Dubstep 78 Items

Side A comes courtesy of Bristol resident Phaeleh. Opening as a straightforward digital steppas, the master of cinematic atmosphere flawlessly integrates Dubkasm’s live instrumentation and his own electronics to reimagine ‘Missao’ as a richly detailed futuristic odyssey while staying true to the tune’s roots style. Crisp handclaps replace the snares of the original, and cellos soar, as the piece layers and evolves with timbale fills and syndrum-like risers, before a monumental sub-bass kicks in.

Radikal Guru returns to the trusted Moonshine Recordings to deliver his third album, which highlights his refreshing take on the beloved, dub sound of 2016. A selected few of the cuts involve exciting collaborations, not to be missed.

The dub master Radikal Guru returns to the trusted Moonshine Recordings to deliver his third album, which highlights his refreshing take on the beloved, dub sound of 2016. A selected few of the cuts involve exciting collaborations that are not to be missed. Similar to King Yoof’s recent album endeavour called ‘Homage To The King’, Radikal Guru exerts his speciality in various tempo ranges with the ‘Dub Mentalist’ LP. The result is just as exciting as his existing back catalogue; all mastered to meet the requirements of the true Moonshine vibration. The polish producer once again shows appreciation to both the dancefloor fans and the more meditating listeners. Fusing his compelling sound in dub, reggae and dubstep with timeless, old school samples makes every release a reminiscing journey. The amount of dread and energy will most definitely spark a riot across the globe.

Radikal Guru executes his mix-up of dub by incorporating a dose of happiness and psychedelics. The effects take over the mixes in wild fashion; delays spin off the tasty spring reverberation tails, delivering a comfortable setting. Radikal’s horns, including the trumpet, saxophone and trombone joined the Radikal Guru’s live melodica to complement each other in rhythm and sound. The collaborations featuring Moonshine familiars Jay Spaker, Echo Ranks, Solo Banton, Violinbwoy and Earl 16 bless the righteous sound waves, as the bassweight, immersive vocals and tight arrangements speak for themselves. Whether it is the bass weight, vocal parts or simply the rhythms, you know exactly when Radikal Guru’s music is being played on a true sound system. The contribution of the polish dub genius, to the healing of the nations and to global dub culture trembles, as he immediately reveals why his ‘Dub Mentalist’ LP forms an important chapter in our history of Moonshine Recordings material.

Zygos has been non-stop killing it for a good few years now. Every dub he churns out is a madness and he is constantly pushing and evolving his sound for the better. We couldn't be happier to get the man himself back for his third release and second wax outing on the label. His signature techno / industrial influenced sound runs throughout the EP from the twists and turns of Rotation to the deep dark sound designs of Sick as a Dog. Big ups Georgio on this wikid wikid plate.

Including the Zomby Remix plus "Maze" in a long version!

Back with a vengeance, Cimm returns to the imprint with a highly anticipated succession to his Sentry debut from last year, stamped on a irresistible 2 x 12" vinyl release. Infernal halftime beats and top-notch Dubstep shells, firmly entrenched at the frontier of sound system music and its invaluable heritage. The London-based producer and DJ rose to swift and significant acclaim in the last few years with releases on institutions like Tempa, J:Kenzo's Artikal and Wheel & Deal as well as notable residencies at Rinse FM and the renowned Fabric night club, among other recent achievements. Now coming to a turntable near you, Cimm delivers four bespoke cuts, primed for the dance and your enjoyment, battle-tested by the scene's foremost tastemakers.

The syndicate manifests its sonic potential in full glory. Giving rise to this collection of colossal heavyweights, Sentry demonstrates its spotless record of selecting certified heavyweights for the discography once again, twenty-fold. Stepping into the ring are some of the scene's most prolific artists alongside a plethora of promising, choice newcomers.

Straight out of one of the UK’s most innovative bass music hotspots, Bristol, two of the scenes fastest rising stars Glume and Phossa join the Subaltern roster with their massive debut split EP.

Label sleeve.

Here's a little story about this release on my label Dubs Galore: "When Muttley sent me this tune I though to myself: "Wow what a nice classic from the golden Dubstep Era", so I asked him when this was released - assuming it was, and he said it never was released. I immediately signed it, knowing it's such a great and timeless tune. I asked Quasar for a remix and here we are now, Dubs Galore 005 coming in STRONG!"

