Electro 4809 Items

LP | 1983 | DE | Original (Moers Music)

Release: 1983 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Cover is missing.

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Rhys Chatham

Factor X

23,99 €*

12" | 1983 | DE | Original (Sugar Hill)

Release: 1983 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Medium: VG, Cover: VG

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Melle Mel & Duke Bootee

Message II (Survival)

Release: 1983 / DE – Original

Genre: Hip Hop, Electronic & Dance

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Medium: VG, Cover: VG

12" | 1983 | UK | Original (Capitol)

Brass Construction

Walkin' The Line

Release: 1983 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Medium: VG+, Cover: VG

12" | 1983 | IT | Original (Full Time)

Akaba

Everybody Likes Dancing

12" | 1983 | DE | Original (Virgin)

Release: 1983 / IT – Original

Genre: Electronic & Dance, Pop

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Medium: VG, Cover: VG

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Gabi Delgado

Amor

Release: 1983 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

12" | 1983 | DE | Original (Mercury)

Lisa Boray

Break It Out

Release: 1983 / DE – Original

Genre: Electronic & Dance, Pop

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Medium: VG, Cover: VG

LP | 1983 | US | Original (Moby Dick)

Lisa

12" | 1983 | CA | Original (Tojo)

Release: 1983 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: G+, Cover: VG

Splits in seams.

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Susan Stevens

Get To You

Release: 1983 / CA – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

In The Bottle (Special Remix)

C.O.D.

12" | 1983 | DE | Original (Bellaphon)

LP | 1983 | JP | Original (EMI)

Release: 1983 / DE – Original

Genre: Electronic & Dance

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Medium: VG+, Cover: VG

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Sheena Easton

Best Kept Secret

Orbit Featuring Carol Hall

Release: 1983 / JP – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

No obi.

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All Shook Up

12" | 1983 | DE | Original (Quality)

Release: 1983 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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12" | 1983 | UK | Original (Charly Disco International)

Red Lipstique

Shame, Shame, Shame

8,99 €*

Release: 1983 / UK – Original

Genre: Electronic & Dance, Pop

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12" | 1983 | NL | Original (Celluloid)

Shango

Shango Message

Release: 1983 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Get Out Of My Mix (Special Dance Version)

Dolby's Cube

12" | 1983 | US | Original (Capitol)

Release: 1983 / US – Original

Genre: Electronic & Dance

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LP | 1983 | DE | Original (Charisma)

Malcolm McLaren

Duck Rock

Release: 1983 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Medium: VG, Cover: VG

12" | 1983 | US | Original (A&M)

Chilltown

Rock The Beat

8,99 €*

Spandau Ballet = Spandau Ballet

Release: 1983 / US – Original

Genre: Electronic & Dance

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トゥルー = True

7" | 1983 | JP | Original (Chrysalis)

13,99 €*

12" | 1983 | FR | Original (Flarenasch)

Release: 1983 / JP – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Panic

Move Your Body

Release: 1983 / FR – Original

Genre: Organic Grooves, Electronic & Dance

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12" | 1983 | FR | Original (Cabana Music)

Patrick Alès

Parti U.S.

8,99 €*

Life Is Something Special

Release: 1983 / FR – Original

Genre: Electronic & Dance, Pop

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Peech Boys

12" | 1983 | AU | Original (Festival)

12" | 1983 | DE | Original (Leo Musik)

Release: 1983 / AU – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: G+

Vinyl with scuffs and hairlines. Cover with seam splits and ring/shelf wear

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André Szigethy

Geisterfahr'n

19,99 €*

Release: 1983 / DE – Original

Genre: Electronic & Dance, Pop

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Medium: VG, Cover: VG

LP | 1983 | US | Original (Geffen)

Junior Tucker

Jr Tucker

13,79 €* 22,99 € -40%

2LP | 1983 | EU | Reissue (Staalplaat)

Release: 1983 / US – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Medium: VG+, Cover: VG+

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Het Zweet

33,99 €*

The Crackdown Colored Vinyl Edition

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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Remastered reissue of Het Zweet's 1987 self-titled LP + a bonus LP, consisting of previously unreleased material.

Marien Van Oers work under the name Het Zweet (“The Sweat” in English) originally came out in the 1980s (specifically 1983-1988), but listening to the new reissue of this self-titled album from 1987 can feel like one is listening to something that’s both much more current and also much, much older than that. Van Oers, who passed away in 2013, made music that tended to get classed as “industrial”, and tracks here like the steady, clanging churn of “From the Lowland” or “On Earth” show why, but he was as or more inspired by tribal music intended to produce trance-like effects via rhythm and (percussive and vocal) repetition. Using instruments made by himself out of anything from shopping carts to cardboard tubes, the music of Het Zweet locks into grooves that somehow feel more elemental and physical than many of his contemporaries. It never quite feels like Van Oers is emulating or echoing the music of any particular region or tradition so much as trying to synthesize all the ones he’s heard into some sort of ur-pulse, an overtone so powerful as to compel the “Massive Trance” the title of the last song on the record evokes.

