Electro 795 Items

Release: 2021 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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12" | 2021 | EU | Original (Permanent Vacation)

Marvin & Guy

Migration

Release: 2021 / EU – Original

Genre: Electronic & Dance

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LP | 2021 | EU | Original (Infine)

Rone

Rone & Friends

CD | 2021 | EU | Original (Infine)

Release: 2021 / EU – Original

Genre: Electronic & Dance, Pop

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“Rone & Friends” has the musical colour of Rone’s friendships, of his crushes for a few additional less expected guest voices, but also inevitably of his own personality. With a strange year 2020 where borders and concert venues have closed, Rone felt the need to come closer to his artist friends and to reshuffle his creations with their voices as the new beating heart. The new collaborative album includes voices by Georgia, Yael Naim, Casper Clausen (Efterklang), Flavien Berger, Jenny Beth, Dominique A and many others. On the surface, Rone’s latest album, ‘Room With A View’ seemed to mark his return to solitary, contemplative instrumental electronica productions akin to his debut album ‘Spanish Breakfast’. In reality, the show of the same name, which took place over a week in the prestigious Théâtre du Chatelet in Paris, is the result of a permanent collaboration with fifteen dancers of the Ballet de Marseille and the avant-garde dance collective “La Horde", which fed into all the decisions made around the album campaign. The albums’ artwork is unequivocal in this regard. The health crisis in March 2020 forced the closure of the theatre and paralysed the development of this unique show at the crossroads of disciplines, which, up until then, was met with both critical and commercial success.

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Rone

Rone & Friends

17,99 €*

LP | 2021 | EU | Original (Wave Tension)

Release: 2021 / EU – Original

Genre: Electronic & Dance, Pop

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Suir

Studio Session

17,99 €*

Girlfriends And Boyfriends

Release: 2021 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Suir is a duo based in Cologne, Germany. Formed in 2016 when Denis Wanic (guitar and vocals) and Lucia Seiss (synths, guitar and bass) joined forces for their band project. In a constant interplay of guitars and synthesizers, supported by minimalistic and electronic drum rhythms and melancholic lyrics, Suir produces a reverberated psychedelic post-punk defined by a dense, lynchesque sound. Especially their live shows are known for their cinematic, atmospheric music defined by complex sound walls and the hypnotic visualisation – like waking up from a dark and intense dream. Being locked down in their apartment/studio in Cologne during the Covid-19 crisis, not able to play live shows, they re-recorded a selection of tracks from their previous albums in a live rendition to capture the raw intense feeling of their live shows which they are dearly missing right now. The session also includes the previously unreleased track “Not Accustomed To Be Hurt”.

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Fallacy Of Fairness

LP+7" | 2021 | EU | Original (Oraculo)

20,99 €*

Rinº19 Overturn & Inter Gritty Remixes

Release: 2021 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Vancouver post-punk quartet third LP shows some tremendous growth in terms of songwriting and delivery. Hooking the listener from the very beginning, it’s danceable, it’s dark and it’s rock. Fallacy OF Fairness Ltd. Edition 12” + 7” Album comes presented in a One-off truly limited edition of 200 copies lacquered pressed on 180 gr. high quality Solid Black vinyl. All tracks have been specially remastered for Long CUT vinyl by Daniel Hallhuber at Young and Cold Studios.

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Annie Hall

12" | 2021 | EU | Original (Random Island)

12" | 2021 | EU | Original (Oscilla Sound)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Annie Hall once again proves why she is one of the most interesting producers right now, continuing to carve her own niche of future machine funk right in between techno, electro and IDM. Overturn delivers a razor sharp remix with plenty of attention to detail, while Inter Gritty closes the EP with some serious old school vibes.

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Big Hands

Lakamha

Tape | 2021 | EU | Original (Moving Rhythms)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Baroque Sunburst Co-Founder And Honest Jon's Team Member, Big Hands Displays His Potent Production Prowess On The Next Oscilla Sound Release With Three Tracks Touching On Organic Soundscapes, Illbience And Muddy Bass Oddities. In The Old City Of Lakamha Ancient Tombs Stand Tall And Ruined, Woven With Moss. Birds As Old As Time Beat Their Wings Over Tropical Forests; Their Cries Bouncing Off Wet Rock Lassoed With Carvings Of Mayan Symbols. '1346' Begins With Stirring Synths And Dub-Echoing, Low Frequencies Encompassing Both Spatiality And Aberration Before The Heads-Down Atmospheric Roller 'Calix's Head' Lays Down Sharp, Acid Flutters And Ghostly Ripples. 'Louis H Theme' Is An Ode To The Radical Minimalist Composer Moondog (Louis Thomas Hardin), Whose Experiments With Polyrhythms Continue To Influence Numerous Generations Of Musicians. The Track Features Swampy Bass That Balances Weightlessly With The Hypnotic Sonics And Breezy Rhythms.

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Capslock

Rhythms On Tape 001

12" | 2021 | EU | Original (Oraculo)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Limited Edition Cassette by Capslock in Black or Red (random selected)

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Ober Dada

Tanzare Feat. Foer

18,99 €*

Secret Passage Blue Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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The Moscow’s dancefloor burners are back with the new single “ Anzare”. Offering again their usual modular sonic artillery and their lovely blend of electro, dark techno and body music with 2 new tracks that are insured/guaranteed floor-fillers. Tanzare Ltd. Edition EP comes presented in a One-off truly limited edition of 200 copies lacquered pressed on 180 gr. high quality Magenta vinyl. All tracks have been specially remastered for Long CUT vinyl by Daniel Hallhuber at Young and Cold Studios.

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Gavilan Rayna Russom

2LP | 2021 | US | Original (W.25Th)

31,99 €*

LP | 2021 | EU | Original (Darkhan Music)

Release: 2021 / US – Original

Genre: Electronic & Dance

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Growing up in deindustrialized Providence, Rhode Island of the 1970s and 1980s provided NYC-based composer and interdisciplinary artist Gavilán Rayna Russom access to derelict subterranean spaces including the mile-long East Side Rail Tunnel. The tunnel's reverberant darkness would produce distinctive sensory effects and host Russom's formative experiences of interpersonal connectedness, liminality, transgender identity, anti-capitalist desire and state repression. Secret Passage – an absorbing, memoiristic work by Russom, whose synthesis-based practice fuses information and expression into organic wholes – draws on memories of "unsupervised autonomous zones where I tasted the possibilities of a world without surveillance," as she writes in the liner notes. Inspired by "this beautifully neglected place," the music resounds with ghostlike echoes and raw pulsations. Russom utilizes synthesizers, field recordings and voice to illustrate hallucinatory revelations of the city's lightless undercarriage. Each track of Secret Passage, originally released as a limited cassette on Voluminous Arts, is dedicated to a friend – entwining personal liberation with collective discovery. The East Side Rail Tunnel has been inaccessible since the 1990s, the result of urban development and gentrification.

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Lueur Verte

Crystalica

29,99 €*

The Way Of Union And Being

Release: 2021 / EU – Original

Genre: Electronic & Dance, Pop

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The real 80s vibe has finally arrived! Originally a digital only release in 2013, Lueur Verte's legendary mini album. Crystalica is finally seeing the long overdue, and truthfully deserved light of day on physical formats. Setting the scene with its alien crystalic cover, Crystalica takes the listener on an 80s nostalgic outrun race, android circuitry, topped of with a micro gene that provides the listener with a soundscape of movies such as Miami Nights (1984). Producer and artist Michaël Brun (Lueur Verte) is the mastermind behind Aphasia Records, who was among the first to discover artists such as Perturbator and Dynatron. Over the years Lueur Verte has released various remixes, his latest addition is a remix of the song "Alright" by the legendary Barretso. Lueur Verte is the top notch of the grandiose, super high quality French synthwave / outrun genre, which puts him in a league of his own. A synthwave Icon.

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Antonello Teora

LP | 2021 | EU | Original (Blizzard Audio Club)

10,19 €* 16,99 € -40%

12" | 2021 | EU | Original (Lunar Disko)

Release: 2021 / EU – Original

Genre: Electronic & Dance, Pop

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The Way of Union and Being” is born from the sometimes-unavoidable necessity of reinterpreting the perception of the spaces around us and the outside world in general, in order to have a truer and clearer vision of the inner spaces and the inner-self.

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Lerosa

Authority EP

Release: 2021 / EU – Original

Genre: Electronic & Dance

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The profusely productive Lerosa returns to Lunar Disko with another excellent EP, taking us on another jaunt through the interstellar synth world of Leo Rosa. A 5 track EP which also features another distinguished remix from fellow Roman, Marco Passarani.

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Oz Echoes: DIY Cassettes And Archives 198

LP | 2021 | EU | Original (Efficient Space)

21,99 €*

12" | 2021 | EU | Original (Dom Trojga)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Oz Echoes peels away another layer of Australia’s ’80s DIY hive mind. The Oz Waves successor exposes a deeper circuit of micro-run cassettes, community radio archives and irrationally abandoned studio sessions, as Steele Bonus sequences a 10-track compendium of drone pop, psyche-electronics and agitated tape cut-ups. From the Sydney cassette network, The Horse He’s Sick returns with an industrial car crash, alongside Wrong Kind of Stone Age’s pagan cacophony and primal riddims. M Squared dynamo Patrick Gibson appears in both Height/Dismay and Mr Knott, his respective studio-as-an-instrument collaborations with Dru Jones (Scattered Order) and ex-Slugfucker Gordon Renouf - the former’s worn out apparition hails from an instantly deleted 1981 7″, while Mr Knott entrust one of the compilation’s five previously unreleased tracks.

