Dubstep Vinyl 515 Items

Reissue on black vinyl. Rarely you come across a record which embodies Dubstep so well that rallies the entire scene behind it. From the brosteppers to the deep heads this record has been getting love from all corners of the earth. We're talking about "Under Control" the latest outing from Germany's next top wobble aka Bukez Finezt. Its eerie intro sets the tone perfectly to interlude this hypnotic stomper. Once the sonic warfare is unleashed it'll transport you to a word of desolation, where aliens run rampant and technology has absorbed everything around them.

"You Don't Belong Here" & "Pace Yourself" are on a equal tip. 2 bigtime subloaded heavyweights that'll remind you that Dubstep is still very much alive and reminds us why we fell in love with this minimalistic bass heavy genre to begin with.

180gr vinyl.

Vinyl is Close to VG+.

Mesck fuses another cog in the label’s machinery, giving Chestplate one more flavor while sticking to the no-nonsense frequency construction that has characterized Chestplate’s aesthetic. The EP offers a cohesive journey through vibrant dynamics, rolling out with the hollowed kick patterns and ominous underscoring of Conquista. Collusion slows the momentum with more minimal percussion, leaving plenty of space for the labyrinth of subtle detail commandeering the atmosphere. A bongo-driven plane of chambered flux transitions the mood as Arcane Glimpse enthralls the soundfield with guttural and interchanging reese patches. Mesck sends us off in Lucid Form with a beat that deploys hefty swing while discombobulating the senses as voices hop left-to-right in the scape.

There's astonishing depth contained within Nomine's music. His debut for Tempa took dubstep into altogether more tropical territories. Tis three-track follow up continues his progressive trend.

Echo-drenched melodies drift like a distant brass chorus, sub-bass as soft and powerful as an ocean current, and turbulent, continually shifting percussion abound across 'Nomine's War'.

Finnish producer Desto returns to Rwina to deliver his first full length album, ‘Emptier Streets’. As with his previous releases on the Dutch label, Desto strips the music back to its bare-bone essentials, fulfilling the album’s title with a sound that’s spacious and eerie, bleak and punishing yet still offers warmth in its apparent coldness. Stylistically the album is most obviously aligned with the aesthetics of Dirty South hip hop and the dubstep diaspora, deploying booming drums, rolling hats and cold synthetic melodies and voices inside cavernous sonic landscapes.

The two dubstep pioneers at the top of their game. The deadly concision, the rhythmic punch and dramatic timing, the spry, side-to-side detailing of a cavernous stage, the crisp-biscuit vocal sampling and Middle Eastern percussion — their sound signatures are not so much totalled as squared. Truly an album, the music is multi-levelled — dark as anything at times, but engrossingly varied and emotionally shaded, always on the move.

Electronica, Post-Dubstep, Rave & deep Techno blended into this mighty EP!

“From Love To Dust“ is a two side EP of Barry Gordon, Ireland / UK based producer. He grew up listening to classic rock like Led Zeppelin & Rolling Stones and played in several bands. Barry fell in love with hip-hop after hearing Wu – Tang Clan for the first time, and started making music as Sina. in 2009. He owns and plays many different music instruments and has got a wide range of music influences, anything from blues and folk, to ambient and hip – hop.
The 6 track EP, set to drop in November, bleeds creativity, with influences from all aspects of music being incorporated in the works of Sina. He lets you submerge, full body, into impeccably produced, brittle clean sound with amazing groove control, touching and emotional. Thus, From Love To Dust never bores and features remixes of Switzerland rising star producer Gards From KC, UK beat smith Kelpe, and UK-based producer Soosh, who has had a collab with Gards From KC for Project: Mooncircle earlier this year.
Sina.:
“I suppose the tune “From Love To Dust” (a play on the funeral phrase “From Dust To Dust”) is about the idea of human love as eternal, or at least as continuing to have a life when we are gone- through family, friends, art & music. “Remembrance” is a wistful song about the rare personal moments when we realise the beauty of the world and our life in it, and of the importance of remembering those moments when things seem darkest.“

Special uv varnish artwork print. Limited edition: 300 copies.

HHV exclusive for the "Berlin Record Store Day 2011"" November, 5th at our SelectedStore!

Berlin producer Robot Koch is back for his third full length release, “The Other Side”.

Although Robot Koch has an international reputation as being “One of Europe's finest producers of the beat generation“ (Low End Theory), he is much more than just a beatmaker… “(Post)-dubstep infused Electronic Hip Hop“ is far too constrained a label to understand what this producer is all about. Instead of following the sound of his previous albums “Death Star Droid” (“Essential listening” – Bobby Friction BBC) and “Songs For Trees and Cyborgs“ (“Music for a modern age that has rarely sounded so good” – Boomkat), Koch takes the genre defying ingredients from these previous records to another level. There still are some of those “Galactic ten ton beats and space age melodies“ (Dazed and Confused) that made the previous albums staple drops in the playlists of Mary Anne Hobbs, Starkey, Daedelus and Gaslamp Killer to name a few, but there is a new dimension to Koch's production and songwriting that didn’t show on his previous records.

The cinematic vibe of tracks like “Nitesky”, the quirky and moody feel of “Bugs” and the electricity of “Tapedeck” show how Koch more than ever manages to create intimate and timeless pieces of music that are soulful, deep, mysterious and that will appeal to fans of cutting edge Electronica and modern pop music alike. This is the most personal record of Robot Koch to date. Instead of going for big name features Koch teamed up with lesser know artists like Kansas based vocal talent John LaMonica, long time friend and theatre composer Nielson and mexican singer/songwriter Graciela Maria to find the right voices for his compositions. John LaMonica infuses his whimsical and heartfelt melodies that breathe an air of darkness and nostalgia with Koch's fresh and forward thinking instrumentals to create something that fans of Radiohead, The XX and Jamie Lidell should not sleep on.

