Electro 4446 Items

Release: 2022 / EU – Original

Genre: Electronic & Dance

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2LP | 2005 | EU | Reissue (Clone Aqualung Series)

Arpanet

Quantum Transposition

2x12" | 2022 | EU | Original (Ara)

Release: 2005 / EU – Reissue

Genre: Electronic & Dance

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Re-issue of Arpanet's second album from 2005. After the criticly acclaimed 'Wireless Internet' album Arpanet goes on a starker and more experimental ambient trip. As with his other pseudonyms Gerald Donald pushes the envelop further on every album with sonic explorations of scientific, technological and social themes. Originally released on Rephlex, now remastered for Clone Aqualung Series with a new exclusive track from the same sessions 'Superposition-Many Worlds'.

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Kangding Ray

Ultrachroma

2LP | 2022 | EU | Original (Artificial Dance)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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In search for unseen colours beyond the visible spectrum, Kangding Ray explored the outer fringe of club music and came back with a set of prismatic sonic crystals.

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Genetic Factor

In Deadly Wet Dreams

In Any Case By Any Chance

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Artificial Dance is very happy to announce the full archival compilation of work by Richard Zeilstra A.K.A. Genetic Factor. Recorded in different parts of the world, at different times - we hope this will give the world a glimmer of the mind of Genetic Factor. A mind that has been behind a variety of very influential operations during the years; including a string of radio programmes (Radionome & Spleen a.o.), working at Boudisque and running Barcelona’s first compact disc store!

A double disc affair housed in a deluxe gatefold sleeve that is only bleak in comparison with the musics featured on the discs. With songs taken from a wealth of recordings (and we’re only touching the surface!) that were safely locked in the Lab’s vaults.

The songs featured are not an attempt of making a coherent ‘album’ but much more trials of interpretation of his world into ‘music’. His strong believe in non-musicianship makes it more thrilling than conventional musics, yet these recordings are not result of amateurism - they form a consistent reality of what excites him. Take a dive in the realm of the Genetic Factor…

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Zanshin

LP | 2022 | UK | Original (Affine)

2LP | 2022 | EU | Original (Leisure System)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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"What took you so long?" might be a valid question concerning the ten year gap between Zanshin's new album "In Any Case By Any Chance" and his first album "Rain Are In Clouds".
Of course it is a question that the Viennese musician has asked himself quite startled in his usual self-critical manner, just to realize at a closer look that it has not been a lack of creativity or laziness at least. He used the Zanshin moniker on four EP releases and several remixes, plus a game soundtrack. Not to forget all his output as one half of producer duo Ogris Debris (the album "Constant Spring" from 2016 and roughly two dozen singles and remixes) and the many, partly award-winning audiovisual installations and performances with Leonhard Lass as Depart (depart.at). Furthermore he has also built two sound installations in 2021, "I Gong" at Elevate Festival and "Cymatic Sands" at Ars Electronica. In addition, Zanshin performs with the Max-Brand-Synthesizer from time to time as part of the compositions by Elisabeth Schimana, and together with label mate Dorian Concept he has also composed and performed the piece "Half Chance/Music for Moogtonium" for this unique instrument, built by Bob Moog himself.
Not spared by certain global developments of recent years, but rather invigorated by exploring his own resilience, Zanshin had a talk with Affine Records Operator Jamal in the beginning of 2021, speaking of future ideas and releases. And what was initially a single release spawned into a whole album in seemingly no time. An old skit ("Polar Polychrome") on the Roland Mc-505 groove-box that had never really been forgotten, but was rather waiting patiently somewhere in the back of his mind, suddenly proved to be the initial spark for the album.
The term "Zanshin", roughly translated as un-focussed attention, is in fact more than just a pseudonym but rather a directive in the artists life. Zanshin really likes to go in several directions at once, kind of according to Wittgenstein's claim that "The world is everything that is the case.", to find out where his love for music might lead him this time. He also somehow went back to his roots with this album. Not necessarily in the sense of certain musical influences or genres, because then the album would be even more eclectic than it already is. More like a focus on the core values in the fabrication process of the music itself, the freedom to rather follow the structures and sounds than to shape them in a completely predetermined way. Somebody once called it, "to weave what the music demands."
In this regard, Zanshin often feels more like a sculptor and tries not toadhereto strongly to the rules of specific sub-genres of electronic music. Searching for sounds and designing them is one of the energies that fuels his interest the most, thus at the beginning of a lot of tracks there are small skits and ideas that have the freedom to grow in whatever direction.
Hence this album has no elaborate story to tell, there is no extensive "narrative" or big time "storytelling" at work. "In Any Case By Any Chance" is not a novel but rather a collection of short stories (which are certainly dense and have complex plots nonetheless). The result is a long-player where playful electronica, skillful songwriting, extrovert dance music and symphonic film music enter into a symbiotic relationship. Returning to another Wittgenstein quote, "Whereof one cannot speak, thereof one must be silent", the emotional impact of music is the main focus and the results can be quite solemn at times, but around the corner always lurks the next bone-breaking rhythm pattern and gnarly sound design.
The infamous saying, "writing about music is like dancing about architecture", is another brick in the wall of sound in Zanshin's approach to music. He rarely roots himself in traditions or uses them too overtly, he really likes to agglomerate sounds, to challenge the listeners. It seems like he tries to avoid classification on purpose, because he knows that everyone has their own perception anyway. The only thing that this music demands implicitly is a willingness to listen attentively.
Very dense, at times really heavy and massive, then again airy and playful. "Music for clubs that don't exist.", might be another fitting caption to describe this album, which lasts for a little more than an hour.
The opener "Heatseeker" rushes to a sudden head start with its steel pan extravaganza, tropical vibes meet a bass line drenched in electro funk, and electrified synth stabs support the declaration of love in the lyrics. Kind of Jamie XX meets Electro meets Diva House. The monster that is "Bronteroc Brawl" is up next, a serious test for the speakers and a wild ride with metallic, growling sounds. The aggressive sound design reminds of suspense ridden shark chases, vicious dogs and cunning dinosaurs, in any case a track for people who love a proper bass stomper.
A new approach for the "indie discotheque" brings the emotional roller-coaster "In Gloom" with snappy drums and hypnotic synth motives á la Alessandro Cortini, creating an epic atmosphere together with the multi-layered vocals. A psycho-acoustic treat is position 4, the crisp instrumental "Polar Polychrome", you could even go as far as calling this a Zanshin signature track. Like mentioned before, the roots of this track go back to 2002 and you can hear the unmistakable influence of beat wizards like Photek, a piercing bass line is supported by poly-rhythmic drums, while dense pads try to escape the claustrophobic lockdown mood of winter 2020/21.
Another round of intense pathos waits for the listeners in the ensuing track "In Search Of". Moderat say "Hello", a melancholy piano melody is rushed to a climax by a wild bass arpeggio and forceful drums, the desire for a perfect sunrise at the next after-hour to the max. Initially just an appendix to the preceding track, "Time After Thought" swiftly developed from a mere improvisation to an ambient epic with a croaking alien piano, as if Keith Jarrett were on his way to Alpha Centauri.
Up next is the first single "Because Why", a breakbeat driven, synth-heavy track with winged vocals and a popular film quote. The title refers to the movie "Alphaville" by Jean-Luc Godard, a dystopian science fiction film noir, in which an omniscient computer system named Alpha 60 is ruling society and humans can only say "because" but never "why". As if the gears of a galactic mechanism were spinning into motion sounds "Identity Slices". A raspy chord structure finds its counterbalance in a kind of stumbling, wonky beat, and Zanshin would never deny the huge influence that Autechre's sounds and structures always have had on his music. Micro- and macrocosm meet on the same level and this friction is also a metaphor for questions of identity and self-awareness, without using voices or lyrics.
Off we go into the IDM bubble bath of "Enzyme Enigma", the bass drum is stomping and a fizzy acid-line is twisting in all directions behind rolling dub-techno chords. "Corrosion Creak" is a kind of acoustic degradation process, the rave dogs are finally let loose and everything happens at once, funky synths shred, string sounds wail and then there is this bass that sounds like smashing a rusty metal plate in the junk yard with a vengeance.
Towards the end everything slows down a bit, the beat in "Whatever Words" is Warp school cerebral hop at its best and therefore loads of glittery, creaky sounds swarm out until the synapses are overloaded, cumulating in a mighty bass ending. Last but never least, "Rebus Redux" guides us into the limitless night sky, with long indulgent pads dotted by an aimlessly wandering piano, while a compact net of tamed resonances and meandering sub frequencies unfolds in the background, enticing navel-gazing imagination.

