Electro Vinyl Sale 302 Items

HHV and Too Good are happy to present this exclusive color run of 1000 red copies of Tommy Guerreros 2014 album "No Mans Land". Back in print for the first time. Only at HHV. As a special treat you can pick up the poster with the artwork of this album in our bonus section.

[Pals FM: Floor Materials Vol.2] is the second dance music compilation from Walls AND Pals. The aim is to share various ideas of dance floors instead of lingering on a certain genre or style, and while being DJ Friendly, it also serves as an exchange ground where production techniques of artists co-exist. All four tracks in [Vol.2] correspond with the common purpose of bringing out ‘Floor Materials’, keeping distinct identity from each musician. In ‘Cofrica’, rapper and producer Simo of Y2k92 injects his long-time affection of Detroit flavor into a minimalistic form. Conversely, Dott from the Thai label More Rice brings intricate and complex rhythms centered around the step sequencer in ‘Antibody Movement’, walking a fine line between House and Techno while the essence of Tech House is preserved . And in ‘Pump It Up’, Acidwork demonstrates what the outcome would be when Electro runs through digital instruments and samplers. Last but not least, Seo John, who put out his first EP [dive] last year from the label Goddezz, follows up with ‘miQro’, creating a different side of Trance that is more adequate for clubs or concrete spaces rather than outdoor raves or festivals. In the same manner with the preceding release [Pals FM: Floor Materials Vol.1], [Vol.2] is a compilation executed by fellow Asian musicians across the region. Beyond the reopened borders, and just like the excitement and stimulus at unusual events, this compilation serves to contribute to the dancefloor as an interesting ‘Material’ than simply as a ‘Tool’.

Youcef Debbihi continues to impress and surprise after already his 3rd volume as Sea of Disillusions. This 4 tracker extends what was already started and established in the previous volumes, expanding his studio excellence into more break beat oriented directions, either at high speed in the form of almost Drum'n'Bass with "k2" or slowed down as a more trip-hop tempo with "Break Whale". B-side slows down to upper 90bpm range of driving rhythm under atmospheric dubby hints of humidity "5deF", and, finalizing with a beatless Ambient mix of "Loon River" which sounds like the slow motion intro to an epic trance anthem that never fully takes off, setting the stage for something heavy to be mixed in. Essential for any reasonable DJ record bag.

It was a quiet period but Macadam Mambo is back to present a new LP by the greek musician Yannis Veslemes.
The confirmed artist -who has previously appeared on labels such as Byrd Out, Invisble Inc., Won Ton, Optimo Music or Into The Light, under different projects : Felizol, Steamcut,Sportex or his own name, and composed for movies OST -started to integrate Macadam Mambo on the latest compilation Danzas Electricas vol. 3, and very naturaly proposed his new album. It needs to be said what an honnor to receive such quality music. In term of composition, production and universeit’s a land of influences and uniqueness, in which you will recognise a bit of Yello, Coil, Nick Cave or Igor Wakhevitch vibes embrassing folkloric greek melodies or cosmic pop ballads. It’s brillantly dark, obscure and lightful. A tempest of sensuality and roughness. To say it short it’s EPIC! and will definitely give the recognition that Veslemes deserves as a major composer in Modern Electronic Music.

Clone Records releases the new sci-fi electro-techno album by The Exaltics. Its the 3rd album project for Clone Records after the 2014 "Some Other Place" and critically acclaimed 2019 album "2 Worlds". The Exaltics deliver an album full of futuristic modern techno tracks with beautiful distant atmospheres, alienating techno tracks and energetic robotic electro beats and a critical view on the current state of affairs on our home planet.

Despite being created over a decade ago for a controversial limited double cassette and then compiled on ‘It stands to conceal’ this is patient, esoteric, cold, industrial perfectly suitable for our end times.

Extra Muros - Czech Republic is the result of the fourth edition of FLEE's creative residency program which took place in December 2022 on the dance floor of Prague's most infamous nightclub Ankali.

