Electro 237 Items

Rough sounds burning down slowly, clashing like uncontrolled bodies in a turmoil of deviated thoughts. Lux Rec releases the first EP from Lausanne born, Zurich based musician, 808Hz. The record consists of three original tracks and one rework by Savage Grounds.

After leaving his noise-soaked techno signature on Details Sound with the uncompromising ‘Informations’ 12”, A Hand is returning to the label with a healthy dose of enigmatically crafted sounds, made to stick in your head and body intensely.
On ‘Breakline’, a hunting dark bassline is backed by relentless drum patterns cut with machine gun precision. ‘For A Better End’ takes off into a swirling atmosphere propelled by anti-gravity beats. ‘Slow Injection’ expands further into dense and obscure realms of electrified experiments. The wandering 'Your Lost Dreams’ carries us to a breathtaking conclusion filled with abstract suspension.
Slow Injection EP' is a four-cuts selection of captivating tension and release from Italian producer and sound artist Giuseppe Magistro. Edition of 300 copies.

Abstand is a duo project by Martin Brugger and Simon Popp, both members of the Munich-based jazz group Fazer. On their debut 12″ Opek they provide off-kilter polyrhythmic percussion psychedelia, layering live and unedited drum tracks blended with sparse electronics that add a subtle Middle Eastern tint.

Over the course of the last two decades, Detroit-based duo ADULT. (Nicola Kuperus and Adam Lee Miller) have released six albums and nineteen EPs and singles across some of our favorite labels: Mute, Ghostly International, Thrill Jockey, Clone Records, Third Man Records, and their own label, the revered Ersatz Audio.

Following his R&S debut, Afriqua (aka Adam Longman Parker) presents Vice/Principle, his second release for the renowned Belgian label. Recorded in the summer of 2017, Vice/Principle began as one of Afriqua’s seasonal music packs, a quarterly offering of original tracks shared privately with a small cohort of friends and collaborators. R&S quickly picked up the collection, which expands on the melodicism and textural depth explored on his previous release for the label, Aleph.

The Shanklin Sessions came out of the Shanklin Road studio that Andy Sims shared with one of his partners from Soft Rocks, Bobby Coulman. Acid Jan started it's life as a Jan Hammer edit that Andy was doing for one of Soft Rock's Disco Powerplay releases. There were a few parts that never made the final cut, but were too good to leave, so Andy got friend Jaime Read in to jam with the left over bits, and from that Acid Jan was born
none of the Jan's original parts made it to this finished re-incarnation). Acid Jan found it's way onto Cynic label boss Felix's USB and subsequently was played at every festival/club that Felix played for about a year. When Andy heard Felix playing it at Alfresco Festival in 2016, they decided to release it on Cynic. In search of a B side for the release, Andy dug out the other DAT's from the session Acid Jan was recorded at, and found Sitars over Shanklin, a suitably oddball track to grace the other side. A little piece of Chicago via India recorded in Brighton.

Anklepants introduces his brand new album for Detroit Undergroud, a collection of ten cuts, made with his very own arsenal of digital and hardware toys, most of them self made and customised for his purposes. This multi faceted artist creates a blend of twisted ryhthms, synthetic melodies and weird textures and noises, yet danceable stuff but with heavy focus in experimentation and risk.

After more than a decade of deep, expansive productions on labels such as Detroit Underground and CPU, Annie Hall arrives on MUSAR for a record typically rich in texture and understated grooves. Indebted to vintage electro and IDM, Hall's music is no throwback, always looking forward and moving dancefloors in the most unexpected ways.

Arte Moderno was a project running in parallel lines to the overriding trends in early 80s Spanish music. Short-lived as it was (active between 1981 and 1982) its musical output has continued to amaze the connoisseur ever since. Their only 7” single Ninette en New York (Ja Ja Records,1982) is today an item highly rated by collectors and DJs worldwide. The band hailed from the Canary Islands in late 1981, being its nucleus Javier Segura, seriously prolific musician active since the 70s, and Juan Belda, who had worked together previously. As Javier Segura himself states in his notes: “The tracks were created with a TR-808, harmonised with textures and guitar screaming, and the rich Belda keyboards plus choruses effects and noises I recorded on a separate tape.” Mandi Capote at drums and Javier Cabrera at bass guitar joined later on. Arte Moderno recorded a grand total of 8 tracks, of which only 2 were released at the time.