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Dopplereffekt

Neurotelepathy

LP | 2022 | EU | Original (Preset)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Who controls the mind controls the body. After three years of experimentation in isolation, Dopplereffekt have emerged with Neurotelepathy, an oracular narrative of cerebral entanglement and advancement. The sleek mathematical models of 2017’s Cellular Automata have evolved into these synaptic interpretations, transferences and modifications, rejecting binary expectations to meditate on the possibilities and pitfalls of what’s to come. With their second LP and fifth release in total on Leisure System, the duo of Rudolf Klorzeiger and To-Nhan have themselves achieved a near-telepathic capacity for collaborative thought and mechanical construction. They continue to use live appearances to present experimental trials of theoretical models, and that effort is heard in the sizzle and swing of the percussive highlights here, programmed with a serious depth and wriggle that reflect both an extension of and return to form. Considerations of the machine-human interface, neurological realities and physical probabilities dominate. But these tracks are economical and precise, glittering with emotional depth and cinematic effects. The album's core, a three-act movement of symphonic uncertainty and revelation, marks one of the pair's most evocative compositions in a career full of them. Territory is monitored, traced and scanned, resulting in unexpected modulations. Underlying systems are questioned, competing mindsets animated and mutated: brain-to-brain, brain-to-machine and beyond. Neurotelepathy processes these transformative mental, psychological and transgenerational states both traumatic and triumphant.

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Konerytmi

Musta Perjantai

Release: 2022 / EU – Original

Genre: Electronic & Dance

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LP | 2022 | EU | Original (In Fact)

Occupied Head

Interoception

Release: 2022 / EU – Original

Genre: Electronic & Dance

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LP | 1987 | EU | Reissue (Wah Wah)

Mecanica Popular

Baku: 1922

LP | 2021 | IT | Original (Operation Qual)

Release: 1987 / EU – Reissue

Genre: Electronic & Dance

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A welcome departure from their first effort, the record has gained greater reconection in recent years when contemporary audiencies could fully aprreciate the strenght and harsher direction the duo decided to take for their follow-up album. More rhythmically-oriented tunes whilst revisiting some old-favorites like Daguerrotipo or La Edad del Bronce (both off their first album, but albeit in new mixes). The Wah Wah edition has been mastered from the original tapes by Eugenio Muñoz, reproduces the original sleeve artwork and and features an insert with photos and info. It is a strictly limited edition of 500 copies only.

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Qual

Tenebris In Lux

Release: 2021 / IT – Original

Genre: Rock & Indie, Electronic & Dance

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2LP | 2022 | UK | Original (Biophon)

Biosphere

Shortwave Memories

Theme From The Gay Man's Guide To Safer Sex + 2 Black Edition

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Iconic Norwegian producer and composer Biosphere follows up his evocative 'Angel's Flight' release with a new album set for release early in 2022. Shortwave Memories is an album inspired by the post-punk electronic music of the late 70's and early 80's, especially the productions of figures like Martin Hannett and Daniel Miller.

"The last few Biosphere albums have all been made using samples and software, but Shortwave Memories is a return to vintage analog hardware from the late 70s and early 80s. Most of these instruments do not have any presets or memory storage, so all the sounds were programmed from scratch. The idea was not so much to make music that sounds like it was written in the same period. It's more like what would happen if I had the chance to use the same instruments, and applied the same meticulous attention to detail as the producers mentioned above."

Presented as a continuous sonic journey, this stunning record unequivocally manifests a world of it's own and already feels like a timeless addition to the rest of the Biosphere catalogue.

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Coil

LP | 2019 | EU | Reissue (Musique Pour La Danse)

2LP | 2022 | EU | Original (Piccolo Series)

Release: 2019 / EU – Reissue

Genre: Electronic & Dance, Soundtracks

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Musique Pour La Danse is proud to present Coil's unreleased soundtrack for the VHS only, pre-internet, sexual education documentary entitled "The Gay Man's Guide To Safer Sex" released in 1992. Members for this project are John Balance, Peter "Sleazy" Christopherson and Danny Hyde.

The OST, to quote John Balance's interview for Compulsion Online, "is [a] slightly new agey, progressive house type thing".

Another way to approach it is as a delightful collection of balearic beats, smoking jazz not far removed from Badalamenti's work with David Lynch, somewhat of an ambient house album for your home listening and early morning sunrise dances, Coil style.

Taken from the original masters provided by Danny Hyde, "The Gay Man's Guide To Safer Sex" features a new sexy edit of the main theme. Bonuses "Nasa-Arab" and "Omlagus Garfungiloops" are taken from the 1992 CD only "Stolen And Contaminated Songs", both being original versions of the radically reworked (for the Ost) "Nasa-Arab 2" and "Exploding Frogs" in order to balance the whole album and extend the listening pleasure.

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Varum

Basement Business

7" | 2022 | EU | Original (Fontela)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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This is Varum’s first full length Album. All tracks made in the bassment. Includes 56 site booklet. Hand stamped. Mastered by T I N.

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Timothy J Fairplay

Mascara

LP | 2022 | EU | Original (Minimal Detroit Audio)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Fontela Games is proud to launch its very first boardgame Mascara… Presented on a vinyl gatefold 7 inch sleeve, Mascara is a mystery game for 2 players. The game soundtrack comes courtesy of Timothy J Fairplay (Asphodells, Dungeon Module) and contains 2 exclusive tracks. The prolific British producer presents 2 deft synth workouts recorded in a seedy studio in Tottenham. The sleeve contains the board, instructions, one insert and a 7" record. Numbered and limited edition of 150 copies.

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Jordan GCZ

My Brain's Brain

LP | 2021 | EU | Original (In Fact)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Premium solo material from Jordan CGZ (Magic Mountain High, Juju & Jordash). An unbounded trip around the producers musical universe. Sounds ranging from icy futuristic soundscapes to crunchy melodica techno workouts, Other-wordly Jazz explorations to hazy Rhodes washed Deep house memories. “I feel that Jordan’s album is an innovative masterpiece that will stand the test of time” Terrence Dixon Pressed In Detroit, MI , Artwork by Karl -Otto von Oertzen

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Sava.Geo

Unusual Expectations

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Bubblegum Purple Marbled Vinyl Edition

Woulg

LP | 2021 | EU | Original (Yuku)

7 Songs Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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"In this album I was trying to explore the idea of pop music on PCP. PCP has fantastic lore around it and I think the most fascinating thing about it is that it seems as if many people have had these experiences where they took PCP, it presented them with an alternative reality, and they accepted it without question. It's as if that umbilical cord of knowing that you're high is cut, and the person taking it is fully immersed in the trip. Not only that but from some of the accounts, the alternate reality seems quite twisted and perverse. There are reports of people disemboweling and eating each other, or deciding that the best course of action is self-mutilation or castration, and then emerging from the trip still convinced it was the right choice. Or even the accounts of people gaining superhuman strength and fighting off 5 or 6 cops at once. It seems like there's something quite dark on the other side of that door. So for this album I tried to write what I imagine the pop music of that alternate reality might sound like. What would happen to the sugary sweet, wet dream, corporate sponsored top 40 hits, if we dipped 'em in angel dust and got "wet". What would happen if we slopped all of those fun summer hits into the meat grinder of the PCP reality tunnel, and just pushed them through. I like to imagine an intersection under an overpass in a cyberpunk dystopian future. It's midnight and you can see the neon's from the storefronts on the other side through the thick smog. A modded Ae86 Corolla pulls a left turn and you can hear the music pounding from the sound system as the rubber peels underneath it. As it's drifting through the intersection, smoke pouring out of the tiny gap at the top of the tinted windows, the music pours out of the car like a thick syrup, engulfing us as we stand frozen for a moment as they pass. This is what they were playing." - Woulg

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Humanoid

12"+10" | 2021 | EU | Original (De:tuned)

2LP | 2021 | UK | Original (Infiltrate)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Humanoid invades De:tuned with a new and highly anticipated 7 song album of classic acid cuts. Flashback to the '88 acid-house spirit! Brian Dougans embarks on another journey of 303 breakbeat euphoria followed by fast, frantic and beat driven productions. The additional 10" completes the hallucinating trip with 2 floating acidic corkers.

Kevin Foakes (Openmind, DJ Food, Ninja Tune) created all the graphic work. Mastered by Matt Colton at Metropolis and pressed on 180 gr vinyl. A separate digital release will also be available at the usual digital shops. Stay tuned!

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James Infiltrate

Void

Release: 2021 / UK – Original

Genre: Electronic & Dance

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Back in 2018, previously unheard artist James Infiltrate impressed via a punchy EP of club-focused electro numbers. It later emerged that the mysterious producer was none other than Constant Sound founder Burnski. Here he dons the alias once more for a full-length excursion three years in the making. It's a fine album, too, with the long-serving producer delivering a winning combination of punchy, club-ready beats, sci-fi fired synth sounds, moody Michigan bass and the kind of authentically spacey atmosphere that has long been associated with the greatest electro records. There's also enough subtle variety in terms of tempo and style to guarantee that you'll not get bored of it any time soon. Highly impressive, but did we really expect anything less?

