Dubstep 130 Items

Released in 2016 on double splatter color vinyl (one is yellow and the other is light blue), this 15-song album is full of dubstep, EDM, & larger than life electronic beats. Includes "paracosm" with THE Glitch MOB. Stock due in 1-2 weeks.

Copy closer to NM

After MSSV singles & remixes: This is the full length!

The two dubstep pioneers at the top of their game. The deadly concision, the rhythmic punch and dramatic timing, the spry, side-to-side detailing of a cavernous stage, the crisp-biscuit vocal sampling and Middle Eastern percussion — their sound signatures are not so much totalled as squared. Truly an album, the music is multi-levelled — dark as anything at times, but engrossingly varied and emotionally shaded, always on the move.

That new type of british rap … feat. Joe Goddard & Roots Manuva!

Following the massive success of « Another night » Stepart is
back on Stand High Records with his debut LP. « Playground »
takes listeners on a deep bass journey and presents exclusive
tracks crafted with the Parisian producer’s subtle mixing
technique and attention to detail.
Recorded between 2014 and 2016 the LP is a tribute to the
golden era of dub influenced dubstep with ten instrumental
tracks as well as a vocal by Pupajim. Playing with styles, Stepart
elegantly breaks the rules and invites you to settle in his Lost
World Studio.

It was a busy 2019 for Asian Dub Foundation with the long-awaited reissue of their Mercury Prize-nominated 1998 classic Rafi’s Revenge. The reissue garnered ecstatic reviews, all of which agreed that the sound and the message that ADF threw down in 1998 is as relevant now as it was then-perhaps even more so. So it’s timely that in 2020 the band are set to release their 9th album “Access Denied” which finds them as uncompromising as ever. The album showcases ADF in full spectrum mode from the tough Jungle Punk sound of “Stealing The Future” and “Mind-lock” through to the orchestral meditation of “Realignment” and the reggae lament of the title track. With guestspots from Greta Thunberg, incendiary Palestinian shamstep warriors 47 Soul, Chilean revolt’s rap main figure Ana Tijoux and radical UK comedian Stewart Lee, Asian Dub Foundation continue their sonic opposition to the powers that be and “Access Denied” kicks harder and higher than ever.

SOON BACK IN STOCK WITH ADJUSTED PRICE LEVEL DUE TO VINYL MANUFACTURING REALITY! - 1973 master work and one of the defining statements of Dub-Reggae! - 17 North Parade proudly presents "Java Java Java Java", credited as one of the first three Dub album released in Jamaica. Dub would influence generations of re-mixers and producers of all kind of popular music. Here's the official re-issue - a must for all Dubheads outernational and a perfect example of music stripped to the bone. The Rough Guide To Reggae writes: " The original Errol Thompson-mixed "Java Java Java Java" is legendary, not only for being one of the frst dub albums ever released, but a one built around a version of Pablo's classic of the same title. Among the other rhythms given fairly basic but effectived dubwise treatments are the Heptones' second cut "Guiding Star", Junior Byles' "King Of Babylon", and the marvellous Randy's treatment of the Soul Vendors' "Swing Easy". The mixing might seem primitive by later standards, but, like all the best early dub sets, it brings out the essential strength of the rhythms employed" (with thanks to Steve Barrow & Peter Dalton).

"Unbroken Dreams of Light" V/A Blueberry Records 2020 Side A;Who is Glen Faba? Hint: I could tell you but then I'd have to undo it. Arable sounds like philip glass if he took some K. Ruby Rod, a track which made the rounds in my live set for 3 years. I'd open with it in front of bands and everyone would take about 7 steps backward from the stage. '5' Todd Osborn sent me a zip of music after my hard drive crashed and I lost everything. I got the complete Blue Note recordings and a collab with Luke Vibert. Here it is. Side B;UC is deadly with the 12" versions. Track comes with cool techno sound effects as well. Horsepower Productions deliver a super rare hardcore artifact from their archives! Side C; Cousin Cockroach on Blueberry!!! You already know. Spurge - a total delight to know and watch out for more from this young beat scientist. Tune is called Deadass. Xglare - Jessee kills it, check her Morph EP on Blueberry - the balance between light and darkness in her sounds astound. Dasychira is slowly turning into a preying mantis and this is what that sounds like. Pretty much exactly. Bénédicte has been busy crafting away at their debut EP for Blueberry, I can't wait for you all to hear it. Softillusion is a dreamy warm blanket. Side D; µ-Ziq on BBR, another dream. We are coming full circle here for this IDM fanboy's wildest dreams. Brrd - I had to straight up jack this 2 minute section from a beat mix that Stewart sent me a few years ago. You can master from an MP3 folks! Focus Group 2. Meet my piano. Her name is Olympia, and my friend Margot named her. The Other Functions - my friends no wave alias is better then yours. Tenant - the rent is still to damn high. Peak acid programming here.