While the 1987 Het Zweet has four track titles per side, and on listening you can discern some segues and places where it feels like new movements do shift into place, it’s fitting to have this record on vinyl where the listener is encouraged to experience each side as one uninterrupted piece. The bonus material included on this reissue expands Het Zweet from one LP to two, the second LP consisting entirely of previously unreleased material. This bonus LP is sequenced similarly, with three untitled tracks and two live excerpts presented as side-long experiences that belie their disparate origins with a unity of sound and purpose. Van Oers’ percussive nous and distantly yelled chants certainly sound capable of working up a sweat in both the performer and any movement- minded listeners, but maybe the most striking thing about Het Zweet is how vital it still sounds, despite its age and relative obscurity.

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Cabaret Voltaire

LP | 1983 | UK | Reissue (Mute)

27,99 €*

Release: 1983 / UK – Reissue

Genre: Electronic & Dance

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12" | 1983 | EU | Reissue (S.T.D.)

Wet

That's The Game

10,99 €*

LP | 1983 | EU | Reissue (Best Record Italy)

Release: 1983 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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An impressive, ahead of the game pre-acid house anthem from 1983, later sampled by Moodymann on "Dem Young Sconies". Still relevant almost 40 years later.

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Francesco Messina

Medio Occidente

17,99 €*

Viral Shedding Record Store Day 2019 Edition

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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Remastered reissue of Francesco Messina's seminal LP from 1983 produced by electronic Italian pioneer Franco Battiato.
Messina and Battiato are considered central figures within the Italian avant-garde. Part of a generation of artists who contributed to a radical rethinking of musical practices and composition, they reveal Minimalism as it's rarely known: delicate melodies, subtle harmonic interplay, incorporating diverse creative traditions and slowly giving way to an ever-expanding open space. This album was recorded at the legendary Polygram Studios in Milan and using the most powerful electronic music synthesizers for that times like the CMI Fairlight and the EMU Emulator.

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Nocturnal Emissions

LP | 1983 | EU | Reissue (Mannequin)

LP | 1983 | EU | Reissue (Mental Experience)

Release: 1983 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Originally released on Illuminated Records in 1983, "Viral Shedding" is surely one of the most important references for the industrial/funk dance music.

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Care Of The Cow

Dogs' Ears Are Stupid

21,99 €*

Content To Write In I Dine Weathercraft

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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Originally released only on cassette in 1983, “Dogs’ Ears Are Stupid” by Chicago trio Care of the Cow is a fascinating blend of psychedelic folk, minimal electronics and post-punk weirdness. Acid fuzz guitar, incredible vocal harmonies, drum machines, analogue synths…
One of Chicago’s best kept secrets, Care of the Cow’s history goes back to 1974. A trio formed by Victor Sanders, X Baczewska and Sher Doruff, they had a very unique and eclectic sound, experimental yet very melodic, mixing psychedelic folk-rock with art-rock and DIY / post-punk. Their influences were very diverse: Beatles, Fripp, Eno, Joni Mitchell, Carla Bley, Pauline Oliveros, Eric Dolphy…
Care of the Cow debuted in 1975 with a 10” followed by their first LP album in 1981. By 1983, the band was adding drum machines and synths to their sound, highlighted by Victor’s amazing guitar playing and X & Sher’s perfectly blended vocal harmonies, resulting in “Dogs’ Ears Are Stupid”, the second Care of the Cow album, released only as a tiny cassette edition in 1983.
For us, this is a lost gem from the ‘80s underground which really deserved a LP/CD reissue. Here it is, done in collaboration with Steve Krakow of Plastic Crimewave / Galactic Zoo fame.

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Stano

LP | 1983 | EU | Reissue (Allchival)

12" | 1983 | EU | Reissue (Music From Memory)

Release: 1983 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Former member of Dublin punk band The Threat, Stano released his debut LP on Scoff Records in 1983. Recorded in Alto Studios, the Irish artist eschewed live performances in favour of fusing collaborative, improvised, experimental music with spoken word-poetry. The LP featured contributions from fellow Irish musicians and artists such as Michael O'Shea, Roger Doyle, Donald Teskey, Vinnie Murphy, Detroit born Jerome Rimson and is a seminal document of Irish postpunk

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Dub Oven

Skin 'N' Bones

16,14 €* 16,99 € -5%

12" | 1983 | US (Fantasy)