Kromestar vs. Ironsoul Pt. II. Heated dubstep and grime bangers from one of the pioneers of both dubstep and grime.

Khanum joins the small but already acquainted Dubs Galore family with 2 soundsystem hitters.

There's astonishing depth contained within Nomine's music. His debut for Tempa took dubstep into altogether more tropical territories. Tis three-track follow up continues his progressive trend.

Echo-drenched melodies drift like a distant brass chorus, sub-bass as soft and powerful as an ocean current, and turbulent, continually shifting percussion abound across 'Nomine's War'.

Stickers on label sticker.

We are super stoked to welcome back 3WA aka The Portuguese Serial Killer aka The Christiano Ronaldo of Dubstep for another fire release on Foundation Audio (this time around getting the vinyl treatment)! Pedro has got many tricks up his sleeves. Here are 4 of his finest. Make no mistake he will nutmeg you, dribble around you, Ronaldo chop past you and handball the finest goal without the ref seeing (and he’ll make it look easyyyy)… What’s more to say? The guys a wizard and makes some of the most interesting music in the Dubstep scene. Get to know if you don’t already.

Bukez Finezt VIP's his already incredible Headache into a bonafied skanker that's just begging for a reload everywhere it'll drop. He gives the Headache rhythm such a treatment. Adding layers and layers of dubwise sounds only to switch back into that originial flow we all know and love. One of Bukez Finezt's most anticipated tracks of the moment. Next Level is literally the next level after Subway Recordings quit doing releases.

None less than the infamous ILL_K is making his much anticipated return to Subaltern with a full EP on the imprint, accompanied by fellow producers Chad Dubz and Koobas.

Blue Transparent vinyl

On the back of their debut release, Subtle Recordings is at it once again bringing some heavy weight from the shores of New Zealand with bad man Ebb taking the reins. As always, exquisitely imprinted ‘no holds barred’ by the masterful Optimal Media in a full art sleeve, 180 grams, vinyl only, no-repress recording. Standing strong as another pillar of foundation to the future sound of bass music.

Stepping out of the dojo with sublime focus - DJ Youngsta's subsequent addition to the Sentry discography unveils its sound system technique in abundant grandeur. Supported by the likes of UKF and Disciple Recordings, the achievements and long-standing dedication to the bass music scene of the London-based artist speak for itself. Now taking charge of the controls, The Others materializes two irreproachable cuts of undiluted Dubstep for the imprint's tenth single outing, bringing forth an exceptional display of the artist's creative ingenuity as well as technical ability, that perfectly falls in line with the label's vision and acclaimed discography.

This 4 track EP on Equinox Records brings in some new flavour to the amazing "Android Porn" by Kraddy (founding member of The Glitch Mob). Along the classic original version (first time to be released on vinyl!!), Mochipet, Fulgeance and Playpad Circus provide striking new versions that will blow minds on dancefloors across the globe. Definitely one of the first must-have-releases in 2010! Also includes download code for all remixes!

Okinawan talent City1 has been making some serious moves with his unique dark productions as of late and we are honoured to welcome him to the Subaltern family.

Manchester’s Walton returns to Tectonic following last year’s explorations in grime flavoured house/techno offshoots on the killer “Bulldoze EP”. This time Walton leads with a dance floor crushing anthem that cruises a cool line between grime and tribal dubstep. Featuring a looping Riko Dan sample, “Gunman” sets a stone cold tone from the offset, hi-hats setting up the groove before a grime flavoured melody cuts in preparing you for the drop. When the bass and drums come crashing in they bounce off each other to produce a disorientating tribal rhythm that will set the dance floor alight!

Onward and upwards - the Belgian dubstep imprint Overdue maintains its super-heated release schedule with full force. With a meticulously curated artist roster and continued support by the likes of Mixmag and other vital institutions, this release yet again perfectly aligns with their vision of subculture sound system music. Spearheaded by a positively prolific artist, their fourth record features Teffa on the controls. Following up on some massive 12" releases on crucial labels such as White Peach Records and Foundation Audio, the up and coming artist furthers his status as a versatile and highly capable producer with three tracks of unadulterated sound system pressure - including a weighty collaboration with Chad Dubz.

