Dubstep 417 Items

Infernal Sounds strip things down and go back to basics with their next endeavor, returning to their roots by releasing a two track single by debutants, Frenchless. Not only is it their first venture on the label, but this is their first ever release under this moniker from the mysterious deadly duo.

First taste of the upcoming Tempo Dreams Vol. 5 album, compiled by LA based beatmaker Free The Robots. Coming in with a seperate vibe all it's own, the 7" features the exclusive track "Nasi Goreng", a lo-fi psychdelic beat heavy romp through South East Asia, complete with Gamelan vibes. On the flip, "Marano" is a downtempo ultra bass heavy joint with sparse production, vocal chops and swirling synths.

‘saturday Specials’ sees the legendary Bristol drum & bass don Clipz remixing Everything Is Recorded’s acclaimed second album ‘Friday Forever’ in its entirety. Released Digital on 29th January via XL Recordings, ‘saturday Specials’ is Clipz’s first album length project and is a drum & bass masterpiece, split across three 12” vinyl editions. The album features a host of the original album’s vocalists and collaborators (including Berwyn, Ghostface Killah, Aitch, Sampha, Flohio and A.K. Paul) weaving in and out of Clipz's trademark future-facing productions.

‘saturday Specials’ sees the legendary Bristol drum & bass don Clipz remixing Everything Is Recorded’s acclaimed second album ‘Friday Forever’ in its entirety. Released Digital on 29th January via XL Recordings, ‘saturday Specials’ is Clipz’s first album length project and is a drum & bass masterpiece, split across three 12” vinyl editions. The album features a host of the original album’s vocalists and collaborators (including Berwyn, Ghostface Killah, Aitch, Sampha, Flohio and A.K. Paul) weaving in and out of Clipz's trademark future-facing productions.

‘saturday Specials’ sees the legendary Bristol drum & bass don Clipz remixing Everything Is Recorded’s acclaimed second album ‘Friday Forever’ in its entirety. Released Digital on 29th January via XL Recordings, ‘saturday Specials’ is Clipz’s first album length project and is a drum & bass masterpiece, split across three 12” vinyl editions. The album features a host of the original album’s vocalists and collaborators (including Berwyn, Ghostface Killah, Aitch, Sampha, Flohio and A.K. Paul) weaving in and out of Clipz's trademark future-facing productions.

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A killer eastern influenced Dubstep EP - Tip!

Take a Deep, Dark & Dangerous interstellar voyage far into the Cosmos with ENiGMA Dubz, the newest signing to Truth’s burgeoning label. With this EP, ENiGMA DUbz transports the listener to the far flung reaches of the universe with his otherworldly sound design and top notch production. Beginning our travels at “Area 51”, you can hear the alien experiments, top secret technological research and conspiricys being hatched. From there, we’re taken deep “Into The Ground” where everything becomes very etherial, beautiful synthwork, vocal layering and crispy breakbeats.

We don't skip cat numbers around here. It was predestined that ENiGMA Dubz would appear on the Duploc050 milestone release. The Birmingham based dubstep don has been working with us since literally the first day of the YouTube channel. Almost 10 years later ENiGMA Dubz is a well established artist and is regularly featured on his home labels Duploc, Deep Dark & Dangerous as well as his very own imprint Morii Records. Where "40 Fathoms" and "Silverback" are sound system shellers, "Earth Giants" runs on a heavier vibe while the digital bonus track "Too Close To The Sun" is a melodious masterpiece. All by all his Duploc050 shows how strongly versatile ENiGMA Dubz' sound is.

We are extremely happy to welcome another talented artist in the Moonshine Recordings family. EchoBoy previously known as Riddim Tuffa is a Czech based producer that is about to mashup the todays reggae dubstep scene in the upcoming months. His first moonshine release will drop on May the 6th on beautiful marbled hazy red vinyl.

On the back of their debut release, Subtle Recordings is at it once again bringing some heavy weight from the shores of New Zealand with bad man Ebb taking the reins. As always, exquisitely imprinted ‘no holds barred’ by the masterful Optimal Media in a full art sleeve, 180 grams, vinyl only, no-repress recording. Standing strong as another pillar of foundation to the future sound of bass music.

Hts005 bring East Man & Walton back together for another collaborative single. The A side, ‘Screw Face’, is a hard as nails square wave 8 bar banger with a big bad bass line that makes you want to screw up your face and jump around the dance floor.

DPRTNDRP make their debut on Infernal Sounds as they dish up their 'What Ya Mean' EP - supplying an adapt range of sounds and styles throughout this 4-tracker, which also features a collaboration with DE-TÜ.

