Dubstep 135 Items

There's astonishing depth contained within Nomine's music. His debut for Tempa took dubstep into altogether more tropical territories. Tis three-track follow up continues his progressive trend.

Echo-drenched melodies drift like a distant brass chorus, sub-bass as soft and powerful as an ocean current, and turbulent, continually shifting percussion abound across 'Nomine's War'.

On the back of their debut release, Subtle Recordings is at it once again bringing some heavy weight from the shores of New Zealand with bad man Ebb taking the reins. As always, exquisitely imprinted ‘no holds barred’ by the masterful Optimal Media in a full art sleeve, 180 grams, vinyl only, no-repress recording. Standing strong as another pillar of foundation to the future sound of bass music.

Kromestar vs. Ironsoul Pt. II. Heated dubstep and grime bangers from one of the pioneers of both dubstep and grime.

Stepping out of the dojo with sublime focus - DJ Youngsta's subsequent addition to the Sentry discography unveils its sound system technique in abundant grandeur. Supported by the likes of UKF and Disciple Recordings, the achievements and long-standing dedication to the bass music scene of the London-based artist speak for itself. Now taking charge of the controls, The Others materializes two irreproachable cuts of undiluted Dubstep for the imprint's tenth single outing, bringing forth an exceptional display of the artist's creative ingenuity as well as technical ability, that perfectly falls in line with the label's vision and acclaimed discography.

The syndicate manifests its sonic potential in full glory. Giving rise to this collection of colossal heavyweights, Sentry demonstrates its spotless record of selecting certified heavyweights for the discography once again, twenty-fold. Stepping into the ring are some of the scene's most prolific artists alongside a plethora of promising, choice newcomers.

As an undisputed heavyweight and one of the leading figures within the electronic music scene, Icicle's recognized as a highly respected producer - among other ventures through steaming releases via Hospital Records, Critical Music and Shogun Audio. Propelling his technically advanced production style into the 140 BPM spectrum, it's a sight to behold as DJ Youngsta reveals the next ace up his sleeve. The UK-based veteran conveys his awe-inspiring take on Dubstep with four tracks on a twelve-inch platter - vehemently battle-tested as a dubplate and ready to off at a dance floor near you.

Available digitally and on limited chrome cassettes (with digital download code), we are releasing a series of albums and EP’s from talented and promising artists. Expect all facets of instrumental hip-hop, future beats and electronic beat music….

Good Paul has been searching for that right sound ever since his career started. Never confining to only one genre or branch of music, he has been looking in various genres, but especially in the gray area between hip-hop and house, drum and bass and dub-step, always being attracted by soulful emotion with bass and broken beats. In these last 14 years he was unable to find that one special sound. This EP, however, is his solution for this neverending search.

In his own words:
“To live well we need to learn and know about a lot of different things. Draw your plans in an attempt to consciously create the future. It turns out that often the decisive moments in our life are found. I have never sought music by artists or genres, but instead, I am just trying to find music that gets to me in terms of emotion.
I hope there will be people who find the music from this EP, because that music found me.”
The artwork was created by Mateusz Kolek, who is known for his playful, psychedelic and dreamlike illustrations, heavily influenced by Soviet science fiction flicks and Japanese anime’s.

Bio:
Good Paul from Krakow, Poland, has spent already 14 years behind the decks and is well known for his musical selection and technical skill. Being a Red Bull Music Academy alumni (Toronto, 2007) and lecturer (Warsaw, 2012), he self-released a free EP entitled „One More Time“ and has been remixing various projects in the advanced futuristic music scene in Poland, in particular for U Know Me Records from Warsaw.

Project: Mooncircle & Finest Ego have teamed up to establish a fresh new 12” producer series, entitled “Faces”. On every edition, you will find two different producers. Respectively, each producer will have their own record-side and unique cover artwork by the aspring LNY, known for his surrealistic portraits, blending humans and animals.

Going to be released upcoming February, the second edition of our “Faces“ series will exhibit works by the two extraordinary producers Daisuke Tanabe and Mike Gao. Again, coming from very distinct biographical backgrounds – despite their obvious Asian descent – the two are connected through their artistic excellence and uncompromising musical creations and visions. In symbiosis with these nocturnal flying mammals they use their ultra-precise sonic waves to navigate imperturbably through dark nights, leaving their prey with no chance of escape.

