Electro Vinyl LP 1506 Items

LP | 2021 | EU | Original (Running Back)

Release: 2021 / EU – Original

Genre: Electronic & Dance, Pop

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A download code is included. Debut album from Buzzy Lee, co-written and produced with Nicolas Jaar Genre. ‘Spoiled Love’ is the debut album from Buzzy Lee (aka Sasha Spielberg). Spoiled Love is unapologetically confessional, The album is about the cycle of an unhealthy relationship, the understanding that one might play a part in that themselves, coming to terms with it and then returning to a state of childhood adolescence following it. These songs started breathing on the coast of Northern California, sat through the traffic of Los Angeles and then found their way to Northern Italy where she crafted and recorded them with longtime friend and collaborator Nicholas Jaar over three trips.

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Roman Flügel

Eating Darkness

LP | 1985 | EU | Reissue (Trueclass)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Roman Flügel is a magician. This statement is far from being a hyperbole. Just put the needle down on any record – I mean any! – of his ( collaborations included) since the early nineties and see for yourself: none of them are without that special effect. The magic works instantly. And as the thing with magic goes: it’s challenging to explain it. But I guess that is what makes it magic. Eating Darkness is the title of his newest spell. Affected by the fundamental shock that any system got in 2020 – but not the result thereof – it is an album that could absorb it – as its name might suggest. Music and nightlife work hand in hand as escapism and as anchors or as the undercoat of social interactions. They enable people to deal with hardships as well as the burden and the joy of life. That is the starting point and hope of Eating Darkness: the outlook and invitation to enrich each and everyone’s existence. Bound to the single LP format and reminiscent of a time with format limitations, the nine tracks are testament to Flügel’s weakness for the art of pop music with the use of little and especially short motifs. Furthermore equipped with a clear instrumentation and without any camouflage, Eating Darkness corresponds to his idea of a virtual band. As it happens, the opener is called The Magic Briefcase. That sits not only well with my first sentence, but pretty much embodies the album and Roman Flügel’s apparatus in an alternative title: Crystal clear sounds and melodies bounce on and off the dance floor, living room and club are pulled together and transcendental moments take turns with the tangibility of reality. After all, that is how a real magician allures you.

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Vinicio Adames

Al Comienzo Del Camino

28,99 €*

T(H)Reats Black Vinyl Edition

Release: 1985 / EU – Reissue

Genre: Electronic & Dance

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Venezuelan Electronic Music Pioneer Vinicio Adames Synth-Pop Masterpiece from 1985. With 23 years of age Vinicio Adames self-produced and self-financed his 1st Album “Al comienzo del camino". Released in its time in Venezuela only, the album has been unavailable for decades. A complete restoration of the masters for this release, makes this album available now for the first time in fine audio quality.

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Stuff.

LP | 2021 | EU | Original (Sdban Ultra)

LP | 2021 | EU | Original (Optimo Music)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Standard black vinyl version.The band's third studio album, 'T(h)reats', takes inspiration from a series of explosive live shows in 2019 and is a reaction to the current situation we find ourselves in; art and music can be a treat in these strange and uncertain times

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Jose Manuel

Janara

19,79 €* 21,99 € -10%

LP | 2021 | EU | Original (Avant!)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Optimo Music presents “Janara” the new album from Italy’s José Manuel. We always have our ears open for music that is unique, powerful and that can conjure up a ritualistic atmosphere, and this meistrerwerk did all that, and then some. We knew we had to release it after the first listen. We’ll let José tell you about it. This album is a result of the necessity of exploring and opening my mind to new musical horizons, by testing the main traditional instrument of the Italian region Campania, whose name is “Tammorra”. It is a big drum, which must not be confused with the typical tambourine, made from a wrap of wood shaped in a circle and covered with dried skin (almost always goatskin or sheepskin). This instrument was used during playful events, especially during rituals and ceremonies, such as the frequent devotional pilgrimages in honour of the Virgin Mary. By using this instrument, the sound, the rite and the magic could take possession of the mind and the body creating a perfect union. Also, the dancers, as if they were bitten by a tarantula and possessed by a strange evil, launched themselves to an uncontrolled dance by moving every part of their body. In addition to the Tammorra, I also inserted some texts, which have been written by some Neapolitan friends and interpreted with Neapolitans voices, in honour of the “janara”. The Janara represents a popular belief of the Southern Italian regions, particularly of the Benevento area. The Janara is one of the many types of witches represented by folktales belonging to the rural tradition. The Janara was expert in medical herbs, which were also be used for her magical practices, such as the manufacturing of ointment. The ointment gave her the power to become incorporeal with the same nature as the wind. According to the tradition, in order to snatch the Janara it was necessary to grab her by the hair. It was also said that if anyone was able to capture the Janara during her incorporeal moment then Janara herself would offer protection to them and their family for seven generations, in exchange for her freedom. With this work I hope that the listener might get carried away by the spirit of this pagan and popular legend that can be still be considered as current. As a matter of fact, the folk tales speak of a probable comeback of the Janara, who after being burned at the stake seems to be thirsting for revenge for the evil suffered.

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Veil Of Light

Landslide

In The Realm Of Electricity

Release: 2021 / EU – Original

Genre: Electronic & Dance

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2020 has been one rough ride for everyone, forcing us all to review what we thought was normal and maybe, one would argue, even our priorities. Two years have passed since their previous Inflict LP and we don’t really know how what recently happened impacted on the band’s mastermind Michael but what’s sure is that Veil Of Light are now a fully grown-up band. Landslide is their fifth full-length (and their third on Avant!) and it’s definitely their most elaborated album. Ten new songs, rather than the usual eight, with a perfect balance of Coldwave-inspired intimate atmosphere and synthpop catchy melodies. Musically speaking it’s still clear where the Swiss duo draws their influences from, right in between New Order’s moodiness and The Klinik trying one softer, less brutal approach to their Electro. But a new sense of privacy is reflected all through these new tracks, enhanced by lyrics now more personal than ever. The Prayer Wheel is a page torn out of a private diary, Love And Money is a mechanical mantra for a no-way-out situation; Suburban War is a confession of defeat whispered at night, No Return is the last dance before reaching the point of. This is the kind of record that takes its time, and takes its toll, we just need to sit down and listen because there’s much to discover.

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The N-21

LP | 2021 | EU | Original (She Lost Kontrol)

LP | 2021 | EU | Original (She Lost Kontrol)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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The Ne-21 return to She Lost Kontrol after their first pitch-perfect 80s dark wave release in 2016. After releasing a collaboration with Donato Dozzy with the project ‘Men with Secrets’ at the beginning of the year, the duo lands on the label with their new work “In The Realm of Electricity”. The album is a collection of 8 tracks composed and recorded between 2012 and 2020 at the Sy6 studio in Boscoreale. The outcome is a perfect blend of synth pop and minimal wave, filled with icy synths, shuddering bass, and anthemic vocals, ranging from mumbled vocoder to arch talk-singing. While diverse in atmospheric scope, swells of ghostly synths circle the driving beat throughout, producing a haunting totality drenched in an ethereal midnight trance; the submerge of cold, spectral vocals sing within the darkest depths of a starry soundscape – the gloomy romanticism of low, distant vocals bursting with post-punk melancholia. The track’s unease between purpose and utility create a discrete synthesis, and, like a piece of speculative fiction, the memory of the body and its coalescence with the future become prime motives for this liquid age. Akin to Ballard or Philipp K. Dick, the workis not only dreamlike and surreal, but vocally sinister, as if this spectrum of lush new wave ‘80s pop and Almond-style weirdness hides a truth waiting to be grasped. The album in essence sounds unashamedly distinctive, unique and charming. Whether you fall in love with the whole act or you’re just stunned by the bizarreness of it all, one thing’s for sure – you’ll be compelled and gripped right to the infectiously smutty end. Composed, recorded and mixed by Nicola Buono & Lino Monaco at Sy6 Studio. Vocals and lyrics by Lino Monaco. Mastering by Joshua Eustis, Los Angeles. Design By Michelangelo Greco She Lost Kontrol Records 2021

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PC World

Order

LP | 2021 | EU | Original (Paradoxe Club)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Under exhausted lights of civil discontent the count has just began. What you parodied, what you scrutinised rears its pure gaze when punctured beyond performance. We cried for justice but instead found order, and now we face the chain. PC World comes through with a haunting EP on She Lost Kontrol to distort the view and warp the vision of industrial addicts and mutant punks with their second release “Order”, a discursive counterattack on four distinct forms of command. The South London duo disfigures the unconscious reduction of pleasure and fetish, the connective tissue between privatisation and violence, the seduction of societal norms, and the neurotic tendencies of self-defeat. Like the surrender to a future shock, these four interwoven tracks are produced for the recognition of restraint and the demand for wanting more. B-side remixes of the title track “Order” come from Physical Wash (former member of High-Functioning Flesh) and Aktion Mutante (featuring members of Violent Poison and Unhuman), two additional perversions of protocol from synth-punk veterans on both sides of the Atlantic. So initiate these six cries of havoc in solidarity with this wasted world, a world of precarious necessity and incessant definition. A world whose shape and conscience will forever be satisfied by order.

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Sunareht

Amorama

Release: 2021 / EU – Original

Genre: Electronic & Dance

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After his first two critically acclaimed EP ‘Hyul’ and ‘Sagas’ on Paradoxe Club, filter scientist Sunareht is back on the label for his first full length project ‘Amorama’. Created over a two years span the album is themed around how we express emotions and how they are sent back in the internet era. From a device that analyses the attendants of a party to create music that fit their tastes in ‘Party Soundtrack Generator’ to virtual freefall for couples in ‘Parachute Tandem VR’, Amorama is a fictional place where you get your serotonin or dopamine fix doing diverse activities described in the track titles. On this project Sunareht went even further with his signature style by exploring a more pop approach of his euphoric french touch stabs and intricate rhythms adding new sounds and experiments to the mix.

