Dubstep 127 Items

This is Abstrakt Sonance's long awaited album on DDD.

Abstrakt Sonance makes his return to Aufect for the labels's first 12" release in a decade! Enlisting the likes of Crowell and legendary Grime MC, Killa P on the title cut "New Style", together they deliver a smackdown with a skippy Grime-Dubstep hybrid banger in a mood fitting for the status quo. Label owners Greazus step up to flip "New Style" with a remix leaning heavy on 808's and an infectiously animated piano-esque hook.

Including the Zomby Remix plus "Maze" in a long version!

This limited 7inch introduces Andreikelos with a catchy downtempo tune on which mediterranean flavour meets electronic sounds as the traditional Greek organ bouzouki smoothly flows over an abstract hip-hop beat. Also includes dubstep remix by Earthkeptwarm. Includes free download code with additonal track.

It was a busy 2019 for Asian Dub Foundation with the long-awaited reissue of their Mercury Prize-nominated 1998 classic Rafi’s Revenge. The reissue garnered ecstatic reviews, all of which agreed that the sound and the message that ADF threw down in 1998 is as relevant now as it was then-perhaps even more so. So it’s timely that in 2020 the band are set to release their 9th album “Access Denied” which finds them as uncompromising as ever. The album showcases ADF in full spectrum mode from the tough Jungle Punk sound of “Stealing The Future” and “Mind-lock” through to the orchestral meditation of “Realignment” and the reggae lament of the title track. With guestspots from Greta Thunberg, incendiary Palestinian shamstep warriors 47 Soul, Chilean revolt’s rap main figure Ana Tijoux and radical UK comedian Stewart Lee, Asian Dub Foundation continue their sonic opposition to the powers that be and “Access Denied” kicks harder and higher than ever.

After the brilliant E-Unity’s Cd-rom-1, Intramuros invite 2 new artists on a perfect split EP for eclectic DJ’s. 4 different vibes & tempos.

Released in 2016 on double splatter color vinyl (one is yellow and the other is light blue), this 15-song album is full of dubstep, EDM, & larger than life electronic beats. Includes "paracosm" with THE Glitch MOB. Stock due in 1-2 weeks.

Making his debut on Subaltern with SUBALT014 is Estonian producer Bisweed, famous for his trippy and intricate sound design and original take on bass music. A psychotropic journey into the weald, this is a typically dark and surreal release from the well-established Subaltern imprint.

Impressing the next set of colossal armaments onto wax, 'Order / The Mould' introduces a multitude of esteemed producers from London's musical melting pot to the high-grade Sentry artist roster. Fusing the sounds of bass music heavyweight Boylan and the enigmatic Logos, Slimzee the Grime visionary and co-founder of Rinse FM as well as the trio of veteran producers USF top off this epic collaboration. Following up on the latest anthem with Killa P and Long Range on the microphone and the label boss Youngsta himself on the controls, the 14th vinyl release of the esteemed UK imprint once again demonstrates its eminent value.

Presenting Alix Perez’s largest solo project since his second album in 2013. “Without End” is an 8 track journey through his exploration of soulful drum and bass - a sound Alix is renowned for. The EP includes collaborations with Liam Bailey, Workforce & Halogenix.

We know you’ve been waiting for this one since last summer! Caspa’s debut on Youngsta’s ridiculously on-point Sentry has been one of the most requested releases in a very long time. Hot on the heels of releases by dBridge, Nomine and Akcept, the Sub Soldier comes in hard with two absolute burn-ups.

Fkofv004 is the third physical release from Fkof Records in 2020, following WZ’s Fkofv003 in January and the 2x 12” Fkof10 album celebrating 10 Years of FatKidOnFire earlier this summer. We open with the heavyweight Chad Dubz and Biome collab – ‘455’ – that’s been inspiring gunfingers and screwfaces around the world since being teased online a few months ago. It’s everything you’d hope the combination of two of 140bpm’s finest talents would create: incredible synths, crushing percussive power and atmospherics for days. Pure weight.