Limited 12” vinyl for serious collectors, DJ’s and record addicts only!

Mike Gao is a music technology researcher, holds a Masters degree in Music Technology at Stanford and is pursuing his PhD in Electrical Engineering at UCSD. After a career as underground Hip Hop and Scratch DJ in Chicago (working with such names as Qwel, Mestizo and Luckyiam) he began partaking and winning in numerous beat battles, Low End Theory being the most prominent one, which makes him one of the best kept secrets in the Los Angeles beat scene. He released music on labels such as All City with Tokimonsta, Galapagos4, Project: Mooncircle and many more…

Tokyo resident Daisuke Tanabe, a former art student who also lived in London for a while, developed from his techno/breakbeat background into a very unique sound between Hip Hop, Electronica, Folk and Jazz. He released music on labels such as Ninja Tune, BBE, Project: Mooncircle and Brownswood Recordings, performed with Zero DB and remixed artists like Elan Mehler and Aaron Jerome.

LNY is an artist living and working between New Jersey and New York. He makes art that is drawing based, social and open to the public in general; hence his drawings can be found pasted on buildings all over the world as well as in galleries and on 16-year-old kids’ tumblrs all over the internet. He is one half of Doodledrag, a New Jersey based doodling collective and always welcomes collaboration.

Limited edition of 300!

Clearlight brings his wonderfully tripped out production wizardry to Foundation Audio for a 3 track journey into the void! Clearlight has always stood out from the crowd and pushed boundaries with his unique take on the genre. It sounds like dubstep swallowed a bottle of LSD… or smoked some DMT… There’s no point going into detailed track summary as it won’t do the music justice, - just sit back, spark one up and get sucked into another dimension.

This is a big release for Tectonic as label boss Pinch combines forces with Kahn to produce two killer rhythm tracks that meld deepness with futuristic dancehall powers. Normally this would be plenty to get excited about anyway - but if you then add the vocal talents of Killa P, Irah & Long Range - aka ‘Killa’s Army’ - there is even more reason! Dubstep meets grime meets dancehall, while Bristol meets Brixton.

Trusik travels eastward again to meet Back to Chill mainstay HELKTRAM whose technoid dubstep constructions have been operating under the radar with just two releases from Banana Stand Sound and Encrypted Audio back in 2016. That is until now.

Following on from the success of HOTPLATES001, featuring Germany’s OTZ, comes the boutique Portsmouth-based label’s second release – from noted Bristol producer Theo Bennett, aka Sepia.

Stickers on label sticker.

We are super stoked to welcome back 3WA aka The Portuguese Serial Killer aka The Christiano Ronaldo of Dubstep for another fire release on Foundation Audio (this time around getting the vinyl treatment)! Pedro has got many tricks up his sleeves. Here are 4 of his finest. Make no mistake he will nutmeg you, dribble around you, Ronaldo chop past you and handball the finest goal without the ref seeing (and he’ll make it look easyyyy)… What’s more to say? The guys a wizard and makes some of the most interesting music in the Dubstep scene. Get to know if you don’t already.

A compilation of Grime and Dubstep music that was originally released between 2018 and 2021 from some of the artists on White Peach.

"Rare, super limited 003 from Saturate! Records 7'' single series, featuring the bigger than life artists heRobust from Atlanta and Pixelord from Moscow. Silky and crunchy."

"Rare, super limited 005 from Saturate! Records 7'' single series, featuring the now defunct Naive Machine and Krsur with some smooth hyper colored Garage and Footwork vibes, I don't want to say this but Calling Me has that James Blake feel. It's better, with the swing and even more uptempo."

A statement that is well suitable for the next release on Hamburg’s most underground vinyl imprint Intrauterin Recordings which already has been on the scene since 1999. Led by a vocal sample of the labels mastermind baze.djunkiii this limited to 120 copies 7″ whitelabel single does not only provide a unique and creative take on bass music - especially Grime, Dubstep and Breaks as well as some echoes of early Jungle / Breakbeats - but also proves how long term relationships in the music industry finally fall into place to create musical results as the Combat Dubs project is formed in between Intrauterin Recordings-founder baze.djunkiii and the multi-active producer Sascha Müller who’s also been responsible for the labels’ cat.no. 005 way back in 2005.