Artefactos de Dolor is Alyssa Barrera's [LDY OSC, The Bunker] means of expressing the grit and glory she has discovered being a native of Mexico, and having grown up on the US-MX border. A primal, ritualistic chanting of the ancestral calling within her to find the place where she calls home— the mother matrix in 237. The connection to the harmonic structures from the machines and the invocations called upon are buried in the electrical charge of the tape. Produced by Interval's Todd Sines [Peacefrog, Planet E, Residual] and Charles Noel [21/22, Ongaku, Black Nation] their background of experimental music and love of hardware has made these three collaborate and present Artefactos de Dolor.

New from the ever discerning Nous camp comes AYLN's RehtomEP, a 25 minute exploration of the kind of unrelenting machine music for which both artist and label have come to prominenc
Side A is a journey through sparse syncopated rhythms, industrial noise motifs and the kind of buzz and hum that the heroes of the second wave of techno music championed, culminating in the EP's title track 'Rehtom' which is an exercise in analogue techno mastery.
Side B's delivery is subtly more dulcet, kicking off with Digital Memories, which has a more classical techno structure than anything that came before, building intricate melodies into an otherwise taut and tightly woven electronic landscape while the closing Impulsive Sheit is a gentle downbeat number, exploring the space within the music and creating an atmospheric ambient discourse to outro the heady charge of the EP as a whole.

Iraqi band Babylon Trio from Brussels plays an electrified ravey mix of contemporary Iraqi and Arabic music styles, such as choubi choubi, dabke, maqam and electronic hybrids that put the dancefloor on fire.

One of the top drummers in the Israeli scene, Tel-Aviv based songwriter and producer Beatfoot launches his solo project with the powerful new EP De Vibez, a fanciful gutter-glam cross between stoner-acid-pop and 90’s-garage-punk. Side A contains some stunning originals alongside a surprising cover of a melancholic oldie by the legendary german singer Nico. Side B be the remixes: the first, a colorful club-driven remix by Garzen Records head honchos & electronic duo Red Axes, followed by a groovy down tempo drone version by the mesmerizing Smagghe & Cross.

Bell Towers is finally back with a new record for Public Possession. Ikea Hack origi-nally produced for the runway, was too good not to explore further. Once again perfectly showcasing BT`s abillity to transform emotions into melodies, bridging gaps between various musical influences - the revisited and extendend ver-sions presented here, will leave you with two choices: Chillout & Dance Mix. In ad-dition the material was handed over to Baba Stiltz, who delivered his very own more minimalistic, extremly hypnotic take on the Ikea Hack.

Taken from the forthcoming Dekmantel LP Center Parcs by esoteric Dutch production duo Betonkust & Palmbomen II, comes the 'Leo/ Mirjam’. The track is a rendition of upbeat-melancholic, future- retroism, and a slice of saturated house music. The flip features a special, unyielding, acid-tempo rework by Legowelt. Likely to vanish soon.. TIP!

Repress from Innershades & Betonkust's 2018 NEW Beat superhit Forever In Boccaccio! Comes fully remastered and in a new sleeve. Limited to 300 copies.

Rotterdam's mysterious studio-wizard strikes on the joyful label of Baltermore isle. Get alleviated and dream on!

Blue-marbled vinyl.

This is a strictly vinyl only, no digital, limited collectors edition 12". It is re-mastered from the original digital files by Beau at Ten Eight Seven and made in the Designers Republic. Six lost slices of leftfield electro including the mythical and mysterious 'Hotline' a track that was originally scheduled for release on Mo’Wax back around about the year 2000 but only ever reached test pressing for reasons no one can quite remember, alongside five other tracks that take in dancehall, hip-hop and 2-step garage, all recorded during the same session.

Copy closer to NM

Label sleeve.

Sit down in your comfiest jawn, strap those noise-cancelling jawns on and prepare for those jawns in your eye sockets to tumble out your head when you hear this collection of thumping jawns whipped up by Philadelphia’s BPMF. One half of legendary electro duo Synapse with John Selway (who he co-runs the equally-esteemed Serotonin imprint with), BPMF has been churning out no-nonsense electro smangers and experimental techno since the early 90s. Currently he holds the title of Eastern Pennsylvania’s premier live-PA electro dad while also running his own label, Schmer. Various Jawns is exactly that; four varied jawns packed on one plate. ‘Tell Mommy Bye’ is an electro ripper in the true American lineage while ‘Trunq’ and ‘J’pn’ are lighter, more noodling affairs. This plate’s entrée, ‘House of Jawn’, is a fourteen-minute knob-twiddling trip through the twisted fever dream of a raver long past. Thankfully our esteemed producer has given us a respite from the beatdown about halfway through. Drop the needle there to start the adventure at the Lower House of Jawn if brevity is your thing, man.