"Saturate Records, a bass music label based in Hamburg, Germany that started in 2010, has come together with Stylust's (formerly Stylust Beats) Sleeveless Records to bring the world Saturated Warriors, a sweltering new compilation album featuring heavy-hitters from all around. Both labels pride themselves on only putting out the freshest music, always catering to the counterculture crowds and only accelerating with the times. Over the years, Saturate and Sleeveless have had releases from some of the current biggest names in the bass-music scene, including Herobust, G Jones, Zeke Beats, Conrank, Shlump, and more. Finding their niche in giving young talent a platform, these labels have become a home for young producers that aren't afraid to experiment. Now Presenting Saturated Warriors!"

A statement that is well suitable for the next release on Hamburg’s most underground vinyl imprint Intrauterin Recordings which already has been on the scene since 1999. Led by a vocal sample of the labels mastermind baze.djunkiii this limited to 120 copies 7″ whitelabel single does not only provide a unique and creative take on bass music - especially Grime, Dubstep and Breaks as well as some echoes of early Jungle / Breakbeats - but also proves how long term relationships in the music industry finally fall into place to create musical results as the Combat Dubs project is formed in between Intrauterin Recordings-founder baze.djunkiii and the multi-active producer Sascha Müller who’s also been responsible for the labels’ cat.no. 005 way back in 2005.

Clearlight brings his wonderfully tripped out production wizardry to Foundation Audio for a 3 track journey into the void! Clearlight has always stood out from the crowd and pushed boundaries with his unique take on the genre. It sounds like dubstep swallowed a bottle of LSD… or smoked some DMT… There’s no point going into detailed track summary as it won’t do the music justice, - just sit back, spark one up and get sucked into another dimension.

This limited 7inch introduces Andreikelos with a catchy downtempo tune on which mediterranean flavour meets electronic sounds as the traditional Greek organ bouzouki smoothly flows over an abstract hip-hop beat. Also includes dubstep remix by Earthkeptwarm. Includes free download code with additonal track.

This is a big release for Tectonic as label boss Pinch combines forces with Kahn to produce two killer rhythm tracks that meld deepness with futuristic dancehall powers. Normally this would be plenty to get excited about anyway - but if you then add the vocal talents of Killa P, Irah & Long Range - aka ‘Killa’s Army’ - there is even more reason! Dubstep meets grime meets dancehall, while Bristol meets Brixton.

After the start of his Dubs Galore family with 3 massive releases from Hebbe (003), Khanum (004) and Muttley & Quasar (005), label boss Von D returns to his own imprint to introduce 2 very special remixes of 2 already mind-boggling originals.

As an undisputed heavyweight and one of the leading figures within the electronic music scene, Icicle's recognized as a highly respected producer - among other ventures through steaming releases via Hospital Records, Critical Music and Shogun Audio. Propelling his technically advanced production style into the 140 BPM spectrum, it's a sight to behold as DJ Youngsta reveals the next ace up his sleeve. The UK-based veteran conveys his awe-inspiring take on Dubstep with four tracks on a twelve-inch platter - vehemently battle-tested as a dubplate and ready to off at a dance floor near you.

Rua Sound is pleased to announce we are back in action with our first release of 2019, and a welcome return to the label of Touchy Subject.
Fast becoming one of the go-to producers for rootsier takes on up-tempo 160-170 bass music, his second four-track 12" on Rua ups the ambition and knocks it so far out of the park it's broken windows in the next parish across.
The General EP veers wildly between neurofunk-but-actually-funky takes on dusty 90's boom-bapàla DJ Shadow on "Shudder" and 'Turnt Up', cavernous soundsystem workouts on "Seek and Find", and febrile halftime (just) jungle (barely) masterpiece in the shape of "General". Goosebumps. This is soundsystem music par excellence; cerebral, heady, and rousing - suffice to say we reckon it's sicker than the plane to Lourdes.
We apologise profusely to those of you whose resolutions for 2019 involved losing weight, but this is one of our fattest releases yet so you'd better go get them bassbins rumbling instead.

Stamped white label copy. Stickered inner sleeve.

Navy Cut welcome Surreal to the label for his inaugural release! Hailing from Yorkshire, the no-nonsense producer and DJ caught our attention with his production skill and attention to detail. “Somnipath” driven by a dark 808 bass that progresses into an Eastern melodic atmosphere. On the flip side “Don’t Fall Asleep” is intense bass pressure with thick drums and even thicker vibes.