None less than the infamous ILL_K is making his much anticipated return to Subaltern with a full EP on the imprint, accompanied by fellow producers Chad Dubz and Koobas.

Zygos has been non-stop killing it for a good few years now. Every dub he churns out is a madness and he is constantly pushing and evolving his sound for the better. We couldn't be happier to get the man himself back for his third release and second wax outing on the label. His signature techno / industrial influenced sound runs throughout the EP from the twists and turns of Rotation to the deep dark sound designs of Sick as a Dog. Big ups Georgio on this wikid wikid plate.

Navy Cut welcome Surreal to the label for his inaugural release! Hailing from Yorkshire, the no-nonsense producer and DJ caught our attention with his production skill and attention to detail. “Somnipath” driven by a dark 808 bass that progresses into an Eastern melodic atmosphere. On the flip side “Don’t Fall Asleep” is intense bass pressure with thick drums and even thicker vibes.

Okinawan talent City1 has been making some serious moves with his unique dark productions as of late and we are honoured to welcome him to the Subaltern family.

Here's a little story about this release on my label Dubs Galore: "When Muttley sent me this tune I though to myself: "Wow what a nice classic from the golden Dubstep Era", so I asked him when this was released - assuming it was, and he said it never was released. I immediately signed it, knowing it's such a great and timeless tune. I asked Quasar for a remix and here we are now, Dubs Galore 005 coming in STRONG!"

Manta, this release made itself. Crow sample, swampier than the everglades and swing! Manta is a man crafting some of the most off kilter sounds we have heard and these tracks go a touch of the way to show the mans class! Control of the uncontrolled.

Straight out of one of the UK’s most innovative bass music hotspots, Bristol, two of the scenes fastest rising stars Glume and Phossa join the Subaltern roster with their massive debut split EP.

Khanum joins the small but already acquainted Dubs Galore family with 2 soundsystem hitters.

Bukez Finezt VIP's his already incredible Headache into a bonafied skanker that's just begging for a reload everywhere it'll drop. He gives the Headache rhythm such a treatment. Adding layers and layers of dubwise sounds only to switch back into that originial flow we all know and love. One of Bukez Finezt's most anticipated tracks of the moment. Next Level is literally the next level after Subway Recordings quit doing releases.

Rua Sound is pleased to announce we are back in action with our first release of 2019, and a welcome return to the label of Touchy Subject.
Fast becoming one of the go-to producers for rootsier takes on up-tempo 160-170 bass music, his second four-track 12" on Rua ups the ambition and knocks it so far out of the park it's broken windows in the next parish across.
The General EP veers wildly between neurofunk-but-actually-funky takes on dusty 90's boom-bapàla DJ Shadow on "Shudder" and 'Turnt Up', cavernous soundsystem workouts on "Seek and Find", and febrile halftime (just) jungle (barely) masterpiece in the shape of "General". Goosebumps. This is soundsystem music par excellence; cerebral, heady, and rousing - suffice to say we reckon it's sicker than the plane to Lourdes.
We apologise profusely to those of you whose resolutions for 2019 involved losing weight, but this is one of our fattest releases yet so you'd better go get them bassbins rumbling instead.

Originally produced exclusively for the Japanese domestic market. All six tracks in their full length versions, totalling 50 minutes of music not previously available on CD, packaged in full size jewel case with Japanese obi-strip overlay.

After the start of his Dubs Galore family with 3 massive releases from Hebbe (003), Khanum (004) and Muttley & Quasar (005), label boss Von D returns to his own imprint to introduce 2 very special remixes of 2 already mind-boggling originals.

Side A comes courtesy of Bristol resident Phaeleh. Opening as a straightforward digital steppas, the master of cinematic atmosphere flawlessly integrates Dubkasm’s live instrumentation and his own electronics to reimagine ‘Missao’ as a richly detailed futuristic odyssey while staying true to the tune’s roots style. Crisp handclaps replace the snares of the original, and cellos soar, as the piece layers and evolves with timbale fills and syndrum-like risers, before a monumental sub-bass kicks in.