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Jamaszka FT

Untitled

12" | 2021 | EU | Original (Tau)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Slowly but surely, the Dom Trojga saga continues, and there could hardly be a more fitting way to start off its next chapter than with jamaszka FT’s untitled extended play offering. Conceived and executed entirely during lockdown rule, the record is a pointed expression of the angst and confusion that we all fell prey to - aimed at a dancefloor that was not to be, yet delivered with a gripping honesty that in itself offers consolation. Difficult to pinpoint stylistically, the music shifts from dense to sparse, with hazy un-rave anthems, hints of fourth-world minimalism and hazy, dreamscape echoes - all in keeping with the protean genius of jamaszka FT himself, who remains one of the most spontaneous, and idiosyncratic, if somewhat cryptic, artists that populate our scene. In keeping with this very aura, we had Miko?aj Moskal take care of the cover art - a distinctive stylist if there ever was one, his work constitutes a language of its own, traceable across his incredible output. Play this record to your friends and family and keep hope alive. Vital Sales Points: Honestly, it’s a secretive record by a secretive artist, but it’s something that I believe speaks volumes of what 2020/2021 music is. Early support from Lee Gamble.

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Skatman

Lead Master EP

12" | 2021 | EU | Original (Burning Rose & Pelvis)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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On TAU’s second release of 2021, we welcome Skatman to the family. The Berlin-based producer runs his own Scatcity label, making an impact with his deft, emotive touch, enlivening dance floors across the world and finding his way into the record boxes of some of the most influential DJs on the global circuit. More recently Skatman had his debut on TAU via our huge Spektrum 2 compilation in 2020. Now he’s back with a four-track EP to demonstrate the full breadth of his production prowess.

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Purient

Memories EP

12" | 2021 | EU | Original (Central Processing Unit)

Release: 2021 / EU – Original

Genre: Electronic & Dance, Pop

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Pelvis and Burning Rose Records present the debut 12” from producer and vocalist Purient. Her voice floats over tough production on three original tracks, pushing from an icy cool to blistering heat. It’s page one for Purient, and exceptional remixes from Eartheater and Varg²™ further pull the curtain back on her expanded universe.

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Tim Koch

Tourbillon

12" | 2021 | EU | Original (Eudemonia)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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The term 'tourbillon' has two meanings - it is the French word for "whirlwind" and also a device used in watchmaking to improve the accuracy of a timepiece. Both definitions feel apt when listening to Tourbillon, the latest release on Central Processing Unit from Australian producer Tim Koch. Following on from Koch's CPU debut Spinifex back in 2018 - an album that initially emerged via minidisc - Tourbillon is a four-track EP which dazzles with its perpetual-motion post-IDM productions.
These tracks draw you into their webs by forming dense interlocking sonic patterns over the course of several minutes. While the rhythmic programming and lattice of alien percussion tones can appear discombobulating at first, Koch also bewitches the listener with the slyly melodic synth work that he laces throughout Tourbillon.
Opening track 'Estranger' is a fine example of this combination. The first section here is a blend of blown-out drum sounds which comes off like an industrial electro tune run through a meat grinder. However, the track soon blossoms with the introduction of some amazingly atmospheric synth pads, and the two contrasting elements come together for a strange and rather beautiful whole.
'Estranger' finds a mirror-image in Tourbillon's final cut 'Hankert', a track in which more of those gurgling percussive tones play off the rich chord progressions that chirrup away in the background. Between 'Estranger' and 'Hankert' we get two propulsive grooves in the form of 'Disfugue' and 'Dreitark'.
How, then, to contextualize such unique material? Calum Gunn's recent outing for CPU is a good point of comparison, and the electronics here bang and whirr in a manner which nods to the post-IDM innovations of artists like Î¼-Ziq. One can also see Tourbillon as descended from acts like Cabaret Voltaire, the industrial electronics innovators from CPU's home city of Sheffield. However, Tourbillon is ultimately an EP which exists in its own lane, an open-minded and open-hearted set which runs with the futurist spirit of CPU and Koch's previous home of Merck Records.
Australian producer Tim Koch returns to Sheffield's Central Processing Unit with Tourbillon, an EP of otherworldly post-IDM productions.
Riyl: Î¼-Ziq, Calum Gunn, Proswell, Modeselektor

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Vertical67

The Early Hours

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Sub Sonic Survivor Solid White Vinyl Edition

Bass Junkie

2x12" | 2021 | EU | Original (Bass Agenda)

12" | 2021 | EU | Original (Imara)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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British Electro veteran Bass Junkie returns for his second vinyl outing on Bass Agenda Recordings, this time with a full-length album. As his last release, "Low Frequency Fugitive" indicated, he has been working hard on developing his trademark sound and taking things forward; no mean feat for someone who has been ahead of his time since he began releasing Electro in the mid-nineties. He has succeeded though and everything he is loved and respected for is here, plus some advanced structures and elements - Bass Junkie evolved - a true Sub Sonic Survivor. The harder edge is here in tracks such as "Blast Them to Infinity!" and the insanely hard kick of "Star Destroyer". His funkier side shines through too, in tracks like the shimmering space funk of "Rum and Raspberries". For fans of his exceptional vocal work there are treats in store too, particularly in the aggressive attack on the modern state of things that is "Reset".

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Servicio Al Cliente

17,99 €*

2LP | 2021 | EU | Original (Bordello A Parigi)

Release: 2021 / EU – Original

Genre: Electronic & Dance, Pop

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A download code is included.

The second release of Michael Mayer’s IMARA imprint – the self-titled debut by Juliana Martínez, recording as Servicio al Cliente – is exactly the kind of unexpected and quixotic experience you’d want from a label run by a core member of the Kompakt family. In its six gorgeous songs, Martínez teases out both joy and melancholy, her sweet pop melodies set against a backdrop of intimate, gentle, yet beautifully brave arrangements for beats and electronics.

Now based in Berlin, Martínez grew up in Colombia, the daughter of a Colombian mother and Uruguayan father, both psychiatric doctors, from whom she learned a thing or two about the joys of creativity: “My mother especially believed music had no boundaries in what it can do for your brain and soul. Like sort of what sport does to your body.” Martínez attended an all-girl Catholic school, but she also took private music lessons, from which she was expelled “since I composed melodies instead of rehearsing.” In retrospect, this experience reads like a sign of things to come.

After studying law at university, including postgraduate studies in Spain, Martínez decided to change things up: she’d already been playing in a group called Las Palabras Correctas (The Right Words), and eventually found herself embedded in a community of friendship with other artists who “always made songs and art and shared with each other in what we called the ‘Ambassadors of Colombian Music,’ a name taken from a popular Colombian TV show. These friends kept me involved and interested in my keyboards and songs.”

The lovely songs on Servicio al Cliente came to Michael Mayer via an unsolicited demo – “there was no Soundcloud or Dropbox link,” he recalls, “but a beautifully designed website containing an mp3 player. The slightly surreal artwork in combination with Servicio al Cliente’s heartwarming, somehow naive music instantly broke my heart.” There is indeed something deeply moving about these songs, possessed as they are of an uncanny charm, full of ticking rhythm patterns, levitating organ drones and gentle, luscious keyboard patterns. Above it all, Martínez’s voice sails through the air, her delightful Sprechstimme filled with offhand confidence. “It sounds like something that I’ve always known,” Mayer marvels, “like an old forgotten friend or a childhood memory that pops up in a dream.”

Servicio al Cliente reaches us fully formed, the complexities of Colombian life etched deep within its DNA. Its surface sweetness, the sensual sashay and sway of melodies like “La mujer que bailó con el diablo” or the opening “Romántico”, betrays a deeper sense of longing that inhabits the songs’ folds, evidence of Martínez’s sharp, smart awareness of the work of memory, a kind of happy-sad splendor. “I feel my music is full of a South American nostalgia,” she agrees, “and is a try to recall a wider understanding of reality which Colombia forces you to have. A bittersweet irony where most things are simply possible. I try (for) my music to sound like this feeling.” And indeed, it was in a moment of great loss and sadness that Martínez decided to share her music: “It was only when my father passed away that I pushed myself to write to Michael with my songs.”

“And Michael replied back.

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Leitstrahl

Chromium Dioxide

23,99 €*

12" | 2021 | EU | Original (Defrostatica)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Leitstrahl were raised on a strict diet of electronic music. Electro pop. Italo Disco. Synth movie scores. This was the bread and butter of this three man Austrian outfit. With more than fifteen years of band history, the trio of Stoff, Paul Raal and Boogaloo Steve are as proud as punch to announce their debut album: Chromium Dioxide. For their thirteen tracks the triumvirate have pooled their enthusiasm and experience, calling on a string of friends to give their selection a unique energy and emotion. Jon Jon, aka John Foster, of Bronski Beat fame, offers his vocals for the rollercoaster ride of “Europa Supersaw.” Nicole Jaey’s mellifluous voice soars in the blazing “Chevrolée,” Christina Mirabilis lends her sweet lyrics for the fiery “Girotti” with Jimmy Baker voicing the pop heartbreak of “White Tail.” Synthlines sparkle across the collection, magical melodies pirouetting in a haze of deep Summer sun. Coursing through the entire album is passion, a passion crystallised in addictive hooks, laserdance rhythms and fledgling romance, a passion that combines Hi-NRG intensity with the reflection of wave and the optimism of italo. Inspired by the 1980s, simply inspirational today.