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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Music From Memory’s final 12" for 2017 is a reissue of Dub Oven's self released, and sadly one-off, 1983 EP 'Skin N Bones’.
Pioneers in the Post Punk Industrial and New Wave scene in 1980’s San Francisco, Gary Miles (Voice Farm) and Blaise Smith (Minimal Man), met at San Francisco’s notorious 181 Club in December of 1982. This straight/same sex/swing-both-ways late night dive bar was tucked away in one of the city's most risky, drug riddled neighbourhoods. Stationed near the SF Museum of modern Art it attracted a wild audience of local patrons, aspiring young artists and music heads. In the thick of all this the duo felt impartial to a lot what was going on musically and set out to produce electronic music that could break through the "somewhat exhausted post disco sound that was then competing in the local San Francisco clubs". Enlisting soul vocalist Celeste Miller, the duo were also inspired by Lee Perry / Upsetters dub tracks being produced in Jamaica and created a unique breed of avant guard hybrid New Wave/Electronic Funk.
With it's influences seemingly as much rooted in the past and the present as it was focused on the future; Dub Oven formed a distinct, mystical approach to music intended for the dance floor. All three tracks on this 12" embody a signature groove and an inventive synthesized abstraction to express a languishing urban unsettledness and spiritual awareness. Recorded at L7 Studios in San Francisco with the assistance of the the studio’s in house producer Marco Perry (who currently now works with Bjork) the record was unfortunately overlooked by A&R at several major and even local labels and was finally self-released in very limited quantities. Utilising analog electronics and instrumentation, the record draws on elements of dub, new wave, soul and funk to create a sound that is uncategorizable and one that was perhaps simply too forward thinking for it’s time.

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Cybotron

Clear

14,24 €* 14,99 € -5%

12" | 1983 | US (Fantasy)

Release: 1983 / US

Genre: Hip Hop, Electronic & Dance

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/ industrial lies

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Cybotron

Clear

15,99 €*

LP | 1982 | DE | Original (Polydor)

Release: 1983 / US

Genre: Hip Hop, Electronic & Dance

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/ industrial lies

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Lime

Lime II

Federico And Marrakech Orchestra

Release: 1982 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

Sleeve has stickers.

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Banana

12" | 1982 | DE | Original (Ultraphone)

Release: 1982 / DE – Original

Genre: Electronic & Dance, Pop

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Statistics Mean Nothing When You Get On The Wrong Plane

Kid Montana

12" | 1982 | BE | Original (Sandwich Records)

11,99 €*

Non Stop Ecstatic Dancing

Release: 1982 / BE – Original

Genre: Electronic & Dance, Pop

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Soft Cell

LP | 1982 | EU | Reissue (Universal)

29,44 €* 30,99 € -5%

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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League Unlimited Orchestra

Love And Dancing

LP | 1982 | EU | Reissue (Universal)

20,99 €*

Release: 1982 / EU – Reissue

Genre: Electronic & Dance, Reggae & Dancehall

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LP | 1982 | EU | Original (CBS)

After The Fire

Der Kommissar

4,19 €* 5,99 € -30%

Release: 1982 / EU – Original

Genre: Electronic & Dance, Pop

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Medium: VG, Cover: VG

12" | 1982 | US | Original (Wave)

Bonnie Forman

Walk Away

2,59 €* 3,99 € -35%

Spray Orchestra Max Manuel

Release: 1982 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+. Generic label cover

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Transilvania / Energy

12" | 1982 | EU | Reissue (Miss You)

15,19 €* 15,99 € -5%

Watching The Dance Silver Colored Vinyl Edition

Release: 1982 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Sound Metaphors' collaboration with Constantino Paolini opens the Italian classics vaults yet again to bring back two more anthems of Italian dancefloor history. This time a selection of two Instrumental versions of the productions done with Patrizia Pellegrino. Spray Orchestra's “Transilvania” is the instrumental version of Patrizia Pellegrino's “Il Mondo Da Una Nuovola” and Max Manuel's “Energy”, an abstracted instrumental version of Patrizia Pellegrino's “Automaticamore”, both highly coveted in digger circles and originally released as 7”. Now brought to your collections in hefty 12” 45rpm remastered versions. Complemented with a slowed down acid remix of “Transilvania” by DJ Asshole.

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Aerial Fx

LP | 1982 | EU (Radiation Reissues)

Watching The Dance Black Vinyl Edition

Release: 1982 / EU

Genre: Rock & Indie, Electronic & Dance

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Moody Oxford post-punk quintet Exit 13 became Aerial FX at the dawning of the 1980s, the promise of their minimal sound, with its prominent synthesizers, yielding a publishing deal with Island Records and an early single released by the label. Debut album Watching The Dance has shades of dark synth pop and Goth, with future Radiohead manager/producer Chris Hufford firmly in the spotlight throughout. The influence of acts like Van Der Graaf Generator, Modern Eon and others lurk beneath this hidden Cold Wave gem.

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Aerial Fx

LP | 1982 | EU (Radiation Reissues)

18,99 €*

Against The Dark Trees Beyond

Release: 1982 / EU

Genre: Rock & Indie, Electronic & Dance

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A Blaze Colour

LP | 1982 | EU | Reissue (Onderstroom)

Rockmantico Red Vinyl Edtion

Release: 1982 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Sought-after Belgian minimal synth finally reissued.

