Electro 190 Items

This 4 track EP on Equinox Records brings in some new flavour to the amazing "Android Porn" by Kraddy (founding member of The Glitch Mob). Along the classic original version (first time to be released on vinyl!!), Mochipet, Fulgeance and Playpad Circus provide striking new versions that will blow minds on dancefloors across the globe. Definitely one of the first must-have-releases in 2010! Also includes download code for all remixes!

Including the Zomby Remix plus "Maze" in a long version!

An astounding compilation of the breakneck Shangaan dance output of the Nozinja studio in Soweto, recorded between 2006 and 2009.

Boom, Duck Sauce's next strike!

Mexican Singer/Songwriter Graciela Maria has been singing since she was a little kid. Having livied in Mexico City for many years, she was part of the mexican electronic music scene and made music with local producers signal deluxe.

In 2009 she met berlin based producer Robot Koch in New York at his show at Coco66 in Brooklyn.
They started making music together and Grace was featured on Robot's album “Death Star Droid” as well as on the Ep “Listen To Them Fade”. 2009 marked the beginning of a journey both musically and geographically for Graciela, as she moved from Mexico City to Berlin and started playing shows wolrdwide with Robot Koch.
They played everywhere from the Sonar Festival in Barcelona to some obscure art festivals in Bulgaria and Tunesia.

With Many Places, Graciela Maria's stunning debut album, she steps into the light as more than just a featured vocalist on Koch's electronica and dubstep driven compositions: Her own music breathes the vibe of classic singer/songwriters like Tim Buckley and Elliot Smith, with the music and the production being even more organic and live sounding than on the previous Koch tracks. The songwriting took place all over the world, as Graciela traveled and lived in many places recently, accompanied by her little notebook and her digital camera, which she uses to record song ideas on all the time. The topics she deals with are both surreal and personal and leave it up to the listener to be interpretated.

Producer Robot Koch teamed up with friend and fellow musician Sneaky (Fingathing / Ninja Tune) to create this organic and retro futuristic sounding album, that incorporates Double Bass, Live Drums, Cello and other String instruments and well as a subtle touch of cutting edge electronic production which Robot Koch is know for. The track "Many Places" features a string arrangement by Fiora Cutler.

Graciela Maria is an artist to watch out for in the future as she proves to create timeless pieces of music that are appealing to Indie/pop listeners and lover's of electronic music alike.

Mexican Singer/Songwriter Graciela Maria has been singing since she was a little kid. Having livied in Mexico City for many years, she was part of the mexican electronic music scene and made music with local producers signal deluxe.

In 2009 she met berlin based producer Robot Koch in New York at his show at Coco66 in Brooklyn.
They started making music together and Grace was featured on Robot's album “Death Star Droid” as well as on the Ep “Listen To Them Fade”. 2009 marked the beginning of a journey both musically and geographically for Graciela, as she moved from Mexico City to Berlin and started playing shows wolrdwide with Robot Koch.
They played everywhere from the Sonar Festival in Barcelona to some obscure art festivals in Bulgaria and Tunesia.

With Many Places, Graciela Maria's stunning debut album, she steps into the light as more than just a featured vocalist on Koch's electronica and dubstep driven compositions: Her own music breathes the vibe of classic singer/songwriters like Tim Buckley and Elliot Smith, with the music and the production being even more organic and live sounding than on the previous Koch tracks. The songwriting took place all over the world, as Graciela traveled and lived in many places recently, accompanied by her little notebook and her digital camera, which she uses to record song ideas on all the time. The topics she deals with are both surreal and personal and leave it up to the listener to be interpretated.

Producer Robot Koch teamed up with friend and fellow musician Sneaky (Fingathing / Ninja Tune) to create this organic and retro futuristic sounding album, that incorporates Double Bass, Live Drums, Cello and other String instruments and well as a subtle touch of cutting edge electronic production which Robot Koch is know for. The track "Many Places" features a string arrangement by Fiora Cutler.

Graciela Maria is an artist to watch out for in the future as she proves to create timeless pieces of music that are appealing to Indie/pop listeners and lover's of electronic music alike.