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L'Eau Repousse Les Feux Agressifs Clear Vinyl Edition

4LP | 2021 | EU | Original (Mama Told Ya)

42,99 €*

LP | 2021 | EU | Original (Squama)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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It’s Raining Tracks : After three successful collaborative releases on Mama Told Ya over the past few months, Anetha quenches our unquenchable thirst with Mty-eau, a brand new compilation: 4 vinyls, 16 tracks, 18 artists - one madly diluvian project featuring Varg and Croatian Amor, Ufo95, Anetha, Tommy Holohan, X-Coast , Emma DJ, Less Distress, Sugar, Absl, Quest?Onmarc , Ryan James Ford, ISAbella Le Dom, Fakethias, Rhys Jelson, Jardin and Certain Smith. Entitled "L’eau repousse les feux agressifs", it will be the first of a series around the four elements. Source of inspiration, Water teaches us acceptance. It completely flows in this first opus, as into the spirits - in "quarantine" at that time - of the guest artists. No sluices, zero dams and a lot of free time, the opportunity to dare more... experimental streams. Mama Told Ya is therefore innovating, although there is some for all tastes in each and every vinyl: torrent of fast disjoncted techno, cloudburst of acid, trance and hyper-saturation, downpour of experimental or even electronic-rap vocoder…. Rain. ON. ME.! To be savoured chilled at home or boiling, in a club. The artwork has this time been entrusted to visual artist Karin Kimel, who delivers a version of the world through an aquatic 3D prism in which only the fragments of a boiling underwater volcano remain. With a profoundly dramatic intro, « Bully » immediately immerses us in the icy Scandinavian waters, on the verge of hydrocution. An epic, almost mystical opening, heralding the impending flood. Water then, in all its temperaments, under all its temperatures, spreads everywhere, throughout the listening, sometimes soothing, sometimes thundering. Under pressure in « Extremely Urgent », it even becomes irrepressible. Next follows a demented race set to submerge everything. Open valves and sinks, overflowing swimming pools, flash floods, storms and tsunamis, endless monsoons, melting ice and glaciers… It is ultimately a liquid world, entirely drowned under water that we find in « 5th generation », outro of a new genre which invites to reinvent the future, and why not Mama Told Ya’s future. It’s hard not to hear in this aquatic odyssey an ecological warning, a call (back) to Nature.

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9ms

Pleats

Faberyayo, Stippenlift & Betonkust

Release: 2021 / EU – Original

Genre: Electronic & Dance

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A download code is included. 9ms is the duo of Simon Popp and Florian König. On their wide ranging debut album ‚Pleats’ the tech-savvy drummers offer grooves from the dubbier realms of World Music and Krautrock - some meditative and light, some thick as wall and steady as a clock. The album was recorded live in a large wooden hall in the Bavarian Alps with only three microphones. Using various infrared and magnetic field sensors, Popp and König were able to translate their movements into control voltage, which they then used to trigger and tweak synthesizers and a myriad of effects. A way for two humans to become one with their mystic machinery.

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Gothrecht

LP | 2021 | EU | Original (Magnetron Music)

LP | 2021 | EU | Original (Ldi Records)

Release: 2021 / EU – Original

Genre: Hip Hop, Electronic & Dance, Pop

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Soundtrack of the radio play Gothrecht. Twelve songs produced by Stippenlift and written by Faberyayo and Stippenlift. Featuring vocals by Georgina Verbaan, Annet Malherbe and Firoza, as well a wide selection of the original score by Betonkust.

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T/Error

Rindler Horizon Mini-Lp

15,99 €*

LP | 2021 | US | Original (L.I.E.S.)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Rindler Horizon is a hypothetical zone over the light speed, where time and space take a different meaning than we know. It will be impossible to have a physical exchange of information between our position and any position beyond this line.

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JFK

Avalanche Zone

15,74 €* 20,99 € -25%

LP | 2021 | EU | Original (Top Tape)

Release: 2021 / US – Original

Genre: Electronic & Dance

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Anthony Di Franco (Ramleh, Skullflower, AX) debuts on L.I.E.S. with his infamous JFK project. Starting in 1987, Di Franco was immersed in the burgeoning UK "tape exchange by mail" scene which fostered many different strains of extreme and experimental sounds being developed during this time. Initially working in a murky, decayed industrial sound, as the project has progressed to the the present, JFK has transformed the early approach into a now razor sharp, hi- fidelity, punishing wall of sound that still envelops the listener in the same way as his early music but now with a refined and massive sonic attack. Throughout Avalanche Zone's six tracks we get Di Franco in top form alternating from blistering machine gun rhythms to stand still slow beat metallic crushers with synthetic electrified drama forcing the air from the speakers demonstrating full on sound pressure. This is a welcome addition to the JFK catalog and further expands how the artists vision has developed as the years have passed. Complete and total heaviness!

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No Honey From These

Over The Hill

13,49 €* 17,99 € -25%

New Beat Trax & Old School Beats

Release: 2021 / EU – Original

Genre: Electronic & Dance

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2012 tracks for the first time on vinyl in an edition of 200 copies. These tracks where once included on a Cd-r that came with the first 100 S.M. Nurse 12" EP’s “30th Anniversary 1980-1983” (Domestica Records) - now remastered and better sounding, available for the first time on vinyl including an extra track! Robby Horsfall († 2013): lyrics, vocals Menko Konings: compositions, instruments

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A Compilation Of Number Nine Red Vinyl Edition

2LP | 2021 | EU | Original (Finex Fire)

34,99 €*

Grauzone 40 Years Anniversary Edition 2

Release: 2021 / EU – Original

Genre: Electronic & Dance

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180g Double LP (45 rpm) marbled transparent red Colored Vinyl in gatefold cover (Incl. Download code*). With 11 tracks spanning from the origins in 1990 to the rebirth since 2005, N9's most wanted releases are here, remastered by French sonic wizard André Dalcan, ready to get turntables at the right 33+8 mood, and get the white glove raised again!

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Grauzone

2LP | 2021 | EU | Original (WRWTFWW)

LP | 2021 | EU | Original (Mannequin)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Heavy 350gsm Sleeve, Liner Notes, Sticker - Official reissue of Grauzone’s album with 9 bonus songs including the megahit “Eisbär” and more, straight from the original reels! Wrwtfww Records is very happy to reissue Swiss cult band Grauzone’s self-titled album in an expanded 40 Years Anniversary Edition packed with the original 1981 album plus 9 extra songs, as well as extensive liner notes by Swiss music historian Lurker Grand.

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Dame Area

Ondas Tribales

Deep Sound Learning (1993-2000)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Hailing from Barcelona, Silvia Konstance and Viktor L.Crux (a collaborator of Nurse With Wound and J.Arbeit from Einstürzende Neubauten) developed during the last years a unique music style recognized as "Tribal Wave". Mixing synth bassline arpeggios and live percussions, noises and congas, industrialism and tribalism, Italian and Spanish, Dame Area are running across the same path and breathing the same air of the EBM/Industrial driven Diseño Corbusier or the drum compositions of Roberto De Simone. Starting to play live and releasing their music in 2018 for their own label and venue Maja Roja (with the support of fans like Julian Cope and Yamatsuka Eye), their incessant touring schedule has already seen them play all over Europe in the past couple of years. Since 2019 they also play live as a trio with Jesse Webb from Gnod/Anthroprophh at the drums/percussion. For fans of: Diseño Corbusier, Esplendor Geometrico, group A, Kris Baha

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Jimi Tenor

2LP | 2021 | EU | Original (Bureau B)

27,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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LP | 2021 | EU | Original (Infine)

Rone

Rone & Friends

LP | 2021 | EU | Original (Wave Tension)

Release: 2021 / EU – Original

Genre: Electronic & Dance, Pop

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“Rone & Friends” has the musical colour of Rone’s friendships, of his crushes for a few additional less expected guest voices, but also inevitably of his own personality. With a strange year 2020 where borders and concert venues have closed, Rone felt the need to come closer to his artist friends and to reshuffle his creations with their voices as the new beating heart. The new collaborative album includes voices by Georgia, Yael Naim, Casper Clausen (Efterklang), Flavien Berger, Jenny Beth, Dominique A and many others. On the surface, Rone’s latest album, ‘Room With A View’ seemed to mark his return to solitary, contemplative instrumental electronica productions akin to his debut album ‘Spanish Breakfast’. In reality, the show of the same name, which took place over a week in the prestigious Théâtre du Chatelet in Paris, is the result of a permanent collaboration with fifteen dancers of the Ballet de Marseille and the avant-garde dance collective “La Horde", which fed into all the decisions made around the album campaign. The albums’ artwork is unequivocal in this regard. The health crisis in March 2020 forced the closure of the theatre and paralysed the development of this unique show at the crossroads of disciplines, which, up until then, was met with both critical and commercial success.

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Suir

Studio Session

Girlfriends And Boyfriends

Release: 2021 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Suir is a duo based in Cologne, Germany. Formed in 2016 when Denis Wanic (guitar and vocals) and Lucia Seiss (synths, guitar and bass) joined forces for their band project. In a constant interplay of guitars and synthesizers, supported by minimalistic and electronic drum rhythms and melancholic lyrics, Suir produces a reverberated psychedelic post-punk defined by a dense, lynchesque sound. Especially their live shows are known for their cinematic, atmospheric music defined by complex sound walls and the hypnotic visualisation – like waking up from a dark and intense dream. Being locked down in their apartment/studio in Cologne during the Covid-19 crisis, not able to play live shows, they re-recorded a selection of tracks from their previous albums in a live rendition to capture the raw intense feeling of their live shows which they are dearly missing right now. The session also includes the previously unreleased track “Not Accustomed To Be Hurt”.

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Fallacy Of Fairness

LP+7" | 2021 | EU | Original (Oraculo)

20,99 €*

Secret Passage Blue Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Vancouver post-punk quartet third LP shows some tremendous growth in terms of songwriting and delivery. Hooking the listener from the very beginning, it’s danceable, it’s dark and it’s rock. Fallacy OF Fairness Ltd. Edition 12” + 7” Album comes presented in a One-off truly limited edition of 200 copies lacquered pressed on 180 gr. high quality Solid Black vinyl. All tracks have been specially remastered for Long CUT vinyl by Daniel Hallhuber at Young and Cold Studios.

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Gavilan Rayna Russom

2LP | 2021 | US | Original (W.25Th)

31,99 €*

LP | 2021 | EU | Original (Darkhan Music)

Release: 2021 / US – Original

Genre: Electronic & Dance

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Growing up in deindustrialized Providence, Rhode Island of the 1970s and 1980s provided NYC-based composer and interdisciplinary artist Gavilán Rayna Russom access to derelict subterranean spaces including the mile-long East Side Rail Tunnel. The tunnel's reverberant darkness would produce distinctive sensory effects and host Russom's formative experiences of interpersonal connectedness, liminality, transgender identity, anti-capitalist desire and state repression. Secret Passage – an absorbing, memoiristic work by Russom, whose synthesis-based practice fuses information and expression into organic wholes – draws on memories of "unsupervised autonomous zones where I tasted the possibilities of a world without surveillance," as she writes in the liner notes. Inspired by "this beautifully neglected place," the music resounds with ghostlike echoes and raw pulsations. Russom utilizes synthesizers, field recordings and voice to illustrate hallucinatory revelations of the city's lightless undercarriage. Each track of Secret Passage, originally released as a limited cassette on Voluminous Arts, is dedicated to a friend – entwining personal liberation with collective discovery. The East Side Rail Tunnel has been inaccessible since the 1990s, the result of urban development and gentrification.