They were interesting times, the early eighties. Against a backdrop of cold war and economic crises, the DIY attitude of the earlier punk movement had spawned near countless new genres where artists and bands broke the three-chord guitar mould and experimented with new content matter, singular song structures and – in many cases – new instruments. Synthesizers became affordable and were no longer the sole privilege of rock millionaires. All around the globe, musical creativity boomed as never before, and Belgium was no exception: Digital Dance, Snowy Red, The Names, Pseudocode, Marine, 1000 Ohm, De Kommeniste, M.Bryo & D.M.T., De Brassers, Struggler, Siglo XX are but a few legendary names of bands and artists who started making a name for themselves.

In Leuven, things were happening as well. Until then, the music scene in this rather provincial town had been dominated by straightforward rock and blues acts. Not for much longer, though: in places like Arno'z and (later) The Gladhouse, where young budding artists met with kindred spirits, bands were often formed on the spot and, more importantly, started to make ripples.

Ludo Camberlin and Karel 'Bam' Saelemaekers already had a certain track record in Leuven's burgeoning music microcosm. But what they shared would become the cornerstone of A Blaze Colour (Against The Dark Trees Beyond): a fascination for new forms and instruments, a penchant for sonic adventure and a profound love for gripping songs. The full band name, by the way, was inspired by a phrase from the Irish-American novelist J.P. Donleavy, a writer who belongs in the definitely-worth-checking-out section.

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Alberto Camerini

LP | 1982 | EU | Reissue (Catalog)

Release: 1982 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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LP | 1982 | EU | Reissue (Knekelhuis)

Jimmy Smack

Death Is Certain

25,99 €*

2LP | 1982 | EU | Reissue (Spittle)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Across two 7”s, Death Or Glory (1982) and Death Rocks (1983) and one 12”, Anguish (1982) Jimmy Smack carved his own bleak chasm amidst the LA Death Rock scene that he inhabited. After decades dormant in the crypt, Knekelhuis compiles Smack’s full recorded output, providing it a lavish place to rest on the Death Is Certain LP.

While his local punk contemporaries pursued aggressive hardcore and political punk, Jimmy Smack donned corpse paint (before it would later become synonymous with the European black metal movement) and found a home performing in venues like the Anti-Club, amongst other subterranean dwellers Christian Death, Dead Hippie and 45 Grave.

Even within this lurid milieu, Jimmy Smack stood alone. Hating Life (from Death Rocks) easily locates Jimmy within the negative-punk and KBD lexicon. However his recordings, consisting of voice, rhythm box and electrified bagpipe drones, otherwise veer closer to other-worldly avant-garde rituals. Jimmy’s background in theatre and performance art helping inform not only his menacing stage presence, but also spawning the singularity of his sound.

Death Is Certain comes housed in a printed inner sleeve featuring rarely seen archival photos, liner notes by Cooper Bowman and excerpts from an interview with Jimmy Smack conducted by Juan Mendez (Silent Servant)

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Thomas Leer

Contradictions

18,99 €*

LP | 1982 | EU | Reissue (Bureau B)

Release: 1982 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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The scottish musician, born in 1953 in Port Glasgow, is one of the most eclectic artist of the so-called minimal wave scene. Alongside german singer Claudia Brücken (vocalist of the hit-makers Propaganda) he formed Act a short-lived synthpop group signed to ZTT Records in the late eighties. Licensed by Cherry Red in 1982, the double album ‘Contradictions’ is the third effort in Leer high and rising career. After the seminal debut on Industrial Records with Robert Rental – The Bridge (1979) – Leer ventured on a solo career with the brave synth wave of ‘Letter From America’ and his personal masterpiece ‘Contradictions’. The latter is such an enigmatic piece of work, with alien melodies as in the case of the ‘Soul Gypsy’ infectious white funk. The whole album was recorded in his living room at home onto 4-track using borrowed equipment ( Korg synth, Ult-sound drum computer & guitars ) from his friend Morgan Fisher. Featuring Leer’s haunting, uncertain vocal – recorded quietly, so as not to wake his girlfriend in their bedsit! – crooning over a minimal bass pulse and discreet whines and washes of primitive Wasp synthesiser, it retains its peculiar lo-fi magic four decades on.

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P!OFF?