The zombie strikes back with a new EP. After months of studio work on his forthcoming album, he & Record Makers have decided to release 'Nightcall' as an ap‚ritif. 'Nightcall' is the first song Kavinsky provides vocals for, a duet you might say, featuring the zombie and his girlfriend, a.k.a. Lovefoxxx from CSS! The song was produced by Guy-Manuel de Homem-Christo and mixed by SebastiAn. The remix of this song, by a mysterious Dustin N?guyen, is an outstanding pop song that everyone can enjoy. On the other side, Kavinsky has produced the fantastic 'Pacific Coast Highway', in which we follow a ghostcar on the highway. The remix job is by French avant-garde producer Jackson. His epic 9 minute long version is unmissable!

3 classic Legowelt "Slam Jack Deep Chicago Ghetto Technofunk" tracks from the Clone Records vaults get the deserved remaster treatment. The early 2000's Yamaha DX Synth tribute by Scheveningens Jackmaster never sounded better...

Cititrax is honored to introduce Bruta Non Calculant, a new project by Alaxis Andreas G, the mastermind behind Le Syndicat Electronique and numerous other analog electronic, experimental and esoteric industrial folk projects. Alaxis formed Bruta Non Calculant in 2006 along with his brother Victor-Yann (De Frontanel). Their debut album, World In A Tear, presents 10 tracks drenched in a dark european atmosphere complete with a sound fully formed and heroically executed. Themes of death, lust and unrequited love are all bound in this brown book-esque collection. The songs occupy their own space and communicate in their own language and as such almost seem to have the ability to alter time once the listener has succumbed to their discordant beauty. An unsurprisingly impressive comeback, Bruta Non Calculant’s debut album blends new wave elements with folkloric balladry impeccably, and approaches this with a modern sensibility.

Dub is a spiritual, abstract, visceral, mystical thing. Finite and Infinite at the same time. Deeply rooted in the earth and embracing outer space. Don't be fooled by names, Dub has come and gone. Dub is a ghost, a duppy. A duppy of a childhood guppy. Flushed and thriving in the sewers and the swamps. Here you will find versions of the Dream River songs that have been killed and resurrected, spilling tales of the other side of life in a language conceivable only if you let yourself be taken there.

The Exaltics make their debut on Clone Westcoast Series. This the first volume in a triptych of their stark, futuristic sound yet showing a more melancholic and introspective side this time. You can almost hear the longing for other places.

Natch Records delivers a solid and diverse four tracks ep. Two originals which best represent the latest evolution of the label to a more powerful and straightforward sound. On the other side the remixes by Jeroen Search and Zadig offer really devious and unexpected interpretations, really efficient but still demanding on the dancefloor. A title which is foreshadowing fiery times and a massive, long-awaited release!

Limited Edition for Record Store Day 2014!

Dawn Golden (formerly Dawn Golden & Rosy Cross), a solo electronic production and songwriting project helmed by Dexter Tortoriello of Houses, officially started in late 2010 when a series of Bandcamp demos caught Diplo’s attention with their stark emotion and forward-thinking production. A year later, we released his 6-track EP, Blow. Since then, Dexter went on to release his first full-length Houses album in the spring of laste year, garnering a smorgasbord of support that turned the eyes of the press onto his unique production style. Still Life carries all of the depth and emotional pull of Dawn Golden, combined with incredible production and unflawed, futuristic tracks. We’ve been blown away by him from the start.

Including all their singles. Pressed on silver vinyl with download card.

At the end of 2013, Boston Bun released his second EP, “Flasher", on Ed Banger. The three tracks were hypnotic and tailored for clubs. They were played on the radio (BBC1, Le Mouv, France Inter) and also by the best DJs on the electro scene (2manyDjs, Skream, Duke Dumont, Erol Alkan, Surkin, Boys Noize, Daniel Avery…). Boston Bun’s new EP, “We Got Soul", is a great step. Vocals are more important than ever, it’s club music with soul! “We Got Soul” features Bear Who? (DJ Sneak’s voice) on vocal. It’s an anthem-tribute to The Mongoloids, Boston Bun’s main influence that adds a contemporary flavour to the special scene. The B-side, “Time Bomb” (featuring the DJ/singer Piu Piu) is an emotional growing track, between pads and explosion. With such a unique and breakthrough sound, Boston Bun establishes further more among the French producers who really matter.