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2LP | 2021 | EU | Original (Feines Tier)

My Home Plants Can Talk

Release: 2021 / EU – Original

Genre: Electronic & Dance

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2LP | 2020 | EU | Original (Kompakt)

Kölsch

Now Here No Where

Release: 2020 / EU – Original

Genre: Electronic & Dance

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On his fourth album proper, Now Here No Where, Danish producer Kölsch (aka Rune Reilly Kölsch) is charting new terrain. Fans of his ‘years trilogy’ – 1977, 1983 and 1989, released on Kompakt over the past decade – were privy to a kind of sonic diary, an autobiography, tracking the artist’s early years through three albums of superior, meticulously rendered techno. Calling in collaborators where needed – most notably, the strings of Gregor Schwellenbach – there was still something deeply personal going down, not quite hermetic, but internally focused; the albums proved not only Kölsch’s mastery of his chosen form, but also his capacity to make techno personal, individual, and to trace histories of the self through music. But on Now Here No Where, Kölsch finds his feet firmly planted in the present. Reflecting on his new album, he notes, “It is fascinating to write about memories and feelings that have had years to manifest and develop, but how would I approach current emotions?” It’s a good question: our past coheres through the narratives we build around memories, but the moment we’re in, the newness of the now-ness, is harder to navigate; this story is as yet untold. For Kölsch, this makes Nowhere Now Here “an album about life in the year 2020.

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Touched Electronix 005 Clear Vinyl Edition

2x12" | 2020 | EU | Original (Touched Electronix)

Artificial Dancers - Waves Of Synth

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Touched Music and Furthur Electronix two forward thinking labels have merged together to put out exclusive compilations. Putting some of the best music in the electronic genre in one place.

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Interstellar Funk

2LP | 2020 | EU | Original (Rush Hour)

2LP | 2019 | EU | Original (Roche Musique)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Birthed at the turn of the ‘80s, synth and wave music has remained a constant force over the last four decades, with a recent spike in interest in the sound offering further proof of its’ timeless, out-of-this-world quality. It’s against this backdrop that Dutch DJ Interstellar Funk presents his celebration of the style, “Artificial Dancers – Waves of Synth”.
A bumper compilation bristling with obscure and hard-to-find gems, the set sees the Artificial Dance label founder joining the dots between synthesizer and drum machine-driven tracks in a variety of subtly different styles. It’s the result of hundreds of hours spent digging through dusty old records, tapes, and the Bandcamp accounts of DIY musicians who have been active since the sound’s first boom in the early 1980s.
The 11-track set draws on tracks made and released at different times over the last 40 years, with the earliest cut committed to tape in 1978 and the most recent in 2018. While the tracks date from the ‘80s, ‘90s, noughties and 2010s, the showcased cuts are united by a primitive but futuristic quality that makes dating them difficult. In many cases, it’s hard to tell which tracks were made in the early 1980s and which were conjured up in 21st century studios.
As you’d expect, highlights are plentiful with a number of the most unknown or sought-after cuts appearing on vinyl for the first time. In this category you’ll find the Human League’s odd but inspired early number “4JG”, a near mythical 1982 live version of Liasons Dangereuses’ “Dias Cortas” (previously only available on a VHS video) and Chris and Cosey’s “Hybrid C”, a brilliant mid-’90s cut plucked from their CD-only album “Skimble Skamble”. You’ll also find a rare demo version of Clan of Xymox’s Dutch darkwave classic “Stranger”, which became a club smash across Europe in 1983.
Interstellar Funk has also chosen to showcase tracks by a range of DIY producers and lesser-known artists. These include Californian band Batang Frisco, who self-released a sole private press album in 1986 (their contribution, “Sewing Machine”, is dedicated to founder member Bill DiMichele, who passed away this year), Matthias Schuster’s Im Namen Des Volkes project – which contributes the previously unreleased 2014 track “Alles Ist Gewinn” – and Zahgurim, a short-lived early ‘80s act who reunited in 2018 to record their first new material since 1983.
If that wasn’t enough to set pulses racing, the compilation also showcases a solo track by sadly departed Psyche member Stephen Huss. Nobody is quite sure when Huss recorded “Infinity Sign”, but we can confirm this is the first time that one of his solo productions has ever appeared on vinyl.

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Zimmer

2LP | 2019 | EU | Original (Aufnahme + Wiedergabe)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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After several EPs on Roche Musique, french electronic producer Zimmer will release his first LP alongside a EU and USA tour! For almost 10 years, Zimmer has conquered the dance floors of the world without ever stopping. The young French boy, who grew up between Annecy and Los Angeles, fell in love with electronic music in the mid-2000s.

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The Horrorist

Separate Dimension

Who Else Picture Disc Edition

Release: 2019 / EU – Original

Genre: Electronic & Dance

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A download code is included.

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Modeselektor

LP | 2019 | EU | Original (Monkeytown)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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2LP | 2018 | EU | Original (Aguirre)

New Dreams Ltd.

Sleepline

2LP | 2018 | EU | Original (Aguirre)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Sleepline (released as New Dreams Ltd.), plays in the liminal space between states of consciousness, inducing a hazy, deteriorating quality that stands in contrast to Shader Complete's mostly hi-definition aesthetics. It was written in winter 2013-2014, but it didn't see an official release until 2016. Originally conceived as a Sacred Tapestry sequel called Transcontinent, the album saw Xavier returning to her plunderphonic tactics, looping and down-pitching what sounds like decades-old Japanese commercials. This time, Xavier sought out source material that would more readily fall under fair use, attempting to bridge the aesthetic gap between her works by foregrounding her editing techniques as much as transforming the source material.

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Sacred Tapestry

Shader Complete

2LP | 2018 | EU | Original (Kompakt)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Shader Complete is an exquisite, multi-faceted album that pivots effortlessly between widescreen electronic synthscapes, atmospheric drones, and claustrophobic appropriations. It's the latest permutation of a release that originally arrived in summer 2012 as Sacred Tapestry. That version, titled Shader, was written during the first couple months at her new home of Portland, marking a period of instability and existential confusion for Xavier.

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Gui Boratto

Pentagram

Release: 2018 / EU – Original

Genre: Electronic & Dance

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A download code is included. It’s been over 10 years since the release of Gui Boratto’s breakthrough full length debut 'Chromophobia'. As to what its title suggests, he shook up the techno game with a contrast of lushly coloured minimal grooves and melody, whilst many will recall that the album included the highlight single “Beautiful Life” which became a dance floor anthem for that era. Four albums in and countless EPs and remixes under his belt, the Brazilian producer's unique savoir-faire in carving out a functional album out of diversely routed singles and features is back at it on his fifth studio LP, 'Pentagram'. Here Gui Boratto lays down a nuanced 12-track narrative that reinvigorates his signature sound into a refreshingly different perspective that feels all too familiar – including the return of “Beautiful Life” vocalist (and Gui Boratto’s wife) Luciana Villanova on the single "Overload".

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3x12" | 2017 | EU | Original (Live At Robert Johnson)

Lifesaver Compilation 3

LP | 2016 | US | Original (Party Rock)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Vincent Feit, Chinaski, Lauer, Massimiliano Pagliara, Benjamin Milz, Felix Strahd, Orson Wells & Benjamin Milz, Roman Flügel, Rolande Garros, Bendedikt Frey, Fort Romeau. Some try it with mouth-to-mouth insufflation and cardiac massage. Others with psychopharmaceuticals or group therapy. Still others with divorce. By going cold turkey. With a new profile pic and a matching hairstyle. Seen it all at Robert Johnson, already endorsed everything – at least as long as it helps: as a lifesaving measure.

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Red Foo

Party Rock Mansion

Release: 2016 / US – Original

Genre: Electronic & Dance, Pop

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LP | 2014 | EU | Original (Infine)

Rone

Spanish Breakfast

Release: 2014 / EU – Original

Genre: Electronic & Dance

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12" | 2018 | NL | Original (Knekelhuis)

Job Sifre

Het Bestaan

The Return Of Intelligence

Release: 2018 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Minimal wear. Record is closer to NM.

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Interlect 3000

2LP | 2022 | EU | Original (Childhood Intelligence)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Limited Edition.

