Electro Used Vinyl 155 Items

Vinyl with a couple of light scuffs

test pressing with different handmade designed label stickers

Cover with beginning of seam split on top spine

Pink vinyl. Cover with beginning of seam split on bottom spine.

Label cover.

Yellow vinyl seems unplayed. Comes in coloured bag.

Label sleeve.

Writings on the labels! No insert! Record is close to VG+!

Big tear on the cover front!

Blue Translucent Vinyl.

Cover with seam split.
Includes original inner sleeves with seam splits
Records are close to VG+

Picture disc

Test pressing

Vinyl close to VG+

Cover with bumped corner. Vinyl with scuffs and hairlines

White labels. Test Pressing

White labels. Cover with light ring wear.

Blue & Yellow Translucent vinyl

Still in shrink but opened with hype sticker. tiny wear. Limited edition.

Still in shrink, but opened, with hype sticker

Neon Yellow vinyl.

Pink vinyl

Still in shrink, but opened, with hype sticker

Cover close to NM

Red vinyl. Cover with light spine wear.

Cover with very light creasing near the spine, overall closer to NM

Cover with a small tear on top spine. Still in shrink, but opened

close to NM

Slightly warped vinyl, but still enjoyable Cover with beginning of seam split on top spine

white label copy. Writing on label sticker.

Pink vinyl

Sticker on cover.

Label cover.

Sit down in your comfiest jawn, strap those noise-cancelling jawns on and prepare for those jawns in your eye sockets to tumble out your head when you hear this collection of thumping jawns whipped up by Philadelphia’s BPMF. One half of legendary electro duo Synapse with John Selway (who he co-runs the equally-esteemed Serotonin imprint with), BPMF has been churning out no-nonsense electro smangers and experimental techno since the early 90s. Currently he holds the title of Eastern Pennsylvania’s premier live-PA electro dad while also running his own label, Schmer. Various Jawns is exactly that; four varied jawns packed on one plate. ‘Tell Mommy Bye’ is an electro ripper in the true American lineage while ‘Trunq’ and ‘J’pn’ are lighter, more noodling affairs. This plate’s entrée, ‘House of Jawn’, is a fourteen-minute knob-twiddling trip through the twisted fever dream of a raver long past. Thankfully our esteemed producer has given us a respite from the beatdown about halfway through. Drop the needle there to start the adventure at the Lower House of Jawn if brevity is your thing, man.

Roger Van Lunteren is an artist of enviable experience. For more than two decades the dutchman has been developing and perfecting his sound. After his first steps on Heimelektro Ulm in 1999, Van Lunteren has shown his talents on labels like 030303, Diffuse Reality and Something Happening, Somewhere. It is this knowledge, and his musical craftsmanship, that Van Lunteren draws upon for his debut on FireScope: Future Wounds. The EP is a veritable universe of delights. At either ends of the galaxy you’ll find two takes of the same piece. The textured “Stop (Sync In)” opens. Satellite bleeps bob on a flotsam and jetsam of pads as strings soar above hedged claps. “Stop (Original) flows in a beatless ambience, heady yet light and ephemeral. Coquettish and playful, “Spätzünder” is an altogether different entity. Dancing between braindance and house, this jam has all the spontaneity of a live track with flourishes of the silken-funk of Chicago. Clouds gather for “IRF4.” Haunted modulations and reel scratches lurk before a slow rhythm lumbers forth. Stalking through a moonless sky, the track is chillingly atmospheric with an undeniable lo-fi groove. Drums stagger and swell in the sweetness of “Coinc.” Bright and dreamy, the track cherry-picks from a spread of influences and sounds and is emblematic of the EP. Future Wounds is a constellation of Roger Van Lunteren’s music. From cheerful and innocent to shadowy and subtle, this quintet is a cross-section of this artist’s abilities. Rich and infinitely varied, five tracks to explore and return to.

Curtis Electronix follows up on Cem3340 - Suburbs Disorder LP with a master from the Motor City. Dj Nasty aka Detroit's Filthiest is one of the original creators of the Ghettotech sound in the early 90's. 4 tracks made of dirty bass, soulful strings and hi speed 808 patterns. If you don't know what ghetto style is by now, he will break it down for you.