Electro Used Vinyl 159 Items

White vinyl. Copy n° 2540

Yellow vinyl! Sealed copy!

Cover with very light creasing near the spine, overall closer to NM

Copy closer to NM. Cover with slightly bumped corner

Red vinyl. Cover with light spine wear.

Still in shrink, but opened, with hype sticker

Blue & Yellow Translucent vinyl

Neon Yellow vinyl.

Pink vinyl

close to NM. Limited edition

White labels. Cover with light ring wear.

Pink vinyl

Cover is missing.

Still in shrink but opened with hype sticker. tiny wear. Limited edition.

Cover close to NM

Vinyl close to NM. Still in shrink, but opened

Silver grey vinyl

Pink vinyl. Cover with beginning of seam split on bottom spine.

White vinyl seems unplayed. Tiny wear. Limited edition.

With bonus CD

Test pressing

White labels. Test Pressing

Still in shrink, but opened, with hype sticker

Vinyl is very close to NM. With poster.

test pressing with different handmade designed label stickers

Vinyl close to VG+

Sealed copy.
Cover corners slightly dented.

Sealed copy.
Cover corners slightly dented.

Yellow vinyl seems unplayed. Comes in coloured bag.

Delsin turns its attention to the archives of one of the great early pioneers of Dutch techno - Eevo Lute Muzique. The label was founded in 1991 by Wladimir Manshanden and Stefan Robbers (who was already recording seminal early techno records as Terrace for Djax-Up-Beats). Channeling the inspiration of the Detroit originators and mixing it up with their own synth pop and new wave influences, Manshanden and Robbers (adopting the Florence alias) forged a bold aesthetic with Eevo Lute, both musically and visually. This was an early iteration of techno as listening music, with an emphasis on expression and narrative over dancefloor functionality, helped in no small part by Manshanden's striking poetry. This double set of remastered, reissued tracks gathers together the earliest Florence and Wladimir M. material, largely recorded between 1991 and 1994, across five discs - the definitive document of a treasured piece of Dutch techno history. Comes with inlay and liner notes by Oliver Warwick.

Roger Van Lunteren is an artist of enviable experience. For more than two decades the dutchman has been developing and perfecting his sound. After his first steps on Heimelektro Ulm in 1999, Van Lunteren has shown his talents on labels like 030303, Diffuse Reality and Something Happening, Somewhere. It is this knowledge, and his musical craftsmanship, that Van Lunteren draws upon for his debut on FireScope: Future Wounds. The EP is a veritable universe of delights. At either ends of the galaxy you’ll find two takes of the same piece. The textured “Stop (Sync In)” opens. Satellite bleeps bob on a flotsam and jetsam of pads as strings soar above hedged claps. “Stop (Original) flows in a beatless ambience, heady yet light and ephemeral. Coquettish and playful, “Spätzünder” is an altogether different entity. Dancing between braindance and house, this jam has all the spontaneity of a live track with flourishes of the silken-funk of Chicago. Clouds gather for “IRF4.” Haunted modulations and reel scratches lurk before a slow rhythm lumbers forth. Stalking through a moonless sky, the track is chillingly atmospheric with an undeniable lo-fi groove. Drums stagger and swell in the sweetness of “Coinc.” Bright and dreamy, the track cherry-picks from a spread of influences and sounds and is emblematic of the EP. Future Wounds is a constellation of Roger Van Lunteren’s music. From cheerful and innocent to shadowy and subtle, this quintet is a cross-section of this artist’s abilities. Rich and infinitely varied, five tracks to explore and return to.