For their next venture, Infernal Sounds brings together two titans in the scene marking #ifs026 with a collaborative EP from returning family member Chad Dubz, and debutant Somah. The Business EP is a goliath, featuring full-throttle sounds on the title track 'The Business' to kick things off properly. 'Naraka' follows in the same vein, producing a rough and rugged low end which you can feel deep in your chest, whilst 'Amplify' provides a stripped back, bass heavy affair. 'Unresolved' closes the EP, rounding things off with a more melodic skanker. The release has already received some strong support in the scene from the likes of Truth, J:Kenzo, Sicaria Sound, N-Type and many more, making it a must own 12".

Hold tight, Cimm's back at the controls. For the fifteenth physical release and his third 12" on the revered Sentry Records imprint, the prodigious UK-based artist reveals some of his finest high-grade sound system combustibles yet. DJ Youngsta's label demonstrates how it's done once again, proceeding with the consistent stream of quality excursions and another four mammoth-sized tracks to shake a leg to and light up the audience. Super-charged, Cimm's murderous sound design in all its glory.

Infernal Sounds welcomes Cluekid back to the fray, returning to release two of his most sought after dubs in 'Electric Avenue' & 'Horizontal'. The legendary producer throws you right back to the '08 days on the A side, taking you in with straight junglist sampling and a low-end wobble of a freshly set blamanche. 'Horizontal' displays the same sort of traits, but gives you an added dub-flex through the backdrop melody, and a low-end you'll feel right down in your stomach. It's an ultimate double XL.

The far west has long been known as hollowed ground for Dub Reflective arts, from the birth of Reggae and subsequent Jamaican diaspora to the more recently developments that ultimately informed Dubstep. Many key figures have emerged on the left coast of the USA throughout these developments in Culture and Roots-centric Dubstep, with key among them being the surfacing of LoDubs, and its rise near the advent of the sound in 2006 serving to inform and cement Dub's true DNA at a time when the field of those carrying the torch throughout the region could be counted on a single hand.

Infernal Sounds welcomes their newest member to the imprint, Dark Tantrums. After a brief hiatus from releasing music, the producer who's had previous EP's out on both Deep Medi and GetDarker is back with a bang. From the millitant march of 'Command', to the distorted and twisted mind of 'Darkside', with 'Time Warp' rounding things off in a typical old-school fashion, this EP will knock your socks off and deliver a punch for the dance floor. IFS011 not only displays his ability to adapt his style under the 140 spectrum, but continues to prove why he's one of the most underrated artists to grace the scene.

The 9th release from the Infernal Sounds imprint is probably the darkest and most twisted yet. Hailing from Ireland, Darkimh brings forth his own invigorating style of bass music, and his first to appear on 12”. Backed by a remix from none other than Malleus, and a collaboration with Taiko, this EP is not to be messed with. Every side of the 180g plate will unleash energy and force onto any dance floor.

Infernal Sounds welcome the return of the illusive Irish producer Darkimh, plating up the scorching 'Tell Me Nothin' EP' as the follow up to his #IFS009 release which hit shelves in 2018. The title track features Manchester MC T-Man (one part of Levelz), a collaboration in the works for some time, providing the ultimate weight deliverance to the dance floor, igniting rigorous energy as soon as the tune drops. Darkimh backs this stand out piece with two different flips - a more trapped out track in 'Gin Swing' and the surreal and spacious number, 'Boneclick'. All tracks are perfect for different vibes and different situations, whether it's at home on your own, out at a house party or ready to lay siege on the dance floor. The release features a full sleeve artwork piece - designed and photographed by Gabrial Deacon.

DPRTNDRP make their debut on Infernal Sounds as they dish up their 'What Ya Mean' EP - supplying an adapt range of sounds and styles throughout this 4-tracker, which also features a collaboration with DE-TÜ.