Among a thousand projects, Para One is back on the dance floor with “Club", a new album which was not meant to be one, but believe it or not: it’s serious stuff! “The ‘Passion’ album is the background for this, as I decided to reshape it for my live act, explains Para One. I’ve rebuilt the tracks entirely, making live versions for festivals and bigger clubs. Then I found myself with a totally different album. It’s not a live album. The tracks have been modified and reinterpreted. It’s my tribute to Soulwax’s “Night Versions". Subtlety was not really an option, it had to hit kind of hard. The tracks had to sound real in a club situation and people are now meant to dance to them! It’s also a ‘treasure hunt’ kind of record with many references. It sounds like my DJ sets, when I mix many things and styles, old and new, because that’s how a club should sound. It’s a place where memories belong.” The pop, melancholic and highly danceable “Passion", was meant to be listened to at home or on quiet dance floors, but “Club” only retains the melodies and vocal hooks. It smells like sweat, joy and abandoned bodies. Packed with English acid house piano, huge beats, elegiac vocals, references to UK Garage, EDM filtered french touch and house, “Club” dives into the heart of dance music. It’s a 3.0 rave emblem, a daring record to make people dance without selling out.

2022 repress

L'Aventura arose from the Brazilian heat and the French romanticism. This is the history of Sebastien Tellier’s fantasy childhood in Brazil, arranged by the local cult figure Arthur Verocai. A wild mixture of love, dreams, sun and landscapes.

"For this album I wanted to rewrite my childhood. I chose to place this adventure in Brazil, land of splendour and joy, with an eternal childish soul." Sebastien Tellier

The recording produced by the artist took place between Paris and Rio de Janeiro during the year 2013. These adventures brought him into Jean-Michel Jarre’s, Bernard Estardy’s, and Philippe Zdar’s (Cassius/Phoenix) studios.

L’Aventura is a record of shores stretching in an everlasting restart. Naive art carried by an openheart and childish vision of the creation, close to his classic Sexuality (2008).

2020 repress!

Borne of mutual inspiration, legendary duo Dopplereffekt and sonic adventurer Objekt present "Hypnagogia", a split 12" with each transmission derived from a shared journey into extrasensory perception and subconscious thought.

"In Return" more than delivers on the promise of ODESZA's previous work. A record with a precocious maturely and coherence, it's a start-to-finish stunner of pop-infused, electronic wonder, littered with infectious hooks and potent atmosphere.

Cosmic Club is a Sylax Sub – label. For this 14th release, we give you the opportunity to grab 6 fantastic trax done by one of today’s hotest producer from germany : ANDREAS GEHM aka ELEC PT1.After a bunch of releases on MATHEMATICS, BUNKER, CHIWAX, SNUFF TRAX, he sent us his brand new tracks & we felt it was so good that we decided to release them straight ! His sound is firmly rooted in proto-house and acid. A whirlwind of crystalline electronics, playful synthesizer riffs (with a dash of original chi-town jack thrown in), it comes on like a particularly cosmic jam session between Stevie Poindexter & drexcya. Jack Attack ! On this evidence, Andreas is clearly one to watch!

Marking the start of an exciting new collaborative project, Wolf + Lamb proudly share the debut release of The Waves & Us. Formed out of a creative meeting of minds between Maayan Nidam, Markus Nikolaus and Louis McGuire, theirs is a sound that strengthens the storied approach of a live band with the experimental thrust of analogue electronics. Pop and rock fundamentals lend an earthly hook to the tracks, but these are anything but straight-forward songs. Maayan has already forged a formidable career in electronic music, both under her own name and as part of Mara Trax, scoring releases on such celebrated labels as Perlon. Markus performs his own solo project Cunt Cunt Chanel, while Louis is part of Ballet School, a band releasing on noted indie label Bella Union. The whirlwind of creativity that has whipped up around the trio has yielded an album which will follow this single, made up of one-take recordings that capture the energy and adventure that powers The Waves & Us. Maayan's electronics provide the atmospheric backdrop to the songs, running modular synthesisers and drum machines through detailed chains of processing and effects with an emphasis on a warm, charmingly rough finish. Markus' guitar undergoes a similar fuzzy treatment while his voice calls out introspective, abstract lyrics to set the mind racing. Louis' bass underpins the music with a dubby sensibility, bringing a necessary balance to the frequency range. Making the most of their in-the-room recording approach, the singles will feature alternative takes of the songs that will appear on the album, providing a little insight into the flutters and fluctuations that shape the development of this project. With their eyes fixed on live performances and an arresting sound already formed, this is a vital time for all three artists and the people that listen to them.

