Electro 4403 Items

Eric Hilton Of Thievery Corporation

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Il Quadro di Troisi presents La Commedia Everything changes, all things evolve: four years after their eponymous debut, Il Quadro di Troisi return with a new album and a new line-up. The perfect circle traced by Eva Geist (aka Andrea Noce) and Donato Dozzy (aka Donato Scaramuzzi) becomes a triangle with the permanent addition of Pietro Micioni, who collaborated in the previous recordings and had been part of ll Quadro’s live set. Nothing stays the same, and the world is a lot different from what it was in 2020. The global crisis generated by the constant escalation of conflict and by the pandemic was mirrored by a time of individual crisis and personal, often irreversible transformation that underscored the entire period of the album’s composition. The influence of these turbulent times is felt in the writing: La Commedia is about turning a crisis into an opportunity and using change as a catalyst for rebirth. Much like the characters in classic Italian comedies, who are masters in using irony to face life’s hardships, Il Quadro di Troisi explores the vast and unpredictable terrain between the lighter and darker sides of the human experience, matching the magical with the mundane. La Commedia is about the many facets of life: each song is named after an archetype (e.g. the truth, the night, the Earth, the prophet), as though our existence were a tarot deck and its reading an exercise in collective consciousness. La Commedia marks the band’s embrace of a more traditional song form, shaped by a very personal and distinctive musical style. The distinguishing elements of Il Quadro di Troisi’s music – classic Italian songwriting with an electronic spin – meld into a unique mix that is both seductive and eerie, elegant and earthy, contemporary and timeless. La Commedia celebrates the band’s cultural roots while constantly moving into new territory, balancing nostalgia with a forward-thinking approach. La Commedia is a rare gem that confirms Il Quadro di Troisi’s relevance in the international music scene, as demonstrated by the number of top-level artists featured on the album: from Suzanne Ciani, a legend and a pioneer of independent music with a career spanning five decades, to Aimee Portioli, aka Grand River, a Dutch-Italian musician, composer and sound designer based in Berlin, along with Francesca Colombo’s eclectic violin (the de facto “fourth angle” of Il Quadro di Troisi’s frame), Fiona Brice’s strings, cultural agitator and icon of the Roman underground scene Stefano Di Trapani (aka Demented Burrocacao and a member of Trapcoustic and System Hardware Abnormal, among other projects), Maestro Daniele Di Gregorio, an excellent musician and a longtime collaboration of songwriting legend Paolo Conte, and Tommaso Cappellato, whose professional description goes well beyond “drummer” and who has been working with artists like Rabih Beaini and Maurice Louca. The cover of the album, as well as those of the singles, was designed by Francesco Messina, another icon of Italian music. Messina is a longtime Franco Battiato collaborator and co-author, a cult musician (his Prati Bagnati del Monte Analogo, made in collaboration with Roul Lovisoni, is considered a seminal record by the alternative Italian music scene), as well as a photographer, visual artist and the author of legendary record covers.

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Present Past And Future

LP | 2023 | US | Original (ESL / Montserrat House)

Release: 2023 / US – Original

Genre: Electronic & Dance

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2LP | 2023 | EU | Original (Terra Magica)

Club Terram

The Work Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Terra Magica Rec. is back with its fifth release “Club Terram”! This time it will be another V.A. compilation of never heard and unreleased original gems of electronic body music. Think: A double 12” vinyl which is fully charged for dismantled club use as those mighty Terram clubbers say. Compiled and arranged by Tom Sprenger & Mirko Hecktor all tracks are dance floor oriented rhythms which will activate your maximum energy output as well as total chill out crash. Let the new bots work your life balance. Multiverse to introverse to metaverse. With its discoish genre splicing between 90s-IDM 2 Big Beat and Breakbeats 2 NuCosmic 2 Acid-Madchester 2 rolling trancey driven Goa beats the record reflects the electronic underground culture of dance clubs and discotheques of the past 50 years. These stand for emancipation, gay liberation, cicil rights, working class and democracy. Find your inner peace on the chill out floor side. Or go bonkers to the hedonistic main room floor fillers. Find your unique personal safe space in Terrams different floors and hidden rooms. A Club FOR A L L. As Richard Dyer wrote in 1979 “In Defence of Disco”: ‘Capitalism constructs the disco experience, but it does not necessarily know what it is doing, apart from making money’. The underground is where we go moving.

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Gold Panda

LP | 2022 | EU | Original (City Slang)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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LP | 2021 | EU | Original (Carrying Colour)

Duval Timothy

Sen Am

2LP | 2020 | EU | Original (Delsin)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Sen Am is an enduring and tender album, rich and beguiling and generous in a quiet way. Over the last few years, I find myself returning to it, listening and absorbing, reflecting on the voices and working through the multiple layers of feelings and themes it announces with confidence and equanimity. Notions of care and contradiction, expressions of joy and desire and the underlying feeling of unease and turmoil; there is an urgent appeal to the listener for generosity, to strengthen our capacity to hear multiple voices simultaneously, to exist in multiple places at once.

Duval Timothy’s music was dropped into our world from another realm sometime in the spring of 2017. We received the call and we answered it. The rhythm and spirit was transmitted via London’s NTS Radio on the Do!! You!!! Breakfast Show with Charlie Bones and a short while later we were listening to the first vinyl edition of Sen Am in our living room in Berlin. The record got a lot of plays (at home and at some shows, before and after performances). It was like sunlight filtering through a cracked window and remaining there for a moment, dancing. Blue music emanating from a liminal zone, an in-between space, somewhere on the outskirts of Freetown, or rural Sierra Leone, or the outer edges of South London, or Bath, UK, or some undisclosed orbit, unfixed location. The music is soaked in diasporic experiences. It refuses to settle but still invites us to enter and stay awhile in that zone, where multiple forms exist (all) together with jazz, hip-hop, various strands of expressive electronics and experimental music all breathing together and moving around. It is a portal to a place of possibilities, a space for building and repairing possible and lost connections. But life in that liminal zone is precarious; it is life under duress; under pressure – not merely the pressure to produce a presentable, categorizable, and salable body of work, but the pressure that compels us to experiment and create new concepts and things that will help us imagine a different existence, a way out of the turbulence.

Freetown is a marvellous and sometimes sad place. It is one of those unmistakable locations inscribed diasporic memory; a place that touches you, a place that holds you and demands you bear witness: witness to pain, poverty, joy and desire. You remember the voices and the eyes of people even in momentary encounters. In Sen Am, you hear not only Duval’s recollections and sounds of Freetown, you hear family and friendship, people coming together and forming bonds, creating surrogate families. Forging community wherever you go is a practice, and community is at the core of this music. It’s in all the voices, from Emmerson and 6pac to Aminata and Aruna. It opens up a space for Black voices, for Sierra Leonean voices, and those voices extend through the succeeding projects, the 2 Sim EP and the album Help, and all that radiates from Duval’s Carrying Colour imprint.

Thank you for the invitation to write about the album Sen Am, on the occasion of its re-release which also coincides with the release of the exquisite double 7” Smɔl Smɔl with cktrl — a wonderful piece which calls on the listener to play both records at the same time to hear the music or play them separately and hear different versions. Duval is strengthening us, encouraging us to feel comfortable with discomfort, with incompleteness, with the hard-to-understand. This is a beautiful thing.

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Florence

Analogue Expressions

LP | 2020 | EU | Original (Pan)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Delsin turns its attention to the archives of one of the great early pioneers of Dutch techno - Eevo Lute Muzique. The label was founded in 1991 by Wladimir Manshanden and Stefan Robbers (who was already recording seminal early techno records as Terrace for Djax-Up-Beats). Channeling the inspiration of the Detroit originators and mixing it up with their own synth pop and new wave influences, Manshanden and Robbers (adopting the Florence alias) forged a bold aesthetic with Eevo Lute, both musically and visually. This was an early iteration of techno as listening music, with an emphasis on expression and narrative over dancefloor functionality, helped in no small part by Manshanden's striking poetry. This double set of remastered, reissued tracks gathers together the earliest Florence and Wladimir M. material, largely recorded between 1991 and 1994, across five discs - the definitive document of a treasured piece of Dutch techno history. Comes with inlay and liner notes by Oliver Warwick.

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Beatrice Dillon

Workaround

Release: 2020 / EU – Original

Genre: Electronic & Dance

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‘Workaround’ is the lucidly playful and ambitious solo debut album by rhythm-obsessive musician and DJ, Beatrice Dillon for PAN. It combines her love of UK club music’s syncopated suss and Afro-Caribbean influences with a gamely experimental approach to modern composition and stylistic fusion, using inventive sampling and luminous mixing techniques adapted from modern pop to express fresh ideas about groove-driven music and perpetuate its form with timeless, future-proofed clarity.

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3am Spares Deluxe Vinyl Edition

2LP | 2018 | EU | Original (Efficient Space)

2LP+CD | 2006 | EU | Reissue (Because)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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A download code is included. 3AM Spares is a new collection of Australian Electronic Dance Music compiled Andras and Instant Peterson that encompasses the darker sounds and later nights of the 1990s and beyond.

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Cassius

15 Again

2LP | 2014 | EU | Original (Sultan Günther Music)

Release: 2006 / EU – Reissue

Genre: Electronic & Dance

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What if we took you back to your untroubled teenage days, when all seemed complicated and easy to reach at the same time? That is exactly what Cassius managed to transpose in 15 Again: a carefree music, coloured by some deep songs; like an emancipated soul, but always tormented. The hit “Toop Toop", sampled by Madonna or David Guetta, among others, and the intense “La Notte” illustrate perfectly this state of mind of the youth. Pharrell Williams is present on the song “Eye Water", a beautiful ode to our planet and its natural resources, and Cassius has got further exciting surprises for you. We’re releasing their third album once again for this summer, a real shot of freshness to relieve you from the heat!