Even in the land of the rising sun, during the last months the enthusiasm for eccentric rhythms has increased. More and more young beat maker in Japan emulate their models J Dilla, Flying Lotus or Hudson Mohawke. This new generation of beat smiths understood Hip-Hop not as a mere pose, but as an aesthetic principle, in which it is explored, where the boundaries of this music style lie. The artistic crucial questions are therefore: How can you make known subjects in other contexts? How abstract can it be? Some of these emerging artists, we can now gather on this download Compilation. It’s a good way to become familiar with these extraordinary artists. So the Compilation shows the wide range of this emerging beat music scene, the originality of each artists. The title of the records tries to reduce very different types of artists to a common denominator: Finest ego.
The compilation includes BudaMunk, a.z, Daisuke Tanabe, The Astronotes, Dj Olive Oil, FERRARI, RLP, SATO, Ogiyy, ichiro_, Eccy & Himuro Yoshiteru.
Design by LGB5. A&R by Akira Inagawa & Gordon Gieseking. Mixed & Mastered by Sven Friederichs.

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The tendency towards advanced beats seems to be more and more a global phenomenon. As we already have said: Decentred beats for decentred people. During the last few years arose also in Russia a small, loosely networked scene of people, who have experimented with Hip Hop-beats. But in this case, the young Russians have no examples or references for this kind of music in the musical culture of their own country. All of their inspirations are taken from blogs and from the intensive study of their role models worldwide. The result is an organic, very playful, snappy and jazzy sound, which is carried by a common vibe, but is in the same way as diverse as the finest egos of the artists themselves.

The compilation includes Pavel Dovgal, DZA, Pixelord, Demokracy, Moa Pillar, Arktor, Shawalski, Myown, Nienvox, 813 and Long Arm.

В течении нескольких лет появилось все больше и больше музыкантов,экспериментирующих с хип-хопом.А делать это не легко,так как в России beat культура развита не так хорошо как на западе.Но ребятам удается создавать свой собственный,непохожий на других,стиль,и это не может не радовать.Мы представляем Вам второй сборник серии Finest Ego,с такими музыкантами как Pavel Dovgal,DZA,Pixelord,Demokracy,Moa Pillar,Arktor,Shawalski,Myown,Nienvox,813 и Long Arm.В итоге сборник получился очень разнообразный,некоторые треки звучат джазово и органично,а некоторые наоборот,можно даже отнести больше к дабстепу,чем к хип-хопу.

Design by LGB5. A&R by Jinna Morocha & Gordon Gieseking. Mixed & Mastered by Sven Friederichs.

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First taste of the upcoming Tempo Dreams Vol. 5 album, compiled by LA based beatmaker Free The Robots. Coming in with a seperate vibe all it's own, the 7" features the exclusive track "Nasi Goreng", a lo-fi psychdelic beat heavy romp through South East Asia, complete with Gamelan vibes. On the flip, "Marano" is a downtempo ultra bass heavy joint with sparse production, vocal chops and swirling synths.

Mexican Singer/Songwriter Graciela Maria has been singing since she was a little kid. Having livied in Mexico City for many years, she was part of the mexican electronic music scene and made music with local producers signal deluxe.

In 2009 she met berlin based producer Robot Koch in New York at his show at Coco66 in Brooklyn.
They started making music together and Grace was featured on Robot's album “Death Star Droid” as well as on the Ep “Listen To Them Fade”. 2009 marked the beginning of a journey both musically and geographically for Graciela, as she moved from Mexico City to Berlin and started playing shows wolrdwide with Robot Koch.
They played everywhere from the Sonar Festival in Barcelona to some obscure art festivals in Bulgaria and Tunesia.

With Many Places, Graciela Maria's stunning debut album, she steps into the light as more than just a featured vocalist on Koch's electronica and dubstep driven compositions: Her own music breathes the vibe of classic singer/songwriters like Tim Buckley and Elliot Smith, with the music and the production being even more organic and live sounding than on the previous Koch tracks. The songwriting took place all over the world, as Graciela traveled and lived in many places recently, accompanied by her little notebook and her digital camera, which she uses to record song ideas on all the time. The topics she deals with are both surreal and personal and leave it up to the listener to be interpretated.

Producer Robot Koch teamed up with friend and fellow musician Sneaky (Fingathing / Ninja Tune) to create this organic and retro futuristic sounding album, that incorporates Double Bass, Live Drums, Cello and other String instruments and well as a subtle touch of cutting edge electronic production which Robot Koch is know for. The track "Many Places" features a string arrangement by Fiora Cutler.