23,79 €* 27,99 € -15%

Iwishcan William Record Store Day 2020 Edition

Release: 1982 / EU – Reissue

Genre: Electronic & Dance, Pop

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1980, Friday evening in the Munich suburban pub »Panoptikum«. My girlfriend draws my attention to the fact that behind me two guys are talking about looking for a new guitarist for their band. I turn around, chat them up (Jochen and Thomas) and praise my skills to the skies. A few days later I’m standing in Thomas‘ perfectly equipped practice room with my Ibanez Les Paul copy. We jam a little while – jazz rock, to which I can contribute very little due to my lack of skills. We quickly agree on a new style: minimalist, no drums, just a drum machine, Moog and organ, less guitar, dry bass. And German lyrics! We don’t really know or want that this should be ”ndw”. But of course we listen to DAF, Ideal, FSK, Fehlfarben and – yes, Spliff too. These influences are undeniable. So we found the ”piss OFF Orkesstr”, which very quickly becomes ”p’off Orkesstr” and then finally ”P!OFF?”. Ambitious and inspired, we produce a demo cassette that already contains ”Das dicke Kind”, ”Großer Bruder”, ”Pass Auf!” and ”Walkman” and send it to various record companies – including Munich‘s ”Ariola”, which is desperately looking for NDW acts because the Ariola empire has missed this trend. Therefore, they ”buy” about 25 bands at the drop of a hat – and P!OFF? is supposed to be one of them, because they expect some good airplay mainly from ”Walkman”. Producer god Anthony Monn (Amanda Lear, Relax, Saragossa Band, Fancy et al.) takes us under his wing and manages to keep the original demo sound, but to improve it considerably. ”Mein Walkman ist kaputt” didn‘t make it into the charts, but it was played more often on the radio and the Album didn‘t sell badly. In 1982, however, NDW is now commercialised to death and that ship had sailed. But we stay together (under different band names) and over the decades become first New Romantics, then Indie Rockers, then Grunge Noise Makers and finally Electronic Freaks. In 2009, for my fiftieth birthday, we decide to play a few songs from the old 82 record live, which becomes a huge success. And so we are – again as P!OFF? – still on the road with our old songs. The ’82 Album has become a sought-after collector‘s item and cult object – so we are very happy that Bureau B is presenting a lovingly remastered reissue after almost 40 years.

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The 3 Pieces

12" | 1982 | EU | Reissue (Rogue Cat Resounds)

13,99 €*

LP | 1982 | EU | Reissue (Superior Viaduct)

Release: 1982 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Record Store Day 2020 Release. Full printed sleeve - black 12” vinyl. Washington collective, The 3 Pieces, privately-pressed Iwishcan William on their own DL Records in 1982. Is it soul, rap, jazz, go-go, funk, electro, or educational? By nature of its birthplace and date of birth, it`s all of those. Synths shimmer in harp-like glissando. The bass grumbles, rumbles, machine-made. The beat pops and locks. The whole thing grooving and exuding positivity. One part the cosmic funk of say Cloud One`s Patty Duke. Another, the balearic chug of Will Powers` Adventures In Success. Like Brother D it looks to “agitate, educate, and organize”, and stirs in the sentiments of Razzy`s I Hate Hate. Imagine if the Last Poets jammed with sister Sarah Webster Fabio. Keys parp like car horns, a real trumpet blows a Don Cherry solo, but the track really revolves around its sweet Sesame Street call-and-response chorus: “I wish love. I can love. I will love. I am love.”

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Ike Yard

LP | 1982 | US | Reissue (Dark Entries)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Ike Yard remain a legendary band of early '80s New York City – at once immensely influential, yet obscured by a far-too-brief initial phase. Their debut EP, the dark and absorbing Night After Night, sounds almost like a different group, so rapidly would Ike Yard evolve towards the calmly menacing electro throb of their self-titled LP. Originally released on Factory in 1982, the album put Ike Yard's indelible mark on the synth-driven experimental rock scene then emerging all over the planet. While historical analogues would be Cabaret Voltaire's Red Mecca or Front 242's Geography, opening track "M. Kurtz" makes starkly clear that Ike Yard is a far heavier proposition. With a thick porridge of bass, ringing guitar and strangled/stunted layers of voice, these six pieces are densely packed and perversely danceable. "Loss" sounds like a minimal techno track that could have been made last week, while "Kino" combines Soviet-era imagery with sparse soundscapes à la African Head Charge's Environmental Studies. Ike Yard somehow pull off the toughest trick in modern music: making repetition hypnotically compelling through subtle variation. The effect of Ike Yard's first LP can be heard in many genres – from industrial dance labels like Wax Trax to electro-punk bands and innumerable European groups (Lucrate Milk, Red Lorry Yellow Lorry, etc.). The fact that the cover artwork does not include any photos of the band, but rather features the original catalogue number (fact A Second) only further illustrates the release's importance and Ike Yard's timeless mystique.

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Zru Vogue

23,39 €* 25,99 € -10%

La Marca de Anubis + El Cantor de Jazz

Release: 1982 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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Zru Vogue is a two man post punk avant-pop group from Palo Alto, California, combining the talents of Andrew Finkle and Rick Cuevas. The band began in 1980 as a four member group: Rick, Andy, Tom Sanders and Nancy Miller. Tom and Nancy left the group shortly after the first single, "Nakweda Dream", was released by independent San Francisco label Adolescent Records in February 1981. Inspired by rave reviews and heavy airplay on alternative radio stations, Andy and Rick went back into the studio, now as a duo, to record some new ZRU tracks. The self-tilted LP was released on the band's Zero Risk Records in 1982. It contains eight compositions blending African tribal and Middle Eastern rhythms, avant-garde rock, minimal electronics, and funk-rock guitars. The duo's sound is inspired by the art and anti-art movements of Dada and Surrealism. All songs have been remastered by George Horn at Fantasy Studios. Each copy is housed in a replica of the original jacket, which features artwork by the group members, and includes the original 2-sided lyric sheet.