For two weeks on wooden floor, and under a yellow-tinted skylight, the room usually filled with movement and vibrations became home to six musicians and producers from the Czech Republic and all over the world who came together to experiment on new sounds, inspired by a large variety of artistic environments and soundscapes.

Documenting from various perspectives the music production process, capturing those exchanges, this compilation celebrates a unique form of artistic expression and collaboration. credits releases October 20, 2023

All tracks and compositions by Jay Glass Dubs, Oliver Torr, Haich Ber Na, Rlung, Timmi & Andriy Kostyukov.

Compilation, concept and production by Olivier Duport, Carl Ahnebrink & Alan Marzo

Analog mastering by Jaakko Viitalähde

For it's 46th outing, Klasse Wrecks recruits the Brooklyn based producer Gee Dee to it's ranks. Gee Dee aka Greg Droggitis turns in a wonderful and fully fledged collection of tracks that burst to the brim with atmosphere and sunny vibrations. True to the label's ethos, the music is as always, hard to pin down under one specific genre but instead slyly calls on various classic House, Electro and Acid tropes. The overall sound is one that is both universal and transcendent, feeling familiar but still surprising. 'Dream In Colour' is indeed an apt title for the EP as it spans the musical spectrum and is a lucid and vivid trip into the imagination of this new and exciting producer.

Under meters of concrete in central Cairo, a relentless buzz rebels and forms a melody. A tired man tunes his machines to catch a snatch of it, and accidentally creates a playground where these abandoned sounds can flourish. They develop a sense of humor and an acid tongue. A few children with bent ears find their way to an alley with an entrance to the playground. They would later describe what they heard as a delicious hybrid: one part cream, one part bubble gum. So, bend your ears and maybe you'll hear it too.

Cold Light Wave sees Censor Music's main man landing on BT with four tracks straight from the lab. Unbridled machine funk primed for the dancefloor.

Producer & musician Handshaking continues the legacy of Finnish electronic music with the upcoming album ‘There was a chance’, due for release on May 19th of 2023. Handshaking is a familiar name in the Helsinki underground scene and has become known for surprise-filled and versatile DJ gigs and energetic live performances.

Handshaking’s 2020 debut LP Garden Clogs was a long-awaited work for the electronic and dance music audience. The limited 200 vinyl edition sold out during the release weekend. Image Magazine said the “Handshaking’s debut album is of the highest quality in terms of production value, which competes with peers like Yaeji, Peggy Gou and Jaakko Eino Kalevi”. Handshaking releases via PME Records, which is the biggest independent label in Finland, representing artists like Alma, Babel and AHO. Founded in 2012, the label has almost 30 artists in its roster with a wide variety of genres.

Born a french, fried in Belgium, Accou recently delivered on stage ecstatic dancefloor sets for the techno enthusiast.

Back to he intimacy of his studio, Antoine lets himself go to layered dreamy electronics with a warm loving feeling covered under six feet of snow. On the other side of the record, that noisy guitar sound coming straight out of the early nineties instantly catches the ear to an intense and joyful travel in time.

Lexi Disques is a maverick label based in Brussels since 2008 that explores the rich possibilities of the 7-inch record single. A welcoming home for experimental and adventurous musicians of diverse backgrounds, from fresh and vibrant faces to underground heroes, dwelling between the misty fields of psych-pop to the straight (and not so straight) roads of electronics.