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Deichkind

Niveau Weshalb Warum

Release: 2014 / EU – Original

Genre: Electronic & Dance

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12" | 2009 | FR | Original (Ed Banger)

DSL

Stupid Bitches

LP | 2024 | EU | Reissue (Mute)

Release: 2009 / FR – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Picture disc close to NM. Generic protective sleeve with sticker

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Laibach

Opus Dei

Release: 2024 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2015 | EU | Reissue (Kling Klang)

Kraftwerk

Computerwelt

Release: 2015 / EU – Reissue

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

2LP | 2020 | BE | Original (Mostiko)

Regi

Vergeet De Tijd

LP | 2019 | EU | Original (Mute)

Release: 2020 / BE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover close to NM

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Apparat

LP5

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2022 | FR | Original (La Tebwa)

The Supermen Lovers

Body Double

Release: 2022 / FR – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

2LP | 2021 | EU | Original (Furthur Electronix)

John Beltran

Aesthete

LP | 2013 | US | Original (Minimal Wave)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

New album from one of the big legendary Detroit producers. Aesthete is a warm journey into deep timeless electronix sounds, highly recommended!

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Polyphonic Size

Earlier / Later

LP | 1981 | US | Original (Island)

Release: 2013 / US – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Printed PVC sleeve. Red vinyl. Tiny wear. Limited edition. Numbered copy.

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Plastics

LP | 2022 | EU | Original (No Format)

Release: 1981 / US – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Copy closer to VG+. Without original inner sleeve

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Trio Sr9

Déjà Vu

2x12" | 2022 | UK | Reissue (Furthur Electronix)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed with hype sticker.

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Cignol

Switching For A Living

Release: 2022 / UK – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

3LP | 2017 | UK | Original (Rekids)

Radio Slave

Feel The Same

LP | 2024 | UK | Original (100 Limousines)

Release: 2017 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: VG+

Sealed copy.
Cover corners slightly dented.

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Manuel Gonzales (Mgun)

Days Gone By

2LP | 2023 | UK | Original (Planet Mu)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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"Days Gone By," the latest creation from Manuel Gonzales (mgun), showcases his remarkable versatility inside of the contemporary musical landscape. This 9-track EP, released for 100 Limousines, is a vibrant mosaic of raw, gritty sounds that capture the quintessence of Detroit's musical heritage. Each track on the album is an immersive experience that echoes the feel of street techno, rhythmic and driving. MGUN's ingenious use of the studio as an instrument is striking, as he shapes tracks that embody the essence of bedroom production. The album vibrates with deep sub-bass frequencies, eerie highs, and peculiar artifacts of found sound. Gonzales, a name synonymous with raw and unadulterated music, brings his signature touch to the 100 Limousines catalog, a label rapidly gaining recognition for its bold defiance of genre constraints. "Days Gone By" is more than a mere collection of tracks; it's a deep dive into Gonzales' daily sonic experiments, a testament to his relentless pursuit of pushing the boundaries of techno music. This album is an essential listen for those who value the fusion of Detroit's robust underground legacy with innovative, avant-garde electronic music. It's a journey designed for those who revel in the unrefined authenticity of analog production and the boundless potential of cross-genre exploration. "Days Gone By”, an absolute experimental body of music, a unique auditory adventure that defies convention. For Listeners Who Enjoy: Rob Hood, A Guy Called Gerald, RZA, Autechre, UR

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Speaker Music

Techxodus

2LP | 2023 | EU | Original (Ldi Records)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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DeForrest Brown Jr., the writer and producer behind Speaker Music, describes Techxodus as "abstracting Blackness through information overload". On the album he explores the intersection of tech, Blackness and resistance via music taken from his archived live shows, which are then edited, ordered and reassembled in the studio. The main line of inquiry that feeds into Techxodus is Drexciya, whose myths have informed much recent afrofuturist creativity. DeForrest researches and reimagines the artifacts and stories of Drexciya with new maps, ideas and music, particularly reflecting on the 'Seven Storms', seven albums that came out in quick succession around the death of Drexciya member James Stinson, which seemed to herald Drexciyans in the attack mode. The artwork by Abu Qadim Haqq, who also created artwork for Drexciya, links the work too, with Deforrest re-orienting charts and timelines familiar from Drexciyan mythology, working up clues to all possible environments where Drexciyans could survive, from the depths of the Atlantic, to oceanic islands or even outer space. Like Sun-Ra, another touchstone of Afrofuturist music, it might be that the Drexciyans wanted to leave the planet they hated. With these elements, DeForrest creates a soundtrack for an alternate history, a sort of sci-fi sonic fiction which threads together the sonic warfare and mythos of the Drexciyan records with ideas and references to Ishmael Reed's 'Mumbo Jumbo', which tracks the story of 'Jes Grew', an audio virus, back to the coastal black cities of Alabama and the American South. Musically the album is as intense as its inspirations. DeForrest skilfully hand-plays rhythms which amalgamate trap and jazz drumming, but feel at times like orca-song as they pulse through the thick waves of digital sound. Equally the music evokes the ocean, with deep cold drones, or as if it's floating through time like in 'Holosonic Rebellion' which mixes in recordings of African Warriors. Sometimes there is an energetic turbulence as on 'Jes Grew', where punched-in passages of jazz brass bounce against DeForrest's drums to create a weird disassembled jazz. Towards the end the album begins to feel like a spaceship taking off, the rushes of ascending noise and distortion, distant Southern Gospel Vocals feel like music that's leaving earth. Listen to it without the references or feed your imagination; this is a powerful and immersive original work from one of electronic music's most unique creators

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T/Error

Control Paradox

2x12" | 2023 | EU | Original (Undesound)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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What if Kraftwerk's "Computer World" had a more dystopian message? Then you would get this album: "Control Paradox" by T/Error. This double 12 inch vinyl is filled with Kraftworkian moments, but is more updated to our current times. Today computers, smart phones, AI and algorithms have taken over our daily lives. This release features 9 original tunes and 3 remixes by none other than: Cygnol, Lloyd Stellar and Heinrich Dressel. The track "Cheerleaders Are Eating Flesh" is a homage to the legendary maestro I-F and his cult hit: "Space Invaders Are Smoking Grass".

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Wedding Acid Group

Metro-303

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Everyone Else Is A Stranger

Lindstrom

LP | 2023 | EU | Original (Smalltown Superwound)

Sacrifice Will Be Our Final Trial

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Lindstrom returns with his sixth studio album Everyone Else is a Stranger, and the first since 2019's On a Clear Day I Can See You Forever. The title of the album was inspired by John Cassavetes' original title for his 1984 film Love Streams, and contains four tracks of his signature chord-stacking disco epics and freeform cosmic voyages, stretching across nearly 40 minutes. An album that in many ways sums up his career, and gathers his different musical paths into one sound and one album. Where his previous album had a slower and more mellow feel, 2023's Everyone Else is a Stranger sees Lindstrom take on a much more rhythm-oriented and uptempo approach, containing tracks that fit perfect with the artist's revered live sets. That said, this album also contains the unexpected twists and turns that has become the Norwegian producer's trademark, including recordings of him playing a cheap Chinese cello and violin for the first time alongside the old Solina String-Ensemble he has used on essentially every track since his debut. Named "the king of space disco" by The New Yorker, Lindstrom has always made a virtue of his obsessive work ethic, turning his city center studio into a factory floor for churning out monster tracks. He has collaborated with the likes of Todd Terje, Prins Thomas and Todd Rundgren, has remixed a slew of acts including LCD Soundsystem, Lana del Rey, Haim, Grizzly Bear, Flume, RAC, London Grammar and more.

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Fujiyama + Hope

LP | 2023 | EU | Original (Kinetik)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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LP | 2023 | EU | Original (Akuphone)

Praed

Kaf Afrit

Legacy Volume 2 Red Vinyl Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

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New album of the Swiss/Lebanese experimental duo (Raed Yassin & Paed Conca). Praed is a band whose musical oeuvre can be described as a mixture of Arabic popular music, free jazz, and electronics. Since then, the band has frequented numerous international music festivals and toured intensively world-wide, spanning Japan, Europe and Canada. Through these endeavors, the band has created a large global network with other renowned musicians as musical collaborators.

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RP Boo

2LP | 2023 | UK | Original (Planet Mu)

LP | 2023 | EU | Original (In Fact)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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RP Boo's essential first album, 2013's ‘Legacy’ caused a storm of acclaim worldwide as people finally started to piece together his true place in Footwork and the powerful legacy of his work as an innovator. In parallel with productions, his always on-point DJ sets have lit up festivals and clubs worldwide and continue to do so to this day, notably leading to him being named one of the ‘100 World’s Best DJs’ in a recent book by DJ Mag. Now on its 10th anniversary ‘Legacy Vol.2’ continues his story. Featuring tracks created between 2002 and 2007, this is a wonderous selection of material, some known, some unknown. The album kicks off with the dark and epic ‘Eraser’ created in September 2007, during a time RP was going to underground Footwork club War Zone on the west side of Chicago. The track was inspired by, and created to fuel, the “taunting words of intimidation” between dancers.” And now it makes for one intense album opener. Some cuts are inspired by everyday life – take for example 2005's ‘Pop Machine’, which was inspired by the time he was working at Speedway Oil Change who had a temperamental soda/pop machine. One day, a customer put money in the machine and nothing came out, so he continued to press the button, and for some reason RP found this funny so he went over to the machine and started pressing the buttons himself and everyone he touched started saying “Work!.” Inspired once he was back home in his studio he made ‘Pop Machine’ in tribute to the defunct machinery. When he came back to work the next day and played the track for all this co-workers it blew their minds and they also laughed with at how creative RP could get using things from his everyday life as inspiration. ‘Pop Machine’ also illustrates how RP’s Footwork uses repetition and minimalism as fuel. Years later RP Boo is still inspired by Foot Work – the art of dancing and working for dancers. He continues to shake up clubs and isn’t afraid to get out from behind the decks and drop some Foot himself. We’ll let the man himself have the final word - “What inspires me to keep going is seeing the people having an awesome time moving on the dance floor, as well as playing music that is a recognizable part of my life. I’m one with it.”