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Maltin Worf

4AM EP

Leipe Wesens & Zacharias Heronimus

Release: 2021 / EU – Original

Genre: Electronic & Dance

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A mainstay on the label, Dresden-born / Berlin-based B-boy Worf is up there with Kiat as the most consistent and prolific artist in the collective since his ‘City Of Meth’ EPs in back in 2018. Following various appearances and cameos on the imprint since, his emotional, hip-hop influenced designs are back in the form of his most accomplished release so far.

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Cinerama Adventures

12" | 2021 | EU | Original (Cinerama)

12" | 2021 | EU | Original (Ballyhoo)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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There's a mystical place in the heart of Rotterdam, oddly tucked in between the corporate buildings. Bright light boards and red velvet carpets, it's a small cinema that still breaths its old-school grandeur. That's where the Cinerama Adventures project was born, lead by its staff supervisor DJ Overdose. The result are two tracks that go from modern flavored freestyle to sleazy darkroom experiments, both accompanied by the instrumental versions.

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Thee J Johanz & MSRG

ADS-7

LP | 2021 | EU | Original (Infine)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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(Very Limited Full Color Sleeve edition, comes with sticker) Semi promotional record for the Russian Ads7 drumsynthesizer. Thee J Johanz is going from the Chicagoish banging drumsynth only I Wanna Turn On My Beatbox, to nearly Italoesque electro in Drops Of Joy, to end with the (only playable inside out) trippy Italo proto techno adventure in Calm Your Tits Kitty. On the other side 4 tracks with top class electro, all made by Msrg, who is also the man behind the drum synthesizer. Funky, jazzy and even stamping in the last track, always elegant and spot on. Sleeve by Afrobot.

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Sabrina Bellaouel

Libra / WDNTBE

16,19 €* 17,99 € -10%

LP | 2021 | EU | Original (Knekelhuis)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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The first two EPs of rising French-Algerian singer-producer-songwriter Sabrina Bellaouel on InFiné are now available on a single 12″ vinyl edition for the first time. At the crossroads of modern electronic production, alternative RnB & North African beats, Sabrina Bellaouel offers her listeners an unprecedented mix of grand emotion of the Pop stage and the cutting-edge underground flair of buzzing nightclubs Textextext - (add your write up) 2020 saw Sabrina Bellaouel step out of her cocoon a fully formed artist.

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Reymour

Leviosa

23,99 €*

12" | 2021 | EU | Original (L.I.E.S.)

Release: 2021 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Reymour packed their bags in the pre-Alps of Switzerland and left to start a new life in Bruxelles. This debut album finds originates in this transition, again in a bilingual environment, by now a Knekelhuis theme. Leviosa documents the emergence of a kind of dance built from chansons, synthpop and cute minimal wave. Luc Bersier’s wide musical spectrum reaches great heights while staying small. He creates the musical bedrock on which Reymour’s cabinet of musical curiosities rests, allowing us to drift away on the unctuous fumes of Lou’s vocals. On these tracks she covers a wide array of feelings, of doubt, sexual orientation, play and melancholia. And it all comes together in the reflection of life. Close friend and family guy Low Bat contributes vocals and gameplay on 2 of the album’s tracks.

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Moist 96

15,99 €* 19,99 € -20%

Daniel Monaco & Sauvage World

Release: 2021 / EU – Original

Genre: Electronic & Dance

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NYC by way of Miami, Moist 96 is a new project of Rene Nunez, mostly known through the years for his work under the name, Horoscope. Culled together from decaying tapes, bled out and dubbed one too many times over, Nunez took pieces from these 4 track demos drawing back on the music of his youth; Miami bass, freestyle and coked out funk to create this record. The lp being a raw in your face snapshot which is the musical equivalent of a pit bull being locked in a car for hours during a heatwave with the afternoon mix show on full blast. As the artist says, " This is not trying to be some jokey-ironic-funny-costume-campy bullshit. It is trying to be on some real illegal pre-internet bootleg rush-hour mix; 808's on blown-out car systems; cassette tapes melted in the center console speeding by Hot Wheels and Club Madonna’s neon signs; pants-shitting bass frequencies, like a roundhouse kick to your chest type shit. If you’re tired of all this cum fast video game techno you might enjoy this project. And if you don’t, that’s cool, too. I hope everyone keeps their head up, Releasing music right now can feel stupid and unimportant, but hopefully this record can take your mind off shit for a second and have some fun. Thanks for taking the time and listening. "

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Paninari On Acid EP

12" | 2021 | EU | Original (Roam)

10" | 2021 | EU | Original (Library Tool Kit)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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On a newly arisen Amsterdam – Berlin axis, Daniel Monaco and Sauvage World unite for their first collaboration EP on San Francisco based Roam Recordings. “Paninari On Acid” is a twisted tribute to the first golden age of Italian electronic music. Israeli talent Niv Ast turns the trip into a dance floor bomb, leaving no choice but to move with its chubby bass and synthetic lead lines. “Teneré” was not only one of Milan’s paninari favourite motorbikes but – most importantly – means “desert” in the Touareg language. This is where Monaco and Sauvage World are taking you for a lysergic adventure filled with sand through a solitary land. Fabrizio Mammarella brings it back to the age of the machines and delivers an hypnotizing electro version, brilliantly mixing the Arabic tinged nuance of the original with unstoppable killer rhythms and robotic vocals.

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Justice

A Two Minute Experience

Release: 2021 / EU – Original

Genre: Electronic & Dance

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12"+Tape | 2021 | EU | Original (Fm Label)

Detente 2020

Enough EP

14,24 €* 18,99 € -25%

12" | 2021 | EU | Original (Fm Label)

Release: 2021 / EU – Original

Genre: Hip Hop, Electronic & Dance

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Prague based FM Label connects music, fashion and design. Established in 2020 by Uncalled 4, the label joins the flourishing scene of Prague with a vision of music in which the new revisits the old. The second release, Enough, comes from our very own Detente 2020 - the killer combo of Uncalled 4 and his studio partner and close friend, Universe Of Everything. Featuring NYC hip hop legend Afu-Ra and Charlie One on the vocals, the eponymous track Enough combines iconic 90's street rap with contemporary electronic sounds, presenting a scenic layer that provides a movie-like feeling. The EP also features the Czech Filharmony drummer Jakub Tengler, who jammed buckets, pots, pipes and any other unusual object at his reach to create the heavily percussive Bucket Tube. Norway's Fett Burger takes Bucket Tube on a ride through NYC with his 'Work Out' remix, providing the ever-astonishing impression of walking around the streets of the Big Apple. Olsvang?r remix of Enough is designed to smash the dancefloor. Heavily influenced by both the past and the present, his rework shifts between intelligence and sheer rawness. As a final touch, the release is accompanied by an acapella track that will also be found on future FM label releases. Enough EP comes in a special cardboard sleeve which can be reshaped into a vinyl display holder.

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Detente 2020

Enough EP

12" | 2021 | EU | Original (Shipwrec)

Release: 2021 / EU – Original

Genre: Hip Hop, Electronic & Dance

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Caron

Shattered

10" | 2021 | EU | Original (Bonzai Classics)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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2020 was a year like no other. Thankfully, Shipwrec is slowly returning to normality. Not only is the label back to releasing form, but also the roster of artists is being expanded with the superb addition of Caron. Known for his releases on labels like 030303 and Brokntoys, Caron debuts on Shipwrec with a four tracker of sheer quality. Off-kilter percussion introduces the breathy pads and grandeur of "Ancestry," a piece of dreamy chords and acid undertones. The haunting "Common Sense" follows. Drums stagger next spectral vocals in this chilling electro piece. A similar stalking note continues on the flip with the 303 soaked "Lost." A steady kick offers a bedrock from which looming keys, bitter squawk and dancefloor paranoia take hold. Hopeful shades arrive with the brilliance of "Ruins." From industrial percussion and metallic rinses, a deep and intricate finale forms to bring "Shattered" to a terrific close.

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Asphyx

Collection EP

18,99 €*

12" | 2021 | EU | Original (Modal Analysis)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Straight out of the archives of one of Belgium’s pioneering labels; Dance Opera, Frank Struyf aka Zolex and Marco Vanderheyden are the genius behind Asphyx.Housed on a compact 10inch vinyl in a classic Dance Opera artwork, which is inspired by the Atomium in Brussels, this special edition cut will have a limited run of just 500 copies.

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SC-164

Generator EP

Release: 2021 / EU – Original

Genre: Electronic & Dance

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LP | 2021 | EU | Original (HFN Music)

Lydmor

Capacity

Release: 2021 / EU – Original

Genre: Electronic & Dance, Pop

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Lydmor’s new album ‘Capacity’ is a musical maze full of alluring mysteries. At the same time, it is part of a process of liberation, which is about opening oneself up and discovering one’s capacity. For her previous album, Lydmor travelled to Shanghai. But on her new album, Lydmor has mostly travelled deep into herself. ‘Capacity’ is a contrasting musical work where fiction and reality merge into a multifaceted sound universe. It is the electronic pop artist’s most personal, complex and conceptual album to date.