Circle Vision proudly presents the anticipated debut album of Copenhagen producer and label head RDG aka. Ruben Nielsen. "Planetary Sound Fiction" marks the Danish label's 10th release with a subbed-out panoramic trip deep into the current state and future of bass music, with sound allies Killa P, Rider Shafique, K Man, Ill Chill, Monti and Yaa Aisin all complementing the hands and ears of the accomplished Danish producer throughout the album.

This is a story about a young Russian girl named Jinna Morocha who had a vision of one day flying to the Moon.
Many years ago during the hard times of life in Moscow, the young girl saw the Moon consciously for the first time and at that very moment the dream began. These vivid thoughts remained in her mind and she started to ask herself “How can I get to the Moon?“. Soon she found the label Project: Mooncircle over the internet and told them her story, at once she saw a chance to come a few steps closer to her dream. By now Jinna lived in Germany and it was possible for her and the label to meet, her key question was “Can you bring me to the Moon?“. The answer was a faltering “No, but maybe we can let you fly to the Moon in your mind. Let’s build the soundtrack to this vision, close your eyes, clear your thoughts and let us begin on your journey“.

That was the beginning of “The Moon Comes Closer“, come embark upon this voyage with us lead by the next level soundscapes of:

Robot Koch, fLako, Pavel Dovgal, I.D. 4 Windz, John Robinson, Lambent, 813, Nienvox, Juj, Mr Cooper, MyOwn, Long Arm, Daisuke Tanabe, Graciela Maria, Scienz Of Life, Andy Kayes, Abnormal, Capella, Comfort Fit, Kansano, Gards From KC, Puzzle, Sense of The Q4, Sotu The Traveller, V. Raeter, Himuro Yoshiteru, Skyence, Dexter, Portformat, 40 Winks, Dela, Brazzaville & Killing Skills.

Ikonika’s third album ‘Distractions’ builds on 2013’s ‘Aerotropolis’, and the title answers the question “Why has the album taken so long?” In the last few years she’s been building up a strong CV of remixes, from Chvurches to Dawn Richard, Austra and Junior Boys, as well as DJing and working on ‘Distractions’. ‘Distractions’ distils the character of Ikonika’s music productions across a wider set of styles than previous albums, and she subtly fuses and switches elements from contrasting genres, giving the whole set a uniqueness and consistency that puts it in its own lane. Furthermore what sits at the centre of ‘Distractions’ more than ever is her love of R&B and hip hop, in all its forms, which has opened the door to bring in a selection of guests in a way she’s not fully explored before. From the full throttle blend of grime and 80s synth soul ‘Noblest’ with Andrea Galaxy, to the reflective ‘Sacrifice’ with up and coming MC Jammz, a slowjam that merges dubstep with hip house drums. The final vocal track is the languid ‘Hazefield’ co-produced with Sweyn J and featuring Jessy Lanza on vocals. Its mix of mechanic clunk and minimalist, lulling funk could only happen in 2017. The LP artwork takes its inspiration from West London’s Golden Mile, a stretch of the Great West Road where the A4 meets the M4, and the road takes on the character of the arcade game Poll Position, with art deco factories and illuminated, hi-tech signage selling lifestyle products. It’s this kind of mix of futuristic and industrious with a touch of gentle glamour that the album exudes.

Berlin producer Robot Koch is back for his third full length release, “The Other Side”.

Although Robot Koch has an international reputation as being “One of Europe's finest producers of the beat generation“ (Low End Theory), he is much more than just a beatmaker… “(Post)-dubstep infused Electronic Hip Hop“ is far too constrained a label to understand what this producer is all about. Instead of following the sound of his previous albums “Death Star Droid” (“Essential listening” – Bobby Friction BBC) and “Songs For Trees and Cyborgs“ (“Music for a modern age that has rarely sounded so good” – Boomkat), Koch takes the genre defying ingredients from these previous records to another level. There still are some of those “Galactic ten ton beats and space age melodies“ (Dazed and Confused) that made the previous albums staple drops in the playlists of Mary Anne Hobbs, Starkey, Daedelus and Gaslamp Killer to name a few, but there is a new dimension to Koch's production and songwriting that didn’t show on his previous records.