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Sava.Geo

A Methodical Plan

Release: 2023 / EU – Original

Genre: Electronic & Dance

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LP | 2023 | EU | Original (Lapsus)

Pepe

Reclaim

LP | 2023 | EU | Original (Preset)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Valencian producer Pepe's love of iridescent melodies, velvety pads and complex rhythms has seen him skilfully combine house, bass music and breakbeat in recent years. His music is globally reaching, having garnered attention from top artists including Ben UFO, Peggy Gou, Shanti Celeste, Moxie, Mount Kimbie and Disclosure. His heartfelt, mercurial and emotive sound is ever present on his new album for Lapsus, which also incorporates a lush sonic forest, resplendent in detail and jam packed with influences. The album 'Reclaim' opens the door to experimentation and sound design, while embracing the braindance and hyperpop sphere with surprising maturity. It is an amalgamation of electronic sounds and pulsating structures in which orchestral sounds, folk music, ambient textures and a strong vocal presence, both synthetic and authentic, sparkle. 'Reclaim' imagines a post-human future, where nature once again reclaims lost ground and is free to flourish and take root around manmade structures. Pepe exhibits his personal reverence for the work of Antonio Cortes Ferrando, the architect behind the Espai Verd building, which broke architectural and urban planning norms by using computation to create structures that promote the organic growth of foliage. It is a building designed for the future, where flora cultivates indefinitely. In Pepe's own words, "At a time when we have witnessed how nature strives to regain ground, once humans are removed from the streets, it is important to start thinking critically about new techniques in the creation of art and design, and imagining a future where posterity is embodied in the rejuvenation of a greener world".

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Dataman

Urban Solitude

Release: 2023 / EU – Original

Genre: Electronic & Dance

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LP | 2022 | UK | Original (Local Action)

Ariel Zetina

Cyclorama

Night Of The Endless Beyond

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Local Action is proud to present Cyclorama, the long-awaited debut album by Ariel Zetina.

A resident DJ at Chicago’s iconic Smartbar, a long-standing Discwoman family member and a key part of the city’s dance music and Lgbtq+ communities, Ariel has established herself as one of the most exciting electronic artists operating today - through releases such as 2020’s acclaimed MUAs at the End of the World and 2017’s Organism, and her meticulous approach to DJ mixes - as recently evidenced on Sestina, her 2020 contribution to Mixtape Club.

Written across 2021 and honed this Spring, Cyclorama is Ariel’s most impressive and all-encompassing work yet, showcasing her as a producer, vocalist and also curator, pulling together an ensemble cast of her peers in Chicago (Cae Monāe, Mia Arevalo, Dannn) and some of the most exciting names in contemporary club music (Violet, Bored Lord).

Conceptually, Cyclorama draws heavily from Ariel’s background as a theater writer and producer. Popularized in 19th century German theater, a cyclorama (or cyc) is a large curtain, placed on the back wall of the stage. This creates an illusion of extra depth in the background, and often is used to represent the sky. In Ariel’s words, “I imagine all the tracks on this as the lights and action projected onto the cyclorama. The whole album is like the cyc, a representation of the sky. Or an imagined sky. An imagined dancefloor. An imagined theatrical production.”

As well as drawing conceptually from Ariel’s background in theater, the album draws on a personal level from Ariel’s journey as a trans woman of color - most directly on Cyclorama’s three vocal tracks, ‘Gemstone’, ‘Slab of Meat’ and lead single ‘Have You Ever’.

On ‘Have You Ever’, Ariel collaborates with Cae Monāe, a dear friend and fellow trans woman of color. “‘Have you ever been with a girl like me before?’ and all the lyrics refers to the fear and anxiety that cis men who are attracted to trans women feel, and also any woman that doesn’t fit the mold of a stereotypical woman”, Ariel explains. “Cae and I - and many trans women - have been in so many situations where society tells cis men they cannot be with trans women and this explores that and gives power to all trans women in this situation. The techno reflects that, as well as the “Spell my name” section at the end, showing the true power of trans women.”

On ‘Slab of Meat’, Ariel delivers a hypnotic solo vocal performance that builds in intensity with each line (“I am treated like a slab of meat both emotionally and sexually sometimes, especially one left in the freezer on the back burner. Why did you bring this meat home from the market? For what? You’re wasting meat!”), while ‘Gemstone’, a collaboration with Mia Arevalo, continues the empowering themes of ‘Have You Ever’ in a different context:

“[‘Gemstone’ is] a call for trans women to take time with your transition because it will all happen eventually. As two girls who have started our transition almost a decade ago, I think we have both seen that we have always needed to take our time to take our time. Reminders not to rush or compare yourself to other girls. I love the metaphor of gemstone months representing different periods of transition. I’ve been so many different women in recent years, and I'm excited to continue my journey.”

It’s immediately followed by album closer ‘Tropical Depression’, the title of which is a reference to Ariel growing up with tropical depressions, storms and hurricanes affecting her hometown of Jacksonville, Florida as well as her family in Belize City:

“This track for me is about living day to day and continuing while dealing with my really intense clinical depression. The sample comes from “Why can’t you let me go?” but is supposed to be transformative and not necessarily legible. How we hold on to our trauma and depression like a protective shell. This is an attempt to deal with it in a different way.”

The Cyclorama album cover, directed by Dylan Bragassa, stars Ariel alongside Monāe and Arevalo in an imagined theater production. In Ariel’s words, “a theoretical performance starring only trans women of color - I wanted an ensemble shot to represent the ensemble nature of this album! Love how Dylan combines so many ideas to create a very unique image that asks so many questions.”

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Lord Of The Isles

2LP | 2022 | UK | Original (ESP Institute)

2LP | 2022 | EU | Original (WeMe)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Night Of The Endless Beyond', the sophomore album by Lord Of The Isles AKA Neil McDonald for the ESP Institute, had almost become a mythical piece of work. The tracks very slowly crept into formation from the lowest depths of 2021, and once the completed album finally made the leap from creation into manufacturing, an entirely new onslaught of follies and delays awaited at the pressing plant. We began to laugh, for not only did Mario Hugo’s otherworldly sleeve artwork visually translate this music so well, but it was an uncanny premonition to the album being lost in space, falling through a black hole, evaporating into the aether like a dream that never really happened. But, at long last, ground control has confirmed contact! It did happen, it will arrive, and it’s not a myth. Listening to 'Night Of The Endless Beyond' now feels like the return of a strayed friend, one whose distance left us pining for an embrace. Although this Techno relies on unassuming means, there is a remarkably complex and persuasive emotional statement embedded here, insisting we learn to endure the long game and allow ourselves patience to investigate and appreciate the minutiae contained not only within the notes, but their negative space. From its introduction, through its mellow crests and valleys, there is a conveyance of restraint — subtle dynamics that quietly beg for attention, repetition so hypnotic that imaginary melodies are inescapable, transient peaks so deliberately scaled that we mourn the subsequent decay. In accordance with Neil’s ESP debut, 'In Waves', we never feel attacked by instrumentation but shielded from sharp edges, able to step inside the music, breathe the air it occupies and know its true intentions, whether bright or bleak. Just prior to the album close, a film dialogue excerpt summarizes everything quite honestly by proposing, “The truth of the universe is waiting … the truth of what is … it’s all going to go away … everything … into blackness … the void … and nobody is in charge.” “…and what do you do with that?” We stare long into the 'Night Of The Endless Beyond' and answer… “You smile.”

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RTR

Xor

The Love Market Splattered Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Weirdo acid tracks and spacedout braindance by RTR. Probably the most energetic up there tracks RTR has done so far. Putting those 10 tracks together makes us go through an immersive musical journey that goes from stuttering, rapid breakbeats all the way through the record to complex melodies, needling acid basslines, mind-melting electronic workout that'll leave you on your knees. One for the Aphex Twin and Rephlex fans (and isnt everyone a Aphex Twin fan???). Limited edition of 300 copies!

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Filmmaker

LP | 2019 | EU | Original (Detriti)

Burn It Down Pumpkin Orange Vinyl Edition

Release: 2019 / EU – Original

Genre: Electronic & Dance

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The perfect soundtrack for your dystopic-bad-trip life. Obscure Electro.

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Boy Harsher

12" | 2023 | CZ | Original (Sacred Bones)

2LP | 2022 | EU | Original (Analogical Force)

Release: 2023 / CZ – Original

Genre: Electronic & Dance, Pop

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Fan favorite dark dance outfit Boy Harsher have contributed a sumptuously eerie track for the David Gordon Green directed finale to the iconic Halloween franchise. Sacred Bones and Nude Club (Boy Harsher's imprint) are joining forces and releasing a proper 12" maxi single containing four versions of the track "Burn it Down," to be released in tandem with the original score provided by John Carpenter, Cody Carpenter, and Daniel Davies. Boy Harsher said of the experience: "During an extremely brief period of rest between tours, we got this call from the music supervisor of Halloween. The director, David Gordon Green, had listened to our music and wanted to use something for the final installment in the trilogy - Halloween Ends. We flew to New York the next day to meet the team and discuss the possibilities. It was totally surreal. Obviously we're huge fans of Carpenter and the franchise is a fav, but to work with Gordon Green was also so special, his early films (George Washington, Undertow, Snow Angels) were heavy influences on our work. The real kicker is that Halloween Ends was shot in Savannah, GA - the birthplace of Boy Harsher and where we met. Unbelievable. It all felt too synchronous, and we knew we had to make something work although we were about to leave for a multi-month tour that week. We flew home to Massachusetts, dug through old demos, and found "Burn It Down". In the end it was the perfect energy for the bittersweet love affair between Allyson and Corey, so during a couple days off - we cleaned it up and made it come alive."