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2LP | 2021 | EU | Original (Feines Tier)

My Home Plants Can Talk

25,99 €*

Release: 2021 / EU – Original

Genre: Electronic & Dance

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12" | 2021 | EU | Original (Sose)

Artificial Latvamäki

Remixes From The North

10,49 €* 13,99 € -25%

New Beat Trax & Old School Beats

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Remixes from the North is an Electro/Techno/Disco vinyl record with 6 remixes from Artificial Latvamäki's Suunta Trilogy, featuring artists such as Recue and CRC (one half of Morphology). The two sides of the record explore two different approaches: murky and scintillating

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A Compilation Of Number Nine Black Vinyl Edition

2LP | 2021 | EU | Original (Finex Fire)

26,99 €*

Release: 2021 / EU – Original

Genre: Electronic & Dance

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180g Double LP (45 rpm) black vinyl pressing, gatefold cover (incl. download code). With 11 tracks spanning from the origins in 1990 to the rebirth since 2005, N9's most wanted releases are here, remastered by French sonic wizard André Dalcan, ready to get turntables at the right 33+8 mood, and get the white glove raised again!

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Dynam'hit Europop Version Française 1990-1995

LP | 2021 | EU | Original (Born Bad)

21,99 €*

12" | 2021 | EU | Original (Salgari)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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France, 1990. Fun Radio, NRJ, Skyrock set a new pace, and their crushing hegemony irrevocably marks the end of the free radio utopia. The giants become vital in the hit industry and carry on fuelling France’s greatest invention: la variété. A quintessentially French version of British dance pop with a very specific tang to it, too coy to emulate trendy clubs’ and rave parties’ music, europop cautiously tests the waters of what will soon turn into a tsunami : house music. Is house the soundtrack of the 90s? In Europe, it gave steam to comeback bands just as much as to the most memorable formations of the decade, while in France it paved the way for the global success of French Touch. “Real” house music emerges in early 80’s Chicago (where the Warehouse club, which allegedly gave its name to the genre, closes down in 1983). England’s acid house and Belgium’s new beat, its European offshoots, fed the cravings of tabloids in 1988 and 1989. The house music we’re interested in though, the type bound to soon overwhelm European charts, is already pretty far away from the afro-american music born in Chicago. So far away it inherited a new name: dance music. Just like it had been the case with disco a few years back, house and techno aren’t exactly in the good books – acid house and new beat even less so. And it’s precisely the genre’s mainstream iteration this compilation focuses on; the house en français, which strives to get on board the running train in 1990. The house which sports the all-over jean look, bandana, cap, chewing gum, peugeot 205 complete with snazzy beats on the radio. The big deal big fuss type, miles away from the original, underground house. It might not have been born in the nineties, but that’s clearly when house music became mainstream. What underpins house music might even be what is to define the decade to come: jingles and pin’s, megaclubs and clips. That and the hits. Very soon house is everywhere: on the air of the big radio stations and on TV, creeping in as far as kids’ programs. The French may not even notice, but they’re all listening to it. Meanwhile, music producers smell the gravy and, willy-nilly with the earnest, enlightened amateurs, propose their very own club versions, cross breeding French variété and house. The result: a chart and club ready ersatz that is to quickly seduce young audiences. Hits, that’s what we want – or tubes for the French, like in House Tube, one of the landmarks of this compilation. The tracklist, like the soundtrack to a club night that never happened, fictitiously reconstructs the fleeting moment when house made its arrival in France, bridging the gap between variété and eurodance. House quiproquo House music barges in like a UFO on European land. With the arrival of this repetitive, yet transgressive music, tabloids freak out, while widespread incomprehension over the genre inspires dubious misconceptions. The media are happy to suckle on the music’s popularity, though well hidden behind the veil of decorum: NRJ airs a remake of a famous new beat track, Rock To The Beat, in which, however, “ecstasy” is swapped for “fantasy”. Dechavanne, thoughtful as usual, calls fans junkies and nazis on his tv show, Ciel Mon Mardi – though the show’s theme song is nothing else than a house track. The footage became a classic, and the comments, sampled by producers, provided the vocals for a flagship new beat track (Dr. Smiley – L’Echo Dechavanne). The Dechavanne episode is representative of the general confusion surrounding this barbarian music; skepticism remained high, even (if not more so?) in the musical world. In fact, it’s the subject of the unequivocal House Tube: “House tube, bouse tube ; on n’aime pas vraiment le house tube House soupe, bouse soupe ; on n’aime pas vraiment le house soupe” That is: “House hits, house shit; we don’t really dig house hits House soup, shit soup; we don’t really dig house soup” The success of house music inspired many exasperated reactions, just like House Tube (the B-side of a deodorant ad’s theme). Laurent Castellvi, surprised that the joke-track he composed at the time still sparked interest, told us: “At the beginning of the nineties, house was all over the radio. It annoyed me a little that most tracks were based on the same two chords. House Tube is a joke, it’s me sitting at the piano playing two chords. And that’s what the lyrics say.” On the other hand and following up with the next track, Fred de Fred was clearly in the know. The Frenchman had moved to the epicentre of the English commotion, Sheffield, a few years prior to the arrival of house. That’s where Warp (Autechre, Aphex Twin) originated – and at the time Warp still went by the name FON, Fred already hung around in their studios. Robert Gordon, Fred’s pal and co-founder of the label, signs the remix of one of his 1989 tracks, Sous Sous. In 1991, he composes a record of songs, and when it comes to pairing a suitable club remix single, Fred knows what’s up. Je T’Aime En Amour, sleek rock, mutates into a syncretism of french chanson and nearly rave breakbeat (here provided in its “2020” version). Fred de Fred is exemplary of the variété-club crossover driving this record; his career started within the collective ZNR, he crossed paths with the likes of Alain Bashung and then the Stone Roses, was close to Warp, and ended up signing a record on Barclay. Studio sharks Electronic musicians are often referred to as “producers”. This emanates from the delimitation of roles in the making of recorded music, traditionally assigned as singer, songwriter and producer. The latter takes care of the recording per se; that is, he manages the project, rents the studio, hires the musicians (known as requins de studio – studio sharks – for accumulating studio sessions) and cashes in at the end. The artist in electronic music is the producer alone, who essentially combines all roles at once: totally autonomous in his home studio, he can do without musicians or singers. The moment we’re interested in is this transitory period in which the two types of producers coexist. On the one hand, the new producers, like Fred Rister with Everybody Dancing, who recorded in a shack on a 4-track recorder, according to the sound engineer. On the other, the revival of old brigade producers, always on the lookout for a hot deal. The producer behind Près De Toi is of the latter type – pursuing a long musical career though quick to forget Claire-An (and so did posterity). New beat’s heritage isn’t negligible : its pioneers fashioned the “new generation” producer formula, a one-man-band in his machine-filled home studio. They’re also the first to churn out major hits, hitting the floor of a few Belgian clubs and eventually making it to the European top 50. What seems like mad creative abundance (hundreds of tracks between 1987 and 1989) is in fact the work of a handful of Belgian producers, barely ten, hidden behind multiple aliases. Among them, Marc Neuttiens, Jack Mauer and Fabian Van Messen, who often work as a trio and produce some of the genre’s most iconic tracks. In the midst of which On Se Calme, produced under the name Bassline Boys, sampling none other than Christophe Dechavanne. It’s no coincidence then that Anne Zamberlan should knock on their door with in mind the idea of an antidrug track. She wants to make noise, they know how to make a hit. And the track has it all: proto-acid gimmicks, big beat, house piano, verses rapped with a hiphouse flow… It might have been great, but even a Virgin Megastore ad she appeared in two years later got her more success. À la folie, je danse This tale is also the one of the pioneers who brought house music to France, first on the radio, well before rave parties or Laurent Garnier’s nights in Paris. As soon as the early eighties, Robert Levy Provençal plays the edits of the young Dimitri from Paris on the airwaves of Radio 7. At the time they’re unusual: like one would use samples in hip hop, Dimitri loops soul, funk and disco tracks, creating extended mixes. He breaks down tracks, reducing them to a gimmick or a bass line, thus creating easy-to-mix tools for DJs and bringing them closer to the sounds of house and techno music. He soon becomes resident DJ on NRJ and hosts the popular show Hot Mix. Like his colleague RLP, Dimitri proposes a trailblazing selection, blending together French news and the odd new sound from the States. At the turn of the nineties, when europop wants in at the club, only these influencers master the dance side of things. There’s RLP, Bibi Fricotin, Dom T… And Dimitri, who becomes the assigned variété remixer, adapting dozens of songs that were never meant to make it into a club. The general tendency however is less to official remixes than to bootlegs: a “pirate”, unauthorised and often private remix – just like Jacques Dutronc’s Opium, stretched out into a nearly 7-minute-long mix. The nineties also set the stage for the first TV stars, the ones who become famous without anyone really knowing why. Take, say, Jordy, four years old. The kid, in his diapers, sings along a New York style, house piano production and somehow makes it to the top 50’s number 1. For years, Jordy plays out the role of the child star and demonstrates that dance music is a perfectly profitable affair: it fuels the radios turned juggernauts, and lands on TV, seeping through music programs… In 1989, Vincent Lagaf (a famous french TV host) dives in with Bo Le Lavabo. The pitch is simple: the TV host adapts a track well known overseas, Lil Louis’ French Kiss (without any direct reference), simply adding lyrics taken from a sketch. He’s rather clear on his intentions (“Well, that’s just how you make it to the top 50”) and has no mercy for a musical genre he clearly understands nothing about (“See? Easy.”). Single night stars The club is a democratic place where anyone can be a star for a night (a nineties remix of Andy Warhol’s famous saying, meaning to imply: never has fame been so near, yet so far). The ghost of stardom haunts all of these forgotten tracks… This is particularly true in the case of Techno 90, Fred Rister’s first band. The DJ hailing from Northern France takes part in the short-lived though seminal Maxximum radio and mixes everywhere on both sides of the Belgian border, quickly becoming a local celebrity. At the turn of the century, he starts collaborating with David Guetta – another DJ, slightly better known than Rister and a rising star of the Parisian club scene. Together they eventually co-sign a few global hits: Love Is Gone, When Love Takes Over, I Gotta Feeling. This tale is the story of French variété’s unforeseen encounter with the avant-garde, of DJs who rose to the status of pop stars and others who descended deep into the rave party scene. It’s all of these oddities our compilation seeks to recount, like a wacky TV show featuring anonymous stars, forgotten ghosts of a decade bygone (Jacques Dutronc, Jean-Francois Maurice) or yet to come (David Guetta), inspired though unlucky blokes plus a girl band. And somewhere in the shambles, the tracklist of our compilation, the B-side of dance music’s official story – what could have been France’s alternative hit machine.