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2x12" | 2022 | EU | Original (Soil)

Valley Of Tears Volume 4

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

We Are Not Alone - Part 3

LP | 2021 | EU | Original (BPitch)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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We Are Not Alone - Part 2

2LP | 2021 | EU | Original (BPitch)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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2LP | 2024 | EU | Original (Deep Shopping)

Mister Bellini

Cheugy

2LP | 2021 | US | Original (Montserrat House)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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"Cheugy" is a slang term used to describe someone who is out of style or trying too hard to be trendy (or both). Often associated with millennial culture, it refers to fashion, trends, or behaviors that were once popular but now seem outdated or overly mainstream. According to Rolling Stone magazine it is commonly used by Gen Z to roast Millennials. Essentially, it's the opposite of being effortlessly cool.

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Eric Hilton

Ceremony

LP | 2022 | EU | Original (Columbia)

Release: 2021 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl with a couple of small marks on Side D, otherwise NM.

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Calvin Harris

Funk Wav Bounces Vol. 2

LP | 2022 | EU | Original (Pingipung)

Release: 2022 / EU – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed with hype sticker.

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Anadol

Felicita

LP | 2024 | EU | Original (Fabrique)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed with hype sticker.

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Drum & Lace

Onda Transparent

Release: 2024 / EU – Original

Genre: Electronic & Dance

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2LP | 2019 | EU | Original (Anna Logue)

Quieter Than Spiders

Signs Of Life

Gilt Lime Green Vinyl Edition

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

This release is limited to 350 copies on 180 g black DMM cut vinyl in a high gloss gatefold sleeve with 3 postcards (signed), poster, and sticker. “Electric sound-waves that pulse through our sleep …and our dreams”. Quieter Than Spiders release their long-awaited debut album Signs of Life. The Chinese-Anglo band was formed in Shanghai in 2012 and has been quietly rising to prominence among the electronic music community with what the group self-styles as ‘Shanghai Synthpop’. Online music magazine The Electricity Club included Quieter Than Spiders in a list of their favourite new artists and described them as “What OMD would sound like if they formed in the 21st Century”. The album was recorded in both Shanghai and the UK and was mastered in Germany by Stefan Bornhorst (aka The Silicon Scientist). The group did not use a formal recording space which gave them the opportunity to experiment. “We used minimal equipment which gave us the opportunity to record songs in a variety of places. We even recorded parts in an old deserted Shanghai building earmarked for demolition, and in an overgrown tunnel that we found deep in the English countryside”.

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Profit Prison

12" | 2024 | EU | Original (Avant!)

Elogium Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Four years and one pandemic after his latest Dreams Of A Dark Building EP, the herald of dungeon synth pop is finally back from his shallow grave.

Life has not been gentle with Seattle-based solo producer Parker Lautenschlager over the past few years, imposing its unpredictability and forcing him to channel all the feelings that come with it into Profit Prison’s music.

It’s no surprise that his first full-length album Gilt marks one futher step towards the dark corners of italo / hi-nrg body music. Typical Profit Prison’s vocals and melodies, reminiscent of OG synth masters Kraftwerk, Giorgio Moroder and Orchestral Manoeuvres in the Dark, are still here, buried in the mix and waiting to haunt the listeners and drag them down in one sulfurous dancing spiral.

Lead single Sophia juxtaposes some weirdly camouflaged vocals with one heavenly chorus that seems willing to revive your fortunes while instead it literally sings “But I lost it all”. A Matter Of Tact displays pop escapism over some throbbing minimal synth tension, Seven Words sounds like a throwback to 70’s italo filtered through the eyes of a 21st century punk rocker. Katalina has a rampant synth à la Carpenter climbing over a story of loss and Katalina, An Ascetic is a solo ramble reaching for the inner light on a carpet of cold keys.

What’s more, tracks got longer in Parker’s recent songwriting, with most of the songs being now five minute long and reaching peaks of seven minutes with the closing, almost progressive disco jam of A.R.P. (Amphetamine Research Project), nothing short of a lucid dream on the floor of Studio 54.

Last but not least, the artwork by French artist Robin Roche delivers medieval-yet-punk graphic vibes to match just perfectly the sounds on this record.

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Dancing Plague

LP | 2024 | EU | Original (Avant!)

LP | 2023 | EU | Original (Avant!)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Portland based act Dancing Plague has been a steady presence in the dark/cold electronic music scene for quite a few years now.

Since 2016 Conor Knowles’ solo project has been putting out one constant flow of independent releases on multiple formats such as vinyl LPs, EPs, tapes and CDs, creating one sonic palette rich with Ebm, goth, industrial and synth influences.

On their 5th studio album, Dancing Plague continues to flesh out and perfect their unique brand of crushing darkwave.

Elogium explores themes of loss, regret, rebirth and growth coupled with throbbing basslines, rave synths, and pounding drums. Knowles balances aggressive waves of electronics with enough pop sensibilities and catchy hooks to be inviting to those new to the genre.

His skills can be clearly appreciated on tracks like the first single Fading Forms which explores the somber feeling of the years passing you by. Knowles’ emotive baritone crooning paints a melancholic picture of the slow fading of time as you feel like you’re fading with it. The words fall like snow onto cold fields of pulsing 80s synths and pounding drum machine rhythms that bring forth nostalgic familiarity but feel fresh at the same time.

Fans of classic icons such as Depeche Mode, Ministry, Nine Inch Nails as well as contemporary torchbearers Cold Cave and Kontravoid do not sleep on this. Plenty of disturbing beauty to be found in the depths of the underground.

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Crush Of Souls

(A)Void Love

Azabache Clear Vinyl Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Legendary 2010’s indie band Crocodiles’ guitarist Charles Rowell’s new synthpop-meets-gothic rock project. Think Nick Cave crooning over Martin Rev’s minimal electronics or The Lords of the New Church-era Stiv Bators jamming with Wayne Hussey and Douglas Pearce.

After relocating from New York to France, Charles Rowell began stuffing his suitcase with various synths and samplers while taking cheap bus rides to bordering countries.

While living out of a hotel in north east Paris, he played his demos for Third Coming Records who quickly released the Bad Trip EP in 2020. Concerts became more frequent after the pandemic, with the release of Spellwound and a few have become infamous with guitars smashed to pieces, broken glasses, unruly audience front flipping onto the stage.

With Paris providing the background and a scene of friends such as avant-garde drag artist Tuna Mess and industrial techno veteran Poison Point who pushed his creativity even further, Crush Of Souls constant spirit is that it remains unpredictable and thrives on collaboration. This is even more true with his upcoming album (A)Void Love.

Written over a period of intense insomnia that coincided with a run of shows playing guitar for Australian legend Harry Howard, Crush Of Soul’s main man Charles Rowell finally found rest after writing and recording the last song entitled World of Fear. Six months prior he had quit his job as a chef, traveled east to Prague for inspiration and returned ragged and sleepless. Rowell’s insistence on keeping the instrumentation simple and clean came from an arduous two years of literal blood, sweat and tears. Every bit of drama, eastern excursion and sleep psychosis can be found within the walls of (A)Void Love.

Acoustic guitars and dramatic synths provide a cold wilderness for the various rhythms to inhabit; touches of minimal electronics, cold wave and synth pop can be found while the song writing remains classic for lovers of Echo & the Bunnymen and Nick Cave & the Bad Seeds.

There’s always been a thread of synth-punk, death rock and DIY noise running through all of Charles’ projects (Crocodiles, Issue, Flowers of Evil), however Crush Of Souls pushes harder and further into the darkness with the new album ‘(A)Void Love’.

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Ana Quiroga

LP | 2023 | UK | Original (Houndstooth)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Petra Clear Vinyl Edition

Keplrr

12" | 2023 | UK | Original (Control Freak)

LP | 2021 | IT | Original (Young & Cold)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Fittingly, Control Freak's first full length LP comes from the artist who launched our imprint near-on 4 years ago. Keplrr’s ‘Petra’ is a remarkable entry into the canon of contemporary ‘non-functional’ techno.

After a string of acclaimed EPs and singles, the South London-based DJ/producer brings his unique ear for sound design to the forefront across his debut album, a continuous piece with many recurring musical themes and motifs. Drifting between dream states and the psychedelic, ‘Petra’ sees Keplrr set aside the rigid constraints of club music and delve deep into the wells of the subconscious.

The album moves deftly through styles: meandering ambient/downtempo pieces, including a collaboration with classically trained Jazz singer Livi Graham, to the deep & techno-influenced ‘Two Prophets Lay Here’, reaching its crescendo in the IDM-inflected ‘Celestial Body’.

For fans of: Call Super, Leif, Koreless, Perila, Lorraine James.

