Electro Used Vinyl 109 Items

Copy closer to NM

test pressing with different handmade designed label stickers

Cover with beginning of seam split on top spine

Copy closer to NM

Label cover.

Record is close to VG+.

Blue Translucent Vinyl.

Cover with seam split.
Includes original inner sleeves with seam splits
Records are close to VG+

Vinyl close to VG+

White labels. Test Pressing

White labels. Cover with light ring wear.

Blue & Yellow Translucent vinyl

Still in shrink but opened with hype sticker. tiny wear. Limited edition.

Still in shrink, but opened, with hype sticker

Neon Yellow vinyl.

Cover close to NM

Slightly warped vinyl, but still enjoyable Cover with beginning of seam split on top spine

Roger Van Lunteren is an artist of enviable experience. For more than two decades the dutchman has been developing and perfecting his sound. After his first steps on Heimelektro Ulm in 1999, Van Lunteren has shown his talents on labels like 030303, Diffuse Reality and Something Happening, Somewhere. It is this knowledge, and his musical craftsmanship, that Van Lunteren draws upon for his debut on FireScope: Future Wounds. The EP is a veritable universe of delights. At either ends of the galaxy you’ll find two takes of the same piece. The textured “Stop (Sync In)” opens. Satellite bleeps bob on a flotsam and jetsam of pads as strings soar above hedged claps. “Stop (Original) flows in a beatless ambience, heady yet light and ephemeral. Coquettish and playful, “Spätzünder” is an altogether different entity. Dancing between braindance and house, this jam has all the spontaneity of a live track with flourishes of the silken-funk of Chicago. Clouds gather for “IRF4.” Haunted modulations and reel scratches lurk before a slow rhythm lumbers forth. Stalking through a moonless sky, the track is chillingly atmospheric with an undeniable lo-fi groove. Drums stagger and swell in the sweetness of “Coinc.” Bright and dreamy, the track cherry-picks from a spread of influences and sounds and is emblematic of the EP. Future Wounds is a constellation of Roger Van Lunteren’s music. From cheerful and innocent to shadowy and subtle, this quintet is a cross-section of this artist’s abilities. Rich and infinitely varied, five tracks to explore and return to.

Curtis Electronix follows up on Cem3340 - Suburbs Disorder LP with a master from the Motor City. Dj Nasty aka Detroit's Filthiest is one of the original creators of the Ghettotech sound in the early 90's. 4 tracks made of dirty bass, soulful strings and hi speed 808 patterns. If you don't know what ghetto style is by now, he will break it down for you.

Cryogenetic teleports us back in time with his DAT recordings.

Taking the baton from MW for the second volume of Casting Shadows we invite The Hague mainstay, Intergalactic Gary, to let us peep into his crate of secret gems. A true music archaeologist and one of the leading lights of the Netherlands’ West Coast scene for over 30 years, his knowledge spans across genres and decades. Opening proceedings on the A side, we go back to one of Andrea Benedetti’s acid classics – this time revisited at 33rpm, morphing it into a slow-burning dancefloor grinder. On the B-side, Italo disco duo GAG get a re-airing of their lost classic Flyin’ Bolero. Quad, the UK duo formed by Mark Carroll and Pete Diggens, closes the EP with a deep breakbeat excursion originally released on Kinetix.

Includes poster and sticker.

Ships in a label sleeve.

Following the release of Priori's 2019 full length 'On A Nimbus', Naff presents 5 reinterpretations by some of their favorite artists.

Adapta and Uexkull find themselves becoming affected by recurring nightmares and visions of strange alien beings including greys, blue doctors and bugs. Eventually they'll have to confront their frightening visions,.. real or not…

Vinyl closer to NM. Cover with seam split on spine, closer to VG+. Original inner sleeve with seam splits

Copy closer to NM. Cover with slightly bumped corner

Still in shrink, but opened

D'Arcangelo launched the AF catalog five years ago. It was not accidental. We cannot say that they return, because they never left.

Delsin turns its attention to the archives of one of the great early pioneers of Dutch techno - Eevo Lute Muzique. The label was founded in 1991 by Wladimir Manshanden and Stefan Robbers (who was already recording seminal early techno records as Terrace for Djax-Up-Beats). Channeling the inspiration of the Detroit originators and mixing it up with their own synth pop and new wave influences, Manshanden and Robbers (adopting the Florence alias) forged a bold aesthetic with Eevo Lute, both musically and visually. This was an early iteration of techno as listening music, with an emphasis on expression and narrative over dancefloor functionality, helped in no small part by Manshanden's striking poetry. This double set of remastered, reissued tracks gathers together the earliest Florence and Wladimir M. material, largely recorded between 1991 and 1994, across five discs - the definitive document of a treasured piece of Dutch techno history. Comes with inlay and liner notes by Oliver Warwick.

Raw Culture renews its love with France by carving it on the wax.
The Parisian Security Dj, honorary member of the Knick Knack Yoda squad, returns, after the success of "Fucking DJ", in collaboration with Sophia De Jong released on our t last VA, this time with two whole sides dedicated to his weirdness.
Resident of Rinse France, in his sound, converge endless cues from his musical research, expressed through his already proven skills as a producer in his infamous Aubervilliers Studios. Roughness and overwhelming grooves are his characteristic traits.
Within the EP a collaboration with his snack dude Rawmance, Parisian by birth, Italian by adoption, with whom he shares also the Drew C. Mance project.
Asymmetrical , boss of the label, did the role of Celine Dion in “Ramp Age” with his magic voice.
Finally, to complete the work, we have the pleasure to have in our infamous stables tha guy Cardopusher, who cooks his version of "domestic xs" with his unmistakable groove and sound that makes even the stones move from the ground.
The release as always will be available in a limited series of 300 hand stamped vinyl.

Cover has a small cut on the front-upper left corner, otherwise NM.

Close to VG+. Label cover.

Clear vinyl is close to NM. Lathe cut.

Stamped white label copy. Writing on label sticker.

Marbled Mint Green vinyl

White Vinyl.

Vinyl is very close to NM. With poster.