Dub techno perfection from Rod, Steve and Convextion.

Crossover balearic/leftfield house cuts from newly minted Australia based Within Reason Records.

Established in 2015 with a vision to push the envelope on bass-driven music at 140bpm, Belgian label Duploc have been doing just that ever since. Now, after a refreshing rebrand and enticing new label plans in store, they welcome Distance into the fold with his darkly raw and starkly haunting Sacrifices EP.

Finnish producer Desto returns to Rwina to deliver his first full length album, ‘Emptier Streets’. As with his previous releases on the Dutch label, Desto strips the music back to its bare-bone essentials, fulfilling the album’s title with a sound that’s spacious and eerie, bleak and punishing yet still offers warmth in its apparent coldness. Stylistically the album is most obviously aligned with the aesthetics of Dirty South hip hop and the dubstep diaspora, deploying booming drums, rolling hats and cold synthetic melodies and voices inside cavernous sonic landscapes.

I spent a lot of time crossing the Detroit/Windsor boarder tunnel. - My family lives half in the US and half in Canada and my father crossed daily for for work and materials. My brother and I would sit on old paint cans in the back of his work truck. long trips to home depot in the hopes that we could get a rally’s banana milkshake before heading home. - I hated that work truck, but we loved the trips, no matter how mundane. We would spend hours crossing that boarder tunnel when it was busy, our bottoms would hurt from the metal paint cans. When i was in high school i would smuggle cigarettes to sell to the Canadian kids, it was a good business. The dark tunnel in disrepair built over 90 years ago felt like a relic of the past, its leaky walls and pale yellow tiles were always crumbling around you. It was claustrophobic and uncomfortable. But the tunnel made your mind wander with thoughts of what was above you, giant cargo ships or sea monsters. It was an anxious place, the uncertainty of its structure or the dreaded boarder patrol on the other side. Would be be pulled in and searched? would the carton of camels i hid under the seat be found? - It was a special place and a special time. These sounds are about traffic and the movement and time in this strange tunnel.

"Samples, movies and beats. That's the essence of Dead End's brand new LP titled Kino Vol.1. The Portuguese producer takes the chair and delivers a masterful performance that combines music and cinema. Kino Vol.1 is a multidisciplinary album built around samples picked from some of his most loved blockbusters and inspired by iconic movie clips. For the occasion, Saturate's Instagram profile has turned into a video gallery, featuring footage from cult movies and series such as The Office, Sicario, A Fistful Of Dollars, perfectly synched with Dead End's productions. The album experience itself resembles that of a mini-series like Netflix's Love Death Robot or Oat Studios, where every episode is a story on its own, written and shot in a different way. The fourteen tracks, or episodes as I like to call them, range from heavy club to hip hop and halftime. Some are more colorful and atmospheric like the ending tripled composed by 'Cocoon,' 'Voyage' (feat Dj Ride) and 'Flowers Bloom'. These cuts seem to come off reflective and introspective movies. Others are way heavier, as they were made straight for fighting and chase scenes. In this group, you can count 'Melee Attack,' 'Though Break,' 'Stealth', 'Thin Ice'. My favorite instead are those which set up an ambiguous and sinister mood. 'Bullit Drift,' 'The Fog,' 'Shindeiru,' 'The Road,' all these episodes could fit very well in both mental thrillers (a la Nolan) and unconventional psycho/horror movies. They build a palpable tension that successfully keeps me on my toes as I expect a jump scare or a sudden plot twist to come in at every second given. In conclusion, Dead Ends' Kino Vol.1 has the virtue of creating a listening experience that, thanks to its references to the world of cinema, becomes interactive and involves the listener in first person. It's impossible not to try to figure out from which films the samples are taken or to try to imagine which scene would be perfect for a specific track."

The latest Innamind release is from production duo De-tü. Soundsystem music, true to the underground.

2020 repress

Infernal Sounds welcome the return of the illusive Irish producer Darkimh, plating up the scorching 'Tell Me Nothin' EP' as the follow up to his #IFS009 release which hit shelves in 2018. The title track features Manchester MC T-Man (one part of Levelz), a collaboration in the works for some time, providing the ultimate weight deliverance to the dance floor, igniting rigorous energy as soon as the tune drops. Darkimh backs this stand out piece with two different flips - a more trapped out track in 'Gin Swing' and the surreal and spacious number, 'Boneclick'. All tracks are perfect for different vibes and different situations, whether it's at home on your own, out at a house party or ready to lay siege on the dance floor. The release features a full sleeve artwork piece - designed and photographed by Gabrial Deacon.