Electro Used Vinyl 170 Items

test pressing with different handmade designed label stickers

close to NM

Silk-screen printed cover.

Neon Yellow vinyl.

Delsin turns its attention to the archives of one of the great early pioneers of Dutch techno - Eevo Lute Muzique. The label was founded in 1991 by Wladimir Manshanden and Stefan Robbers (who was already recording seminal early techno records as Terrace for Djax-Up-Beats). Channeling the inspiration of the Detroit originators and mixing it up with their own synth pop and new wave influences, Manshanden and Robbers (adopting the Florence alias) forged a bold aesthetic with Eevo Lute, both musically and visually. This was an early iteration of techno as listening music, with an emphasis on expression and narrative over dancefloor functionality, helped in no small part by Manshanden's striking poetry. This double set of remastered, reissued tracks gathers together the earliest Florence and Wladimir M. material, largely recorded between 1991 and 1994, across five discs - the definitive document of a treasured piece of Dutch techno history. Comes with inlay and liner notes by Oliver Warwick.

Label cover.

Vinyl closer to NM. Cover with seam split on spine, closer to VG+. Original inner sleeve with seam splits

Blue & Yellow Translucent vinyl

Sealed copy.
Cover corners slightly dented.

Still in shrink, but opened, with hype sticker

Multi colored vinyl.

Number 2 of this 4 piece exclusive 12-inch series.

Record and sleeve are close to NM.

Taking the baton from MW for the second volume of Casting Shadows we invite The Hague mainstay, Intergalactic Gary, to let us peep into his crate of secret gems. A true music archaeologist and one of the leading lights of the Netherlands’ West Coast scene for over 30 years, his knowledge spans across genres and decades. Opening proceedings on the A side, we go back to one of Andrea Benedetti’s acid classics – this time revisited at 33rpm, morphing it into a slow-burning dancefloor grinder. On the B-side, Italo disco duo GAG get a re-airing of their lost classic Flyin’ Bolero. Quad, the UK duo formed by Mark Carroll and Pete Diggens, closes the EP with a deep breakbeat excursion originally released on Kinetix.

Vinyl with a couple of light scuffs

Still in shrink but opened with hype sticker. Numbered copy. Clear vinyl seems unplayed. Tiny corner wear. Limited edition.

Vinyl is Close to VG+

Clear vinyl.

Clear vinyl.
Cover with a beginning seam split at the upper edge.

Blue Translucent Vinyl.

Cover with seam split.
Includes original inner sleeves with seam splits
Records are close to VG+

Still sealed. 2022 reissue.

Vinyl close to near mint. Cover has 3 stickers on the back.

White vinyl seems unplayed. Label cover.

Vinyl close to NM

White vinyl looks unplayed. Black vinyl with some light scuffs

Sealed copy!

Raw Culture renews its love with France by carving it on the wax.
The Parisian Security Dj, honorary member of the Knick Knack Yoda squad, returns, after the success of "Fucking DJ", in collaboration with Sophia De Jong released on our t last VA, this time with two whole sides dedicated to his weirdness.
Resident of Rinse France, in his sound, converge endless cues from his musical research, expressed through his already proven skills as a producer in his infamous Aubervilliers Studios. Roughness and overwhelming grooves are his characteristic traits.
Within the EP a collaboration with his snack dude Rawmance, Parisian by birth, Italian by adoption, with whom he shares also the Drew C. Mance project.
Asymmetrical , boss of the label, did the role of Celine Dion in “Ramp Age” with his magic voice.
Finally, to complete the work, we have the pleasure to have in our infamous stables tha guy Cardopusher, who cooks his version of "domestic xs" with his unmistakable groove and sound that makes even the stones move from the ground.
The release as always will be available in a limited series of 300 hand stamped vinyl.

close to NM

close to NM

Roger Van Lunteren is an artist of enviable experience. For more than two decades the dutchman has been developing and perfecting his sound. After his first steps on Heimelektro Ulm in 1999, Van Lunteren has shown his talents on labels like 030303, Diffuse Reality and Something Happening, Somewhere. It is this knowledge, and his musical craftsmanship, that Van Lunteren draws upon for his debut on FireScope: Future Wounds. The EP is a veritable universe of delights. At either ends of the galaxy you’ll find two takes of the same piece. The textured “Stop (Sync In)” opens. Satellite bleeps bob on a flotsam and jetsam of pads as strings soar above hedged claps. “Stop (Original) flows in a beatless ambience, heady yet light and ephemeral. Coquettish and playful, “Spätzünder” is an altogether different entity. Dancing between braindance and house, this jam has all the spontaneity of a live track with flourishes of the silken-funk of Chicago. Clouds gather for “IRF4.” Haunted modulations and reel scratches lurk before a slow rhythm lumbers forth. Stalking through a moonless sky, the track is chillingly atmospheric with an undeniable lo-fi groove. Drums stagger and swell in the sweetness of “Coinc.” Bright and dreamy, the track cherry-picks from a spread of influences and sounds and is emblematic of the EP. Future Wounds is a constellation of Roger Van Lunteren’s music. From cheerful and innocent to shadowy and subtle, this quintet is a cross-section of this artist’s abilities. Rich and infinitely varied, five tracks to explore and return to.