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Uhuru Republic

Muda EP

12" | 2021 | EU | Original (Studio Barnhus)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Salgari Records strikes back with a brand new release on vinyl from East Africa: Uhuru Republic’s “Muda” EP is now available for pre order. Electronic fat beats blended with Sigeli, Afrofuturism and Gogo Music. Mantric Mganga Mkuu sounds and organic grooves together in a journey into East African vibes featuring Msafiri Zawose, Marleen Xplastaz and Kirundo.

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Off The Meds

Off The Meds (Acapellas)

LP | 2021 | EU | Original (SVS)

Release: 2021 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Acapella versions of every! single! track! from Off The Meds’ self-titled debut album released in late 2020. The Swedish-South African super group’s front man and vocalist Kamohelo Khoaripe standing alone in the spotlight this time, his unique Zulu-Tsotsitaal-English flow lovingly recorded and processed by the Off The Meds production team. Each track comes with a short/sweet musical introduction, fully optimised for the modern professional discjockey. Out now as a super limited hand-stamped 12′’ vinyl .

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Kamron Saniee

Euphoric Studies

10,99 €* 19,99 € -45%

12" | 2021 | EU | Original (Nous Klaer Audio)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Euphoric Studies by Kamron Saniee ? SVS Records Svs017 Positivity. Lucidity. Velocity. In his second solo release, Kamron Saniee presents six animated studies of concentrated, rhythmic electronica – Euphoric Studies – in search of an “everyday euphoria” for the sunlit hours. The works are characterized by a playful yet incisive energy, harkening back to the exuberance of early 2000s post-techno experimentation. Bubbling synthesizer melodies and emergent textural grooves serve to guide listeners towards a lucid, stimulated state. Saniee acknowledges his classical influences on the track ‘Badinage’, in which a theme by Marin Marais played back on the violin is repurposed and diffused into a radiating sonic tapestry. On the 10-minute opus ‘Rhythm Force’, raining percussive elements and drifting, formant harmonies create a prolonged and invigorating environment. The use of overlapping meters in ‘Amnion’ creates a similarly buoyant energy.

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Nadia Struiwigh

Oooso

12" | 2021 | EU | Original (Tripalium)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Four outstanding electronica excursions by the Rotterdam via Australia producer Nadia Struiwigh, on her debut on the Rotterdam based label Nous'klaer Audio. A first taste of what's to come: An LP of 9 tracks will follow later in 2021.

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Borusiade

Purge

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Known for a series of beautiful records released on some of the best labels of the past years (Comeme, Dark Entries, Cititrax, Pinkman), Romanian producer and DJ Miruna Boruzescu aka Borusiade knows how to create ethereal tracks, somewhere between post-wave, techno and industrial vibes. "Purge", the new EP for Tripalium Corp, is about heart-break in forced isolation, when the only way to stay sane is purging through music and lyrics. From the 80s synth of "Let Go" to the experimental ten-minutes-trip "Haunted Evolution", these five tracks are talking about of one's coping systems in extreme emotional situations, hope and power to move on and last but not least, learned lessons and empowerment.

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2LP | 2021 | EU | Original (A-Ton)

Bonking Berlin Bastards

LP | 2021 | EU | Original (Wake Dream)

Release: 2021 / EU – Original

Genre: Electronic & Dance, Soundtracks

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First released by Cazzo Film in 2001, ebo hill’s Bonking Berlin Bastards has long achieved the status of an underground punk porn classic. Like the Cazzo productions of director Bruce LaBruce, hill’s vision was both ahead of its time and a playful distillation of 90s and early-2000s Berlin Zeitgeist: queer, industrial, hypersexual, exhibitionist and fueled by electronic music. The story is told in large part by the soundtrack, to be released for the first time on Ostgut Ton sublabel A-ton. The music follows a group of squatters, punks and drag queens as they fuck, party and stumble their way through an empty city at the turn of the millennium. Approaching these themes more through location than plot, the film’s narrative freedom is also a narrative of freedom; between chance encounters and sex in public, atop the maze of roofs in the city’s former East, bent over bridges and moaning in ecstasy at oncoming traffic, pants down in telephone booths, packed into sex clubs, in the shadows of abandoned factories and techno clubs lost in time. Composed by improvisational techno trio AeoX and noise / industrial producer Rouage aka CNM (respectively), the music spans a broad range of appropriately pounding industrial, weird techno, noise, ultra-stoned ambient, improvised dub and electro. It’s a sonic spectrum that connects Berlin’s queer hardcore techno and squatter party scenes from which AeoX and Rouage emerged, drawing a direct line between the likes of Berghain-forerunner OstGut (a primary meeting point for the film’s cast & crew) to the more industrial, breakcore and noise- oriented independent party collectives and locations who provided multiple settings for the film, including Grüne Hölle and Stellwerk.

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Ruutu Poiss

Palav Aed

12" | 2021 | EU | Original (Bordello A Parigi)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Wake Dream is proud to present Palav Aed, the first full length album by Amsterdam/Tallinn based Estonian musician Ruutu Poiss. Recorded over the course of seven years from 2012 to 2019 in various home studios in Ruutu Poiss’ home town Tallinn, the tracks on Palav Aed were all made revolving around the same equipment constellation, the album sounding as coherent as it sounds timeless. Having released several 7”s, 12”s and EPs on Levels, International Major Label, Rets Records and being featured on various compilations from Fasaan Rec. and Porridge Bullet, Ruutu Poiss defined a sonic universe of his own that is equally unique as it is familiar. Rich in influences and references, from ethereal harmonics and melodics that might be traced back to his background in choral music, to saturated synth funk and psychedelic futurism, Palav Aed is a document that encompasses the full range of Ruutu Poiss, a musician peacefully floating through leftfield electronics, experiments and sonic imaginations.

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Armonics

Prison Planet EP

Beat Junkie / Dope Beatz Gold Vinyl Edition

Release: 2021 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Armonics made quite an impression with the stellar “Universal Oneness” on Diamonds in the Night Vol.1. Now the Italian synth magician returns to the Bordello with Prison Planet, an EP sizzling with the same sensational sounds that graced his first appearance. Dark nights and rising cities are conjured in the soundtrack grandeur of “Mind Guardians” before the solar synthwork of “Prison Planet.” Elements of the otherworldly course through the four tracker, fantastical images and the splendour of space being captured for the floor. The B-side maintains the magic with the crusading crescendos and swashbuckling lines of “The Awakening.” BPMs rise for the finale. Chords dance and twirl with spritely charm in “Spiritual Gate”, neon flecked percussion racing to the finish line.

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Sascha Müller

7" | 2021 | EU | Original (Intrauterin)

8,99 €* 11,99 € -25%

LP | 2021 | EU | Original (Quietelegance)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Chemical Beats It’s the year 2021 and Sascha Müller is making a solo return with a 7″ single on Intrauterin Recordings - an astounding 16 years after his first appearance on the label back in 2005. Coming in raw, dirty and powerful as it gets “Beat Junkie” weighs in a hypnotizing, grinding and surely Acid-fueled take on distorted, hard hitting peak time beat science whereas “Dope Beatz” caters a brutal, dancefloor devastating variation of heavyweight (Electro)Phonk x Chemical Beats for strobe-lit industrial dancefloors throughout the darkest, most vantablack hours of the night. 100% untamed underground music for those in the know. Initial pressing will be limited to 200 copies on 7″ gold vinyl.

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Martin Georgi

Money From The Trunk

2x12" | 2021 | EU | Original (Yuku)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Martin Georgi is not a newcomer. He is more like one of those who like to stay under the radar. The sample-based music producer made his debut in the deephouse sector on his own more than 10 years ago, completely without a label or distribution. In 2016, the Berlin record label OYE Records became aware of the hitherto unknown artist and finally re-released the tracks from his debut. Since then, his early tracks have been compared around the world with the early works of Moodyman or Theo Parrish. After more than 10 years and the maxi “9 to 5 is killing me” (2018), a second album is finally released on the underground label quietelegance records. Stylistically it ties in with the first work. “Money from the trunk” is the title of the new album and it includes socially critical issues such as class differences that are created by capital. Georgi plays with a large portion of irony and of course plenty of samples, which the passionate record digger skillfully processed into eight new songs. Georgi not only stands out from the conforming deep-house crowd with his raw, unconventional production style, but also ensures that old-school sampling continues to have its place in current club music. In doing so, he reacts to global music trends, which he incorporates into his tracks through the finest sample operations. So it is not surprising that his new album “Money from the trunk” has a rap song as title song, for which the renown artistic-activist rap duo Fokn Bois from Ghana is jointly responsible. Also on the list of prominent guests are Felipe Gordon from Colombia and Delfonic from Berlin as well as Cornelia Lund from fluctuating images. Roskow Kretschmann appears as co-producer, whose name is associated with many other well established musicians.