"Eat My Pussy" is the delightfully nasty debut solo release from Latvian artist Anet K., coming out on Pomelo November 24th. The title track, featuring Anet’s vocals and production, functions as both a demand and endearing request, fusing her encyclopaedic knowledge of electro with a cunning lyrical twist. With such a explicit title, it should come as no surprise that the inspiration for “Eat My Pussy” comes from firsthand experience. Anet K. is no stranger to the scene – as a long-term resident of Berlin she’s contributed vocals to several recent releases, including Barker’s “Like An Animal” on Leisure System. For the remixes, DJ Stingray presents the vocals as an even more aggressive command, while the legendary Egyptian Lover raps some addictive verses and completely revamps the arrangement, presenting his personal ode to cunnilingus in an earworm chorus. On the dance floor or between the sheets: you won’t forget “Eat My Pussy” anytime soon.

Lower Parts is a Greek label involved in music, fashion, art and multimedia projects and it has been since 2013. After starting by showcasing lots of local talent, next up on the label is international talent Andreas Gehm aka Elec Pt1, who gets remixed by Damcase and Anoplois. German Andreas is an acid and techno innovator who has released on Mathematics and Chiwax and here comes correct with two great new cuts.

At sunrise, stuck in the last floor of his apartment in Paris, with his elbow on the breakfast table, Rone sink into his dream and ventures into a Wonderland alternately fairy-tale and nightmarish. Hard to find a better illustration than the videoclip of “Spanish Breakfast” to introduce the melting relationship sustained by RONE`s music with imaginary realms. This first collaboration with French short-film boy wonder, Vladimir Mavounia-Kouka could only give birth to a Fantastic piece of work and a relevant visual metaphor for the daydreaming nature of this first album. After a first cut with Lucy on Curle last year, Rone signed a proper 12” on Agoria´s imprint InFiné. Ranking among his best supporters Massive Attack 3D, English superstar Deejays of the likes of Sasha, Lee Burridge and Dial´s or Border Community’s champions, his gliding Bora EP was a first tour-de-force, which reconciled electronic with indie amateurs. In everyday life, Erwan Castex is making soundscapes for exhibitions, adverts or short-films, but when he starts working on his own compositions, Rone becomes the guide of a enchanted world. But what makes Rone run ? Some Spanish Breakfast entertainments ? A catapult throwing juicy electronica towards orange-suns ? A mound of strawberries, as pop and tasty allegory for Belleville, one of the most colourful and animated district of Paris ?

HHV and Too Good are happy to present this exclusive color run of 1000 red copies of Tommy Guerreros 2014 album "No Mans Land". Back in print for the first time. Only at HHV. As a special treat you can pick up the poster with the artwork of this album in our bonus section.

2022 repress

Hot as lava! Broken English Club delivers the 4th chapter of Jealous God! Comes as usual with a Mix CD.

UK soundboy Beneath makes a shocking step forward with the ice cold bassbin futurism of his PAN debut. Since 2012 the Sheffield-based producer has carved a steadfast reputation with an ascetic production technique augmenting the dread torque and atmospheres of early DMZ dubs with the velocity of classic Grime and Bleep Techno, and the haughty rudeness of early New York House, minting a distinct new sound which sent shockwaves thru the scene thanks to his now-legendary showcase mix for Keysound.

Technopunks 'Last Mensch Standing' with his darkest and well-conceived album ever. Including guest appearances by Julian of 'Scheissediebullen', Luna Nogood and Frittenbude.

Dark Rave is a document of time, Dark Rave is 1994, Dark Rave is 2006, Dark Rave is 2024, Dark Rave is 2034. Somehow, it's simply the place where past and future inevitably merge. For a brief moment. Somewhere between dancing, dreading and rejoicing, because it goes on and on and on...

Björn Peng liebt Metall. Metall, Blut und Knicklichter. In seinem Keller lagern 1000 VHS Kassetten. Alles B-Movies, Horror - und Heimatfilme. Oft bastelt er in seinem Studio an Songs für morgen die klingen wie die Zukunft von gestern. Der Chaos-Computer-Club sind seine Nachbarn. Oft ist es hell draussen, drinnen ist es dunkel, sehr dunkel. Dark Rave, eine Reise.