Sheffield DJ/Producer Louis 'Taiko' Robson has consistently agitated the boundaries of dubstep music, manipulating eclectic influences in to his productions with bold, original arrangements, intricate percussion, experimental instrumentation and unforgettable subs, and hes not held back with ALBION002.

Title track Splinted dons the A Side of the release and sets the standard high with its heavy sub, percussive melody, and string lead. Robson has taken inspiration from contemporary orchestral composers such as Terry Riley and Steve Reich initiating the creation of the drums and percussion, which add a rich analogue sound to the track, and with that an almighty atmosphere. Folk-like scratchy strings take the lead which is a theme set for the EP and highlights Taikos tenacity for sound design and disregard for convention. Each eclectic element of the track compliments the next resulting in a guttural, energetic dance floor cut, with dark undertones making the listener feel agitated or anxious. A pulse raiser strictly for sound system use.

Over on the flip side, starting with the outer, Taiko offers a much warmer vibe throughout Fractal, flexing another experimental set of instrumentation, this time round building rhythm with an accordion sample. An enormous rolling sub bass instantly becomes dominant after the short intro and meticulous percussion exaggerates the astounding impact from the drums. In the break expect a much murkier tone with a grimey string sample leading to the second drop. Robson achieves a certain level of feel-good whilst maintaining a dark and aggressive tone in his unmistakably raw track.

Nickel takes the inner side on the flip, following form to the prior with its accordion sample adding a distorted guitar drone for the melodic intro. The acoustic instrumentation couples up with irregular drum work solidifying the EPs ‘live aesthetic, whilst maintaining a dance floor orientation. Tonnes of energy meets masses of bass, Nickel is a recommended set opener and a great close to the EP.

Manta, this release made itself. Crow sample, swampier than the everglades and swing! Manta is a man crafting some of the most off kilter sounds we have heard and these tracks go a touch of the way to show the mans class! Control of the uncontrolled.

The Nebula EP sees the first collaboration between upcoming Glaswegian producers RUDA and Rapture 4D for a gleaming-but-gritty 4 piece instrumental EP.

Trusik travels eastward again to meet Back to Chill mainstay HELKTRAM whose technoid dubstep constructions have been operating under the radar with just two releases from Banana Stand Sound and Encrypted Audio back in 2016. That is until now.

Following on from the success of HOTPLATES001, featuring Germany’s OTZ, comes the boutique Portsmouth-based label’s second release – from noted Bristol producer Theo Bennett, aka Sepia.

"Rare, super limited 005 from Saturate! Records 7'' single series, featuring the now defunct Naive Machine and Krsur with some smooth hyper colored Garage and Footwork vibes, I don't want to say this but Calling Me has that James Blake feel. It's better, with the swing and even more uptempo."

Jeremy Blake (Red Means Recording) and MTN (FULLSET Music) present their love letter to Teenage Engineering's OP-1 Synth. Featuring 8 tracks and 35 minutes of playing time full of freehand arranged synth waveforms and samples. This release is strictly limited to 230 pieces!

Finnish producer Desto returns to Rwina to deliver his first full length album, ‘Emptier Streets’. As with his previous releases on the Dutch label, Desto strips the music back to its bare-bone essentials, fulfilling the album’s title with a sound that’s spacious and eerie, bleak and punishing yet still offers warmth in its apparent coldness. Stylistically the album is most obviously aligned with the aesthetics of Dirty South hip hop and the dubstep diaspora, deploying booming drums, rolling hats and cold synthetic melodies and voices inside cavernous sonic landscapes.