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Lueur Verte

Crystalica

The Way Of Union And Being

Release: 2021 / EU – Original

Genre: Electronic & Dance, Pop

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The real 80s vibe has finally arrived! Originally a digital only release in 2013, Lueur Verte's legendary mini album. Crystalica is finally seeing the long overdue, and truthfully deserved light of day on physical formats. Setting the scene with its alien crystalic cover, Crystalica takes the listener on an 80s nostalgic outrun race, android circuitry, topped of with a micro gene that provides the listener with a soundscape of movies such as Miami Nights (1984). Producer and artist Michaël Brun (Lueur Verte) is the mastermind behind Aphasia Records, who was among the first to discover artists such as Perturbator and Dynatron. Over the years Lueur Verte has released various remixes, his latest addition is a remix of the song "Alright" by the legendary Barretso. Lueur Verte is the top notch of the grandiose, super high quality French synthwave / outrun genre, which puts him in a league of his own. A synthwave Icon.

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Antonello Teora

LP | 2021 | EU | Original (Blizzard Audio Club)

11,04 €* 16,99 € -35%

Release: 2021 / EU – Original

Genre: Electronic & Dance, Pop

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The Way of Union and Being” is born from the sometimes-unavoidable necessity of reinterpreting the perception of the spaces around us and the outside world in general, in order to have a truer and clearer vision of the inner spaces and the inner-self.

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Oz Echoes: DIY Cassettes And Archives 198

LP | 2021 | EU | Original (Efficient Space)

2LP | 2021 | EU | Original (Bordello A Parigi)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Oz Echoes peels away another layer of Australia’s ’80s DIY hive mind. The Oz Waves successor exposes a deeper circuit of micro-run cassettes, community radio archives and irrationally abandoned studio sessions, as Steele Bonus sequences a 10-track compendium of drone pop, psyche-electronics and agitated tape cut-ups. From the Sydney cassette network, The Horse He’s Sick returns with an industrial car crash, alongside Wrong Kind of Stone Age’s pagan cacophony and primal riddims. M Squared dynamo Patrick Gibson appears in both Height/Dismay and Mr Knott, his respective studio-as-an-instrument collaborations with Dru Jones (Scattered Order) and ex-Slugfucker Gordon Renouf - the former’s worn out apparition hails from an instantly deleted 1981 7″, while Mr Knott entrust one of the compilation’s five previously unreleased tracks.

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Leitstrahl

Chromium Dioxide

LP | 2021 | EU | Original (Infine)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Leitstrahl were raised on a strict diet of electronic music. Electro pop. Italo Disco. Synth movie scores. This was the bread and butter of this three man Austrian outfit. With more than fifteen years of band history, the trio of Stoff, Paul Raal and Boogaloo Steve are as proud as punch to announce their debut album: Chromium Dioxide. For their thirteen tracks the triumvirate have pooled their enthusiasm and experience, calling on a string of friends to give their selection a unique energy and emotion. Jon Jon, aka John Foster, of Bronski Beat fame, offers his vocals for the rollercoaster ride of “Europa Supersaw.” Nicole Jaey’s mellifluous voice soars in the blazing “Chevrolée,” Christina Mirabilis lends her sweet lyrics for the fiery “Girotti” with Jimmy Baker voicing the pop heartbreak of “White Tail.” Synthlines sparkle across the collection, magical melodies pirouetting in a haze of deep Summer sun. Coursing through the entire album is passion, a passion crystallised in addictive hooks, laserdance rhythms and fledgling romance, a passion that combines Hi-NRG intensity with the reflection of wave and the optimism of italo. Inspired by the 1980s, simply inspirational today.

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Sabrina Bellaouel

Libra / WDNTBE

17,09 €* 17,99 € -5%

LP | 2021 | EU | Original (Knekelhuis)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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The first two EPs of rising French-Algerian singer-producer-songwriter Sabrina Bellaouel on InFiné are now available on a single 12″ vinyl edition for the first time. At the crossroads of modern electronic production, alternative RnB & North African beats, Sabrina Bellaouel offers her listeners an unprecedented mix of grand emotion of the Pop stage and the cutting-edge underground flair of buzzing nightclubs Textextext - (add your write up) 2020 saw Sabrina Bellaouel step out of her cocoon a fully formed artist.

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Reymour

Leviosa

12" | 2021 | EU | Original (L.I.E.S.)

Release: 2021 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Reymour packed their bags in the pre-Alps of Switzerland and left to start a new life in Bruxelles. This debut album finds originates in this transition, again in a bilingual environment, by now a Knekelhuis theme. Leviosa documents the emergence of a kind of dance built from chansons, synthpop and cute minimal wave. Luc Bersier’s wide musical spectrum reaches great heights while staying small. He creates the musical bedrock on which Reymour’s cabinet of musical curiosities rests, allowing us to drift away on the unctuous fumes of Lou’s vocals. On these tracks she covers a wide array of feelings, of doubt, sexual orientation, play and melancholia. And it all comes together in the reflection of life. Close friend and family guy Low Bat contributes vocals and gameplay on 2 of the album’s tracks.

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Moist 96

16,99 €* 19,99 € -15%

LP | 2020 | EU | Original (Omena)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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NYC by way of Miami, Moist 96 is a new project of Rene Nunez, mostly known through the years for his work under the name, Horoscope. Culled together from decaying tapes, bled out and dubbed one too many times over, Nunez took pieces from these 4 track demos drawing back on the music of his youth; Miami bass, freestyle and coked out funk to create this record. The lp being a raw in your face snapshot which is the musical equivalent of a pit bull being locked in a car for hours during a heatwave with the afternoon mix show on full blast. As the artist says, " This is not trying to be some jokey-ironic-funny-costume-campy bullshit. It is trying to be on some real illegal pre-internet bootleg rush-hour mix; 808's on blown-out car systems; cassette tapes melted in the center console speeding by Hot Wheels and Club Madonna’s neon signs; pants-shitting bass frequencies, like a roundhouse kick to your chest type shit. If you’re tired of all this cum fast video game techno you might enjoy this project. And if you don’t, that’s cool, too. I hope everyone keeps their head up, Releasing music right now can feel stupid and unimportant, but hopefully this record can take your mind off shit for a second and have some fun. Thanks for taking the time and listening. "

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Aleksandir

Skin

2LP | 2020 | EU | Original (Tectonic)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Skin is the debut album on Omena by Aleksandir. Both musically and conceptually it's his most ambitious work to date, and maybe the first project that feels like a true piece of himself. Half of the tracks are uplifting, while the other half dark, with a more serious tone than we've seen from Aleksandir before. For the first time, the artist has included his own vocals on tracks, adding framework to the album.

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Pinch

Reality Tunnels

LP | 2021 | EU | Original (HFN Music)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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‘Reality Tunnels’ is a concept that was originally introduced by Robert Anton Wilson in his 1983 book ‘Prometheus Rising’. In essence, the concept of a reality tunnel relates to an idea on how we create our own perspective – the subjective filter that we each apply to the world around us; the things we perceive and what our consciousness deems worthy of attention, IE what we see and hear is entirely relative to what we do not.

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Lydmor

Capacity

New Beat Trax & Old School Beats

Release: 2021 / EU – Original

Genre: Electronic & Dance, Pop

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Lydmor’s new album ‘Capacity’ is a musical maze full of alluring mysteries. At the same time, it is part of a process of liberation, which is about opening oneself up and discovering one’s capacity. For her previous album, Lydmor travelled to Shanghai. But on her new album, Lydmor has mostly travelled deep into herself. ‘Capacity’ is a contrasting musical work where fiction and reality merge into a multifaceted sound universe. It is the electronic pop artist’s most personal, complex and conceptual album to date.

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A Compilation Of Number Nine Black Vinyl Edition

2LP | 2021 | EU | Original (Finex Fire)

26,99 €*

Release: 2021 / EU – Original

Genre: Electronic & Dance

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180g Double LP (45 rpm) black vinyl pressing, gatefold cover (incl. download code). With 11 tracks spanning from the origins in 1990 to the rebirth since 2005, N9's most wanted releases are here, remastered by French sonic wizard André Dalcan, ready to get turntables at the right 33+8 mood, and get the white glove raised again!

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Dynam'hit Europop Version Française 1990-1995

LP | 2021 | EU | Original (Born Bad)

