Electro Used Vinyl 84 Items

Record is slightly warped but still enjoyable.
Cover with a beginning seam split at the upper edge.

Cover with a slightly dented corner.

Vinyl is close to NM. Label cover.

Vinyl closer to VG+

Cover with a beginning seam split at the upper edge.
Record is slightly warped but still enjoyable.

white label copy is close to NM

Solid Yellow w/ Black Marbled vinyl

Record with just a few paper scuffs.

Record with just a few paper scuffs.
Includes sticker.

Record with just a few paper scuffs is close to VG+.

Picture Disc Edition.
Includes original inner sleeve with seam spits.

Stickered white label copy.

Cover close to NM

Cover with seam split.

Green vinyl. With bonus CD. Still in shrink, but opened, with hype sticker

White vinyl looks unplayed. Black vinyl with some light scuffs

Cover closer to NM.

Limited edition

Cover closer to NM. Vinyl with a couple of light scuffs

White vinyl seems unplayed. Label cover.

Still sealed. Tiny corner wear. Violet vinyl.

Still in shrink but opened with hype sticker. Vinyl is close to NM. Original inner sleeve. With insert. tiny corner wear

Note: INCOMPLETE!
Side A&B is missing.
Side C&S only.

Cover with very small damage on opening, otherwise NM. Still in shrink, but opened, with hype sticker

Still in shrink, but opened, with hype sticker

small sticker residue

Stickers on label sticker.

Landing on Delsin with a highly developed strain of emotionally inquisitive electro, Reedale Rise presents a new four-track EP which builds on his growing reputation for beautifully rendered headphone escapism. Since first appearing in 2015, Liverpool-based Simon Keat has released on such respected outlets as Frustrated Funk and 20:20 Vision, while last year he released This Beautiful Life, an LP for Assemble Music. From the twinkling melodic mystery of 'Littoral Zone' to the playful synth flourishes of 'Globular', 'Driftwood's plush, expressive layered lines to 'Artemia's deep-diving introspection, this latest release confirms Keat as a leader in the field of contemporary electro, delivering tracks with pristine production but crucially placing feeling as the priority ahead of the considerable technical finesse.

Cover corners slightly dented.

Still sealed with hype sticker. 2023 Record Store Day edition. Clear vinyl.

Blue Curacao vinyl

SISTERS return with some grinding modern wave music from Dead Husband and remixes from An-I (LIES), Papers and Klasse Wrecks Privacy.

Hungarian electro wizard, Norwell presents his first release on Lobster with his ‘New Physics EP’. 'Base-1' immediately launches into a space craft of sharp highs and warp-y drones before erupting into a fitting combination of punky synths and warm bass pads on ‘New Physics’. 'Paradox Logic' then kicks in with sparkling electro melodies ready for an immense explosion of deep and colourful drum patterns and sci-fi textures.

Limited edition 8" vinyl.

Vinyl close to NM

Ships in a generic sleeve with hype sticker.

Sealed copy.
Cover corners slightly dented.

Sealed copy.
Cover corners slightly dented.

Picture disc.

Cover with seam split.

Limited Edition.
180 g black DMM cut vinyl.
Includes postcards and poster.

This release is limited to 350 copies on 180 g black DMM cut vinyl in a high gloss gatefold sleeve with 3 postcards (signed), poster, and sticker. “Electric sound-waves that pulse through our sleep …and our dreams”. Quieter Than Spiders release their long-awaited debut album Signs of Life. The Chinese-Anglo band was formed in Shanghai in 2012 and has been quietly rising to prominence among the electronic music community with what the group self-styles as ‘Shanghai Synthpop’. Online music magazine The Electricity Club included Quieter Than Spiders in a list of their favourite new artists and described them as “What OMD would sound like if they formed in the 21st Century”. The album was recorded in both Shanghai and the UK and was mastered in Germany by Stefan Bornhorst (aka The Silicon Scientist). The group did not use a formal recording space which gave them the opportunity to experiment. “We used minimal equipment which gave us the opportunity to record songs in a variety of places. We even recorded parts in an old deserted Shanghai building earmarked for demolition, and in an overgrown tunnel that we found deep in the English countryside”.