Shortly after the release of his hugely successful album “Death Star Droid” , Robot Koch returns with this Remix EP, that also includes 2 brand new tunes by the sleepless robot.On this EP, Robot gathered some friends and like minded artists from around the globe to flip his original compositions.
The EP kicks off with a brand new original tune from Robot Koch: “Blind” featuring Grace on vocals, who also appeard as a guest vocalist on on Death Star Droid.
Robot and Grace are working on some new stunning material at the moment that will come out sometime in fall 2010.
When Robot played in NY last time, he met Brooklyn based band Body Language, who release on Machine Drum's Normrex label, and shared a stage with them at Coco66 in brooklyn.
For this EP Robot remixed their tune “New day” and they made a surprising flip of Koch's dubstep infused album tune “Gorom Sen” in return.
Robot's berlin mate fLlako, who recently grabbed the attention of the likes of Giles Peterson and Stones Throw, make a nice re-edit of the title track of Robot's album: “Death Star Droid”.
Phon.o (of CLP/Shitkatapult fame) took the club banger potential of the tune “Gorom Sen” to the next level and made it sound like zomby and boy 8 bit jamming it out.
Upcoming beatmaker Shlohmo from San Francisco also remixed “Gorom Sen”, making some noise on the blogoshpere about it prior to the release already.
Loops Haunt from Scotland, who could be found recently in Rustie's Fact magazine mixtape and Hudson Mohawke's BBC Essential Mix, made a ten remix of “Gorom Sen”.
Producer Beat Laden from Portugal, that recently caught attention with his KUBO remix on man recordings gave that original sengalese vocal scatting a rerub and turned it into a solid club banger.
Talen, from Switzerland made their very own unique interpretation of Robot Koch's frenetic original.
And last but for sure not least, UK Producer Blue Daisy made a sublime remix of the song “While” feat. Manya one of the few vocal tracks on Robot Koch's Album. His mix does the cinematic original justice and takes it even further out of space or underwater. A pure sound trip.

Mexican Singer/Songwriter Graciela Maria has been singing since she was a little kid. Having livied in Mexico City for many years, she was part of the mexican electronic music scene and made music with local producers signal deluxe.

In 2009 she met berlin based producer Robot Koch in New York at his show at Coco66 in Brooklyn.
They started making music together and Grace was featured on Robot's album “Death Star Droid” as well as on the Ep “Listen To Them Fade”. 2009 marked the beginning of a journey both musically and geographically for Graciela, as she moved from Mexico City to Berlin and started playing shows wolrdwide with Robot Koch.
They played everywhere from the Sonar Festival in Barcelona to some obscure art festivals in Bulgaria and Tunesia.

With Many Places, Graciela Maria's stunning debut album, she steps into the light as more than just a featured vocalist on Koch's electronica and dubstep driven compositions: Her own music breathes the vibe of classic singer/songwriters like Tim Buckley and Elliot Smith, with the music and the production being even more organic and live sounding than on the previous Koch tracks. The songwriting took place all over the world, as Graciela traveled and lived in many places recently, accompanied by her little notebook and her digital camera, which she uses to record song ideas on all the time. The topics she deals with are both surreal and personal and leave it up to the listener to be interpretated.

Producer Robot Koch teamed up with friend and fellow musician Sneaky (Fingathing / Ninja Tune) to create this organic and retro futuristic sounding album, that incorporates Double Bass, Live Drums, Cello and other String instruments and well as a subtle touch of cutting edge electronic production which Robot Koch is know for. The track "Many Places" features a string arrangement by Fiora Cutler.

Graciela Maria is an artist to watch out for in the future as she proves to create timeless pieces of music that are appealing to Indie/pop listeners and lover's of electronic music alike.

Mexican Singer/Songwriter Graciela Maria has been singing since she was a little kid. Having livied in Mexico City for many years, she was part of the mexican electronic music scene and made music with local producers signal deluxe.

In 2009 she met berlin based producer Robot Koch in New York at his show at Coco66 in Brooklyn.
They started making music together and Grace was featured on Robot's album “Death Star Droid” as well as on the Ep “Listen To Them Fade”. 2009 marked the beginning of a journey both musically and geographically for Graciela, as she moved from Mexico City to Berlin and started playing shows wolrdwide with Robot Koch.
They played everywhere from the Sonar Festival in Barcelona to some obscure art festivals in Bulgaria and Tunesia.

With Many Places, Graciela Maria's stunning debut album, she steps into the light as more than just a featured vocalist on Koch's electronica and dubstep driven compositions: Her own music breathes the vibe of classic singer/songwriters like Tim Buckley and Elliot Smith, with the music and the production being even more organic and live sounding than on the previous Koch tracks. The songwriting took place all over the world, as Graciela traveled and lived in many places recently, accompanied by her little notebook and her digital camera, which she uses to record song ideas on all the time. The topics she deals with are both surreal and personal and leave it up to the listener to be interpretated.