LP | 2021 | EU | Original (SVS)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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France, 1990. Fun Radio, NRJ, Skyrock set a new pace, and their crushing hegemony irrevocably marks the end of the free radio utopia. The giants become vital in the hit industry and carry on fuelling France’s greatest invention: la variété. A quintessentially French version of British dance pop with a very specific tang to it, too coy to emulate trendy clubs’ and rave parties’ music, europop cautiously tests the waters of what will soon turn into a tsunami : house music. Is house the soundtrack of the 90s? In Europe, it gave steam to comeback bands just as much as to the most memorable formations of the decade, while in France it paved the way for the global success of French Touch. “Real” house music emerges in early 80’s Chicago (where the Warehouse club, which allegedly gave its name to the genre, closes down in 1983). England’s acid house and Belgium’s new beat, its European offshoots, fed the cravings of tabloids in 1988 and 1989. The house music we’re interested in though, the type bound to soon overwhelm European charts, is already pretty far away from the afro-american music born in Chicago. So far away it inherited a new name: dance music. Just like it had been the case with disco a few years back, house and techno aren’t exactly in the good books – acid house and new beat even less so. And it’s precisely the genre’s mainstream iteration this compilation focuses on; the house en français, which strives to get on board the running train in 1990. The house which sports the all-over jean look, bandana, cap, chewing gum, peugeot 205 complete with snazzy beats on the radio. The big deal big fuss type, miles away from the original, underground house. It might not have been born in the nineties, but that’s clearly when house music became mainstream. What underpins house music might even be what is to define the decade to come: jingles and pin’s, megaclubs and clips. That and the hits. Very soon house is everywhere: on the air of the big radio stations and on TV, creeping in as far as kids’ programs. The French may not even notice, but they’re all listening to it. Meanwhile, music producers smell the gravy and, willy-nilly with the earnest, enlightened amateurs, propose their very own club versions, cross breeding French variété and house. The result: a chart and club ready ersatz that is to quickly seduce young audiences. Hits, that’s what we want – or tubes for the French, like in House Tube, one of the landmarks of this compilation. The tracklist, like the soundtrack to a club night that never happened, fictitiously reconstructs the fleeting moment when house made its arrival in France, bridging the gap between variété and eurodance. House quiproquo House music barges in like a UFO on European land. With the arrival of this repetitive, yet transgressive music, tabloids freak out, while widespread incomprehension over the genre inspires dubious misconceptions. The media are happy to suckle on the music’s popularity, though well hidden behind the veil of decorum: NRJ airs a remake of a famous new beat track, Rock To The Beat, in which, however, “ecstasy” is swapped for “fantasy”. Dechavanne, thoughtful as usual, calls fans junkies and nazis on his tv show, Ciel Mon Mardi – though the show’s theme song is nothing else than a house track. The footage became a classic, and the comments, sampled by producers, provided the vocals for a flagship new beat track (Dr. Smiley – L’Echo Dechavanne). The Dechavanne episode is representative of the general confusion surrounding this barbarian music; skepticism remained high, even (if not more so?) in the musical world. In fact, it’s the subject of the unequivocal House Tube: “House tube, bouse tube ; on n’aime pas vraiment le house tube House soupe, bouse soupe ; on n’aime pas vraiment le house soupe” That is: “House hits, house shit; we don’t really dig house hits House soup, shit soup; we don’t really dig house soup” The success of house music inspired many exasperated reactions, just like House Tube (the B-side of a deodorant ad’s theme). Laurent Castellvi, surprised that the joke-track he composed at the time still sparked interest, told us: “At the beginning of the nineties, house was all over the radio. It annoyed me a little that most tracks were based on the same two chords. House Tube is a joke, it’s me sitting at the piano playing two chords. And that’s what the lyrics say.” On the other hand and following up with the next track, Fred de Fred was clearly in the know. The Frenchman had moved to the epicentre of the English commotion, Sheffield, a few years prior to the arrival of house. That’s where Warp (Autechre, Aphex Twin) originated – and at the time Warp still went by the name FON, Fred already hung around in their studios. Robert Gordon, Fred’s pal and co-founder of the label, signs the remix of one of his 1989 tracks, Sous Sous. In 1991, he composes a record of songs, and when it comes to pairing a suitable club remix single, Fred knows what’s up. Je T’Aime En Amour, sleek rock, mutates into a syncretism of french chanson and nearly rave breakbeat (here provided in its “2020” version). Fred de Fred is exemplary of the variété-club crossover driving this record; his career started within the collective ZNR, he crossed paths with the likes of Alain Bashung and then the Stone Roses, was close to Warp, and ended up signing a record on Barclay. Studio sharks Electronic musicians are often referred to as “producers”. This emanates from the delimitation of roles in the making of recorded music, traditionally assigned as singer, songwriter and producer. The latter takes care of the recording per se; that is, he manages the project, rents the studio, hires the musicians (known as requins de studio – studio sharks – for accumulating studio sessions) and cashes in at the end. The artist in electronic music is the producer alone, who essentially combines all roles at once: totally autonomous in his home studio, he can do without musicians or singers. The moment we’re interested in is this transitory period in which the two types of producers coexist. On the one hand, the new producers, like Fred Rister with Everybody Dancing, who recorded in a shack on a 4-track recorder, according to the sound engineer. On the other, the revival of old brigade producers, always on the lookout for a hot deal. The producer behind Près De Toi is of the latter type – pursuing a long musical career though quick to forget Claire-An (and so did posterity). New beat’s heritage isn’t negligible : its pioneers fashioned the “new generation” producer formula, a one-man-band in his machine-filled home studio. They’re also the first to churn out major hits, hitting the floor of a few Belgian clubs and eventually making it to the European top 50. What seems like mad creative abundance (hundreds of tracks between 1987 and 1989) is in fact the work of a handful of Belgian producers, barely ten, hidden behind multiple aliases. Among them, Marc Neuttiens, Jack Mauer and Fabian Van Messen, who often work as a trio and produce some of the genre’s most iconic tracks. In the midst of which On Se Calme, produced under the name Bassline Boys, sampling none other than Christophe Dechavanne. It’s no coincidence then that Anne Zamberlan should knock on their door with in mind the idea of an antidrug track. She wants to make noise, they know how to make a hit. And the track has it all: proto-acid gimmicks, big beat, house piano, verses rapped with a hiphouse flow… It might have been great, but even a Virgin Megastore ad she appeared in two years later got her more success. À la folie, je danse This tale is also the one of the pioneers who brought house music to France, first on the radio, well before rave parties or Laurent Garnier’s nights in Paris. As soon as the early eighties, Robert Levy Provençal plays the edits of the young Dimitri from Paris on the airwaves of Radio 7. At the time they’re unusual: like one would use samples in hip hop, Dimitri loops soul, funk and disco tracks, creating extended mixes. He breaks down tracks, reducing them to a gimmick or a bass line, thus creating easy-to-mix tools for DJs and bringing them closer to the sounds of house and techno music. He soon becomes resident DJ on NRJ and hosts the popular show Hot Mix. Like his colleague RLP, Dimitri proposes a trailblazing selection, blending together French news and the odd new sound from the States. At the turn of the nineties, when europop wants in at the club, only these influencers master the dance side of things. There’s RLP, Bibi Fricotin, Dom T… And Dimitri, who becomes the assigned variété remixer, adapting dozens of songs that were never meant to make it into a club. The general tendency however is less to official remixes than to bootlegs: a “pirate”, unauthorised and often private remix – just like Jacques Dutronc’s Opium, stretched out into a nearly 7-minute-long mix. The nineties also set the stage for the first TV stars, the ones who become famous without anyone really knowing why. Take, say, Jordy, four years old. The kid, in his diapers, sings along a New York style, house piano production and somehow makes it to the top 50’s number 1. For years, Jordy plays out the role of the child star and demonstrates that dance music is a perfectly profitable affair: it fuels the radios turned juggernauts, and lands on TV, seeping through music programs… In 1989, Vincent Lagaf (a famous french TV host) dives in with Bo Le Lavabo. The pitch is simple: the TV host adapts a track well known overseas, Lil Louis’ French Kiss (without any direct reference), simply adding lyrics taken from a sketch. He’s rather clear on his intentions (“Well, that’s just how you make it to the top 50”) and has no mercy for a musical genre he clearly understands nothing about (“See? Easy.”). Single night stars The club is a democratic place where anyone can be a star for a night (a nineties remix of Andy Warhol’s famous saying, meaning to imply: never has fame been so near, yet so far). The ghost of stardom haunts all of these forgotten tracks… This is particularly true in the case of Techno 90, Fred Rister’s first band. The DJ hailing from Northern France takes part in the short-lived though seminal Maxximum radio and mixes everywhere on both sides of the Belgian border, quickly becoming a local celebrity. At the turn of the century, he starts collaborating with David Guetta – another DJ, slightly better known than Rister and a rising star of the Parisian club scene. Together they eventually co-sign a few global hits: Love Is Gone, When Love Takes Over, I Gotta Feeling. This tale is the story of French variété’s unforeseen encounter with the avant-garde, of DJs who rose to the status of pop stars and others who descended deep into the rave party scene. It’s all of these oddities our compilation seeks to recount, like a wacky TV show featuring anonymous stars, forgotten ghosts of a decade bygone (Jacques Dutronc, Jean-Francois Maurice) or yet to come (David Guetta), inspired though unlucky blokes plus a girl band. And somewhere in the shambles, the tracklist of our compilation, the B-side of dance music’s official story – what could have been France’s alternative hit machine.

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Kamron Saniee

Euphoric Studies

11,99 €* 19,99 € -40%

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Euphoric Studies by Kamron Saniee ? SVS Records Svs017 Positivity. Lucidity. Velocity. In his second solo release, Kamron Saniee presents six animated studies of concentrated, rhythmic electronica – Euphoric Studies – in search of an “everyday euphoria” for the sunlit hours. The works are characterized by a playful yet incisive energy, harkening back to the exuberance of early 2000s post-techno experimentation. Bubbling synthesizer melodies and emergent textural grooves serve to guide listeners towards a lucid, stimulated state. Saniee acknowledges his classical influences on the track ‘Badinage’, in which a theme by Marin Marais played back on the violin is repurposed and diffused into a radiating sonic tapestry. On the 10-minute opus ‘Rhythm Force’, raining percussive elements and drifting, formant harmonies create a prolonged and invigorating environment. The use of overlapping meters in ‘Amnion’ creates a similarly buoyant energy.

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2LP | 2021 | EU | Original (A-Ton)

Bonking Berlin Bastards

LP | 2021 | EU | Original (Wake Dream)

Release: 2021 / EU – Original

Genre: Electronic & Dance, Soundtracks

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First released by Cazzo Film in 2001, ebo hill’s Bonking Berlin Bastards has long achieved the status of an underground punk porn classic. Like the Cazzo productions of director Bruce LaBruce, hill’s vision was both ahead of its time and a playful distillation of 90s and early-2000s Berlin Zeitgeist: queer, industrial, hypersexual, exhibitionist and fueled by electronic music. The story is told in large part by the soundtrack, to be released for the first time on Ostgut Ton sublabel A-ton. The music follows a group of squatters, punks and drag queens as they fuck, party and stumble their way through an empty city at the turn of the millennium. Approaching these themes more through location than plot, the film’s narrative freedom is also a narrative of freedom; between chance encounters and sex in public, atop the maze of roofs in the city’s former East, bent over bridges and moaning in ecstasy at oncoming traffic, pants down in telephone booths, packed into sex clubs, in the shadows of abandoned factories and techno clubs lost in time. Composed by improvisational techno trio AeoX and noise / industrial producer Rouage aka CNM (respectively), the music spans a broad range of appropriately pounding industrial, weird techno, noise, ultra-stoned ambient, improvised dub and electro. It’s a sonic spectrum that connects Berlin’s queer hardcore techno and squatter party scenes from which AeoX and Rouage emerged, drawing a direct line between the likes of Berghain-forerunner OstGut (a primary meeting point for the film’s cast & crew) to the more industrial, breakcore and noise- oriented independent party collectives and locations who provided multiple settings for the film, including Grüne Hölle and Stellwerk.

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Ruutu Poiss

Palav Aed

LP | 2021 | EU | Original (Quietelegance)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Wake Dream is proud to present Palav Aed, the first full length album by Amsterdam/Tallinn based Estonian musician Ruutu Poiss. Recorded over the course of seven years from 2012 to 2019 in various home studios in Ruutu Poiss’ home town Tallinn, the tracks on Palav Aed were all made revolving around the same equipment constellation, the album sounding as coherent as it sounds timeless. Having released several 7”s, 12”s and EPs on Levels, International Major Label, Rets Records and being featured on various compilations from Fasaan Rec. and Porridge Bullet, Ruutu Poiss defined a sonic universe of his own that is equally unique as it is familiar. Rich in influences and references, from ethereal harmonics and melodics that might be traced back to his background in choral music, to saturated synth funk and psychedelic futurism, Palav Aed is a document that encompasses the full range of Ruutu Poiss, a musician peacefully floating through leftfield electronics, experiments and sonic imaginations.