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RTR

61 Cygni

LP | 2022 | EU | Original (Midnight Mannequin)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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RTR delivering a crazy dovers album full of infectious acid and breakbeat injected tunes. Flirting with Squarepusher and Luke Vibert influences '61 Cygni' will sound familliar, yet still fresh, adventurous and bubbly!

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Panic Priest

Second Seduction

2x12" | 2022 | EU | Original (Hypercolour)

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Death. Sex. Doomed Romance. These three simple phrases define the sound and thematic presence of Panic Priest. The musical project of singer, songwriter, and multi-instrumentalist Jack Armondo (of “dark pop” outfit My Gold Mask), Panic Priest is centered around Armondoʼs deep, crooning vocals while weaving together dreamy guitars and synths. For fans of New Order, Tears for Fears, The Sisters of Mercy, and Clan of Xymox. Panic Priestʼs long awaited sophomore effort Second Seduction is a significant sonic expansion on the projectʼs signature sound (which was first unveiled by way of the debut self-titled offering in 2018). Co-produced and engineered by Brian Fox (Wingtips, Ganser), the new album intertwines classic genres such as darkwave, post-punk and goth while a richly layered modern synth-pop sensibility elevates the album to something larger than simple nostalgic recreation. Performed and composed almost entirely by Armondo (with key contributions by Twin Tribes, Vincent Segretario of Wingtips and Gretta Rochelle of My Gold Mask), Second Seduction is simultaneously personal yet fantastical. A cathartic account of Armondoʼs real life experiences, stemming from personal heartbreak, life as a non-monogamous individual and even current political anxieties, be prepared to once again be tempted and lured into the world of Panic Priest. Midnight Mannequin Records is proud to present this deluxe reissue of Second Seduction, pressed on limited edition “Kiss Me Dead” ghost white (frosted clear) 140 gram vinyl. Includes OBI strip and insert with lyrics and liner notes.

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Shelley Parker

Wisteria

2LP | 2022 | EU | Original (Wave Function)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Very much at the forefront of the UK electronic scene, since 2001, Shelley Parker has innovated and thrilled with live performances, DJ sets, sound installations, and scores for contemporary dance. Parker's recorded output is just a small part of her musical orbit. That said, a debut album 'Spurn Point' in 2014 and various singles, remixes and EPs for Hessle Audio, One Little Indie, Honest Jon's, Houndstooth, Structure Recordings and OOH-sounds have whet the appetite for more. 'Wisteria' lands on Hypercolour, and succinctly encapsulates Parker's layered and dense production aesthetic, as a myriad of concrete rhythms, breakbeat science, inner city ambience and industrial strength bass unfurl over eight uncompromising compositions. ‘Wisteria’ by Shelley Parker is available on 2LP/Digital from 25th March 2022 on Hypercolour.

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Zobol

Waveform Trajectory

Becoming Undone Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Mighty fine Electro album from Zobol and a great follow up to the Sound Synthesis debut last year!

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ADULT.

LP | 2022 | US | Original (Dais)

LP | 2022 | EU | Original (Fragile)

Release: 2022 / US – Original

Genre: Electronic & Dance, Pop

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After a quarter century of nearly nonstop activity, dystopian Detroit synth-punk institution Adult. have perfected a strain of stylistic cohesion in the album format, "but for this we wanted something that's falling apart." Becoming Undone, the 9th official full-length by cofounders Nicola Kuperus and Adam Lee Miller, explicitly succeeds in this aim, simultaneously rejecting and reflecting the planetary discord that inspired it. Begun in the latter half of 2020 against a backdrop of unprecedented flux and seismic isolation, the duo kickstarted their muse by sourcing fresh additions to the rig: a vocal loop pedal for Kuperus and Roland percussion pads for Miller. Reconnecting with legacy influences like the politicized industrial percussion of Test Department and the queasy miscreant synthetics of TG's 20 Jazz Funk Greats sparked a series of fruitfully frenetic sessions, centered on themes of impermanence and dissonance. Miller's rationale is blunt: "We weren't interested in melody or harmony since we didn't see the world having that." From the tense technoid blitz of "Undoing / Undone" to the twitchy EBM of "Fools (We Are_)" and "I Am Nothing," the sides bristle with strident acidic revolt and black leather sequential circuits, unhinged and unforgiving. Elsewhere, slower tempos of purgatorial unraveling ("Normative Sludge," "She's Nice Looking") showcase a breadth of vocal FX, Kuperus sounding alternately indignant and possessed, decrying the crimes, fears, and failings of a deluded world. Throughout, the band's chemistry crackles with revulsion and strobe-lit dissent, equal parts exorcism and denunciation. "Humans have always been pretty terrible," Kuperus explains. "But every year the compromises of culture just accelerate." Becoming Undone is also freighted with a more personal pain, as Kuperus' father passed away during the height of the pandemic, just before the album took root. As his hospice caretakers, she and Miller faced the banality of finality, surrounded by objects drained of meaning, "the joy of having a body, but also the drudgery of having one." The record's bewitching closing track, "Teeth Out Pt. II" - which happens to be the first Adult. song in the group's history without drums - speaks to this sense of doomed corporeal mass and the looming, lightless unknown that binds us all. A seasick haze swells and subsides in slow, low waves, flickering with ring modulation, above which Kuperus sings in a dazed, brooding, transcendent state, as if having finally glimpsed beyond the pale: "Some day / some day I will be silent and free / of this relentless gravity."

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Wolfgang Tillmans

Moon In Earthight

Parole E Azioni & Ces Cadaveres

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Moon in Earthlight describes the phenomenon one can see in the first few days after a New Moon, when the slim crescent of the moon is completed into a full circle by a faint light that is not lit by sunlight but by the light reflected from Earth. It is also the apt title for the first album from an artist whose first love was astronomy. After 6 EPs over the course of 5 years, Wolfgang Tillmans now releases his first album, Moon in Earthlight, a singularly plural 53-minute piece comprised of 19 tracks. Opening with more that connects us than divides us, ‘Celloloop / More That Connects Us’, a looped cello sets out a discursive path for a bright keyed melody to flirt with while the sounds of the organ and synthesizer build their supporting roles, all along a bouncing four-to-the-floor beat punctuated with bright electronic chimes and the rhythmic tempo of a shaker. The invitation is hard to resist as a yearning voice opens up to let us know he’s left his “place in security.” And, “you’re shining … All the way down to this glittering place … you’re shining.” Where voices and laughter are then overheard in the background of another field recording sounding water dripping from a ‘Rain Gutter’ later caught by the soft, warm rhythmic bounce between two synth notes on ‘Fourth Floor’ where chime-like and percussive timbres resonate from the metal tine keys of the kalimba creating a meditative acuity

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Detriti Split 4

LP | 2021 | EU | Original (Detriti)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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2LP | 2021 | EU | Original (Fait Maison - Grand Musique Management)

Jabberwocky

Feeling Dancing Tempo

2LP | 2021 | EU | Original (Organic Analogue)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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A download code is included. French electronic trio Jabberwocky are back with bangers. After 2 albums released on Polydor/Universal Music, 4 years of touring, and millions of views on streaming platforms and Youtube, the group of long time friends independently released a series of EPs with italodisco and 80’s clubs high energy influences. The producers are now imposing their italo-disco shift by announcing a new album to come in June 2021. “Feeling Dancing Tempo” is saturated with powerful beats and analog sounds inspired by space music and guaranteed to make you dance. Vital Sales Points: Named after a Lewis Carroll poem and consisting of three friends in Camille Camara (piano conservatoire), Emmanuel Bretou (self-taught guitar and bass), and Simon Pasquer (sampling and Mao), there’s a wonderfully organic sense of chemistry between each member. Best known for their hit single “Photomaton", Jabberwocky are now looking to evolve past their previous sounds into wholly new territory. Equally inspired by sci-fi films, Italodisco, and Salvador Dali, there’s multidimensional layers to Jabberwocky’s music that reveals new details with every listen. They’ve also been influenced by the energy accrued from years of touring alongside a recent move to Paris that’s engulfed them in the city’s long-standing culture.

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Jean Louis Huhta

Wormhole Of Time

2x12" | 2010 | UK | Original (Honest Jon's)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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This archival release on Organic Analogue digs back into the prolific ‘90s period of Swedish techno maverick Jean-Louis Huhta, aka Dungeon Acid. These days he releases on iDEAL, Fit Sound, Börft and Klasse Wrecks, but he cut his techno teeth on labels like Hybrid, Svek and H. Productions. Clad in artwork details by Swedish graffiti legend Nug, Wormhole Of Time comprises unreleased cuts and long out-of-print jams spanning many of Huhta’s aliases. The release also comes with a zine featuring photographs and an interview reflecting on Huhta’s multifarious life in music.

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Actress

Splazsh

Release: 2010 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Confusional Quartet Colored Vinyl Edition

Confusional Quartet

LP | 1980 | EU | Reissue (Italian / Disordine)

New Beat Trax & Old School Beats

Release: 1980 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Out of any classification of musical genre, “Confusional Quartet” is a distillation of the creativity and freedom of expression that in 1977 put Bologna at the center of the international cultural scene. This record places the Confusional Quartet in the history of Italian alternative music.

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A Compilation Of Number Nine Black Vinyl Edition

2LP | 2021 | EU | Original (Finex Fire)

Marie Davidson & L'Oeil Nu

Release: 2021 / EU – Original

Genre: Electronic & Dance

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180g Double LP (45 rpm) black vinyl pressing, gatefold cover (incl. download code). With 11 tracks spanning from the origins in 1990 to the rebirth since 2005, N9's most wanted releases are here, remastered by French sonic wizard André Dalcan, ready to get turntables at the right 33+8 mood, and get the white glove raised again!