Producer Robot Koch teamed up with friend and fellow musician Sneaky (Fingathing / Ninja Tune) to create this organic and retro futuristic sounding album, that incorporates Double Bass, Live Drums, Cello and other String instruments and well as a subtle touch of cutting edge electronic production which Robot Koch is know for. The track "Many Places" features a string arrangement by Fiora Cutler.

Graciela Maria is an artist to watch out for in the future as she proves to create timeless pieces of music that are appealing to Indie/pop listeners and lover's of electronic music alike.

Cassiopeia is a constellation in the northern sky. It was one of the 48 constellations listed by the 2nd century Greek astronomer Ptolemy and it remains one of the 88 modern constellations today. In the sky Cassiopeia sits with Andromeda on the South side. In Greek mythology it was considered to represent the vain queen Cassiopeia, who boasted about her unrivalled beauty.
This album is a mix between different sides of the concept of “Cassiopeia”. It’s about life, the universe, humans and the future. Cassiopeia includes musical approaches comparable to Prefuse 73, Robot Koch and Kryptic Minds. The record is predominantly Hip Hop, but features tracks with other artists that are not strictly part of this genre such as BekBekson, Verhovski and Fancy Mike. Pavel’s music is a trip into a fable and his medium is the music of different genres: Hip Hop, Dubstep, Glitch, Wonky and Downbeat, used to form pictures. His work is free spirited and there are hints of feelings, allusions, enigma and mystery. We won’t get into the inner workings of his music, how it finds its way into the hearts and souls of the audience, the important thing is that it serves its purpose. Tracks such as “LA” or “Andromeda” are very personal statements from Pavel, “Quant Magic” is composed using Overtone, Didgeridoo, Boomerang, Yedaki and other Australian instruments. “Sacred Chants Of Shiva” seizes the listener with a sensation of restlessness.
Pavel Dovgal’s “Cassiopeia”, the incision between intergalactic music and the human soul. The same formula that has been present for over a thousand years.

After last year's release of his debut full length album entitled “Death Star Droid” Berlin stromtrooper Robot Koch kept himself hella busy. In 2010 alone he dropped the new Jahcoozi album “Barefoot Wanderer” on BPitch, released his EP “Listen To Them Fade“ on Project:Mooncircle, did a bunch of remixes and productions for both major and indie artsits and played stunnig live shows everywhere from Low End Theory in LA to the Sonar Festival in Barcelona.

And now he's back to do some serious damage with his 2nd LP “Songs for Trees and Cyborgs”.

The album shows Robot’s versatility as a producer – it mixes and blends fresh, forward thinking electronic beats with heartfelt melodies and organic live instumentation.

On choice tracks Mr. Koch teams up with the likes of Boxcutter (Planet Mu), 1000 Names (Black Acre), Doshy (Robox Neotech), RQM (Baby Sumo) and Graciela Maria (Project Mooncircle) to present the point where dubstep, hip-hop and its myriad of influences fuse into a kaleidoscopic collage of sounds.

Artwork by 44 Flavours.

After last year's release of his debut full length album entitled “Death Star Droid” Berlin stromtrooper Robot Koch kept himself hella busy. In 2010 alone he dropped the new Jahcoozi album “Barefoot Wanderer” on BPitch, released his EP “Listen To Them Fade“ on Project:Mooncircle, did a bunch of remixes and productions for both major and indie artsits and played stunnig live shows everywhere from Low End Theory in LA to the Sonar Festival in Barcelona.

And now he's back to do some serious damage with his 2nd LP “Songs for Trees and Cyborgs”.

The album shows Robot’s versatility as a producer – it mixes and blends fresh, forward thinking electronic beats with heartfelt melodies and organic live instumentation.

On choice tracks Mr. Koch teams up with the likes of Boxcutter (Planet Mu), 1000 Names (Black Acre), Doshy (Robox Neotech), RQM (Baby Sumo) and Graciela Maria (Project Mooncircle) to present the point where dubstep, hip-hop and its myriad of influences fuse into a kaleidoscopic collage of sounds.

Artwork by 44 Flavours.

The tendency towards advanced beats seems to be more and more a global phenomenon. As we already have said: Decentred beats for decentred people. During the last few years arose also in Russia a small, loosely networked scene of people, who have experimented with Hip Hop-beats. But in this case, the young Russians have no examples or references for this kind of music in the musical culture of their own country. All of their inspirations are taken from blogs and from the intensive study of their role models worldwide. The result is an organic, very playful, snappy and jazzy sound, which is carried by a common vibe, but is in the same way as diverse as the finest egos of the artists themselves.