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Qek Junior

Anomie

26,34 €* 30,99 € -15%

Release: 2021 / IT – Original

Genre: Electronic & Dance

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2LP | 2023 | EU | Original (Clone West Coast Series)

The Exaltics

The Seventh Planet

26,59 €* 27,99 € -5%

12" | 1999 | US | Original (Ersatz Audio)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Clone Records releases the new sci-fi electro-techno album by The Exaltics. Its the 3rd album project for Clone Records after the 2014 "Some Other Place" and critically acclaimed 2019 album "2 Worlds". The Exaltics deliver an album full of futuristic modern techno tracks with beautiful distant atmospheres, alienating techno tracks and energetic robotic electro beats and a critical view on the current state of affairs on our home planet.

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Perspects

Desire & Efficiency

26,94 €* 48,99 € -45%

Oppenheimer Analysis 18th Anniversary Edition

Release: 1999 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Pressing error on B1 (piece of paper inside vinyl). Besides that vinyl is VG+. With insert. Price tag.

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Oppenheimer Analysis

LP | 2005 | US | Reissue (Minimal Wave)

26,99 €* 29,99 € -10%

Indo Tribe, Smart Systems, Yage

Release: 2005 / US – Reissue

Genre: Electronic & Dance, Pop

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Eighteen years ago, Oppenheimer Analysis made its indelible mark with the iconic track ‘The Devil’s Dancers,’ heralding the birth of the Minimal Wave label. Founded with a singular mission, the label set out to share this musical gem with the world. The inaugural release was the self-titled Oppenheimer Analysis EP, meticulously pressed onto high-quality 180-gram black vinyl, accompanied by a striking 18” x 24” poster adorned with captivating photos and lyrics. This historic release graced the world on December 6th, 2005. Remarkably, this EP has been elusive for a decade now.

In an exciting development, the fifth edition of the Oppenheimer Analysis self-titled EP is set to debut in December, featuring the original remastered version of ‘The Devil’s Dancers.’ This EP is presented as a loving tribute to Martin Lloyd (1950-2013 R.I.P.), one half of Oppenheimer Analysis. The EP showcases select tracks from the 1982 Oppenheimer Analysis cassette titled “New Mexico,” along with two previously unreleased gems. The story behind Oppenheimer Analysis began when Andy Oppenheimer, a nuclear weapons consultant, and Martin Lloyd, also known for his work with the Survival Label and the project “Analysis,” crossed paths at a Science Fiction Convention in London in 1979. They shared the stage with notable bands like Hawkwind and Spizz Energi and garnered attention in the pages of Melody Maker.

This fifth edition release consists of 999 meticulously hand-numbered 180-gram black vinyl copies, each accompanied by the first edition poster insert. Notably, the spot color on the sleeve distinguishes each edition: green for the first, deep blue-green for the second, light powder blue for the third, mint green for the fourth, and a brighter aqua mint for this current fifth edition. Stay tuned for an upcoming interview with Andy Oppenheimer, promising deeper insights into the band’s rich history and music.

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The Pulse Ep Volume 3

12" | 1991 | UK | Reissue (Jumpin' & Pumpin')

2LP+CD | 2011 | UK | Original (Late Night Tales)

Release: 1991 / UK – Reissue

Genre: Electronic & Dance

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First released over 30 years ago, this EP, as with Volumes 1 & 2, is where The Future Sound Of London started in 1991, these tracks under their pseudonyms. All four tracks were instrumental in establishing a new genre of electronica within dance music. They were ahead of their time and extremely progressive, and here three decades later they are making an impression. “Calcium” transcendental and otherworldly, “Owl” described as ‘one of the greatest breakbeat hardcore tracks ever created’. This edition of The Pulse EP is the first reissue in this original vinyl form since 1991, those initial pressings now expensive on Discogs. Genuine underground hardcore/rave history on vinyl to obtain one more time.

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MGMT

Late Night Tales

LP | 2024 | EU | Original (Raster)

Release: 2011 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Another great Late Night Tales compilation feat. tracks by Disco Inferno, Julian Cope, The Velvet Underground, Spacemen3 etc. ... also features the exclusive Bauhaus track 'All We Ever Wanted Is Everything', as covered by MGMT!

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Il Quadro Di Troisi

La Commedia

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Il Quadro di Troisi presents La Commedia Everything changes, all things evolve: four years after their eponymous debut, Il Quadro di Troisi return with a new album and a new line-up. The perfect circle traced by Eva Geist (aka Andrea Noce) and Donato Dozzy (aka Donato Scaramuzzi) becomes a triangle with the permanent addition of Pietro Micioni, who collaborated in the previous recordings and had been part of ll Quadro’s live set. Nothing stays the same, and the world is a lot different from what it was in 2020. The global crisis generated by the constant escalation of conflict and by the pandemic was mirrored by a time of individual crisis and personal, often irreversible transformation that underscored the entire period of the album’s composition. The influence of these turbulent times is felt in the writing: La Commedia is about turning a crisis into an opportunity and using change as a catalyst for rebirth. Much like the characters in classic Italian comedies, who are masters in using irony to face life’s hardships, Il Quadro di Troisi explores the vast and unpredictable terrain between the lighter and darker sides of the human experience, matching the magical with the mundane. La Commedia is about the many facets of life: each song is named after an archetype (e.g. the truth, the night, the Earth, the prophet), as though our existence were a tarot deck and its reading an exercise in collective consciousness. La Commedia marks the band’s embrace of a more traditional song form, shaped by a very personal and distinctive musical style. The distinguishing elements of Il Quadro di Troisi’s music – classic Italian songwriting with an electronic spin – meld into a unique mix that is both seductive and eerie, elegant and earthy, contemporary and timeless. La Commedia celebrates the band’s cultural roots while constantly moving into new territory, balancing nostalgia with a forward-thinking approach. La Commedia is a rare gem that confirms Il Quadro di Troisi’s relevance in the international music scene, as demonstrated by the number of top-level artists featured on the album: from Suzanne Ciani, a legend and a pioneer of independent music with a career spanning five decades, to Aimee Portioli, aka Grand River, a Dutch-Italian musician, composer and sound designer based in Berlin, along with Francesca Colombo’s eclectic violin (the de facto “fourth angle” of Il Quadro di Troisi’s frame), Fiona Brice’s strings, cultural agitator and icon of the Roman underground scene Stefano Di Trapani (aka Demented Burrocacao and a member of Trapcoustic and System Hardware Abnormal, among other projects), Maestro Daniele Di Gregorio, an excellent musician and a longtime collaboration of songwriting legend Paolo Conte, and Tommaso Cappellato, whose professional description goes well beyond “drummer” and who has been working with artists like Rabih Beaini and Maurice Louca. The cover of the album, as well as those of the singles, was designed by Francesco Messina, another icon of Italian music. Messina is a longtime Franco Battiato collaborator and co-author, a cult musician (his Prati Bagnati del Monte Analogo, made in collaboration with Roul Lovisoni, is considered a seminal record by the alternative Italian music scene), as well as a photographer, visual artist and the author of legendary record covers.

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2LP | 2023 | EU | Original (Terra Magica)

Club Terram

The Work Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Terra Magica Rec. is back with its fifth release “Club Terram”! This time it will be another V.A. compilation of never heard and unreleased original gems of electronic body music. Think: A double 12” vinyl which is fully charged for dismantled club use as those mighty Terram clubbers say. Compiled and arranged by Tom Sprenger & Mirko Hecktor all tracks are dance floor oriented rhythms which will activate your maximum energy output as well as total chill out crash. Let the new bots work your life balance. Multiverse to introverse to metaverse. With its discoish genre splicing between 90s-IDM 2 Big Beat and Breakbeats 2 NuCosmic 2 Acid-Madchester 2 rolling trancey driven Goa beats the record reflects the electronic underground culture of dance clubs and discotheques of the past 50 years. These stand for emancipation, gay liberation, cicil rights, working class and democracy. Find your inner peace on the chill out floor side. Or go bonkers to the hedonistic main room floor fillers. Find your unique personal safe space in Terrams different floors and hidden rooms. A Club FOR A L L. As Richard Dyer wrote in 1979 “In Defence of Disco”: ‘Capitalism constructs the disco experience, but it does not necessarily know what it is doing, apart from making money’. The underground is where we go moving.

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Gold Panda

LP | 2022 | EU | Original (City Slang)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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LP | 2020 | EU | Original (Pan)

Beatrice Dillon

Workaround

Release: 2020 / EU – Original

Genre: Electronic & Dance

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‘Workaround’ is the lucidly playful and ambitious solo debut album by rhythm-obsessive musician and DJ, Beatrice Dillon for PAN. It combines her love of UK club music’s syncopated suss and Afro-Caribbean influences with a gamely experimental approach to modern composition and stylistic fusion, using inventive sampling and luminous mixing techniques adapted from modern pop to express fresh ideas about groove-driven music and perpetuate its form with timeless, future-proofed clarity.