Dark Rave ist ein Zeitdokument, Dark Rave ist 1994, Dark Rave ist 2006, Dark Rave ist 2024. Dark Rave ist 2034. Irgendwie halt einfach auch die Stelle an der Vergangenheit und Zukunft unweigerlich miteinander verschmelzen. Für einen kleinen Moment. Irgendwo zwischen tanzen, fürchten und freuen klebt es, aber nicht fest, denn es geht immer so weiter und weiter und weiter…

Optimo Music don’t generally do limited edition releases but when The Golden Filter did these extra mixes of “End Of Times”, the A1 track off their recent EP we thought they were too good to remain in the digital domain so have pressed up a small run of 12” singles aimed specifically at DJs. The original single version is a future synth classic. These new dub versions take it to the dancefloor and have been tried and tested around the world over the last few months. They are considerably extended, dubbed out and add extra dynamics & ecstatic synth power with hints of the original vocal. There is a slo mo version at 103 bpm and a faster version at 118bpm which means the track should work any time from warm up to peak set. There is also a Drone-Apella version included too.

Welcome "Central Electronics"! The new dutch imprint presents Orlando Voorn aka The Stalker on the first release. Orlando shows once again his talent to deliver great music in all genres. This time it's an superb Electro 4 racker!

Sabrina & Samantha is the newest Ed Banger records signature a brand new project born from the meeting of confirmed producers Julien Briffaz (Bot’ox) and Laurent Bardainne (Poni Hoax) where mental and dancing techno collide, obviously influenced by tribal tones and the most radical grooves (be reassured! didgeridoo is prohibited)

Temperatures are dropping and we’re all feeling the effects. Bordello A Parigi is letting the cold winds of the north swirl inside its doors with Russia’s Volta Cab bringing a fresh 2LP to the table. A spread of influences come together for the eleven tracks of Rise Again. Take “Emerald’s Phantasy”, a piece built on layers of percussion that blends elements of disco with notes of techno. “Dark Room” is a different affair. Arctic chords are cut with electro and distant vocals for an unsettling treat. “Kruger” stomps to a terse beat before lush pads bloom in a work that builds to dizzying peaks. Warm blasts balance these colder moments, the rich grooves of “Savage Fury”, the floor filling funk of “Board Scandinavia” and the removed romance of “Sweet Exorcist” all show another shade to the Volta Cab sound and of course there’s more. Rise Again is an audio collection of vibrant colours and hues, tracks pitch from icy blues to autumnal ambers and fiery reds; a musical kaleidoscope that stretches across a spectrum of styles.

Classic Original mix (Remastered) + 4 long Ricardo Villalobos Remixes All four of these remixes are essential tracks that prove Villalobos at the height of his powers, and as such they are sure to become regulars in his DJ sets throughout 2018.

Super solid and hand-selected line-up on number 9: Tracks by Bufiman (Wolf Müller), Betonkust & Palmbomen II, Space Dimension Controller and Lena Willikens! Tip!!!!
To celebrate the 10th anniversary of Dekmantel’s goings on in the world of events, festivals, and great music, the team behind the label have been releasing a record a month featuring some of their favourite artists, as part of a ten-year anniversary series collection. Featuring acts close to the label’s collective, debuts, and legacy talents the crew have always wanted to sign, the series has seen the likes of Gigi Masin, Call Super, Fatima Yamaha, and more. This penultimate EP, sees Dekmantel debut releases by Lena Willikens, Space Dimension Controller, and Dutch lo-fi star Betonkust and Palmbomen, in addition to a special cut by Bufiman.
The EP kicks off with a new track by Salon Des Amateurs resident Bufiman — real name Jan Schulte — who also goes by Wolf Müller. 'Hymn to the Moonface' ensures that percussion comes first and foremost, in this upbeat, prog-breaks, jaunty, summer cut following up on his Dekmantel debut "Peace Moves". Dutch duo Betonkust and Palmbomen release their first track on Dekmantel with 'Onrust Bij Tihange' - an ode to the Tihange Nuclear Power Station in Belgium. Specialists in crafting lo-fi, nostalgic sounds, Betonkust and Palmbomen do what they do best, with a pulsing, analog, nostalgic electro track that sounds as if its been fed through a VHS player, a top of recording of Miami Vice. What happened at Tihange through is another question.
Belfast-producer Space Dimension Controller, a.k.a. Jack Hamill adds some galactic, space-flare, mid-tempo, D-funk to the flip side. With a debut EP dropping on Dekmantel soon, SDC contributes one of his most beautiful compositions to date, highlighting his flair for melody, blending it astutely together with rich techno hat and snare combos. Concluding the record, is Dekmantel favourite, Lena Willikens. After so many appearances across so many of Dekmantel festivals, it’s a pleasure to have the astute selector release a rare production on the label. Willikens' dark wavey cut is something one would expect to hear in one of her sets, sounding like a modern take of a long-forgotten, and unknown krautrock band.