Graciela Maria is an artist to watch out for in the future as she proves to create timeless pieces of music that are appealing to Indie/pop listeners and lover's of electronic music alike.

Mexican Singer/Songwriter Graciela Maria has been singing since she was a little kid. Having livied in Mexico City for many years, she was part of the mexican electronic music scene and made music with local producers signal deluxe.

In 2009 she met berlin based producer Robot Koch in New York at his show at Coco66 in Brooklyn.
They started making music together and Grace was featured on Robot's album “Death Star Droid” as well as on the Ep “Listen To Them Fade”. 2009 marked the beginning of a journey both musically and geographically for Graciela, as she moved from Mexico City to Berlin and started playing shows wolrdwide with Robot Koch.
They played everywhere from the Sonar Festival in Barcelona to some obscure art festivals in Bulgaria and Tunesia.

With Many Places, Graciela Maria's stunning debut album, she steps into the light as more than just a featured vocalist on Koch's electronica and dubstep driven compositions: Her own music breathes the vibe of classic singer/songwriters like Tim Buckley and Elliot Smith, with the music and the production being even more organic and live sounding than on the previous Koch tracks. The songwriting took place all over the world, as Graciela traveled and lived in many places recently, accompanied by her little notebook and her digital camera, which she uses to record song ideas on all the time. The topics she deals with are both surreal and personal and leave it up to the listener to be interpretated.

Producer Robot Koch teamed up with friend and fellow musician Sneaky (Fingathing / Ninja Tune) to create this organic and retro futuristic sounding album, that incorporates Double Bass, Live Drums, Cello and other String instruments and well as a subtle touch of cutting edge electronic production which Robot Koch is know for. The track "Many Places" features a string arrangement by Fiora Cutler.

Graciela Maria is an artist to watch out for in the future as she proves to create timeless pieces of music that are appealing to Indie/pop listeners and lover's of electronic music alike.

We are proud to announce the latest addition to the Moonshine Recordings artist roster - Halcyonic & G Roots - two young talented producers out of Bristol, UK. Their debut moonshine release entitled 'Future' with vocal support from Junior Dread and additional remix by Violinbwoy will be released on the 6th of July on vinyl & digital.

For the second instalment of Subaltern’s 2020 program, we welcome one of the scene’s best-kept secrets – Imajika. The three hard-hitting tracks take listeners on a sonic journey through tribal rhythms, punchy drums and immaculate sound design. Calling upon ancient forces, Imajika makes a powerful statement with the Stagger EP.

Breaking into a new century, following last months 100th release on the label, Ishan Sound collaborates on 2 killer tracks with Bristol-based Hodge and Alex Hughes aka Muttley.

EU

Influential Dutch grime producer Jlsxnd7rs debuts on Dream Eater with the four-track Ceres EP, enlisting MC Armour, a member of the trailblazing N.A.S.T.Y Crew, for vocal duties.

For the second release on his emerging Dark Knight imprint, Dutch producer Jlsxnd7rs has teamed up with Croydon cult hero Rocks FOE for the two-track instrumental offering “Warren & Justin”, available both digitally and on 12” vinyl.

This 4 track EP on Equinox Records brings in some new flavour to the amazing "Android Porn" by Kraddy (founding member of The Glitch Mob). Along the classic original version (first time to be released on vinyl!!), Mochipet, Fulgeance and Playpad Circus provide striking new versions that will blow minds on dancefloors across the globe. Definitely one of the first must-have-releases in 2010! Also includes download code for all remixes!

This time it's Lemzly Dale on the buttons with a four tracker (one of them vinyl exclusive) spanning grime, r&g, uk funky and even hints of footwork and rap. This one's been getting wheeled and dealed by Sir Spyro on his 1xtra show, and the premiere for High Noon just went up on Dummy Mag.

Locus Sound return to their vinyl series with a bang. Locusv002 comes in the form of a three track release entitled “El Molino" from London based producer Lord Jabu.

Artikal Music UK is pleased to announce the return of LSN with their second release for the label.

Label sleeve.

Vinyl is close to NM.