The cinematic vibe of tracks like “Nitesky”, the quirky and moody feel of “Bugs” and the electricity of “Tapedeck” show how Koch more than ever manages to create intimate and timeless pieces of music that are soulful, deep, mysterious and that will appeal to fans of cutting edge Electronica and modern pop music alike. This is the most personal record of Robot Koch to date. Instead of going for big name features Koch teamed up with lesser know artists like Kansas based vocal talent John LaMonica, long time friend and theatre composer Nielson and mexican singer/songwriter Graciela Maria to find the right voices for his compositions. John LaMonica infuses his whimsical and heartfelt melodies that breathe an air of darkness and nostalgia with Koch's fresh and forward thinking instrumentals to create something that fans of Radiohead, The XX and Jamie Lidell should not sleep on.

After the release of the John Robinson collaboration album (“Robot Robinson” – Project Mooncircle) earlier this year, it seems surprising how extensive Robert’s output is, but don’t be mistaken, this album is a longer term project than just releasing the songs Koch made in the last year. Some of the songs found on “The Other Side” were made seven years ago.

few paper scuffs. Cover is missing.

Label sleeve.

A very nice EP with Burial-esque soundscapes and spaced-out vocals!

Berlin producer Robot Koch is back for his third full length release, “The Other Side”.

Although Robot Koch has an international reputation as being “One of Europe's finest producers of the beat generation“ (Low End Theory), he is much more than just a beatmaker… “(Post)-dubstep infused Electronic Hip Hop“ is far too constrained a label to understand what this producer is all about. Instead of following the sound of his previous albums “Death Star Droid” (“Essential listening” – Bobby Friction BBC) and “Songs For Trees and Cyborgs“ (“Music for a modern age that has rarely sounded so good” – Boomkat), Koch takes the genre defying ingredients from these previous records to another level. There still are some of those “Galactic ten ton beats and space age melodies“ (Dazed and Confused) that made the previous albums staple drops in the playlists of Mary Anne Hobbs, Starkey, Daedelus and Gaslamp Killer to name a few, but there is a new dimension to Koch's production and songwriting that didn’t show on his previous records.

The cinematic vibe of tracks like “Nitesky”, the quirky and moody feel of “Bugs” and the electricity of “Tapedeck” show how Koch more than ever manages to create intimate and timeless pieces of music that are soulful, deep, mysterious and that will appeal to fans of cutting edge Electronica and modern pop music alike. This is the most personal record of Robot Koch to date. Instead of going for big name features Koch teamed up with lesser know artists like Kansas based vocal talent John LaMonica, long time friend and theatre composer Nielson and mexican singer/songwriter Graciela Maria to find the right voices for his compositions. John LaMonica infuses his whimsical and heartfelt melodies that breathe an air of darkness and nostalgia with Koch's fresh and forward thinking instrumentals to create something that fans of Radiohead, The XX and Jamie Lidell should not sleep on.

After the release of the John Robinson collaboration album (“Robot Robinson” – Project Mooncircle) earlier this year, it seems surprising how extensive Robert’s output is, but don’t be mistaken, this album is a longer term project than just releasing the songs Koch made in the last year. Some of the songs found on “The Other Side” were made seven years ago.

After last year's release of his debut full length album entitled “Death Star Droid” Berlin stromtrooper Robot Koch kept himself hella busy. In 2010 alone he dropped the new Jahcoozi album “Barefoot Wanderer” on BPitch, released his EP “Listen To Them Fade“ on Project:Mooncircle, did a bunch of remixes and productions for both major and indie artsits and played stunnig live shows everywhere from Low End Theory in LA to the Sonar Festival in Barcelona.

And now he's back to do some serious damage with his 2nd LP “Songs for Trees and Cyborgs”.

The album shows Robot’s versatility as a producer – it mixes and blends fresh, forward thinking electronic beats with heartfelt melodies and organic live instumentation.

On choice tracks Mr. Koch teams up with the likes of Boxcutter (Planet Mu), 1000 Names (Black Acre), Doshy (Robox Neotech), RQM (Baby Sumo) and Graciela Maria (Project Mooncircle) to present the point where dubstep, hip-hop and its myriad of influences fuse into a kaleidoscopic collage of sounds.