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3am Spares Deluxe Vinyl Edition

2LP | 2018 | EU | Original (Efficient Space)

2LP+CD | 2006 | EU | Reissue (Because)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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A download code is included. 3AM Spares is a new collection of Australian Electronic Dance Music compiled Andras and Instant Peterson that encompasses the darker sounds and later nights of the 1990s and beyond.

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Cassius

15 Again

2LP | 2014 | EU | Original (Sultan Günther Music)

Release: 2006 / EU – Reissue

Genre: Electronic & Dance

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What if we took you back to your untroubled teenage days, when all seemed complicated and easy to reach at the same time? That is exactly what Cassius managed to transpose in 15 Again: a carefree music, coloured by some deep songs; like an emancipated soul, but always tormented. The hit “Toop Toop", sampled by Madonna or David Guetta, among others, and the intense “La Notte” illustrate perfectly this state of mind of the youth. Pharrell Williams is present on the song “Eye Water", a beautiful ode to our planet and its natural resources, and Cassius has got further exciting surprises for you. We’re releasing their third album once again for this summer, a real shot of freshness to relieve you from the heat!

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Deichkind

Niveau Weshalb Warum

Release: 2014 / EU – Original

Genre: Electronic & Dance

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Italian Dancefloor Outsiders 1987-1994

2LP | 2022 | EU | Original (Thank You)

LP | 2023 | EU | Original (8bit Is Enough)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

Sealed copy!

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Sexy-Synthesizer

Space

Eric Hilton Of Thievery Corporation

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Chiptune dance electro pop from Japanese project Sexy-Synthesizer. Their sound is characterized by 1980's arcade sound effects and familiar electronic sounds, with vocoder vocals singing over all that.

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Present Past And Future

LP | 2023 | US | Original (ESL / Montserrat House)

Release: 2023 / US – Original

Genre: Electronic & Dance

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12" | 2009 | FR | Original (Ed Banger)

DSL

Stupid Bitches

LP | 2023 | EU | Original (In Fact)

Release: 2009 / FR – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Picture disc close to NM. Generic protective sleeve with sticker

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Sava.Geo

A Methodical Plan

Release: 2023 / EU – Original

Genre: Electronic & Dance

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LP | 2023 | EU | Original (Preset)

Dataman

Urban Solitude

Release: 2023 / EU – Original

Genre: Electronic & Dance

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LP | 2022 | UK | Original (Local Action)

Ariel Zetina

Cyclorama

Night Of The Endless Beyond

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Local Action is proud to present Cyclorama, the long-awaited debut album by Ariel Zetina.

A resident DJ at Chicago’s iconic Smartbar, a long-standing Discwoman family member and a key part of the city’s dance music and Lgbtq+ communities, Ariel has established herself as one of the most exciting electronic artists operating today - through releases such as 2020’s acclaimed MUAs at the End of the World and 2017’s Organism, and her meticulous approach to DJ mixes - as recently evidenced on Sestina, her 2020 contribution to Mixtape Club.

Written across 2021 and honed this Spring, Cyclorama is Ariel’s most impressive and all-encompassing work yet, showcasing her as a producer, vocalist and also curator, pulling together an ensemble cast of her peers in Chicago (Cae Monāe, Mia Arevalo, Dannn) and some of the most exciting names in contemporary club music (Violet, Bored Lord).

Conceptually, Cyclorama draws heavily from Ariel’s background as a theater writer and producer. Popularized in 19th century German theater, a cyclorama (or cyc) is a large curtain, placed on the back wall of the stage. This creates an illusion of extra depth in the background, and often is used to represent the sky. In Ariel’s words, “I imagine all the tracks on this as the lights and action projected onto the cyclorama. The whole album is like the cyc, a representation of the sky. Or an imagined sky. An imagined dancefloor. An imagined theatrical production.”

As well as drawing conceptually from Ariel’s background in theater, the album draws on a personal level from Ariel’s journey as a trans woman of color - most directly on Cyclorama’s three vocal tracks, ‘Gemstone’, ‘Slab of Meat’ and lead single ‘Have You Ever’.

On ‘Have You Ever’, Ariel collaborates with Cae Monāe, a dear friend and fellow trans woman of color. “‘Have you ever been with a girl like me before?’ and all the lyrics refers to the fear and anxiety that cis men who are attracted to trans women feel, and also any woman that doesn’t fit the mold of a stereotypical woman”, Ariel explains. “Cae and I - and many trans women - have been in so many situations where society tells cis men they cannot be with trans women and this explores that and gives power to all trans women in this situation. The techno reflects that, as well as the “Spell my name” section at the end, showing the true power of trans women.”

On ‘Slab of Meat’, Ariel delivers a hypnotic solo vocal performance that builds in intensity with each line (“I am treated like a slab of meat both emotionally and sexually sometimes, especially one left in the freezer on the back burner. Why did you bring this meat home from the market? For what? You’re wasting meat!”), while ‘Gemstone’, a collaboration with Mia Arevalo, continues the empowering themes of ‘Have You Ever’ in a different context:

“[‘Gemstone’ is] a call for trans women to take time with your transition because it will all happen eventually. As two girls who have started our transition almost a decade ago, I think we have both seen that we have always needed to take our time to take our time. Reminders not to rush or compare yourself to other girls. I love the metaphor of gemstone months representing different periods of transition. I’ve been so many different women in recent years, and I'm excited to continue my journey.”

It’s immediately followed by album closer ‘Tropical Depression’, the title of which is a reference to Ariel growing up with tropical depressions, storms and hurricanes affecting her hometown of Jacksonville, Florida as well as her family in Belize City:

“This track for me is about living day to day and continuing while dealing with my really intense clinical depression. The sample comes from “Why can’t you let me go?” but is supposed to be transformative and not necessarily legible. How we hold on to our trauma and depression like a protective shell. This is an attempt to deal with it in a different way.”

The Cyclorama album cover, directed by Dylan Bragassa, stars Ariel alongside Monāe and Arevalo in an imagined theater production. In Ariel’s words, “a theoretical performance starring only trans women of color - I wanted an ensemble shot to represent the ensemble nature of this album! Love how Dylan combines so many ideas to create a very unique image that asks so many questions.”

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Lord Of The Isles

2LP | 2022 | UK | Original (ESP Institute)

2LP | 2022 | EU | Original (WeMe)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Night Of The Endless Beyond', the sophomore album by Lord Of The Isles AKA Neil McDonald for the ESP Institute, had almost become a mythical piece of work. The tracks very slowly crept into formation from the lowest depths of 2021, and once the completed album finally made the leap from creation into manufacturing, an entirely new onslaught of follies and delays awaited at the pressing plant. We began to laugh, for not only did Mario Hugo’s otherworldly sleeve artwork visually translate this music so well, but it was an uncanny premonition to the album being lost in space, falling through a black hole, evaporating into the aether like a dream that never really happened. But, at long last, ground control has confirmed contact! It did happen, it will arrive, and it’s not a myth. Listening to 'Night Of The Endless Beyond' now feels like the return of a strayed friend, one whose distance left us pining for an embrace. Although this Techno relies on unassuming means, there is a remarkably complex and persuasive emotional statement embedded here, insisting we learn to endure the long game and allow ourselves patience to investigate and appreciate the minutiae contained not only within the notes, but their negative space. From its introduction, through its mellow crests and valleys, there is a conveyance of restraint — subtle dynamics that quietly beg for attention, repetition so hypnotic that imaginary melodies are inescapable, transient peaks so deliberately scaled that we mourn the subsequent decay. In accordance with Neil’s ESP debut, 'In Waves', we never feel attacked by instrumentation but shielded from sharp edges, able to step inside the music, breathe the air it occupies and know its true intentions, whether bright or bleak. Just prior to the album close, a film dialogue excerpt summarizes everything quite honestly by proposing, “The truth of the universe is waiting … the truth of what is … it’s all going to go away … everything … into blackness … the void … and nobody is in charge.” “…and what do you do with that?” We stare long into the 'Night Of The Endless Beyond' and answer… “You smile.”

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RTR

Xor

The Love Market Splattered Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Weirdo acid tracks and spacedout braindance by RTR. Probably the most energetic up there tracks RTR has done so far. Putting those 10 tracks together makes us go through an immersive musical journey that goes from stuttering, rapid breakbeats all the way through the record to complex melodies, needling acid basslines, mind-melting electronic workout that'll leave you on your knees. One for the Aphex Twin and Rephlex fans (and isnt everyone a Aphex Twin fan???). Limited edition of 300 copies!

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Filmmaker

LP | 2019 | EU | Original (Detriti)

Burn It Down Pumpkin Orange Vinyl Edition

Release: 2019 / EU – Original

Genre: Electronic & Dance

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The perfect soundtrack for your dystopic-bad-trip life. Obscure Electro.