Elite level lost grime dubs used in legendary Wiley/Ghetts freestyles on Westwood, Wiley’s Tunnel Vision 5, and a whole host of grime clashes.

Apart from being known for founding the infamous vinyl imprint Subaltern Records and for his residency on SUB.FM, Gabriele Romeo aka. Mentha has made quite a name for himself with his Jazz-influenced bass music productions. This LP is a selection of tracks from his vault, showcasing his musical abilities and tasteful compositions in this self-release.

New recruit Mister Shifter drops his debut EP for J:Kenzo's Artikal Music UK.

Blue Transparent vinyl

Stamped white label copy. Stickered inner sleeve.

For the first release of the new decade we are honoured to introduce LA-based Oxóssi who has conjured a captivatingly sinister sonic palette for his debut EP on the label.

Cassiopeia is a constellation in the northern sky. It was one of the 48 constellations listed by the 2nd century Greek astronomer Ptolemy and it remains one of the 88 modern constellations today. In the sky Cassiopeia sits with Andromeda on the South side. In Greek mythology it was considered to represent the vain queen Cassiopeia, who boasted about her unrivalled beauty.
This album is a mix between different sides of the concept of “Cassiopeia”. It’s about life, the universe, humans and the future. Cassiopeia includes musical approaches comparable to Prefuse 73, Robot Koch and Kryptic Minds. The record is predominantly Hip Hop, but features tracks with other artists that are not strictly part of this genre such as BekBekson, Verhovski and Fancy Mike. Pavel’s music is a trip into a fable and his medium is the music of different genres: Hip Hop, Dubstep, Glitch, Wonky and Downbeat, used to form pictures. His work is free spirited and there are hints of feelings, allusions, enigma and mystery. We won’t get into the inner workings of his music, how it finds its way into the hearts and souls of the audience, the important thing is that it serves its purpose. Tracks such as “LA” or “Andromeda” are very personal statements from Pavel, “Quant Magic” is composed using Overtone, Didgeridoo, Boomerang, Yedaki and other Australian instruments. “Sacred Chants Of Shiva” seizes the listener with a sensation of restlessness.
Pavel Dovgal’s “Cassiopeia”, the incision between intergalactic music and the human soul. The same formula that has been present for over a thousand years.

Cassiopeia is a constellation in the northern sky. It was one of the 48 constellations listed by the 2nd century Greek astronomer Ptolemy and it remains one of the 88 modern constellations today. In the sky Cassiopeia sits with Andromeda on the South side. In Greek mythology it was considered to represent the vain queen Cassiopeia, who boasted about her unrivalled beauty.
This album is a mix between different sides of the concept of “Cassiopeia”. It’s about life, the universe, humans and the future. Cassiopeia includes musical approaches comparable to Prefuse 73, Robot Koch and Kryptic Minds. The record is predominantly Hip Hop, but features tracks with other artists that are not strictly part of this genre such as BekBekson, Verhovski and Fancy Mike. Pavel’s music is a trip into a fable and his medium is the music of different genres: Hip Hop, Dubstep, Glitch, Wonky and Downbeat, used to form pictures. His work is free spirited and there are hints of feelings, allusions, enigma and mystery. We won’t get into the inner workings of his music, how it finds its way into the hearts and souls of the audience, the important thing is that it serves its purpose. Tracks such as “LA” or “Andromeda” are very personal statements from Pavel, “Quant Magic” is composed using Overtone, Didgeridoo, Boomerang, Yedaki and other Australian instruments. “Sacred Chants Of Shiva” seizes the listener with a sensation of restlessness.
Pavel Dovgal’s “Cassiopeia”, the incision between intergalactic music and the human soul. The same formula that has been present for over a thousand years.

The Boxer’ first appeared on Tectonic back in 2010, fusing grime and dubstep with tribal drums and tearing squarewave bass. Kromestar stays true to the original but switches his stance to swing hard with a left hook, Southpaw style. After a moody build up, the intro breaks away into a brief moment of calm, before bass comes out fighting, throwing knock out punches hard and fast. Tried and tested dancefloor damage of the highest order.