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Renegade Breakdown Black Vinyl Edition

2LP | 2020 | UK | Original (Ninja Tune)

Release: 2020 / UK – Original

Genre: Electronic & Dance, Pop

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Sonically, Marie Davidson & L’Œil Nu’s Renegade Breakdown LP is noticeably different to previous Davidson releases. This is a record which largely eschews the wave music, house and techno influences that drove albums like Working Class Woman. Instead, Davidson and her bandmates Pierre Guerineau (Essaie Pas) and Asaël R. Robitaille (Bataille Solaire) draw heavily from styles like dream-pop, 60s chansons, jazz-tinged balladry and the stately rock style of David Bowie’s The Next Day to create an alluring set of leftfield pop for the twilight hours.

Even on the tracks where Renegade Breakdown comes close to Working Class Woman territory - the steady electro-disco stomp of the opening title-track, for instance, or Gary Numan-esque ‘C’est parce que j’m’en fous’ - the sound here is more slow-burning than its frenetic predecessor. On these cuts the group soften up the chunky Big Beat stomp of an act like Daft Punk with reflexive keys and vocals that reach more for !!! territory.

The connecting thread between Renegade Breakdown and Davidson’s other work is her arch lyricism and appetite for subversion. Few other artists would break the fourth wall with a line like “Oh by the way, there are no money makers on this record”, something Davidson does on the title-track. Throughout the album Davidson & L’Œil Nu never allow the listener to get too comfortable, meaning that, while Renegade Breakdown may sound luxurious, there is a playfulness about it which always keeps you on your toes.

Together they have produced an album of sleek, lush pop tracks which are elevated by Davidson’s trademark wit and wry lyrical content.

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Electroconvulsive Therapy Vol Two: Fuzz Dance

LP | 2014 | US | Original (Medical Records LLC)

Perception Is / As / Of Deception Green Vinyl Edition

Release: 2014 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Multi colored vinyl.

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ADULT.

LP | 2020 | US | Original (Dais)

2LP | 2020 | EU | Original (Analogical Force)

Release: 2020 / US – Original

Genre: Electronic & Dance, Pop

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ADULT. make a triumphant return after their 2018 album "This Behavior", dubbed "_one of the best records of their career_" by Ryan Lathan of Pop Matters. This chilling continuation takes the form of "Perception is/as/of Deception", an anxiety fueled cyclone of pandemonium that only ADULT. would know how to harness. While "This Behavior" was recorded in the isolated snowcovered woods of northern Michigan, "Perception is/as/of Deception" was given life in a temporary space the duo created by painting their windowless basement entirely black, with the sole intention to deprive their senses, question their perceptions, and witness the resulting ramifications. With over 23 years and a sprawling discography left in their wake, Adam Lee Miller and Nicola Kuperus have spent their entire career as ADULT. obscuring any defined genre or style. With a history as uncanny as ADULT., the pieces that making up "Perception is/as/of Deception" might be perceived as their most punk-infused and introspective work to date. The elements of frustration and apprehension that have consistently woven throughout their material are at full mast, although augmented by a strident and more "head-on" approach. Tracks like "Have I Started at the End" successfully maintain the duo's classic EBM signatures and synthesized aggression, cradled by a suspicious mantra that questions_.what's the point? "Why Always Why" offers a disorienting mutation of the heralded sounds of classic dance music, like a remix that escaped prison and is on the run. The dystopian anthem, "Total Total Damage", comes in full force with an frantic energy which jolts any bystanders to attention, with only the defiant chants of Kuperus' vocals outlining the ever-degenerating state of societal affairs. The dramatically glam synth parts scattered throughout the album, while at times ominous in nature, seem to also act as a merciful reminder that through the journey of "Perception is/as/of Deception", one can still enjoy the chaos. With the rampant sense of emptiness on the minds of many these days, there continues to be few attempts at scoring these common, unfortunate human qualities with pure sincerity. Thankfully, ADULT. has a long-standing reputation for creating the soundtrack for our insecurities, and "Perception is/as/of Deception" further solidifies their apprehensive position.

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RTR

Planetx

Release: 2020 / EU – Original

Genre: Electronic & Dance

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BRAINDANCE ALERT! Do you know what RTR means? Just RTR.

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4x12" | 2016 | US | Original (Infrastructure New York)

Infrastructure Facticity

This Behavior Black Vinyl Edition

Release: 2016 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Cover and vinyl are close to NM. With insert. Limited edition

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ADULT.

LP | 2018 | US | Original (Dais)

2LP | 2017 | EU | Original (Dekmantel)

Release: 2018 / US – Original

Genre: Electronic & Dance, Pop

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Over the course of the last two decades, Detroit-based duo ADULT. (Nicola Kuperus and Adam Lee Miller) have released six albums and nineteen EPs and singles across some of our favorite labels: Mute, Ghostly International, Thrill Jockey, Clone Records, Third Man Records, and their own label, the revered Ersatz Audio.

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Marcel Dettmann

Selectors 003

2LP+CD | 2016 | EU | Original (!K7)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Following celebrated compilations from Motor City Drum Ensemble and Young Marco – and with the second edition of its limited-capacity festival in Croatia right around the corner – Dekmantel’s Selectors series now continues with an edition curated by Marcel Dettmann
.
Although he’s now known as one of the world’s most celebrated techno artists, even Marcel Dettmann had to start somewhere. Long before he ever held court at Berghain (or its predecessor, Ostgut), he was just another young boy in Eastern Germany, one whose earliest encounters with capitalism involved spending every penny he could scrape together down at the local record shop. In those days, it wasn’t techno that got him excited, but new wave, post-punk, industrial and EBM acts like Front 242 and Depeche Mode

“It’s music from my childhood,” says Dettmann. “It’s still relevant and still inspires me.” That inspiration can be heard across this edition of the Selectors series, as Dettmann has put together what he describes as a “pre-techno compilation.” Much like the previous Selectors editions, the compilation is not a mix CD, but a collection of tracks hand picked by Dettmann from his own vinyl archives. Freshly remastered – and occasionally reworked or re-edited by Dettmann himself – the songs here are undoubtedly vintage gems, but they also represent a very personal journey into Dettmann’s past.

“It was a great opportunity to dig deeper into my own musical outlook,” he explains. “The tracks come from a time before Marcel Dettmann became a DJ.” Simply put, the songs here are some of the building blocks upon which he’s built an incredibly storied career, and now he’d like to entrust them to future generations.

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Daniel Avery

DJ-Kicks

2x12" | 2012 | EU | Reissue (Transcendent)

Release: 2016 / EU – Original

Genre: Electronic & Dance

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It's been a big year for the acclaimed !K7 series, following entries from Marcel Dettmann, Dâm-Funk, Jackmaster and Moodymann. Avery's instalment is meant to capture the moment "your watch stops ticking" in the club and you get lost in the music. Avery includes tracks from Svreca, Rrose, Iori, Post Scriptum and Planetary Assault Systems. The mix also features three new originals—an ambient cut called "Space Echo," a DJ-Kicks exclusive called "A Mechanical Sky" and a new tune from Rote, his collaboration with Volte-Face.

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Silent Harbour

LP | 2024 | UK | Original (20/20 Vision)

Release: 2012 / EU – Reissue

Genre: Electronic & Dance

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Originally Released on Echocord on 27 August 2012. Transcendent Records finally releases this much wanted ambient techno album by Conforce aka Silent Harbour, completely remastered for vinyl. Boris Bunnik expresses "music for an imaginary deep mental abstract excursion" under the Silent Harbour moniker for Transcendent/Echocord. As his multifarious operations have shown, Boris is a dab hand in the studio, and Silent Harbour is the place to find those machine emissions which would never quite reach the 'floor. Operating on the cusp of ambient Techno and electro-acoustic music, he shapes sheer scapes from elemental source material, rendering his sounds diffuse until we glimpse hallucinatory tones in the gloaming dissonance. 4/4 anchored rhythms are fractured, percussions sent to scout the perimeters while the vast space between becomes playground to radiant metallic timbres and strafing electronic apparitions. Music for Techno heads to fall into when the kicks are too much. White vinyl 2x12", limited to 300 copies!

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Random Factor

Silencer

LP | 2023 | EU | Original (Knekelhuis)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Long-time electro stalwart Carl Finlow is the man behind the Random Factor alias. He started it back in 1994 and it has given rise to four full lengths on 20/20 Vision, which is where he now returns with his first new long player in 15 years. Silencer is a superb return to form with a mix of electro-pop that is laden with indelible melodies, granular vocoders, angelic vocals and the occasion back room, heads down electro banger. As always these cuts are second to none with bumping electro-funkers like 'Adulterant' and celestial trips like 'Lab Grown' perfect for back rooms.

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Eye

Honolulu / Saigon

2LP | 2022 | EU | Original (Embassy One)

Release: 2023 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Laurène Exposito releases her 3rd album on Knekelhuis. Honolulu / Saigon is a collage of unreleased material, and previously on cassette released work. Some songs go even back to the era of Sabine and ties in wonderfully with Laurène’s previous work. She’s been performing some of these tracks back in the days. For sure a pleasant recognition.

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WhoMadeWho

UUUU

Sounds Of Serfdom Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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A download code is included. In the years since their formation, WhoMadeWho have established themselves as one of the most important underground bands of their generation. The Danish group, consisting of Tomas Høffding, Tomas Barfod and Jeppe Kjellberg, has an exceptional sense of emotional depth, heartbreaking melodies and brilliant songwriting, boasting an expansive discography currently spanning a total of six albums and a plethora of EPs, singles and remixes released on labels such as Kompakt, Innervisions and Life & Death. On the road, they are internationally renowned for their professionalism and outstanding live performances and have become regular fixtures at some of the world’s most notable musical festivals, including Roskilde, Sonar, Melt! and Burning Man to name just a few. The in-demand Scandinavian outfit now confirm details of their upcoming long player, Uuuu. Set for worldwide release on Friday, May 27, via long standing German record label Embassy One, Uuuu is the seventh full-length studio album from WhoMadeWho. A beautifully crafted record featuring thirteen original productions.