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Boy Harsher

12" | 2023 | CZ | Original (Sacred Bones)

2LP | 2022 | EU | Original (Analogical Force)

Release: 2023 / CZ – Original

Genre: Electronic & Dance, Pop

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Fan favorite dark dance outfit Boy Harsher have contributed a sumptuously eerie track for the David Gordon Green directed finale to the iconic Halloween franchise. Sacred Bones and Nude Club (Boy Harsher's imprint) are joining forces and releasing a proper 12" maxi single containing four versions of the track "Burn it Down," to be released in tandem with the original score provided by John Carpenter, Cody Carpenter, and Daniel Davies. Boy Harsher said of the experience: "During an extremely brief period of rest between tours, we got this call from the music supervisor of Halloween. The director, David Gordon Green, had listened to our music and wanted to use something for the final installment in the trilogy - Halloween Ends. We flew to New York the next day to meet the team and discuss the possibilities. It was totally surreal. Obviously we're huge fans of Carpenter and the franchise is a fav, but to work with Gordon Green was also so special, his early films (George Washington, Undertow, Snow Angels) were heavy influences on our work. The real kicker is that Halloween Ends was shot in Savannah, GA - the birthplace of Boy Harsher and where we met. Unbelievable. It all felt too synchronous, and we knew we had to make something work although we were about to leave for a multi-month tour that week. We flew home to Massachusetts, dug through old demos, and found "Burn It Down". In the end it was the perfect energy for the bittersweet love affair between Allyson and Corey, so during a couple days off - we cleaned it up and made it come alive."

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RTR

61 Cygni

LP | 2022 | EU | Original (Midnight Mannequin)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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RTR delivering a crazy dovers album full of infectious acid and breakbeat injected tunes. Flirting with Squarepusher and Luke Vibert influences '61 Cygni' will sound familliar, yet still fresh, adventurous and bubbly!

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Panic Priest

Second Seduction

Becoming Undone Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Death. Sex. Doomed Romance. These three simple phrases define the sound and thematic presence of Panic Priest. The musical project of singer, songwriter, and multi-instrumentalist Jack Armondo (of “dark pop” outfit My Gold Mask), Panic Priest is centered around Armondoʼs deep, crooning vocals while weaving together dreamy guitars and synths. For fans of New Order, Tears for Fears, The Sisters of Mercy, and Clan of Xymox. Panic Priestʼs long awaited sophomore effort Second Seduction is a significant sonic expansion on the projectʼs signature sound (which was first unveiled by way of the debut self-titled offering in 2018). Co-produced and engineered by Brian Fox (Wingtips, Ganser), the new album intertwines classic genres such as darkwave, post-punk and goth while a richly layered modern synth-pop sensibility elevates the album to something larger than simple nostalgic recreation. Performed and composed almost entirely by Armondo (with key contributions by Twin Tribes, Vincent Segretario of Wingtips and Gretta Rochelle of My Gold Mask), Second Seduction is simultaneously personal yet fantastical. A cathartic account of Armondoʼs real life experiences, stemming from personal heartbreak, life as a non-monogamous individual and even current political anxieties, be prepared to once again be tempted and lured into the world of Panic Priest. Midnight Mannequin Records is proud to present this deluxe reissue of Second Seduction, pressed on limited edition “Kiss Me Dead” ghost white (frosted clear) 140 gram vinyl. Includes OBI strip and insert with lyrics and liner notes.

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ADULT.

LP | 2022 | US | Original (Dais)

LP | 2022 | EU | Original (Fragile)

Release: 2022 / US – Original

Genre: Electronic & Dance, Pop

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After a quarter century of nearly nonstop activity, dystopian Detroit synth-punk institution Adult. have perfected a strain of stylistic cohesion in the album format, "but for this we wanted something that's falling apart." Becoming Undone, the 9th official full-length by cofounders Nicola Kuperus and Adam Lee Miller, explicitly succeeds in this aim, simultaneously rejecting and reflecting the planetary discord that inspired it. Begun in the latter half of 2020 against a backdrop of unprecedented flux and seismic isolation, the duo kickstarted their muse by sourcing fresh additions to the rig: a vocal loop pedal for Kuperus and Roland percussion pads for Miller. Reconnecting with legacy influences like the politicized industrial percussion of Test Department and the queasy miscreant synthetics of TG's 20 Jazz Funk Greats sparked a series of fruitfully frenetic sessions, centered on themes of impermanence and dissonance. Miller's rationale is blunt: "We weren't interested in melody or harmony since we didn't see the world having that." From the tense technoid blitz of "Undoing / Undone" to the twitchy EBM of "Fools (We Are_)" and "I Am Nothing," the sides bristle with strident acidic revolt and black leather sequential circuits, unhinged and unforgiving. Elsewhere, slower tempos of purgatorial unraveling ("Normative Sludge," "She's Nice Looking") showcase a breadth of vocal FX, Kuperus sounding alternately indignant and possessed, decrying the crimes, fears, and failings of a deluded world. Throughout, the band's chemistry crackles with revulsion and strobe-lit dissent, equal parts exorcism and denunciation. "Humans have always been pretty terrible," Kuperus explains. "But every year the compromises of culture just accelerate." Becoming Undone is also freighted with a more personal pain, as Kuperus' father passed away during the height of the pandemic, just before the album took root. As his hospice caretakers, she and Miller faced the banality of finality, surrounded by objects drained of meaning, "the joy of having a body, but also the drudgery of having one." The record's bewitching closing track, "Teeth Out Pt. II" - which happens to be the first Adult. song in the group's history without drums - speaks to this sense of doomed corporeal mass and the looming, lightless unknown that binds us all. A seasick haze swells and subsides in slow, low waves, flickering with ring modulation, above which Kuperus sings in a dazed, brooding, transcendent state, as if having finally glimpsed beyond the pale: "Some day / some day I will be silent and free / of this relentless gravity."

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Wolfgang Tillmans

Moon In Earthight

Parole E Azioni & Ces Cadaveres

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Moon in Earthlight describes the phenomenon one can see in the first few days after a New Moon, when the slim crescent of the moon is completed into a full circle by a faint light that is not lit by sunlight but by the light reflected from Earth. It is also the apt title for the first album from an artist whose first love was astronomy. After 6 EPs over the course of 5 years, Wolfgang Tillmans now releases his first album, Moon in Earthlight, a singularly plural 53-minute piece comprised of 19 tracks. Opening with more that connects us than divides us, ‘Celloloop / More That Connects Us’, a looped cello sets out a discursive path for a bright keyed melody to flirt with while the sounds of the organ and synthesizer build their supporting roles, all along a bouncing four-to-the-floor beat punctuated with bright electronic chimes and the rhythmic tempo of a shaker. The invitation is hard to resist as a yearning voice opens up to let us know he’s left his “place in security.” And, “you’re shining … All the way down to this glittering place … you’re shining.” Where voices and laughter are then overheard in the background of another field recording sounding water dripping from a ‘Rain Gutter’ later caught by the soft, warm rhythmic bounce between two synth notes on ‘Fourth Floor’ where chime-like and percussive timbres resonate from the metal tine keys of the kalimba creating a meditative acuity

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Detriti Split 4

LP | 2021 | EU | Original (Detriti)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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2LP | 2021 | EU | Original (Fait Maison - Grand Musique Management)

Jabberwocky

Feeling Dancing Tempo

2LP | 2021 | EU | Original (Organic Analogue)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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A download code is included. French electronic trio Jabberwocky are back with bangers. After 2 albums released on Polydor/Universal Music, 4 years of touring, and millions of views on streaming platforms and Youtube, the group of long time friends independently released a series of EPs with italodisco and 80’s clubs high energy influences. The producers are now imposing their italo-disco shift by announcing a new album to come in June 2021. “Feeling Dancing Tempo” is saturated with powerful beats and analog sounds inspired by space music and guaranteed to make you dance. Vital Sales Points: Named after a Lewis Carroll poem and consisting of three friends in Camille Camara (piano conservatoire), Emmanuel Bretou (self-taught guitar and bass), and Simon Pasquer (sampling and Mao), there’s a wonderfully organic sense of chemistry between each member. Best known for their hit single “Photomaton", Jabberwocky are now looking to evolve past their previous sounds into wholly new territory. Equally inspired by sci-fi films, Italodisco, and Salvador Dali, there’s multidimensional layers to Jabberwocky’s music that reveals new details with every listen. They’ve also been influenced by the energy accrued from years of touring alongside a recent move to Paris that’s engulfed them in the city’s long-standing culture.