The compilation includes Pavel Dovgal, DZA, Pixelord, Demokracy, Moa Pillar, Arktor, Shawalski, Myown, Nienvox, 813 and Long Arm.

В течении нескольких лет появилось все больше и больше музыкантов,экспериментирующих с хип-хопом.А делать это не легко,так как в России beat культура развита не так хорошо как на западе.Но ребятам удается создавать свой собственный,непохожий на других,стиль,и это не может не радовать.Мы представляем Вам второй сборник серии Finest Ego,с такими музыкантами как Pavel Dovgal,DZA,Pixelord,Demokracy,Moa Pillar,Arktor,Shawalski,Myown,Nienvox,813 и Long Arm.В итоге сборник получился очень разнообразный,некоторые треки звучат джазово и органично,а некоторые наоборот,можно даже отнести больше к дабстепу,чем к хип-хопу.

Design by LGB5. A&R by Jinna Morocha & Gordon Gieseking. Mixed & Mastered by Sven Friederichs.

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Even in the land of the rising sun, during the last months the enthusiasm for eccentric rhythms has increased. More and more young beat maker in Japan emulate their models J Dilla, Flying Lotus or Hudson Mohawke. This new generation of beat smiths understood Hip-Hop not as a mere pose, but as an aesthetic principle, in which it is explored, where the boundaries of this music style lie. The artistic crucial questions are therefore: How can you make known subjects in other contexts? How abstract can it be? Some of these emerging artists, we can now gather on this download Compilation. It’s a good way to become familiar with these extraordinary artists. So the Compilation shows the wide range of this emerging beat music scene, the originality of each artists. The title of the records tries to reduce very different types of artists to a common denominator: Finest ego.
The compilation includes BudaMunk, a.z, Daisuke Tanabe, The Astronotes, Dj Olive Oil, FERRARI, RLP, SATO, Ogiyy, ichiro_, Eccy & Himuro Yoshiteru.
Design by LGB5. A&R by Akira Inagawa & Gordon Gieseking. Mixed & Mastered by Sven Friederichs.

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Cassiopeia is a constellation in the northern sky. It was one of the 48 constellations listed by the 2nd century Greek astronomer Ptolemy and it remains one of the 88 modern constellations today. In the sky Cassiopeia sits with Andromeda on the South side. In Greek mythology it was considered to represent the vain queen Cassiopeia, who boasted about her unrivalled beauty.
This album is a mix between different sides of the concept of “Cassiopeia”. It’s about life, the universe, humans and the future. Cassiopeia includes musical approaches comparable to Prefuse 73, Robot Koch and Kryptic Minds. The record is predominantly Hip Hop, but features tracks with other artists that are not strictly part of this genre such as BekBekson, Verhovski and Fancy Mike. Pavel’s music is a trip into a fable and his medium is the music of different genres: Hip Hop, Dubstep, Glitch, Wonky and Downbeat, used to form pictures. His work is free spirited and there are hints of feelings, allusions, enigma and mystery. We won’t get into the inner workings of his music, how it finds its way into the hearts and souls of the audience, the important thing is that it serves its purpose. Tracks such as “LA” or “Andromeda” are very personal statements from Pavel, “Quant Magic” is composed using Overtone, Didgeridoo, Boomerang, Yedaki and other Australian instruments. “Sacred Chants Of Shiva” seizes the listener with a sensation of restlessness.
Pavel Dovgal’s “Cassiopeia”, the incision between intergalactic music and the human soul. The same formula that has been present for over a thousand years.

After last year's release of his debut full length album entitled “Death Star Droid” Berlin stromtrooper Robot Koch kept himself hella busy. In 2010 alone he dropped the new Jahcoozi album “Barefoot Wanderer” on BPitch, released his EP “Listen To Them Fade“ on Project:Mooncircle, did a bunch of remixes and productions for both major and indie artsits and played stunnig live shows everywhere from Low End Theory in LA to the Sonar Festival in Barcelona.

And now he's back to do some serious damage with his 2nd LP “Songs for Trees and Cyborgs”.