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Los Inicados

LP | 1982 | EU | Reissue (Mental Experience)

12" | 1982 | US | Reissue (Peoples Potential Unlimited)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Originally released in 1982 on the DRO label, "La Marca De Anubis" was the debut album by LOS INICIADOS, an obscure project related to legendary Spanish synth-pop band AVIADOR DRO. Always shrouded in mystery, Los Iniciados decided to hide their identities behind masks. The only visible and confirmed member was Arco Iris (aka Marta Cervera, also on Aviador Dro) and according to rumours, behind the other nicknames we find Biovac N (Servando Carballar, founder of Aviador Dro and the DRO label) plus members of Alphaville (the Spanish post-punk band).
On "La Marca De Anubis" we also find Jesús Arias (of punk band T.N.T.) on electric guitar. The album was produced by Servando Carballar (Aviador Dro). Dark & eerie MINIMAL SYNTH / DARK WAVE sounds with a POST-PUNK edge, highly influenced by THE RESIDENTS, Dadaism, performance art and ancient Egyptian cults. Including cult classics like “Peter Pan”, “Soy el vacío” and more!

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Superlife

Go Bananas

15,99 €*

LP | 1981 | DE | Original (Warner)

Release: 1982 / US – Reissue

Genre: Organic Grooves, Electronic & Dance

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Originally recorded in Detroit, 1982 by the late Danan Potts a.k.a. Superlife. At that time Danan was hanging around the Recording Institute of Detroit where Juan Atkins was training in production. Danan was interested in Atkin's style of dance music and quickly recorded "Go Bananas". Bananas was released locally on Southern Sun Records in hyper limited quantity, it is today one of the most sought after underground detroit techno recordings of all time.

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Roger Troutman

The Many Facets Of Roger

Release: 1981 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

I'm Gonna Be Your Lover (24 Hours A Day)

J.D. Hall

12" | 1981 | US | Original (Sunfire)

14,99 €*

12" | 1981 | NL | Original (Dance)

Release: 1981 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl close to VG+

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Stone

Time

Release: 1981 / NL – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: G+, Cover: Generic

7" | 1981 | UK | Original (Radioactive)

Eric Hine

Not Fade Away

LP | 1981 | US | Original (Island)

Release: 1981 / UK – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl close to VG+

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Plastics

26,99 €*

LP | 1981 | DE | Original (Sky)

Release: 1981 / US – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Copy closer to VG+. Without original inner sleeve

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Tyndall

Traumland

27,99 €*

Release: 1981 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Suicide Commando Purple Vinyl Edition

No More

7" | 1981 | EU | Reissue (El Caballo Semental)

13,99 €*

10" | 1981 | EU | Reissue (Italian / Disordine)

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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The year is 1981. The Kiel-based PostPunk / Wave underground outfit NO More releases their second ever single „Suicide Commando“ and their world changes forever. Well, not only their world – THE world. What began as an independently published 7“ single became a cult classic, a genre defining – and defying – song, an all-time dancefloor favorite of many, a timeless signature piece that escaped its original realm of PostPunk x Wave x Indie x Alternative to also become engrained in the DNA of modern electronic dancefloor culture most prominently in the beloved late 90s permutation presented by DJ Hell which became a classic in its own right. Now the year is 2021. Four decades have passed and NO More's „Suicide Commando“ is back once again - well... the song actually never left! -, this time harking back to the very beginning, the original vibe and the original format. Remastered and re-released with the original tracklisting and paying homage to the original artwork „Suicide Commando“ will be available in 7“ format for the first time since 1981. And staying true to the underground blueprint this 40th anniversary re-release edition once again is put out on the circuit through a small independent label: the Intrauterin Recordings offspring El Caballo Semental which also released NO More's „123456789 *baze.djunkiii & Herr Brandt Dream A NuDream Remix“ as a limited to 200 copies one-sided, colored whitelabel 7“ edition in 2019. Initial pressing will be limited to 400 copies.