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Jean Louis Huhta

Wormhole Of Time

2x12" | 2010 | UK | Original (Honest Jon's)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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This archival release on Organic Analogue digs back into the prolific ‘90s period of Swedish techno maverick Jean-Louis Huhta, aka Dungeon Acid. These days he releases on iDEAL, Fit Sound, Börft and Klasse Wrecks, but he cut his techno teeth on labels like Hybrid, Svek and H. Productions. Clad in artwork details by Swedish graffiti legend Nug, Wormhole Of Time comprises unreleased cuts and long out-of-print jams spanning many of Huhta’s aliases. The release also comes with a zine featuring photographs and an interview reflecting on Huhta’s multifarious life in music.

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Actress

Splazsh

Release: 2010 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Confusional Quartet Colored Vinyl Edition

Confusional Quartet

LP | 1980 | EU | Reissue (Italian / Disordine)

New Beat Trax & Old School Beats

Release: 1980 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Out of any classification of musical genre, “Confusional Quartet” is a distillation of the creativity and freedom of expression that in 1977 put Bologna at the center of the international cultural scene. This record places the Confusional Quartet in the history of Italian alternative music.

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A Compilation Of Number Nine Black Vinyl Edition

2LP | 2021 | EU | Original (Finex Fire)

Marie Davidson & L'Oeil Nu

Release: 2021 / EU – Original

Genre: Electronic & Dance

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180g Double LP (45 rpm) black vinyl pressing, gatefold cover (incl. download code). With 11 tracks spanning from the origins in 1990 to the rebirth since 2005, N9's most wanted releases are here, remastered by French sonic wizard André Dalcan, ready to get turntables at the right 33+8 mood, and get the white glove raised again!

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Renegade Breakdown Black Vinyl Edition

2LP | 2020 | UK | Original (Ninja Tune)

Release: 2020 / UK – Original

Genre: Electronic & Dance, Pop

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Sonically, Marie Davidson & L’Œil Nu’s Renegade Breakdown LP is noticeably different to previous Davidson releases. This is a record which largely eschews the wave music, house and techno influences that drove albums like Working Class Woman. Instead, Davidson and her bandmates Pierre Guerineau (Essaie Pas) and Asaël R. Robitaille (Bataille Solaire) draw heavily from styles like dream-pop, 60s chansons, jazz-tinged balladry and the stately rock style of David Bowie’s The Next Day to create an alluring set of leftfield pop for the twilight hours.

Even on the tracks where Renegade Breakdown comes close to Working Class Woman territory - the steady electro-disco stomp of the opening title-track, for instance, or Gary Numan-esque ‘C’est parce que j’m’en fous’ - the sound here is more slow-burning than its frenetic predecessor. On these cuts the group soften up the chunky Big Beat stomp of an act like Daft Punk with reflexive keys and vocals that reach more for !!! territory.

The connecting thread between Renegade Breakdown and Davidson’s other work is her arch lyricism and appetite for subversion. Few other artists would break the fourth wall with a line like “Oh by the way, there are no money makers on this record”, something Davidson does on the title-track. Throughout the album Davidson & L’Œil Nu never allow the listener to get too comfortable, meaning that, while Renegade Breakdown may sound luxurious, there is a playfulness about it which always keeps you on your toes.

Together they have produced an album of sleek, lush pop tracks which are elevated by Davidson’s trademark wit and wry lyrical content.

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Electroconvulsive Therapy Vol Two: Fuzz Dance

LP | 2014 | US | Original (Medical Records LLC)

Perception Is / As / Of Deception Green Vinyl Edition

Release: 2014 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Multi colored vinyl.

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ADULT.

LP | 2020 | US | Original (Dais)

2LP | 2020 | EU | Original (Analogical Force)

Release: 2020 / US – Original

Genre: Electronic & Dance, Pop

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ADULT. make a triumphant return after their 2018 album "This Behavior", dubbed "_one of the best records of their career_" by Ryan Lathan of Pop Matters. This chilling continuation takes the form of "Perception is/as/of Deception", an anxiety fueled cyclone of pandemonium that only ADULT. would know how to harness. While "This Behavior" was recorded in the isolated snowcovered woods of northern Michigan, "Perception is/as/of Deception" was given life in a temporary space the duo created by painting their windowless basement entirely black, with the sole intention to deprive their senses, question their perceptions, and witness the resulting ramifications. With over 23 years and a sprawling discography left in their wake, Adam Lee Miller and Nicola Kuperus have spent their entire career as ADULT. obscuring any defined genre or style. With a history as uncanny as ADULT., the pieces that making up "Perception is/as/of Deception" might be perceived as their most punk-infused and introspective work to date. The elements of frustration and apprehension that have consistently woven throughout their material are at full mast, although augmented by a strident and more "head-on" approach. Tracks like "Have I Started at the End" successfully maintain the duo's classic EBM signatures and synthesized aggression, cradled by a suspicious mantra that questions_.what's the point? "Why Always Why" offers a disorienting mutation of the heralded sounds of classic dance music, like a remix that escaped prison and is on the run. The dystopian anthem, "Total Total Damage", comes in full force with an frantic energy which jolts any bystanders to attention, with only the defiant chants of Kuperus' vocals outlining the ever-degenerating state of societal affairs. The dramatically glam synth parts scattered throughout the album, while at times ominous in nature, seem to also act as a merciful reminder that through the journey of "Perception is/as/of Deception", one can still enjoy the chaos. With the rampant sense of emptiness on the minds of many these days, there continues to be few attempts at scoring these common, unfortunate human qualities with pure sincerity. Thankfully, ADULT. has a long-standing reputation for creating the soundtrack for our insecurities, and "Perception is/as/of Deception" further solidifies their apprehensive position.

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RTR

Planetx

Release: 2020 / EU – Original

Genre: Electronic & Dance

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BRAINDANCE ALERT! Do you know what RTR means? Just RTR.

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4x12" | 2016 | US | Original (Infrastructure New York)

Infrastructure Facticity

This Behavior Black Vinyl Edition

Release: 2016 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Cover and vinyl are close to NM. With insert. Limited edition

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ADULT.

LP | 2018 | US | Original (Dais)

2LP | 2017 | EU | Original (Dekmantel)

Release: 2018 / US – Original

Genre: Electronic & Dance, Pop

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Over the course of the last two decades, Detroit-based duo ADULT. (Nicola Kuperus and Adam Lee Miller) have released six albums and nineteen EPs and singles across some of our favorite labels: Mute, Ghostly International, Thrill Jockey, Clone Records, Third Man Records, and their own label, the revered Ersatz Audio.

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Marcel Dettmann

Selectors 003

2LP+CD | 2016 | EU | Original (!K7)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Following celebrated compilations from Motor City Drum Ensemble and Young Marco – and with the second edition of its limited-capacity festival in Croatia right around the corner – Dekmantel’s Selectors series now continues with an edition curated by Marcel Dettmann
.
Although he’s now known as one of the world’s most celebrated techno artists, even Marcel Dettmann had to start somewhere. Long before he ever held court at Berghain (or its predecessor, Ostgut), he was just another young boy in Eastern Germany, one whose earliest encounters with capitalism involved spending every penny he could scrape together down at the local record shop. In those days, it wasn’t techno that got him excited, but new wave, post-punk, industrial and EBM acts like Front 242 and Depeche Mode

“It’s music from my childhood,” says Dettmann. “It’s still relevant and still inspires me.” That inspiration can be heard across this edition of the Selectors series, as Dettmann has put together what he describes as a “pre-techno compilation.” Much like the previous Selectors editions, the compilation is not a mix CD, but a collection of tracks hand picked by Dettmann from his own vinyl archives. Freshly remastered – and occasionally reworked or re-edited by Dettmann himself – the songs here are undoubtedly vintage gems, but they also represent a very personal journey into Dettmann’s past.

“It was a great opportunity to dig deeper into my own musical outlook,” he explains. “The tracks come from a time before Marcel Dettmann became a DJ.” Simply put, the songs here are some of the building blocks upon which he’s built an incredibly storied career, and now he’d like to entrust them to future generations.

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Daniel Avery

DJ-Kicks

2x12" | 2012 | EU | Reissue (Transcendent)

Release: 2016 / EU – Original

Genre: Electronic & Dance

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It's been a big year for the acclaimed !K7 series, following entries from Marcel Dettmann, Dâm-Funk, Jackmaster and Moodymann. Avery's instalment is meant to capture the moment "your watch stops ticking" in the club and you get lost in the music. Avery includes tracks from Svreca, Rrose, Iori, Post Scriptum and Planetary Assault Systems. The mix also features three new originals—an ambient cut called "Space Echo," a DJ-Kicks exclusive called "A Mechanical Sky" and a new tune from Rote, his collaboration with Volte-Face.

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Silent Harbour