Welcome to Bm-18 the biokinetic realm created by Dana Kuehr, a lush audio environment where organic and synthesized matter coalesce. As we float disembodied above this verdant pixel plain, Dana offers us shifting repetitions and sequences in disguise, each track a landscape within a world created in the utmost detail, from the minute bleeps and chirps to the enveloping and bumping bouncy basslines. Flickering drums explode like dandelion seeds in a breeze, searching for a place to lay, grow, and flourish. Sounds are captured (fingers tapping, rain patter, Belgian parakeets released from a '70s zoo, vocal oohs and ahhs) and hybridized with patterns, samples, and musical manoeuvres (jungle breaks, west coast hip hop, layered drums, IDM crunch and twinkle, reverb, delay, '90s R&B, underwater video game soundscapes). As in any imaginary sphere, there are characters who exchange and converse: rivers, coasts, clouds, lakes, echoes of dolphins, and peaceful frogs. Amidst their complex chatter, the sounds of Bm-18 extend an invitation to dance, to feel our bodies alive and present, to acknowledge the impulse of movement and the pulsing heartbeats of each track. An ode to the Taoist consideration that all creatures live together in mystic unity, co-evolving and feeding each other, Dana brings together cloud ethereal with earth pounding, and like an orca's tail upon a restless sea, it slaps!!! All tracks written and produced by Dana Kuehr between April 2020 and November 2021 in Brussels, and mixed by Dan Piu at Checkpoint Charly Studio in Zurich between November 2021 and March 2022. Mastered and cut by Stefan Betke at Scape in Berlin. Original artworks by Camiflage and text by Ailsa Cavers. A1 was first digitally released on Ojoo Music. Dana thanks Michiel, George, Jakob, Camiel, Ailsa, Tania, Victor, Jill, Karen, Daphne, Arne, Oscar, Joe, and Gwenan for the love and inspiration. True voyage is return!

Level two of LNS' electroid quest on own imprint. As last 12" there are 6 tracks, generously bridging knocking MPC-style Electro, up-tempo video-worlds and melodic but clubby Techno with blends of dub. A DJ Sotofett remix takes the dubs even further while the bleeped "Lehkist" is an excellently deep manifest of the melodic stance this record carries throughout. To be continued...

Deeptrax go even deeper with 'Hi8tus' - the first album from Detroit pioneer and forerunner Suburban Knight in over 12 years. One of the earliest protagonists in the epoch-defining, landscape-changing Motor City cultural movement, and a card-carrying Underground Resistance member, James Pennington's fingerprints are all over Detroit's nascent phases as he mentored the likes of Mike Banks, collaborated with Kevin Saunderson and appeared on formative Transmat dispatches in the late 80s and early 90s. Preferring a behind the scenes role for many years, Pennington has operated in the shadows, only ever releasing music when he's had something to say. There have been long periods of silence in his discography but in recent times he's returned with a series of singles and outings on Mollison Folson & Derrick Lewis's Detroit Techno Records. Now time to level up once again and remind us of his sonic skills and stature, 'Hi8tus' thrives off its timeless futurist schematics, each one instantly tapping into the deepest of Detroit sources, but doing so without any repetition or covering old routes. Largely breakbeat-based, Pennington pays homage to the electro foundations in a wide range of forward-facing ways; the uncompromising icy opener 'Far Far Away', the hazy soul and dreamy waves of 'Spiritual Ride' and the gnarled, brittle brutalism of 'Stalker Turned Electro' (a nod to one of this most enduring bangers back in the day - 'The Art Of Stalking') map out the parameters of Knight's navigations. In between we have brooding, pensive moments of tension. The four-to-the-floor prowl of 'Thy Will Be Done', the b-boy swagger of 'Machete', the glacial dark side voyage of '2 Different Worlds', the list of immersive explorations goes on... Proof that when it's in your DNA it doesn't matter how long you pause between releases; it's about what you say with your music. Suburban Knight's hiatus is well and truly over.

Aufgang B never disappoint with their rough sound excursions. Finally they continue the infamous Demo series with three techno tools rich in mind-melting sound design. Just what all of us have been waiting for!

Re-issue of Arpanet's second album from 2005. After the criticly acclaimed 'Wireless Internet' album Arpanet goes on a starker and more experimental ambient trip. As with his other pseudonyms Gerald Donald pushes the envelop further on every album with sonic explorations of scientific, technological and social themes. Originally released on Rephlex, now remastered for Clone Aqualung Series with a new exclusive track from the same sessions 'Superposition-Many Worlds'.