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The Serfs

LP | 2019 | EU | Original (Detriti)

Release: 2019 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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2LP | 2019 | EU | Reissue (Delsin)

VC-118A

Inside 2024 Repress

LP | 2024 | EU | Original (Knekelhuis)

Release: 2019 / EU – Reissue

Genre: Electronic & Dance

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Samuel van Dijk releases his third album as VC-118A on Delsin Records. It dives deep into the sonic narrative of VC-118A --who is also known as Mohlao-- and mixes up his unique sounds with evocative musical imagery. An album that goes from sparse, mysterious grooves to shiny underwater electro to frazzled and distorted techno via absorbing passages of ambient and overdriven machine workouts. It marks his first original work on Delsin, having released his distinctive brand of electro and techno on Frustrated Funk, Radio Matrix and Tabernacle before now.

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Helen Island

Last Liasse

Spiritual Machines 2024 Repress

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Ghastly and hallucinatory – 'last liasse' is a sign of the times, alternative pop record by helen island. Within this debut album, the artist captures the saccharine gaze of digital escapism through characteristic filtered high notes, cut-up genres, and processed vocals. Providing a comprehensive overview of helen island’s self-distributed initiatives, with the ethos of the Parisian Simple Music Experience collective, the twelve tracks set a solid musical score that resonates with the age to come.

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VC-118A

2LP | 2021 | EU | Reissue (Delsin)

2LP | 2024 | EU | Original (Monotone)

Release: 2021 / EU – Reissue

Genre: Electronic & Dance

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Following 2019's Inside, Vc-118a returns to Delsin to present Spiritual Machines. Following a re-evaluation of his creative process, Samuel Van Dijk's fourth album encompasses more fluid shifts into abstract and downtempo, dub-inflected realms, without losing sight of the electro and techno qualities that have made Vc-118a so compelling from the beginning. Burnished machine soul, aqueous atmospherics and immaculate drum programming abound, but in the mellow, enveloping sound world of Spiritual Machines you can hear Van Dijk guiding his music into a broader form that sounds at once more assured and more inspired.

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Exzakt

Lovehertz

2LP | 2024 | EU | Original (Drivecom)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Exzakt returns with "LoveHertz," a masterfully crafted 10-track album released on Monotone that showcases his evolved veteran skills. This album is a flavorful fusion of Electro, Miami Bass, and Freestyle, exuding tons of character and energy. "LoveHertz" features a diverse array of tracks, from the powerful female vocals to the soulful vocoder ballads, and Exzakt's signature raw vocals. The standout tracks "Don't Know How To Forget," "Nothing Wrong," and "Inside My Dream" highlight Exzakt's ability to blend genres seamlessly, creating an immersive listening experience. With "LoveHertz," Exzakt proves once again why he is a respected name in the electronic music scene, delivering a unique and compelling album that is sure to captivate listeners and leave a lasting impression.

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Boris Divider

Memories From The Dust

Wandering Echoes White Colored Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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A new album is finally on Drivecom. A 2xLp full of new tracks recovered and rearrenged around 2022-23. No doubt the legacy of the past works are represented. Some arpeggios and melody lines will remember us to sonic landscapes from the “La Hora de las Máquinas” or “The Source” albums by Boris Divider but with a new and refreshed production sound, for sure this will be a must item for all the electro community and fans of the label.

The album opens with the intro track “The Way You Feel Me” a mix between electro and synthwave with a moog bass and arpegio reminiscent of some Arpanet’s “Wireless Internet” tracks. Then followed for the “Letters From A Sleeper” theme. As the track’s name reflects, it's a clear tribute to the synth era of David Harrow/Anne Clarke’s “Sleeper in Metropolis” just like a reply from a postnuclear future, with a big role carried out by the initial synthline. Then the first slow bpm track is for “Distante” where synthlines a la Tangerine Dream are crossed and mixed with vintage digital rhythm machine sounds and the pattern seems to be taken from those Dire Straits’ “Money for nothing” intro drum arrange in an infinite and repetitive way.

In the B Side “You Know What I Know” track is again showing an Arpanet-ish intro synthline followed by a sequential prophet's arpeggio which bring us back to the old “La hora de las máquinas” sound. Closing the first 12 inch is “Sin Mirar Atrás”. One of the most important tracks of the album for the author. A big dimensional and introspective track full of vintage synthlines and reverb. Time for “Your Light” track is again here. This song was already presented with its own reference on Drivecom. A future pure Electro classic which was announcing the album months before.

In the same side, we find another slow tempo theme called “Recursos Infinitos” an instrumental track which implements several synthlines that interlink themselves into an infnite Tangerine Dream’s soundtrack that serves as a little break to the power and darkness of “Cenital”. Electro rhythm patterns and dark arpeggio synthlines in the vibe of Vangelis’ Blade Runner are mixed in this cold dystopian agressive dancefloor track. Later we find the theme that gives name to the album: “ Memories From The Dust” a slower track which mixes sounds and melodies between “La Hora de las Máquinas“ and other 80's digital keyboard sounds. The last track is just an outro theme called “Out of Sync”. Its name is a clear statement of its own musical arrangement, synthlines are full out of timing and synchro, it was recorded in realtime from a modular synth to a digital device in one take.

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Poison Point

LP | 2024 | EU | Original (Avant!)

2LP | 2023 | EU | Original (Childhood Intelligence)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Poison Point is the trancey body music solo project operated by Paris-based producer and live artist, Timothée Gainet.

Started off in 2016, he shared the stage with bands such as Drab Majesty, Xeno & Oaklander, Adult, Rendez-Vous and Silent Servant, shared remixes with Qual, Sydney Valette, Blind Delon, all this while running his other industrial techno outfit IV Horsemen. You can tell Timothée is a busy guy and yet he managed to grow Poison Point since his debut album on Third Coming, getting releases out on Aufnahme + Wiedergabe and Young And Cold.

Over the years, his sound gradually shifted from the motorik post-punk of the early recordings to one much more dancefloor-oriented dark electronics with some sort of nice military pop Je ne sais quoi.

If one could see this coming with 2022’s album Poisoned Gloves, his new full-length is a major step-up in Poison Point game. Skilfully produced by Gainet himself and mastered once again by Mr Baggio for the best groove, Wandering Echoes drops nine new floor fillers for the romantic and the nostalgic at heart.

Just click Play on the first track Blue Idol and you will be hurled into a crystal world of imaginary memories while floating on the scales drawn by the synth arpeggios. Rude awake to the lead single Mysteries In Fire and his intoxicating body music and start wandering the room around you. Keep up the pace with further bangers loaded with electricity, romance and angularity like Flowers & Surrender, Echoes Of Dreams, Slow Kill, Fast Love. Get sweaty as you reach the end of this music journey: final track Les Meurtrières de LʼAube, properly sung in Timothée’s native tongue French, will show you the way to the rest of the just.

If your favourite vibes dwell somewhere between Phase Fatale and Lust For Youth, Wandering Echoes is the record for you.

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ADSR

Passive Articulation

LP | 2023 | EU | Original (Believe Digital Gmbh)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Childhood Intelligence’s 18th release by ADSR aka. Todd Nickolas & Dominic Paterson from Toronto, Canada. The 2x12” album presents mostly tracks written and produced by Todd, with A1/D1 being in collaboration with Paterson. "Give a teenager in a rural Canadian setting an analog synthesizer, a drum machine and a four-track cassette recorder and feed him a steady diet of 80s EBM, Post-Punk, Synthpop, Electro, Dub, Acid, Hip Hop and House, and you’ll get the kind of genre melding electronic-based music that Todd Nickolas has been known for since his early days of writing and producing." The end result is a versatile one, with “Passive Articulation” presenting abstract Techno - House - Electro visions, and fusing all the elements of vintage Intelligent Dance Music that we cherish so much: warm basslines, beautiful chord progressions, diverse and surprising arrangements infused with haunting melodies, hypnotic cyber sounds, detached vocal cuts and dubbed percussion.…Overall fresh & timeless classiness for the present, past & future.

Recorded various locations New Hamburg, Kitchener-Waterloo, Ottawa, Toronto, San Francisco and Los Angeles. ADSR greatly thanks those who were there from the start, those who joined along the journey and those here now.

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Laake

Volt Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance, Pop

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Danton's Voice Selected Works '89

Danton's Voice

12" | 2023 | EU | Original (Sound Migration)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Although his released body of work is relatively small, Dirk De Saever's EPs come with a rather unique aesthetic in sound. Once New Beat was established and exploded as a dancefloor craze in Europe, there seems to have been a bit of a flood of attempts at making “a hit” within the style, filter through most of that and you'll eventually land on Dirk's mini catalogue of top grade Belgian New Beat. This 12” is a compilation of De Saever's 3 EPs combined in one, featuring original mixes on the A-side and instrumentals on the B-side. First track comes with a simple synthesized melody that would have been New Beat chart material, but maybe the sampled lyric was too vulgar for radio play, and maybe Dirk didn't care. The kind of track that makes you think you already know it, yet it's still fresh to the pallet. A2 is like the soundtrack to a stroll down a rough neighborhood in the outskirts of Brussels when all of a sudden the drug dealer, obviously too high on his own supply, jumps out from behind a Friet met Maiyonaise stand trying to sell you some kind of illicit candy in rough translation from Flemish to enthusiastic English – take two of whatever it is he's selling and hope for the best. Later that night, in some warehouse after hours party the DJ plays A3 as your bad trip derails into full on nightmarish Belgian waffle brain damage - New Beat at its best. Always cruising around the 110 bpm marker, waiting to see what happens, no rush, nowhere to go, easy does it.