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Confusional Quartet

22,94 €* 26,99 € -15%

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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12" | 1981 | EU | Reissue (Rush Hour)

Colored Music

Heart Beat

15,99 €*

Release: 1981 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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12inch release of highly sought after Colored Music edits by Tokyo's, Chee Chimizu (Organic Music). The two cuts originally featured on the the bands seminal self titled album (from 1981) that remained a cult DJ secret weapon, for many years, all over the world. This heavy EP includes an alternative version of 'Heartbeat' that featured on the Japan only "Individual Beauty" LP of 2018 (also compiled by Chimizu)

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Computerwelt German Version Translucent Yellow Vinyl Edition

LP | 1981 | UK | Reissue (Parlophone)

Release: 1981 / UK – Reissue

Genre: Electronic & Dance

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Computer World English Version Translucent Yellow Vinyl Edition

LP | 1981 | EU | Reissue (Parlophone)

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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LP | 1981 | EU | Reissue (WRWTFWW)

Normal Brain

Lady Maid

21,99 €*

Mkwaju Ensemble (Midori Takada)

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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WRWTFWW Records is immensely happy to announce the reissue of impossible-to-find cult album Lady Maid by Japanese outfit Normal Brain.

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Mkwaju

LP | 1981 | EU | Reissue (WRWTFWW)

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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Beautiful 1 LP Edition Clasic with 350g cardboard sleeve, Sticker - The holy grail album Mkwaju by acclaimed Japanese percussionist Midori Takada’s Mkwaju ensemble WRWTFWW Records is proud to announce the highly anticipated official reissue of holy grail album Mkwaju by acclaimed Japanese percussionist Midori Takada’s Mkwaju ensemble, sourced from the original masters and available in two versions: a vinyl LP cut at Emil Berliner Studios (formerly the in-house recording department of Deutsche Grammophon) and a digipack CD.

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Release: 1981 / US

Genre: Electronic & Dance

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12" | 1980 | DE | Original (PRT)

The Real Thing

She's A Groovy Freak

6,99 €*

Release: 1980 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1980 | UK | Original (Rouge)

The James Asher Band

Impetus

Release: 1980 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

2LP | 1980 | US | Reissue (Dark Entries)

Severed Heads

Ear Bitten

12" | 1980 | DE | Original (ICE)

Release: 1980 / US – Reissue

Genre: Electronic & Dance, Pop

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Dark Entries picks up Severed Heads yet again for Ear Bitten, a double LP reissue of some of the band’s earliest material. As originary Aussie industrial legends - although founder Tom Ellard would balk at being branded as such - Severed Heads shaped the continental subcultural sound with their kitchen electronics, chaotic tape loops, and quietly infectious nursery-rhyme-esque melodies. In 1979 Ellard, Richard Fielding, and Andrew Wright abandoned the moniker Mr. and Mrs. No Smoking Sign and adopted the edgier name Severed Heads “to pretend to be an industrial band such as Surgical Penis Klinik & Throbbing Gristle.” Noise-rockers Rhythmx Chymx had placed an advertisement in a local shop looking for a band to share the costs of pressing an LP. The Heads set about recording a Dadaist racket on a pair of open reel dictaphones and a cassette deck using a Trs-80 computer, Kawai Synthesizer 100f and Korg Mini Pops drum machine. Ear Bitten was released in 1980; original copies now fetch obscene sums, in part due to most of Severed Heads’ copies perishing in a fire at Richard’s home. The band’s next endeavor was a cassette titled Side 2, a collection of free-form experiments fashioned as Ear Bitten’s second side. For this reissue, Dark Entries has collected both Ear Bitten and Side 2 on the first disc, presenting the album in its full form. Disc two includes the original first version of Ear Bitten, which was only unreleased because it was recorded in a format not suitable for pressing. The album comes in a gatefold sleeve designed by Eloise Leigh and includes photos, liner notes, and reproductions of the original Xerox inserts from the 1980 issue. Ear Bitten delivers 22 tracks of pain you can dance to!

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Eddy Grant

Do You Feel My Love?

6,99 €*

Release: 1980 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

12" | 1980 | UK | Original (Automatic Record Co.)

Eye To Eye

Am I Normal?

Release: 1980 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1980 | DE | Original (Autobahn)

2 plus 1

Easy Come, Easy Go

4,49 €* 4,99 € -10%

LP | 1980 | EU | Reissue (Growing Bin)

Release: 1980 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Writing on cover

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Guy Maxwell

Outside My Window

23,99 €*

Confusional Quartet Colored Vinyl Edition

Release: 1980 / EU – Reissue

Genre: Electronic & Dance, Pop

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Basking in the golden glow of an Indian Summer, Basso brings us a much needed reissue of one of his most treasured musical discoveries, Guy Maxwell’s ‘Outside My Window’. A long time favourite in the Growing Bin, this mellow masterpiece originally crept out in 1980 with no backing from its label, the soon to burst Bubble. Now resequenced and redressed to the exacting standards of Mssr. Maxwell, ‘Outside My Window’ is ready to warm the hearts and cheer the ears of a whole new audience. Born in Bordeaux under a wandering star, Guy spent the 70s on the road, freewheelin’ from Paris to Rome, guitar in tow, before settling in Switzerland at the end of the decade.

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Confusional Quartet

LP | 1980 | EU | Reissue (Italian / Disordine)

26,99 €*

2LP | 1980 | EU | Reissue (Cortizona)

Release: 1980 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Out of any classification of musical genre, “Confusional Quartet” is a distillation of the creativity and freedom of expression that in 1977 put Bologna at the center of the international cultural scene. This record places the Confusional Quartet in the history of Italian alternative music.