The album shows Robot’s versatility as a producer – it mixes and blends fresh, forward thinking electronic beats with heartfelt melodies and organic live instumentation.

On choice tracks Mr. Koch teams up with the likes of Boxcutter (Planet Mu), 1000 Names (Black Acre), Doshy (Robox Neotech), RQM (Baby Sumo) and Graciela Maria (Project Mooncircle) to present the point where dubstep, hip-hop and its myriad of influences fuse into a kaleidoscopic collage of sounds.

Artwork by 44 Flavours.

After last year's release of his debut full length album entitled “Death Star Droid” Berlin stromtrooper Robot Koch kept himself hella busy. In 2010 alone he dropped the new Jahcoozi album “Barefoot Wanderer” on BPitch, released his EP “Listen To Them Fade“ on Project:Mooncircle, did a bunch of remixes and productions for both major and indie artsits and played stunnig live shows everywhere from Low End Theory in LA to the Sonar Festival in Barcelona.

And now he's back to do some serious damage with his 2nd LP “Songs for Trees and Cyborgs”.

The album shows Robot’s versatility as a producer – it mixes and blends fresh, forward thinking electronic beats with heartfelt melodies and organic live instumentation.

On choice tracks Mr. Koch teams up with the likes of Boxcutter (Planet Mu), 1000 Names (Black Acre), Doshy (Robox Neotech), RQM (Baby Sumo) and Graciela Maria (Project Mooncircle) to present the point where dubstep, hip-hop and its myriad of influences fuse into a kaleidoscopic collage of sounds.

Artwork by 44 Flavours.

This is a story about a young Russian girl named Jinna Morocha who had a vision of one day flying to the Moon.
Many years ago during the hard times of life in Moscow, the young girl saw the Moon consciously for the first time and at that very moment the dream began. These vivid thoughts remained in her mind and she started to ask herself “How can I get to the Moon?“. Soon she found the label Project: Mooncircle over the internet and told them her story, at once she saw a chance to come a few steps closer to her dream. By now Jinna lived in Germany and it was possible for her and the label to meet, her key question was “Can you bring me to the Moon?“. The answer was a faltering “No, but maybe we can let you fly to the Moon in your mind. Let’s build the soundtrack to this vision, close your eyes, clear your thoughts and let us begin on your journey“.

That was the beginning of “The Moon Comes Closer“, come embark upon this voyage with us lead by the next level soundscapes of:

Robot Koch, fLako, Pavel Dovgal, I.D. 4 Windz, John Robinson, Lambent, 813, Nienvox, Juj, Mr Cooper, MyOwn, Long Arm, Daisuke Tanabe, Graciela Maria, Scienz Of Life, Andy Kayes, Abnormal, Capella, Comfort Fit, Kansano, Gards From KC, Puzzle, Sense of The Q4, Sotu The Traveller, V. Raeter, Himuro Yoshiteru, Skyence, Dexter, Portformat, 40 Winks, Dela, Brazzaville & Killing Skills.

After last year's release “Death Star Droid” Berlin stromtrooper Robot Koch kept himself busy. He finished off the new Jahcoozi album “Barefoot Wanderer” which is coming out on BPitch this spring. Coinciding with the release of his “Death Star Droid Remix EP” (incl fresh mixes by Loops Haunt, Blue Daisy etc). Robot Koch was on tour in the USA and Mexico, stopping by in LA for a stunning gig at Low End Theory and finally settled down for 2 months in Mexcio City, where he found time to work on new material with his girlfriend and singer Grace . Visiting some ancient Maya and Atztec sites and Pyramids sure added to the spaced out magic of the new EP. The new material is dark, percussive and surreal. Like an audible painting my leonora carrington. Its dubby but not dubstep, rather next step maybe. The songs are heavy and dripping with analog and organic sounds…. Lo Fi field recording mashed up with heavy bass and unquantized grooves. Live sounds like guitars work like samples. Vocal talent Grace, that was already featured on the Death Star Droid album and the last EP brings in a dark and yet soulful gospel vibe over Koch’s twisted beat concoctions. This EP is only a taster of the new album that should be ready to drop in october on Project: Mooncircle. In the meantime Koch will keep himself busy with playing shows (with Dorian Concept, Stagga, Darkstar, Boxcutter) and festivals including a live show appearance at this year's Sonar Festival.