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Martin Georgi

Money From The Trunk

2LP | 2020 | EU | Original (FireScope)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Martin Georgi is not a newcomer. He is more like one of those who like to stay under the radar. The sample-based music producer made his debut in the deephouse sector on his own more than 10 years ago, completely without a label or distribution. In 2016, the Berlin record label OYE Records became aware of the hitherto unknown artist and finally re-released the tracks from his debut. Since then, his early tracks have been compared around the world with the early works of Moodyman or Theo Parrish. After more than 10 years and the maxi “9 to 5 is killing me” (2018), a second album is finally released on the underground label quietelegance records. Stylistically it ties in with the first work. “Money from the trunk” is the title of the new album and it includes socially critical issues such as class differences that are created by capital. Georgi plays with a large portion of irony and of course plenty of samples, which the passionate record digger skillfully processed into eight new songs. Georgi not only stands out from the conforming deep-house crowd with his raw, unconventional production style, but also ensures that old-school sampling continues to have its place in current club music. In doing so, he reacts to global music trends, which he incorporates into his tracks through the finest sample operations. So it is not surprising that his new album “Money from the trunk” has a rap song as title song, for which the renown artistic-activist rap duo Fokn Bois from Ghana is jointly responsible. Also on the list of prominent guests are Felipe Gordon from Colombia and Delfonic from Berlin as well as Cornelia Lund from fluctuating images. Roskow Kretschmann appears as co-producer, whose name is associated with many other well established musicians.

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Steven Rutter

Riddle Me Sane

2LP | 2021 | EU | Original (Kompakt)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Steven Rutter aka B12 is one of techno’s most influential artists, famed for many releases on the iconic Warp Records including "Electro-Soma" that defined what is now the deep techno genre. B12 was originally a duo before Steven Rutter took over the alias as a solo artist, but after a string of new releases on labels like Soma and Delsin, he decided to start producing under his own name. Deciding it was time to look to the future with a new lease on life, Steven Rutter kept his sound the same, but shed the skin of B12 to mark a new point in his musical career. Battling with personal demons, the B12 sound had become dark and introverted, and the Steven Rutter style keeps that same moody atmosphere, while adding upbeat rhythms and more jovial chord progressions without losing focus of the core sound that’s made his music so influential. In addition to a numerous EP, “Riddle Me Sane” is the third album Steven Rutter has done under his own name, and it's in the timeless B12 style that's adored by his fans in all four corners of the world. Cosmic melodies and sci-fi influenced textures with dystopian sound design, the thought provoking album paints pictures of alien landscapes, while its down tempo grooves also have the key elements needed for the dance floor. Comfortingly familiar for those who love the classic B12 style, it also marks a distinct turning point in the sound that Steven Rutter has been looking to focus on. Tracks like “Techno Prisoner” perfectly embody the style this release is aimed to purvey, but this masterpiece has been expertly programmed to play as a continuous piece of music rather than a selection of solo cuts.

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John Tejada

Year Of The Living Dead

28,99 €*

Nerve Bumps (A Queer Divine Disappointment)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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With his new album, Year Of The Living Dead, Vienna-born and LA-based producer John Tejada finds a blissful extended moment of balance between the new and the familiar. Anyone who’s followed his career to date, which has included four previous albums for Kompakt, outings for storied labels like Plug Research, Playhouse and Cocoon, and numerous remixes and collaborations – most recently, his Wajatta duo with actor and musician Reggie Watts – will immediately sense the warmth and eloquence that Tejada brings to his gilded, pliant techno and electro hybrids. But there’s more here, too; an explorer’s glimmer in the producer’s eye, as he gets to grips with new ways of working and being, while offering a reflective opening for the listener, something echoed in artwork by graphic designer and ‘contemplative artist’ David Grey. “The album was started using tools I was unfamiliar with, which became an interesting exploratory process,” Tejada says. “Staying away from the obvious and having to re-learn simple things was a fun challenge.” You can hear these new creative pulsions pushing the eight tracks on Year Of The Living Dead ever-forward; the album has an unique cast, and though there are trace elements of the genres Tejada has indulged previously, he’s never quite put them together this way before. There’s the dubwise glitter sprinkled across the moody opener “The Haunting Of Earth”, the kind caresses found amongst the deftly woven textures of “Sheltered”, and the churchy melancholy, all hymnal and golden, of “Echoes Of Life”. Year Of The Living Dead also speaks obliquely to its moment, though Tejada works this implicitly, allowing the strange circumstances of 2020 to cast their inevitable shadow without being obvious or didactic. “The production process began right before lockdown and continued through what felt like a very serious time for all of us,” he recalls. “Not being able to see or touch our loved ones made me feel we are all like ghosts. We can observe from a distance but cannot really be there. We are isolated and alone.” And yet, Year Of The Living Dead’s tenderness offers an out for that anxiety and loneliness, its intimate immensities gifting the album a redemptive and compassionate core. Compact and glistening, Year Of The Living Dead sculpts unassuming beauty.

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Dax Pierson

LP | 2021 | US | Original (Dark Entries)

2LP | 2020 | EU | Original (Firecracker)

Release: 2021 / US – Original

Genre: Electronic & Dance

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Dax Pierson’s debut solo LP is coming via San Francisco’s Electronic powerhouse imprint Dark Entries Records and Oakland’s Ratskin Records collective. Pierson, an Oakland-based underground legend, has pushed the boundaries of experimental electronic music with his soul-moving opus Nerve Bumps; A Queer Divine Dissatisfaction, an endeavor two long years in the making. On Nerve Bumps, Pierson blends hip hop, jazz, John Carpenter-esque arpeggios, trap/anti trap-influenced percussion, and musique concrete-informed experiments. Futuristic synthesizers cut through layers of fog as Pierson’s bombastic drum programming forges new worlds within themselves. Pierson tells a complicated and inspiring story on Nerve Bumps, which is both a privilege and a gift to experience. Tracks such as “I Slay The Pain” reiterate that although Pierson has to live his life as a quadriplegic, this does not define him as an artist or as a person. The cinematic “For The Angels” plays as a masterclass in heart and body-moving rhythms and undulating synthesizers. Pierson directly confronts the listener on “Snap”, an act of solidarity with the disabled community. Sputtering orchestral swells become encapsulated by splintering shards of Pierson’s voice, evoking his relentless determination to learn new music production methods as well as share his experience with losing certain physical abilities. The album’s closing track, “nthng FKS U Hrdr THN TM”, is a perfect distillation of the varied emotions explored on the album. Warm, heavy synths masterfully guide us down a psychedelic slope through the track’s twelve minutes. On Nerve Bumps, honesty, empathy, and humanity bleed through the speakers like a dark liquid just beneath the skin’s surface. For Pierson, music is his lifeblood, both as a creator and a listener. Nerve Bumps was mastered by George Horn at Fantasy Studios. The front cover features a painting of pink and green horizontal stripes by Pierson’s partner, artist Chuck Nanney. A photograph of Pierson’s wheelchair by Lenny Gonzalez graces the back sleeve. Dax’s guiding mantra throughout this journey has been a quote from choreographer Martha Graham: “No artist is pleased… There is only a queer divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others.”

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Being

Broxburn Funk

Secret Passage Black Vinyl Edition

Release: 2020 / EU – Original

Genre: Electronic & Dance

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being, then ... Locked in a 486 glow, lightblink machines nightlight, being enters lighttime limelight. The long nineties already distending, the Major midbloats, crowds throng superclubs- strobelit honeys on a podium in Ibiza already blasted a stratosphere away from mildewed badflats, emphysemic parlours, the fug of week old washing drying slowly on the rad. Ach we’ll hang it out in the morning fire another joint of badhash and turn that tape over. We are being Here. beings disconnected, shut ins, psychick worriers, long walks to and from clubs, mostly dark, always raining, or mizzling anyway, lug bigbrick machines into cabs and Venue, setup and playing live and right now from the lounge lobby at Sativa, down the stairs from the caustic, twitching thrashpit being sits, being works. Dole sludge, shirking class zeroes, scoff pizza rolls w salad cream, that headchef gaffer never reckoned you’d graft at the potwash, a slick fur of rotfood dish slop residue right to the elbow, absolutely bowfin. Rumours of other places, people, scenes, tapes sent and emissaries return, invites to get trains, overnightbus south to London. being brought water to the ‘wells in South London and monthly emissions snaked out into the world, into badflats elsewhere where gowched couch tatties sprawl and the being burrowed deep into memories.. Tea is toast and sandwich spread and endless crisps as the binbags pile high in the backyard, the being blinks, it’s a twilit morning and it’s time to go to bed. Produced by being, Edinburgh.

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Gavilan Rayna Russom

2LP | 2021 | US | Original (W.25th)

27,99 €*

LP | 2020 | EU | Original (Veleno Viola)

Release: 2021 / US – Original

Genre: Electronic & Dance

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Quideau & Yellow Yawn

86-88

The Suburbs Dream Of Bloodshed

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Quideau and Yellow Yawn are the pseudonyms used by Tingis for experimental and minimal proto-industrial projects, operating in Carrara (Tuscany) during the 80’s. Analog gear and tapes were largely used. Veleno Viola is proud to release for the first time on vinyl this obscure and forgotten material. Limitied to 100 copies – Yellow Vinyl

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The Marquis

LP | 2021 | EU | Original (Aufnahme + Wiedergabe)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Im Institut Für Strömungstechnik

Konstantin Unwohl

LP | 2021 | EU | Original (Aufnahme + Wiedergabe)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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LP | 2021 | EU | Original (Aufnahme + Wiedergabe)

Mala Herba

Demonologia

Release: 2021 / EU – Original

Genre: Electronic & Dance

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LP | 2021 | EU | Original (Unknown Precept)

Lostsoundbytes

Degenerate Brain

13,99 €*

LP | 2021 | EU | Original (Unguarded)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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It’s about time that our partner in crime Lostsoundbytes joined us for a ride. Kept on the back burner for a while, the debut album by the Belgium-based producer and Vastechoses label honcho couldn’t have come out at a more convenient time. Keeping with the madness that we all have buried within ourselves, Degenerate Brain sounds like it’s been recorded and corrupted by some artificial intelligence in the grips of mental disorder and paranoia. Frantically exhibiting a wide stylistic palette by means of irradiated kicks laid out on top of distressed electronic modulations; worn out electro bangers and slo-mo keepsakes from imaginary performances to crooked minimal wave ramblings led by a man-machine flying off the handle. A seemingly meaningless stroll orchestrated by a mind that has lost control over some data dump coming in hot — which may fry your brain unless you manage to pull yourself out before it’s too late.