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LP | 2022 | EU | Original (Knekelhuis)

... It Wasn't Really Me

2LP | 2005 | EU | Reissue (Clone Aqualung Series)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Following up 2021’s compilation 'and felt like...', ' ...it wasn't really me' can be seen as the missing part of a diptych, only separated by the passage of time, yet whole in spirit. Again, a familiar company of singular artists showcase remarkable unity in diversity. Similar to its predecessor, a rustic gloom glues everything together into a seamless whole, enabling the collective to transcend each unique contributors' musical voice elegantly.

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Arpanet

Quantum Transposition

LP | 1982 | EU | Reissue (Knekelhuis)

Release: 2005 / EU – Reissue

Genre: Electronic & Dance

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Re-issue of Arpanet's second album from 2005. After the criticly acclaimed 'Wireless Internet' album Arpanet goes on a starker and more experimental ambient trip. As with his other pseudonyms Gerald Donald pushes the envelop further on every album with sonic explorations of scientific, technological and social themes. Originally released on Rephlex, now remastered for Clone Aqualung Series with a new exclusive track from the same sessions 'Superposition-Many Worlds'.

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Jimmy Smack

Death Is Certain

Theme From The Gay Man's Guide To Safer Sex + 2 Black Edition

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Across two 7”s, Death Or Glory (1982) and Death Rocks (1983) and one 12”, Anguish (1982) Jimmy Smack carved his own bleak chasm amidst the LA Death Rock scene that he inhabited. After decades dormant in the crypt, Knekelhuis compiles Smack’s full recorded output, providing it a lavish place to rest on the Death Is Certain LP.

While his local punk contemporaries pursued aggressive hardcore and political punk, Jimmy Smack donned corpse paint (before it would later become synonymous with the European black metal movement) and found a home performing in venues like the Anti-Club, amongst other subterranean dwellers Christian Death, Dead Hippie and 45 Grave.

Even within this lurid milieu, Jimmy Smack stood alone. Hating Life (from Death Rocks) easily locates Jimmy within the negative-punk and KBD lexicon. However his recordings, consisting of voice, rhythm box and electrified bagpipe drones, otherwise veer closer to other-worldly avant-garde rituals. Jimmy’s background in theatre and performance art helping inform not only his menacing stage presence, but also spawning the singularity of his sound.

Death Is Certain comes housed in a printed inner sleeve featuring rarely seen archival photos, liner notes by Cooper Bowman and excerpts from an interview with Jimmy Smack conducted by Juan Mendez (Silent Servant)

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Coil

LP | 2019 | EU | Reissue (Musique Pour La Danse)

2LP | 2022 | EU | Original (Furthur Electronix)

Release: 2019 / EU – Reissue

Genre: Electronic & Dance, Soundtracks

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Musique Pour La Danse is proud to present Coil's unreleased soundtrack for the VHS only, pre-internet, sexual education documentary entitled "The Gay Man's Guide To Safer Sex" released in 1992. Members for this project are John Balance, Peter "Sleazy" Christopherson and Danny Hyde.

The OST, to quote John Balance's interview for Compulsion Online, "is [a] slightly new agey, progressive house type thing".

Another way to approach it is as a delightful collection of balearic beats, smoking jazz not far removed from Badalamenti's work with David Lynch, somewhat of an ambient house album for your home listening and early morning sunrise dances, Coil style.

Taken from the original masters provided by Danny Hyde, "The Gay Man's Guide To Safer Sex" features a new sexy edit of the main theme. Bonuses "Nasa-Arab" and "Omlagus Garfungiloops" are taken from the 1992 CD only "Stolen And Contaminated Songs", both being original versions of the radically reworked (for the Ost) "Nasa-Arab 2" and "Exploding Frogs" in order to balance the whole album and extend the listening pleasure.

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Cignol

Switching For A Living

LP | 2021 | EU | Original (Knekelhuis)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Very sought after early Cignol productions which were only previously released on CD. TIP!

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Electric Party

Play

LP | 2025 | EU | Original (Magnetron Music)

Release: 2021 / EU – Original

Genre: Electronic & Dance, Pop

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"Amsterdam, 1982. Smoke fills the streets, squatters clash violently with the police, uprising is in the air. In this disorderly mess, the worlds of activism, art, fashion, and nightlife converged into an explosion of creativity. Amidst all of this Electric Party, the brainchild of René van Rijn, released the ‘Work’ tape on Amsterdam label Fetisj, now a cult cassette for the few who remember.

Forty years ago they created this unique blend of no wave, mutant disco, funk, and experimental music. It was around the time of the rise of the members-only club Mazzo, with all its prominent figures, the anarchy of the squatting movement, and the art academy connection. Everything took place in this inebriated twilight zone of blissful joy.

This record consists of 3 of the best tracks from the ‘Work’ tape and 6 unreleased tracks from forgotten cassette tapes, all remastered and restored where necessary. Among them the unreleased anthem ‘Caribe’, which was recorded in Spain as the opening track for a Spanish discotheque in 1987.

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Figi

Fig. 1

Aspirin / Junge Dame Mit Freundliche Tel

Release: 2025 / EU – Original

Genre: Electronic & Dance

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Including 12-page booklet including liner notes and artwork made by Vormlust** Lush house, electronic and italo tracks ready for club use. A beautifully produced album with absolute floor killers and emotional set-enders. Figi's debut album, "fig.1", is a meticulously crafted compilation of 11 tracks that have been made and woven together over a span of three years. The album delves into the intriguing realm of figures, both in the context of shapes and language, where they possess the unique ability to evoke emotions and connections without being the exact representation of those sentiments. Each track on "fig.1'' originated in moments of creativity, allowing the smallest of ideas to sprout and grow into full musical compositions. Drawing inspiration from the serene landscapes of the Jura in Pays de Gex and the energy of club nights in Amsterdam, Berlin, London and The Hague. Throughout the album, Figi skillfully captures the essence of pure bliss in some tracks, while others ignite extreme dancefloor excitement. "fig.1" marks an exciting new chapter in Figi's musical journey, serving as a blueprint for innovative approaches to music creation. It is a demonstration of the artist's dedication to crafting a rich and diverse sonic landscape that resonates deeply with the listener.

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Bangkok Impact

12" | 2002 | NL | Original (Crème Organization)

LP | 1987 | EU | Reissue (Lantern)

Release: 2002 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Label cover.

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Frank Chickens

Get Chickenized!

LP | 2024 | EU | Original (Chez.Kito.Kat)

Release: 1987 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Fully licensed, ltd to 500 copies. What if Japanese city pop met no wave? Neither in your wildest dream such occurrence could be real, but let’s make things clear. Frank Chickens could have been possibly forerunners for several famous alternative band, Cibo Matto on top of all, but sure had a development on their own. Our history began in London, early eighties, art duo Frank Chickens is the original creation of Japanese performers Kazuko Hohki and Kazumi Taguchi. All of a sudden the band debuts with a pair of singles and a full length on Kaz Records, it’s 1984, but could have been easily 1994, or even 2004. Backed by the likes of Steve Beresford (Alterations, The Slits, General Strike, London Improvisers Orchestra), Annie Whitehead (Penguin Cafe Orchestra, Robert Wyatt), Lol Coxhill, Tony Coe and Clive Bell (the top of the cream of the English avantgarde) the band soon became a case in history. Now we have the pleasure – 37 years after its original release – to reissue their second album: Get Chickenized! The record came out in 1987 on the british label Flying Lecords and showed a different side of the project, with a major focus on the so-called synth wave counterculture, still maintaining a certain avant feel. With original conspirator Steve Beresford still on board, the band was propelled in the studio by another key figure of the London underground: journalist, composer and producer David Toop. Being John Peel’s favorite for a while, the band built a cult following retaining some absurd live performances, well known for their idiosyncratic choreography. Later revamped in the year 2000 - thanks to cult label Ninja Tune – the band enjoyed a second wave of success, with a remix album featuring the likes of Pizzicato 5, Fink and Neotropic. With a cover embellished by the labor of Pere Ubu David Thomas, this second influential album is finally available for your listening pleasure. Here’s your chance to dive deep into this exotic pop extravaganza.

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MERO

Sy Planet

12" | 2018 | NL | Original (Knekelhuis)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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The Montreal label Chez.Kito.Kat Records is celebrating the 100th reference to its catalog in style with the publication of the new project by Brussels artist VFO89 (aka MERO). ? SY planet ? is the first LP of VFO89 under his new fully electro oriented moniker: MERO. It's composed of eight groovy and robotic electro bangers made with passion and love for the genre at its roots. While the opening of the LP takes a hypnotic direction with the dissonant melodies and granular of "the foreigner", we go straight to the point on "SY planet" the eponym track of the LP , as a celebration for the unique signature sound of the Syncussion drum synthesizer and its powerful robotic groove. "Accomodate" and "Processing" will then brings you dark and classic techno arp, made for the dance floor, to close the first side of the LP. The B side begins with a fully old school sounding track in "interface" with its killer bass and spoken vocoder which reminds the raw sound and the roots of what electro really is about. Then come "Acid Contact" in collaboration with JAQUARIUS the TB303 wizard, well known in the French Acid techno and Free Party scenes. This track is a hypnotic acid travel, from hard kicking electro to breakbeat, ready to hits the floors and the sky. "SP1G System" bring us back to the techno territory with its high arps and glitchy textures, followed by a spacy and melancholic pad. Finally ,"TC2600" close the project with a 4 to the floor electro hit, ready to be spinned on turntables and fire clubs with the special flavor of a sampled and holded bass riff.

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Job Sifre

Het Bestaan

The Return Of Intelligence

Release: 2018 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Minimal wear. Record is closer to NM.

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Interlect 3000

2LP | 2022 | EU | Original (Childhood Intelligence)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Limited Edition.