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Bernard Szajner

Some Deaths Take Forever

23,99 €*

7" | 1979 | AU | Original (WEA)

Release: 1980 / EU – Reissue

Genre: Electronic & Dance

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First time vinyl reissue since the original 1980 version. Original remastered album plus second LP with unreleased extra tracks from 'Some Deaths Take Forever' recording sessions.

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Player [1]

Space Invaders

Release: 1979 / AU – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1979 | DE | Original (Sky)

Streetmark

Lovers

LP | 1979 | CA | Original (Plastic Poison)

Release: 1979 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Record is close to NM.

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Moebius

29,99 €*

Release: 1979 / CA – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Klaus Weiss Rhythm And Sounds

Sound Inventions (Selected Sound)

LP | 1979 | EU | Reissue (Be With)

LP | 1978 | FR | Reissue (Disques Dreyfus)

Release: 1979 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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The second Be With foray into the archives of revered German library institution Selected Sound is one of our favourites, Sound Inventions from Klaus Weiss Rhythm And Sounds, originally released in 1979. From the notoriously strong mind of Niagara drummer / library-funk overlord Klaus Weiss, Sound Inventions is loaded with tripped out studio funk-freakery, mad samples and swaggering abstract funk grooves. From dramatic deep disco with dark Italo/Moroder leanings to heavy German funk breaks, this is absolutely sensational. Absolute synth-and-string-drenched magic. Born in 1942 in Gevelsberg, Germany, Klaus Weiss began his career as a jazz drummer at sixteen (with a group called the Jazzopators) before working with the internationally successful 60s groups the Klaus Doldinger Quartet and the Erwin Lehn Big Band. In 1965 he formed his own trio, the first of many groups to bear his name, and as his renown as a bandleader grew over the next decade it naturally lead to working in production music. About as cult as it gets when it comes to library music legends (German or otherwise), he produced essential records on German library labels Coloursound, Selected Sound and Sonoton.

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Jean-Michel Jarre

Equinoxe

Release: 1978 / FR – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1978 | DE | Original (Kling Klang)

Das Model

111,99 €*

Release: 1978 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Red vinyl. Drill hole in cover.

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LP | 1978 | EU | Reissue (Kling Klang)

Die Mensch-Maschine

Release: 1978 / EU – Reissue

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

2014 reissue. Original inner sleeve and booklet. Tiny wear. few scuffs

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Die Mensch-Maschine German Version Translucent Red Vinyl Edition

LP | 1978 | UK | Reissue (Parlophone)

Release: 1978 / UK – Reissue

Genre: Electronic & Dance

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The Man-Machine English Version Translucent Red Vinyl Edition

LP | 1978 | EU | Reissue (Parlophone)

32,99 €*

Release: 1978 / EU – Reissue

Genre: Electronic & Dance

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The Hiltonaires, Orchester Udo Reichel

Explosion Hits №12

LP | 1977 | DE | Original (Sonic)

5,39 €* 5,99 € -10%

Release: 1977 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1977 | JP | Original (Jupiter)

Silver Convention

New Excellent

19,79 €* 21,99 € -10%

Release: 1977 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI and insert

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Trans-Europa Express German Version Clear Vinyl Edition

LP | 1977 | UK | Reissue (Parlophone)

Release: 1977 / UK – Reissue

Genre: Electronic & Dance

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Trans-Europe Express English Version Clear Vinyl Edition

LP | 1977 | EU | Reissue (Parlophone)

Release: 1977 / EU – Reissue

Genre: Electronic & Dance

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Sammy Burdson, Klaus Weiss & Larry Robb

Dramatic Tempi / Larry Robbins Background

LP | 1975 | EU | Reissue (Be With)

LP | 1975 | EU | Reissue (Be With)

Release: 1975 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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C-l-a-s-s-i-c library breaks and beats set of heavy drums and louche funk. One of two Be With forays into the archives of revered British library institution Conroy, we present one of our favourites on the label - the super in-demand Dramatic Tempi / Larry Robbins Background Rhythms, originally released in 1975. Rare and sought-after for many years now, this is one of those cult library LPs that rarely turns up on even the deepest dig. As a single LP, Dramatic Tempi / Larry Robbins Background Rhythms is two distinctly different collections of music. The first side, Dramatic Tempi, is made up of four tracks each from Sammy Burdson and Klaus Weiss. Sammy Burdson was one of the many, many aliases of the mighty Austrian composer, arranger and conductor, Gerhard Narholz. Founder of adored library label Sonoton in 1965, and a classically trained composer, his work runs from easy listening through pop, jazz and electronic, to avant-garde. About as cult as it gets when it comes to library music legends (German or otherwise), he produced essential records on German library labels Coloursound, Selected Sound and Sonoton.

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Sammy Burdson

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