A few copies arrived with a seamsplit Cover. We're therefore selling it on a reduced price.

Always exciting when Klasse Wrecks comes with a new label project!! This one they do together with Kid Who and is a series of records showcasing previously unreleased house, techno, acid and more from the 90s Amiga Demoscene. Created using early sample sequencers such as ProTracker, these tracks radiate the authentic energy of techno's golden era - and they've been hiding in plain sight in Demoscene web repositories for many years. It was during the long days of the 2020 lockdowns that Kid Who began to explore these archives, sifting through thousands of tracks to eventually amass a collection of several hundred of his favourites. Curated by Klasse Wrecks and Kid Who in close collaboration with the talented artists behind them, the .NFO project aims to bring some of these finds to the broader dance music community via a series of VA 12"s and mixes. Tip!! Vinyl comes with A4 insert and stickered sleeve.

After making waves with their 2020 self-titled debut LP (championed by the late, great DJ and synth/wave connoisseur Silent Servant), Toronto’s Analytica return to Suction Records’ minimal synth sub-label Ice Machine, for the second full-length LP, “Strategy Of Tension”. Comprised of kosmische synth artist Gabe Knox and electro-industrial performer David Lush, Analytica is a synth-pop duo who confront the race-to-the-bottom ethos of our time, but utilizing sounds and tools from the early ‘80s synth-DIY era. The album was recorded to a 6-track cassette portastudio in a two week session in Summer 2022, and mixed down live to tape in an afternoon. Analytica pair classic, holy grail analog synthesizers like the ARP Quadra, Roland System 100, and ARP 2600, with uncommon analog rhythm machines including the Univox Sr-95, Soundmaster St-305, Roland Tr-77, and Korg Kr-55b. The result is Strategy of Tension: a stinging rebuke to cynical political actors and a reminder that the only thing to fear is fear itself.

Riyl: early Depeche Mode, Factory Records, Minimal Wave label reissues.

Last year's superb Pura Lempuyang album has been pulled apart and served up on a couple of separate 12"s and this is the second one. It comes on limited turquoise vinyl and offers four cuts of stylish deep dub and techno. Fletcher's 'It's A Virtue' goes first with taught, twanging bass and grubby basslines then Mike Schommer's 'Kingmaker' offers liquid dub funk with watery pads and hissing static. Nicolas Barnes picks it up a little with a darker but still warm dub techno roller in 'Sonic Dial' and Redrop's 'Genesis' is the more driving of the lot but again exists right on the ocean floor.

Eight individual projects with various international origins, these two ep’s contain reworked and remixed material of Takuya Sogimoto’s early work that has been released on acido in 2020 and 2022, as well as some unreleased trax from 1994/95. Packaged in two editions of 300 copies, released separately.

Pacific Rhythm is honoured to share the debut self-titled EP from Inner Flight, a duo comprised of Cooper Saver and Chris Macintyre. Inner Flight began as a long-distance collaboration during 2020 inspired by rural Canadian landscapes, natural beauty, and a myriad of musical fluencies spanning The Second Summer of Love, Andrew Weatherall, early Factory Records, and the deeper corners of the 4AD catalog. It has since grown into an introspective and sometimes ecstatic body of work that weʼre elated to share with the world. Elevate your state of being with this idyllic soundscape from two of North Americaʼs finest vibe practitioners.

Vivid night visions, alternate dimensions, and dreams that combine reality with film fiction have contributed to these 10 scenic cuts by Canadian musical alchemists called Siviyex. Nooma’s opening release.