Deaf Chonky is an Israeli Folk, garage & punk duo formed by Adi Bronicki and Tami Kaminsky. The two members of the band grew up in Rehovot (Israel) where they met and rehearsed. Their name (which means “Girls” in Russian) was given to them by Kaminsky’s father. The band’s musical influences go from garage punk to Russian folk music. This is their 1st EP for Red Axes’ label Garzen Records. Incudes two remixes by Manfredas & Red Axes.

The artist sometimes known as Huerco S. ushers a phase shift of sound to the shoegazing harmonic gauze of Make Me Know You Sweet, his immersive debut proper as Pendant. In this horizontal mode, Brian Leeds relays abstract stories from a headspace beyond the dance, placing his interests in the Romantic landscapes of JMW Turner, Robert Ashley’s avant-garde enigmas, and Indigenous North American philosophy at the service of a more expressive, oneiric sound that sub/consciously avoids the trapfalls of ‘chillout’ ambient cliche.

Here comes In The Dark Again 09! Please open your ears for five sonic adventures,
brought to you by the amazing sound explorers Moralez feat. Zombierella, Zak Famellos, Textasy, Night Caller and Vinilette!

The long-awaited, first-ever vinyl release from the Osaka-based band goat. The five tracks being compiled from their debut CD “New Games” (2013) and their second album “Rhythm & Sound” (2015). The titles of those releases provide a hint: a sense of joyful play within defined structures, and an emphasis on propulsive pulse and a prioritizing of pure percussive sound over melodic content. With guitar, bass, drums and saxophone, goat create music which is unlike any rock band, utilizing harmonics outside standard tonality, as well as clever muting, to craft the intricate, driven, forceful compositions of Koshiro Hino, aka YPY.

goat is currently going through a period of new development and further exploration of intertwining patterns of rhythmic repetition; this compilation is the bedrock. Superbly recorded and mixed by Bunsho Nishikawa, mastered and cut by Rashad Becker, cover art by Tomoo Gokita, this release will be a revelation for your turntable.

“goat's is a singular sound, improvised frenetic rhythms, reined in by weeks of rehearsal, until a monstrous battery emerges. See them live in Europe this summer and prepare to be absolutely blown away.”

Arte Moderno was a project running in parallel lines to the overriding trends in early 80s Spanish music. Short-lived as it was (active between 1981 and 1982) its musical output has continued to amaze the connoisseur ever since. Their only 7” single Ninette en New York (Ja Ja Records,1982) is today an item highly rated by collectors and DJs worldwide. The band hailed from the Canary Islands in late 1981, being its nucleus Javier Segura, seriously prolific musician active since the 70s, and Juan Belda, who had worked together previously. As Javier Segura himself states in his notes: “The tracks were created with a TR-808, harmonised with textures and guitar screaming, and the rich Belda keyboards plus choruses effects and noises I recorded on a separate tape.” Mandi Capote at drums and Javier Cabrera at bass guitar joined later on. Arte Moderno recorded a grand total of 8 tracks, of which only 2 were released at the time.

Previously unreleased soundtrack by the guy behind Pas de deux! Inc digital bonustracks + postcard

From a lost Australian electronic soul gem, to a cult classic: Shahara-Ja’s ‘I’m An Arabian Knight’ has gained much momentum since it’s 2017 reissue, so much so that the Egyptian Lover reached out to the label proclaiming he’d do a remix. The electro innovator who the original release appears to be highly inspired by seemed like a perfect fit for this sleazy late Night groover. The result is 3 fresh mixes using elements of the original session tapes and the perfect touch of the Egyptian Lover’s signature 808

Solar Phenomena keeps up a busy schedule with the third EP of 2018. This one comes from cult UK artist Duckett who's past collaborations include Tom Demac, Grimes Adhesif and Leif. Recently he has served up solo EPs for labels like Galdoors, UntilMyHeartStops and Wisdom Teeth. Mixing up elements of IDM, techno and ambient, he is a sculptor of timeless tracks that come from another world.