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Chrizpy Chriz

Warp Crawler

30,99 €*

Candy Kingdom Synth Orchestra

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Multi-genre industrial bass that's equally at home in the underground of Berlin and the low-end-leaning dancefloors of the US and UK. With 'Warp Crawler' on the exciting Yuku imprint, Chrizpy Chriz finds a mature groove in the bass spectrum that deviates between restrained and tearing at its own seams. A must for open-minded purveyors of exploratory electronica with teeth.

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Welcome To The Candy Kingdom

12" | 2021 | EU | Original (Candy Kingdom)

12" | 2021 | UK | Original (Planet Euphorique)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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This warm and welcoming first serving of Berlin based label Candy Kingdom is sure to add some sorely needed sweet, happy and dreamy vibes to the start of 2021. The label and its driving act Candy Kingdom Synth Orchestra are a concept project that delivers melodic and emotional dance music loosely associated with house, but unashamedly flirts with electro funk, UK bass, old school trance, wave and psychedelic disco to name a few.

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DJ Girl

Slsk Trax

People Are Giving And Receiving Things At Incredible Speeds

Release: 2021 / UK – Original

Genre: Electronic & Dance

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DJ Girl’s latest EP on Planet Euphorique “Slsk Trax” shows us how it’s done with four head-turning techno-transanthems, bass bins bursting at the seams with fast & furious innovative aural onslaught. The Chicago based producer offering no zoom, main room, (more than) four to the floor visceral punishment of the highest pleasures. Immediate assault in the form of A1; “And the Crowd Howls” unstoppable rapid, rhythmic voltage racing through your veins, pulsating like the most dramatic, dark dancefloors should. Sliced with electro injections interrupting the hypnotizing drumwork, snapping you in and out of altered states, invoking vivid imagery of flickering smoke and sweat. Following the intoxicating opener, “The Runaround'' beams up to otherworldly tech-territory, a deliciously syncopated bass line rumbling below disciplined running snares, DJ Girl eradicating expectations, her addictive percussive spontaneity and mutation of conventional structure nothing short of exhilarating. A 7 minute “Tunnel Vision” initiation on the B side starts with swirled panned percussion, a gritty foundation paving the way for scorched screeches and additional demented drums demanding your undivided attention. Rising and dropping, a fluidity and expertise in tension with subtlety amongst the filth. Closing up shop and slamming the door is the B2 “Untitled”, a fierce electro encore. Minimalistic instrumentation turns into an encompassing sphere of sonic evolution through processing and modulation. Metallic delays flair and decay over squelched tones and boot stomping kicks and claps. Pe014 comes dripping in saturation, DJ Girl’s Detroit roots are infused into the indisputable groove seeping through the record, elevated by her subliminal, sapphic style, a personal touch that unleashes the freakiest of dancers.

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Proswell

12" | 2021 | EU | Original (Central Processing Unit)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Since emerging in the early 2000s with releases on the seminal Merck label, Proswell (Joseph Misra) has proven to be one of the most original voices in IDM. People Are Giving And Receiving Things At Incredible Speeds (pagartais), his debut on Sheffield's Central Processing Unit, is another Proswell record which overflows with creative energy. Containing five widescreen electronic epics, Pagartais showcases some of the most ambitious work in the discographies of both artist and label.
The core sonic palette of Pagartais is one schooled in the IDM and electronica sounds of imprints like Rephlex Records, B12 and Skam. These tracks are helmed by thick washes of keys, an array of playful synth tones and drums so deft it's sometimes hard to tell whether they have been programmed or played live. However, across almost forty minutes of music here Proswell explodes preconceptions about genre and form, his music gleefully jumping from one new sound to the next while assimilating electro, prog, computer game music, post-jazz and pretty much everything in between.
Opener 'Pagartais I' sets the tone for the rest of the record. This is a track which never sits still - beginning with a distorted melee of drums that comes off like a strange new version of breakbeat, 'Pagartais I' moves through some thrillingly idiosyncratic takes on Rephlex-school IDM, stargazing Detroit electro and The Comet Is Coming's futurist electronic jazz across its near-ten-minute runtime. Following number 'Pagartais II' is no less impressive, referencing the hyper-modern computer sounds of Iglooghost and Kai Whiston while containing a driving opening section which could have soundtracked one of the legendary Wipeout games.
Although this fabulously unpredictable record often zips along at high speeds, Proswell is also able to dial things back when he needs to. Indeed, the second half of Pagartais finds him slowing down a tad in order to deliver some of the album's most atmospheric material - 'Pagartais Iii' blends cutting-edge electronics with sonorous jazz harmonies and fizzing improvised lead lines, the mysterious 'Pagartais IV' is a sort of freeform variation on the maximalist, colourful electronica of Galaxy Garden-era Lone, and the slinking computerised Braindance number 'Pagartais V' recalls Calum Gunn's recent CPU drop Addenda.
Really, though, none of these comparisons quite do justice to the inventive capacity of this music - Proswell's in a lane of his own here. An incredibly innovative fusion record that takes in IDM, prog, computer music, electro and plenty more besides, People Are Giving And Receiving Things At Incredible Speeds (pagartais) is the sound of a unique musical mind in full flight.
Riyl: Calum Gunn, Kai Whiston, Iglooghost, Rustie, Bogdan Raczynski

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IDMEMO: A Future Of Nostalgia Volume 2

2x12" | 2021 | EU | Original (Above Board Projects)

CD | 2021 | EU | Original (Kompakt)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Idmemo' would not pretend to be a representative compendium of 90’s-00’s Intelligent Dance Music. It was not Vladimir Ivkovic & Ivan Smagghe’s point when they decided on the project. It is a very personal snapshot of a moment in time, when both of them were working in record shops, when they were listening to indie and electronic music. One can not stress enough the importance of this crossing of roads, pop kids getting through to the dancefloor via Aphex Twin and nerdy house heads dissolving their four to the floor into the futuristic world of Warp compilations.

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John Tejada

Year Of The Living Dead

12" | 2021 | EU | Original (Nutriot)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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With his new album, Year Of The Living Dead, Vienna-born and LA-based producer John Tejada finds a blissful extended moment of balance between the new and the familiar. Anyone who’s followed his career to date, which has included four previous albums for Kompakt, outings for storied labels like Plug Research, Playhouse and Cocoon, and numerous remixes and collaborations – most recently, his Wajatta duo with actor and musician Reggie Watts – will immediately sense the warmth and eloquence that Tejada brings to his gilded, pliant techno and electro hybrids. But there’s more here, too; an explorer’s glimmer in the producer’s eye, as he gets to grips with new ways of working and being, while offering a reflective opening for the listener, something echoed in artwork by graphic designer and ‘contemplative artist’ David Grey. “The album was started using tools I was unfamiliar with, which became an interesting exploratory process,” Tejada says. “Staying away from the obvious and having to re-learn simple things was a fun challenge.” You can hear these new creative pulsions pushing the eight tracks on Year Of The Living Dead ever-forward; the album has an unique cast, and though there are trace elements of the genres Tejada has indulged previously, he’s never quite put them together this way before. There’s the dubwise glitter sprinkled across the moody opener “The Haunting Of Earth”, the kind caresses found amongst the deftly woven textures of “Sheltered”, and the churchy melancholy, all hymnal and golden, of “Echoes Of Life”. Year Of The Living Dead also speaks obliquely to its moment, though Tejada works this implicitly, allowing the strange circumstances of 2020 to cast their inevitable shadow without being obvious or didactic. “The production process began right before lockdown and continued through what felt like a very serious time for all of us,” he recalls. “Not being able to see or touch our loved ones made me feel we are all like ghosts. We can observe from a distance but cannot really be there. We are isolated and alone.” And yet, Year Of The Living Dead’s tenderness offers an out for that anxiety and loneliness, its intimate immensities gifting the album a redemptive and compassionate core. Compact and glistening, Year Of The Living Dead sculpts unassuming beauty.

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Blacklight Chameleon

The Plane Of Now & Then

4x12" | 2021 | EU | Original (Signature)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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On The Plane of Now & Then, Blacklight Chameleon seamlessly follows the path of his recently released album Tearing at the Edges of all Restraint. It evokes a feeling of being in a musical time loop. An EP blending the experimentalism of post-punk with the exploratory escapism of psychedelia. After the dark comes light – gotta light?!

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Calibre

Feeling Normal

51,99 €*

2LP | 2021 | EU | Original (Kompakt)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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2022 repress

A download code is included. Multi-faceted artist Calibre today shares his sixteenth studio album "Feeling Normal". The album is out now to pre-order on Vinyl, CD and on digital platforms via his own independent imprint Signature Recordings.