After the release of the John Robinson collaboration album (“Robot Robinson” – Project Mooncircle) earlier this year, it seems surprising how extensive Robert’s output is, but don’t be mistaken, this album is a longer term project than just releasing the songs Koch made in the last year. Some of the songs found on “The Other Side” were made seven years ago.

Last year, Brooklyn’s Krts released Remixes for Beards and Flannels, a mix-tape of top shelf classics from hip-hop’s ‘80s and ‘90s heyday. This September, he’ll follow this with his newest and first-ever proper EP release, Hold On, on the Berlin label Project Mooncircle.

With sounds ranging from the eclectic side of Hip-Hop, Broken Beat, Downtempo, soulful Dubstep, Indie Rock, and Fusion Jazz, Krts crafts a soundtrack to an ever-changing NYC landscape, fraught with struggles and flashbacks of what-was, all while letting go of ideals in favor of a new, raw, and heartfelt future. The album’s title track, "Hold On”, concerns the battle of a fleeting love – electronic and psychedelic sounds lead to a heavy, mid-range looped chorus and a deep, rumbling dubstep-style bassline. A taste of struggle is represented in “Whatever”, with it’s 808 kicks, layered snare, eerie and rattling samples, sweeping syths, and improvised piano… all as an ode to the cluttered market of Brooklyn’s indie art scene.

23 minutes in 5 tracks, with a bonus remix of “Hold On” by Afro-House/2-Step artist Glenn Astro. Beat culture thumbed and molded into one emotive EP.

Berlin producer Robot Koch is back for his third full length release, “The Other Side”.

Although Robot Koch has an international reputation as being “One of Europe's finest producers of the beat generation“ (Low End Theory), he is much more than just a beatmaker… “(Post)-dubstep infused Electronic Hip Hop“ is far too constrained a label to understand what this producer is all about. Instead of following the sound of his previous albums “Death Star Droid” (“Essential listening” – Bobby Friction BBC) and “Songs For Trees and Cyborgs“ (“Music for a modern age that has rarely sounded so good” – Boomkat), Koch takes the genre defying ingredients from these previous records to another level. There still are some of those “Galactic ten ton beats and space age melodies“ (Dazed and Confused) that made the previous albums staple drops in the playlists of Mary Anne Hobbs, Starkey, Daedelus and Gaslamp Killer to name a few, but there is a new dimension to Koch's production and songwriting that didn’t show on his previous records.

The cinematic vibe of tracks like “Nitesky”, the quirky and moody feel of “Bugs” and the electricity of “Tapedeck” show how Koch more than ever manages to create intimate and timeless pieces of music that are soulful, deep, mysterious and that will appeal to fans of cutting edge Electronica and modern pop music alike. This is the most personal record of Robot Koch to date. Instead of going for big name features Koch teamed up with lesser know artists like Kansas based vocal talent John LaMonica, long time friend and theatre composer Nielson and mexican singer/songwriter Graciela Maria to find the right voices for his compositions. John LaMonica infuses his whimsical and heartfelt melodies that breathe an air of darkness and nostalgia with Koch's fresh and forward thinking instrumentals to create something that fans of Radiohead, The XX and Jamie Lidell should not sleep on.

After the release of the John Robinson collaboration album (“Robot Robinson” – Project Mooncircle) earlier this year, it seems surprising how extensive Robert’s output is, but don’t be mistaken, this album is a longer term project than just releasing the songs Koch made in the last year. Some of the songs found on “The Other Side” were made seven years ago.

SOON BACK IN STOCK WITH ADJUSTED PRICE LEVEL DUE TO VINYL MANUFACTURING REALITY! - 1973 master work and one of the defining statements of Dub-Reggae! - 17 North Parade proudly presents "Java Java Java Java", credited as one of the first three Dub album released in Jamaica. Dub would influence generations of re-mixers and producers of all kind of popular music. Here's the official re-issue - a must for all Dubheads outernational and a perfect example of music stripped to the bone. The Rough Guide To Reggae writes: " The original Errol Thompson-mixed "Java Java Java Java" is legendary, not only for being one of the frst dub albums ever released, but a one built around a version of Pablo's classic of the same title. Among the other rhythms given fairly basic but effectived dubwise treatments are the Heptones' second cut "Guiding Star", Junior Byles' "King Of Babylon", and the marvellous Randy's treatment of the Soul Vendors' "Swing Easy". The mixing might seem primitive by later standards, but, like all the best early dub sets, it brings out the essential strength of the rhythms employed" (with thanks to Steve Barrow & Peter Dalton).

That new type of british rap … feat. Joe Goddard & Roots Manuva!

From a laments perspective you can call this Jahcoozi’s Robot Koch meets Scienz of Life’s John Robinson. However we here at Project: Mooncircle like to see this as two dynamic forces of nature coming together in parallel universes, delivering cosmic opted sonics with science-fiction narrative conventions in a metaphysical tone. Robot Robinson is the FUTURE from Earth to Mars to Venus to Jupiter and Beyond, this project spells out the attempts to bring a different pitch of vocals to the world of Electronic Music. Robinson being no stranger to the scientifical lyrical approach along with Robot’s evolutionary voyage prone soundscapes this one is a sure shot! The Future of Music is in Good Hands.
All tracks produced by Robot Koch. All lyrics by John Robinson.
Artwork and original paintings by Ima One (Japan). Design by Gordon Gieseking.