Artwork by 44 Flavours.

After last year's release of his debut full length album entitled “Death Star Droid” Berlin stromtrooper Robot Koch kept himself hella busy. In 2010 alone he dropped the new Jahcoozi album “Barefoot Wanderer” on BPitch, released his EP “Listen To Them Fade“ on Project:Mooncircle, did a bunch of remixes and productions for both major and indie artsits and played stunnig live shows everywhere from Low End Theory in LA to the Sonar Festival in Barcelona.

And now he's back to do some serious damage with his 2nd LP “Songs for Trees and Cyborgs”.

The album shows Robot’s versatility as a producer – it mixes and blends fresh, forward thinking electronic beats with heartfelt melodies and organic live instumentation.

On choice tracks Mr. Koch teams up with the likes of Boxcutter (Planet Mu), 1000 Names (Black Acre), Doshy (Robox Neotech), RQM (Baby Sumo) and Graciela Maria (Project Mooncircle) to present the point where dubstep, hip-hop and its myriad of influences fuse into a kaleidoscopic collage of sounds.

Artwork by 44 Flavours.

Cue up your sound system! The second chapter of Sentry's compilation series is reaching the long-awaited light of day and furthers the notoriety of its lauded artist congregation in the typical high-grade style. Moving into the last quarter of 2020 and from strength to strength with each release, the imprint welcomes plenty of fresh faces to the revered artist roster, such as Arkham Sound, Karnage and Muttley among others. Bridling amid the commotion, returning champions like Cimm, LSN and Substance, as well as the label boss Youngsta himself untether their respective supreme vibrations. To be released as a digital long-player alongside a four-track vinyl sampler.

Hold tight, Cimm's back at the controls. For the fifteenth physical release and his third 12" on the revered Sentry Records imprint, the prodigious UK-based artist reveals some of his finest high-grade sound system combustibles yet. DJ Youngsta's label demonstrates how it's done once again, proceeding with the consistent stream of quality excursions and another four mammoth-sized tracks to shake a leg to and light up the audience. Super-charged, Cimm's murderous sound design in all its glory.

The record "Ghosts & Galaxies" tells the tale of Two Rangers and their epic adventures in the Next Level system. Listen close and you'll hear them travel through harsh landscapes while battling foes from this world and the next. Some legends say they were treasure hunters others say they were intergalactic outlaws. The only thing we know is that these guys are tough as nails and never look away in the face of danger.

Bay Sine Recordings, originally known as Bunkr Music, started as a project of music blog Playhous.net. A year after it's founding, Bunkr separated from Playhous and the name has since been changed to Bay Sine Recordings. Bay Sine was officially launched December 7, 2016 with a party played by the one and only DJ N-Type.

This is Abstrakt Sonance's long awaited album on DDD.

Rory McPike is an artist who holds a special place in the core of Melbourne’s musical heart. His primary alias for the past 5 years, Rings Around Saturn, has been releasing sub loaded technotic synthesis with hints and glimpses of a 140 bpm’d dubstep track on the horizon — The horizon is here — Welcome.

Subaltern Records’ 13th vinyl offering is a kaleidoscopic blend of multiple artists and styles -
many of whom are making their debut on the imprint. These four glorious soundsystem
tunes are sure to be on heavy DJ rotation over the summer before general release in
September.
Alter:
Opening the record is Japanese producer Helktram, who makes his debut on Subaltern with
a relentless hypnotic roller. Distorted drums, tense strings and percussive interludes
permeate this banger, which has proven to mash up the dance every time.
Fibers:
Being the only resident Subaltern artist on the release, D-Operation Drop are proving why
they have returned to Subaltern yet again with this trippy masterpiece. Expect crisp beats
and a distinctively modern dubwise vibe.
Bomb:
Delivering a mighty stomper is German producer ILL_K, who makes his first appearance on
the imprint. „Bomb“ is probably the most accurate track title that this unique banger could
have gotten.
Landfall:
The only collaborative track of the EP, „Landfall“ concludes the record in style - dark and
eerie atmospheres mark the signature sound of German producer Shu and Belgian producer
Zygos.

2022 repress

Hold tight the artists unknown giving the far-famed superstylin' their idiosyncratic palate.

140 on the A - 170 on the B gives it summer vibes, dubby vibes, drum and bass vibes, super vibes!