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John Tejada

Year Of The Living Dead

28,99 €*

12" | 2021 | EU | Original (Hanagasumi)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Shine Grooves

Hanagasumi 02

Nerve Bumps (A Queer Divine Disappointment)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Hanagasumi - hazy curtain of flowers, cherry blossoms appearing from afar like a white mist - this phenomenon can be seen during the sakura blossom in Japan. Introducing the second Hanagasumi release from Shine Grooves. This time the release has a slightly different sound character. The first side is minimalist and abstract rhythms filled with twisty synth sequences, seasoned with house sauce and stringy keyboards.

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Dax Pierson

LP | 2021 | US | Original (Dark Entries)

21,99 €*

Nur Weil Ich Kann EP Son Of Lee Remix

Release: 2021 / US – Original

Genre: Electronic & Dance

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Dax Pierson’s debut solo LP is coming via San Francisco’s Electronic powerhouse imprint Dark Entries Records and Oakland’s Ratskin Records collective. Pierson, an Oakland-based underground legend, has pushed the boundaries of experimental electronic music with his soul-moving opus Nerve Bumps; A Queer Divine Dissatisfaction, an endeavor two long years in the making. On Nerve Bumps, Pierson blends hip hop, jazz, John Carpenter-esque arpeggios, trap/anti trap-influenced percussion, and musique concrete-informed experiments. Futuristic synthesizers cut through layers of fog as Pierson’s bombastic drum programming forges new worlds within themselves. Pierson tells a complicated and inspiring story on Nerve Bumps, which is both a privilege and a gift to experience. Tracks such as “I Slay The Pain” reiterate that although Pierson has to live his life as a quadriplegic, this does not define him as an artist or as a person. The cinematic “For The Angels” plays as a masterclass in heart and body-moving rhythms and undulating synthesizers. Pierson directly confronts the listener on “Snap”, an act of solidarity with the disabled community. Sputtering orchestral swells become encapsulated by splintering shards of Pierson’s voice, evoking his relentless determination to learn new music production methods as well as share his experience with losing certain physical abilities. The album’s closing track, “nthng FKS U Hrdr THN TM”, is a perfect distillation of the varied emotions explored on the album. Warm, heavy synths masterfully guide us down a psychedelic slope through the track’s twelve minutes. On Nerve Bumps, honesty, empathy, and humanity bleed through the speakers like a dark liquid just beneath the skin’s surface. For Pierson, music is his lifeblood, both as a creator and a listener. Nerve Bumps was mastered by George Horn at Fantasy Studios. The front cover features a painting of pink and green horizontal stripes by Pierson’s partner, artist Chuck Nanney. A photograph of Pierson’s wheelchair by Lenny Gonzalez graces the back sleeve. Dax’s guiding mantra throughout this journey has been a quote from choreographer Martha Graham: “No artist is pleased… There is only a queer divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others.”

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Tyler Pope

12" | 2021 | EU | Original (Interference Pattern)

9,09 €* 12,99 € -30%

Secret Passage Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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‘Nur Weil Ich Kann’ is the first solo EP by Tyler Pope for Interference Pattern and described as an exercise in limitations. Building each track around a single drum pattern, Pope exploring different ways of manipulating the sound using only one keyboard and drum machine with minimal effects, resulting in a mixture of psychedelic weirdness and up beat pop infused dance-punk.

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Gavilan Rayna Russom

2LP | 2021 | US | Original (W.25th)

12" | 2021 | EU | Original (Feines Tier)

Release: 2021 / US – Original

Genre: Electronic & Dance

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Radial Gaze

Apollonius

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Im Institut Für Strömungstechnik

Konstantin Unwohl

LP | 2021 | EU | Original (Aufnahme + Wiedergabe)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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The Suburbs Dream Of Bloodshed

The Marquis

LP | 2021 | EU | Original (Aufnahme + Wiedergabe)

17,99 €* 19,99 € -10%

Release: 2021 / EU – Original

Genre: Electronic & Dance

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LP | 2021 | EU | Original (Aufnahme + Wiedergabe)

Mala Herba

Demonologia

Release: 2021 / EU – Original

Genre: Electronic & Dance

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12" | 2021 | EU | Original (Traum)

The MFA

Oranges And Lemons

8,39 €* 11,99 € -30%

Release: 2021 / EU – Original

Genre: Electronic & Dance

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LP | 2021 | EU | Original (Unknown Precept)

Lostsoundbytes

Degenerate Brain

LP | 2021 | EU | Original (Unguarded)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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It’s about time that our partner in crime Lostsoundbytes joined us for a ride. Kept on the back burner for a while, the debut album by the Belgium-based producer and Vastechoses label honcho couldn’t have come out at a more convenient time. Keeping with the madness that we all have buried within ourselves, Degenerate Brain sounds like it’s been recorded and corrupted by some artificial intelligence in the grips of mental disorder and paranoia. Frantically exhibiting a wide stylistic palette by means of irradiated kicks laid out on top of distressed electronic modulations; worn out electro bangers and slo-mo keepsakes from imaginary performances to crooked minimal wave ramblings led by a man-machine flying off the handle. A seemingly meaningless stroll orchestrated by a mind that has lost control over some data dump coming in hot — which may fry your brain unless you manage to pull yourself out before it’s too late.

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Sin Maldita

You're Trouble

West Norwood Cassette Library

Release: 2021 / EU – Original

Genre: Electronic & Dance, Pop

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“You’re trouble” is an avant-garde electronic pop album about questioning and locating a sense of self in a disorienting, breaking environment of dissolving certainity which grows increasingly chaotic, about dysmorphic dissatisfaction, becoming disillusioned and alienated. It seeks to juxtapose beauty, serenity and vigour with instability, ugliness, chaos and crisis, expressing itself fluidly without genre or otherwise boundaries. A kind of sinister, anxious but still forward-pushing and at times positive and hot-blooded empowering energy can be felt that wants to urge the listener not to give up but to try and take courage and take control of the troubles and fears in their life. The tone is sometimes reflective, sometimes confronting. The album navigates fairly abstract musical territory, cathartic abrasiveness, heavy and unrelenting sounds of post-club music and noise fused with stretches of pop music, never settling down or resting for long, constantly breaking up and re-assembling itself. Between chaos and form, it’s finding relief in imperfection and the in-between. As such the music is ambivalent and is equal parts some kind of crisis club music as well as introspective reflection.

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Out Of My Head EP

12" | 2021 | EU | Original (WNCL)

LP | 2021 | EU | Original (Quindi)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Coming from the end of time and moving towards the future. A '93 original gets dusted down from the Cassette Library shelves, backed with remixes from the leading lights of the UK underground - Skin Teeth, Mani Festo and Denham Audio

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Cabaret Du Ciel

The Breath Of Infinity

14,24 €* 18,99 € -25%

LP | 2021 | EU | Original (Growing Bin)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Following the stellar trip through Woo’s Arcturian Corridor, Quindi Records continues to explore intimate, inviting sounds with an experimental bent by facilitating the return of overlooked Italian duo Cabaret du Ciel. Initially formed in 1986, Cabaret du Ciel’s debut album Skies In The Mirror was a low-key and extremely rare cassette release of spellbinding electro-acoustic ambient music created by Gian Luigi Morosin and Andrea Desiderà. A reissue on Hybride Sentimento in 2018 brought renewed attention to the startling music contained within this unique project. The Breath Of Infinity is an album comprised of new works recorded over the past year, either as new pieces or reworked from old ideas with the assistance of Giorgio Ricci.

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The Person

Tide Life

23,99 €*

Blind Delon & Contre Soiree

Release: 2021 / EU – Original

Genre: Electronic & Dance

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After the heaviest of years, it should be time to take a little weight off with the playful sounds of The Person. Mapping its own Bermuda Triangle between dub-pop, sugary synthwave and Balearic boogie, ‘Tide Life’ transports Compass Point to Soggy Bottom, providing maximum fun, sun and bitmap escapism. The eagle-eared may recognise The Person from the aspirational Italo-rockers Steaming Jeans, whose chalet-ready romp on Bordello A Parigi scored a Winter Olympic gold back in early 2020. Now left to her own devices, Minna Wight swaps the slopes for a jet ski and takes a Wave Race from Summer Bay to Monkey Island across 11 cuts of vintage oddball pop. Whether she’s borrowing Brenda’s Beach Balls for the dubby daydream of ‘Snail Cafe’ and ‘The Place’, serving lost library cues to Snes club scenes on ‘Barry R Reef’ and ‘Elastic Shoes’ or spinning high school slow jams into synth soul ballads like ‘Nice Feeling’, Minna disguises serious musicianship behind a naive aesthetic. Disarmed by charm, we’re powerless to resist her tidal pull.

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Nuit

12" | 2021 | EU | Original (Veyl)

Tearing At The Edges Of All Restraint

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Veyl presents ‘Nuit’ - a split-EP between two excellent projects we’re enraptured to share with you. Both hailing from France, Blind Delon (Toulouse) and Contre Soirée (Paris) share a similar vision, bringing music from before any of their birth dates into the world of today. Dedicating their sound to cold bass lines and synthesizers, the 80s, french post-punk and black romanticism, both acts spent their nights observing, describing, thinking, crying, each in their own way. Building a bridge between the melancholy and urgency defining that era, ’Nuit’ is the fruit of this labour and will be out on January 29th.

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Blacklight Chameleon

LP | 2021 | EU | Original (Nutriot)

7" | 2021 | EU | Original (Martin Hossbach)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Blacklight Chameleon, a new moniker by Austrian producer Martin Riedler, presents a confusing or rather odd introduction with his new project on Nutriot Recordings. Riedler's music takes a stance halfway between studio production and live jam.