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Sin Maldita

You're Trouble

LP | 2021 | EU | Original (Quindi)

Release: 2021 / EU – Original

Genre: Electronic & Dance, Pop

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“You’re trouble” is an avant-garde electronic pop album about questioning and locating a sense of self in a disorienting, breaking environment of dissolving certainity which grows increasingly chaotic, about dysmorphic dissatisfaction, becoming disillusioned and alienated. It seeks to juxtapose beauty, serenity and vigour with instability, ugliness, chaos and crisis, expressing itself fluidly without genre or otherwise boundaries. A kind of sinister, anxious but still forward-pushing and at times positive and hot-blooded empowering energy can be felt that wants to urge the listener not to give up but to try and take courage and take control of the troubles and fears in their life. The tone is sometimes reflective, sometimes confronting. The album navigates fairly abstract musical territory, cathartic abrasiveness, heavy and unrelenting sounds of post-club music and noise fused with stretches of pop music, never settling down or resting for long, constantly breaking up and re-assembling itself. Between chaos and form, it’s finding relief in imperfection and the in-between. As such the music is ambivalent and is equal parts some kind of crisis club music as well as introspective reflection.

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Cabaret Du Ciel

The Breath Of Infinity

15,19 €* 18,99 € -20%

LP | 2021 | EU | Original (Growing Bin)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Following the stellar trip through Woo’s Arcturian Corridor, Quindi Records continues to explore intimate, inviting sounds with an experimental bent by facilitating the return of overlooked Italian duo Cabaret du Ciel. Initially formed in 1986, Cabaret du Ciel’s debut album Skies In The Mirror was a low-key and extremely rare cassette release of spellbinding electro-acoustic ambient music created by Gian Luigi Morosin and Andrea Desiderà. A reissue on Hybride Sentimento in 2018 brought renewed attention to the startling music contained within this unique project. The Breath Of Infinity is an album comprised of new works recorded over the past year, either as new pieces or reworked from old ideas with the assistance of Giorgio Ricci.

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The Person

Tide Life

LP | 2020 | EU | Original (Ilian Tape Beat Series)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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After the heaviest of years, it should be time to take a little weight off with the playful sounds of The Person. Mapping its own Bermuda Triangle between dub-pop, sugary synthwave and Balearic boogie, ‘Tide Life’ transports Compass Point to Soggy Bottom, providing maximum fun, sun and bitmap escapism. The eagle-eared may recognise The Person from the aspirational Italo-rockers Steaming Jeans, whose chalet-ready romp on Bordello A Parigi scored a Winter Olympic gold back in early 2020. Now left to her own devices, Minna Wight swaps the slopes for a jet ski and takes a Wave Race from Summer Bay to Monkey Island across 11 cuts of vintage oddball pop. Whether she’s borrowing Brenda’s Beach Balls for the dubby daydream of ‘Snail Cafe’ and ‘The Place’, serving lost library cues to Snes club scenes on ‘Barry R Reef’ and ‘Elastic Shoes’ or spinning high school slow jams into synth soul ballads like ‘Nice Feeling’, Minna disguises serious musicianship behind a naive aesthetic. Disarmed by charm, we’re powerless to resist her tidal pull.

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Packed Rich

Ilian Beat Tape

17,09 €* 17,99 € -5%

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Tearing At The Edges Of All Restraint

Blacklight Chameleon

LP | 2021 | EU | Original (Nutriot)

27,99 €*

2LP | 1980 | EU | Reissue (Cortizona)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Blacklight Chameleon, a new moniker by Austrian producer Martin Riedler, presents a confusing or rather odd introduction with his new project on Nutriot Recordings. Riedler's music takes a stance halfway between studio production and live jam.

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Bernard Szajner

Some Deaths Take Forever

Groovez Magenta Vinyl Edition

Release: 1980 / EU – Reissue

Genre: Electronic & Dance

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First time vinyl reissue since the original 1980 version. Original remastered album plus second LP with unreleased extra tracks from 'Some Deaths Take Forever' recording sessions.

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Ducat

LP | 2020 | CA | Original (Tiger Blood Tapes)

Zones Of Significant Time

Release: 2020 / CA – Original

Genre: Electronic & Dance

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Tiger Blood Tapes proudly presents the 1st Hi-Res audio cassette release. Ducat’s debut album. Full of infectious grooves soaked in French House and Future Funk with a Vaporwave touch. Heavy features from Maitro, Lè Real, Wavelord & more! Includes 2 exclusive bonus tracks.

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Kareem

LP | 2021 | EU | Original (Zhark)

13,99 €*

2LP | 2020 | UK | Original (Hyperdub)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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‘Zones Of Significant Times’ fuses traditional Break beat Structures with suffocating sonic violence & darkness. 11 Gothinc-Industrial HIP HOP Instrumentals. Kareem, Founder of Zhark Recordings Berlin, has been presenting numerous vinyl releases in th eIndustrial Noise/Techno Spectrum. but has often explored Hip Hop terrain which lead to gloomy with artists such as Dälek, Shadowhuntaz, Audio 88, Paul St. Hilaire and Jaeda Glasgow (the Bonk)… Download code included…

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The Bug & Dis Fig

In Blue

31,99 €*

LP | 2020 | EU | Original (Dig)

Release: 2020 / UK – Original

Genre: Electronic & Dance

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The Bug aka Kevin Martin, and producer/vocalist Dis Fig aka Felicia Chen, refer to their style on `In Blue' as "Tunnel Sound"; a foggy, melancholic meltdown of narco-dancehall-soul and dread-drenched, electronic dub. The 2018 prototype rhythms for this album were a continuation of Martin's ongoing quest for a futuristic dancehall mutation, but more sci-fi, aquatic and smokey than before. An obsessive search for the right sultry 2AM voice to ride his syncopated walls of sub, fuzzed out white noise and infinite echoes eventually led him to Dis Fig's torched soul-jazz glow, and 20 months of subsequent lab exchanges have resulted in the deeply sensual pulsations and lyrical long shadows of `In Blue' - an album that shares shades of King Midas Sound's wrecked lovers rock, alongside the bass immersion that The Bug has become infamously known for. Just as Martin took a stylistic swerve on `In Blue', so did Chen. Previously known for experimental noise onslaughts and emotional exorcisms, she opts here for threatening intimacy and hushed confessionals, concentrating on bittersweet vocals and seductive surprises that are all the more potent for their inferred narratives and delicate delivery. Mixed during lockdown, the sense of claustrofear, escapism and tension throughout is palpable. With the bewitching croon of Dis Fig directing the flow, carnality and violence merge under the turbulent, cinematic surface of an hypnotically addictive album.

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Misha Sultan

The Red Fern Road

LP | 2020 | US | Original (Cornhub)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Misha Sultan is a professional musician multi-instumentalist and sound engineer with a wide background. He started making music over 20 years ago with his brother and neighbors in the heart of Siberia. Misha’s hometown Novosibirsk is located between Europe and Asia where lots of his inspiration came from. «The Red Fern Road» is a trip for years and for less than an hour at the same time. While listening to the album you’re going into the void of time and place. But the world that opens up to you when you listen to the music is such a beautiful universe that you want to stay there forever.

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C.O.R.N!

12,74 €* 16,99 € -25%

Cybercity Z-Ro Light Green Marbled Vinyl Edition

Release: 2020 / US – Original

Genre: Electronic & Dance

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C.O.R.N! is the debut album by Nick Acorne and Patrick Wurzwallner aka. C.O.R.N! Eclectic mixture of genres and styles. C.O.R.N! is unexpected, unbelievable, unpredictable and always groovy. C.O.R.N! is “Rick and Morty” in music.

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Cygnus

2LP | 2020 | EU | Original (Gentrified Underground)

LP | 2020 | EU | Original (Central Processing Unit)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Phillip Washington (aka Cygnus) is an electronic musician based Dallas, Texas and is making a name for himself since the early 2010’s with releases on Central Processing Unit, Breakin’ Records, Biosoft Records, Recondite and Icesea to name a few. Gentrified Underground is giving his first & sought after tape-longplayer “Cybercity Z-Ro” from 2012 a vinyl reissue and a total cover-art make-over by Walid El Barbir. These aquatic and futuristic compositions represent a seminal timestamp for Phillip’s discography and electro in general. Pressed on green-vinyl!

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Biochip

Crux Alley

13,99 €*

Black Wing (Dan Barrett of Have A Nice Life)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Montreal duo Biochip return to Central Processing Unit with their new LP Crux Alley. The pair of Melissa Speirs and Julian Kochanowski turned plenty of heads when they first rocked up on the Sheffield label back in 2019 with debut drop Synthase. Synthase found Biochip twisting up Braindance, IDM and electro to their own ends, and Crux Alley is an album which hits similar sonic sweet-spots.
It's clear from the off that Biochip have brought their A-game here. Opener 'Mind Bubbles' has no time for pleasantries, dropping the listener straight into a nocturnal IDM-electro groove where bass dances nervily around shadowy synth pads. 'Mind Bubbles' is followed-up 'Polymorphic State', a tune whose laser-gun synth-bass plumbs even more energy into the pair's Rephlex-indebted sound. It's a hugely arresting way to begin an album, and the bold sonics here align Crux Alley with recent CPU releases like Bit Folder's Silicon Frontier and Annie Hall's Fum.
Other tracks on Crux Alley ease up on the frenzied feel of those opening numbers. Take 'Orbital Rendezvous', a cut which is still full of zippy melodies and keening keyboards but whose contemplative strut recalls the legendary electronic music duo referenced in the track's title. There's also a distinct cyberpunk flavour to this track, and this is brought out further on the vivid 'Dopamine City' and 'Tower 13' - it is at these points where Biochip most resemble the work of fellow CPU act B12.
Biochip record their music straight from the mixing desk, an approach that gives their tracks a spontaneous energy and one which sometimes leads Speirs and Kochanowski into novel sonic terrain. Crux Alley's 'Antagonist Part 6', for instance, is a spiritual successor to Synthase's 'Acid Billy' in how the overload of electronics almost pushes it into industrial-techno territory. Furthermore, while most of the LP draws on the Detroit electro continuum of Drexciya, DJ Stingray et al, 'Neutral Current' obliquely recalls the jazz-tinged house of Theo Parrish - although the wobbling synth chords and reverb-laced drums make 'Neutral Current' sound more like an extra-terrestrial reimagining of the Motor City legend's music.
Biochip continue to mark themselves out as one of contemporary electro's most exciting new acts with the Crux Alley LP.
Riyl: Cygnus, B12, Annie Hall, Orbital, Silicon Scally

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No Moon

2LP | 2020 | US | Original (The Flenser)

32,99 €*

LP | 2020 | EU | Original (Gost Zvuk)

