berlin-based talents, Linn Elisabet and Stina Francina. Bringing with them two distinct approaches to music production but a shared vision of techno's weirder corners, Linn and Stina go all in on their first joint release together, fusing sonic abstractions into a release that never loses sight of the club. With a classically trained musical background, Linn explores reverberant soundscapes and complex arrangements with a learned ear, but a firm rejection of the rigid forms that often taint formal musicality. Promoting a sense of non-compliance in their sonic palettes, they offer a contemporary and transgressive interpretation of techno that strives to reimagine reality and desire. Having fostered her passion for electronic music in intimate, underground spaces, Stina's approach to production is rooted firmly in affect; carefully weaving fragile emotional narratives with a generous sensitivity. With a particular penchant for old school trance, her sound is often coloured by a feeling of melancholy and hope.

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Liquid Art

Liquidgroove

Release: 1999 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 2021 | EU | Original (Kniteforce)

Liquid Crystal

Let It Go EP

13,59 €* 16,99 € -20%

12" | 2023 | EU | Original (Butter Side Up)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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These represses of classic Liquid Crystal tunes continue to hit hard and fast. All four tracks on this EP are much loved and much wanted, with particular standouts being the title track, “Let It Go” and of course, the Inner Sense Remix”. But all of the tunes here deserve their place in old skool history as innovative and wonderful dancefloor classics.

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Liquid Earth

Deputy Dog EP

13,29 €* 13,99 € -5%

12" | 2015 | FR | Original (Phonogramme)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Butter Side Up Records welcomes back Liquid Earth for Deputy Dog, his second EP on the label. It arrives in early May and once again explores a sublime and spaced-out club sound with original artwork by Cleymoore.

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Lisiere Collectif

Rue Cameliei

5,49 €* 9,99 € -45%

Release: 2015 / FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

New Me Same Us Transparent Blue Vinyl Edition

Little Dragon

LP | 2020 | UK | Reissue (Ninja Tune)

30,39 €* 31,99 € -5%

Release: 2020 / UK – Reissue

Genre: Electronic & Dance

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LP | 2023 | EU | Original (Tiella Sound)

Livio Improta

Fondamentalismi

16,14 €* 16,99 € -5%

Lloyd Dev Featuring Harry Dennis & Ccr All-Stars

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Off the back of their long-standing radio show and guest mix series, Tiella Sound launched in 2023 with a self-titled LP from Perugian artist Vaisa, setting the scene perfectly with its lo-fi maelstrom of field recordings, obscure rhythms and tribal textures. Livio Improta follows suit with ‘Fondamentalismi’, a 10-track exploration of broken, slow-motion rhythms coated in vinyl crackle and layers of atmospheric dust. Livio Improta has landed on Bosconi Records and Rawax, had his tunes included on Fabric 71 mixed by Cassy, and explored ethnomusicology and experimentation under the name Baldovino. From Neapolitan wave to world music, Italo-disco to house, disco and funk, his sound is rich, unpredictable and varied, as he proves here with ‘Fondamentalismi’.

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Passing Runner

12" | 2021 | EU | Original (Club Chi'll)

6,99 €* 13,99 € -50%

12" | 2019 | EU | Original (LNS)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Following on from their holy grail house find for Cr002 - unearthing, unreleased tracks by Marshall Jefferson and Jungle Wonz as played by Ron Hardy at the Music Box, which Marshall subsequently recreated, Club Chi'll Records' next instalment is another Chicago house bomb. ‘Passing Runner’ melds the minds of Chicago native Lloyd Dev, the legendary Jungle Wonz member Harry Dennis and the CCR All-Stars (the Club Chi’ll Records in-house group), stirring up all the best elements of the Windy city’s vibe. Blending emotive pianos, shuffling percussion and weighty basslines, with perfectly complimented sax licks and deft synth lines. On the flip side ‘Passing Runner (Club Chilled)’ is a delightful, balearic tinged mix that gives listeners a licence to chill.

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LNS

Recons Two

10,44 €* 10,99 € -5%