Following up his anthemic late-summer burner, Hope, Credit 00 returns to Pinkman to deliver the album Midnightlife Crisis. Hopping between genres whilst remaining resolutely coherent, the twelve-track double LP is a showcase of the Rat Life boss' many influences. From the driving, mesmeric techno of Music Is A Spiritual Thing to the sci-fi electro on Bouncing Bell and Love Warrior's downtempo, half-time shuffle, the collection of tracks is broad and varied yet simultaneously unified by belonging to the club. Whether it's warm-up material, peaktime rollers or afterhours sludge for tired legs and scrambled heads, there's something for every scenario on Midnightlife Crisis. And with recurring themes of melancholy and anxiety throughout, the album perhaps reflects that all too familiar period for every club enthusiast when the years are ticking by and the lights are coming on. "I just hope there's hope", sings the voice on the album's lead single, before reminding us that the dancefloor's sweet release is often the best remedy to these negative thoughts - "I see you shaking on the floor, that gives me hope, gives me hope."

AAL Single 12" on Other People featuring Lydia Lunch and FKA Twigs.

Following releases on 777 Recordings, Low Income Squad, as well as his own Nasty Enterprises imprint, Nasty King Kurl sets his sights to Queensland’s finest for the energetic and head-turning ‘Weak Lips’ EP.

A cult was built around this truly ominous original tape by Vatican Shadow. With slowed down mega-apocalyptic drone drum contemplations. Despite being created over a decade ago for limited double cassette and then compiled on ‘it stands to conceal’ this is long form esoteric cold industrial perfectly suitable for our accelerating global amnesia.

Checkpoint Charlie – a border crossing that stands for separation and reunion, division and reconciliation. Follow Vision into the deep shadow of the Berlin Wall and witness a fateful love story. КПП “Чарли” – пограничный пункт, означающий разлуку и встречи, разделение и примирение. Следуйте за Vision в глубокую тень Берлинской стены и станьте свидетелем судьбоносной истории любви. Checkpoint Charlie – un poste frontière qui représente la séparation et la réunion, la division et la réconciliation. Suivez Vision dans l’ombre profonde du mur de Berlin et assistez à une histoire d’amour fatidique. Checkpoint Charlie – ein Grenzübergang, der für Trennung und Wiedersehen, Spaltung und Versöhnung steht. Folgen Sie Vision in den tiefen Schatten der Berliner Mauer und werden Sie Zeuge einer schicksalshaften Love Story.

Credit 00 arrives at the peak of festival season with a sadboi singalong to soundtrack the long summer evenings we spend all year looking forward to. Teasing his upcoming full-length, the Rat Life boss returns to Pinkman for the first time since '21 with a punchy single that draws inspiration from believe and despair. Future dancefloor karaoke anthem 'Hope' travels through time by laying 21st century autotune pop over ancient bit crushed computer beats. Watch out for the dangerously catchy hook, once it's in your head it won't be leaving anytime soon!

sot is old English for soot. This black powdery substance is everywhere in LDY OSC's debut album, blocking out the air and making all natural vibrations sound gritty and rough. The album itself is like a dub version of the Chernobyl meltdown. In some parts you get a real sense of how much air there is to breathe once humans are out of the picture, with unrestrained melodies and rhythms frolicking in the vastness of LDY OSC's post-apocalyptic soundscape. In other parts the effects of extreme radiation are made acutely apparent. Synths, guitar pedals and trapped echoes of human voices seem to be melting and morphing together in ungodly ways, casting uncanny shapes on the walls of the failed reactor. It's a thing of horrifying beauty. Alyssa Barrera Auvinen got her artist-name LDY OSC while earning a Bachelor's degree in Music and Sound Engineering in New York. She would treat oscillators as patients and living creatures through her synth DIY projects. This is made very obvious in sot: living oscillators used for industrial music which are then burned to organic matter and turned to dub. After releasing her first EP on The Bunker New York, LDY OSC couldn't have found a more accommodating nest than Kontra-Musik for her unforgettable haunting debut album. Cover graphics by Johannes Auvinen. Mastered by Andreas Tilliander.