Release: 2020 / US – Original

Genre: Rock & Indie, Electronic & Dance

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Dan Barrett—the man behind Have A Nice Life, Giles Corey, and Enemies List Home Recordings—has unveiled his sophomore album as the electronic project Black Wing on The Flenser. No Moon is a gorgeous chillwave / post-punk record with nine bleak yet blissful songs and is a fitting close out to the year 2020. Written over the course of the last few years, with about half of the songs penned over the last six months (mostly due to pandemic “free time”), No Moon is a heart-wrenchingly honest outpour of emotion. Throughout the writing process, Barrett was having recurring dreams and felt a strange sense of timelessness—that, combined with quarantine is what he simply describes as “a weird experience.” Barrett explains, “Quarantine was profoundly isolating. With writing this record, more than anything I just wanted to prove to myself that I could make something out of it. That ended up being a lot of songs about feeling isolated, a lot of ‘trapped in my own head’ moments. I think that was a lot of people’s experience as well.” Barrett formed Black Wing in the mid-2010s as an opposite to his project Giles Corey; where Giles started as “only acoustic instruments allowed,” Black Wing started with only digital instruments. In 2015, Black Wing released its first proper full length, …Is Doomed, to great critical acclaim. Much like that album, No Moon bubbles with electronica and indie-pop with earworm melodies and affecting lyrics. But No Moon is a transitional change from Black Wing’s debut; the songs here are a bit more experimental and there’s a significantly wider emotional range to them. The lyrics are haunting and personal and resonate deeply with the listener. The nine new tracks on No Moon are gloomy yet glorious, heavy while ambient, overwhelming yet alluring, and offer an earnest and honest look into one’s self during such a troubling and confusing year—something everyone can relate to.

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Kassir

Brown White

Release: 2020 / EU – Original

Genre: Electronic & Dance

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LP | 2020 | EU | Original (Lustpoderosa)

Marlene Stark

Hyäne

15,99 €*

LP | 2020 | EU | Original (Waste Editions)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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This mini LP is an explicit message from Lustpoderosa’s sonic continuum. These 7 tracks show the deep connection of Marlene Starks’ work as a writer and an artist to her role as mother and DJ in times when there is an urgent need to dismantle the patriarchy in our society and rave culture. Marlene Stark is telling us much more than a great musical story with the symbolic title “Hyäne". Marlene wants to direct our attention to a reviled creature while she reflects on its literary and symbolic meanings. Although hyenas live in a matriarchal society, its transmutation can be perceived as the ongoing struggle of the non-male body in an androcentric world view. Marlene Starks reinterprets the figure of the hyena in a very poetic, self-ironical and honest way, as shown in the tracks ‘Hungry As a Hunter’, ‘Hyäne’ and ‘Language Of Old Woman’.

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Mynationshit

The Tycoon

LP | 2020 | EU | Original (Public Possession)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Here comes the fourth release by Almería-based electronica artist Mynationshit titled ‘The Tycoon’. This is another addition to the independent label ‘Waste Editions’, run by Mynationshit’s frontman Carlos Martín along with his brother Ale. This record highlights Martin’s latest musical touches. Its melancholic undertones juxtaposed with humble romanticism will inspire you. Indubitably, this Spanish artist’s distinguishable nature mixes elements of Electro, Dark Wave, Synth-Pop and Post-Punk. Picture Johnny Cash and Peter Murphy singing catchy tunes to each other while on a cosmic journey to an unknown planet where synths and prose accompany their melodies.

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Aksel & Aino

Lullabies For Submarines

18,99 €*

Release: 2020 / EU – Original

Genre: Electronic & Dance, Pop

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A download code is included. After having released their debut EP „Fading Pictures“ in 2019, we are proud to present Aksel & Aino’s first full length titled “Lullabies for Submarines”. The album is light & dark, mysterious & emotional and above all it is a grand tale of companionship. While celebrating the uncountable facets of human relationships with all the sadness that comes along naturally, the duet of Aksel’s instrumentations and Aino’s poetry always remains upbeat (positive) looking into a bright future, leaving us with the simplest, most sincere and best wish of them all: “I hope we grow old together somewhere inside this great adventure we use to call life.”

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3LP | 2020 | EU | Original (Figure)

Open Space Volume 1

40,99 €*

LP | 2020 | EU | Original (A Colourful Storm)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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In a year of global shift and continuous changes, Figure takes a leap of faith and extends its catalog by introducing a completely new compilation series to the label. The Open Space series will feature forward-thinking Electronica and Ambient from a well-curated list of seasoned producers. Compositions that invite to let the mind wander, weaving stories, and conjuring up emotions. While these softer genres have already played a respected role in former Figure releases, for the first time in the label’s history they are now being given the center stage.

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Christoph De Babalon

Recurring Horrors

Release: 2020 / EU – Original

Genre: Electronic & Dance

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LP | 2020 | EU | Original (Pacific City Discs / Discrepant)

Star Searchers

Avatar Blue 2

LP | 2020 | EU | Original (Thunder Touch)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Spencer Clark is back with the second volume of his futuristic eco-friendly record, Avatar Blue - It’s life on earth as you never heard it. The story goes like this: Spencer wanted to do a soundtrack for the yet to be made “Avatar 2”. And if you know Spencer’s work, you’ll know that he engaged on this mission reading material that influenced the rich and crazy imaginary world of “Avatar”. If you think about it a little bit, something like “Avatar” could have really come out from the mind of Spencer Clark.

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Vision

Album

Human Crash Black Vinyl Edition

Release: 2020 / EU – Original

Genre: Electronic & Dance

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After their debut single “Midnight Passion”, Vision releases a full-length album that will delight not only Eighties synth-pop lovers. The Switzerland-based producer duo put their hearts and passion into each of the nine meticulously arranged tracks. They comprise of various sub-styles of the genre and reflect the social and the political mood of the 80’s decade. The song themes range from the declaration of love by a trench-coated protagonist to a mysterious midnight lady to the tragedies of the Vietnam War and the division created by the Berlin Wall. Over in France, Vision celebrates the french culture in the romantic song “Chérie” set in Paris, featuring a german and french spoken verse style. And there is more to discover!

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IV Horsemen

LP | 2020 | EU | Original (Fleisch)

14,99 €*

Human Crash Red/Black Marble Vinyl Edition

Release: 2020 / EU – Original

Genre: Electronic & Dance

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IV Horsemen joins the Fleisch family with a six track EP of crushing distortions and metallic body fury, lashed with escalating unease as demonic vocals swirl through the grinding abyss.

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IV Horsemen

LP | 2020 | EU | Original (Fleisch)

15,99 €*

Acts Of Rebellion Black Vinyl Edition

Release: 2020 / EU – Original

Genre: Electronic & Dance

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IV Horsemen joins the Fleisch family with a six track EP of crushing distortions and metallic body fury, lashed with escalating unease as demonic vocals swirl through the grinding abyss.

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Ela Minus

LP | 2020 | Original (Domino)

Release: 2020 / Original

Genre: Electronic & Dance, Pop

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2LP | 2020 | US | Original (L.I.E.S.)

Ye Gods

Demah

24,64 €* 28,99 € -15%

Back To The Deep Water (Sharkive: 1981-1987)

Release: 2020 / US – Original

Genre: Electronic & Dance

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With prior releases on the legendary Den Hague label Bunker Records, Antoni Maiovvi now debuts on L.I.E.S. with his occult industrial electronics project, Ye Gods. Through two discs Maiovvi paints a grim sonic picture of a decaying world straddling the line of strange fiction, fokelore and ancient history. Apocalyptic and very appropriate for these modern times, this lp is unrelenting in its presentation of absolute heavy modern electronics...think gothic industrial electro-doomcore that doesn't let up.

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Basking Sharks

LP | 2020 | EU | Original (Mental Experience)

Release: 2020 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Basking Sharks are one of the unsung heroes of the original minimal / synth-pop / wave era. Formed in 1980 in the North of England, members Adrian Todd, Ged McPhail and Martyn Eames used an array of home-made electronic instruments plus customized second hand synths to provide unique sounds. On stage they always played “live” without the use of backing tracks. Their stage act included a slide show, films and computer visuals synced into the stage performance. Their music merged electronic pop with European influences and experimentation. During their existence, they toured extensively throughout the UK, did a session with John Peel and produced a single, an EP and an LP plus numerous videos, and live recordings. Here’s their first ever vinyl retrospective, including a selection of tracks from their sought-after album, “Shark Island” - originally released in 1983 – the complete “Diamond Age” / “Thrill Of The Game” singles plus fantastic previously unreleased recordings. Master tape sound and insert with detailed liner notes & rare photos. File under: electro-pulp-mega-pop-fizz-bang-boom-flip-crash

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Best Of New Generation Disco Hits Volume 2

LP | 2020 | EU | Original (New Generation Disco)

25,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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LP | 2020 | EU | Original (Osàre! Editions)

Free Range

Camry Horses

20,99 €*

2LP | 2020 | EU | Original (Kscope)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Free Range are back with their second outing for Osàre editions. ‘Camry Horses’ is a mesmerising dive into the brutal pop-tinged electronics of the duo, taking the mutant surrealism of their first release on the label a step further. Deliciously droning, Matt Weiner and Ernestas Sadau warp melancholic synth over a stomping-techno pulse in ‘Jet Lag is Calling.’ ‘Thunder God’ predicts transmogrifying weather patterns, while ‘Liquid Latex’ casts a touch of dominatrix energy, all powered by hypnotic dancefloor occultism.

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Tangerine Dream

Franz Kafka The Castle

40,99 €*

2LP | 2020 | EU | Original (L.I.E.S.)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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For the first time on vinyl.