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Michaela Meise

Cemalim

12" | 2021 | EU | Original (Electro Music Coalition)

Release: 2021 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Under the impression of the racially motivated murders on 19 February 2020 in Hanau, her hometown, the visual artist and musician Michaela Meise recorded the piece "Cemalim" by the Turk Erkin Koray in German translation. The production of the song was supported by the Städtische Galerie Nordhorn and the NS-Dokumentationszentrum München, both of which have included the work in their exhibition programmes this year. Erkin Koray is a representative of the psychedelic Anadolu-Rock and published "Cemalim" as an arrangement in 1973. The original composer, Rafik Başaran, came from the Cappadocian town of Ürgüp, which is also mentioned in the song. "Cemalim" means, translated into German, "My darling Cemal", and is a lament for the dead. Meise wrote the German text based on the translation by Fatih Alasalvaroglu, who also comes from Hanau.Besides the mourning of nine young people, solidarity with the relatives and friends of the murder victims is urgently needed. They have organised themselves in the "Initiative 19 February Hanau" - on their website you can find information about what support they would like to receive. Most of the concert programme of the last two years included anti-fascist songs and was a reaction to the increasing right-wing populism. Folk songs, hits and chansons of the 1960s, published in July 2018 on the album "Ich bin Griechin" (Martin Hossbach), dealt with the experience of the Second World War, told of the longing to leave home or the experiences of a seasonal worker. The songs were composed by the anti-fascist Mikis Theodorakis, the musician Barbara, who survived the Shoah with her family in the underground, and George Moustaki and Alexandra, who crossed both national borders.

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Neonicle

Hypno EP

Zones Of Significant Time

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Neonicle delivers 5 skillfully crafted electro cuts on St. Petersburgs Electro Music Coalition.

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Kareem

LP | 2021 | EU | Original (Zhark)

7" | 2021 | EU | Original (Stroom)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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‘Zones Of Significant Times’ fuses traditional Break beat Structures with suffocating sonic violence & darkness. 11 Gothinc-Industrial HIP HOP Instrumentals. Kareem, Founder of Zhark Recordings Berlin, has been presenting numerous vinyl releases in th eIndustrial Noise/Techno Spectrum. but has often explored Hip Hop terrain which lead to gloomy with artists such as Dälek, Shadowhuntaz, Audio 88, Paul St. Hilaire and Jaeda Glasgow (the Bonk)… Download code included…

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Betty Arden / Saskia

Funny Bells / Sloopy

12" | 2018 | DE | Reissue (Closing The Circle)

Release: 2021 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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"Goodmorning. I wish you, a merry merry christmas. As you sit by the fire. I see your sadness on your face. You hear the funny bells inside your head. And I do look into your pretty eyes. So gray. The Funny Bells. You are my friend. Today." au

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Black Devil

Berlin Disco Club EP

6,99 €*

12" | 2018 | EU | Reissue (Bore Hole)

Release: 2018 / DE – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Blue-marbled vinyl.

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Muscles & Hate

Untitled EP

11,69 €* 12,99 € -10%

LP | 2018 | EU | Original (Helic.al)

Release: 2018 / EU – Reissue

Genre: Electronic & Dance

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MUSCLES & HATE is an unnamed artist from Russia producing raw, pulsating EBM-inclined rhythmic techno. His second white label release on bore hole in 2018 was quickly sold out and is now getting a limited repress.

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Artefactos De Dolor

La Nina

30,99 €*

12" | 2018 | EU | Original (Cynic)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Artefactos de Dolor is Alyssa Barrera's [LDY OSC, The Bunker] means of expressing the grit and glory she has discovered being a native of Mexico, and having grown up on the US-MX border. A primal, ritualistic chanting of the ancestral calling within her to find the place where she calls home— the mother matrix in 237. The connection to the harmonic structures from the machines and the invocations called upon are buried in the electrical charge of the tape. Produced by Interval's Todd Sines [Peacefrog, Planet E, Residual] and Charles Noel [21/22, Ongaku, Black Nation] their background of experimental music and love of hardware has made these three collaborate and present Artefactos de Dolor.

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Andy Simms presents

The Shanklin Sessions

2LP | 2018 | EU | Reissue (Parra For Cuva)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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The Shanklin Sessions came out of the Shanklin Road studio that Andy Sims shared with one of his partners from Soft Rocks, Bobby Coulman. Acid Jan started it's life as a Jan Hammer edit that Andy was doing for one of Soft Rock's Disco Powerplay releases. There were a few parts that never made the final cut, but were too good to leave, so Andy got friend Jaime Read in to jam with the left over bits, and from that Acid Jan was born
none of the Jan's original parts made it to this finished re-incarnation). Acid Jan found it's way onto Cynic label boss Felix's USB and subsequently was played at every festival/club that Felix played for about a year. When Andy heard Felix playing it at Alfresco Festival in 2016, they decided to release it on Cynic. In search of a B side for the release, Andy dug out the other DAT's from the session Acid Jan was recorded at, and found Sitars over Shanklin, a suitably oddball track to grace the other side. A little piece of Chicago via India recorded in Brighton.

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Parra For Cuva

Paspatou

LP | 2018 | US | Original (Return To Analog)

Release: 2018 / EU – Reissue

Genre: Electronic & Dance

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Nicolas Demuth, better known as Parra for Cuva, is a wildly talented young musician born in Cologne. Nicolas has developed an artistic and musical individuality not common in the indistinguishable mass of the electronic music scene. His personal catalogue has steadily shaped into a collection of slow, well-mended and melody-laden electronica that lets one?s heart and soul dance side by side with body and brain.

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Le Matos

Coming Soon 2007-2011

Release: 2018 / US – Original

Genre: Electronic & Dance

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12" | 2018 | EU | Original (Open The Next)

UMO

Bloodline Remixed

12" | 2018 | EU | Original (Nocta Numerica)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Like the original records, ‘Bloodline Remixed’ takes us to unexpected paths to recreate a timeless electronic journey; it evolves in multiple traits and shape oscillating between electro, bass, breaks, techno and cosmic beats to deliver some well-crafted tracks for advanced dance floor.

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Voiron

Air Voiron

Release: 2018 / EU – Original

Genre: Electronic & Dance

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12" | 2018 | EU | Original (Dream Ticket)

Transonic Flow

4th Dimension

9,74 €* 12,99 € -25%

2LP | 2018 | EU | Original (My Own Jupiter)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Frankfurt duo Transonic Flow fly at the speed of sound on this six-shooter for Dream Ticket, giving the label 3 for 3 in 2018. The furious salvos of 'Pk Jam', 'Elec Jit', 'Arp Attack' and 'KC's Intermission' come fully loaded with influences from classic Detroit jit and electro, while 'Frtry 2jun' and 'Hp Dub', with all their broken melancholy, sound like man-machine laments for the aftermath. Make electro, not war!

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Michelle

Zocco

22,99 €*

Release: 2018 / EU – Original

Genre: Electronic & Dance

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12" | 2018 | EU | Original (Teerpappe)

Wosto

Gas Geben Mit Der Mofa

Carnaval Odyssey White Vinyl Edition

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Wosto creates a brand-new six-track EP for 2019. The title song ‚Gas geben mit der Mofa‘ makes children’s dreams come true… On this record you’ll find Hip Hop, Big Beat and Acid. These tracks will break your bones and you’ll have to run before a child rides the moped like a hurricane inside your head. ‚Battlefield‘ will remind you of bad times and while playing ‚Bauchfletscher‘ we remember worse days of swimming but basically it’s just telling you we are fine.

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Dowdelin

LP | 2018 | EU | Original (Underdog)

20,99 €*

LP | 2018 | EU | Original (Orbeatize)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Dowdelin explores as a tireless ever moving trailblazer a path where Creole jazz, electronic dancefloor sounds and Caribbean percussions come together to create a unique Future Kréol feeling. Debut LP on Underdog Records, label focused on french soul and funk; behind the reissues of the famous french jazz artist from the late 70's Cortex.

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Weltklang

Zx81 In Concert

12" | 2018 | EU | Original (Aufnahme + Wiedergabe)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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From Richard Aicher and Andreas Merz' secret vaults: their own tape-production for promoting the Sinclair Computers, recorded at Rothof Studio near Munich, 1982. 1982, but it sounds like Underground Resistance remixing Daft Punk Alive 1997: proto techno masterpiece.

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Demand

Beauty Of Decay EP

12" | 2018 | EU | Original (Aufnahme + Wiedergabe)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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„Beauty Of Decay“ is the first release from the Post-Punk-Electronic-EBM-Cold Wave-Minimal Synth project of Thomas Heckmann that he started in 1985. One of his oldest and unreleased projects finally available on vinyl.

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Poison Point

Bestiensäule

12" | 2018 | EU | Original (Aufnahme + Wiedergabe)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Based in Paris Poison Point was born in the form of a one man-machine band in 2015. It features screaming synths hammered by a frantic drum machine, the whole driven by a sharp synth sound and topped by Timothée Gainet prime time coldwave vocals. Since august 2016 Poison Point is a two piece band, join by Arnaud Derochefort on keyboards, live drum machine and programming. After two releases for Third Coming Records they join aufnahme + wiedergabe with their so far most dancefloor orientated „Bestiensäule“ EP.

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Rendered

Schwarz