Radikal Guru returns to the trusted Moonshine Recordings to deliver his third album, which highlights his refreshing take on the beloved, dub sound of 2016. A selected few of the cuts involve exciting collaborations, not to be missed.

The dub master Radikal Guru returns to the trusted Moonshine Recordings to deliver his third album, which highlights his refreshing take on the beloved, dub sound of 2016. A selected few of the cuts involve exciting collaborations that are not to be missed. Similar to King Yoof’s recent album endeavour called ‘Homage To The King’, Radikal Guru exerts his speciality in various tempo ranges with the ‘Dub Mentalist’ LP. The result is just as exciting as his existing back catalogue; all mastered to meet the requirements of the true Moonshine vibration. The polish producer once again shows appreciation to both the dancefloor fans and the more meditating listeners. Fusing his compelling sound in dub, reggae and dubstep with timeless, old school samples makes every release a reminiscing journey. The amount of dread and energy will most definitely spark a riot across the globe.

Radikal Guru executes his mix-up of dub by incorporating a dose of happiness and psychedelics. The effects take over the mixes in wild fashion; delays spin off the tasty spring reverberation tails, delivering a comfortable setting. Radikal’s horns, including the trumpet, saxophone and trombone joined the Radikal Guru’s live melodica to complement each other in rhythm and sound. The collaborations featuring Moonshine familiars Jay Spaker, Echo Ranks, Solo Banton, Violinbwoy and Earl 16 bless the righteous sound waves, as the bassweight, immersive vocals and tight arrangements speak for themselves. Whether it is the bass weight, vocal parts or simply the rhythms, you know exactly when Radikal Guru’s music is being played on a true sound system. The contribution of the polish dub genius, to the healing of the nations and to global dub culture trembles, as he immediately reveals why his ‘Dub Mentalist’ LP forms an important chapter in our history of Moonshine Recordings material.

A slowed down tribute to the dichotomy of mellow/heavy in mid 90's Jungle/Drum n' Bass, "The Shining Wall" begins with eery pads and a forlorn siren call, gently driven along by a subtle amen groove. Midway through, things turn more aggressive with distorted break switchups and a smattering of mentasm for good measure, before coming full circle and leaving you with a warm but somewhat uncertain end. B - Sgt. Risk - Weaponized Soul The flip is a more ominous affair, inspired by the short transition period ca. '96, just before techstep became a defined term. "Weaponized Soul" sets the mood with foreboding pads, until it drops into a relentless barrage of industrial beats and a cavernous sub. In the midway breakdown everything drops away, clearing the stage for a monstrous, swarmlike synthriff. Both of these tracks where never meant to be "conceptual tributes", but just ended up that way. A is fairly new, while B is the umpteenth version of a ten year old tune. Big up the Dolphin Man for convincing us to put them out together.

Bay Sine Recordings, originally known as Bunkr Music, started as a project of music blog Playhous.net. A year after it's founding, Bunkr separated from Playhous and the name has since been changed to Bay Sine Recordings. Bay Sine was officially launched December 7, 2016 with a party played by the one and only DJ N-Type.

Circle Vision proudly presents the anticipated debut album of Copenhagen producer and label head RDG aka. Ruben Nielsen. "Planetary Sound Fiction" marks the Danish label's 10th release with a subbed-out panoramic trip deep into the current state and future of bass music, with sound allies Killa P, Rider Shafique, K Man, Ill Chill, Monti and Yaa Aisin all complementing the hands and ears of the accomplished Danish producer throughout the album.

Young gun and badman producer Retina returns to Foundation Audio for his debut vinyl release and quite frankly it slaps! ‘Dusted’ kicks things off with a hyper 4x4 beat and an eratic bassline – this one comes flying straight out of the gates! ‘Nameless and Nothing’ a meaner, beast with its eerie atmospheres and plodding bassline takes the A2 spot. Flip the record and we have ‘No Fear I’ a subby monster best described by the word SUB. ‘If Not The Orb’ closes proceedings with a 07-08 old skool antisocial kinda vibe wrapping up the ep perfectly. Dubstep goodness from front to back and solid proof that Americans can also do the dubstep.