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Teste

Graphic Depictions

23,99 €* 29,99 € -20%

Release: 2020 / EU – Original

Genre: Electronic & Dance

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The cult techno outfit "Teste" digs up and re-transmits sonic archives forming a new 2xlp for L.I.E.S. Full story below.....Artwork licensed from legendary NYC street photographer Richard Sandler in appropriate fashion....lp comes with a giant newsprint poster as well. Teste was still-born by the mid-90’s and with the ensuing Ptsd I had become a Shut IN working on the Amiga Computer for Audio and Video and completely immersed in grisly, depraved art-house cinema. This release pays homage to that time in NYC when I frequented Mondo Kims daily to rent the trashiest films I could find. Things like Richard Kern’s “Fingered”, Nick Zedds’s “They Eat Scum”, Makavejev “Sweet Movie”, Merhige “Begotten” all the classicks! The 42nd Street Mind forever! In retrospect I can’t believe they gave me a membership card! Wish I still had it! Micro Budget, Discontinued Formats. All of the tracks on this release are sourced from decaying tapes (vhs, 4-track, DAT, MD) some of which were encoded to early digital formats to add another layer of artefacts and grit. I can emphatically proclaim these ideas have taken three decades to come to fruition at my present Partner in Teste (Goner) Berlin Facility. One chapter closes and another unfolds! One day it’s 1992 playing absurd Teste gigs in a Sports Bar (Tailgate Charlie’s!) in scenic Hammer Onterrible opening up for Lil’ Ed and the Blues Imperials! You could just feel the love in that room! Referred to as the “Toilet Incident” by unsuspecting attendees. From that debacle another unfolded in an infamous “final” appearance at the Pure Party in Glasgow Barrowlands 1994 -which proved an unceremonious demise to the first incarnation of Teste… Details like most things from that era are foggy… No insta stories or tweets! Just instant cameras that didn’t always make it out of the rave! After the Teste fallout then embarking on another Techno adventure for an extended stint in NYC from ’95-97. This proved a pivotal time to say the least. Huren becoming a solo entity and the lasting shockwaves with Zhark which was a New York label in those days. Also in retrospect I can say I experienced the end of the NYC of old right when the “NO Dancing” by-laws were coming in. R.I.P Strange?, Sonic Groove (Manhattan),Liquid Sky/Temple, Save The Robots, Soundlab, Tunnel, Twilo, Limelight and others that slip the memory banks… All I knew of NYC when I got off that Greyhound the first time in Port Authority in 95 after an 11 hour drive was from movies. I thought the city was like what I had seen in Abel Ferrara films “Driller Killer”, “King of New York’ “Bad Lieutenant” or the Schoolly D, or Wu-Tang Clan videos! Turns out I wasn’t too far off in a way as this was the era of the Club Kids depravity. Upon reflection my formative clubbing years had an element of Crime in them as I’ve been in the proximity of two very well known serial killers. First in the 80’s when I attended a club Paul Bernardo used to Frequent in Ontario and later on the Limelight NYC with Michael Alig. Definitely casts a sinister tinge to some of the memories. Curious coincidence the party I performed at in NYC was called Killer… And I myself was almost murdered in 2012 but that’s another story…

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Die Mensch-Maschine German Version Translucent Red Vinyl Edition

LP | 1978 | UK | Reissue (Parlophone)

34,99 €*

Release: 1978 / UK – Reissue

Genre: Electronic & Dance

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Trans-Europe Express English Version Clear Vinyl Edition

LP | 1977 | EU | Reissue (Parlophone)

30,99 €*

Release: 1977 / EU – Reissue

Genre: Electronic & Dance

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Trans-Europa Express German Version Clear Vinyl Edition

LP | 1977 | UK | Reissue (Parlophone)

34,99 €*

Release: 1977 / UK – Reissue

Genre: Electronic & Dance

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Tour De France Translucent Blue & Red Vinyl Edition

2LP | 2003 | EU | Reissue (Parlophone)

38,99 €*

Release: 2003 / EU – Reissue

Genre: Electronic & Dance

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The Mix German Version White Vinyl Edition

2LP | 1991 | EU | Reissue (Parlophone)

46,99 €*

Release: 1991 / EU – Reissue

Genre: Electronic & Dance

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The Man-Machine English Version Translucent Red Vinyl Edition

LP | 1978 | EU | Reissue (Parlophone)

32,99 €*

Release: 1978 / EU – Reissue

Genre: Electronic & Dance

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Techno Pop German Version Clear Vinyl Edition

LP | 1986 | UK | Reissue (Parlophone)

36,99 €*

Release: 1986 / UK – Reissue

Genre: Electronic & Dance

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Computer World English Version Translucent Yellow Vinyl Edition

LP | 1981 | EU | Reissue (Parlophone)

30,99 €*

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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Autobahn Translucent Blue Vinyl Edition

LP | 1974 | UK | Reissue (Parlophone)

Release: 1974 / UK – Reissue

Genre: Electronic & Dance

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LP | 2020 | EU | Original (-ous)

Legowelt

Unconditional Contours

Marie Davidson & L'Oeil Nu

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Legowelt has been a key figure in the Dutch electronic music scene since the early nineties, steadily releasing timeless music that merges the pioneering sounds of Detroit and Chicago with idiosyncratic sci-fi fascinations. "Unconditional Contours" captures Legowelt's stint at the Swiss Museum for Electronic Music Instruments (smem), after he was invited to be the first artist in residence at the institution's "Playroom" project. Legowelt visited Smem in Fribourg, Switzerland, in early 2019 to explore the collection and record music. Possessing an extensive collection of synthesizers himself, he used hand-picked synthesizers from the museum's archive: the rare Farfisa Synthorchestra, the Evs-1 Evolution, the "shittiest rompler ever made", amongst many others. The 10-track album "Unconditional Contours" is both a probe into the vast collection of Smem, and a display of Legowelt's well established compositional qualities. Leaving ample space for new sounds to unfold, Legowelt invokes gentle trips, brooding excursions, bleep heavy soundscapes, and reimagined elements of dance music classicism. Smem and -ous are launching the "smem+ous" series to document the "Playroom" residencies. A limited edition of this album was already sent out to early supporters of the "Playroom". Founded in 2016 and based on a collection of more than 5000 synthesizers, organs, drum machines and effects that had been collected over a 35 year period by Klemens Niklaus Trenkle, Smem offers residencies, studio sessions, talks and workshops.

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Renegade Breakdown Black Vinyl Edition

2LP | 2020 | UK | Original (Ninja Tune)

26,99 €*

LP | 2020 | EU | Original (Delodio)

Release: 2020 / UK – Original

Genre: Electronic & Dance, Pop

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Sonically, Marie Davidson & L’Œil Nu’s Renegade Breakdown LP is noticeably different to previous Davidson releases. This is a record which largely eschews the wave music, house and techno influences that drove albums like Working Class Woman. Instead, Davidson and her bandmates Pierre Guerineau (Essaie Pas) and Asaël R. Robitaille (Bataille Solaire) draw heavily from styles like dream-pop, 60s chansons, jazz-tinged balladry and the stately rock style of David Bowie’s The Next Day to create an alluring set of leftfield pop for the twilight hours.

Even on the tracks where Renegade Breakdown comes close to Working Class Woman territory - the steady electro-disco stomp of the opening title-track, for instance, or Gary Numan-esque ‘C’est parce que j’m’en fous’ - the sound here is more slow-burning than its frenetic predecessor. On these cuts the group soften up the chunky Big Beat stomp of an act like Daft Punk with reflexive keys and vocals that reach more for !!! territory.

The connecting thread between Renegade Breakdown and Davidson’s other work is her arch lyricism and appetite for subversion. Few other artists would break the fourth wall with a line like “Oh by the way, there are no money makers on this record”, something Davidson does on the title-track. Throughout the album Davidson & L’Œil Nu never allow the listener to get too comfortable, meaning that, while Renegade Breakdown may sound luxurious, there is a playfulness about it which always keeps you on your toes.

Together they have produced an album of sleek, lush pop tracks which are elevated by Davidson’s trademark wit and wry lyrical content.

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Charlotte Leclerc

Bingo

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Endangered Species Volume 1

LP | 2020 | US | Original (Dark Entries)

LP | 2020 | EU | Original (Vrvn)

Release: 2020 / US – Original

Genre: Electronic & Dance, Pop

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In eleven years of deep digging, Dark Entries has uncovered many curiosities, lone exemplars of the scarsest breeds. They are lurking in Croatia, on the streets of New York, maybe in the back of your own dusty closet - these odd-ball Italo and synth-wave monsters are too rare to live, too divine to die. Once-lost creatures now have a home with Dark Entries’ new Endangered Species series. The inaugural edition features five specimens previously deemed extinct, only mentioned passingly in lore and speculation, but now safely preserved on vinyl. The first cut on Endangered Species Vol. 1 is the previously unreleased electro-New Wave gem “Munich” by John King, an artist best known for his work as one half of the Dust Brothers, lauded producers of the Beastie Boys’ legendary Paul’s Boutique. “Munich”, a Danceteria-ready cut produced in 1983, sheds some light on King’s earlier interests, bridging between freestyle and emotive synthpop. Next up is a rare demo version of The Actor’s “Picture 210”. The Dutch duo here channel both the minimalism of Kraftwerk and the Surrealism of Throbbing Gristle to create one of the finest teary-eyed Goth club anthems. Brazil is a synthpop band from Croatia, and they feature with their 1990 cover of Tears for Fears’ “Mad World”, which is sure to turn some heads on the dancefloor. The eerily faithful production belies Brazil’s re-working of the song’s lyrics. “L'Étranger (Ana Gharib)” by Jamal Khe follows, a pearl originally only available on an impossibly rare French 7” from 1983. Khe is from the Ain Beida region of Algeria, and his Arabic vocal melodies perfectly complement the propulsive percussion and airy arpeggios from producer Jacky Bourgogne. Closing the record is the previously unreleased “Abemus Mind” from Marzio Benellil’s project Nightless. Recorded in 1983, this moody, low-tempo Italo groover features Gregorian chant-inspired vocoders and jazzy piano courtesy of Benelli’s collaborator Marco Falagiani. All songs were mastered for vinyl by George Horn. The sleeve is the first in a series of endangered animal designs by Eloise Leigh, featuring the glam tiger in its natural, 1980’s habitat. Also included is an insert with lyrics, photos, and notes. Please assist us in our efforts to preserve this planet’s weirdest beasts.

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Verveine

Hotdrama

14,39 €* 17,99 € -20%

LP | 2020 | EU | Original (Perlon)

Release: 2020 / EU – Original

Genre: Electronic & Dance, Pop

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Verveine is a music project that began with Joell Nicolas (ch) as a composer,songwriter and vocalist. Her classical background (piano) together with a strong taste for the pop, electronic and avant-garde cultures have allowed her to build something we could name « pop of the extremes » with her machines and her voice. Her work asserts its own identity and centers around an aesthetic duality, shaped both by a cerebral quest for sensation and a more visceral quest for emotion. After a few years in Berlin and Brussels, where she gleaned her taste for sounds hybridizations, Hotdrama (vrvn records, Fav Art Publishing) is a her first studio album.

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Chris Korda

Apologize To The Future

2LP | 2020 | EU | Original (New State Music)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Welcome to another polymeter dance! Feel free to express yourself, subordinate to any measures and cycles you prefer, there are plenty for everyone and any purpose. Every track represents a variety of rhythmic possibilities for any part of the body to communicate with. This allows you to resonate with the universe, but please always care for the environment! The dunning voice of today will introduce to you the core issues of tomorrow. As if a paralyzed mankind would not be able anymore to speak out the inevitable, a posthuman being has taken over. This entity is the master of ceremony who conducts an array of machines that will take further action to communicate, supported by complex polymeters.

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The Beloved

Happiness