Cassiopeia is a constellation in the northern sky. It was one of the 48 constellations listed by the 2nd century Greek astronomer Ptolemy and it remains one of the 88 modern constellations today. In the sky Cassiopeia sits with Andromeda on the South side. In Greek mythology it was considered to represent the vain queen Cassiopeia, who boasted about her unrivalled beauty.
This album is a mix between different sides of the concept of “Cassiopeia”. It’s about life, the universe, humans and the future. Cassiopeia includes musical approaches comparable to Prefuse 73, Robot Koch and Kryptic Minds. The record is predominantly Hip Hop, but features tracks with other artists that are not strictly part of this genre such as BekBekson, Verhovski and Fancy Mike. Pavel’s music is a trip into a fable and his medium is the music of different genres: Hip Hop, Dubstep, Glitch, Wonky and Downbeat, used to form pictures. His work is free spirited and there are hints of feelings, allusions, enigma and mystery. We won’t get into the inner workings of his music, how it finds its way into the hearts and souls of the audience, the important thing is that it serves its purpose. Tracks such as “LA” or “Andromeda” are very personal statements from Pavel, “Quant Magic” is composed using Overtone, Didgeridoo, Boomerang, Yedaki and other Australian instruments. “Sacred Chants Of Shiva” seizes the listener with a sensation of restlessness.
Pavel Dovgal’s “Cassiopeia”, the incision between intergalactic music and the human soul. The same formula that has been present for over a thousand years.

After the brilliant E-Unity’s Cd-rom-1, Intramuros invite 2 new artists on a perfect split EP for eclectic DJ’s. 4 different vibes & tempos.

The 007 issue of Dubs Galore welcomes the debut of 2 artists on the label : Mr K and Arta colabing with label boss Von D to explore new "Dub in the Dubstep" adventures.

EU

Off the heels of a few successful digital compilations, newly found LA based label For The Heads proudly kicks off their vinyl series with a 4-track collaborative EP from Subtle Mind & mrshl. All 4 of these cuts bring freshness and originality to the ever-growing 140 sound and are a meticulous blend of styles given both of the artist's virtuosity and creative ability.

The Fargo EP continues along the forward thinking tangent of the label,
expertly blending elements of bass, techno and rolling percussion. Early
support from Hodge, Loefah and Walton, KZN004 provides 6 club ready,
certified weapons fit for the dance.

From a laments perspective you can call this Jahcoozi’s Robot Koch meets Scienz of Life’s John Robinson. However we here at Project: Mooncircle like to see this as two dynamic forces of nature coming together in parallel universes, delivering cosmic opted sonics with science-fiction narrative conventions in a metaphysical tone. Robot Robinson is the FUTURE from Earth to Mars to Venus to Jupiter and Beyond, this project spells out the attempts to bring a different pitch of vocals to the world of Electronic Music. Robinson being no stranger to the scientifical lyrical approach along with Robot’s evolutionary voyage prone soundscapes this one is a sure shot! The Future of Music is in Good Hands.
All tracks produced by Robot Koch. All lyrics by John Robinson.
Artwork and original paintings by Ima One (Japan). Design by Gordon Gieseking.

From a laments perspective you can call this Jahcoozi’s Robot Koch meets Scienz of Life’s John Robinson. However we here at Project: Mooncircle like to see this as two dynamic forces of nature coming together in parallel universes, delivering cosmic opted sonics with science-fiction narrative conventions in a metaphysical tone. Robot Robinson is the FUTURE from Earth to Mars to Venus to Jupiter and Beyond, this project spells out the attempts to bring a different pitch of vocals to the world of Electronic Music. Robinson being no stranger to the scientifical lyrical approach along with Robot’s evolutionary voyage prone soundscapes this one is a sure shot! The Future of Music is in Good Hands.
All tracks produced by Robot Koch. All lyrics by John Robinson.
Artwork and original paintings by Ima One (Japan). Design by Gordon Gieseking.

Mexican Singer/Songwriter Graciela Maria has been singing since she was a little kid. Having livied in Mexico City for many years, she was part of the mexican electronic music scene and made music with local producers signal deluxe.

In 2009 she met berlin based producer Robot Koch in New York at his show at Coco66 in Brooklyn.
They started making music together and Grace was featured on Robot's album “Death Star Droid” as well as on the Ep “Listen To Them Fade”. 2009 marked the beginning of a journey both musically and geographically for Graciela, as she moved from Mexico City to Berlin and started playing shows wolrdwide with Robot Koch.
They played everywhere from the Sonar Festival in Barcelona to some obscure art festivals in Bulgaria and Tunesia.