The latest on Ilian Tape's ITX Series is this fresh dub haywiring from UK producer Mantra, one half of the UK label and events series Rupture. Following a superbly lo-fi, blue-tinted deep dubstep and garage mix offered to the label less than a year ago, she here returns to the fore with four fantastic new ones tailored for both systems and system heads. Highlights among the bunch include the dizzying, breaksy loss of sonic motor control that is 'Shackout' and the nighttimey, post-dark-garage 4x4 hardcore number 'Stomping Ground'. Closer 'Burn & Heal' rounds the whole thing out on a maximally intense jump-up jungle mastication.

This tape contains a recording of a live of Nplgnn recorded at Human Razzmatazz (Barcelona) on March 2023.Everything you hear it comes from two Korg Electribe Emx1 +Pioneer Djm900 NXS + Traktor.

To describe the sound it makes sense to bring back what was thepress release of “Sigma/Tau” the first record of Nplgnn releasedin 2014 on Where To Now? (rip): “Nplgnn creates a less pampered style of body music, stripping away the usual signifiers such as melodies and basslines to create something more utilitarian, brutal and pure.

This is the pre-babel language of dance music - it's cadences are rhythmic and its meaning is comprehensible to all on an innate, primal level.”Ten years later this tape makes those words still remarkable to describe the sound of the Neapolitan head. Among a bunch of unreleased sounds you can go through all the Nplgnn recent records for LavaLava, Youth, Hundebiss and its own lathe cuts series dubbed here and there with vocal cuts intersections.

Coming off like the rude son of early ‘00s breakcore heroes, quotingthe Manchester Boomy heads, Nplgnn delivers a 45 mins mutant soundsystem recording. It's acid dancehall punk, amorphed ragga riddimz, or whatever you want to call it. 100% dancefloor melting .Ask Aphex Twin for a couple of IDs.

A compilation of Grime and Dubstep music that was originally released between 2017 and 2018 from some of the artists on White Peach.

South West England is a fertile ground when it comes to producing seafarers and dub makers. Bishop completes a hat-trick of releases from the region, with a brace of tunes that bring the unrelenting pressure of the deep to the ears of surface dwellers.

Dub De Société brings dubstep’s reggae origins to the forefront; an atmospheric production underpinned with a hulking baseline. Flutes of Bhutan goes deeper. Bishop combines a flute sample from the summit of the world with relentless kicks from its base. The result is a sound that is both alien and unnerving, yet incites an intense fervour in those that hear it.

Few names shine as brightly in the cosmology of dubwise bass music as that of V.I.V.E.K. From releasing absolutely ground-breaking tracks for the better part of 20 years primarily on his own System and Vivek imprints, to curating and hosting his legendary System nights, to bringing so much rising talent to light, it’s honestly difficult to imagine the last two decades of UK and global sound system music without him.

For ZamZam 96 V.I.V.E.K went straight to the bedrock of sound system music and delivered a power-stepper of galactic proportions.

Spooky has long been one of the hardest working soundmen in East London. At any given time you can see him streaming sets on Insta, blasting out tunes, and being the OG cat he always has been, with a reverence for the roots of Dub, from the Jamaican roots to US Garage and back to his backyard via his Grime/Dubstep/UKG cuts, which are always full of raw depth and swing.

This is why it was more a matter of what to fit on his first EP on LoDubs, given when the conversation was started about RAS Riddims a whole deluge of tracks came our way. Clarty Steppers is not only 6 of the best of those, but 2 bonus tracks in the accompanying DL, and the option to get those 2, and a extra VIP of one of those tunes which will only ever be available via the companion Poly Cut of this release.

A veteran producer (Who prefers to separate this incarnation from past works) working within many disciplines in sound, Silent Cubes demonstrates a particular skill in atmospherics and mood in their productions, creating three tracks of original UKG driven sound that speak in a dialect as familiar to the progeny and brethren of Clubroot, Sorrow, and Congi as that of Chez Damier, Mr Fingers, and Ron Trent. An exercise in deepness, Draped in the framework and immediacy of Garage.

Showing how evocatively these elements can be transformed is MOY, himself straddling a line between classic IDM, Old Skool, and Acid, and with releases on Analogical Force, Vinyl Fanatiks (AmenTec), and a slew of others. MOY comes forward with a hybridized remix of “The Stream”, which really is in a class of its own and closes outside B.

“Sound And Motion”. Presented as a 4-track vinyl EP, in a numbered/limited edition, and bundled with access to 2 exclusive Poly Cut/Digital tracks, only ever available via the access provided through ownership of this record.