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2x12" | 2022 | EU | Original (Soil)

Valley Of Tears Volume 4

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

We Are Not Alone - Part 3

LP | 2021 | EU | Original (BPitch)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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We Are Not Alone - Part 2

2LP | 2021 | EU | Original (BPitch)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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2LP | 2024 | EU | Original (Deep Shopping)

Mister Bellini

Cheugy

2LP | 2021 | US | Original (Montserrat House)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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"Cheugy" is a slang term used to describe someone who is out of style or trying too hard to be trendy (or both). Often associated with millennial culture, it refers to fashion, trends, or behaviors that were once popular but now seem outdated or overly mainstream. According to Rolling Stone magazine it is commonly used by Gen Z to roast Millennials. Essentially, it's the opposite of being effortlessly cool.

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Eric Hilton

Ceremony

LP | 2022 | EU | Original (Columbia)

Release: 2021 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl with a couple of small marks on Side D, otherwise NM.

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Calvin Harris

Funk Wav Bounces Vol. 2

LP | 2022 | EU | Original (Pingipung)

Release: 2022 / EU – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed with hype sticker.

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Anadol

Felicita

LP | 2024 | EU | Original (Fabrique)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed with hype sticker.

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Drum & Lace

Onda Transparent

Release: 2024 / EU – Original

Genre: Electronic & Dance

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LP | 2024 | EU | Original (Knekelhuis)

Archetype

The Ick

2LP | 2019 | EU | Original (Anna Logue)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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The Ick — a sense of sanity amidst the storm of information. This album by Archetype is an abstract scream for something quite fragile — a polarizing society, disruptive isolation, and the fading collective experience. Utilizing dramatic vocals, industrial trip-hop, and post-punk-leaning electronics, Archetype marks the new moniker by the ever-versatile Viennese Rotterdammer, Leonard Prochazka. Following his manifold of concept-driven, instinctive musical output, Archetype's "The Ick" releases in 2024, following "Strapazen und Genesung" as Geier Aus Stahl on Knekelhuis in 2022.

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Quieter Than Spiders

Signs Of Life

Gilt Lime Green Vinyl Edition

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

This release is limited to 350 copies on 180 g black DMM cut vinyl in a high gloss gatefold sleeve with 3 postcards (signed), poster, and sticker. “Electric sound-waves that pulse through our sleep …and our dreams”. Quieter Than Spiders release their long-awaited debut album Signs of Life. The Chinese-Anglo band was formed in Shanghai in 2012 and has been quietly rising to prominence among the electronic music community with what the group self-styles as ‘Shanghai Synthpop’. Online music magazine The Electricity Club included Quieter Than Spiders in a list of their favourite new artists and described them as “What OMD would sound like if they formed in the 21st Century”. The album was recorded in both Shanghai and the UK and was mastered in Germany by Stefan Bornhorst (aka The Silicon Scientist). The group did not use a formal recording space which gave them the opportunity to experiment. “We used minimal equipment which gave us the opportunity to record songs in a variety of places. We even recorded parts in an old deserted Shanghai building earmarked for demolition, and in an overgrown tunnel that we found deep in the English countryside”.

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Profit Prison

12" | 2024 | EU | Original (Avant!)

Elogium Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Four years and one pandemic after his latest Dreams Of A Dark Building EP, the herald of dungeon synth pop is finally back from his shallow grave.

Life has not been gentle with Seattle-based solo producer Parker Lautenschlager over the past few years, imposing its unpredictability and forcing him to channel all the feelings that come with it into Profit Prison’s music.

It’s no surprise that his first full-length album Gilt marks one futher step towards the dark corners of italo / hi-nrg body music. Typical Profit Prison’s vocals and melodies, reminiscent of OG synth masters Kraftwerk, Giorgio Moroder and Orchestral Manoeuvres in the Dark, are still here, buried in the mix and waiting to haunt the listeners and drag them down in one sulfurous dancing spiral.

Lead single Sophia juxtaposes some weirdly camouflaged vocals with one heavenly chorus that seems willing to revive your fortunes while instead it literally sings “But I lost it all”. A Matter Of Tact displays pop escapism over some throbbing minimal synth tension, Seven Words sounds like a throwback to 70’s italo filtered through the eyes of a 21st century punk rocker. Katalina has a rampant synth à la Carpenter climbing over a story of loss and Katalina, An Ascetic is a solo ramble reaching for the inner light on a carpet of cold keys.

What’s more, tracks got longer in Parker’s recent songwriting, with most of the songs being now five minute long and reaching peaks of seven minutes with the closing, almost progressive disco jam of A.R.P. (Amphetamine Research Project), nothing short of a lucid dream on the floor of Studio 54.

Last but not least, the artwork by French artist Robin Roche delivers medieval-yet-punk graphic vibes to match just perfectly the sounds on this record.

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Dancing Plague

LP | 2024 | EU | Original (Avant!)

LP | 2023 | EU | Original (Dee Dee's Picks)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Portland based act Dancing Plague has been a steady presence in the dark/cold electronic music scene for quite a few years now.

Since 2016 Conor Knowles’ solo project has been putting out one constant flow of independent releases on multiple formats such as vinyl LPs, EPs, tapes and CDs, creating one sonic palette rich with Ebm, goth, industrial and synth influences.

On their 5th studio album, Dancing Plague continues to flesh out and perfect their unique brand of crushing darkwave.

Elogium explores themes of loss, regret, rebirth and growth coupled with throbbing basslines, rave synths, and pounding drums. Knowles balances aggressive waves of electronics with enough pop sensibilities and catchy hooks to be inviting to those new to the genre.

His skills can be clearly appreciated on tracks like the first single Fading Forms which explores the somber feeling of the years passing you by. Knowles’ emotive baritone crooning paints a melancholic picture of the slow fading of time as you feel like you’re fading with it. The words fall like snow onto cold fields of pulsing 80s synths and pounding drum machine rhythms that bring forth nostalgic familiarity but feel fresh at the same time.

Fans of classic icons such as Depeche Mode, Ministry, Nine Inch Nails as well as contemporary torchbearers Cold Cave and Kontravoid do not sleep on this. Plenty of disturbing beauty to be found in the depths of the underground.

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Infesta

Passerella

LP | 2023 | EU | Original (Avant!)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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A defining time for many musicians pursuing the arts of exploring sonic palettes is the moment of learning a song, an instrument and recording it. The procedure of selection and layering of sounds. The idea of dissolving this mysticism and truly being in control of something. The realisation that there’s a lot more enigma coinciding with simplicity in music that you may not have realised before and discovering new journeys from there on in. The knowledge of its technicality brought with a background in contemporary songwriting becomes a quest for sounds surrounded by layers of storytelling. To establish a sonic aesthetic that represents yourself and what you want to present to the listener.

The recording of Passerella took place at the end of the summer of 2022 over one week of isolation and songwriting in a house on the shoreside of the lake Lugano. Layered with references from a contemporary approach to 80s synth pop, post-punk and dark wave, with subconscious derivations of Canzone Italiana as a foundation for a musical piece derived from Infesta’s childhood listening habits. Bare genuineness, emotional and aggressive at the right places, the way in which music captures the purity of intense feelings. Infesta’s work is presented in a raw quality which intimates the listener with an aspect of humanity grippingly relatable.

Cemented songs with a focussed vision, Infesta’s dark yet familiar world is one confused but shared among us all. The conceptuality of a traditional album dissolving into a musical diary. The music within this record is a rendering of the importance of having these songs compiled side-by-side as a way of storytelling. To keep the same picture of the exposure of a person through their music. Conflicting inner thoughts frolicking side by side. A gentle hand caresse gleaned by an author to its listener.

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Crush Of Souls

(A)Void Love

Azabache Clear Vinyl Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Legendary 2010’s indie band Crocodiles’ guitarist Charles Rowell’s new synthpop-meets-gothic rock project. Think Nick Cave crooning over Martin Rev’s minimal electronics or The Lords of the New Church-era Stiv Bators jamming with Wayne Hussey and Douglas Pearce.

After relocating from New York to France, Charles Rowell began stuffing his suitcase with various synths and samplers while taking cheap bus rides to bordering countries.

While living out of a hotel in north east Paris, he played his demos for Third Coming Records who quickly released the Bad Trip EP in 2020. Concerts became more frequent after the pandemic, with the release of Spellwound and a few have become infamous with guitars smashed to pieces, broken glasses, unruly audience front flipping onto the stage.

With Paris providing the background and a scene of friends such as avant-garde drag artist Tuna Mess and industrial techno veteran Poison Point who pushed his creativity even further, Crush Of Souls constant spirit is that it remains unpredictable and thrives on collaboration. This is even more true with his upcoming album (A)Void Love.

Written over a period of intense insomnia that coincided with a run of shows playing guitar for Australian legend Harry Howard, Crush Of Soul’s main man Charles Rowell finally found rest after writing and recording the last song entitled World of Fear. Six months prior he had quit his job as a chef, traveled east to Prague for inspiration and returned ragged and sleepless. Rowell’s insistence on keeping the instrumentation simple and clean came from an arduous two years of literal blood, sweat and tears. Every bit of drama, eastern excursion and sleep psychosis can be found within the walls of (A)Void Love.

Acoustic guitars and dramatic synths provide a cold wilderness for the various rhythms to inhabit; touches of minimal electronics, cold wave and synth pop can be found while the song writing remains classic for lovers of Echo & the Bunnymen and Nick Cave & the Bad Seeds.

There’s always been a thread of synth-punk, death rock and DIY noise running through all of Charles’ projects (Crocodiles, Issue, Flowers of Evil), however Crush Of Souls pushes harder and further into the darkness with the new album ‘(A)Void Love’.

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Ana Quiroga

LP | 2023 | UK | Original (Houndstooth)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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12" | 2023 | UK | Original (Control Freak)