With Many Places, Graciela Maria's stunning debut album, she steps into the light as more than just a featured vocalist on Koch's electronica and dubstep driven compositions: Her own music breathes the vibe of classic singer/songwriters like Tim Buckley and Elliot Smith, with the music and the production being even more organic and live sounding than on the previous Koch tracks. The songwriting took place all over the world, as Graciela traveled and lived in many places recently, accompanied by her little notebook and her digital camera, which she uses to record song ideas on all the time. The topics she deals with are both surreal and personal and leave it up to the listener to be interpretated.

Producer Robot Koch teamed up with friend and fellow musician Sneaky (Fingathing / Ninja Tune) to create this organic and retro futuristic sounding album, that incorporates Double Bass, Live Drums, Cello and other String instruments and well as a subtle touch of cutting edge electronic production which Robot Koch is know for. The track "Many Places" features a string arrangement by Fiora Cutler.

Graciela Maria is an artist to watch out for in the future as she proves to create timeless pieces of music that are appealing to Indie/pop listeners and lover's of electronic music alike.

Cassiopeia is a constellation in the northern sky. It was one of the 48 constellations listed by the 2nd century Greek astronomer Ptolemy and it remains one of the 88 modern constellations today. In the sky Cassiopeia sits with Andromeda on the South side. In Greek mythology it was considered to represent the vain queen Cassiopeia, who boasted about her unrivalled beauty.
This album is a mix between different sides of the concept of “Cassiopeia”. It’s about life, the universe, humans and the future. Cassiopeia includes musical approaches comparable to Prefuse 73, Robot Koch and Kryptic Minds. The record is predominantly Hip Hop, but features tracks with other artists that are not strictly part of this genre such as BekBekson, Verhovski and Fancy Mike. Pavel’s music is a trip into a fable and his medium is the music of different genres: Hip Hop, Dubstep, Glitch, Wonky and Downbeat, used to form pictures. His work is free spirited and there are hints of feelings, allusions, enigma and mystery. We won’t get into the inner workings of his music, how it finds its way into the hearts and souls of the audience, the important thing is that it serves its purpose. Tracks such as “LA” or “Andromeda” are very personal statements from Pavel, “Quant Magic” is composed using Overtone, Didgeridoo, Boomerang, Yedaki and other Australian instruments. “Sacred Chants Of Shiva” seizes the listener with a sensation of restlessness.
Pavel Dovgal’s “Cassiopeia”, the incision between intergalactic music and the human soul. The same formula that has been present for over a thousand years.

After last year's release of his debut full length album entitled “Death Star Droid” Berlin stromtrooper Robot Koch kept himself hella busy. In 2010 alone he dropped the new Jahcoozi album “Barefoot Wanderer” on BPitch, released his EP “Listen To Them Fade“ on Project:Mooncircle, did a bunch of remixes and productions for both major and indie artsits and played stunnig live shows everywhere from Low End Theory in LA to the Sonar Festival in Barcelona.

And now he's back to do some serious damage with his 2nd LP “Songs for Trees and Cyborgs”.

The album shows Robot’s versatility as a producer – it mixes and blends fresh, forward thinking electronic beats with heartfelt melodies and organic live instumentation.

On choice tracks Mr. Koch teams up with the likes of Boxcutter (Planet Mu), 1000 Names (Black Acre), Doshy (Robox Neotech), RQM (Baby Sumo) and Graciela Maria (Project Mooncircle) to present the point where dubstep, hip-hop and its myriad of influences fuse into a kaleidoscopic collage of sounds.

Artwork by 44 Flavours.

After last year's release of his debut full length album entitled “Death Star Droid” Berlin stromtrooper Robot Koch kept himself hella busy. In 2010 alone he dropped the new Jahcoozi album “Barefoot Wanderer” on BPitch, released his EP “Listen To Them Fade“ on Project:Mooncircle, did a bunch of remixes and productions for both major and indie artsits and played stunnig live shows everywhere from Low End Theory in LA to the Sonar Festival in Barcelona.

And now he's back to do some serious damage with his 2nd LP “Songs for Trees and Cyborgs”.

The album shows Robot’s versatility as a producer – it mixes and blends fresh, forward thinking electronic beats with heartfelt melodies and organic live instumentation.