Beautiful 1 LP Edition 140g Vinyl, Heavy 350gsm Sleeve, Liner Notes, Sticker - 11 never-heard tracks from Synthzerland pioneer Bruno Spoerri, released for the first time on vinyl, with liner notes by the artist. WRWTFWW Records is very delighted to announce the release of Rare & Unreleased 1971-1998, a collection of never-heard and hard-to-find works by Swiss music pioneer and synth super wizard Bruno Spoerri. The album is sourced from original masters and available on a vinyl LP cut at Emil Berliner Studios (formerly the in-house recording department of Deutsche Grammophon), housed in a 350g sleeve with a superb artwork by Nicolas Eigenheer, and packed with track-by-track liner notes by Mr. Spoerri.

Chicago's Justin Aulis Long and Ken Zawacki return to L.I.E.S. with their second ep under their Circling Vultures moniker. On this offering we get four tracks of tough yet psychedelic machine music. From slow bpm beaters to metal on metal floor cuts, these are executed with precision to do maximum damage whenever played. Sinking their teeth in and never letting go, looming over and waiting for the right moment to strike...tense music for the end times! Another killer from these seasoned club vets.

First release from new label ANALOG CONCEPT from St. Petersburg, Russia! This EP contains four classic deep electro jams by new local talents CLOCKED DEVICES & STRANGE FM.

Coletivo Vandalismo kick-start a new 12" series for the Contort Yourself label. Hailing from the city of Porto the duo also DJ under the name GAM and released their debut LP on Lake Haze's Eye For An Eye label. Their music has an immediacy that seems to stem from a background in live performance as opposed to polished studio sessions - an improvisational punk aesthetic that manages to carry this EP so strongly. Wild, crashing fx and unrecognisable vocal distortions layer atop wonky 90bpm drum machine grooves and the pair even show off what may be their turntablism skills on 'Zombie Zombie'. There's a nod to early concrete on the closing track 'Black Sun's Demise' with whirring, mechanical noise motifs suddenly jolting us into punishing gabber-at-33-minus-8 territory. The DIY spirit is alive and well here and the feeling that things could fall apart at any minute just adds to the tension.

Ren Schofield has returned with a new installment in his notorious "LP" series for Spectrum Spools. "LP" has all the earmarks of the classic Container sound with it's uber-mangled, saturated tape garble and headlong tempo macabre. However, this new set of tracks feature an attention to composition unlike much of the Container we've previously heard. While the tracks unfurl across two sides of wax the contours and jagged edges of each sonic sculpture display a new refinement while maintaining the full capacity to vaporize any club floor with Container's traditional recklessness.
Miraculously, this new "LP" manages to incorporate some more traditionally 'musical' elements thus far untouched upon in the projects output while simultaneously delivering it's most damaged and blown out offering yet. Despite leaving a trail of albums that get more intense with each passing year, this "LP" is bar none the most loaded. The tracks feature a trajectory with narrative, surrounded by broken acid basslines grating against disintegrating tape loops. This is the infectious and singular hypnosis Container has become well-known for. Overloaded drum patterns, washes of feedback, and dying melodies - it's all here and somehow it's restructured to be different and better than ever before. With this latest installment, there are no longer shambles but merely dust left behind.
As Container continues to evolve in an upward motion, "LP" presents a refreshing and welcome new chapter.

Vinyl close to NM. Still in shrink, but opened

This is a 140g pressing on black vinyl. Musique Pour La Danse presents Cron aka Todd Sines 'Scalable Architectures', the classic 1997 EP remastered. For fans of Dopplereffekt, Drexciya, Keith Tucker, Mid-West Electro.

Crotocosm is an occasional collaboration between Jordan GCZ (Lushlyfe, Off Minor) and Willie Burns (Black Deer, WT Records). Tracks were recorded together live in Amsterdam and Brooklyn between 1996 and 2017..

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Deaf Chonky is an Israeli Folk, garage & punk duo formed by Adi Bronicki and Tami Kaminsky. The two members of the band grew up in Rehovot (Israel) where they met and rehearsed. Their name (which means “Girls” in Russian) was given to them by Kaminsky’s father. The band’s musical influences go from garage punk to Russian folk music. This is their 1st EP for Red Axes’ label Garzen Records. Incudes two remixes by Manfredas & Red Axes.

„Beauty Of Decay“ is the first release from the Post-Punk-Electronic-EBM-Cold Wave-Minimal Synth project of Thomas Heckmann that he started in 1985. One of his oldest and unreleased projects finally available on vinyl.

Blend has been doing his thing around town since the early 80s..As you can see from these tracks, this cat knows what he's doing!