Electro Vinyl 229 Items

Cover has storage signs.

Close to VG+. Price tag.

Record has some light scratches.

Copy close to VG+

The scottish musician, born in 1953 in Port Glasgow, is one of the most eclectic artist of the so-called minimal wave scene. Alongside german singer Claudia Brücken (vocalist of the hit-makers Propaganda) he formed Act a short-lived synthpop group signed to ZTT Records in the late eighties. Licensed by Cherry Red in 1982, the double album ‘Contradictions’ is the third effort in Leer high and rising career. After the seminal debut on Industrial Records with Robert Rental – The Bridge (1979) – Leer ventured on a solo career with the brave synth wave of ‘Letter From America’ and his personal masterpiece ‘Contradictions’. The latter is such an enigmatic piece of work, with alien melodies as in the case of the ‘Soul Gypsy’ infectious white funk. The whole album was recorded in his living room at home onto 4-track using borrowed equipment ( Korg synth, Ult-sound drum computer & guitars ) from his friend Morgan Fisher. Featuring Leer’s haunting, uncertain vocal – recorded quietly, so as not to wake his girlfriend in their bedsit! – crooning over a minimal bass pulse and discreet whines and washes of primitive Wasp synthesiser, it retains its peculiar lo-fi magic four decades on.

An interesting insight into some of the diverse dancefloor oriented sounds going on in Canada during the 80s sitting somewhere between electro, italo disco and proto house. A-side starts off on a slow paced 80 bpm pop/rock italo-disco crossover track featuring lyrics in english with an unidentifiable accent, very much reminiscent of Italian local neighbourhood private press ventures featuring someone's sister on the vocal. 3 versions later, on the B side, things step up a notch coming in at 130 bpm with "Heat In Africa's" drum machine propelled rhythmic mayhem pulling out all the latest studio bells and whistles of the time. Big electric guitar solo build up on the "Dance Mix" and additional Bonus Beats mix by Castro. Remastered and officially re-released almost 4 decades later.

Cover and vinyl are close to VG+.

Blue vinyl

Blue vinyl

With OBI and insert

With OBI and insert OBI has a small torn!

1988 reissue.

Vinyl with scuffs and hairlines

Vinyl close to VG+

close to NM

Videosex was the biggest Yugoslav electronic pop band, formed in Ljubljana in 1982. Their singer Anja Rupel sung on Laibach 1988 version of the Beatles' 'Across the Universe' and their drummer Iztok Turk produced early Laibach records. The release of their eponymous debut album in 1984 and the subsequent major l ive and TV performances propelled the young band into major stardom. The follow-up was highly anticipated: in March 1985, Videosex released Lacrimae Christi to critical and general acclaim. In comparison with the first album, the production on the Lacrimae Christi was state-of-the-art, as the most modern recording and composing techniques were used. The songs "Sivi dan" ("Gloomy Day") and "Tko je zgazio gospođu mjesec" ("Who Ran Over Mrs. Moon") became nationwide hits.

Venezuelan Electronic Music Pioneer Vinicio Adames Synth-Pop Masterpiece from 1985. With 23 years of age Vinicio Adames self-produced and self-financed his 1st Album “Al comienzo del camino". Released in its time in Venezuela only, the album has been unavailable for decades. A complete restoration of the masters for this release, makes this album available now for the first time in fine audio quality.

Cover with faint ring wear and small writing.

Zru Vogue is a two man post punk avant-pop group from Palo Alto, California, combining the talents of Andrew Finkle and Rick Cuevas. The band began in 1980 as a four member group: Rick, Andy, Tom Sanders and Nancy Miller. Tom and Nancy left the group shortly after the first single, "Nakweda Dream", was released by independent San Francisco label Adolescent Records in February 1981. Inspired by rave reviews and heavy airplay on alternative radio stations, Andy and Rick went back into the studio, now as a duo, to record some new ZRU tracks. The self-tilted LP was released on the band's Zero Risk Records in 1982. It contains eight compositions blending African tribal and Middle Eastern rhythms, avant-garde rock, minimal electronics, and funk-rock guitars. The duo's sound is inspired by the art and anti-art movements of Dada and Surrealism. All songs have been remastered by George Horn at Fantasy Studios. Each copy is housed in a replica of the original jacket, which features artwork by the group members, and includes the original 2-sided lyric sheet.

A much needed release essential to any respectable New Beat record collection. The second and last single for the Zsa Zsa Laboum project, originally released in 1989, shortly after the prolific impact of "Something Scary", although a different formula, "Tu Veux Ou Tu Veux Pas?" is deep in tune with the Belgian Acid aesthetic, but with a more industrial edge to it. Simplistic but effective use of vocals, streamlined to the basics of maximum club efficiency, dark and not trying to make friends - De Smet is here to sell records, and with much success at the time with his honed production experience from years in the studio. Own a very relevant piece of club history from a special time in rave culture. Topped off with a new remix by Anatolian Weapons. Original artwork, new remastered sound by Manmade Mastering in Berlin