On choice tracks Mr. Koch teams up with the likes of Boxcutter (Planet Mu), 1000 Names (Black Acre), Doshy (Robox Neotech), RQM (Baby Sumo) and Graciela Maria (Project Mooncircle) to present the point where dubstep, hip-hop and its myriad of influences fuse into a kaleidoscopic collage of sounds.

Artwork by 44 Flavours.

Including the Zomby Remix plus "Maze" in a long version!

Shortly after the release of his hugely successful album “Death Star Droid” , Robot Koch returns with this Remix EP, that also includes 2 brand new tunes by the sleepless robot.On this EP, Robot gathered some friends and like minded artists from around the globe to flip his original compositions.
The EP kicks off with a brand new original tune from Robot Koch: “Blind” featuring Grace on vocals, who also appeard as a guest vocalist on on Death Star Droid.
Robot and Grace are working on some new stunning material at the moment that will come out sometime in fall 2010.
When Robot played in NY last time, he met Brooklyn based band Body Language, who release on Machine Drum's Normrex label, and shared a stage with them at Coco66 in brooklyn.
For this EP Robot remixed their tune “New day” and they made a surprising flip of Koch's dubstep infused album tune “Gorom Sen” in return.
Robot's berlin mate fLlako, who recently grabbed the attention of the likes of Giles Peterson and Stones Throw, make a nice re-edit of the title track of Robot's album: “Death Star Droid”.
Phon.o (of CLP/Shitkatapult fame) took the club banger potential of the tune “Gorom Sen” to the next level and made it sound like zomby and boy 8 bit jamming it out.
Upcoming beatmaker Shlohmo from San Francisco also remixed “Gorom Sen”, making some noise on the blogoshpere about it prior to the release already.
Loops Haunt from Scotland, who could be found recently in Rustie's Fact magazine mixtape and Hudson Mohawke's BBC Essential Mix, made a ten remix of “Gorom Sen”.
Producer Beat Laden from Portugal, that recently caught attention with his KUBO remix on man recordings gave that original sengalese vocal scatting a rerub and turned it into a solid club banger.
Talen, from Switzerland made their very own unique interpretation of Robot Koch's frenetic original.
And last but for sure not least, UK Producer Blue Daisy made a sublime remix of the song “While” feat. Manya one of the few vocal tracks on Robot Koch's Album. His mix does the cinematic original justice and takes it even further out of space or underwater. A pure sound trip.

Infernal Sounds welcomes Cluekid back to the fray, returning to release two of his most sought after dubs in 'Electric Avenue' & 'Horizontal'. The legendary producer throws you right back to the '08 days on the A side, taking you in with straight junglist sampling and a low-end wobble of a freshly set blamanche. 'Horizontal' displays the same sort of traits, but gives you an added dub-flex through the backdrop melody, and a low-end you'll feel right down in your stomach. It's an ultimate double XL.

This edition is limited to 300 copies exclusive available at HHV.

New 5 track digital release from Sumgii for Swamp 81 sublabel, 81. Mastered at TenEightSeven

For the second instalment of Subaltern’s 2020 program, we welcome one of the scene’s best-kept secrets – Imajika. The three hard-hitting tracks take listeners on a sonic journey through tribal rhythms, punchy drums and immaculate sound design. Calling upon ancient forces, Imajika makes a powerful statement with the Stagger EP.

A slowed down tribute to the dichotomy of mellow/heavy in mid 90's Jungle/Drum n' Bass, "The Shining Wall" begins with eery pads and a forlorn siren call, gently driven along by a subtle amen groove. Midway through, things turn more aggressive with distorted break switchups and a smattering of mentasm for good measure, before coming full circle and leaving you with a warm but somewhat uncertain end. B - Sgt. Risk - Weaponized Soul The flip is a more ominous affair, inspired by the short transition period ca. '96, just before techstep became a defined term. "Weaponized Soul" sets the mood with foreboding pads, until it drops into a relentless barrage of industrial beats and a cavernous sub. In the midway breakdown everything drops away, clearing the stage for a monstrous, swarmlike synthriff. Both of these tracks where never meant to be "conceptual tributes", but just ended up that way. A is fairly new, while B is the umpteenth version of a ten year old tune. Big up the Dolphin Man for convincing us to put them out together.

For the first release of the new decade we are honoured to introduce LA-based Oxóssi who has conjured a captivatingly sinister sonic palette for his debut EP on the label.