Electro 132 Items

Cover with beginning of seam split on top spine and creasing on corner, close to VG+

Still in shrink but opened with hype sticker. Numbered copy. Clear vinyl seems unplayed. Tiny corner wear. Limited edition.

Record is close to VG+.

Vinyl with scuffs, light marks and hairlines

Tear / sticker residue on the cover front!

3 classic Legowelt "Slam Jack Deep Chicago Ghetto Technofunk" tracks from the Clone Records vaults get the deserved remaster treatment. The early 2000's Yamaha DX Synth tribute by Scheveningens Jackmaster never sounded better...

Clear vinyl.

Clear vinyl.
Cover with a beginning seam split at the upper edge.

close to NM

Still sealed with hype sticker. tiny wear. Clear vinyl Limited edition.

close to NM

close to NM

hand stamped and numbered copy Limited edition

Sealed copy!

Cover has a small cut on the front-upper left corner, otherwise NM.

Close to VG+. Label cover.

Cover and vinyl are close to NM. Limited edition.

close to NM

Marbled Mint Green vinyl

Vinyl close to NM

Vinyl is Close to VG+

Beau Wanzer and Dan Jugel with the roughneck machine work. Small run, extra heavy pressing (70g). TIP!

White vinyl. Copy close to NM

Sealed copy.
Cover corners slightly dented.

Writing on label sticker.

Writing on labels.

Cover and vinyl are close to NM.

Vinyl close to near mint. Cover has 3 stickers on the back.

Copy n° 198/200

The world is already fallen and the temples are all new again.

Originally released on limited 10" double-pack in 2017, 'Luxor Necropolitics' was once again produced by Joshua Eustis of Telefon Tel Aviv, and includes a super rare remix from Female of Sandwell District fame.

Close to VG+

Silk-screen printed cover.

Still shrink wrapped but opened.
Includes original inner sleeve.
Record is close to NM.

Number 2 of this 4 piece exclusive 12-inch series.

Vinyl with scuffs and hairlines

Single Sided. Vinyl with a couple of light scuffs. Still in shrink, but opened, copy 496/500

Record has scuffs and hairlines.

The past few years have found Sean McBride, the artist behind Martial Canterel, in a state of flux, ebbing back and forth between material displacement and musical aestheticism. His expert pedigree in electronic sound and arrangement bridges the gap created by an undecidability between life at home and abroad His new album, Lost At Sea, is an attempt for the artist to locate this elusive common ground.The album's introductory track, Giving Up, has all of the hallmarks that Martial Canterel has utilized in the past_melodic chorus, upbeat rhythm and classic sequential dynamism. Where the song diverges is in its core theme of nature: nature's return to a period of restoration after the failures and recklessness of humankind.The slower pace of songs like Scampia and Puszta yearn for McBride's complex love affair with far flung destinations. Re-evaluating the political strife and social unrest in these historical locations, McBride delves deeper into political and geological reference points creating symbolic representations using mechanized percussion, white noise and various sine waves.The conceptual nature of Lost at Sea reaches even deeper depths within the waveforms of Astralize, a track based upon academic Donna Haraway's pre-civilized theories of human neglect after the `azstralization'.